Rio Movie Quotes

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love John Wayne. I love his cowboy movies especially, which makes sense I guess. Rio Bravo may be my favorite.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
hawk, he would have been bankrupt years ago. I like to build cars and make movies. If you ask me, we would have been better off directing our resources toward making movies than putting up a fancy new building.” “Why did you go along with the plan?” “I didn’t have any choice. I told my father I thought it was a bad idea. He had the final vote. Did you and your father agree on everything when you were growing up?” “Of course not.” “Who usually won the arguments?” “My dad.” He gives me a knowing smile. “Same here. My father wanted to build his dream studio. It was his money. Do you think my opinion on the economic viability of the project carried any weight? He spent his life being told he was a genius. That word isn’t generally used when people talk about me. Now it’s going to cost us a fortune to get out.” Families. Rosie keeps her eye on the ball. “Richard, you told us you left your father’s house around two o’clock. Who was still there?” “My dad, Angelina, and Marty Kent.” “Do you know what time Kent left?” “No.” “Do you have any idea what happened to him?” “I understand he jumped.” Rosie lays the cards on the table. “Do you think he killed your father?” He starts mixing paint again. “I think Angelina killed my father. Then again, nothing Marty did would have surprised me. He was a self-righteous ass. He thought he was the brains behind the operation, and my dad and I were just pawns. And he was really ticked off.” The venom in his tone surprises me. He tells us Kent and his father had been fighting about the China Basin project for months. “Marty thought he was getting screwed. My dad went to the other investors to try to negotiate a bonus for him.” “Did something happen on Friday night?” “Yes. My dad told him that the other investors had vetoed the bonus.” This jibes with the information from Ward. He adds, “There was something else. Marty decided to try to pull some strings at city hall. He hired a consultant to help him get the approvals for the China Basin project.” I decide to play coy. “Do you know his name?” “Armando Rios. Some money may have changed hands. Marty never told me about it. Marty never told me
Sheldon Siegel (Criminal Intent (Mike Daley/Rosie Fernandez Mystery, #3))
from their peak in 2006, and the decline is explained entirely by the evaporation of interesting, intelligent mid-budget films. Studios realized their assumption that they had to make every type of movie for everyone was no longer true. So they focused on the types of movies that delivered the biggest and most consistent profits to their publicly traded parent corporations. Increasingly, that meant movies that appealed to audiences in Russia, Brazil, and China. These consumers weren’t likely to understand the cultural subtleties of an American drama or to consider people talking or even running for their lives to be adequate bang for their buck on an expensive night out. They expected spectacle, particularly if they were paying premiums for an IMAX or 3D screen, and they wanted stories that made sense to a villager in China, a resident of Rio de Janeiro, or a teenager in Kansas City. Transformers, in other words. And The Avengers. And Jurassic World and Fast and Furious and Star Wars. With the exception of 1997’s Titanic, which made a spectacle out of the sinking of a cruise ship and Leonardo DiCaprio’s eyes, the forty-eight highest-grossing Hollywood films overseas are all visual-effects-heavy action-adventure films or family animation.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)