Hudson River Quotes

No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President

The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.

She has that quality, does the Hudson, as I imagine all great rivers do: the deep, abiding sense that those activities what take place on shore among human beings are of the moment, passing, and aren't the stories by way of which the greater tale of this planet will, in the end, be told.

Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble

If I have to hear one more story about what great fun it was working with you 'back in the city,' which I assume he means that slab of concrete and garbage on the Hudson River, I will not be responsible for the removal of his tongue.

I loved the way I could feel him deep in my soul.

The trauma said, 'Don't write this poem. Nobody wants to hear you cry about the grief inside your bones.' But my bones said, 'Remember the boy who dove into the Hudson River convinced he was entirely alone.' My bones said, 'Write the poem.

If you drop a rose in the Hudson River at its mysterious source in the Adiron dacks, think of all the places it journeys by as it goes out to sea forever—think of that wonderful Hudson Valley.

He’ll never be able to hide his feelings for you when he sees you. That’s the thing with enduring love. It can stay buried, you can deny it, but once you are near that person, those feelings pull you together like a magnetic bond.

She ached for him to touch her. As much as her words said "we can't" and as much as she was saying "no" in her head, her heart was saying "please kiss me." "Please just grab me and kiss me before I can say no.

The world of water has a way of perpetuating myths and shrouding lakes in mystery.

Camomille: Fallible men write books. God writes in sunlight and rivers and planets. Isn't the Universe a good book? I trust it above the printed kind.

Men write Bibles. God doesn't. God writes in stars and worlds and seasons and Hudson Rivers and beautiful women. Creation is the good book.

Our beginnings do not foreshadow our ends if one judges by the Hudson River.

Jessica DuLong’s elegantly written "My River Chronicles" brings the past of the Hudson River into the vivid present, and carries forward the craft of literary non-fiction with grace and energy.

I wanted to push away the very thing I wanted. Have you ever had that feeling? Was it because you were so afraid that you wouldn’t get it? Or because you were afraid you would, but deep down didn’t feel you deserved it?

The trauma said, 'Don't write this poem. Nobody wants to hear you cry about the grief inside your bones.' But my bones said, 'Remember the boy who dove into the Hudson River convinced he was entirely alone.' My bones said, 'Write the poem.

Sometimes we can’t find our future until we settle our past.

... He remembered once hearing his grandmother... say plaintively: "Why daughter, I presume I can go without -- BUT I CAN'T ECONOMIZE.

He was always right beside me, but we were never in the same place.

You don’t have to act strong when you are strong. It is only those who are strong enough to risk being broken that are truly unbreakable.

It's like you're the house I never had, the security of walls I never had. I always had to keep my own bricks so tight because there was nothing else to protect me, until I met you.

In rich and captivating prose, Jessica DuLong kindly invites the rest of us on the journey of her lifetime: from a dot-com job to the fabled waters of the Hudson River, where she became a fireboat engineer. This is an unusual and fascinating book.

The river was the Hudson. There were carp in there and we saw them. They were as big as atomic submarines. We saw waterfalls, too, streams jumping off cliffs into the valley of the Delaware.

Unable to swim, he had maneuvered to fall off an old-timers’ party yacht in the Hudson River. His departure was not remarked by the revelers. They motored on toward the Atlantic and he bobbed around in the wash. He couldn’t swim. But he did. He learned how. Before he knew it, he was making time and nearing the dock where a small Italian liner sat dead still, white, three stories high. Nobody was around when he pulled up on a stray rope on the wharf and walked erect to the street, where cars were flashing. Day after tomorrow was his seventieth birthday. What a past, he said. I’ve survived. Further, I’m horny and vindictive. Does the fire never stop?

I love you. I loved you every day since I first met you. No matter what, that will never change." His admission caught her off-guard. It diffused her rage. She could see the passion, the anguish, the wanting, the love, all of it in his eyes as he said with undeniable vehemence that he would never stop loving her. And as she looked into his eyes, she knew that she would never stop loving him either. And it hurt to love him.

Forgiveness was complicated. When someone hurt us, betrayed us, they took something from us, trust, a belief that life was predictable, faith in people. It was easier to stay angry at someone else than to admit how vulnerable we were. We could all get hurt. And the people we loved the most were the ones that could hurt us the greatest. We were most vulnerable to them. But what was love if not giving those parts that scared us.

Somewhere buried deep in my heart was a longing for him, for us, for all that had remained unfinished. I only wished that my heart understood the way my mind did, that some questions could never be answered, that some words needed to remain unsaid, that some of our most significant relationships needed to be severed.

She felt a wave of fury overtake her as she looked at him standing there naked. She loved him with everything she had, but the love ripped her heart right out.

You could crush me right now if you walked away, but I would survive because I would know that I gave it everything I had.

Water creates so much beauty, life and mystery.

Her face was like a clear pool reflecting every change in a shifting sky.

Not trusting him and him not being trustworthy are two different things.

Not all heroes come swooping in to rescue a damsel in distress. I think the greatest heroes are the ones that inspire us, the ones that help us recognize the hero within ourselves.

Instead of taking in the splendor of the emerging fall colors and the choppy Hudson River, his eyes scanned her face like it was a million miles of heaven.

Dating on this island is like fishing in the Hudson River. There's a real strong chance that anything you catch is either toxic, diseased, or dead inside.

If you drop a rose in the Hudson River at its mysterious source in the Adirondacks, think of all the places it journeys by as it goes out to sea forever—think of that wonderful Hudson Valley.

Despite its cosmopolitan airs, New York manufactures its own distinctive brand of high-IQ hicks: people [...] whose comprehension of the world beyond the Hudson River is willfully nonexistent.

A brick could be used like March 5th marches in a marching band. And guess what, as the marching band director, I am the cement that holds everyone’s shoes in sync at the bottom of the Hudson River.


Mo and I were walking up from the path that runs along the Hudson River to the middle level of Riverside Park on the Upper West Side. The park is one of my favorite places in New York City. It has three levels and runs from 72nd Street to 158th Street.

An industrial map in the mid-twentieth century colored New York’s Hudson River black. The mapmakers considered a black river a good thing—full of industry! The more factory outputs, the more progress. When that map was made, “nature” was widely seen as a resource to be exploited. Few people considered the consequences of careless disposal of industrial waste. The culture has shifted dramatically over the last fifty years. When I share this story today, most people shudder and ask how anyone could think of a polluted river as good.   But today we are doing the same thing with the river of culture. Think of the arts and other cultural enterprises as rivers that water the soil of culture. We are painting this cultural river black—full of industry, dominated by commercial interests, careless of toxic byproducts—and there are still cultural mapmakers who claim that this is a good thing. The pollution makes it difficult to for us to breathe, difficult for artists to create, difficult for any of us to see beauty through the murk.

I thought love was meant to be an easy, peaceful thing, Lillias. But it's like life itself. It's maddening. And beautiful. And changeable and funny and passionate. It's...like a Hudson River Valley sunset. Underneath all that fire and glory the sky is ever constant. It's like you. For me, it is you.

Most of the streets in Manhattan go in just one direction. Some of the larger crosstown streets and some of the major north—south avenues have two-way traffic, but in general, the odd-numbered streets go west, toward the Hudson River, and the “evens go east,” as Jane, the native New Yorker, taught me.

Mistakes we make in the past sometimes keep us connected. Heartache keeps us connected. We want the past to be forgotten, to forget the people we’ve hurt and those who have hurt us and yet, it’s always there, in the periphery of our consciousness, because it has defined part of our life. A part of who we are.

We woke up before the sun, hitched the oxen to the wagon, herded the cattle out of the Platt’s pasture where they had spent the night, and started off again on the road toward Peekskill. Peekskill was on the Hudson River. We would turn south there and go down the river about five miles to Verplancks Point. From North Salem to Peekskill was more than twenty miles. It would take us all day to make fifteen miles to our next stop, Father’s friends south of Mohegan. We were supposed to pick up another escort. I hoped we would find it soon. I didn’t like traveling through this country alone, and I kept looking around all the time for galloping horsemen.

Maybe it’s better to be with someone you don’t love too much. Someone you love just enough, but not so much that it could destroy you.

Happiness is a frightening state of being. If we let ourselves be happy, then there is something that can always be taken from us. In one minute, one second, everything can change.

I think what we want is within us from the beginning. I think fear can distract us from knowing the truth of who we are and what we want.

You have been with me all along, even when it hurt like hell you have been with me, because I love you. And when you love someone they are with you forever.

Between the empty spaces is a place called forever.

Mistakes we make in the past sometimes keep us connected. Heartache sometimes keeps us connected.

I didn't want to go down a road I'd already been on. Why was it so hard to turn away from something that was already gone?

Until you, I never realized that people could change us. That we could find more within ourselves, that we always have more to give when we find people we want to give things to.

Her books, and some inner source of life, had kept her warm.

Courage is about the most useful thing in an artist's outfit.

The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.

Mais, en attendant, c'était déjà merveilleux de s'asseoir dans le coin d'une salle silencieuse, avec des volumes empilés en face de lui, les mains plongées dans les cheveux, l'âme immergée dans un monde nouveau

And even as this old guide-book boasts of the, to us, insignificant Liverpool of fifty years ago, the New York guidebooks are now vaunting of the magnitude of a town, whose future inhabitants, multitudinous as the pebbles on the beach, and girdled in with high walls and towers, flanking endless avenues of opulence and taste, will regard all our Broadways and Bowerys as but the paltry nucleus to their Nineveh. From far up the Hudson, beyond Harlem River where the young saplings are now growing, that will overarch their lordly mansions with broad boughs, centuries old; they may send forth explorers to penetrate into the then obscure and smoky alleys of the Fifth Avenue and Fourteenth Street; and going still farther south, may exhume the present Doric Custom-house, and quote it as a proof that their high and mighty metropolis enjoyed a Hellenic antiquity.

She’d learned how to arm her face the minute she stepped out the door because of boys and men who cast lines her way like she was another fish in that filthy Hudson they called a river. She learned New York evolved because it survived on blood. It was loud because it was a symphony of people shouting their dreams and hoping to be heard. Marimar had longed to add her dreams to that song but when she tried, her voice was a whisper.

Juet's journal frequently records how only a tiny quantity of alcohol was needed to get the Indians drunk, 'for they could not take it'; and tales of the drunkenness that greeted Hudsons' arrival persisted among the native Indians until the last century. Indeed Heckewelder claims that the name Manhattan is derived from the drunkenness that took place there, since the Indian word 'manahactanienk' means 'the island of general intoxication'.

Love. The only emotion that could twist you into such a knot that you could no longer distinguish between wanting to be with someone and wanting to destroy everything you shared. Love. The only emotion that could break the same person it had healed.

the Dutch West Indies Company, or WIC, plied the Atlantic. In order to control trade on the important Hudson River, WIC built a settlement called New Amsterdam on an island at the river’s mouth. The colony was threatened by Indians and repeatedly attacked by the British, who eventually captured it in 1664. The British changed its name to New York. The remains of the wall built by WIC to defend its colony against Indians and British are today paved over by the world’s most famous street – Wall Street.

On the morning of what should have been Amelia Ashley's birthday, the river valley that had once housed High Bridge changed for Joshua Mayhew. For the first time in many years, it seemed beautiful to him. For the first time in many years, it was beautiful.

While VOC operated in the Indian Ocean, the Dutch West Indies Company, or WIC, plied the Atlantic. In order to control trade on the important Hudson River, WIC built a settlement called New Amsterdam on an island at the river’s mouth. The colony was threatened by Native Americans and repeatedly attacked by the British, who eventually captured it in 1664. The British changed its name to New York. The remains of the wall built by WIC to defend its colony against Native Americans and British are today paved over by the world’s most famous street – Wall Street.

She has that quality, does the Hudson, as I imagine all great rivers do: the deep, abiding sense that those activities what take place on shore among human beings are of the moment, passing, and aren’t the stories by way of which the greater tale of this planet will, in the end, be told….

The moment I stepped out the front door I was faced again with Manhattan. There it was, oh splendid ship of concrete and steel, aluminum, glass and electricity, forging forever up the dark river. (The hudson - like a river of oil, filthy and rich, gleaming with silver lights.) Manhattan at twilight: floating gardens of tender neon, the lavender towers where each window glittered at sundown with reflected incandescence, where each crosstown street became at evening a gash of golden fire, and the endless flow of the endless traffic on the West Side Highway resembled a luminous necklace strung round the island's shoulders.

Critics of disparities often either explicitly or implicitly call for some kind or approximation of equality. But when we speak of “equality” among human beings, what do we mean? We certainly cannot all sing like Pavarotti, think like Einstein or land a commercial airliner safely in the Hudson River like pilot “Sully” Sullenberger. Clearly we cannot all be equally capable of doing concrete things. In terms of specific capabilities in real life, a given man is not even equal to himself at different stages of life—sometimes not even on different days—much less equal to all others who are in varying stages of their own lives.

I don’t want you to be someone you’re not. I think it’s one of the most beautiful things about love and one of the most tragic. We can only love people fully and completely when we let them be who they are. And sometimes that means you can love someone who you can’t be in a relationship with, because you want different things.

Henry Hudson was in his forties when he stepped into the light of history, a seasoned mariner, a man with a strong and resourceful wife and three sons, a man born and raised not only to the sea but to the quest for a northern passage to Asia, who, weaned from infancy on the legends of his predecessors, probably couldn't help but be obsessed by it.

In the Village III Who has removed the typewriter from my desk, so that I am a musician without his piano with emptiness ahead as clear and grotesque as another spring? My veins bud, and I am so full of poems, a wastebasket of black wire. The notes outside are visible; sparrows will line antennae like staves, the way springs were, but the roofs are cold and the great grey river where a liner glides, huge as a winter hill, moves imperceptibly like the accumulating years. I have no reason to forgive her for what I brought on myself. I am past hating, past the longing for Italy where blowing snow absolves and whitens a kneeling mountain range outside Milan. Through glass, I am waiting for the sound of a bird to unhinge the beginning of spring, but my hands, my work, feel strange without the rusty music of my machine. No words for the Arctic liner moving down the Hudson, for the mange of old snow moulting from the roofs. No poems. No birds.

Benedict Arnold was appointed to the rank of general in the Continental Army by George Washington during the American War of Independence. It was up to him to protect the fortifications at West Point, New York, which in 1802 became the U.S. Military Academy. Arnold however planned to surrender his command to the British forces. When his treasonous act was discovered Arnold fled down the Hudson River to the British sloop-of-war Vulture, avoiding capture by the forces of George Washington, who had previously been alerted to the plot. Arnold was hailed a hero by the British, who gave him a commission in the British Army as brigadier general. In the winter of 1782, after the war, he moved to London with his wife where he was received as a hero by King George III. In the United States his name "Benedict Arnold" became synonyms for the words “TRAITOR & TREASON.” Cohorting with a foreign power to overthrow the government or purposely aiding the enemy is an act of Treason!

Zet and Lottie swam into New York City from the skies—that was how it felt in the Pacemaker, rushing along the Hudson at sunrise. First many blue twigs overhanging the water, than a rosy color, and then the heavy flashing of the river under the morning sun. They were in the dining car, their eyes were heavy. They were drained by a night of broken sleep in the day coach, and they were dazzled. They drank coffee from cups as heavy as soapstone, and poured from New York Central pewter. They were in the East, where everything was better, where objects were different. Here there was deeper meaning in the air. After changing at Harmon to an electric locomotive, they began a more quick and eager ride. Trees, water, sky, and the sky raced off, floating, and there came bridges, structures, and at last the tunnel, where the air breaks gasped and the streamliner was checked. There were yellow bulbs in wire mesh, and subterranean air came through the vents. The doors opened, the passengers, pulling their clothing straight, flowed out and got their luggage, and Zet and Lottie, reaching Forty-second Street, refugees from arid and inhibited Chicago, from Emptyland, embraced at the curb and kissed each other repeatedly on the mouth. They had come to the World City, where all behavior was deeper and more resonant, where they could freely be themselves, as demonstrative as they liked. Intellect, art, the transcendent, needed no excuses here. Any cabdriver understood, Zet believed.

Arnold had never given much thought to whether or not he loved America—but now it seemed pretty obvious to him that he didn’t. Not in the way Nathan Hale had loved America. Or even in the way his late father, a Dutch-Jewish refugee, had loved America. In fact, he found the idea of sacrificing his life for his country somewhat abhorrent. Moreover, it wasn’t that he disliked abstract loyalties in general. He loved New York, for instance: Senegalese takeout at three a.m., and strolling through the Botanical Gardens on the first crisp day of autumn, and feeding the peacocks at the Cathedral of St. John the Divine. If Manhattan were invaded—if New Jersey were to send an expeditionary force of militiamen across the Hudson River—he’d willingly take up arms to defend his city. He also loved Sandpiper Key in Florida, where they owned a time-share, and maybe Brown University, where he’d spent five years of graduate school. But the United States? No one could mistake his qualified praise for love.

The royal couple stood on the rear platform of the train as it pulled out and the people who were gathered on the banks of the Hudson suddenly began to sing, "Auld Lang Syne." There was something incredibly moving about the scene—the river in the evenign light, the voices of many people singing this old song, and the train slowly pulling out with the young couple waving good-by. One thought of the clouds that hung over them and the worries they were going to face, and turned away and left the scene with a heavy heart.

It seemed to him that here began that slow, and somehow desperately painful recognition that the enchanted world of wealth and love and beauty, of living fulfillment and of fruitful power, which he had visioned as a child in all his dreams about the fabled rich along the Hudson river - did not exist; and that he must look for that grand life in ways stranger, darker, and more painful in their labyrinthine complications than any he had ever dreamed of as a child; and that, like Moses, he must strike water from the common stone of life, and like Samson, take honey from the savage lion's maw of the great world, find all the joy of living that he had lusted for in the blind swarm, the brutal stupefaction of the streets; goodness and truth in the mean hearts of common men; and beauty in the only place where it can ever be found - inextricably meshed, inwrought, and interwoven in that great web of horror, pain and sweat and bitter anguish, that great woven fabric of blind cruelty, hatred, filth and lust and tyranny and injustice, of joy, of faith, of love, of courage and devotion - that makes up life, and that resumes the world.

and at one point she held my hand and asked what I was thinking, and I told her that you had once been a dolphin in the Banana River, that you had saved me from drowning, that it had felt too Disney to ever say out loud but that I wanted her to know me, I wanted to tell her more, to blow it wide open, and I nearly told her my real name, but I was too startled by her face, her faint smile, the way she nodded her head. I could tell she thought I was crazy, or making shit up, and I suppose I don't blame her. I stared at the deep, dark, dolphin-free Hudson, a real river with a swift current, and thought about trying again.

He lifted one bottle into the light. " 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.' "Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' " He picked up the other bottle. "This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland." He put the two bottles on the bed. "One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.

His home was a part of him, an externalized expression of his will, for upon his inherited Dutch Manor house he had superimposed the Gothic magnificence which he desired. He had been attracted by the formulations of Andrew Downing, the young landscape architect who lived on the river at Newburgh and whose directions for building "romantic and picturesque villas" were changing the countryside; but it was not in Nicholas to accept another's ideas, and when five years ago he had remodeled the old Van Ryn homestead, he had used Downing simply as a guide. To the original ten rooms he had added twenty more, the gables and turrets, and the one high tower. The result, though reminiscent of a German Schloss on the Rhine, crossed with Tudor English and interwoven with pure fantasy, was nevertheless Hudson River American and not unsuited to its setting. The Dragonwyck gardens were as much as an expression of Nicholas' personality as was the mansion, for here, he had subdued Nature to a stylized ornateness. Between the untouched grove of hemlocks to the south and the slope of a rocky hill half a mile to the north he had created along the river an artificial and exotic beauty. To Miranda it was overpowering, and she felt dazed as they mounted marble steps from the landing. She was but vaguely conscious of the rose gardens and their pervasive scent, of small Greek temples set beneath weeping willows, of rock pavilions, violet-bordered fountains, and waterfalls.

It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.

There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A

Every bit of evidence would suggest that the will to be moving is as old as mankind. Take the people in the Old Testament. They were always on the move. First, it's Adam and Eve moving out of Eden. Then it's Cain condemned to be a restless wanderer, Noah drifting on the waters of the Flood, and Moses leading the Israelites out of Egypt toward the Promised Land. Some of these figures were out of the Lord's favor and some of them were in it, but all of them were on the move. And as far as the New Testament goes, Our Lord Jesus Christ was what they call a peripatetic--someone who's always going from place to place--whether on foot, on the back of a donkey, or on the wings of angels. But the proof of the will to move is hardly limited to the pages of the Good Book. Any child of ten can tell you that getting-up-and-going is topic number one in the record of man's endeavors. Take that big red book that Billy is always lugging around. It's got twenty-six stories in it that have come down through the ages and almost every one of them is about some man going somewhere. Napoleon heading off on one of his conquests, or King Arthur in search of the Holy Grail. Some of the men in the book are figures from history and some from fancy, but whether real or imagined, almost every one of them is on his way to someplace different from where he started. So, if the will to move is as old as mankind and every child can tell you so, what happens to a man like my father? What switch is flicked in the hallway of his mind that takes the God-given will for motion and transforms it into the will for staying put? It isn't due to a loss of vigor. For the transformation doesn't come when men like my father are growing old and infirm. It comes when they are hale, hearty, and at the peak of their vitality. If you asked them what brought about the change, they will cloak it in the language of virtue. They will tell you that the American Dream is to settle down, raise a family, and make an honest living. They'll speak with pride of their ties to the community through the church and the Rotary and the chamber of commerce, and all other manner of stay-puttery. But maybe, I was thinking as I was driving over the Hudson River, just maybe the will to stay put stems not from a man's virtues but from his vices. After all, aren't gluttony, sloth, and greed all about staying put? Don't they amount to sitting deep in a chair where you can eat more, idle more, and want more? In a way, pride and envy are about staying put too. For just as pride is founded on what you've built up around you, envy is founded on what your neighbor has built across the street. A man's home may be his castle, but the moat, it seems to me, is just as good at keeping people in as it is at keeping people out.

—a slave was owned by a Continental Army soldier who'd been killed in the French and Indian War. The slave looked after the soldier's widow. He did everything, from dawn to dark didn't stop doing what needed to be done. He chopped and hauled the wood, gathered the crops, excavated and built a cabbage house and stowed the cabbages there, stored the pumpkins, buried the apples, turnips, and potatoes in the ground for winter, stacked the rye and wheat in the barn, slaughtered the pig, salted the pork, slaughtered the cow and corned the beef, until one day the widow married him and they had three sons. And those sons married Gouldtown girls whose families reached back to the settlement's origins in the 1600s, families that by the Revolution were all intermarried and thickly intermingled. One or another or all of them, she said, were descendants of the Indian from the large Lenape settlement at Indian Fields who married a Swede—locally Swedes and Finns had superseded the original Dutch settlers—and who had five children with her; one or another or all were descendants of the two mulatto brothers brought from the West Indies on a trading ship that sailed up the river from Greenwich to Bridgeton, where they were indentured to the landowners who had paid their passage and who themselves later paid the passage of two Dutch sisters to come from Holland to become their wives; one or another or all were descendants of the granddaughter of John Fenwick, an English baronet's son, a cavalry officer in Cromwell's Commonwealth army and a member of the Society of Friends who died in New Jersey not that many years after New Cesarea (the province lying between the Hudson and the Delaware that was deeded by the brother of the king of England to two English proprietors) became New Jersey.

It was clear just how much Tommy loved the city. New York City. The CKY Grocery on Amsterdam had giant, bright red Spartan apples every day of the year, even if it wasn’t the right season. He loved that grocery, and the old, shaky Persian man who owned it. Tommy emphatically, yet erroneously believed that the CKY Grocery was the genuine heart of the great city. All five boroughs embodied distinct feelings for him, but there was only one that he’d ever truly romanticized. To him, Manhattan was the entire world. He loved everything between the East River and the Hudson; from the Financial District up to Harlem; from Avenue A to Zabar’s. He loved the four seasons, although autumn was easily the most anticipated. To Tommy, Central Park’s bright, almost copper hues in the fall were the epitome of orange. He loved the unique perfume of deli meats and subway steam. He loved the rain with such verve that every time it so much as drizzled, he would turn to the sky so he could feel the drops sprinkle onto his teeth. Because every raindrop that hit him had already experienced that much envied journey from the tips of the skyscrapers all the way down to the cracked and foot-stamped sidewalks. He believed every inch of the city had its own predetermined genre of music that suited it to a tee. The modal jazz of Miles Davis and Wayne Shorter was absolutely meant for the Upper East Side, north of 61st Street. Precisely between Gershwin and gospel. He loved the view from his apartment, even if it was just the leaves of the tree outside in July or the thin shadows of its bare branches crawling along the plain brick wall in January. Tommy loved his career. He loved his friends. And he loved that first big bite of apple I watched him take each and every morning. Everything was perfect in the city, and as long as things remained the way he wanted them to, Tommy would continue to love the city forever. Which is exactly why his jaw dropped when he opened the letter he found in his mailbox that morning. The first bite of still un-chewed apple fell out of his mouth and firmly planted itself within the crack of that 113th Street sidewalk.

All nations have rivers, lakes and streams, but the continental United States has been blessed with an abundance of fresh water lakes (such as the Great Lakes which are themselves 20% of the world’s fresh water lakes, the Great Salt Lake and the lakes created by the Corps of Engineers), wide rivers (the Mississippi, the Ohio, the Missouri, the Colorado, the Hudson, the Potomac, the Rio Grande, the Columbia, etc.) and is surrounded by both the Atlantic and Pacific Oceans, a location shared only by Canada and a handful of Central American nations.

How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10

There is no word to describe exactly what the High Line is to the non-architects among us, nor the collective reframing process required to see beyond its dingy path. 24 The promenade’s landscaping and minimal architectural interference is meant to find a balance between “melancholia and exuberance,” Diller told me. “Whatever that intermediate thing is, it’s ineffable and is kind of what makes the High Line so popular.” “Part of what is so successful about the High Line is that it looks like it’s about nothing,” Diller said. Everything is prohibited on the promenade but the act of moving forward or stopping to look at the vistas from that vantage point. A dedicated place for strolling, where there are no dogs, no bicycles, or wheeled objects of any kind, it is “radically old fashioned,” designed to let us do what we ordinarily don’t, like taking time to linger and gaze at passing traffic. There is even a “sunken overlook” viewing station with movie-theater-style rows of descending seats and a window instead of a screen to see Tenth Avenue’s traffic instead of a featured film. Looking at the path beneath our feet and the view before us are the High Line’s activities. The High Line’s path will extend up the island in nearly interminable stages, “perpetually unfinished.” 25 As if to underscore it, on the west-facing side of the High Line, with views of the skyline and the Hudson River, sculptor Anatsui erected a monumental mural, Broken Bridge II, a three-dimensional painting the size of a city block made of flattened, dull-finish tin and mirrors with expert placement and hours of scaling. The vista in its upper reaches blends sky and land “in such a way that you do not know where mirrors end and sky begins.” 26 Anatsui, known for his radiant, monumental murals with a unique luster, fashioned as they are out of recycled metal bottle caps from his studio in Nigeria, starts his work from an approximate center with exquisite discards. He then builds outward, unscrolling the once-scattered shards so that they shine in their new form, as if they could unfurl to the full extent of vision.

Does anyone come to New York clean? I'm afraid not. But crossing the Hudson I thought of crossing Lethe, milky river of forgetting.

The Hoboken waterfront was still familiar to me from earlier years when I walked along River Street on my way to catch the trolley or the electrified Public Service bus home from the Lackawanna Ferry Terminal. Remembering the gray-hulled Liberty Ships being fitted out for the war at these dilapidated piers, was still very much embedded in my memory. Things had not changed all that much, except that the ships that were once here were now at the bottom of the ocean, sold, or nested at one of the “National Defense Reserve Fleets.” Many of them were moved to the Reserve fleet located on the western side of the Hudson River, south of the Bear Mountain Bridge. I vividly recall seeing these nested ships when I occasionally drove north to Bear Mountain State Park on the west side of the Hudson River along Route 9W in Rockland County, New York.

I knew Hoboken well during the 40’s & 50’s, and still remember the gray, steel-hulled Liberty and Victory Ships with their gun encasements on their bows, looming above the sheds on the waterfront along River Street. Much of this area has been reclaimed with fill and is very different looking now, with brownstones, parks and Sinatra Drive along the waterfront. Where I once walked is now gone! Where I rode the ferry to New York City and marveled at the ships in the Hudson River and the tall buildings in Manhattan has all changed. At that time I took grainy photos of my world with a Baby Brownie Camera, and still have some of them in an old album.

a catastrophe under the Hudson River is inevitable

When she arrived in Castine the USS Comfort was a tired, World War II vintage Hospital Ship. Her keel had been laid as a Maritime Commission C1-B hull, which was most frequently used in the construction of troop ships. Built by the Consolidated Steel Corporation in Wilmington, California, she was launched on March 18, 1943. As the USS Comfort (AH-6), a naval hospital ship, she served in the South Pacific during World War II, having a U.S. Navy crew and an Army medical staff. In 1945, the USS Comfort took part in the battle of Okinawa, and was struck by a kamikaze pilot, killing 28 of the ship’s personnel, including six nurses, and wounding 48 additional people. When she was decommissioned and struck from the Naval Vessel Register, her title was retained by the U.S. Army. Not being needed, she was taken up to the Hudson River Reserve Fleet near Bear Mountain in New York. In 1949 her title was returned to the Maritime Commission, who on August 24, 1953, assigned her to Maine Maritime Academy for use as a training ship.

three years longer at home or till the age of sixteen, when I struck out for myself, pretty much on my own hook, resolved to hunt for furs with some company, or hunt Indians, or do any thing else that would pay. While working on my father’s plantation I had become familiar with the rifle and shot gun, and indeed had to provide nearly all the meat for the family; but game was plenty and that was an easy task, much easier than pleasing the mistress who took no pains to give me any educational advantages. Though young, I was nearly full grown when I found an excellent chance to join a fur company that had just started out from St. Louis, under the lead of Charles Bent, and were going out to a fort and trading-post called Bent’s Fort, some three hundred miles south of Pike’s Peak on Big Arkansas river. The party consisted of about sixty men. The more prominent hunters were Charles Bent, Guesso Chauteau, William Savery, and two noted Indian trappers named Shawnee Spiebuck, and Shawnee Jake. Some of the party were agents of, and interested in, the Hudson’s Bay fur company, having their head-quarters at St. Louis. This was in 1835. As I shall have considerable to say of some of this party, a brief description of them may be of interest to the reader. Charles Bent, the leader of the party, and a manager of the fur business at Bent’s Fort, was a native of St. Louis, Mo., and a brother of the famous Captain Bent who originated the theory called the “Thermal Gateways to the Pole.” |At the time I joined his party, he was about thirty-five years of age, light complexioned, heavily built, tending to corpulency. In all my acquaintance with him I always found

The Hoboken waterfront was still familiar to me from earlier years when I walked this way to catch the trolley or the electrified Public Service bus home from the Lackawanna Ferry Terminal. Remembering the gray-hulled Liberty Ships being fitted out for the war at these dilapidated piers, was still very much embedded in my memory. Things had not changed all that much, except that the ships that were once here were now at the bottom of the ocean, sold, or nested at one of the “National Defense Reserve Fleets.” Many of them were moved to the Reserve fleet located on the western side of the Hudson River, south of the Bear Mountain Bridge. I vividly recall seeing these nested ships when I accompanied my parents to visit my Uncle Willie and Tante Martha at their home in Towners, New York.

A tunnel that went under the Hudson River.

The Haunted Mansion is modeled after houses where the Headless Horseman story was set. Houses built in the 18th century in the picturesque Hudson River Valley, now a National Heritage area and home to well-preserved dwellings from several different epochs in American history, provided the thematic inspiration for the general look of the Haunted Mansion. The Hudson River Valley is also the setting for the legend of Sleepy Hollow and the Headless Horseman—a perfect thematic fit for the Haunted Mansion.

Studies show that enthusiastic people get better breaks. They’re promoted more often, have higher incomes, and live happier lives. That’s not a coincidence. The word enthusiasm comes from the Greek word entheos. Theos is a term for “God.” When you’re enthusiastic, you are full of God. When you get up in the morning excited about life, recognizing that each day is a gift, you are motivated to pursue your goals. You will have a favor and blessing that will cause you to succeed. The eight undeniable quality of a winner is that they stay passionate throughout their lives. Too many people have lost their enthusiasm. At one time they were excited about their futures and passionate about their dreams, but along the way they hit some setbacks. They didn’t get the promotions they wanted, maybe a relationship didn’t work out, or they had health issues. Something took the wind out of their sails. They’re just going through the motions of life; getting up, going to work, and coming home. God didn’t breathe His life into us so we would drag through the day. He didn’t create us in His image, crown us with His favor, and equip us with His power so that we would have no enthusiasm. You may have had some setbacks. The wind may have been taken out of your sails, but this is a new day. God is breathing new life into you. If you shake off the blahs and get your passion back, then the winds will start blowing once again--not against you, but for you. When you get in agreement with God, He will cause things to shift in your favor. On January 15, 2009, Capt. Chelsey “Sully” Sullenberger successfully landed a jet airplane in the Hudson River after the plane’s engines were disabled by multiple bird strikes. Despite the dangers of a massive passenger plane landing in icy waters, all 155 passengers and crew members survived. It’s known as the “Miracle on the Hudson.” Just after the successful emergency landing and rescue, a reporter asked a middle-aged male passenger what he thought about surviving that frightening event. Although he was shaken up, cold and wet, the passenger had a glow on his face, and excitement in his voice when he replied: “I was alive before, but now I’m really alive.” After facing a life-and-death situation, the survivor found that his perspective had changed. He recognized each moment as a gift and decided that instead of just living, he would start really living.

I dunno. I think you’re running again. I think you need to take a chance. For once, let go of the control.

…we dipped down into the tunnel taking us under the Hudson River and into the heart of the “Big Apple.” I knew New York City well, so it only took minutes before I found my way to 42nd Street and was on the Great White Way! There was a sense of excitement being surrounded by people who all seemed to be in a hurry to get somewhere. I ambled over to 8th Avenue, and found one of many bars advertising two drinks for the price of one. I entered thinking that in uniform I looked old enough to be served, but was still surprised when it happened. I don’t remember how much money I had on me, but it couldn’t have been much. Sitting at the bar, I blended in and no one seemed to care, so I had the second glass of what must have been the cheapest whiskey ever sold. Fortified by liquid courage, I started to feel bigger than life, and I thought to myself that if nobody else cared, why should I? The world was my oyster and I was the “King of the Hill.” The bartender asked if I wanted another drink. Looking at my watch I suddenly realized that it was later than I thought…. Where had the time gone? I had to get back! I had just arrived in the City and couldn’t believe how fast the time had flown by. I hurried to the new Port Authority Bus Terminal two blocks away and luckily caught the bus to Perth Amboy just in time. I felt a little lightheaded, but had it together enough to realize that I was racing against the clock. The bus seemed to take forever, making many more stops for red lights than I expected….

Most of the theaters in Jersey City and the surrounding area have been closed, demolished, renovated or restored, but nothing remained the same. The Stanley Theatre still stands in Journal Square, completely restored as a Jehovah’s Witnesses Assembly Hall. Originally built as a vaudeville and movie theater, having 4,300 seats, it opened on March 22, 1928 as the second largest theater in the United States. With only Radio City Music Hall in Manhattan across the Hudson River being larger, many celebrities attended the gala occasion. The well liked but notorious Mayor Hague was present to cut the ribbon. Famous and not-so-famous headline acts performed here, including the Three Stooges, Jimmy Durante, Tony Bennett and Janis Joplin. It was here at the Stanley Theatre that Frank Sinatra was inspired to become a professional performer. Being part of the audience, he watched Bing Crosby doing a Christmas performance. By the time the show was over, Sinatra had decided on the path he would follow. In 1933 Frank’s mother got him together with a group called the “Three Flashes.” They changed their name to the “Hoboken Four” and won first prize performing on the Major Bowes Amateur Hour show. Frank worked locally until June of 1939, when Harry James hired him for a one-year contract, paying only $75 a week. That December, Sinatra joined Tommy Dorsey’s band as a replacement vocalist for Jack Leonard, and the rest is history!

I do not know if he had a name, but I called him North, an appellation I think Beck would have approved of, for it was the name the Dutch called the Hudson River when they first came here, when men set to changing the world in their image, and gave all the wild things their own names.