Returning To Hometown Quotes

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Someday, I would like to go home. The exact location of this place, I don't know, but someday I would like to go. There would be a pleasing feeling of familiarity and a sense of welcome in everything I saw. People would greet me warmly. They would remind me of the length of my absence and the thousands of miles I had travelled in those restless years, but mostly, they would tell me that I had been missed, and that things were better now I had returned. Autumn would come to this place of welcome, this place I would know to be home. Autumn would come and the air would grow cool, dry and magic, as it does that time of the year. At night, I would walk the streets but not feel lonely, for these are the streets of my home town. These are the streets that I had thought about while far away, and now I was back, and all was as it should be. The trees and the falling leaves would welcome me. I would look up at the moon, and remember seeing it in countries all over the world as I had restlessly journeyed for decades, never remembering it looking the same as when viewed from my hometown.
Henry Rollins
She had resisted returning there because to return to one’s hometown felt like surrender.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
We wander in our thousands over the face of the earth, the illustrious and the obscure, earning beyond the seas our fame, our money, or only a crust of bread; but it seems to me that for each of us going home must be like going to render an account. We return to face our superiors, our kindred, our friends--those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties,--even those for whom home holds no dear face, no familiar voice,--even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its trees--a mute friend, judge, and inspirer.
Joseph Conrad (Lord Jim)
We wander in our thousands over the face of the earth, the illustrious and the obscure, earning beyond the seas our fame, our money, or only a crust of bread; but it seems to me that for each of us going home must be like going to render an account.
Joseph Conrad (Lord Jim)
Oh, but once one has returned to the land of one's birth – there is no place more constricting – one's surroundings no longer permit such freedom, and one can no longer simply transcend the demands of social position.
Kafū Nagai (Three Japanese Short Stories)
Music really did mean something to him, he realized, and it always had. It called to him, although there were no words to describe what it promised. It was like a secret language he never forgot how to speak, a hometown he could always return to when he tired of what life was throwing at him.
Tad Williams
to return to one’s hometown felt like surrender
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
I could leave here and return to my hometown, but I would not return as the person I was when I left,’ he explained. ‘I would not recognize anyone. And no one would recognize me.
Patrick deWitt (The Sisters Brothers)
No matter how hard I look, a nagging sense of unease won't disappear. Perhaps the only way to find the HEIMAT that I've lost is to look back; to move beyond the abstract shame and ask those questions that are really difficult to ask - about my own hometown, about my father's and mother's families. To make my way back to the towns where each of them is from. To return to my childhood, go back to the beginning, follow the breadcrumbs, and hope they'll lead the way home.
Nora Krug (Belonging: A German Reckons with History and Home)
It had been four years. Four years ago, the return home had been to take care of paperwork related to the family registry when I got married. When I thought back on it, what a pointless trip! I thought it was all paperwork. The problem was that nobody else thought it. It comes down to the different ways in which minds work. What's over for one person isn't over for another. But the path splits in two different directions, and so you end up apart. From that point on there was no hometown for me. Nowhere to return to. What a relief! No one to want me, no one to want anything from me.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes. In the relativism and despair, in the waiting for the bombs to begin, for the blood (now spurting in Korea, in Germany, in Russia) to flow and trickle before your own eyes, you wonder with a quick sick fear how to cling to earth, to the seeds of grass and life. You wonder about your eighteen years, ricocheting between a stubborn determination that you've done well for your own capabilities and opportunities... that you're competing now with girls from all over America, and not just from the hometown: and a fear that you haven't done well enough - You wonder if you've got what it takes to keep building up obstacle courses for your self, and to keep leaping through them, sprained ankle or not. Again the refrain, what have you for your eighteen years? And you know that whatever tangible things you do have, they cannot be held, but, too, will decompose and slip away through your coarse-skinned and death-rigid fingers. So you will rot in the ground, and so you say, what the hell? Who cares? But you care, and somehow you don't want to live just one life, which could be typed, which could be tossed off in a thumbnail sketch = "She was the sort of girl.... And end in 25 words or less.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
In Tokyo he longed to return to his hometown as soon as he could, even if only for a short time, to see his friends again. At that point Nagoya was the place he needed to go back to. He shuttled back and forth between two different places for a little over a year. But then, without warning, the cycle was broken. After this, he no longer had a place to go, or a place to which he could return.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
The current narrative we seem to tell ourselves about our privacy is that it is a sort of currency we trade to corporations in return for innovation. But the corporation has an insatiable appetite for our most personal data in order to drive us to consume during our every waking moment. I think this is critical, because in some ways social networks are powerful engines of conformity. The ability for students to develop their own ideas, identities, and political affiliations should take place outside of the panopticon view of Facebook, but whether this is any longer possible is an open question. My own memory is that the development of my political and cultural persona between the ages of fifteen and twenty-one had a lot to do with being outside the zone of judgment of my parents, their conservative peers from my hometown, Cleveland, and maybe even from my siblings. I’m not sure that it could happen if we were all on Facebook together.
Jonathan Taplin (Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy)
As I finished my rice, I sketched out the plot of a pornographic adventure film called The Massage Room. Sirien, a young girl from northern Thailand, falls hopelessly in love with Bob, an American student who winds up in the massage parlor by accident, dragged there by his buddies after a fatefully boozy evening. Bob doesn't touch her, he's happy just to look at her with his lovely, pale-blue eyes and tell her about his hometown - in North Carolina, or somewhere like that. They see each other several more times, whenever Sirien isn't working, but, sadly, Bob must leave to finish his senior year at Yale. Ellipsis. Sirien waits expectantly while continuing to satisfy the needs of her numerous clients. Though pure at heart, she fervently jerks off and sucks paunchy, mustached Frenchmen (supporting role for Gerard Jugnot), corpulent, bald Germans (supporting role for some German actor). Finally, Bob returns and tries to free her from her hell - but the Chinese mafia doesn't see things in quite the same light. Bob persuades the American ambassador and the president of some humanitarian organization opposed to the exploitation of young girls to intervene (supporting role for Jane Fonda). What with the Chinese mafia (hint at the Triads) and the collusion of Thai generals (political angle, appeal to democratic values), there would be a lot of fight scenes and chase sequences through the streets of Bangkok. At the end of the day, Bob carries her off. But in the penultimate scene, Sirien gives, for the first time, an honest account of the extent of her sexual experience. All the cocks she has sucked as a humble massage parlor employee, she has sucked in the anticipation, in the hope of sucking Bob's cock, into which all the others were subsumed - well, I'd have to work on the dialogue. Cross fade between the two rivers (the Chao Phraya, the Delaware). Closing credits. For the European market, I already had line in mind, along the lines of "If you liked The Music Room, you'll love The Massage Room.
Michel Houellebecq (Platform)
place; it’s a mind-set. A strange coincidence: for my project on roots, I was reading a staggering book from 1980 called Le Corps noir (The Black Body) by a Haitian writer named Jean-Claude Charles. He coined the term enracinerrance, a French neologism that fuses the idea of rootedness and wandering. He spent his life between Haiti, New York, and Paris, very comfortably rooted in his nomadism. The first line of one of his experimental chapters is this: “il était une fois john howard griffin mansfield texas” (“once upon a time there was john howard griffin in mansfield texas”). I was stunned to find the small town that shares a border with my hometown in the pages of this Haitian author’s book published in France. What in the world was Mansfield, Texas, doing in this book I’d found by chance while researching roots for a totally unrelated academic project? The white man named John Howard Griffin referred to by Charles had conducted an experiment back in the late 1950s in which he disguised himself as a black man in order to understand what it must feel like to be black in the South. He darkened his skin with an ultraviolet lamp and skin-darkening medication and then took to the road, confirming the daily abuses in the South toward people with more melanin in their skin. His experiences were compiled in the classic Black Like Me (1962), which was later made into a film. When the book came out, Griffin and his family in Mansfield received death threats. It is astounding that I found out about this experiment, which began one town over from mine, through a gleefully nomadic Haitian who slipped it into his pain-filled essay about the black body. If you don’t return to your roots, they come and find you.
Christy Wampole (The Other Serious: Essays for the New American Generation)
These SS men feared to return to their hometowns, yet felt safe in the DP camps where they easily obtained and lived with newly created identities, a luxury not easily available to them at home. Upon receiving their newly registered (= invented) names in the DP camps, many thousands moved to different cities in their home country. Countless numbers disappeared with new identities into South America, Canada and elsewhere. An inestimable number of them immigrated to and melded into the USA.
Al Zelczer (Eight Pieces of Silk: What I Could Not Tell My Children)
The play was performed often in Fürth, then at a film festival in Munich, and in 2002 in Zurich. And then in Czernowitz. On the anniversary of the world premiere the cast travelled to Selma's hometown, where it was put on in a theater very similar to the one in Fürth. As Jutta Czurda reported in a letter to me, both performances were almost sold out and the audiences were very enthusiastic: "Almost 1,000 people saw Selma …After the play we all signed countless programs and answered questions. And so for us, you, too, returned symbolically to Czernowitz with your voice, and built a direct bridge to Selma for the audience." She is right. Although German is not spoken in Czernowitz today, Selma and I came home somehow.
Pearl Fichman (Before Memories Fade)
She regarded her grandchildren as if we were savings bonds, something certain to multiply in value through the majesty of arithmetic. Ya Ya and her husband had produced one child, who in turn had yielded five, a wealth of hearty field hands destined to return to the village, where we might crush olives or stucco windmills or whatever it was they did in her hometown. She was always pushing up our sleeves to examine our muscles, frowning at the sight of our girlish, uncallused hands.
David Sedaris (Naked)
In almost every state in the country, a perverse version of this mismatch between the population and voting power occurs when the incarcerated are counted in a process known as prison gerrymandering. In all but six states, the incarcerated residents are counted not in their home neighborhoods but in the penal institution. This means their communities have no access to the fiscal windfalls that could come from including them in the area count and no resources return to their hometowns.
Stacey Abrams (Our Time Is Now: Power, Purpose, and the Fight for a Fair America)
There was a nervous energy in the air. Barack’s return to his hometown—and to public life—had been slow. We’d both spent the first year out of office sitting on the sidelines, watching the news while sitting on our hands. It was like selling your house and seeing the buyer chop down every tree you’d planted.
Andrew Shaffer (Hope Rides Again (Obama Biden Mysteries, #2))
The dampness and the rain are hastening the destruction of these and many other manuscripts," Haidara told me. "They should be returned to Timbuktu as quickly as possible," The drier air in Timbuktu acted as a kind of safeguard against fungal rot, though the arid climate of his hometown was also deleterious over time, causing unprotected pages to grow brittle and fall apart. " We have begun to see... mold, mildew, and fungus on paper and also on leather bindings.
Joshua Hammer (The Bad-Ass Librarians of Timbuktu and Their Race to Save the World’s Most Precious Manuscripts)
On November 2, 1899, eight members of the United States Navy were awarded the Congressional Medal of Honor for extraordinary heroism and service beyond the call of duty. On the night of June 2, 1898, they had volunteered to scuttle the collier USS Merrimac, with the intention of blocking the entry channel to Santiago de Cuba. On orders of Rear Admiral William T. Sampson, who was in command, their intention was to trap Spanish Admiral Cervera’s fleet in the harbor. Getting the USS Merrimac underway, the eight men navigated the ship towards a predetermined location where sinking her would seal the port. Their course knowingly took them within the range of the Spanish ships and the shore batteries. The sailors were well aware of the danger this put them into, however they put their mission first. Once the Spanish gunners saw what was happening, they realized what the Americans were up to and started firing their heavy artillery from an extremely close range. The channel leading into Santiago is narrow, preventing the ship from taking any evasive action. The American sailors were like fish in a barrel and the Spanish gunners were relentless. In short order, the heavy shelling from the Spanish shore batteries disabled the rudder of the Merrimac and caused the ship to sink prematurely. The USS Merrimac went down without achieving its objective of obstructing navigation and sealing the port. ‎Fête du Canada or Canada Day is the anniversary of the July 1, 1867, enactment of the Canadian Constitution Act. This weekend Americans also celebrate the United States’, July 4, 1776 birthday, making this time perfect to celebrate George Fredrick Phillips heroic action. Phillips was one of the men mentioned in the story above of the USS Merrimac. He was born on March 8, 1862, in Saint John, New Brunswick, Canada and joined the United States Navy in March 1898 in Galveston, Texas. Phillips became a Machinist First Class and displayed extraordinary heroism throughout the Spanish bombardment during their operation. He was discharged from the Navy in August 1903, and died a year later at the age of 42 in Cambridge, Massachusetts. His body was returned to Canada where he was interred with honors at the Fernhill Cemetery in his hometown of Saint John, New Brunswick.
Hank Bracker
Throwing even more fuel on this fire was Alibaba’s record-breaking 2014 debut on the New York Stock Exchange. A group of Taobao sellers rang the opening bell for Alibaba’s initial public offering on September 19, just nine days after Premier Li’s speech. When the dust settled on a furious round of trading, Alibaba had claimed the title of the largest IPO in history, and Jack Ma was crowned the richest man in China. But it was about more than just the money. Ma had become a national hero, but a very relatable one. Blessed with a goofy charisma, he seems like the boy next door. He didn’t attend an elite university and never learned how to code. He loves to tell crowds that when KFC set up shop in his hometown, he was the only one out of twenty-five applicants to be rejected for a job there. China’s other early internet giants often held Ph.D.s or had Silicon Valley experience in the United States. But Ma’s ascent to rock-star status gave a new meaning to “mass entrepreneurship”—in other words, this was something that anyone from the Chinese masses had a shot at. The government endorsement and Ma’s example of internet entrepreneurship were particularly effective at winning over some of the toughest customers: Chinese mothers. In the traditional Chinese mentality, entrepreneurship was still something for people who couldn’t land a real job. The “iron rice bowl” of lifetime employment in a government job remained the ultimate ambition for older generations who had lived through famines. In fact, when I had started Sinovation Ventures in 2009, many young people wanted to join the startups we funded but felt they couldn’t do so because of the steadfast opposition of their parents or spouses. To win these families over, I tried everything I could think of, including taking the parents out to nice dinners, writing them long letters by hand, and even running financial projections of how a startup could pay off. Eventually we were able to build strong teams at Sinovation, but every new recruit in those days was an uphill battle. By 2015, these people were beating down our door—in one case, literally breaking Sinovation’s front door—for the chance to work with us. That group included scrappy high school dropouts, brilliant graduates of top universities, former Facebook engineers, and more than a few people in questionable mental states. While I was out of town, the Sinovation headquarters received a visit from one would-be entrepreneur who refused to leave until I met with him. When the staff told him that I wouldn’t be returning any time soon, the man lay on the ground and stripped naked, pledging to lie right there until Kai-Fu Lee listened to his idea.
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
I rarely stopped to think about what it meant that I was now far more comfortable in the rarefied air of campus than I had ever been in my hometown. Then I would fly back home and it would hit me anew, that cold prickle of awareness somewhere between my shoulder blades. I felt small and somehow trapped whenever I returned, as though I wouldn’t be allowed to leave, even though I was only a visitor now, the interloper I’d always looked like.
Nicole Chung (A Living Remedy: A Memoir)
Pariva was a small village, unimportant enough that it rarely appeared on any maps of Esperia. Bordered by mountains and sea, it seemed untouched by time. The school looked the same as she remembered; so did the market and Mangia Road---a block of eating establishments that included the locally famous Belmagio bakery---and cypress and laurel and pine trees still surrounded the local square, where the villagers came out to gossip or play chess or even sing together. Had it really been forty years since she had returned? It seemed like only yesterday that she'd strolled down Pariva's narrow streets, carrying a sack of pine nuts to her parents' bakery or stopping by the docks to watch the fishing boats sail across the glittering sea. Back then, she'd been a daughter, a sister, a friend. A mere slip of a young woman. Home had been a humble two-storied house on Constanza Street, with a door as yellow as daffodils and cobblestoned stairs that led into a small courtyard in the back. Her father had kept a garden of herbs; he was always frustrated by how the mint grew wild when what he truly wanted to grow was basil. The herbs went into the bread that her parents sold at their bakery. Papa crafted the savory loaves and Mamma the sweet ones, along with almond cakes drizzled with lemon glaze, chocolate biscuits with hazelnut pralines, and her famous cinnamon cookies. The magic the Blue Fairy had grown up with was sugar shimmering on her fingertips and flour dusting her hair like snow. It was her older brother, Niccolo, coaxing their finicky oven into working again, and Mamma listening for the crackle of a golden-brown crust just before her bread sang. It was her little sister Ilaria's tongue turning green after she ate too many pistachio cakes. Most of all, magic was the smile on Mamma's, Papa's, Niccolo's, and Ilaria's faces when they brought home the bakery's leftover chocolate cake and sank their forks into a sumptuous, moist slice. After dinner, the Blue Fairy and her siblings made music together in the Blue Room. Its walls were bluer than the midsummer sky, and the windows arched like rainbows. It'd been her favorite room in the house.
Elizabeth Lim (When You Wish Upon a Star)
So I decided to return to my Ozark hometown, with its aging, shrinking population, governed by a small group of people who worshipped at the same churches as their parents and who had knit around themselves an ever thicker and tighter web of personal and political self-deceits.
Monica Potts
When I returned to India for the first time after years of being gone, I wondered why I remembered those small rooms as being quite large. Was it because I didn’t know any better? When Charles Dickens returned to his hometown and remarked that his city had changed, someone responded that it had not changed nearly as much as he had.
Ravi Zacharias (Why Jesus?: Rediscovering His Truth in an Age of Mass Marketed Spirituality)
There’s a section in the Bible when Jesus returned to his hometown. He had become quite a sensation by then, and the whole world wanted to see, hear, and touch him. But his townies weren’t so impressed. They were like, “Hey, isn’t this the carpenter? Mary’s son? His whole family lives right down the street, right?” Jesus replied with something like, “You can never be a hero to the folks you grew up with.” He actually said it a little more formally: “A prophet is honored everywhere except in his own hometown and among his relatives and his own family.” It’s hard to see those closest to us as anything special. They’re just regular folks like us, right? The older I get, however, the more I realize that my friends were prophets in their own hometown. They were brilliant, amazing, and altogether remarkable. I just didn’t realize it then. In fact, I took them for granted back then, never realizing how awesome they were. As the years have passed and I’ve grown in my understanding of just about everything, I’ve come to see that in many ways, God walked with me through my friends.
Susan I. Spieth (Fall Out: Courage Always Stands its Ground)
Returning to your hometown is always lovely, isn’t it?” Mrs. Moretti sighed. “No matter how far away you go, whenever you feel lost, you can always find yourself at home. You’ll always belong there.
Melanie Harlow (Tie Me Down (Bellamy Creek, #4))
On that momentous day of my first return to my grandfather’s place in Ojoto after many years of my sojourn in America, I was lost in my thought until a light wind blew across the pedestrian path in a wooded area where I stood, caressing the trees’ leaves and small branches. The stubborn leaves swerved in all directions like untrained dancers learning to strut after consuming palm-wine from large calabash jugs. Looking up, I watched weakened leaves snapped off and gained their freedom from primordial trees. A liberation dance followed in the dense air above me before the leaves set down. Listening to beautiful sounds made by birds converging around me, as if they were singing for the newly liberated leaves, I found myself lost in the wonderment of nature. What I experienced had drawn me back to that exhilarating place for mental respite each time I returned home.
Fidelis O. Mkparu, 2021
Paul suffered and struggled mightily in the service of his faith. Perhaps you could argue that he simply wasn’t the best example after which to model our own behavior. What if we look at the ultimate example of a Christian teacher and expositor, Christ Himself? Surely then we’ll see how to handle this unappealing message of a crucified Savior whom only the dregs of society preached. Surely at last we’ll see a glimmer of success. But by worldly standards, when Jesus began preaching His own gospel in His own hometown, He was an even more spectacular failure than Paul! This episode in Jesus’ life is one of the most gripping and powerful portions of the Bible. His words in Scripture capture the shock and emotion of the moment, and they still stun us with their power and their force. The riveting drama begins in Luke 4, verses 16 through 21: So He came to Nazareth, where He had been brought up. And as His custom was, He went into the synagogue on the Sabbath day, and stood up to read. And He was handed the book of the prophet Isaiah. And when He had opened the book, He found the place where it was written: “The Spirit of the LORD is upon Me, Because He anointed Me To preach the gospel to the poor; He has sent Me to heal the brokenhearted, To proclaim liberty to the captives And recovery of sight to the blind, To set at liberty those who are oppressed; To proclaim the acceptable year of the LORD.” Then He closed the book, and gave it back to the attendant and sat down. And the eyes of all who were in the synagogue were fixed on Him. And He began to say to them, “Today this Scripture is fulfilled in your hearing.” Imagine going to church next Sunday, expecting to hear your pastor preaching, and having the Lord Jesus Christ appear in person to tell you that He had come to fulfill all the prophecies of His second coming—all the prophecies of the glory of His kingdom of salvation on earth! Imagine that you had gone that morning, and Jesus was standing in the pulpit to tell you that the time was now for the fulfillment of all divine promises connected to His return. Well, that’s something like what the Jews in the Nazareth synagogue experienced that day. They had attended that synagogue all their lives, and they had heard reading after reading of the Torah, the Law, and the Haftarah, the prophets, and sermon after sermon on Sabbath after Sabbath throughout their lifetimes. They had heard much teaching about the Messiah, and they had been reading many Scriptures about His coming and kingdom. But all of a sudden, on this Sabbath in the year A.D. 28, in an obscure synagogue in a nothing blue-collar town called Nazareth, He was there!
John F. MacArthur Jr. (Hard to Believe: The High Cost and Infinite Value of Following Jesus)
It’s all about having the heart … to leave the city and its false glitter for home if you’ve tried long enough and still can’t make it. I would be a big liar to tell you it’s easy to survive after having left home for years. You’re almost like a child when you return – you are starting from the scratch. But you have to behave like a child too if you’re ready to survive; be ever eager to learn. Get ready to take insults from every village rats set to eat your yams of respect and pride. Toe the line till you settle down properly and begin to understand the ways of the people back home. People would laugh at you at first but when your conditions start improving, everyone would laugh with you. Don’t forget the saying of our people: the same mouth that speaks of evil is the same mouth that speaks of good. It’s the heart to go back not minding the years that have been wasted. That is the secret.
Godwin Inyang (Gamblers Make Better Lovers (and Other Stories))
turned to face him. Her father’s death—and the discovery of the mysterious bank account—was what had her returning to her hometown. Fuzzy
Donna Fasano (Made In Paradise (Family Forever #2))