Echo And Narcissus Quotes

Stop!" Narcissus got to his feet. "This is not right! This person is obviously not awesome, so he must be..." He struggled for the right words. It had probably been a long time since he'd talked about anything other than himself. "He must be tricking us." Apparently Narcissus wasn't completely stupid.

He climbed up behind Hazel. Arion took off across the water, the nymphs screaming behind them, and Narcissus shouting, "Bring me back! Bring me back!" As Arion raced towards the Argo II, Leo remembered what Nemesis had said about Echo and Narcissus: Perhaps they'll teach you a lesson. Leo had thought she'd meant Narcissus, but now he wondered if the real lesson for him was Echo--invisible to her brethren, cursed to love someone who didn't care for her. A seventh wheel. He tried to shake that thought. He clung to the sheet of bronze like a shield. He was determined never to forget Echo's face. She deserved at least one person who saw her and knew how good she was. Leo closed his eyes, but the memory of her smile was already fading.

Look to the sky, look to yourself and remember: we are only God’s echoes and God is Narcissus.

He is funny,” a nymph ventured. “And cute, in a scrawny way,” another said. “Scrawny?” Leo asked. “Baby, I invented scrawny. Scrawny is the new sizzling hot . And I GOT the scrawny. Narcissus? He’s such a loser even the Underworld didn’t want him. He couldn’t get the ghost girls to date him.” “Eww,” said a nymph. “Eww!” Echo agreed.

What if love is made and nothing else? asked Narcissus, leaning over the green iris of water. Nothing else, cried Echo from the green cochlea of the woods. And they were both right. And they were both lonely.

Narcissus does not fall in love with his reflection because it is beautiful but because it is his. If it were his beauty that enthralled him, he would be set free in a few years by its fading. "After all," sighed Narcissus the hunchback, "on me it looks good. The contemplation of his reflection does not turn Narcissus into Priapus: the spell in which he is trapped is not a desire for himself but the satisfaction of not desiring the nymphs. "I prefer my pistol to my p…," said Narcissus; "it cannot take aim without my permission" – and took a pot shot at Echo.

The mythological Narcissus rejected the advances of the nymph Echo and was punished by the goddess Nemesis. He was consigned to pine away as he fell in love with his own reflection - exactly as Echo had pined away for him. How apt. Narcissists are punished by echoes and reflections of their problematic personalities up to this very day. Narcissists are said to be in love with themselves. But this is a fallacy. Narcissus is not in love with himself. He is in love with his reflection. There is a major difference between one's True Self and reflected-self.

Sweet Echo, sweetest nymph that liv'st unseen Within thy airy shell By slow Meander's margent green, And in the violet-imbroider'd vale Where the love-lorn nightingale Nightly to thee her sad song mourneth well: Canst thou not tell me of a gentle pair That likest thy Narcissus are?

You were my very own Narcissus," Leo continued and if I thought I was frozen before, I'd turned into a fucking icicle when the nickname escaped his mouth. "So fucking unattainable and perfect, but you wanted nothing to do with me, and I wanted everything from you. Do you know the story of Echo and Narcissus, my love?

Echo was a young girl in love with Narcissus. But he loved himself, not her, so she pined away until just her voice was left.

Oh, Narcissus! My heart beats ink for you. A pulse in every line. It's your eyes my words want to be read by, your kind of mind they would be understood by, your heart they'd be felt by, and then you'd feel the same way that I do, if only these words could be read or heard by you.

The Greek myth of Narcissus is directly concerned with a fact of human experi­ence, as the word Narcissus indicates. It is from the Greek word narcosis, or numb­ness. The youth Narcissus mistook his own reflection in the water for another person. This extension of himself by mirror numbed his perceptions until he became the servomechanism of his own extended or repeated image. The nymph Echo tried to win his love with fragments of his own speech, but in vain. He was numb. He had adapted to his extension of himself and had become a closed system. Now the point of this myth is the fact that men at once become fascinated by any extension of themselves in any ma­terial other than themselves. There have been cynics who insisted that men fall deep­est in love with women who give them back their own image. Be that as it may, the wisdom of the Narcissus myth does not convey any idea that Narcissus fell in love with anything he regarded as himself. Obviously he would have had very different feelings about the image had he known it was an extension or repetition of himself. It is, perhaps, indicative of the bias of our intensely technological and, therefore, narcotic culture that we have long interpreted the Narcissus story to mean that he fell in love with himself, that he imagined the reflection to be Narcissus!

Vonnegut was talking,” I say today, “about the psychic effects of trauma.” There’s a sentence of Alice Miller’s looping in my mind, about grandiose people and depressives, Narcissus and Echo: “Neither can accept the truth that this loss or absence of love has already happened in the past, and that no effort whatsoever can change this fact.” It’s the main thing I’ve learned from reading all this psychology: the future is always trying to feel like the past. When it does, it feels like selfishness, hurt, loss at the hands of others. The trick is to let it empty. Maybe this is another way to come unstuck in time.

She saw Narcissus roaming through the country, / Saw him, and burned, and followed him in secret / Burning the more she followed, as when sulfur / Smeared on the rim of torches, catches fire / When other fire comes near it. Oh, how often / She wanted to come near with coaxing speeches, / Make soft entreaties to him! / But her nature / Sternly forbids...

Truth in art is not any correspondence between the essential idea and the accidental existence; it is not the resemblance of shape to shadow, or of the form mirrored in the crystal to the form itself; it is no echo coming from a hollow hill anymore than it is a silver well of water in the valley that shows the moon to the moon and Narcissus to Narcissus.

In an Artist’s Studio One face looks out from all his canvases, One selfsame figure sits or walks or leans: We found her hidden just behind those screens, That mirror gave back all her loveliness. A queen in opal or in ruby dress, A nameless girl in freshest summer-greens, A saint, an angel - every canvas means The same one meaning, neither more nor less. He feeds upon her face by day and night, And she with true kind eyes looks back on him, Fair as the moon and joyful as the light: Not wan with waiting, not with sorrow dim; Not as she is, but was when hope shone bright; Not as she is, but as she fills his dream.

Instead of the capacity to experience himself from the inside out, he seeks a desperate union with an external source of abundance, which he thinks will complete him. The price of his delusion is death. Unable to eat or sleep, like a severe addict in the final stages of obsession he wastes. With no capacity to speak her own words, Echo records and reiterates Narcissus's every sigh. If he is a reflection, she is the reflection of his reflection, the shadow of his shadow. Narcissus loses sensation, and the result is fatal paralysis. Echo loses her voice, and the result is also paralysis. Neither is capable of authentic relationship.

The connections to the legend of Osiris – and indeed to Christianity – were curious, with the echo of the creation of a new god, and the circumstances of Antinous’ death also echoed the superficial but alluring themes of popular Greek myths. There was Hylas, companion of Heracles and the Argonauts, who was drowned by adoring water nymphs who drew him into the spring where he had been sent to fetch water. There was Narcissus, who under Aphrodite’s curse was fatally entranced by his own reflection in the surface of a pool. Antinous the god joined the company of beautiful boys with powerful, if capricious, protectors, who met strange, watery deaths. Antinous was a perfect divinity for the second-century world of the imagination.

In The Metamorphoses, the Roman poet Ovid tells the story of a handsome youth named Narcissus, a tale he learned from Greek mythology. Narcissus is so intent on his own desires that he is unable to fall in love, rejecting the advances of all who are attracted to him. Never having seen his own image, he understands the power of his beauty only through the reactions others have to him. When he rebuffs the love of Echo, a nymph, her unrequited passion causes her to waste away and die. When one of Echo’s handmaidens prays to Nemesis, the goddess of revenge, Nemesis responds by declaring that Narcissus shall get a taste of his own medicine: If he should ever fall in love, he will be denied the very thing he so desires. One day, while stopping to drink from a forest pool, Narcissus catches a glimpse of his reflection in the smooth water. Smitten by the sight, he falls madly in love with his own beautiful image. He lies next to the pond, staring at his own reflection in the water. But whenever he reaches into the water and tries to embrace the image, it dissolves. Unable to kiss, or hold, or in any way capture his true heart’s desire, he too dies of unrequited love.