Retirement Funny Quotes

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Nothing is as irritating to a shy man as a confident girl.
Mokokoma Mokhonoana
Life is a process during which one initially gets less and less dependent, independent, and then more and more dependent.
Mokokoma Mokhonoana
Extinguished theologians lie about the cradle of every science as the strangled snakes beside that of Hercules; and history records that whenever science and orthodoxy have been fairly opposed, the latter has been forced to retire from the lists, bleeding and crushed if not annihilated; scotched, if not slain.
Thomas Henry Huxley (Lay Sermons, Addresses, And Reviews)
Now, my intention was to drink just enough to dull the senses, but intentions should never be mixed with alcohol.
Kirt J. Boyd (The Last Stop (The Last Stop Retirement Community Series))
Death devours not only those who have been cooked by old age; it also feasts on those who are half-cooked and even those who are raw.
Mokokoma Mokhonoana (The Use and Misuse of Children)
I unwrapped my love for her like one might unwrap leftovers. Gotta eat up the old stuff first, as a cannibal might say in a retirement home.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
For their never-ending endeavours to obtain or retain wealth, countries desperately need companies, because they—unlike most human beings—have the means of production, and human beings, because they—unlike all companies—have the means of reproduction.
Mokokoma Mokhonoana (The Use and Misuse of Children)
Loneliness tortures many if not most of the elderly more intensely and more frequently than it torments many if not most of us who will never be or have not yet been pushed or pulled into old age.
Mokokoma Mokhonoana (The Use and Misuse of Children)
I feel a pang of longing. Nostalgia, I guess, for every library I’ve ever loved, and the little girl who dreamed of this: being the first person in and the last out of a building brimming with books. And feeling like it belonged to me in a way, and I to it. A home, when nowhere else felt right. Harvey takes a deep breath. “Don’t you love the way it smells?” “So, so much,” I say. “That right there,” he says, “is why I can’t retire. If I could live in this feeling, I would.
Emily Henry (Funny Story)
I've never understood America,"said the king. "Neither do we, sir. You might say we have two governments, kind of overlapping. First we have the elected government. It's Democratic or Republican, doesn't make much difference, and then there's corporation government." "They get along together, these governments?" "Sometimes," said Tod. "I don't understand it myself. You see, the elected government pretends to be democratic, and actually it is autocratic. The corporation governments pretend to be autocratic and they're all the time accusing the others of socialism. They hate socialism." "So I have heard," said Pippin. "Well, here's the funny thing, sir. You take a big corporation in America, say like General Motors or Du Pont or U.S. Steel. The thing they're most afraid of is socialism, and at the same time they themselves are socialist states." The king sat bolt upright. "Please?" he said. "Well, just look at it, sir. They've got medical care for employees and their families and accident insurance and retirement pensions, paid vacations -- even vacation places -- and they're beginning to get guaranteed pay over the year. The employees have representation in pretty nearly everything, even the color they paint the factories. As a matter of fact, they've got socialism that makes the USSR look silly. Our corporations make the U.S. Government seem like an absolute monarchy. Why, if the U.S. government tried to do one-tenth of what General Motors does, General Motors would go into armed revolt. It's what you might call a paradox sir.
John Steinbeck (The Short Reign of Pippin IV)
Here are some of the towns I played last year: Carmel, Indiana; Hutchinson, Kansas; and Huntsville, Alabama. I even played Peoria. So why not limit my dates to easy-to-reach cities like Toronto, Chicago, and Reno? Easier still, why not just retire?
Bob Newhart (I Shouldn't Even Be Doing This!: And Other Things That Strike Me as Funny)
Taking these things into consideration, while blinking stupidly at Dr. Z, I resolved to retire gracefully, if I must; so, with a valedictory to my boys, a private lecture to Mrs. Waldman, and a fervent wish that I could take off my body and work in my soul, I mournfully ascended to my apartment, and Nurse P. was reported off-duty.
Louisa May Alcott (Hospital Sketches)
Nookie.” I giggle because the word itself is funny but hearing her say it makes it even more so. “I’m going to give you some advice because you’re still a new wife—and because my son can be a little shit at times. I know; I’m his mum.” She looks around as though she’s about to reveal top-secret information. “Nookie equals power and there’s a reason he wants it from you all the time. It levels the playing field. Don’t like something he’s doing? Take the nookie away. Get the results you want. Need him to see things your way but he refuses? Withhold the nookie and he’ll make the fastest attitude adjustment you’ve ever seen. Want your husband to retire because he’s going to work himself into an early grave and miss his grandchildren growing up the way he missed his kids? Close the gates of nookie and get your husband home with you instead of burying him. That’s how you work it, darling. You use the power of the nookie to get the results you want.
Georgia Cates (Beauty from Love (Beauty, #3))
We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.
Chandler Baker (Whisper Network)
ON THE A TRAIN There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
Maeve Brennan
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.
Julien Duvivier
I started by collecting copies of all the novels and short stories featuring him and piled them up beside my bed. I wanted to get to the very heart of what Dame Agatha thought of him and what he was really like, and to do that, I had to read every word his creator had ever written about him. I didn’t want my Poirot to be a caricature, something made up in a film or television studio, I wanted him to be real, as real as he was in the books, as real as I could possibly make him. The first thing I realised was that I was a slightly too young to play him. He was a retired police detective in his sixties when he first appeared in The Mysterious Affair at Styles, while I was in my early forties. Not only that, he was also described as a good deal fatter than I was. There was going to have to be some considerable padding, not to mention very careful make-up and costume, if I was going to convince the world that I was the great Hercule Poirot. Even more important, the more I read about him, the more convinced I became that he was a character that demanded to be taken seriously. He wasn’t a silly little man with a funny accent, any more than Sherlock Holmes was just a morphine addict with a taste for playing the violin. There was a depth and quality to the Poirot that Dame Agatha had created – and that was what I desperately wanted to bring to the screen.
David Suchet (Poirot and Me)
I’m the living dead. I feel no connection to any other human. I have no friends and I don’t really care much about my family any longer. I feel no love for them. I can feel no joy. I’m incapable of feeling physical pleasure. There’s nothing to ever look forward to as a result. I don’t miss anyone or anything. I eat because I feel hunger pangs, but no food tastes like anything I like. I wear a mask when I’m with other people but it’s been slipping lately. I can’t find the energy to hide the heavy weight of survival and its effect on me. I’m exhausted all the time from the effort of just making it through the day. This depression has made a mockery of my memory. It’s in tatters. I have no good memories to sustain me. My past is gone. My present is horrid. My future looks like more of the same. In a way, I’m a man without time. Certainly, there’s no meaning in my life. What meaning can there be without even a millisecond of joy? Ah, scratch that. Let’s even put aside joy and shoot for lower. How about a moment of being content? Nope. Not a chance. I see other people, normal people, who can enjoy themselves. I hear people laughing at something on TV. It makes me cock my head and wonder what that’s like. I’m sure at sometime in my past, I had to have had a wonderful belly laugh. I must have laughed so hard once or twice that my face hurt. Those memories are gone though. Now, the whole concept of “funny” is dead. I stopped going to movies a long time ago. Sitting in a theater crowded with people, every one of them having a better time than you, is incredibly damaging. I wasn’t able to focus for that long anyway. Probably for the best. Sometimes I fear the thought of being normal again. I think I wouldn’t know how to act. How would I handle being able to feel? Gosh it would be nice to feel again. Anything but this terrible, suffocating pain. The sorrow and the misery is so visceral, I find myself clenching my jaw. It physically hurts me. Then I realize that it’s silly to worry about that. You see, in spite of all the meds, the ketamine infusions and other treatments, I’m not getting better. I’m getting worse. I was diagnosed 7 years ago but I’m sure I was suffering for longer. Of course, I can’t remember that, but depression is something that crept up on me. It’s silent and oppressive. I don’t even remember what made me think about going to see someone. But I did and it was a pretty clear diagnosis. So, now what? I keep waking up every morning unfortunately. I don’t fear death any more. That’s for sure. I’ve made some money for the couple of decades I’ve been working and put it away in retirement accounts. I think about how if I was dead that others I once cared for would get that money. Maybe it could at least help them. I don’t know that I’ll ever need it. Even if I don’t end it myself, depression takes a toll on the body. My life expectancy is estimated to be 14 years lower as a result according to the NIH. It won’t be fast enough though. I’m just an empty biological machine that doesn’t know that my soul is gone. My humanity is no more
Ahmed Abdelazeem
Collateral Capacity or Net Worth? If young Bill Gates had knocked on your door asking you to invest $10,000 in his new company, Microsoft, could you get your hands on the money? Collateral capacity is access to capital. Your net worth is irrelevant if you can’t access any of the money. Collateral capacity is my favorite wealth concept. It’s almost like having a Golden Goose! Collateral can help a borrower secure loans. It gives the lender the assurance that if the borrower defaults on the loan, the lender can repossess the collateral. For example, car loans are secured by cars, and mortgages are secured by homes. Your collateral capacity helps you to avoid or minimize unnecessary wealth transfers where possible, and accumulate an increasing pool of capital providing accessibility, control and uninterrupted compounding. It is the amount of money that you can access through collateralizing a loan against your money, allowing your money to continue earning interest and working for you. It’s very important to understand that accessibility, control and uninterrupted compounding are the key components of collateral capacity. It’s one thing to look good on paper, but when times get tough, assets that you can’t touch or can’t convert easily to cash, will do you little good. Three things affect your collateral capacity: ① The first is contributions into savings and investment accounts that you can access. It would be wise to keep feeding your Golden Goose. Often the lure of higher return potential also brings with it lack of liquidity. Make sure you maintain a good balance between long-term accounts and accounts that provide immediate liquidity and access. ② Second is the growth on the money from interest earned on the money you have in your account. Some assets earn compound interest and grow every year. Others either appreciate or depreciate. Some accounts could be worth a great deal but you have to sell or close them to access the money. That would be like killing your Golden Goose. Having access to money to make it through downtimes is an important factor in sustaining long-term growth. ③ Third is the reduction of any liens you may have against these accounts. As you pay off liens against your collateral positions, your collateral capacity will increase allowing you to access more capital in the future. The goose never quit laying golden eggs – uninterrupted compounding. Years ago, shortly after starting my first business, I laughed at a banker that told me I needed at least $25,000 in my business account in order to borrow $10,000. My business owner friends thought that was ridiculously funny too. We didn’t understand collateral capacity and quite a few other things about money.
Annette Wise
Ulysses Club (Australia) a social club for riders over 40, whose membership is dedicated to “growing old disgracefully”, or
Stella Rheingold (101 Fun Things to do in Retirement: An Irreverent, Outrageous & Funny Guide to Life After Work)
I was watching a documentary that described a night at Thomas Jefferson’s house Monticello. After the meal each night the family, with their guests, would retire into the parlor to drink tea and spend 3-4 hours discussing things they learned or were pondering lately. Without the television or other individualistic electronic means of entertainment I think we’d still do this to avoid boredom. When I first heard about this practice my first thought was, “Oh, that’s what a family does.” I grew up in an age where it was natural to entertain myself or go off with friends but it makes sense that, in the absence of these things, a family would need to learn to interact and really enjoy each other’s company. So 3-4 times per week we have an informal meal followed by what we simply call “family time.” This can be done around the dining room table or the coffee table but it’s been an amazing experience. I begin by asking if anyone learned or had any ideas or questions they’ve been pondering about God. We move from that topic into a more general question like, “Did anyone learn anything today or have something they want to discuss?” We share stories from the day, passages of things we’ve read, watch funny videos or play a family game. At the end we often talk about what’s in store for tomorrow and pray together.
Jeremy Pryor (Family Revision: How Ancient Wisdom Can Heal the Modern Family)
More young people are opting not to have kids not only because they can’t afford them but also because they assume they’ll have only a scorched or sodden wasteland to grow up in. An increasingly popular retirement plan is figuring civilization will collapse before you have to worry about it. I’m not sure anyone’s composed a more eloquent epitaph for the planet than the stand-up comedian Kath Barbadoro, who tweeted: “It’s pretty funny that the world is ending and we all just have to keep going to our little jobs lol.” (It’s Time to Stop Living the American Scam, The New York Times)
Tim Kreider
I’ve ruined things for you,” I said, eyes hot and tears threatening to fall. “I fucked up and now you’ll end up with a record. You’ll never have your dream because of me. I’m so sorry.” Wrapping me in his strong arms, Nick sighed. “I punched him and made the first move. It’s not your fault.” “You had to punch him. He was calling me names and you’re my man.” Nick smiled down at me. “Yeah, I couldn’t let him trash my girl.” “I should have just ignored him or been polite.” “I love you enough to know ignoring him and doing the polite shit was never happening. It’s not your way and I don’t want you to pretend. Maybe other people need that from you, but I love all of you even the crazy temperamental parts.” “I ruined your dream though.” “I’ll get a new dream.” My heart broke at how easily Nick accepted his lost dream. “You wanted that one so bad.” “I want you more.” “Maybe we can run. I have money. Let’s run and hide. You’re giving up your dream. I can give up my home, so we’ll be even.” Nick grinned then looked behind me. “This is my home now too and I’m not giving it up.” Turning to follow Nick’s gaze, I saw my parents approaching. Pop tossed his cigarette on the ground then laughed. “I always figured Sawyer would be the one to attack a cop,” he said as Mom smiled. “He called me a bitch and Nick punched him.” “Seems fair.” “Then he was going to arrest Nick, so I had to do something.” “I can see that,” Pop said, hugging me. “Did he rough you two up?” “No. Well, his face might have hurt Nick’s fist.” “I’m fine,” Nick said, giving me an amused look. “Pop,” I mumbled, panicking despite attempts to find the situation funny. “Dickhead is going to ruin Nick’s future as a teacher. You have to do something.” My pop grinned at Mom then shook his head. “All this drama is Coop’s problem now. I’m retired.” Frowning, I wanted Pop to wave his hand and fix things like he normally did. Instead, he expected me and my brothers to behave like adults. Had he never met us? “It’ll be fine,” Nick said, lacing his finger in the loop of my shorts and tugging back against him. “Darling can file charges if he wants, but he’ll put a target on himself too. It’s his choice.” My dad smiled and nodded while Mom threw a ball at the dogs. “Nick ain’t wrong. Dickhead might have a big mouth and show off, but he knows his place. He went to school with your brothers and understands what happens when the family feels threatened.” “Okay,” I said, still worried. “I can’t believe I lost my temper like that.” Mom and Pop laughed first then Nick started up. I just rolled my eyes.
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
Here I am!” Captain East was cantering his mount toward them. He rode beautifully, confidently. Molly’s family spent their summers in the country, and she used to say that the way a man rides a horse could give you a pretty good idea how he would do something else. Jane eyed Mr. Nobley on his mount, noted that he was a smooth, gentle rider. The surprise of thinking this while wearing a bonnet made Jane choke. Her breath snarled in her throat, and she laughed. Mr. Nobley’s eyes widened. “What’s funny? You often have some secret laugh, Miss Erstwhile.” “The way you have some secret displeasure?” “No, not displeasure,” he said, and she realized he was right. Sadness, or heartbreak, or grief that there was nothing to give him hope, perhaps. She was pretty sure now that he was Henry Jenkins, poor sop. Captain East reined in beside Jane. “Miss Heartwright had a headache and went inside. So sorry to neglect you, Miss Erstwhile. You must tell me what I missed.” “I’ve discovered that Miss Erstwhile is an artist,” Mr. Nobley said. “Is that so?” “It’s been years since I picked up a paintbrush.” She glared at Mr. Nobley, and zing, there was his smile again, brief, urgent. When his lips relaxed she wanted it to come back. “That is a shame,” said Captain East. That evening when Jane retired from the drawing room, she found a large package on her side table wrapped in brown paper. She ripped open the paper and out tumbled neat little tubes of oil paints and three paintbrushes. She saw now that an easel waited by the window with two small canvases. She felt very Jane Eyre as she smelled the paints and ticked her palm with the largest brush. Who was her benefactor? It could be Captain East. Maybe he still liked her best, even after his tete-a-tete with Miss Heartwright. It could happen. Even so, she found herself hoping it was Mr. Nobley. Instinct urged her to stomp on the hope. She ignored it. She was firmly in Austenland now, she reminded herself, where hoping was allowed. Did Austen herself feel this way? Was she hopeful? Jane wondered if the unmarried writer had lived inside Austenland with close to Jane’s own sensibility--amused, horrified, but in very real danger of being swept away. Ten days to go.
Shannon Hale (Austenland (Austenland, #1))
Where else would your Grampa be, other than in that workshop of his? He might as well put a bed in there; he's in there so much lately," Gram grumbled staring out the window at the workshop. Carly sat at the table with her snack and smiled. Just a little smile, because she didn't want Gram to catch her if she turned around suddenly. She knew that Gram was only pretending to be annoyed with Grampa, and was actually glad he wasn't 'underfoot like some husbands after they retire'.
Glynnis Rogero (MIDDLE SCHOOL: YOUNGTIMER: ADVENTURES IN TIME SERIES - BOOK 1 (Middle School Books Girls, Middle Grade Books Girls, Adventure Books Girls, Time Travel Books, Friendship Books, Fun Books, Funny Books)
This is the part of film acting that I was only too happy to leave behind, the part that became more agonizing as time went on. Yet you have to go through those terrifying times if you are ever to have the magic ones, the times when it all works—and to be truthful, those I have missed. There were perhaps only eight or nine of them out of forty-five films, but they were the times when I stepped into my light and my muse was with me, all my channels were open, the creative flow coursed through my body, and I became. Whether the scene was sad or funny, tragic or triumphant, never mattered. When it worked it was like being enveloped in love and light, as I danced the intricate dance between technique and emotion, fully inside the scene while simultaneously a separate part of me observed and enjoyed the unfolding. Ah, but just because it has happened once doesn’t mean it will again! Each time is starting new, raw; it’s a crapshoot—you just never know. Which is why this profession is so great for the heart—and so hard on the nerves. I always assumed that the more you did something the easier it would get, but in the case of my career I found the opposite to be true. Every year the work seemed to get harder and my fear more paralyzing. Once, on the set of Old Gringo, I watched Gregory Peck late in his career doing a long, very difficult scene over and over again all day long. I saw that he too was scared. I went up to him afterward and hugged him and told him how beautiful and transparent he had been. “But, Greg,” I asked, “why do we do this to ourselves? Especially you. You’ve had a long and incredible career. You could easily retire. Why are you still willing to be scared?” Greg sat for a moment, rubbing his chin. Then he said, “Well, Jane, maybe it’s like my friend Walter Matthau says. His biggest thrill in life is to be gambling and losing a bit more than he can afford and then have one chance to win it all back. That’s what you live for—that moment. The crapshoot. If it’s easy, what’s the point?
Jane Fonda (My Life So Far)
Talking Dog One day, while driving in the country, a man noticed a sign that said “Talking Dog for Sale.”  The sign pointed to a farm house off the road just a bit.  The man’s interest was piqued so he pulled off the road and headed up to the farm house. When he got there and inquired about the talking dog, the farmer told him the talking dog was around the back of the farm house.  The farmer said the man was welcome to go in back and talk with the dog. The man was in a serious state of disbelief, because he knew dogs couldn’t talk.  Still he was very curious so he headed around to the backyard. In the backyard the man noticed a poodle that quickly came up to him.  The man thought to himself, “Hmmm poodles are supposed to be smart dogs.” “Can you really talk?” the man asked the poodle. “I sure can,” replied back the poodle. “Wow,” exclaimed the man.  Wanting to hear more he asked, “So what’s your story?” “I discovered I could talk when I was very young,” said the poodle.  “I knew I had a real gift so I thought I should do something about it.  I joined the CIA and became one of their very best spies.  I was sent on many secret missions.  I traveled all around the world and was involved in many interesting and intriguing cases. I even helped save the life of the President on two occasions. After eight years I got tired of all the jetting around and decided to retire.  I was given several awards for all my achievements and a gala dinner, attended by many important people, was held in my honor.  I was given a full government pension and brought to this farm to enjoy the rest of my life.” After hearing all this, the man was astounded.  He quickly went back to the farmer and said, “I want that dog!  I will buy it at any price.  How much do you want for that dog?” “Ten dollars,” was the farmer’s reply. “Ten dollars?” the man said in disbelief.  “That dog is amazing, why on earth would you sell it for so little?” “Because he’s a big liar; he didn’t do any of those things!
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
Don't you love how it smells? So, so much, I say. 'That right there,' he says, 'is why I can't retire. If I could live in this feeling, I would.
Emily Henry (Funny Story)
Don't you love how it smells?' So, so much, I say. 'That right there,' he says, 'is why I can't retire. If I could live in this feeling, I would.
Emily Henry (Funny Story)
Boxwood, a man of indeterminate age with a scraggly mass of brown hair and a paper-thin mustache, had been hired on part-time, and it was he who oversaw the boys in their outdoor chores. Marvin was handed an axe and followed a few of the other boys to an adjacent area where several tree stumps had been strategically placed, along with a bounty of uncut wood. Marvin got to work. He hacked at a portion of a downed tree, and once he had a manageable piece, he heaved it into his arms and dropped it onto one of the stumps. He hoisted the heavy axe over his shoulder and, with as much force as he could muster, brought it down upon the chunky piece of trunk. The wood split in two, a few shards spraying outward and falling to the ground. Marvin repositioned one half of the newly cut trunk, heaved the axe over his shoulder, and brought it down forcefully on the wood. It split again. By the time Mr. Boxwood announced that the boys were through for the evening, Marvin was sweating profusely, and his arms ached. He returned the axe to the storage shed and walked toward the main entrance of the orphanage along with the other boys who had been required to split wood. The grounds were otherwise unoccupied, the other children having already headed to their dormitories to retire for the evening. Marvin was walking toward the stairwell when he passed a bathroom and spotted movement through the open door. When he instinctively turned his head to look within, he saw Eva on all fours, scrubbing the floor with a small-handled brush, a metal bucket of sudsy water at her side. Marvin searched the hallway and, not spotting any authority figures, whispered, “Eva. Hey, Eva.” When she looked up at the sound of his voice, Marvin noticed her eyes were tinged with red. “What are you doing?” “What does it look like I’m doing?” She seemed about to cry, but her jaw was clenched in anger. “Why do you have to do it?” Eva sat back on her heels, rested the brush on her lap, and ran her free hand up into her hair, where she angrily grasped the large bow. “This damn thing!” she exclaimed, and Marvin’s eyes widened at the curse. “I didn’t want to wear it. It’s babyish. My parents never made me wear something like this. Not at my age, anyway. Maybe when I was a baby and I didn’t know any better or didn’t care, but not now. And Sister What’s Her Name said I had to wear one because it made me look presentable—that was her word: presentable. Because apparently, I don’t look presentable without a big ol’ stupid, ugly, white baby bow in my hair. I got so mad, I yanked it out and threw it on the ground, but then she looked at me. Just looked at me. She didn’t say anything, just stared. And then my heart got all jumpy because nobody had ever looked at me that way before.” Eva wiped a tear from under her eye. “She picked it up, so slow I didn’t know if she had trouble with her legs or something, right? She picked it up, and then she held it in her hand and looked down at it, and then… then… Marvin, she slapped me so hard on the cheek, I couldn’t believe it. I just couldn’t believe it. Nobody’s ever slapped me before!” Another tear dribbled from Eva’s eye, and Marvin was compelled forward. His knees hit the cold, hard floor, and he reached
Amy Fillion (This Funny Life: A Novel)
It’s experience that has value, not possessions. We desire possessions because we think they’ll make us happier, but extensive research shows that once our basic survival needs are met, increased possessions don’t boost happiness levels. Meditation gives us the option of going straight to happiness and skipping the intermediate step of possessions. Acquiring them takes a lot of work and time, and all that effort can take us out of flow. We can spend a 40-year career amassing the possessions and money that we believe will give us happiness in retirement. Skipping the amassing stage and going straight to bliss gives us the end goal at the beginning. We win the gold medal before the contest even begins. Play doesn’t happen in an imaginary future in which our lives are perfect. Play happens now. We can become billionaires of happy experiences, the bank vaults of our minds overflowing with joy. That’s the only currency that counts. We’ve then acquired the end state without going through the intermediate state of getting stuff. We’ve loaded the dice, so that any and every roll produces bliss. Why not live like that every day? DEEPENING PRACTICES Here are practices you can do this week to integrate the information in this chapter into your life: Releasing the Suffering Self: That’s the theme of this chapter’s companion meditation. Use the link below to listen to this free 15-minute meditation each morning. Play the “Name Your Demon” Game: Give the selfing part of yourself a funny personal name, or ask it what its name is and write down the answer. One woman christened hers “Sticky.” Another, “Yuggo.” This exercise separates you from identification with the demon, and reminds you that you’re in control. Make the Subject-Object Shift: Whenever you find your mind wandering during meditation, simply thank your DMN by name (e.g., “Thanks, Yuggo!”) and then move your attention back to Focus. Mindfulness App: As a way of becoming mindful, enroll in the Harvard wandering mind study by using the link below to download the smartphone app. Time in Nature: Spend time in nature at least three times this week. Write those times in your calendar now, and treat them as seriously as you’d treat a doctor’s appointment. This exercise in self-care is a way of centering your mind and nurturing yourself. Journaling: In your new personal journal, write down the insights you have this week. Notice the way your mind works in meditation, and describe it in your journal. Just a few words are enough, like, “Had a hard time getting to a good place this morning. Lots of mind wandering, but I settled down in 15 minutes.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
TOM CLARE From a child, I was gripped by the amazing imagination on display in Alice in Wonderland. In my teens, the wild and wacky Goon Show came into being on the radio. Later, I became a huge fan of Tom Sharpe and his wickedly funny books. The more Gothic writing of Daphne du Maurier, especially in Rebecca and Don't Look Now, and the time manipulation novels of William Boyd, linger in my memory. Absurdity, in all its forms, is my type of humour. In retirement, all these sources, together with the stranger events from my life, inspired me to take up writing.
Martin Clayton
No snakes allowed, only real ones on these grounds".
Erin Hodge (A Funny Thing Happened On My Way To The Retirement Home)
AARP’s retirement calculator; it can be found on AARP.org. (As of this writing, the link to the calculator isn’t on the home page; you’ll need to click on “Work & Retirement,” then on “Retirement Planning” to locate it.) The calculator will ask your age, your salary, your savings, and some questions about Social Security and the sort of lifestyle you imagine your older self having before giving you an estimate of how much money you’ll need at retirement and how much you’re likely to have if you continue to earn and save at your current levels. Another source of information is dinkytown.net. This website has a funny name, but if you like calculators, you’re going to be quite pleased.
Teresa Ghilarducci (How to Retire with Enough Money: And How to Know What Enough Is)
After working most of her life Grandma finally retired. At her next checkup, the new doctor told her to bring a list of all the medicines that had been prescribed for her. As the young doctor was looking through these, his eyes grew wide as he realized she had a prescription for birth control pills. "Mrs. Smith, do you realize these are BIRTH CONTROL pills?" “Yes, they help me sleep at night.” "Mrs. Smith, I assure you there is absolutely NOTHING in these that could possibly help you sleep! She reached out and patted the young Doctor’s knee. "Yes, dear, I know that. But every morning, I grind one up and mix it in the glass of orange juice that my 16 year old granddaughter drinks . . . and believe me, it helps me sleep at night.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Awomen spent ten minutes looking around the shop, then told me that she was a retired librarian. I suspect she thought this was some kind of a bond between us. Not so. On the whole, booksellers dislike librarians.
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
What do you call a retired athlete? Runner-been!
Mat Waugh (More Awesome Jokes Every 8 Year Old Should Know!: Fully charged with oodles of fresh and fabulous funnies! (Awesome Jokes for Kids))
The crescent kick is one of the most difficult kicks to master in Tae Kwon Do, but when executed properly, it is one of the most dangerous.  Detective Sergeant Jamie Johansson had been practising it for nearly six years, and despite being only five-foot-six, she could comfortably slam her heel into the ear of someone that was over six feet. And now she had it down to a science. She knew she couldn’t do enough damage with a punch to put someone down if she had to, but a well-executed crescent kick would do the job. Especially from her lightweight trail boots. Her partner made fun of her for wearing them — said that detectives shouldn’t be wearing hiking boots, especially not in the city, but they were tough and she was as fast in them as she was in her trainers. Which she thought made them a lot more suited to tracking down scumbags than Roper’s black leather Chelsea boots.  He disagreed. She didn’t really care.  Smoking thirty a day meant that he wasn’t going to be doing much running anyway. ‘Come on,’ Cake said, jerking the pad. ‘Again. Like you mean it.’ She flicked her head, throwing sweat onto the matt, wound up, lifted her leg, snapped her knee back, and then lashed out. Her shin smashed into the training pad with a dull thwap and she sank into her knees, panting.  Cake clapped them together and grinned with wide, crooked teeth. ‘Good job,’ he said. ‘You’re really getting some power into those, now. But make sure to ice that foot, yeah?’ She caught her breath quickly and stood up, nodding, strands of ash-blonde hair sticking to her forehead, the thick plait running between her lithe shoulders coming loose. ‘Sure,’ she said, measuring her trainer. Cake was six-two and twice her weight. He was Windrush, in his fifties, and ran a mixed martial arts gym just near Duckett’s Green. He was a retired boxer turned trainer that scored his nickname after winning a fight in the late nineties on his birthday. When the commentator asked what he was going to do to celebrate, he said that he was going to eat a birthday cake. Everyone thought that was funny, and it stuck. He had a pretty bad concussion at the time, which probably contributed to the answer. But there was no getting away from it now.  He pulled the pads off his forearms and rubbed his eyes. ‘Coffee?’ he asked, looking over at the clock on the wall. It was just before seven.  He yawned and stretched, cracking his spine. The gym wouldn’t open until midday to the public, but he lived upstairs in a tiny studio, and he and Jamie had an arrangement. It kept him fit and active, and she could train one-on-one. Just how she liked it. She paid her dues of course, slid him extra on top of the monthly for his time. But he said that
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))