Hole Lyric Quotes

I thought I was a fool for no one; But ooh baby I'm a fool for you; You're the queen of the superficial; how long before you tell the truth?

The life I walk binds my hands it makes me take things that I don’t understand I walk this dark world unknowing of what they hold true, forgetting the me I once knew, until you. The life I walk eternally was all I knew nothing more held me here to this earth until you. I feel the pain of every heart I take I feel the desire to replace all that I have grown to hate Darkness holds me close but the light still draws my empty soul The emptiness where I used pain to fill the hole no longer controls me, no longer calls me because of you.

Love is a hollow word which seems at home in song lyrics and greeting cards, until you fall in love and discover it’s disconcerting power. Depression means nothing more than the blues, commercially packaged angst, a hole in the ground; until you find it’s black weight settled inside your mother’s chest, disrupting her breathing, leaching her days, and yours, of colour and the nights of rest.

I mean, you just don't seem like a big fan of words yourself. So I thought you'd appreciate the lack of lyrics.

When all that you've tried, leaves nothing but holes inside.

A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-

Do you really enjoy living a life that's so hateful? 'Cause there's a hole where your soul should be, you're losing control of it, and it's really distasteful.

The problem is obvious, once the Father began creating, He risked that, although perfect, His new and autonomous family could choose badness. How else did we get demon angels? Two is a risky number. The solution is unifying, or amening, with the original “one.” Only recently has science been able to monitor a quasar. The elements that compose the stars is too base for the creation of higher forms of life. When these stars die, however, they go through two steps: First, the star implodes. Second, the star explodes. Only after the second step does the quasar create higher elements, from which we are formed. Stardust: We are made of stardust. The universe we come from is lyrical. From polarity, matter, energy and light eventuate. Even a black hole emits a super-charged jet. For the birth of any new thing, there must be polarity. For any children to exist, there must be a man and his opposite, woman. It is no mystery why the ancient Sumerian words for, “one” and “two” are the same words for, “man” and “woman.

Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.

We decided to leave early, you wouldn't want to be there in the end, when the lights came on. You'd never sit down in here again. In a depressing shuffle we pushed to the door, now it was good to get up and out, while it was still a black hole, warm, and smokey, full of possibilities...

✵ When I first met you there was a garden growing from a black hole in my mind. ✵

You chide yourself for walking too far ahead, for regressing into 80s song lyrics territory so soon. But then he says, "The supermassive black hole at the center of the milky way recently sparked 75 times brighter over the course of a 2 hour period, and twice as bright as it's ever been in the 20 years astronomers have been monitoring it." By now you're used to him talking Science, but you're not sure where he's going with this. "One theory," he continues "is that the event was caused by a star about 15 times bigger than the sun getting close to the edge of the black hole disturbing some gasses, heating things up, increasing the infrared radiation from the edge. But get this, we observed that star getting close to the black hole about a year before we observed the affects on the black hole." "That just shows how vast the universe is, how enormous the distance," you say. "Exactly! Distances, plural. The distance between the star and the edge of the black hole, and the distance between the black hole and Earth. So, I say all of this to say that sometimes wheels are set in motion long before the spark is manifest. Is that the same thing as fate? I don't know but...I do know that rare brilliant events take time.

I know that you’re just in a hole in the ground. I know that you’re long gone. I don’t even know why I write you these letters anymore. Probably to feel closer to you. I’ve never stopped loving you. There have been other girls, besides you, but you’ve never had competition. My mind always drifted back to the sweet little girl with glittering eyes.

Mostly I thought of Martha, who she was and what she had done for me. There wasn’t a moment of my life that I didn’t owe to her. Sometimes it rendered me listless and sad, made me say no to the frat party, the Sunday-night pizza feast, the Spring Fling, and I’d hole up alone in my dorm, drawing or writing lyrics, left with the painful truth of it, how the people who change us are the ones we never saw clearly at all, not until they were gone.

Little do you know How I'm breaking while you fall asleep Little do you know I'm still haunted by the memories Little do you know I'm trying to pick myself up piece by piece Little do you know I need a little more time Underneath it all I'm held captive by the hole inside I've been holding back for the fear that you might change your mind I'm ready to forgive you but forgetting is a harder fight Little do you know I need a little more time I'll wait, I'll wait I love you like you've never felt the pain, I'll wait I promise you don't have to be afraid, I'll wait The love is here and here to stay So lay your head on me Little do you know I know you're hurting while I'm sound asleep Little do you know All my mistakes are slowly drowning me Little do you know I'm trying to make it better piece by piece Little do you know I, I love you 'til the sun dies Oh wait, just wait I love you like I've never felt the pain, Just wait I love you like I've never been afraid, Just wait Our love is here and here to stay So lay your head on me I'll wait (I'll wait), I'll wait (I'll wait) I love you like you've never felt the pain, I'll wait (I'll wait) I promise you don't have to be afraid, I'll wait The love is here and here to stay So lay your head on me Lay your head on me So lay your head on me 'Cause little do you know I, I love you 'til the sun dies

I must be a writer of words, and nothing else. … I do not like writing about words, because then I often use bad and wrong and stale and woolly words. What I like to do is to treat words as a craftsman does his wood or stone or what-have-you, to hew, carve, mould, coil, polish and plane them into patterns, sequences, sculptures, fugues of sound expressing some lyrical impulse, some spiritual doubt or conviction, some dimly-realised truth I must try to reach and realise. … I am a painstaking, conscientious, involved and devious craftsman in words, however unsuccessful the result so often appears, and to whatever wrong uses I may apply my technical paraphernalia, I use everything and anything to make my poems work and move them in the directions I want to… … I, myself do not read poetry for anything but pleasure. I read only the poems I like. This means, of course, that I have to read a lot of poems I don't before I find the ones I do, but, when I do find the ones I do, then all I can say is, 'Here they are', and read them to myself for pleasure. Read the poems you like reading. Don't bother whether they're 'important', or if they'll live. What does it matter what poetry is, after all? If you want a definition of poetry, say: 'Poetry is what makes me laugh or cry or yawn, what makes my toenails twinkle, what makes me want to do this or that or nothing', and let it go at that. All that matters about poetry is the enjoyment of it, however tragic it may be. All that matters is the eternal movement behind it, the vast undercurrents of human grief, folly, pretension, exaltation, or ignorance, however unlofty the intention of the poem. You can tear a poem apart to see what makes it technically tick, and say to yourself, when the works are laid out before you, the vowels, the consonants, the rhymes or rhythms, 'Yes, this is it. This is why the poems moves me so. It is because of the craftsmanship.' But you're back again where you began. You're back with the mystery of having been moved by words. The best craftsmanship always leaves holes and gaps in the works of the poem so that something that is not in the poem can creep, crawl, flash or thunder in.

JAMIE'S SONG 'August and November': They say it was a beautiful summer. I say I felt so cold the whole short while. I heard that it rained for days, Between August and November. Well I didn’t see it rain on the enslaved river. I am the river no more (x2) And the rain is just acid water from their cloudy black smoke. And now I’m at a standstill on the streets, That are lit up like a funfair from some forgotten dream. Yet faces, headlights, and the whole world passes by me. Without taking a step, I’m down in the hole too. And if it rains this coming Dark and lonely December, I will never watch it fall on the entrapped river. I am the river no more (x2) And the rain is acid water from their cloudy black smoke.

JAMIE'S SONG 'UN-BROKE': Un-broke and, All is well. I did not expect that. Unspoken, All I felt. I should not have done that. But now that is all behind me. Something else, something more defines me. I could be scattered all over the world again, And I would still be me. Find my way back here again. Though I don’t think that could happen, I feel so unbreakable, Now that I am un-broke. Like the wind, I floated. I could not change one thing. Like the trees, I stood there. Branches swayed bare in Spring. My darkest days are behind me. Blinding sun and stars always find me. I could be shattered into the abyss again, But I would still be free. Climb out of the hole again. I’ll see the skies that never darken. I know I’m unbreakable, Now that I am un-broke.

You know a guy is a keeper when he lets you use your fingertips to make his pee hole move with the words like the little guy is the one belting out those awesome lyrics.

Writing was my godsend, my treatment, my way of digging myself out of a depressive hole. That’s not an outlet a lot of working-class kids had. But because I’d been exposed to books from an early age, this method came naturally. I’d write lots of poems to expel negative feelings. Though I didn’t show them to anybody—they contained the kind of stuff you’d hesitate to tell even a psychiatrist—they became the seeds for the lyrics that would come to define my career.

A place to stay Enough to eat Somewhere old heroes shuffle safely down the street Where you can speak out loud About your doubts and fears And what's more no one disappears You never hear their standard issue kicking in your door You can relax on both sides of the tracks And maniacs don't blow holes in bandsmen by remote control And everyone has recourse to the law And no one kills the children anymore And no one kills the children anymore

What are we? We are a combination of sand and gunpowder, cosmic energy and sawdust. We are black holes and novae, children’s laughter, and tears of time.

All the words about the really important things become chiffon representations of themselves soon enough. Some can be reinvented but others can only be discovered by a personal encounter. Love is a hollow word which seems at home in song lyrics and greeting cards, until you fall in love and discover its disconcerting power. Depression means nothing more than the blues, commercially-packaged angst, a hole in the ground; until you find its black weight settling inside your mother’s chest, disrupting her breathing, leaching her days, and yours, of colour and the nights of rest.

Just before she passes the harbor the sun begins to swoop down the sky, piercing holes in the clouds and forming columns of light. "Our Lord's fingers"- she suddenly recalls her mother's name for the slender rays that pierced through gray skies and reinvigorated the earth after soggy afternoons of rain. The columns melt as they reach the water, dissolving into a quivering glitter. It grows dark around her as the light is sucked into the sea; patches of pink and orange dance a few last, passionate steps across the sky. Maya remains standing as the dance keeps twirling inside her. How lovely just to stand here and let herself be overwhelmed, to let the lyrics fade and surrender to the melody.