Repository Of Quotes

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Teach her to question language. Language is the repository of our prejudices, our beliefs, our assumptions.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
Rebecca Solnit (Wanderlust: A History of Walking)
You don't have to look back to see those children; part of your mind will see them forever. They are not necessarily the best part of you, but they were once the repository of all you could become.
Stephen King (It)
Soccer isn't the same as Bach or Buddhism. But it is often more deeply felt than religion, and just as much a part of the community's fabric, a repository of traditions.
Franklin Foer (How Soccer Explains the World)
I lived for those moments when we were together, those few times in my life that I actually felt alive.
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
A mouth of no distinction but well practiced, before I entered my teens, in irony. For what is irony but the repository of hurt? And what is hurt but the repository of hope?
Joyce Carol Oates (Faithless: Tales of Transgression)
I love her because she has become something more to me. She become my life.
Melissa de la Cruz
In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
The Cosmos extends, for all practical purposes, forever. After a brief sedentary hiatus, we are resuming our ancient nomadic way of life. Our remote descendants, safely arrayed on many worlds throughout the Solar System and beyond, will be unified by their common heritage, by their regard for their home planet, and by the knowledge that, whatever other life may be, the only humans in all the Universe come from Earth. They will gaze up and strain to find the blue dot in their skies. They will love it no less for its obscurity and fragility. They will marvel at how vulnerable the repository of all our potential once was, how perilous our infancy, how humble our beginnings, how many rivers we had to cross before we found our way.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Phillip is a repository of random snatches of film dialogue and song lyrics. To make room for all of it in his brain, he apparently cleared out all the areas where things like reason and common sense are stored.
Jonathan Tropper (This is Where I Leave You)
Have you ever been in love, Hadrian?” “I’m not sure. How do you tell?” “Love? Why, it’s like coming home.” Hadrian considered the comment. “What are you thinking?” Bulard asked. Hadrian shook his head. “Nothing.” “Yes, you were. What? You can tell me. I’m an excellent repository for secrets. I’ll likely forget, but if I don’t, well, I’m an old man in a remote jungle. I’m sure to die before I can repeat anything.” Hadrian smiled, then shrugged. “I was just thinking about the rain.
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
Dear FB Friends, Fuck Facebook!!!!! — It has proven to be worthless as a book-selling device, and is nothing but a repository for perverts, reparation-seekers, old buddies looking for handouts, syphillitic ex-girlfriends looking for extra-curricular schlong and hack writers begging for blurbs.
James Ellroy
I'm slowly becoming a repository for decomposing sorrows, regrets, ignored injustice, and forgotten promises. I can still feel its stench. But when I get accustomed to it, I will call it experience.
Meša Selimović (The Fortress)
But happiness is a difficult thing-it is, as Aristotle posited in The Nicomachean Ethics, an activity, is is about good social behavior, about being a solid citizen. Happiness is about community, intimacy, relationships, rootedness, closeness, family, stability, a sense of place, a feeling of love. And in this country, where people move from state to state and city to city so much, where rootlessness is almost a virtue ("anywhere I hang my hat...is someone else's home"), where family units regularly implode and leave behind fragments of divorce, where the long loneliness of life finds its antidote not in a hardy, ancient culture (as it would in Europe), not in some blood-deep tribal rites (as it would in the few still-hale Third World nations), but in our vast repository of pop culture, of consumer goods, of cotton candy for all-in this America, happiness is hard.
Elizabeth Wurtzel (Prozac Nation)
Libraries are like houses of worship: Whether or not you use them yourself, it's important to know that they are there. In many ways they define a society and the values of that society. Librarians to me are the keepers of the flame of knowledge. When I was growing up, the librarian in my local library looked like a meek little old lady, but after you spent some time with her, you realized she was Athena with a sword, a wise and wonderful repository of wisdom.
Jane Stanton Hitchcock
Repository,” he finally says, “you know this word? A resting place. A text—a book—is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.” His eyes open very widely then, as though he peers into a great darkness. “But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.
Anthony Doerr (Cloud Cuckoo Land)
The mind is an activity, not a repository.
Jean-Henri Fabre (The Passionate Observer)
Maybe the heavens were a kind of celestial grave, I thought, the way the earth is a repository for our flesh, and when we stared at the stars, we were really beholding a million lives twinkling back at us, asking us not to forget.
Tiffany Baker (The Little Giant of Aberdeen County)
A place is more than the sum of its physical parts; it’s a repository for memories, a record and retainer of all that has happened within its boundaries.
Kate Morton (The Distant Hours)
Have you never met anyone who works in a record store? There is no greater repository of unjustified arrogance in the world.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
You may be able to call up an entire encyclopedia, but nothing is more meaningless than a brain with no heart and no reasoning
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
It's like having a head full of holes, in which the perfect repository of words have shamed themselves," he lamented.
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
Popularity was fickle and elusive, like trying to catch fireflies in a jar. You were either born with it or relegated to wallflower status according to your mysterious and unknowable workings of the universe.
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
I took up space. I was a collection of cells and memories, awkward limbs and clumsy fashion crimes; I was the repository of my parents' expectations and evidence of their disappointments
Robin Wasserman (Girls on Fire)
You don't have to look back to see those children; part of your mind will see them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but they were once the repository of all you could become.
Stephen King (It)
Writing is a kind of repository and can help create a space for the accommodation of new thoughts and feelings. If you don't write these stories down, your heart will be filled up and broken by them.
Xinran (The Good Women of China: Hidden Voices)
Do not seek to find hope among your leaders. They are the repositories of poison. Their interest in you extends only so far as their ability to control you. From you, they seek duty and obedience, and they will ply you with the language of stirring faith. They seek followers, and woe to those who question, or voice challenge. ‘Civilization after civilization, it is the same. The world falls to tyranny with a whisper. The frightened are ever keen to bow to a perceived necessity, in the belief that necessity forces conformity, and conformity a certain stability. In a world shaped into conformity, dissidents stand out, are easily branded and dealt with. There is no multitude of perspectives, no dialogue. The victim assumes the face of the tyrant, self-righteous and intransigent, and wars breed like vermin. And people die.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
I happen to believe we are all walking repositories of buried treasure.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
In writing are the roots, in writing are the foundations of eloquence; by writing resources are stored up, as it were, in a sacred repository, when they may be drawn forth for sudden emergencies, or as circumstances require.
Quintilian
The heart is a repository of emotions--real, imagined, and invented, owned and borrowed, past, present, future--and there in your chest, operating at an average of 80 beats per minute at rest, is a heart that has stories to tell.
A.A. Patawaran (Write Here Write Now: Standing at Attention Before My Imaginary Style Dictator)
You certainly are a repository of useless information. How do you know all that?' David asked, with more amusement than admiration. 'I have a mind like a magpie's, easily distracted by interesting odds and ends,' Ramses admitted.
Elizabeth Peters (A River in the Sky (Amelia Peabody, #19))
Words: repositories for singular realities which they then transform into memories in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories.
Muriel Barbery (Gourmet Rhapsody)
These things that were between us, these and a myriad others, a myriad myriad, these remain of her, but what will become of them when I am gone, I who am their repository and sole preserver?
John Banville (Ancient Light (The Cleave Trilogy #3))
since historians must and ought to be exact, truthful, and absolutely free of passions, for neither interest, fear, rancor, nor affection should make them deviate from the path of the truth, whose mother is history, the rival of time, repository of great deeds, witness to the past, example and adviser to the present, and forewarning to the future.
Miguel de Cervantes Saavedra (Don Quixote)
Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to.... How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see.
Alain de Botton (The Pleasures and Sorrows of Work)
The castle, and all it represents, will always be with us. Once it was born, once the stone was made living, the repository of power made real, the idea could never be unmade. Even if all the castles of all the world were destroyed, in the minds of men they would be built anew; the wizard called imagination would raise high walls and towers out of ruins.
David Day (Castles)
Not a wall in the building lacked books. Books even occupied the space above doorways.
Brandon Mull (A World Without Heroes (Beyonders, #1))
Adults could be barefaced liars too, of course, and about no subject so much as their own bodies. In Lib's experience, those who wouldn't cheat a shopkeeper by a farthing would lie about how much brandy they drank or whose room they'd entered and what they'd done there. Girls bursting out of their stays denied their condition till the pangs gripped them. Husbands swore blind that their wives' smashed faces were none of their doing. Everybody was a repository of secrets.
Emma Donoghue (The Wonder)
To the person who has anything to conceal—to the person who wants to lose his identity as one leaf among the leaves of a forest—to the person who asks no more than to pass by and be forgotten, there is one name above others which promises a haven of safety and oblivion. London. Where no one knows his neighbour. Where shops do not know their customers. Where physicians are suddenly called to unknown patients whom they never see again. Where you may lie dead in your house for months together unmissed and unnoticed till the gas-inspector comes to look at the meter. Where strangers are friendly and friends are casual. London, whose rather untidy and grubby bosom is the repository of so many odd secrets. Discreet, incurious and all-enfolding London.
Dorothy L. Sayers (Unnatural Death (Lord Peter Wimsey, #3))
Repository,” he finally says, “you know this word? A resting place. A text—a book—is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.
Anthony Doerr (Cloud Cuckoo Land)
Not only is it a wholly remarkable book, it is also a highly successful one – more popular than the Celestial Home Care Omnibus, better selling than Fifty-three More Things to do in Zero Gravity, and more controversial than Oolon Colluphid's trilogy of philosophical blockbusters Where God Went Wrong, Some More of God's Greatest Mistakes and Who is this God Person Anyway? In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
The world needs them - the ones who absorb the emotions of others, which diminishes their pain and disquietude and the world also uses them as a repository for confessions, secrets, grudges and indignation. They will leave these uncommon and intuitive individuals feeling unburdened themselves while the unusual individual will be weighed down by having taken on those burdens in addition to their own. The world needs them but what they need is something as aberrant as themselves, and that is silence, stillness and rest.
Donna Lynn Hope
though books, as Milton says, may be the embalming of mighty spirits, they are also the resurrection of rebellious, reactionary, fantastical, and wicked spirits! in books dwell all the demons and all the angels of the human mind. it is for this reason that a a bookshop -- especially a second-hand bookshop / antiquarian - is an arsenal of explosives, an armory of revolutions, an opium den of reaction. and just because books are the repository of all the redemptions and damnations, all the sanities and insanities, of the divine anarchy of the soul, they are still, as they have alwasys been, an object of suspicion to every kind of ruling authority. in a second-hand bookshop are the horns of the altar where all the outlawed thoughts of humanity can take refuge! here, like depserate bandits, hide all the reckless progeny of our wild, dark, self-lacerating hearts. a bookshop is powder-magazine, a dynamite-shed, a drugstore of poisons, a bar of intoxicants, a den of opiates, an island of sirens. of all the 'houses of ill fame' which a tyrant, a bureaucrat, a propagandist, a moralist, a champion of law and order, an advocate of keeping people ignorant for their own good, hurries past with averted eyes or threatens with this minions, a bookshop is the most flagrant. ~ autobiography
John Cowper Powys
All he had to do was love her, and he could do that. -Kingsley
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
Every family has one living patriarch or matriarch, the final arbiter and repository of ancient family history, and Nicole's Aunt Patti was the last woman standing.
Liz Rosenberg (The Laws of Gravity)
This is a repository of ideas, dissertations from geniuses, not a library packed with lies and fictions!
Robert W. Walker (Thrice Told Tales)
Mr. Tulkinghorn is always the same, speechless repository of noble confidences, so oddly out of place and yet so perfectly at home.
Charles Dickens (Bleak House)
The idea in our culture of body solely as sculpture is wrong. Body is not marble. That is not its purpose. Its purpose is to protect, contain, support and fire the spirit and soul within it, to be a repository for memory, to fill us with feeling - that is the supreme psychic nourishment. It is to lift us and propel us, to fill us with feeling to prove that we exist, that we are here, to give us grounding, heft, weight. It is wrong to think of it as a place we leave in order to soar to the spirit. The body is the launcher of those experiences. Without body there would be no sensations of crossing thresholds, there would be no sense of lifting, no sense of height, weightlessness. All that comes from the body. The body is the rocket launcher. In its nose capsule, the soul looks out the window into the mysterious starry night and is dazzled.
Clarissa Pinkola Estés
If there had been a Jewish state in the first half of the century, there would have been no Holocaust. And if there had not been a Jewish state after the Holocaust, there would have been no Jewish future. The State of Israel is not only the repository of the millennial Jewish hopes for redemption; it is also the one practical instrument for assuring Jewish survival.
Benjamin Netanyahu (A Durable Peace: Israel and its Place Among the Nations)
You can tell if a discipline is BS if the degree depends severely on the prestige of the school granting it. I remember when I applied to MBA programs being told that anything outside the top ten or twenty would be a waste of time. On the other hand a degree in mathematics is much less dependent on the school (conditional on being above a certain level, so the heuristic would apply to the difference between top ten and top two thousand schools). The same applies to research papers. In math and physics, a result posted on the repository site arXiv (with a minimum hurdle) is fine. In low-quality fields like academic finance (where papers are usually some form of complicated storytelling), the “prestige” of the journal is the sole criterion.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
She had found a nasty, forbidden little book in the great Ninth repositories of nasty, forbidden little books, and all the Houses would have had a collective aneurysm if they knew she’d even read it.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
The city is not merely a repository of pleasures. It is the stage on which we fight our battles, where we act out the drama of our own lives. It can enhance or corrode our ability to cope with everyday challenges. It can steal our autonomy or give us the freedom to thrive. It can offer a navigable environment, or it can create a series of impossible gauntlets that wear us down daily. The messages encoded in architecture and systems can foster a sense of mastery or helplessness.
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
True autism, Jack had decided, was in the last analysis an apathy toward public endeavor; it was a private existence carried on as if the individual person were the creator of all value, rather than merely the repository of inherited values. And Jack Bohlen, for the life of him, could not accept the Public School with its teaching machines as the sole arbiter of what was and what wasn't of value. For the values of a society were in ceaseless flux, and the Public School was an attempt to stabilize those values, to jell them at a fixed point—to embalm them.
Philip K. Dick (Martian Time-Slip)
Miss Kirwin was that rare educator who was in love with information. I will always believe that her love of teaching came not so much from her liking for students but from her desire to make sure that some of the things she knew would find repositories so that they could be shared again.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
books are nothing but repositories for those lies the author wants his reader to believe.
Glen Cook (Water Sleeps (The Chronicles of the Black Company, #8))
The rise of science, which with monotonous regularity refuted the cosmologies of the prophets and produced miracles which they could never match, eventually destroyed all these faiths. It did not destroy the awe, nor the reverence and humility, which all intelligent beings felt as they contemplated the stupendous universe in which they found themselves. What it did weaken, and finally obliterate, were the countless religions each of which claimed with unbelievable arrogance, that it was the sole repository of the truth and that its millions of rivals and predecessors were all mistaken.
Arthur C. Clarke (The City and the Stars)
Youth is a gift that goes largely unappreciated by its proprietor. Like a single raindrop falling on hot pavement it evaporates before your eyes and transcends into adulthood. The innocence and energy become merely a file in one’s repository of memories… there its value is priceless and nonrenewable.” RW
Rob Wood
Things — identifiable objects, products, goals with clear labels and price tags, men you've known for five minutes — make such a handy repository for hungers, such an easy mask for other desires, and such a ready cure for the feelings of edgy discontent that emerge when other desires are either thwarted or unnamed.
Caroline Knapp (Appetites: Why Women Want)
Masters, holding aloft a hard-boiled egg from the free lunch as if it were a crystal ball, said, “Have you gentlemen ever considered the question of the true nature of the University? Mr. Stoner? Mr. Finch?” Smiling, they shook their heads. “I’ll bet you haven’t. Stoner, here, I imagine, sees it as a great repository, like a library or a whorehouse, where men come of their free will and select that which will complete them, where all work together like little bees in a common hive. The True, the Good, the Beautiful. They’re just around the corner, in the next corridor; they’re in the next book, the one you haven’t read, or in the next stack, the one you haven’t got to. But you’ll get to it someday. And when you do—when you do—” He looked at the egg for a moment more, then took a large bite of it and turned to Stoner, his jaws working and his dark eyes bright.
John Williams (Stoner)
Terrorism" is a word with little content - it is a label for brutalities committed by "the enemy", and from which one's own acts of destruction are exempted. It is an inchoate and emotionally laden concept, a semantic mirror of our dishonesty and a repository for everything about war that we would like to disavow. Making a sharp distinction between war and terrorism is at best a self-deceptive game.
David Livingstone Smith (The Most Dangerous Animal: Human Nature and the Origins of War)
In an extreme view, the world can be seen as only connections, nothing else. We think of a dictionary as the repository of meaning, but it defines words only in terms of other words. I liked the idea that a piece of information is really defined only by what it's related to, and how it's related. There really is little else to meaning. The structure is everything. There are billions of neurons in our brains, but what are neurons? Just cells. The brain has no knowledge until connections are made between neurons. All that we know, all that we are, comes from the way our neurons are connected.
Tim Berners-Lee
So it appears to me, for when he could and should have wielded his pen to praise the virtues of so good a knight, it seems he intentionally passes over them in silence, since historians must and ought to be exact, truthful, and absolutely free of passions, for neither interest, fear, rancor, nor affection should make them deviate from the path of the truth, whose mother is history, the rival of time, repository of great deeds, witness to the past, example and adviser to the present, and forewarning to the future.
Miguel de Cervantes Saavedra (The history of Don Quixote de la Mancha)
KIDS IN DISTRESSED FAMILIES ARE GREAT repositories of silence and carry in their bodies whole arctic wastelands of words not to be uttered, stories not to be told.
Mary Karr (Cherry)
The best government is that which governs least.
John L. O'Sullivan (United States magazine, or, General repository of useful instruction and rational amusement.)
Lucifer, the most beautiful angel of all time,became so enamored with his own beauty and power that he came to believe his light was greater than the Almighty...
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
So this is pain. So this is wretchedness. So this is misery. I never knew. -Jack
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
I don't love you anymore... I love someone else. I always have." -Schuyler
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
Both man and woman have their own parts to play in bringing faith to the next generation, and the woman's role is particularly important. How can we ever think that the female sex is inferior when we see the essential responsibility God has given women in this world? Their sensitivity to spiritual concerns seems to be farm more innate and natural than a man's. Mothers and wives often are the medium for our intercourse with the heavenly world, the faithful repositories of spiritual knowledge and wisdom. We should all be careful to avail ourselves of the benefits they have to offer both the present generation and the one that will follow us.
William Wilberforce
Consider the nature of a city. It is a vast repository of time, the discarded times of all the men and women who have lived, worked, dreamed and died in the streets which grow like a willfully organic thing, unfurl like the petals of a mired rose and yet lack evanescence so entirely that they preserve the past in haphazard layers, so this alley is old while the avenue that runs beside it is newly built but nevertheless has been built over the deep-down, dead-in-the-ground relics of the older, perhaps the original, huddle of alleys which germinated the entire quarter.
Angela Carter (The Infernal Desire Machines of Doctor Hoffman)
Rama continued: “I do not know whether there are men born outside humanity, or whether some men are so human as to make others seem unreal. Perhaps a godling lives on earth now and then. Joseph has strength beyond vision of shattering, he has the calm of mountains, and his emotion is as wild and fierce and sharp as the lightning and just as reasonless as far as I can see or know. When you are away from him, try thinking of him and you’ll see what I mean. His figure will grow huge, until it tops the mountains, and his force will be like the irresistible plunging of the wind. Benjy is dead. You cannot think of Joseph dying. He is eternal. His father died, and it was not a death.” Her mouth moved helplessly, searching for words. She cried as though in pain, “I tell you this man is not a man, unless he is all men. The strength, the resistance, the long and stumbling thinking of all men, and all the joy and suffering, too, cancelling each other out and yet remaining in the contents. He is all these, a repository for a little piece of each man’s soul, and more than that, a symbol of the earth’s soul.” Her eyes dropped and her hand withdrew. “I said a door was open.
John Steinbeck (To a God Unknown)
India itself cannot be viewed only as a bundle of the old and the new, accidentally and uncomfortably pieced together, an artificial construct without a natural unity. Nor is she just a repository of quaint, fashionable accessories to Western lifestyles; nor a junior partner in a global capitalist world. India is its own distinct and unified civilization with a proven ability to manage profound differences, engage creatively with various cultures, religions and philosophies, and peacefully integrate many diverse streams of humanity.
Rajiv Malhotra (Being Different: An Indian Challenge to Western Universalism)
Something that once had importance might be forgotten by most people but because millions of people once knew it, a force is present that can be harnessed. There might be so much significance attached to a song, for example, or a fact, that it can’t die but only lies dormant, like a vampire in his coffin, waiting to be called forth from the grave once again. There is more magic in the fact that the first mass worldwide photo of the Church of Satan was taken by Joe Rosenthal – the same man who took the most famous news photo in history – the flag-raising at Iwo Jima. There’s real occult significance to that – much more than in memorizing grimoires and witches’ alphabets. People ask me about what music to use in rituals – what is the best occult music. I’ve instructed people to go to the most uncrowded section of the music store and it’s a guarantee what you’ll find there will be occult music. That’s the power of long-lost trivia. I get irritated by people who turn up their noses and whine ‘Why would anyone want to know that?’ Because once upon a time, everyone in America knew it. Suppose there’s a repository of neglected energy, that’s been generated and forgotten. Maybe it’s like a pressure cooker all this time, just waiting for someone to trigger its release. ‘Here I am,’ it beckons, ‘I have all this energy stored up just waiting for you – all you have to do is unlock the door. Because of man’s stupidity, he’s neglected me to this state of somnambulism – dreaming the ancient dreams – even though I was once so important to him.’ Think about that. A song that was once on millions of lips now is only on your lips. Now what does that contain? Those vibrations of that particular tune, what do they evoke, call up? What do they unlock? The old gods lie dormant, waiting.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
This is another way to make sense of that haunting sensation: to walk into a home and recognize, even if you can’t name the feeling, that someone else not only lived here but adopted patterns of life completely alien to your own, whose daily ritual and marks of wear will never match your own. Haunted houses are the repository of the dreams dreamt inside them—both our dreams and those of previous occupants. This can make even the most simple of houses feel, at times, alive.
Colin Dickey (Ghostland: An American History in Haunted Places)
Any of the nearby volumes might hold information about hippopotamus portals or contain hints about how he might get home.
Brandon Mull (A World Without Heroes (Beyonders, #1))
What’s the dog called?' Jason asked. 'Feraclestinius Androbrelium Pathershin the Seventh.' ‘No, I meant his entire name.’ ‘To abbreviate, I call him Feracles.
Brandon Mull (A World Without Heroes (Beyonders, #1))
Did you design the door?’ ‘No.’ ‘Who did? The Unknown Designer?
Brandon Mull (A World Without Heroes (Beyonders, #1))
It is my turn to wait. Funny that in all these months we have been meeting, it was always she waiting for me.
Melissa de la Cruz (Keys to the Repository (Blue Bloods, #4.5))
There is the relationship between the two of you as real people, and there is the relationship between the two shadows. The shadow is the part of us we do not know about. It is the hidden repository of all our old feelings and patterns. You come into the relationship bringing a shadow with you, as does the other person. If you and the other person do not look into what these shadows contain, your relationship will be between two shadows instead of the two of you as real people.
Gay Hendricks (Conscious Loving: The Journey to Co-Committment)
But the spectacle perceived does not partake of pure being. Taken exactly as I see it, it is a moment of my individual history, and since sensation is a reconstitution, it pre-supposes in me sediments left behind by some previous constitution, so that I am, as a sentient subject, a repository stocked with natural powers at which I am the first to be filled with wonder.
Maurice Merleau-Ponty
Farewell, Timothy Riley’s Bar," Lane said softly. "Home of the nickel beer. Snooker emporium. Repository of Bluebird records, three for a dime. We honor you and your passing. Farewell. Farewell, Timothy Riley—and terraplanes and rumbleseats and saddle shoes and Helen Forrest and the Triple-C camps and Andy Hardy and Lum ‘n’ Abner and the world-champion New York Yankees! Rest in peace, you age of innocence—you beautiful, serene, carefree, pre-Pearl Harbor, long summer night. We’ll never see your likes again.
Rod Serling (Rod Serling's Night Gallery (Rod Serling's Night Gallery #1))
Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
Stephen King (It)
After all, much of the fondness avid readers, and certainly collectors, have for their books is related to the books' physical bodies. As much as they are vessels for stories (and poetry, reference information, etc.), books are historical artifacts and repositories for memories-we like to recall who gave books to us, where we were when we read them, how old we were, and so on.
Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)
Quantum mechanics. What a repository, a dump, of human aspiration it was, the borderland where mathematical rigor defeated common sense, and reason and fantasy irrationally merged. Here the mystically inclined could find whatever they required and claim science as their proof. And for these ingenious men in their spare time, what ghostly and beautiful music it must be--spectral asymmetry, resonances, entanglement, quantum harmonic oscillators--beguiling ancient airs, the harmony of the spheres that might transmute a lead wall into gold and bring into being the engine that ran on virtually nothing, on virtual particles, that emitted no harm and would power the human enterprise as well as save it. Beard was stirred by the yearnings of these lonely men. And why should he think they were lonely? It was not, or not only, condescension that made him think them so. They did not know enough, but they knew too much to have anyone to talk to. What mate waiting down the pub or in the British Legion, what hard-pressed wife with job and kids and housework, was going to follow them down these warped funnels in the space-time continuum, into the wormhole, the shortcut to a single, final answer to the global problem of energy?
Ian McEwan (Solar)
In the face of this situation we would be better off to dispense now with a number of the concepts which have underlined our thinking with regard to the Far East. We should dispense with the aspiration to 'be liked' or to be regarded as the repository of a high-minded international altruism. We should stop putting ourselves in the position of being our brothers' keeper and refrain from offering moral and ideological advice. We should cease to talk about vague — and for the Far East — unreal objectives such as human rights, the raising of the living standards, and democratization. The day is not far off when we are going to have to deal in straight power concepts. The less we are hampered by idealistic slogans, the better.
George F. Kennan
Miss Kirwin was that rare educator who was in love with information. I will always believe that her love of teaching came not so much from her liking for students but from her desire to make sure that some of the things she knew would find repositories so that they could be shared again. She
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Social networks are more than just repositories for trivial, snap judgments; they are more than merely convenient outlets for mindless joy and outrage. They offer more than the common ground and the solace we may find during culturally significant moments. Social networks also provide us with something of a flawed but necessary conscience, a constant reminder that commitment, compassion, and advocacy neither can nor ever should be finite.
Roxane Gay (Bad Feminist)
I happen to believe we are all walking repositories of buried treasure. I believe this is one of the oldest and most generous tricks the universe plays on us human beings, both for its own amusement and for ours: The universe buries strange jewels deep within us all, and then stands back to see if we can find them. The hunt to uncover those jewels—that’s creative living.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I am a man and what I have to recapture is the whole past of the world, I am not responsible only for the slavery involved in Santo Domingo, every time man has contributed to the victory of the dignity of the spirit, every time a man has said no to an attempt to subjugate his fellows, I have felt solidarity with his act. In no way does my basic vocation have to be drawn from the past of peoples of color. In no way do I have to dedicate myself to reviving some black civilization unjustly ignored. I will not make myself the man of any past. My black skin is not a repository for specific values. Haven’t I got better things to do on this earth than avenge the blacks of the 17th century? I as a man of color do not have the right to hope that in the white man there will be a crystallization of guilt towards the past of my race. I as a man of color do not have the right of stamping down the pride of my former master. I have neither the right nor the duty to demand reparations for my subjugated ancestors. There is no black mission. There is no white burden. I do not want to be victim to the rules of a black world. Am I going to ask this white man to answer for the slave traders of the 17th century? Am I going to try by every means available to cause guilt to burgeon in their souls? I am not a slave to slavery that dehumanized my ancestors. It would be of enormous interest to discover a black literature or architecture from the 3rd century B.C, we would be overjoyed to learn of the existence of a correspondence between some black philosopher and Plato, but we can absolutely not see how this fact would change the lives of 8 year old kids working the cane fields of Martinique or Guadeloupe. I find myself in the world and I recognize I have one right alone: of demanding human behavior from the other.
Frantz Fanon
I don’t think that the definition of library has changed. Libraries have never been repositories solely of books. In Alexandria for instance, the model of the ideal library perhaps, there was a will to collect every book in the world, but at the same time they had maps and objects and there was a sense that this was a world of study and communication. The technology changes, and so electronic media should enter the library as long as we don’t forget that there are also books. I don’t believe in technologies that want to exclude one another. A new technology comes into the world and believes that it can bill itself on the corpse of the previous technology, but that never happens. Photography did not eliminate painting. Film did not eliminate theater and so on. One technology feeds on the vocabulary of the other, and I believe that the electronic technology has taught us to value the reading on the page, and the reading on the page has taught us what we can do on the screen. They are alternatives, but they’re certainly not synonymous.
Alberto Manguel
The richest person in the world - in fact, all the riches in the world - couldn't provide you with anything like the endless, incredible loot available in your local library. You can measure the awareness, the breadth and the wisdom of a civilization, a nation, a people by the priority given to preserving these repositories of all that we are, all that we were, or will be. Our libraries are being eroded alarmingly by inflation. It behooves us - all of us - to stop the rot by the application of that prime preserver - money.
Malcolm Forbes
What I really devoured . . . was the truculence of my hosts' language: the syntax may have been brutally sloppy, but it was oh so warm in its juvenile authenticity. I feasted on their words, yes, the words flowing at that get-together of country brothers, the sort of words that, at times, delight one much more than the pleasures of the flesh. Words: repositories for singular realities which they transform into moments in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories. Life exists only by virtue of the osmosis of words and facts, where the former encase the latter in ceremonial dress.
Muriel Barbery (Gourmet Rhapsody)
In an ideal world, marriage vows would be entirely rewritten. At the alter, a couple would speak thus: "We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species." After the solemn repetition of the last sentence by the congregation, the couple would continue: "We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves." Spouses who had been cheated upon would no longer be at liberty furiously to complain that they had expected their partner to be content with them alone. Instead they could more poignantly and justly cry, "I was relying on you to be loyal to the specific variety of compromise and unhappiness which our hard-won marriage represents." Thereafter, an affair would be a betrayal not of intimate joy but of a reciprocal pledge to endure the disappointments of marriage with bravery and stoic reserve.
Alain de Botton (The Course of Love)
literature composed by women was stored not in books but in female bodies, living repositories of poetry and song. I have come across a line of argument in my reading, which posits that, due to the inherent fallibility of memory and the imperfect human vessels that held it, the Caoineadh cannot be considered a work of single authorship. Rather, the theory goes, it must be considered collage, or, perhaps, a folky reworking of older keens. This, to me --- in the brazen audacity of one positioned far from the tall walls of the university --- feels like a male assertion pressed upon a female text. After all, the etymology of the word ‘text’ lies in the Latin verby ‘texere’: to weave, to fuse, to braid. The Caoineadh form belongs to a literary genre worked and woven by women, entwining strands of female voices that were carried in female bodies, a phenomenon that seems to me cause for wonder and admiration, rather than suspicion of authorship.
Doireann Ní Ghríofa (A Ghost in the Throat)
we find ourselves today connected to vast repositories of knowledge, and yet we have not learned to think. In fact, the opposite is true: that which was intended to enlighten the world in practice darkens it. The abundance of information and the plurality of worldviews now accessible to us through the internet are not producing a coherent consensus reality, but one riven by fundamentalist insistence on simplistic narratives, conspiracy theories, and post-factual politics. It is on this contradiction that the idea of a new dark age turns: an age in which the value we have placed upon knowledge is destroyed by the abundance of that profitable commodity, and in which we look about ourselves in search of new ways to understand the world.
James Bridle (New Dark Age: Technology and the End of the Future)
As a thought experiment, von Neumann's analysis was simplicity itself. He was saying that the genetic material of any self-reproducing system, whether natural or artificial, must function very much like a stored program in a computer: on the one hand, it had to serve as live, executable machine code, a kind of algorithm that could be carried out to guide the construction of the system's offspring; on the other hand, it had to serve as passive data, a description that could be duplicated and passed along to the offspring. As a scientific prediction, that same analysis was breathtaking: in 1953, when James Watson and Francis Crick finally determined the molecular structure of DNA, it would fulfill von Neumann's two requirements exactly. As a genetic program, DNA encodes the instructions for making all the enzymes and structural proteins that the cell needs in order to function. And as a repository of genetic data, the DNA double helix unwinds and makes a copy of itself every time the cell divides in two. Nature thus built the dual role of the genetic material into the structure of the DNA molecule itself.
M. Mitchell Waldrop (The Dream Machine: J.C.R. Licklider and the Revolution That Made Computing Personal)
Words: repositories for singular realities which they then transform into moments in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories. Life exists only by virtue of the osmosis of words and facts, where the former encase the latter in ceremonial dress. Thus, the words of my chance acquaintances, crowning the meal with an unprecedented grace, had almost formed the substance of my feast in spite of myself, and what I had enjoyed so merrily was the verb, not the meat.
Muriel Barbery (Gourmet Rhapsody)
All the various time travel devices used by Verne and Bert were stored in the repository, Poe explained, including the ones that had never quite worked as they were meant to. There was one that resembled a blue police box from London—“Stolen by a doctor with delusions of grandeur,” said Poe—one that was simply a large, transparent sphere—“Created by a scientist with green skin and too much ego,” said Verne—and one that was rather ordinary by comparison. “This one looks like an automobile,” John said admiringly, “with wings.” “The doors open that way for a reason,” Verne explained, “we just never figured out what it was. The inventor of this particular model tried integrating his designs into a car, an airplane, and even a steam engine train. He was running a crackpot laboratory in the Arizona desert, and he never realized that it was not his inventions themselves, but his proximity to some sort of temporal fluctuation in the local topography, that allowed them to work.” “What happened to him?” asked Jack. “He’d get the machines up to one hundred and six miles per hour,” said Bert, “and then he’d run out of fuel and promptly get arrested by whatever constabulary had been chasing him. The sad part was that Jules figured out if he’d just gone two miles an hour faster, he’d likely have been successful in his attempt.
James A. Owen (The Dragon's Apprentice (The Chronicles of the Imaginarium Geographica, #5))
must be said for the “Latter-day Saints” (these conceited words were added to Smith’s original “Church of Jesus Christ” in 1833) that they have squarely faced one of the great difficulties of revealed religion. This is the problem of what to do about those who were born before the exclusive “revelation,” or who died without ever having the opportunity to share in its wonders. Christians used to resolve this problem by saying that Jesus descended into hell after his crucifixion, where it is thought that he saved or converted the dead. There is indeed a fine passage in Dante’s Inferno where he comes to rescue the spirits of great men like Aristotle, who had presumably been boiling away for centuries until he got around to them. (In another less ecumenical scene from the same book, the Prophet Muhammad is found being disemboweled in revolting detail.) The Mormons have improved on this rather backdated solution with something very literal-minded. They have assembled a gigantic genealogical database at a huge repository in Utah, and are busy filling it with the names of all people whose births, marriages, and deaths have been tabulated since records began. This is very useful if you want to look up your own family tree, and as long as you do not object to having your ancestors becoming Mormons. Every week, at special ceremonies in Mormon temples, the congregations meet and are given a certain quota of names of the departed to “pray in” to their church. This retrospective baptism of the dead seems harmless enough to me, but the American Jewish Committee became incensed when it was discovered that the Mormons had acquired the records of the Nazi “final solution,” and were industriously baptizing what for once could truly be called a “lost tribe”: the murdered Jews of Europe. For all its touching inefficacy, this exercise seemed in poor taste. I sympathize with the American Jewish Committee, but I nonetheless think that the followers of Mr. Smith should be congratulated for hitting upon even the most simpleminded technological solution to a problem that has defied solution ever since man first invented religion.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
Ben Okri (A Way of Being Free)
The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")
Vasily Rozanov (Silver Age of Russian Culture (An Anthology))