Reopening Soon Quotes

We've searched our database for all the quotes and captions related to Reopening Soon. Here they are! All 6 of them:

I wiped the dreams from my eyes and looked out the window at the black clouds coming toward me. Lately I've missed the clouds and winds telling it's going to rain soon, particularly in the middle of a hot summer and with an almost certain onset of a dry day. I feel pleasure looking at rain clouds come floating in, hoping they will not vanish like my dreams. I close my eyes and envision a single drop of rain touching my cheek like a butterfly kiss. Although it wasn't raining when I reopened my eyes, I could smell the air heavy with water, scents are like rain, or friends. They go and came back. I love rain. I wish I could be like the rain, like the wind, the sun, and the sky.
Rolf van der Wind
A major push is under way to figure out the molecular basis of those "critical" or "sensitive" periods, to figure out how the brain changes as certain learning abilities come and go. In some, if not all, of those mammals that have the alternating stripes in the visual cortex known as ocular dominance columns, those columns can be adjusted early in development, but not in adulthood. A juvenile monkey that has one eye covered for an extended period of time can gradually readjust its brain wiring to favor the open eye; an adult monkey cannot adjust its wiring. At the end of a critical period, a set of sticky sugar-protein hybrids known as proteoglycans condenses into a tight net around the dendrites and cell bodies of some of the relevant neurons, and in so doing those proteoglycans appear to impede axons that would otherwise be wriggling around as part of the process of readjusting the ocular dominance columns; no wriggling, no learning. In a 2002 study with rats, Italian neuroscientist Tommaso Pizzorusso and his colleagues dissolved the excess proteoglycans with an antiproteoglycan enzyme known as "chABC," and in so doing managed to reopen the critical period. After the chABC treatment, even adult rats could recalibrate their ocular dominance columns. ChABC probably won't help us learn second languages anytime soon, but its antiproteoglycan function may have important medical implications in the not-too-distant future. Another 2002 study, also with rats, showed that chABC can also promote functional recovery after spinal cord injury.
Gary F. Marcus (The Birth of the Mind: How a Tiny Number of Genes Creates The Complexities of Human Thought)
John Smith, for one, knew the value of good food during an ocean voyage. The want of good food, he said, “occasions the losse of more men, then in any English fleet hath bin slaine in any fight since 1588.”8 Smith was not exaggerating. Scurvy, a terrible wasting disease caused by a lack of vitamin C, wreaked havoc on crews during long ocean voyages. Symptoms often appeared within weeks of leaving port as men complained of weakness and a feeling of general malaise. Soon bleeding was seen around hair follicles on the arms and legs and around rapidly loosening teeth. As the illness progressed, skin was discolored by large purple bruises that often became open sores. In the worst cases, old wounds that seemed to be healed reopened. Eventually sufferers died screaming in agony.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
In the concert hall, when I reopen my eyes, visible space seems narrow in relation to that other space where the music was unfolding just a moment ago, and even if I keep my eyes open during the performance of the piece, it seems to me that the music is not truly contained in this precise and shabby space. The music insinuates a new dimension across visible space where it unfurls just as, for persons suffering hallucinations, the clear space of perceived things is mysteriously doubled with a 'dark space' where other presences are possible...Music is not in visible space, music erodes visible space, surrounds it, and causes it to shift, such that these overdressed listeners--who take on a judgmental air and exchange comments or smirks without noticing that the ground begins to tremble beneath them--are soon like a ship's crew tossed about on the surface of a stormy sea.
Maurice Merleau-Ponty (Phenomenology of Perception)
Approaching Elegy It's hard to believe you are dying: like looking at a Jamesian scene, skipping past happiness to a garden bench beyond the trees. You fill the form of heroine: you sit in your black dress, too tired to imagine the rest of yourself. An old suitor appears, grabs you possibly too forcefully by the wrists (he is still impossibly in love—). You disengage your wrists. He leans forward, looks into your eyes, which you close—as if you were all by yourself. He moves closer, talking very fast about happiness. He places his cloak on your shoulders, imagines he'll rescue you. Around you, forms grow darker: house, branch, hydrangea. Above you, freckled expanses of leaves form the beginnings of barbed, lopsided shrouds—a possible solace. If only his kiss could please you, I wouldn't need to imagine past the clean architecture of the story. And perhaps it is wrong to look past that. Wrong to ask about happiness. Past midnight, he continues to offer himself. Before, he had offered aimless passion, but now (you see it for yourself) he has an idea: he points into the darkness. He is grave, formal. The dark has swallowed the long shadows of the oaks (though not your unhappiness) —and it is about to swallow you. Soon, it will no longer be possible (there is just one more page to turn) for me to look through your eyes, so I would like to imagine for you: something past tragedy. Just as I would like to imagine that we are not in danger, that we have selves more solid than stars, that we are safe in the pages of books we can reopen to look at each other. Except that we are not women formed of words, but of impossible longings. What was it that you wanted besides happiness? You are dying. I have no ideas about happiness and no patience to imagine it possible. Soon you will not be the heroine; you will not be yourself. And it's not that you've lost the formula; your form is losing you. Look at how brave you are: I imagined the great point was to be happy, as happy as possible with the quick forms that imagine us—but the last time I looked there you were—distant and bright in the not so blue darkness, imagining yourself.
Mary Szybist (Granted)
No. This vas a terrible irony. On ze very next day, Spanish authorities reopened ze border and allowed his friends to leave. One week later, they boarded a ship to America. Benyameen took his pills too soon. If he only could hef waited .
Ruth Ozeki (The Book of Form and Emptiness)