Reopening Business Quotes

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Mr Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business.' Snape froze. Harry stared, dumbstruck, at this message. But the map didn't stop there. More writing was appearing beneath the first. 'Mr Prongs agrees with Mr Moony, and would like to add that Professor Snape is an ugly git.' It would have been funny if the situation hadn't been so serious. And there was more... 'Mr Padfoot would like to register his astonishment that an idiot like that ever became a Professor.' Harry closed his eyes in horror. When he'd reopened them, the map had had its last word. 'Mr Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
THIS IS HOW AMERICA BECAME A HOTSPOT OF A GLOBAL PANDEMIC. Because my generation was raised to believe not just that safety is for dweebs but that it’s EVIL! Maverick is a full psycho and would definitely be at the “reopen America” protests because he wants the RIGHT to get his b-hole waxed even if he isn’t actually GOING to go get his b-hole waxed and even though he knows that many thousands more marginalized and high-risk people will die and many b-hole waxing businesses will ultimately fail because you cannot sustain an economy on a handful of slobbering fascists who feel the need, the need for a Jamba Juice. Goose alludes to some dark past involving Maverick’s dad, who was also a fighter pilot: “Every time we go up there, it’s like you’re flyin’ against a ghost.” And I’m sorry, but that is not an excuse! Go to therapy! You can be in a men’s group with Snape!
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
The goal of the cobbler, Jughashvili continued, without mentioning his father, Beso, by name, was to accumulate capital and reopen his own business. But eventually, the “petit-bourgeois” cobbler realized he would never accumulate the capital and was in fact a proletarian. “A change in the consciousness of the cobbler,” Jughashvili concluded, “followed a change in his material circumstances.
Stephen Kotkin (Stalin: Volume I: Paradoxes of Power, 1878-1928)
For fifteen years, John and Barbara Varian were furniture builders, living on a ranch in Parkfield, California, a tiny town where the welcome sign reads “Population 18.” The idea for a side business came about by accident after a group of horseback riding enthusiasts asked if they could pay a fee to ride on the ranch. They would need to eat, too—could John and Barbara do something about that? Yes, they could. In the fall of 2006, a devastating fire burned down most of their inventory, causing them to reevaluate the whole operation. Instead of rebuilding the furniture business (no pun intended), they decided to change course. “We had always loved horses,” Barbara said, “so we decided to see about having more groups pay to come to the ranch.” They built a bunkhouse and upgraded other buildings, putting together specific packages for riding groups that included all meals and activities. John and Barbara reopened as the V6 Ranch, situated on 20,000 acres exactly halfway between Los Angeles and San Francisco. Barbara’s story stood out to me because of something she said. I always ask business owners what they sell and why their customers buy from them, and the answers are often insightful in more ways than one. Many people answer the question directly—“We sell widgets, and people buy them because they need a widget”—but once in a while, I hear a more astute response. “We’re not selling horse rides,” Barbara said emphatically. “We’re offering freedom. Our work helps our guests escape, even if just for a moment in time, and be someone they may have never even considered before.” The difference is crucial. Most people who visit the V6 Ranch have day jobs and a limited number of vacation days. Why do they choose to visit a working ranch in a tiny town instead of jetting off to lie on a beach in Hawaii? The answer lies in the story and messaging behind John and Barbara’s offer. Helping their clients “escape and be someone else” is far more valuable than offering horse rides. Above all else, the V6 Ranch is selling happiness.
Chris Guillebeau (The $100 Startup: Reinvent the Way You Make a Living, Do What You Love, and Create a New Future)
William leaped to his feet. “Is nothing going to be done again, sir?” he shouted at Fuller. He faced the ministers. “You are like Moses’ scouts who came back to Kadesh to say, ‘We saw the giants, the sons of Anak, which come of the giants: and we were in our own sight as grasshoppers...’” “But they lied,” protested one of the ministers. “Perhaps not. Perhaps they allowed their own minds, their own fears, their own doubts, to trick them.” Andrew Fuller seemed shaken. “I move to reopen for business.” “I second the motion,” said William. “All in favor, raise their hand,” said Fuller as he glared at the other ministers. A majority raised their hands!
Sam Wellman (William Carey)
Most notably, FDR defied the orthodoxy of his time by abandoning the gold standard in a series of steps in 1933. With the money supply no longer constrained by the amount of gold held by the government, deflation stopped almost immediately. Roosevelt also quelled the raging financial crisis by temporarily shutting down the nation’s banks (a bank holiday), permitting only those judged sound to reopen, and by pushing legislation establishing federal deposit insurance. These measures brought intense criticism from orthodox economists and conservative business leaders. And they were indeed experiments. But, collectively, they worked.
Ben S. Bernanke (The Courage to Act: A Memoir of a Crisis and Its Aftermath)
What’s going on?  What news?” I said glancing between the two. Sam gave Clay a sharp look. “You didn’t tell her?” “He’s not talking to me, yet,” I said, wondering what bad news Sam had to share. Sam shook his head at Clay.  “You’ve dug your own hole then, son.”  He focused on me.  “A group of Forlorn have asked Elder Joshua to approach you for an unofficial kind of Introduction.  Joshua approved, but he made it clear they were to keep it brief and then leave, unless any of them had a further request of him.” The meaning of Sam’s words sunk in deep like a vicious bite.  It also explained his less than warm greeting.  He stood in my living room as an Elder on pack business, not as family or a friend.  I struggled to contain my anger. “I thought I was done with that.  We had a deal.”  I crossed my arms and coldly regarded Sam.  “I know I said I was done.” The carefully, composed expression on Sam’s face faltered a bit.  “Honey, there are rules we must follow to keep peace in the pack.  Clay had six months to convince you of his suit.  That time has passed.  That means unMated can once again approach you, with permission.” My mouth popped open.  Six months.  Permission from an Elder.  That’s why they’d stationed Joshua here.  A backup plan because they knew I didn’t want to Claim Clay.  They failed to understand I didn’t want to Claim anyone.  I’d never been free.  I clenched my fists.  My temper boiled. “That’s complete crap,” I gritted out.  “First of all, I didn’t reject anyone.  Second, no one ever told me about this stupid rule.”  My voice rose to a yell, and I took a deep breath and closed my eyes briefly to restrain myself.  When I reopened them, I felt more in control and able to speak calmly.  “You know what?  I don’t care what the pack rules are.  I gave you my word and my time.  Now, I expect you to keep yours.  I worked hard to get here, Sam.  I won’t let anyone take this away from me.”  My hands shook.  That Sam had cared for me in the past and given me a place to call home for two years, kept my tongue marginally civil. “By not completing the Claim, you’ve become eligible again.  Charlene was granted a special consideration because, at that time, we weren’t even sure a Claiming would be possible between a human and a werewolf.  Now that we know it is, you fall under the same rules,” Sam explained calmly, his face again carefully devoid of emotion. “No, I don’t.”  I knew I could stand there and argue all day with Sam, and he wouldn’t budge.  It would always be whatever’s best for the pack with him.  “Is this why Clay was beat up?” Clay made a noise—like a snort of disagreement—behind me. “Feel free to jump in at any time,” I said, turning to arch an eyebrow at him.  He remained mute, but his eyes softened when he looked at me. Sam spoke up from behind me, but I didn’t turn to look at him. “Gabby, it’s the reason he’s been fighting.  He’s not relinquishing his tie to you.  Every time an unMated shows up here, he will challenge that man for his right for an Introduction.  Did Clay get beat up?  Only as a byproduct of handing out beatings.” Clay steadily met my gaze the entire time.  It broke my heart a little to know he was fighting so hard to keep me, and all I’d given him in those six months was a kiss.  Not even spontaneously given, but relinquished as part of a bribe.  I hadn’t rejected him.  I just didn’t want to be forced into a choice.  If I chose to be with Clay, I wanted it to be on our terms. “Why
Melissa Haag (Hope(less) (Judgement of the Six #1))
Some people not only burn their bridges, but they also torch the town! With all their deeds of drama and destruction, they leave behind an aftermath of distrust, disrespect, and disappointment. And for what? This behavior creates immeasurable suffering in all directions. It ruins reputations and business deals, shatters lives—and closes doors which can never be re-opened. These repercussions can be prevented or avoided by simply BEING NICE.
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
Visitors to Mason’s Yard in St. James’s will search in vain for Isherwood Fine Arts. They will, however, find the extraordinary Old Master gallery owned by my dear friend Patrick Matthiesen. A brilliant art historian blessed with an infallible eye, Patrick never would have allowed a misattributed work by Artemisia Gentileschi to languish in his storerooms for nearly a half century. The painting depicted in The Cellist does not exist. If it did, it would look a great deal like the one produced by Artemisia’s father, Orazio, that hangs in the National Gallery of Art in Washington. Like Julian Isherwood and his new managing partner, Sarah Bancroft, the inhabitants of my version of London’s art world are wholly fictitious, as are their sometimes-questionable antics. Their midsummer drinking session at Wiltons Restaurant would have been entirely permissible, as the landmark London eatery briefly reopened its doors before a rise in coronavirus infection rates compelled Prime Minister Boris Johnson to shut down all non-essential businesses. Wherever possible, I tried to adhere to prevailing conditions and government-mandated restrictions. But when necessary, I granted myself the license to tell my story without the crushing weight of the pandemic. I chose Switzerland as the primary setting for The Cellist because life there proceeded largely as normal until November 2020. That said, a private concert and reception at the Kunsthaus Zürich, even for a cause as worthy as democracy, likely could not have taken place in mid-October. I offer my profound apologies to the renowned Janine Jansen for the unflattering comparison to Anna Rolfe. Ms. Jansen is rightly regarded as one of her generation’s finest violinists, and Anna, of course, exists only in my imagination. She was introduced in the second Gabriel Allon novel, The English Assassin, along with Christopher Keller. Martin Landesmann, my committed if deeply flawed Swiss financier, made his debut in The Rembrandt Affair. The story of Gabriel’s blood-soaked duel with the Russian arms dealer Ivan Kharkov is told in Moscow Rules and its sequel, The Defector. Devotees of F. Scott Fitzgerald undoubtedly spotted the luminous line from The Great Gatsby that appears in chapter 32 of The Cellist. For the record, I am well aware that the headquarters of Israel’s secret intelligence service is no longer located on King Saul Boulevard in Tel Aviv. There is no safe house in the historic moshav of Nahalal—at least not one that I am aware of—and Gabriel and his family do not live on Narkiss Street in West Jerusalem. Occasionally, however, they can be spotted at Focaccia on Rabbi Akiva Street, one of my favorite restaurants in Jerusalem.
Daniel Silva (The Cellist (Gabriel Allon, #21))
Saving Saboteurs from Themselves John Henry, a senior management consultant with one of the world’s largest firms, advises a diverse portfolio of senior executive clients and boards. Though he’s found that the social dynamics impeding productive work are often the same wherever he goes, it can be difficult to broach the topic without raising his clients’ hackles. That’s why he keeps a copy of the CIA’s Simple Sabotage Field Manual, a set of guidelines devised by U.S. government officials to sabotage terrorist organizations from the inside, in his briefcase. Originally developed by the OSS during World War II, the Simple Sabotage Field Manual is a guide for, as the CIA puts it, “teaching people how to do their jobs badly.” Here’s a sample of some of the tactics our nation’s best intelligence officers recommend you use to undermine the operations and efficiency of a terrorist cell—or a typical American board meeting: When possible, refer all matters to committees for “further study and consideration.” Attempt to make the committees as large as possible—no fewer than five people. Make speeches. Talk as frequently as possible and at great length. Illustrate your “points” by long anecdotes and accounts of personal experiences. Haggle over the precise wording of communications, minutes, resolutions. Bring up irrelevant issues as frequently as possible. Refer back to matters decided upon at the last meeting and attempt to reopen the question of the advisability of that decision.
Jennifer Aaker (Humor, Seriously: Why Humor Is a Secret Weapon in Business and Life (And how anyone can harness it. Even you.))
Is it better to be consort to the Emperor or to have witstone mining reopened? Everyone is suffering for it. Especially Iloh. When Lin is gone, I won’t do anything to restrict mining. I’ll be too busy keeping the Alanga in line.
Andrea Stewart (The Bone Shard War (The Drowning Empire #3))
- So what do you want me to do, Adam? I cannot be everywhere at the same time. I already have to be in three places at once, not just two. My Spanish is much better than it was half a year ago, but I am not native, Adam - I am not Catalan, I am not Spanish. - Alright, alright, alright. Jesus. - What do you mean, Boss Jesus? I am Tomas, the king of the Goys, not the Jews. - HAHAHA. Get serious now. This costs me money. - You’re kidding. You don’t even pay me a salary and my girlfriend is crazy about it. How do you want me to make over 10,000 Euros in net traffic a month if you are sending me to the same Estanco stores that never order and barely have any traffic, just wasting my time, Adam? - Mario made a lot of business with Estancos. - Bullshit, Boss. Mario, Mister Jerk Twister made monkey-business with a handful of Estancos. He sold a set of twelve crumble-cards with a free display in 2012 Spring and he never showed up again, they said. Was he even in Spain, Adam? - That’s not the point. - OK. So what is the point? - Mario made a lot of business. - Would you like to show me the total sum of wholesale figures Mario allegedly made in 2012, Boss? - No. - Because Mario didn’t make 10 000 Euros traffic in an entire year, Boss. Monkey-business. - You are spending 140 Euros on these two kids for the two catalogs and wasting time here with Rachel. - So do you want Rachel to stay here all night to laminate all this by herself, or may I help her so that we can give the catalogs to the two kids and we at least triple our potential tomorrow, so they can do sales, Adam, so they could go and visit all the Estancos as you wish? - Yeah, sure. - Thank you. Adam the tiny Estancos are seasonal and some of them don’t even keep our kinds of products they rely soley on tobacco sales, elder Catalan people. Clubs are opening at every corner, Adam and they need us to supply them with products. They won’t be so seasonal, they cannot rely on the tourism by law they cannot register walk-ins. - Cccc. They register anyone, what are you talking about? - No. Which club? - Club Alfalfa. The custom card client, Mario and Tom made in 2012. - Yeah, the marijuana club where there were two Police razzias both found cocaine twice behind the booth, so far. - But they are open again. Selling weed. - For how long Adam? How many times can they re-open after the Police had shut the club down twice already because of cocaine? How many members or employees they arrested, Adam? Would you bail me out if I go inside the wrong door one day, representing you?
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
After undertaking an entire analysis, it can be tempting to want to show your audience everything, as evidence of all of the work you did and the robustness of the analysis. Resist this urge. You are making your audience reopen all of the oysters! Concentrate on the pearls, the information your audience needs to know.
Cole Nussbaumer Knaflic (Storytelling with Data: A Data Visualization Guide for Business Professionals)
But most decisions aren’t like that—they are changeable, reversible—they’re two-way doors. If you’ve made a suboptimal Type 2 decision, you don’t have to live with the consequences for that long. You can reopen the door and go back through. Type 2 decisions can and should be made quickly by high judgment individuals or small groups.
Steve Anderson (The Bezos Letters: 14 Principles to Grow Your Business Like Amazon)