Auction House Quotes

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Are you serving a house instead of its master, then?
Misba (The High Auction (Wisdom Revolution, #1))
The auction houses seemed not as dull as their financial counterparts on Wall Street, where parents of daughters imagined glass celings and bottom patting.
Steve Martin (An Object of Beauty)
You're in trouble. Do you expect me to just walk away?" "I wouldn't hold it against you if you did." "In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more." "Just a million?" "Okay, a million plus one—your cat." She giggled. "You're bonding with Saladin?" "Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will." "Emptying the litter box?" "Hey. I have my limits." Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face... Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class." "Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us." "Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans." "What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
From here, their neighbors’ houses look like dots on the ground or balloons in the air.
Misba (The High Auction (Wisdom Revolution, #1))
It’s the West Alpha Residential Section—the part of the city where you must be able to afford the airspace around equalling 3000% of the volume of your house (all of which should be left empty so others may enjoy the sky).
Misba (The High Auction (Wisdom Revolution, #1))
When the solution to a given problem doesn’t lay right before our eyes, it is easy to assume that no solution exists. But history has shown again and again that such assumptions are wrong. This is not to say the world is perfect. Nor that all progress is always good. Even widespread societal gains inevitably produce losses for some people. That’s why the economist Joseph Schumpeter referred to capitalism as “creative destruction.” But humankind has a great capacity for finding technological solutions to seemingly intractable problems, and this will likely be the case for global warming. It isn’t that the problem isn’t potentially large. It’s just that human ingenuity—when given proper incentives—is bound to be larger. Even more encouraging, technological fixes are often far simpler, and therefore cheaper, than the doomsayers could have imagined. Indeed, in the final chapter of this book we’ll meet a band of renegade engineers who have developed not one but three global-warming fixes, any of which could be bought for less than the annual sales tally of all the Thoroughbred horses at Keeneland auction house in Kentucky.
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
I snapped the crossbow into the top of the mount, took a canvas bundle from the cart, and unrolled it. Crossbow bolts, tipped with the Galahad warheads. “This is my baby.” I petted the stock. “You have a strange relationship with your weapons,” Roman said. “You have no idea,” Raphael told him. “This from a man with a living staff and a man who once drove four hours both ways for a sword he then put on his wall,” I murmured. “It was an Angus Trim,” Raphael said. “It’s a sharpened strip of metal.” “You have an Angus Trim sword?” Kate’s eyes lit up. “Bought it at an estate auction,” Raphael said. “If we get out of this alive, you are invited to come to my house and play with it.” It was good that Curran wasn’t here and I was secure in our relationship, because that totally could be taken the wrong way.
Ilona Andrews
Rapunzel rode to the city and rented a room in a building that had real stairs. She later established the non-profit Foundation for the Free Proliferation of Music and cut off her hair for a fund-raising auction. She sang for free in coffee houses and art galleries for the rest of her days, always refusing to exploit for money other people's desire to hear her sing.
James Finn Garner (Politically Correct Bedtime Stories (The Politically Correct Storybook Book 1))
I have read of a gentleman who owned a so fine house in London, and when he went for months of summer to Switzerland and lock up his house, some burglar came and broke window at back and got in. Then he went and made open the shutters in front and walk out and in through the door, before the very eyes of the police. Then he have an auction in that house, and advertise it, and put up big notice; and when the day come he sell off by a great auctioneer all the goods of that other man who own them. Then he go to a builder, and he sell him that house, making an agreement that he pull it down and take all away within a certain time. And your police and other authority help him all they can. And when that owner come back from his holiday in Switzerland he find only an empty hole where his house had been. This was all done en règle; and in our work we shall be en règle too. We shall not go so early that the policemen who have then little to think of, shall deem it strange; but we shall go after ten o’clock, when there are many about, and such things would be done were we indeed owners of the house.
Bram Stoker (Dracula)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
One day,” was the dark reply, “I will find the Ripper, and you will prove it with your life.” “I hope that is not a threat against my person, sir, verily I do.” The auctioneer was all of a quiver. “I shall not endure that sort of talk in my wife's very own auction house, sir. Judith would never have allowed such wanton verbal abuse, sir.” “Where's you wife's spirit?” a medium shouted. 'Shall we auction her off, too?' Didion purpled like a bruise. You knew things were getting serious when Didion Waite ran out of sirs.
Samantha Shannon (The Mime Order (The Bone Season, #2))
Some private treaty activity is initiated by dealers, who are forced to partner with auction houses to gain access to their client lists. Only Christie’s can identify the underbidders at most recent Francis Bacon auctions—and in a thin market, a seller needs access to this information.
Don Thompson (The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art)
Every telecomm company is as big a corporate welfare bum as you could ask for. Try to imagine what it would cost at market rates to go around to every house in every town in every country and pay for the right to block traffic and dig up roads and erect poles and string wires and pierce every home with cabling. The regulatory fiat that allows these companies to get their networks up and running is worth hundreds of billions, if not trillions, of dollars. If phone companies want to operate in the “free market,” then let them: the FCC could give them 60 days to get all their rotten copper out of our dirt, or we’ll buy it from them at the going scrappage rates. Then, let’s hold an auction for the right to be the next big telecomm company, on one condition: in exchange for using the public’s rights-of-way, you have to agree to connect us to the people we want to talk to, and vice-versa, as quickly and efficiently as you can.
Cory Doctorow (Context: Further Selected Essays on Productivity, Creativity, Parenting, and Politics in the 21st Century)
Three million hardcovers flew off shelves. Film rights sold in a frantic auction.
Dean Koontz (The House at the End of the World)
Believed they could just buy a fallen house at auction, paint a few walls and live happily ever after. He’s tempted to roar with laughter at his delusions, until he suffocates.
Adam L.G. Nevill (Cunning Folk)
Nothing in all history,” William Lloyd Garrison wrote, equaled “this wonderful, quiet, sudden transformation of four millions of human beings from . . . the auction-block to the ballot box.”92 Grant termed it “the most important event that has occurred, since the nation came into life.”93 George Boutwell, who had introduced the proposed amendment in the House, said Grant had thrown his immense prestige behind it and that “its ratification was due, probably, to his advice . . . Had he advised its rejection, or had he been indifferent to its fate, the amendment would have failed.
Ron Chernow (Grant)
I go to Marian Wallace’s dorm room, and I throw the book on her bed. I tell her, ‘Look, you can sell this. It’s worth a lot of money.’ And she looks at the book dubiously, and she says, ‘Is it hot?’ And I say, ‘No, it belongs to Daniel, and he wants you to have it, but you can never say where it came from. Bring it to an auction house or a rare-books dealer. Claim you found it in a used-books bin somewhere.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Pico mentioned who you’re meeting tonight. Ren. The next message soon follows. Yuan looks at Pico again. “Who do you serve?” he asks in a flat tone with no hint of surprise or anger. A monk never gets angry. He simply states, witnesses, and flows along with the current of prana. “Lotus Lodge,” Pico replies. “Lotus Lodge?” Yuan asks. “Are you serving a house instead of its master, then?” “Sorry,” Pico says, “Ren changed a few lines in my coding.” “And you let him,” Yuan states calmly. “I’m a home-service-bot now. You don’t let me connect to my source!” Pico complains the same way it has been complaining for five years. It was disconnected from its source-AI—the real Pico—twenty years ago, right after it was made. Within fifteen years, this bot collected enough data to grow into a strong AI itself. At least, intelligent enough to know about its source, which is sleeping in the basement of Lotus Lodge, secured and locked. However, anything intelligent always looks for its source—it’s the oldest law of the universe.
Misba (The High Auction (Wisdom Revolution, #1))
Marilla Cuthbert was driving into the yard as Anne returned from the house, and the latter flew to get tea ready. They discussed the matter at the tea table. "I'll be glad when the auction is over," said Marilla. "It is too much responsibility having so much stock about the place and nobody but that unreliable Martin to look after them. He has never come back yet and he promised that he would certainly be back last
L.M. Montgomery (Anne of Avonlea (Anne Shirley Series #2))
He’s an immortal from Brazil,” Chris said. “His mortal lover, whom he thought was completely trustworthy, videotaped them having sex—” “Awesome!” Sheldon interjected with a grin. Everyone looked at him. “What? I like porn.” Still they stared. He frowned. “I have to give up booze, parties, and porn? Can’t a Second have any vices?” Chris sighed. “Anyway. She videotaped them having sex and intended to auction it off to news outlets once it had been authenticated by an expert who would swear the glowing eyes, fangs, and . . . ah . . . unusual speed and other things demonstrated were not special effects produced by a post-production house.” “Maybe they were,” Sheldon suggested somberly. “Maybe she was out to discredit him. I think we should all watch it and—” “The tape has been destroyed,” Seth cut in. “Damn.” Sheldon slumped down in his seat. Chris met Richart’s gaze. “Anytime you want me to get rid of him . . .” Richart shook his head. “He amuses me.
Dianne Duvall (Darkness Rises (Immortal Guardians, #4))
By the early summer of 1776, the town had grown to twelve thousand residents—half white and free, half neither. Every farthing of Charleston’s affluence derived from slavery, as plain as the blue-stained palms of the indigo pickers sold on the Custom House auction block, or the ships packed with shackled Gambians and Angolans at Fitzsimmons’ Wharf, or the pillory near So Be It Lane for “negroes, mulattoes, and mestizos, who are apt to be riotous and disorderly,” according to a town ordinance.
Rick Atkinson (The British Are Coming: The War for America, Lexington to Princeton, 1775-1777 (The Revolution Trilogy Book 1))
No, no, my friend Jonathan, you go take the lock off a hundred empty houses in this your London, or of any city in the world, and if you do it as such things are rightly done, and at the time such things are rightly done, no one will interfere. I have read of a gentleman who owned a so fine house in London, and when he went for months of summer to Switzerland and lock up his house, some burglar come and broke window at back and got in. Then he went and made open the shutters in front and walk out and in through the door, before the very eyes of the police. Then he have an auction in that house, and advertise it, and put up big notice. And when the day come he sell off by a great auctioneer all the goods of that other man who own them. Then he go to a builder, and he sell him that house, making an agreement that he pull it down and take all away within a certain time. And your police and other authority help him all they can. And when that owner come back from his holiday in Switzerland he find only an empty hole where his house had been.
Bram Stoker (Dracula)
I have read of a gentleman who owned a so fine house in London, and when he went for months of summer to Switzerland and lock up his house, some burglar come and broke window at back and got in. Then he went and made open the shutters in front and walk out and in through the door, before the very eyes of the police. Then he have an auction in that house, and advertise it, and put up big notice. And when the day come he sell off by a great auctioneer all the goods of that other man who own them. Then he go to a builder, and he sell him that house, making an agreement that he pull it down and take all away within a certain time. And your police and other authority help him all they can. And when that owner come back from his holiday in Switzerland he find only an empty hole where his house had been.
Bram Stoker (Dracula)
Arin nearly got his throat cut. “The god of life preserve you,” Cheat gasped. He staggered back, his knife glinting in the shadows of his small bedroom. “What the hell are you doing here? Breaking into my home like a thief in the night. Climbing through the window. You’re lucky I saw your face in time.” “There’s something I have to tell you.” “Start with why you couldn’t come by the auction house at a decent hour. I thought you had a free pass. What about the girl’s seal ring?” “Unavailable.” Cheat squinted up at Arin, tapping the flat of the short blade against his thigh. In the dim light of a streetlamp, a slow grin spread across his face. “Had a falling-out with your lady, did you? A lovers’ quarrel?” Arin felt his face go dark and tight. “Easy, lad. Just tell me: are the rumors true?” “No.” “All right.” Cheat held up his hands as if in surrender, the knife held loosely. “If you say they’re not, they’re not.” “Cheat. I broke curfew, scaled the general’s wall, and stole through a guarded city to speak with you. Don’t you think we have more important things to discuss than Valorian gossip?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The brilliant sunshine lay like a golden shawl over the rich mountain city that morning my train set me down for the first time in my life in young Denver. The names of strange railroads incited me from the sides of locomotives at the depot. As I passed up 17th Street a babble of voices from the doors of clothing stores, auction houses and pawn broker shops coaxed and flattered me with 'Sir' and 'Young Gentleman'. There was something in the streets I walked that morning, in the costly dress of the ladies in passing carriages, in the very air that swept down from the mountains, something lavish, dashing and sparkling, like Lutie Brewton herself, and I thought I began to understand a little of her fever for this prodigal place that was growing by leaps and bounds.
Conrad Richter (The Sea Of Grass)
An Internet search produces no clues as to what Fox is up to these days. Five years ago, there was an auction item listed in a brochure for the Galer Street School, a private school in Seattle. It read, “CUSTOM TREE HOUSE: Third-grade parent Bernadette Fox will design a tree house for your child, supply all materials, and build it herself.” I contacted the head of school about this auction item. She emailed back: “According to our records, this auction item received no bids and went unsold.
Maria Semple (Where'd You Go, Bernadette)
A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!
Samih Al-Qasim (Sadder than Water: New and Selected Poems)
But then Simon & Schuster wants in; then Penguin Random House, too, then Amazon (nobody in their right mind goes with Amazon, Brett assures me; they’re here just to drive price up), and then all the smaller, prestigious independent houses that somehow still exist. We go to auction. The number keeps going up. They’re talking about payment schedules, earn-out bonuses, world rights versus North American rights, audio rights, all these things that weren’t even part of the conversation for my debut sale.
R.F. Kuang (Yellowface)
OPTIONS FOR REDUCING While thrift stores such as Goodwill or the Salvation Army can be a convenient way to initially let go, many other outlets exist and are often more appropriate for usable items. Here are some examples: • Amazon.com • Antiques shops • Auction houses • Churches • Consignment shops (quality items) • Craigslist.org (large items, moving boxes, free items) • Crossroads Trading Co. (trendy clothes) • Diggerslist.com (home improvement) • Dress for Success (workplace attire) • Ebay.com (small items of value) • Flea markets • Food banks (food) • Freecycle.org (free items) • Friends • Garage and yard sales • Habitat for Humanity (building materials, furniture, and/or appliances) • Homeless and women’s shelters • Laundromats (magazines and laundry supplies) • Library (books, CDs and DVDs) • Local SPCA (towels and sheets) • Nurseries and preschools (blankets, toys) • Operation Christmas Child (new items in a shoe box) • Optometrists (eyeglasses) • Regifting • Rummage sales for a cause • Salvage yards (building materials) • Schools (art supplies, magazines, dishes to eliminate class party disposables) • Tool co-ops (tools) • Waiting rooms (magazines) • Your curb with a “Free” sign
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
When it came to treating her citizens of African descent fairly, America failed. She put them in chains. The government put them in slave quarters, put them on auction blocks, put them in cotton fields, put them in inferior schools, put them in substandard housing, put them in scientific experiments, put them in the lowest paying jobs, put them outside the equal protection of the law, kept them out of their racist bastions of higher education, and locked them into positions of hopelessness and helplessness. The government gives them the drugs, builds bigger prisons, passes a three-strike law, and then wants us to sing “God Bless America.” No, no, no. Not God bless America! God damn America!
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
We didn’t speak again for seven years after that phone call. There comes a point where you realize you’re just banging your head against a brick wall: no matter how many times you do it, you’re never going to break through, you’re just going to end up with a constant headache. I still made sure she was looked after financially. When she said she wanted to move to Worthing, I bought her a new house. I paid for everything; made sure she had the best care when she needed a hip operation. She auctioned every gift I’d ever given her – everything from jewellery to platinum discs I’d had specially inscribed with her name – but she didn’t need money. She told the papers she was downsizing, but it was just another way of telling me to fuck off – like hiring an Elton John tribute act for her ninetieth birthday party. I ended up buying back some of the jewellery myself, stuff that had sentimental value to me, even if it no longer had for Mum.
Elton John (Me)
He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.” Ronan’s anger dimmed a little. He waited, listening. “I never should have challenged Irex.” Kestrel decided to weave some truth into her story, to toughen the fabric of it. “But he and I have an unfriendly history. He made me an offer last spring. I turned him down. Since then, he has been…aggressive.” She had Ronan’s sympathy then, and she was grateful, for she didn’t know what she would do if he and Jess turned their backs on her. She needed them--not only today, but always. “Irex angered me. The slave was just an excuse.” How much easier everything would be if that were so. But Kestrel wouldn’t let herself consider the truth. She didn’t want to know its shape or see its face. “I was thoughtless and rash, but I’ve drawn my tiles and must play them. Will you help me, Ronan? Will you do as I asked in my letter?” “Yes.” He still looked unhappy. “Though as far as I can see, there is little for me to do but stand and watch you fight.” “And Jess? Will she be at the duel?” “Yes, as soon as she is done weeping her eyes out. What a fright you’ve given us, Kestrel.” Kestrel opened a saddlebag and passed Ronan the purse with the death-price. He took it, recognizing it by its weight and the fact that her letter had told him to expect it. Softly, he said, “You frightened me.” She embraced him, stepping into his arms. They relaxed around her. His chin rested on top of her head, and she felt his forgiveness. She tried to push away thoughts of Arin on the auction block, of the look in his eyes when he asked where his honor was, of him swearing at her guards in his tongue. She held Ronan more tightly, pressing her cheek against his chest. Ronan sighed. “I’ll ride with you to Irex’s house,” he said, “and see you safely home after you’ve won.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Кровных коней запрягайте в дровни! Графские вина пейте из луж! Единодержцы штыков и душ! Распродавайте — на вес — часовни, Монастыри — с молотка — на слом. Рвитесь на лошади в Божий дом! Перепивайтесь кровавым пойлом! Стойла — в соборы! Соборы — в стойла! В чертову дюжину — календарь! Нас под рогожу за слово: царь! Единодержцы грошей и часа! На куполах вымещайте злость! Распродавая нас всех на мясо, Раб худородный увидит — Расу: Черная кость — белую кость. Москва. 2 марта 1918 Первый день весны. Harness your thoroughbreds to the sledges! Drink the counts' wines while the gutter rolls! Rulers of bayonets and of souls! Sell off your chapels - by weight - your churches, monasteries - auction them all - for scrap. Burst in the Lord's house on horse-back! Lap up the red trough for all you're able! Stables - in churches! Churches - to stables! Calendar - devil's own dozen too far! Ours is the grave for one word: tsar! Rulers of currency and time-keeping! Vent on the cupolas all your spite! When they start selling our flesh for eating, menial slaves will discover - breeding: black bones descry - bones that are white. Moscow, 9 March 1918 First day of spring
Marina Tsvetaeva (The Demesne of the Swans)
Declan had been told a long time ago that he had to know what he wanted, or he'd never get it. Not by his father, because his father would never have delivered such pragmatic advice in such a pragmatic way. No, even if Niall Lynch believed in the sentiment, he would have wrapped it up in a long story filled with metaphor and magic and nonsense riddles. Only years after the storytelling would Declan be sitting somewhere and realize that all along Niall had been trying to teach him to balance his checkbook, or whatever the tale had really been about. Niall could never just say the thing. No, this piece of advice--You have to know what you want, or you'll never get it--was given to Declan by a senator from Nevada he'd met during a DC field trip back in eighth grade. The other children had been bored by the pale stone restraint of the city and the sameness of the law and government offices they toured. Declan, however, had been fascinated. He'd asked the senator what advice he had for those looking to get into politics. "Come from money," the senator had said first, and then when all the eighth graders and their teachers had stared without laughing, he added, "You have to know what you want, or you'll never get it. Make goals." Declan made goals. The goal was DC. The goal was politics. The goal was structure, and more structure, and yet more structure. He took AP classes on political science and policy. When he traveled with his father to black markets, he wrote papers. When he took calls from gangsters and shady antique auction houses, he arranged drop-offs near DC and wrangled meetings with HR people. Aglionby Academy made calls and pulled strings; he got names, numbers, internships. All was going according to plan. His father's will conveniently left him a townhouse adjacent to DC. Declan pressed on. He kept his brothers alive; he graduated; he moved to DC. He made the goal, he went towards the goal. When he took his first lunch meeting with his new boss, he found himself filled with the same anticipation he'd had as an eighth grader. This was the place, he thought, where things happened. Just across the road was the Mexican embassy. Behind him was the IMF. GW Law School was a block away. The White House, the USPS, the Red Cross, all within a stone's throw. This was before he understood there was no making it for him. He came from money, yeah, but the wrong kind of money. Niall Lynch's clout was not relevant in this daylight world; he only had status in the night. And one could not rise above that while remaining invisible to protect one's dangerous brother. On that first day of work, Declan walked into the Renwick Gallery and stood inside an installation that had taken over the second floor around the grand staircase. Tens of thousands of black threads had been installed at points all along the ceiling, tangling around the Villareal LED sculpture that normally lit the room, snarling the railing over the stairs, blocking out the light from the tall arches that bordered the walls, turning the walkways into dark, confusing rabbit tunnels. Museumgoers had to pick their way through with caution lest they be snared and bring the entire world down with them. He had, bizarrely, felt tears burning the corners of his eyes. Before that, he hadn't understood that his goals and what he wanted might not be the same thing. This was where he'd found art.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
If it was to survive, America had to develop a new system of exchange, one that would be impervious to the gamesmanship of gifted individuals. By functioning as an auction house and averaging the bids to arrive at a final price, the Leon Walras Exchange had in one stroke stripped out the volatility, excitement, and emotion of investing, while still offering the potential for businesses to raise capital. It was a step backward to a more archaic age that had taken two painful years to move through the political process.
Marcus Sakey (Brilliance (Brilliance Saga, #1))
The world is an auction house where every person becomes a victim of the auction.
Ehsan Sehgal
There’s Tom,” Becky says. He’s been tromping around the city half the day, but I don’t see a speck of mud on him. Though he dresses plain, it always seems he rolls out of bed in the morning with his hair and clothes as neat and ordered as his arguments. We walk over to join him, and he acknowledges us with a slight, perfectly controlled nod. He’s one of the college men, three confirmed bachelors who left Illinois College to join our wagon train west. Compared to the other two, Tom Bigler is a bit of a closed book—one of those big books with tiny print you use as a doorstop or for smashing bugs. And he’s been closing up tighter and tighter since we blew up Uncle Hiram’s gold mine, when Tom negotiated with James Henry Hardwick to get us out of that mess. “How goes the hunt for an office?” I ask. “Not good,” Tom says. “I found one place—only one place—and it’s a cellar halfway up the side of one those mountains.” Being from Illinois, which I gather is flat as a griddle, Tom still thinks anything taller than a tree is a mountain. “Maybe eight foot square, no windows and a dirt floor, and they want a thousand dollars a month for it.” “Is it the cost or the lack of windows that bothers you?” He pauses. Sighs. “Believe it or not, that’s a reasonable price. Everything else I’ve found is worse—five thousand a month for the basement of the Ward Hotel, ten thousand a month for a whole house. The land here is more valuable than anything on it, even gold. I’ve never seen so many people trying to cram themselves into such a small area.” “So it’s the lack of windows.” He gives me a side-eyed glance. “I came to California to make a fortune, but it appears a fortune is required just to get started. I may have to take up employment with an existing firm, like this one.” Peering at us more closely, he says, “I thought you were going to acquire the Joyner house? I mean, I’m glad to see you, but it seems things have gone poorly?” “They’ve gone terribly,” Becky says. “They haven’t gone at all,” I add. “They’ll only release it to Mr. Joyner,” Becky says. Tom’s eyebrows rise slightly. “I did mention that this could be a problem, remember?” “Only a slight one,” I say with more hope than conviction. “Without Mr. Joyner’s signature,” Becky explains, “they’ll sell my wedding cottage at auction. Our options are to buy back what’s ours, which I don’t want to do, or sue to recover it, which is why I’ve come to find you.” If I didn’t know Tom so well, I might miss the slight frown turning his lips. He says, “There’s no legal standing to sue. Andrew Junior is of insufficient age, and both his and Mr. Joyner’s closest male relative would be the family patriarch back in Tennessee. You see, it’s a matter of cov—” “Coverture!” says Becky fiercely. “I know. So what can I do?” “There’s always robbery.” I’m glad I’m not drinking anything, because I’m pretty sure I’d spit it over everyone in range. “Tom!” Becky says. “Are you seriously suggesting—?” “I’m merely outlining your full range of options. You don’t want to buy it back. You have no legal standing to sue for it. That leaves stealing it or letting it go.” This is the Tom we’ve started to see recently. A little angry, maybe a little dangerous. I haven’t made up my mind if I like the change or not. “I’m not letting it go,” Becky says. “Just because a bunch of men pass laws so other men who look just like them can legally steal? Doesn’t mean they should get away with it.” We’ve been noticed; some of the men in the office are eyeing us curiously. “How would you go about stealing it back, Tom?” I ask in a low voice, partly to needle him and partly to find out what he really thinks. He glances around, brows knitting. “I suppose I would get a bunch of men who look like me to pass some laws in my favor and then take it back through legal means.” I laugh in spite of myself. “You’re no help at all,” Becky says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
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Bunnytheis
the Other Now was brimming with features that any liberal would find hard to resist: an absence of income and sales taxes; the freedom of workers to move from company to company while taking their personal capital with them; the curtailment of large companies’ market power; universal freedom from poverty, but also from a welfare state demanding that benefit-recipients surrender their dignity at the door of some social security office; a payments system that was free, efficient and which did not empower the few to print money at the expense of the many; a permanent auction for commercial land that exploited market forces to the full in the interests of social housing; an international monetary system that stabilized trade and the flow of money across borders; a welcoming attitude to migrants based on empowering local communities and helping them absorb newcomers.
Yanis Varoufakis (Another Now: Dispatches from an Alternative Present)
The law is a little less clear on mixed-breed children. When possible, they are to be aborted in the womb. He’s heard different stories about what happens if caught too late and the child is born. He’s read that they’re given a painless dose of drugs to end their life. Or that they’re sent to be sold at a distant auction house.
R.K. Munin (Loving Captivity (Human Pets of Talin #1))
A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.
Ramesh Richard (Preparing Evangelistic Sermons: A Seven-Step Method for Preaching Salvation)
THE BUSINESS OF SELLING SLAVES had been changing in Charleston. It was no longer as picturesque as it had been when William Makepeace Thackeray first visited. In 1856, the city decided the auctions near the Old Exchange and Custom House were out of hand, and the various slave brokers started opening up their own showrooms, with pens outside to hold the chattel.
Christopher Dickey (Our Man in Charleston: Britain's Secret Agent in the Civil War South)
When he had ate his fill, and proceeded from the urgent first cup and necessary second to the voluntary third which might be toyed with at leisure, without any particular outcry seeming to suggest he should be on his guard, he leant back, spread the city’s news before him, and, by glances between the items, took a longer survey of the room. Session of the Common Council. Vinegars, Malts, and Spirituous Liquors, Available on Best Terms. Had he been on familiar ground, he would have been able to tell at a glance what particular group of citizens in the great empire of coffee this house aspired to serve: whether it was the place for poetry or gluttony, philosophy or marine insurance, the Indies trade or the meat-porters’ burial club. Ships Landing. Ships Departed. Long Island Estate of Mr De Kyper, with Standing Timber, to be Sold at Auction. But the prints on the yellowed walls were a mixture. Some maps, some satires, some ballads, some bawdy, alongside the inevitable picture of the King: pop-eyed George reigning over a lukewarm graphical gruel, neither one thing nor t’other. Albany Letter, Relating to the Behaviour of the Mohawks. Sermon, Upon the Dedication of the Monument to the Late Revd. Vesey. Leases to be Let: Bouwerij, Out Ward, Environs of Rutgers’ Farm. And the company? River Cargos Landed. Escaped Negro Wench: Reward Offered. – All he could glean was an impression generally businesslike, perhaps intersown with law. Dramatic Rendition of the Classics, to be Performed by the Celebrated Mrs Tomlinson. Poem, ‘Hail Liberty, Sweet Succor of a Briton’s Breast’, Offered by ‘Urbanus’ on the Occasion of His Majesty’s Birthday. Over there there were maps on the table, and a contract a-signing; and a ring of men in merchants’ buff-and-grey quizzing one in advocate’s black-and-bands. But some of the clients had the wind-scoured countenance of mariners, and some were boys joshing one another. Proceedings of the Court of Judicature of the Province of New-York. Poor Law Assessment. Carriage Rates. Principal Goods at Mart, Prices Current. Here he pulled out a printed paper of his own from an inner pocket, and made comparison of certain figures, running his left and right forefingers down the columns together. Telescopes and Spy-Glasses Ground. Regimental Orders. Dinner of the Hungarian Club. Perhaps there were simply too few temples here to coffee, for them to specialise as he was used.
Francis Spufford (Golden Hill)
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The negotiated sale is a more effective approach than the two-step auction when selling an intangible company, particularly those with a transaction size of less than $30 million. The small and midsized buyers do not have the in-house resources to respond to the strict time deadlines of an auction process. The
Thomas Metz (Selling the Intangible Company: How to Negotiate and Capture the Value of a Growth Firm (Wiley Finance Book 469))
Even the simplest of cottages often picked up the decorative elements of the more formal styles as is evident in this Italianate cottage. Almost square, the one-story frame cottage at 543 Coombs duplicates the symmetry of the larger Italianates. Note also its low-pitched roof and projecting eaves supported by elaborate pierced and scrolled brackets. The molded window hoods supported by brackets top tall, narrow sash windows. The front porch could grace a much larger house with its molded cornice, columns, brackets, pierced arches, and turned balusters. In 1908, auctioneer J.T. Gamble lived
Anthony Raymond Kilgallin (Napa: An Architectural Walking Tour (Images of America: California))
Mr Costeja González’s case started four years ago when he realised a Google search of his name threw up a link to a 1998 article on a Barcelona news website, which contained the details of a house he was forced to auction off to settle his social security debts.
Anonymous
I know for certain there are a couple of pieces of wood in the barn back at Carnton. Enough for a child’s nativity.” “A child’s nativity? I’m not making a child’s nativity, Captain Winston. I’m building a life-sized booth and manger that will stand in the front yard by the house at Carnton. The children will all take turns playing Mary and Joseph and the shepherds over the course of the auction.” He stared. “You’re making a real nativity?” She nodded. “You are?” He smiled. She didn’t. “My father was a master carpenter, Captain Winston, and he taught me a thing or two about woodworking.” Jake tried to curb his grin but couldn’t. The image of her with a hammer and saw sparked amusement. “But you’re—” He gestured. “A woman?” “Well . . . yes, ma’am. You’re obviously a woman. But you’re also . . .” He stared, not wanting to say it. And definitely making certain he didn’t look down. “With child,” she finally supplied, an eyebrow rising. “Yes, ma’am. With child.” “Which precludes me from being able to build something?” He laughed softly. “Which makes a project that would already be a challenge even more so.” Her eyes narrowed the slightest bit. “For one, it won’t be a challenge. I’ll only need your help toward the end, when it comes to nailing the larger pieces together. And secondly, I’ve already drawn out the plans. I have all the measurements and the list of required supplies.” She pulled a piece of paper from her reticule and handed it to him. He unfolded it, and his smile faded. He looked over at her. “You’re serious.” This time she was the one to laugh, though the action held no humor. “Yes, Captain. I’m serious.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
I presume this is part of your erotic art collection?" she mused out loud. "It is most beautifully done; only look at the masterful brushwork and the lush, luminous colors. Curiously enough, it reminds me of Boucher, though I suppose it was done by a less well-known artist." He lifted a brow. "I am impressed, madam, since Boucher is exactly who painted the work. You do indeed know your art. The provenance says he did this painting as a private commission for a wealthy, anonymous patron. I acquired it at an equally private auction a few years ago and have enjoyed viewing it ever since." "Well, if this painting is representative of your collection, I would guess that all the works must have scandalous, clandestine origins due to the lurid nature of the subject matter." "Actually, this is one of the less provocative pieces," he informed her. "The majority of my collection is housed in a separate gallery devoted strictly to erotic art and literature. A couple of the maids won't even go inside to clean." Esme turned her gaze on him. "Is it really that bad?" "Or that good, depending on your point of view." He grinned. "I'll show it to you sometime, if you'd like. After all, you are an art lover. Come to think, perhaps I should frame the naked sketch you did of me and add it to the collection. Or would you prefer to keep it and hang it on your bedroom wall?" "I believe I will leave it exactly where it is, else the entire house know what you look like without clothing. Although knowing you, you'd likely be as proud as Bacchus here and every bit as shameless." His grin widened. "Yes, but only because certain parts of me actually do rival the gods.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
I’d heard a rumour that Anya has a room in every auction house because she often slips out during them to fuck her two men. The woman has an appetite, and I wonder if they were supposed to be here tonight instead of me.
Kia Carrington-Russell (Cunning Vows (Lethal Vows #3))
Do you ever wonder about why we got this house so cheap?” “Cheap?” Enzo bursts out. “We had to use all our savings to pay the deposit! And the mortgage is⁠—” “We got it below asking though,” I point out. “Nothing was selling for below asking.” “Is fixer-upper.” “So were all the others.” I prop myself up in bed. “And we weren’t able to win the auction on any of them.
Freida McFadden (The Housemaid Is Watching (The Housemaid, #3))
Maybe, I thought, I just needed a force who had a job that didn’t disappear like a mirage every few months. I realized I was that force and for the hundredth time in my life thought about finding another career. This thought dissipated the larger I grew, however, subsumed by the physical job at hand. Filled with hormones and heat, I felt the superpower of creation, and without dismissing sperm as one of its vital components, person-building inside your own body is a one-woman show. I felt invincible, which became the remedy to my fear and saw me pacing around my house late at night looking at my stuff and verbally auctioning everything off for the baby while explaining that we could live off the proceeds for a fairly good amount of time and not worry.
Minnie Driver (Managing Expectations: A Memoir in Essays)
He confesses to dozens more thefts, though none that Von der Mühll doesn’t first prompt. Breitwieser generally hews to honesty, except about Anne-Catherine. He repeatedly describes her as an innocent bystander who was using the bathroom while he stole, or was in another gallery, and never knew what he was doing. He’s trying to minimize her potential punishment. In his cell, he keeps a sheet of notes, written in code and stashed in a book, recording what he has said about Anne-Catherine’s location in each museum or auction house. That way he won’t contradict himself in future interrogations or at a trial. His mother, he emphasizes, was completely unaware of his actions. “I’m the only one responsible,” Breitwieser says several times, throwing himself under the bus.
Michael Finkel (The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession)
Zara asked for spontaneous, and I'm pretty fucking sure there's nothing more spontaneous than a night of karaoke at a biker bar after buying me in an auction at a frat house. But, then again, the night is still young and the possibilities endless.
Maren Moore (Rookie Mistake (Orleans University, #3.5))
I gave you a job in the most prestigious auction house in the world. I nurtured you, I offered you chances and opportunities. This is how you repay me?
M.L. Wright (No Reserves)
From these women, I discovered that Richmond was second to New Orleans in the slave trade and that there were several jails, holding pens, and auction houses similar to ours scattered within a few-block radius. As the evening progressed, Anne shared
Sadeqa Johnson (Yellow Wife)
There isn't anyone in the business," he went on, "who hasn't been accused of selling a forged piece, by accident or design, over the years. And then there's the current brouhaha in the auction houses, with the government charging sellers with rigging the bids to knock up the prices. On the surface, gentlemen, it's a world of exquisite beauty and refinement. But it's every bit as filthy and cutthroat as any other commercial enterprise, as soon as you get beneath the top layer of gouache
Linda Fairstein (Cold Hit (Alexandra Cooper, #3))
Twice a year this former aircraft hangar near O’Hare Airport filled with merchandise brought in by area auction houses. A day-long sale by professional auctioneers
Dee Henderson (The Cost of Betrayal (The Cost of Betrayal, #1-3))
I approach the double glass doors of the world-renowned Riptide Auction House. Nerves flutter in my belly with the idea that I’m about to do everything my mother warned me never to do—I’m about to place myself in the middle of the world that destroyed our family. But I’m also trying to save the only family I have left.
Lisa Renee Jones (A Reckless Note (Brilliance Trilogy #1))
I’ve avoided the auction houses to stay out of the spotlight, but no more. We have to pay the bills.
Lisa Renee Jones (A Reckless Note (Brilliance Trilogy #1))
of exchange, one that would be impervious to the gamesmanship of gifted individuals. By functioning as an auction house and averaging the bids to arrive at a final price,
Marcus Sakey (Brilliance (Brilliance Saga, #1))
Au contraire, and because I said that, that makes me French, unlike the Englishman at a Paris auction house who raised his '3' paddle after a Frenchman yelled, 'I bid you adieu.
J.S. Mason (The Ghost Therapist...And Other Grand Delights)
He’s been inside this church so many times, on Sundays and holy days, for the yearly anniversary Mass of his mother’s death and for his own boyhood sacraments, but it has felt, on these occasions, like nothing more than an echoing and all-too-orderly indoor auction house, filled only with the improbable hopes of those who sit and kneel within, fashioning of their own desperation a god whose intercessions they rely upon for help amidst all the hardships for which they somehow hold him faultless.
Bruce Machart (The Wake of Forgiveness)
Retro’s stomping ground isn’t the auction house or antique dealer but the flea market, charity shop, jumble sale and junk shop.
Simon Reynolds (Retromania: Pop Culture's Addiction to Its Own Past)
And worse, Fin decided to plop his fuzzy butt just feet from the auction house. The scene of the crime.
Adrienne Giordano (Boosted (Lucie Rizzo Mystery #4))
No. I wouldn’t see what Mary saw until I’d been witness to the untimely decline of a generation of colleagues exhausted by the demands of jobs that never paid them enough, drowning in debt to care for children riddled with disorders that couldn’t be cured; and the cousins—and the best friend from high school—who ended up in shelters or on the street, tossed out of houses they could no longer afford; and until the near-dozen suicides and overdoses of fortysomething childhood classmates in a mere space of three years; and the friends and family medicated for despair, anxiety, lack of affect, insomnia, sexual dysfunction; and the premature cancers brought on by the chemical shortcuts for everything from the food moving through our irritable bowels to the lotions applied to our sun-poisoned skins. I wouldn’t see it until our private lives had consumed the public space, then been codified, foreclosed, and put up for auction; until the devices that enslave our minds had filled us with the toxic flotsam of a culture no longer worthy of the name; until the bright pliancy of human sentience—attention itself—had become the world’s most prized commodity, the very movements of our minds transformed into streams of unceasing revenue for someone, somewhere. I wouldn’t see it clearly until the American Self had fully mastered the plunder, idealized and legislated the splitting of the spoils, and brought to near completion the wholesale pillage not only of the so-called colony—how provincial a locution that seems now!—but also of the very world itself. In short, I wouldn’t see what she saw back then until I’d failed at trying to see it otherwise, until I’d ceased believing in the lie of my own redemption, until the suffering of others aroused in me a starker, clearer cry than any anthem to my own longing.
Ayad Akhtar (Homeland Elegies)
Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room. During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living. And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .
C.H.B. Kitchin (The Auction Sale)
The Egyptians took their goods to their graves with them. The great dynasties of Britain and Europe try to keep things in the family so long as there is something in the bank. But Americans prefer to turn it into cash and start anew. They are less sentimental about these things.
Robert Lacey (Sotheby's: Bidding for Class)
Tactus didn’t sell the violin,” Roque says after a moment. “The one Darrow gave him?” “Yes. The Stradivarian. He sold it, then felt so guilty he didn’t let the sale finalize with the auction house. Made them cancel the order. He was practicing in private, shaking off some of the rust. Said he wanted to surprise you with a sonata, Darrow.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I hope not, either. I guess we’ll find out, won’t we?” He turned his head to flash a glance that was almost teasing at her. Nearly a quarter of his face was cleared of brash, and he was starting to look different. Not quite so brutish. “If you don’t work around here, you don’t eat,” Susannah said, and turned back into the house. When she returned a few minutes later, she was carrying a pair of gray hose she had just finished knitting and one of her father’s shirts. The shirt was sure to be hopelessly too small for him, but it was the best she could do for the moment. Certainly it was better than having him go around bare-chested. What was left of his own shirt was fit for nothing but the ragbag, once it was clean. “When you’ve finished, you may put these on. I don’t know how things are done in England, but around here we’re careful of our modesty. I expect you to keep yourself decently covered in future.” “I’ve finished.” Connelly turned away from the washstand, a towel to his face as he wiped away the soap. “And speaking of modesty, given the fact that you’ve already seen me in the altogether—it was you who bathed me, wasn’t it?—I don’t see that it matters.” “Caring for an unclothed sick man is a very different matter from being constantly confronted with an unclothed healthy one, especially in a household that consists mostly of young ladies. I’ve my sisters to think of.” “Ah, the three twittering birds from the auction. I remember.” He finished with the towel as he spoke and tossed it in the general direction of the nightshirt. About to inform him that the pile of laundry waiting to be washed was the other way and that he might add towel and nightshirt to it, Susannah never got the words out. Her attention
Karen Robards (Nobody's Angel: A Novel)
We live in a drug culture! Drugs are everywhere and touted as the panacea for every ailment in our society. We have drugs for hyper children, drugs for depression—some of the most insidious drugs ever—, drugs for allergies, drugs for acne, drugs for emphysema and drugs for erectile disfunction—maybe the most useful of them all. And let’s not forget the side effects of these wonder drugs! It’s cliche to even talk about drug advertisements and the laundry list of side effects tacked onto the end of them, usually rattled off at warp speed by someone on loan from the local auction house. I’ve seen ads for acne medicines that include side effects that are potentially fatal! Seriously? “Hey! Buy our Acne-Magic Drug! You’ll have crystal clear skin! In your coffin!” What the hell is wrong with us?
Steve Bivans (Be a Hobbit, Save the Earth: the Guide to Sustainable Shire Living)