Remarkably You Quotes

We've searched our database for all the quotes and captions related to Remarkably You. Here they are! All 100 of them:

What is the point of being alive if you don't at least try to do something remarkable?
John Green (An Abundance of Katherines)
But I don’t want to go among mad people," Alice remarked. "Oh, you can’t help that," said the Cat: "we’re all mad here. I’m mad. You’re mad." "How do you know I’m mad?" said Alice. "You must be," said the Cat, "or you wouldn’t have come here.
Lewis Carroll (Alice in Wonderland)
Some people bring out the worst in you, others bring out the best, and then there are those remarkably rare, addictive ones who just bring out the most. Of everything. They make you feel so alive that you'd follow them straight into hell, just to keep getting your fix.
Karen Marie Moning (Shadowfever (Fever, #5))
She turned back to Jace. "Do you have to be so-," she began, but stopped when she saw his face. It looked stripped down, oddly vulnerable. "Unpleasant?" he finishes for her. "Only at days when my adoptive mother tosses me out of the house with instructions never to darken her door again. Usually I'm remarkably good-natured. Try me on any day that doesn't end in y.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You have a... remarkable memory." "I remember everything about you. You're the one who wasn't paying attention.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
One of the remarkable things about love is that, despite very irritating people writing poems and songs about how pleasant it is, it really is quite pleasant.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
It may be that you are not yourself luminous, but that you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it.
Arthur Conan Doyle
Humans. For the most part, you are dull and blundering. But occasionally, you can be remarkably bright creatures.
Shelby Van Pelt (Remarkably Bright Creatures)
You might want to get up," he said. "Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive." He shrugged. "I would, at any rate, but then, I am well known to be remarkably shy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You know, the mind is a remarkable thing. Just because you can't see the wound doesn't mean it isn't hurting. It scars all the time, but it heals.
Jodi Picoult (The Pact)
What's the point in being alive if you don't at least try to do something remarkable? How very odd, to believe God gave you life, and yet not think that life asks more of you than watching TV.
John Green
Some people bring out the worst in you, others bring out the best, and then there are those remarkably rare, addictive ones who just bring out the most. Of everything.
Karen Marie Moning (Shadowfever (Fever, #5))
Is there any point to which you would wish to draw my attention?' 'To the curious incident of the dog in the night-time.' 'The dog did nothing in the night-time.' 'That was the curious incident,' remarked Sherlock Holmes.
Arthur Conan Doyle (Silver Blaze (The Memoirs of Sherlock Holmes, #1))
If your dreams do not scare you, they are not big enough.
Ellen Johnson Sirleaf (This Child Will Be Great: Memoir of a Remarkable Life by Africa's First Woman President)
You’re remarkably judgmental.” “What’s the point in having a mind if you don’t use it to make judgments?” “What’s the point in having a heart if you don’t use it to spare others from the harsh judgments of your mind?
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
The moment you fall in love feels like it has centuries behind it, generations - all of them rearranging themselves so this precise, remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be.
David Levithan (Every Day (Every Day, #1))
The remarkable thing about God is that when you fear God, you fear nothing else, whereas if you do not fear God, you fear everything else.
Oswald Chambers
Just look down the road and tell me if you can see either of them." I see nobody on the road." said Alice. I only wish I had such eyes,"the King remarked in a fretful tone. "To be able to see Nobody! And at such a distance too!
Lewis Carroll
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
Alan Moore (V for Vendetta)
You're just jealous." "Hardly. Been there, done you. Adequate, but unremarkable.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
You’ll find I’m remarkably good at giving orders, and particularly awful at following them.
Victoria Aveyard (Glass Sword (Red Queen, #2))
She has fought many wars, most internal. The ones that you battle alone, for this, she is remarkable. She is a survivor.
Nikki Rowe
It is remarkable how much courage it takes to kiss someone, even when you are almost certain that person would very much like to be kissed by you. Doubt will knock you from the sky every time.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.
James Finn Garner (Politically Correct Bedtime Stories)
People are inspired to do remarkable things to find and be with the one they love.
Greg Behrendt (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
You're remarkably judgmental.' 'What's the point in having a mind if you don't use it to make judgements?
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Do you remember what Darwin says about music? He claims that the power of producing and appreciating it existed among the human race long before the power of speech was arrived at. Perhaps that is why we are so subtly influenced by it. There are vague memories in our souls of those misty centuries when the world was in its childhood.' That's a rather broad idea,' I remarked. One's ideas must be as broad as Nature if they are to interpret Nature,' he answered.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
Never believe that anti-Semites are completely unaware of the absurdity of their replies. They know that their remarks are frivolous, open to challenge. But they are amusing themselves, for it is their adversary who is obliged to use words responsibly, since he believes in words. The anti-Semites have the right to play. They even like to play with discourse for, by giving ridiculous reasons, they discredit the seriousness of their interlocutors. They delight in acting in bad faith, since they seek not to persuade by sound argument but to intimidate and disconcert. If you press them too closely, they will abruptly fall silent, loftily indicating by some phrase that the time for argument is past.
Jean-Paul Sartre
And how many hours a day did you do lessons?' said Alice, in a hurry to change the subject. Ten hours the first day,' said the Mock Turtle: 'nine the next, and so on.' What a curious plan!' exclaimed Alice. That's the reason they're called lessons,' the Gryphon remarked: 'because they lessen from day to day.
Lewis Carroll (Alice's Adventures in Wonderland & Through the Looking-Glass)
I once heard someone on a bus say that this guy had gotten under her skin. And it struck me as a remarkable thought - that someone would affect you so deeply they'd always be a part of you.
Jodi Picoult (Mercy)
The longer I live, the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, than education, than money, than circumstances, than failures, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company...a church....a home. The remarkable thing is we have a choice every day regarding the attitude we will embrace for that day. We cannot change our past...we cannot change the fact that people will act in a certain way. We cannot change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude...I am convinced that life is 10% what happens to me and 90% how I react to it. And so it is with you...we are in charge of our attitudes.
Charles R. Swindoll
Let me make two remarks. First I concentrate on the task ahead for 2016. I’m quite busy with that—thank you very much. And I’m looking with great interest in the American election campaign.’ For the second time during their press conference, the clicking sounds of the cameras was deafening.
Claudia Clark (Dear Barack: The Extraordinary Partnership of Barack Obama and Angela Merkel)
It is a very inconvenient habit of kittens (Alice had once made the remark) that whatever you say to them, they always purr.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it.
Lewis Carroll (Alice in Wonderland)
Just because someone has power over you doesn’t mean they’re going to use it to hurt you. People who believe that tend to either be: People who have been victims of that sort of behavior, or . . . People who, if given power, will use it to hurt you.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
In one of his last newsletters, Mike Ranney wrote: "In thinking back on the days of Easy Company, I'm treasuring my remark to a grandson who asked, 'Grandpa, were you a hero in the war?' No,'" I answered, 'but I served in a company of heroes.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Because it's one of those things I never expected in my lifetime," he told me. "Like a comet. Or world peace. I'm just used to you being single." For some reason, that bothered me. "What, you don't think any guy would ever be interested in me?" Actually," said Adrian, sounding remarkably serious, "I can imagine lots of guys being interested in you.
Richelle Mead (The Golden Lily (Bloodlines, #2))
How dare you settle for less when the world has made it so easy for you to be remarkable?
Seth Godin (Small Is the New Big: and 183 Other Riffs, Rants, and Remarkable Business Ideas)
... but it's your existence I love you for, mainly. Existence seems to me now the most remarkable thing that could ever be imagined.
Marilynne Robinson (Gilead (Gilead, #1))
You can only do so much pretending before you become the thing you're pretending to be.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
When I get free, I believe I'll show you your spine. I'll hand it to you so casually, politely even, as if expecting you to remark upon it.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Just because you can't imagine something doesn't mean you can't do it.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
What is it about the moment you fall in love? How can such a small measure of time contain such enormity? I suddenly realize why people believe in déjà vu, why people believe they've lived past lives, because there is no way the years I've spent on this earth could possibly encapsulate what I'm feeling. The moment you fall in love feels like it has centuries behind it, generations—all of them rearranging themselves so that this precise, remarkable intersection could happen. In you heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are now just arriving at the place you were always meant to be.
David Levithan (Every Day (Every Day, #1))
Some mornings, she’d wake and vow, Today, I will get it right. I won’t be such an awful mess of a girl. I won’t lose my temper or make unkind remarks. I won’t go too far with a joke and feel the room go quiet with disapproval. I’ll be good and kind and sensible and patient. The sort everyone loves. But by evening, her good intentions would have unraveled. She’d say the wrong thing or talk a little too loudly. She’d take a dare she shouldn’t, just to be noticed. Perhaps Mabel was right, and she was selfish. But what was the point of living so quietly you made no noise at all? “Oh, Evie, you’re too much,” people said, and it wasn’t complimentary. Yes, she was too much. She felt like too much inside all the time. So why wasn’t she ever enough?
Libba Bray (The Diviners (The Diviners, #1))
The longer I live, the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, the education, the money, than circumstances, than failure, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company... a church... a home. The remarkable thing is we have a choice everyday regarding the attitude we will embrace for that day. We cannot change our past... we cannot change the fact that people will act in a certain way. We cannot change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude. I am convinced that life is 10% what happens to me and 90% of how I react to it. And so it is with you... we are in charge of our attitudes.
Charles R. Swindoll
He often makes blithe remarks about things he 'wishes'. I wish you didn't have to go, he says when she's leaving, or: I wish you could stay the night. If he really wished any of those things, Marianne knows, then they would happen. Connell always gets what he wants, and then feels sorry for himself when what he wants doesn't make him happy.
Sally Rooney (Normal People)
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
Tova has always felt more than a bit of empathy for the sharks, with their never-ending laps around the tank. She understands what it means to never be able to stop moving, lest you find yourself unable to breathe.
Shelby Van Pelt (Remarkably Bright Creatures)
It’s remarkable how a stereotype functions as an actual trap. How many “angry black women” have been caught in the circular logic of that phrase? When you aren’t being listened to, why wouldn’t you get louder? If you’re written off as angry or emotional, doesn’t that just cause more of the same?
Michelle Obama (Becoming)
You must know nothing before you can learn something, and be empty before you can be filled. Is not the emptiness of the bowl what makes it useful? As for laws, a parrot can repeat them word for word. Their spirit is something else again. As for governing, one must first be lowest before being highest.
Lloyd Alexander (The Remarkable Journey of Prince Jen)
You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself." "Oh, I am positively green with envy," Ragnor snapped. "Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion.
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
Isaac Asimov's remark about the infantilism of pseudoscience is just as applicable to religion: 'Inspect every piece of pseudoscience and you will find a security blanket, a thumb to suck, a skirt to hold.' It is astonishing, moreover, how many people are unable to understand that 'X is comforting' does not imply 'X is true'.
Richard Dawkins (The God Delusion)
Anyone who lives in her own world is crazy. Like schizophrenics, psychopaths, maniacs. I mean people who are different from others.' Like you?' On the other hand,' Zedka continued, pretending not to have heard the remark, 'you have Einstein, saying that there was no time or space, just a combination of the two. Or Columbus, insisting that on the other side of the world lay not an abyss but a continent. Or Edmund Hillary, convinced that a man could reach the top of Everest. Or the Beatles, who created an entirely different sort of music and dressed like people from another time. Those people--and thousands of others--all lived in their own world.
Paulo Coelho (Veronika Decide Morir - Tapa Azul (Spanish Edition))
You must always look with both of your eyes and listen with both of your ears. He says this is a very big world and there are many many things you could miss if you are not careful. There are remarkable things all the time, right in front of us, but our eyes have like the clouds over the sun and our lives are paler and poorer if we do not see them for what they are. If nobody speaks of remarkable things, how can they be called remarkable?
Jon McGregor (If Nobody Speaks Of Remarkable Things)
Will," she said softly, sleepily. "Last night--" You were kind to me, she was going to say. Thank you. The glare from his blue eyes stabbed through her. "There was no last night," he said through his teeth. At that, she sat up straight, almost awake. "Oh, truly? We just went right from one afternoon on through till the next morning? How odd no one else remarked on it. I should think it some miracle, a day with no night--
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Simply put, dramatic irony is when a person makes a harmless remark, and someone else who hears it knows something that makes the remark have a different, and usually unpleasant, meaning. For instance, if you were in a restaurant and said out loud, "I can't wait to eat the veal marsala I ordered," and there were people around who knew that the veal marsala was poisoned and that you would die as soon as you took a bite, your situation would be one of dramatic irony.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
It had become usual to give Napoleon the Credit for every Successful achievement and every stroke of good fortune. You would often hear one hen remark to another, “Under the guidance of our leader, Comrade Napoleon, I have laid five eggs in six days” or two cows, enjoying a drink at the pool, would exclaim, “thanks to the leadership of Comrade Napoleon, how excellent this water tastes!”...
George Orwell (Animal Farm)
Do you remember the happiest day of your life? What about the saddest? Do you ever wonder if sadness and happiness can be combined, to make a deep purple feeling, not good, not bad, but remarkable simply because you didn't have to live on one side or the other?
Ocean Vuong (On Earth We're Briefly Gorgeous)
The room is warm and smells like dust, and just the presence of so many books makes it easier to breathe. It’s remarkable how being around books, even those you’ve never read, can have a calming effect, like walking into a crowded party and finding it full of people you know.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Then I understood I would never marry him. It's funny how one thing can make you realize something like that. One can be ready to give up the children one always wanted, one can be ready to withstand remarks about one's past, or one's clothes, but then—a tiny remark and the soul deflates and says: Oh.
Elizabeth Strout (My Name Is Lucy Barton (Amgash, #1))
How could I not love him, after that? That is not to say that I approved of all he did, or much enjoyed the company of the man that he became... but every little girl needs a big brother to protect her. Tywin was big even when he was little.” She gave a sigh. “Who will protect us now?” Jaime kissed her cheek. “He left a son.” “Aye, he did. That is what I fear the most, in truth.” That was a queer remark. “Why should you fear?” “Jaime,” she said, tugging on his ear, “sweetling, I have known you since you were a babe at Joanna’s breast. You smile like Gerion and fight like Tyg, and there’s some of Kevan in you, else you would not wear that cloak... but Tyrion is Tywin’s son, not you. I said so once to your father’s face, and he would not speak to me for half a year. Men are such thundering great fools. Even the sort who come along once in a thousand years.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Admit it," He insists. "I was right." "No." I sniff. "You were wrong." sniff. "I'm just crying"-sniff- "cause i'm so happy." My tear take that lie as their cue and start streaming down my cheeks. "Come on, Princess," he says, "You don't need to cry over that loser." This only makes me cry harder. We both know who the loser is in this scenario. With a muttered curse, Quince wraps his arms around me and squeezes. It feels remarkably like a hug. "Don't cry," he whispers in my ear. "Please." I don't know if it's his soft words or the fact that my face is now hidden by his broad chest, but i just let go. Three years of longing and loving from a distance have built to the breaking point, and i let it out all over his west coast choppers T-shirt. "shhh," He soothes. "He's not worth it.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
I’d heard all this before, but I also knew that this line of argument worked. If you tell people that they’re being attacked for their beliefs, then suddenly they want to defend their beliefs, even if they didn’t really believe them before. It’s pretty amazing, really.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
What a funny watch!’ she remarked. ‘It tells the day of the month, and doesn’t tell what o’clock it is!’ ‘Why should it?’ muttered the Hatter. ‘Does YOUR watch tell you what year it is?’ ‘Of course not,’ Alice replied very readily: ‘but that’s because it stays the same year for such a long time together.’ ‘Which is just the case with MINE,’ said the Hatter.
Lewis Carroll (Alice in Wonderland)
That caravan looks as if it’s all Vorin. Also, you look a little spindly for a Horneater.” “Did you just insult the princess’s weight?” Tyn asked, aghast. Storms! She was good. She actually managed to produce angerspren with the remark. Well, nothing to do but soldier on. “I am offend!” Shallan yelled. “You have offended Her Highness again!” “Very offend!” “You’d better apologize.” “No apologize!” Shallan declared. “Boots!
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I could understand the moon leaning across a bar on skid row and asking for a drink, but I couldn't understand anything about myself, I was murdered, I was shit, I was a tentful of dogs, I was poppies mowed down by machine-gun fire I was a hotshot wasp in a web I was less and less and still reaching for something, and I thought of her corny remark a night or so ago: You have wounded eyes.
Charles Bukowski (The People Look Like Flowers at Last)
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows when the harm is too much to bare. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it. For some people, that time never comes. Some stay fractured, forever broken. You see them on the street, pushing carts. You see them in the faces of the regulars at the bar.
Karen Marie Moning (Dreamfever (Fever, #4))
Suicide is a form of murder— premeditated murder. It isn’t something you do the first time you think of doing it. It takes some getting used to. And you need the means, the opportunity, the motive. A successful suicide demands good organization and a cool head, both of which are usually incompatible with the suicidal state of mind. It’s important to cultivate detachment. One way to do this is to practice imagining yourself dead, or in the process of dying. If there’s a window, you must imagine your body falling out the window. If there’s a knife, you must imagine the knife piercing your skin. If there’s a train coming, you must imagine your torso flattened under its wheels. These exercises are necessary to achieving the proper distance. The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn’t kill myself. In reality, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
Susanna Kaysen
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn’t kill myself.
Susanna Kaysen
And I still have other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski; some local schoolboy she knew, talk about music, my Lolita remarked: 'You know what's so dreadful about dying is that you're completely on your own'; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions...
Vladimir Nabokov (Lolita)
I will tell you why we have these extraordinary minds and souls, Miss Whittaker," he continued, as though he had not heard her. "We have them because there is a supreme intelligence in the universe, which wishes for communion with us. This supreme intelligence longs to be known. It calls out to us. It draws us close to its mystery, and grants us these remarkable minds, in order that we try to reach for it. It wants us to find it. It wants union with us, more than anything.
Elizabeth Gilbert (The Signature of All Things)
Persephone said, “What an unpleasant young man.” Calla let the curtains drift shut. She remarked, “I got his license plate number.” “I hope he never finds what he’s looking for,” Maura said. Retrieving her two cards from the table, Persephone said, a little regretfully, “He’s trying awfully hard. I rather think he’ll find something.” Maura whirled toward Blue. “Blue, if you ever see that man again, you just walk the other way.” “No,” Calla corrected. “Kick him in the nuts. Then run the other way.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
If you listen, you can hear it. The city, it sings. If you stand quietly, at the foot of a garden, in the middle of the street, on the roof of a house. It's clearest at night, when the sound cuts more sharply across the surface of things, when the song reaches out to a place inside you. It's a wordless song, for the most, but it's a song all the same, and nobody hearing it could doubt what it sings. And the song sings the loudest when you pick out each note.
Jon McGregor (If Nobody Speaks Of Remarkable Things)
If you want to concentrate deeply on some problem, and especially some piece of writing or paper-work, you should acquire a cat. Alone with the cat in the room where you work ... the cat will invariably get up on your desk and settle placidly under the desk lamp ... The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious.
Muriel Spark (A Far Cry from Kensington)
Being mortal is about the struggle to cope with the constraints of our biology, with the limits set by genes and cells and flesh and bone. Medical science has given us remarkable power to push against these limits, and the potential value of this power was a central reason I became a doctor. But again and again, I have seen the damage we in medicine do when we fail to acknowledge that such power is finite and always will be. We’ve been wrong about what our job is in medicine. We think our job is to ensure health and survival. But really it is larger than that. It is to enable well-being. And well-being is about the reasons one wishes to be alive. Those reasons matter not just at the end of life, or when debility comes, but all along the way. Whenever serious sickness or injury strikes and your body or mind breaks down, the vital questions are the same: What is your understanding of the situation and its potential outcomes? What are your fears and what are your hopes? What are the trade-offs you are willing to make and not willing to make? And what is the course of action that best serves this understanding?
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
You've been kissed by the shadows. You've crossed into Death, into the other side, and returned. Do you think something like that doesn't leave a mark on the soul? You have a greater sense of life and the world - far greater than even I have - even if you don't realize it. You should have stayed dead. Vasilisa brushed Death to bring you back and bound you to her forever. You were actually in its embrace, and some part of you will always remember that, always fighting to cling to life and experience all it has. That's why you're so reckless in the things you do. You don't hold back your feelings, your passion, your anger. It makes you remarkable. It makes you dangerous.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Makedon was explaining the virtues of iron tea to Laurent, and when Laurent massaged his own temple with finely bred fingers, Makedon remarked, rising, ‘You should have your slave fetch you some.’ ‘Fetch me some,’ Laurent said. Damen rose. And stopped. Laurent had gone very still. Damen stood there, awkwardly. He could think of no other reason why he had stood up. He looked up and his eyes met those of Nikandros, who was staring at him. Nikandros was with a small group to one side of the table, the last of the men in the hall. He was the only one to have seen and heard. Damen just stood there. ‘This meeting is over,’ Nikandros announced to the men around him, too loudly. ‘The King is ready to ride.
C.S. Pacat (Kings Rising (Captive Prince, #3))
Evey: Who are you? V. : Who? Who is but the form following the function of what and what I am is a man in a mask. Evey: Well I can see that. V. : Of course you can, I’m not questioning your powers of observation, I’m merely remarking upon the paradox of asking a masked man who he is. Evey: Oh, right. V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the “vox populi” now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honour to meet you and you may call me V. Evey: Are you like a crazy person? V. : I’m quite sure they will say so.
Alan Moore (V for Vendetta)
Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.” Merripen, attentive as always to his wife, gave her a frowning glance. “Now?” "Yes, now.” "Can’t it wait?” "No,” Win said equably. At his continued hesitation, she said, “I’m expecting.” Merripen blinked. “Expecting what?” "A baby.” They all watched as Merripen’s face turned ashen. “But how ...” he asked dazedly, nearly staggering as he headed to Win. "How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?” "It’s not a ploy,” Win said cheerfully. Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house. "I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Cheshire Puss,' [Alice] began, rather timidly, "`But I don't want to go among mad people,' Alice remarked. Oh, you can't help that,' said the Cat: `we're all mad here. I'm mad. You're mad.' How do you know I'm mad?' said Alice. You must be,' said the Cat, `or you wouldn't have come here.' Alice didn't think that proved it at all; however, she went on `And how do you know that you're mad?' To begin with,' said the Cat, `a dog's not mad. You grant that?' I suppose so,' said Alice. Well, then,' the Cat went on, `you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.
Lewis Carroll
Rosethorn had gone to her room the moment Niko started to cough. Now she returned with her syrup and a firm look in her eye. "I thought you were having trouble last night. Drink this." She poured some into a cup and held it out to him. Niko looked at it as if she offered him rotten fish. "I am fine. I am per-" He couldn't even finish the sentence for coughing. "It's not bad," said Tris, crossing her fingers behind her back. "Really, tastes like-like mangoes." Niko looked at her, then took the cup and downed its contents. The four watched with interest as his cheeks turned pale, then scarlet. "That's terrible (exclamation point)" he cried, his voice a thin squeak. "Maybe I was thinking of some other syrup," Tris remarked with a straight face.
Tamora Pierce (Daja's Book (Circle of Magic, #3))
I shall be much obliged to you, cousin, if you will refrain from telling my sisters that she has a face like a horse!’ ‘But, Charles, no blame attaches to Miss Wraxton! She cannot help it, and that, I assure you, I have always pointed out to your sisters!’ ‘I consider Miss Wraxton’s countenance particularly well-bred!’ ‘Yes, indeed, but you have quite misunderstood the matter! I meant a particularly well-bred horse!’ 'You mean, as I am perfectly aware, to belittle Miss Wraxton!' 'No, no! I am very fond of horses!' Sophy said earnestly. Before he could stop himself he found that he was replying to this. 'Selina, who repeated the remark to me, is not fond of horses, however, and she—' He broke off, seeing how absurd it was to argue on such a head. 'I expect she will be, when she has lived in the same house with Miss Wraxton for a month or two,' said Sophy encouragingly.
Georgette Heyer (The Grand Sophy)
You cannot kill me here. Bring your soldiers, your death, your disease, your collapsed economy because it doesn’t matter, I have nothing left to lose and you cannot kill me here. Bring the tears of orphans and the wails of a mother’s loss, bring your God damn air force and Jesus on a cross, bring your hate and bitterness and long working hours, bring your empty wallets and love long since gone but you cannot kill me here. Bring your sneers, your snide remarks and friendships never felt, your letters never sent, your kisses never kissed, cigarettes smoked to the bone and cancer killing fears but you cannot kill me here. For I may fall and I may fail but I will stand again each time and you will find no satisfaction. Because you cannot kill me here.
Iain S. Thomas
Sometimes the most remarkable things seem commonplace. I mean when you think about it jet travel is pretty freaking remarkable. You get in a plane it defies the gravity of a entire planet by exploiting a loophole with air pressure and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research blood sweat tears and lives have gone into the history of air travel and it has totally revolutionized the face of our planet and societies. But get on any flight in the country and I absolutely promise you that you will find someone who in the face of all that incredible achievement will be willing to complain about the drinks.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Reality is incredibly larger, infinitely more exciting, than the flesh and blood vehicle we travel in here. If you read science fiction, the more you read it the more you realize that you and the universe are part of the same thing. Science knows still practically nothing about the real nature of matter, energy, dimension, or time; and even less about those remarkable things called life and thought. But whatever the meaning and purpose of this universe, you are a legitimate part of it. And since you are part of the all that is, part of its purpose, there is more to you than just this brief speck of existence. You are just a visitor here in this time and this place, a traveler through it.
Gene Roddenberry
Let’s consider your age to begin with — how old are you?’ ‘I’m seven and a half exactly.’ ‘You needn’t say “exactually,”’ the Queen remarked: ‘I can believe it without that. Now I’ll give you something to believe. I’m just one hundred and one, five months and a day.’ ‘I can’t believe that!’ said Alice. ‘Can’t you?’ the Queen said in a pitying tone. ‘Try again: draw a long breath, and shut your eyes.’ Alice laughed. ‘There’s no use trying,’ she said: ‘one can’t believe impossible things.’ ‘I daresay you haven’t had much practice,’ said the Queen. ‘When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast.
Lewis Carroll
I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.
Donna Tartt (The Goldfinch)
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-" "Stop it," Ash said in a faint voice. "That isn't fair." Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. "Ash is right, this is totally unfair," Jared told her. "If you insist on this-" "Oh, I do," Kami assured him. "Then I insist on hooking up with Rusty instead of Ash. It's the least you can do." "Ugh," Ash protested. "You guys, stop." "She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty." Ash gave this some thought. "Okay, I'll have Rusty too." The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. "Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.
Pauline Kael (For Keeps: 30 Years at the Movies)
Have you ever played chess, Kitty?” I eyed her. What did a board game have to do with this? “Not really.” “You and I should play sometime. I think you would like it,” she said. “It’s a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces—the pawns—are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play, I protect my pawns.” “Why?” I said, not entirely sure where this conversation was going. “If they’re weak, then what’s the point?” “They may be weak when the game begins, but their potential is remarkable. Most of the time, they’ll be taken by the other side and held captive until the end of the game. But if you’re careful—if you keep your eyes open and pay attention to what your opponent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?” I shook my head, and she smiled. “Your pawn becomes a queen.” She touched my cheek, her fingers cold as ice. “Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game. Never forget that, all right? Never forget the potential one solitary pawn has to change the entire game.
Aimee Carter (Pawn (The Blackcoat Rebellion, #1))
Lord, set a guard over my lips today and search my heart. Try me and know my thoughts. See if there is any evil way in me and lead me in the way everlasting (Ps. 139:23–24). If there is anything in my life that displeases You, Father, remove it in Jesus’s name. Circumcise my heart, and cause my desires and my words to line up with Yours. In Jesus’s name, amen. January 8 REAP WHAT YOU SOW For they sow the wind, and they shall reap the whirlwind. —HOSEA 8:7, ESV What occupies your mind determines what eventually fills your mouth. Your outer world showcases all that has dominated—and at times subjugated—your inner world. Are you aware of the true meaning of the things you are speaking out? As the prophet Hosea remarked, each one of us must take responsibility for what we experience in life. We are the sum total of every choice we have ever made or let happen. If you do not like where you are, you are only one thought away from turning toward the life you desire. Father, make me more aware of the power of my words today. I declare that my season of frustration is over. As I guard my tongue, my life is changing for the best. In the name of Jesus I declare that everything this season should bring to me must come forth. Every invisible barrier must be destroyed. I declare that I am a prophetic trailblazer. I am taking new territory spiritually, emotionally, relationally, and professionally. I decree and declare that You are opening
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
It is the fate of great achievements, born from a way of life that sets truth before security, to be gobbled up by you and excreted in the form of shit. For centuries great, brave, lonely men have been telling you what to do. Time and again you have corrupted, diminished and demolished their teachings; time and again you have been captivated by their weakest points, taken not the great truth, but some trifling error as your guiding principal. This, little man, is what you have done with Christianity, with the doctrine of sovereign people, with socialism, with everything you touch. Why, you ask, do you do this? I don't believe you really want an answer. When you hear the truth you'll cry bloody murder, or commit it. … You had your choice between soaring to superhuman heights with Nietzsche and sinking into subhuman depths with Hitler. You shouted Heil! Heil! and chose the subhuman. You had the choice between Lenin's truly democratic constitution and Stalin's dictatorship. You chose Stalin's dictatorship. You had your choice between Freud's elucidation of the sexual core of your psychic disorders and his theory of cultural adaptation. You dropped the theory of sexuality and chose his theory of cultural adaptation, which left you hanging in mid-air. You had your choice between Jesus and his majestic simplicity and Paul with his celibacy for priests and life-long compulsory marriage for yourself. You chose the celibacy and compulsory marriage and forgot the simplicity of Jesus' mother, who bore her child for love and love alone. You had your choice between Marx's insight into the productivity of your living labor power, which alone creates the value of commodities and the idea of the state. You forgot the living energy of your labor and chose the idea of the state. In the French Revolution, you had your choice between the cruel Robespierre and the great Danton. You chose cruelty and sent greatness and goodness to the guillotine. In Germany you had your choice between Goring and Himmler on the one hand and Liebknecht, Landau, and Muhsam on the other. You made Himmler your police chief and murdered your great friends. You had your choice between Julius Streicher and Walter Rathenau. You murdered Rathenau. You had your choice between Lodge and Wilson. You murdered Wilson. You had your choice between the cruel Inquisition and Galileo's truth. You tortured and humiliated the great Galileo, from whose inventions you are still benefiting, and now, in the twentieth century, you have brought the methods of the Inquisition to a new flowering. … Every one of your acts of smallness and meanness throws light on the boundless wretchedness of the human animal. 'Why so tragic?' you ask. 'Do you feel responsible for all evil?' With remarks like that you condemn yourself. If, little man among millions, you were to shoulder the barest fraction of your responsibility, the world would be a very different place. Your great friends wouldn't perish, struck down by your smallness.
Wilhelm Reich (Listen, Little Man!)
A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. ... What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.
Walt Whitman (Song of Myself)
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage... The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything... One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice. Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy? I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know? You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
What - what - what are you doing?" he demanded. "I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!" "I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps." Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell." "That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo." "You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself." "Oh, I am positively green with envy," Ragnor snapped. "Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion." Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune. They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm. "Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. "From the sound of it, the poor creature must be direly sick. You have to help me find it!" Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch. "You are conspiring against me and my art," he declared. "You are a pack of conspirators." He began to play again. Catarina stopped him by putting a hand on his arm. "No, but seriously, Magnus," she said. "That noise is appalling." Magnus sighed. "Every warlock's a critic." "Why are you doing this?" "I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections." "If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured. Catarina, however, was smiling. "I see," she said. "Madam, you do not see." "I do. I see it all most clearly," Catarina assured him. "What is her name?" "I resent your implication," Magnus said. "There is no woman in the case. I am married to my music!" "Oh, all right," Catarina said. "What's his name, then?" His name was Imasu Morales, and he was gorgeous.
Cassandra Clare (The Bane Chronicles)