“
The moment you have to recruit people to put another person down, in order to convince someone of your value is the day you dishonor your children, your parents and your God. If someone doesn't see your worth the problem is them, not people outside your relationship.
”
”
Shannon L. Alder
“
I'm your husband. I can wait as long as I please and still have all of you.
”
”
Rosamund Hodge (Cruel Beauty)
“
She didn’t understand a damned thing about life except that it was arbitrary and cruel, and some people got away with murder while others made one tiny, careless mistake and paid a terrible price.
”
”
Liane Moriarty (The Husband's Secret)
“
His hands tightened around mine. “I love you,” he said. “I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?”
I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of Earth.
Except that the sunlight was false, and his love was real.
It was real.
Very deliberately, I pulled my hands out of his. “You’re a demon,” I said, staring at the ground.
“Most likely.”
“I know what you’ve done.”
“The exciting parts, anyway.”
“And I still don’t know your name.” My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so
easily. “But I know you’re my husband.”
The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I was a bird that might be startled into flight. Finally I met his eyes.
“And,” I said. “I suppose I do love you.”
Then he pulled me into his arms.
”
”
Rosamund Hodge (Cruel Beauty)
“
Loneliness is never more cruel than when it is felt in close propinquity with someone who has ceased to communicate. Many a housewife staring at the back of her husband's newspaper, or listening to his breathing in bed is lonelier than any spinster in a rented room.
”
”
Germaine Greer (The Female Eunuch)
“
I tried. As the darkness closed over me, I fought to remember the name of my husband.
I fought to remember the name of someone I had loved.
I fought to remember--
What?
I was alone, and I had no hands to clench around my memories. I had no memories, no name, only the knowlegde (deeper and colder than any darkness) that I had lost what I loved more than life.
And then I forgot I had lost it.
Time unwound. Prices were unpaid.
The world changed.
”
”
Rosamund Hodge (Cruel Beauty)
“
There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
...a choice had to be made when your husband said something unkind. Specifically: be cruel, be strong, or sulk. 'Be cruel' by saying an unkind thing back. 'Be strong' by choosing not to mind. But to do this, you have to use up a piece of your love. You have to shave off enough of the love to forgive. After a while, the piece might grow back, but sometimes not. And if you shave off all the soft curves, you'll be left with a sharp-edged love. 'Sulk' by sulking. Sulking is simply delaying the choice to be cruel or strong.
”
”
Jaclyn Moriarty (The Spell Book of Listen Taylor)
“
I recommend her to you, not as a husband but as an enthusiastic admirer of her work, acid and tender, hard as steel and delicate and fine as a butterfly's wing, lovable as a beautiful smile, and as profound and cruel as the bitterness of life.
”
”
Diego Rivera
“
Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
”
”
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
“
It is cruel to abandon women and girls to a culture they had no say in ratifying and to a religion they had no say in interpreting, and which in many cases practically demands they worship men: from a male god to their fathers to their husbands—the literal patriarchs.
”
”
Mona Eltahawy (The Seven Necessary Sins for Women and Girls)
“
Please don´t drown into his fears, his concrete fists don´t let him again, break the bridge of your nose with his cruel born hits. Then disappear into that mask of misery.
”
”
Anthony Liccione
“
Tragedy made you petty and spiteful. It didn’t give you any great knowledge or insight. She didn’t understand a damned thing about life except that it was arbitrary and cruel, and some people got away with murder while others made one tiny, careless mistake and paid a terrible price.
”
”
Liane Moriarty (The Husband's Secret)
“
If/when I die, do not want Pam lonely. Want her to remarry, have full life. As long as new husband is nice guy. Gentle guy. Religious guy. Very caring + good to kids. But kids not fooled. Kids prefer dead dad (i.e., me) to religious guy. Pale, boring, religious guy, with no oomph, who wears weird sweaters and is always a little sad, due to, cannot get boner, due to physical ailment.
Ha ha.
Death very much on my mind tonight, future reader. Can it be true? That I will die? That Pam, kids will die? Is awful. Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
Note to self: try harder, in all things, to be better person.
”
”
George Saunders (Tenth of December)
“
But women have to give hard thought to the men we'll wind up with. Make a mistake and get a drunk, a spendthrift, a cruel man. A man who won't keep his word. ... In marriage, man and woman become one, and that one is the husband.
”
”
Stephanie Dray (America's First Daughter)
“
Night fell, and her husband came to bed, and as soon as they had finished kissing and embracing each other, he fell fast asleep. Psyche was not naturally either very strong or very brave, but the cruel power of fate made a virago of her. Holding the carving knife in a murderous grip, she uncovered the lamp and let its light shine on the bed.
At once the secret was revealed. There lay the gentlest and sweetest of all wild creatures, Cupid himself, the beautiful Love-god, and at sight of him the flame of the lamp spurted joyfully up and the knife turned its edge for shame.
Psyche was terrified. She lost all control of her senses, and pale as death, fell trembling to her knees, where she desperately tried to hide the knife by plunging it in her own heart. She would have succeeded, too, had the knife not shrunk from the crime and twisted itself out of her hand.
”
”
Apuleius (Cupid and Psyche)
“
I nod like I'm not at all unnerved by this new cold side to him. Not cruel like his father. Not warm like the husband who sought me out on quiet nights. Something in between. This Linden has never woven his fingers through mine, never chosen me from a line of weary Gathered girls, never said he loved me in a myriad of coloured lights. We are nothing to each other.
”
”
Lauren DeStefano (Sever (The Chemical Garden, #3))
“
How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
That’s just it, Husband.’ She smiles sweetly, only the tiniest edge present. ‘I’m the only one who gets to kill you. I’ll bury anyone else who tries.
”
”
Katee Robert (Cruel Seduction (Dark Olympus, #5))
“
Marriage does not give someone a “get out of jail free” card that entitles a husband to lie, mistreat, ignore, be cruel, or crush his wife’s God-given dignity. To believe otherwise is not to know the heart of God.
”
”
Leslie Vernick (The Emotionally Destructive Marriage: How to Find Your Voice and Reclaim Your Hope)
“
A woman who is baarri is like a pious slave. She honors her husband’s family and feeds them without question or complaint. She never whines or makes demands of any kind. She is strong in service, but her head is bowed. If her husband is cruel, if he rapes her and then taunts her about it, if he decides to take another wife, or beats her, she lowers her gaze and hides her tears. And she works hard, faultlessly. She is a devoted, welcoming, well-trained work animal. This is baarri. If
”
”
Ayaan Hirsi Ali (Infidel)
“
Marriage is an institution built on white lies and denial. If husbands and wives started telling each other the truth all the time, the whole system would implode.
”
”
J.T. Geissinger (Beautifully Cruel (Beautifully Cruel, #1))
“
I tried. As the darkness closed over me, I fought to remember the name of my husband.
I fought to remember the name of someone I had loved. I fought to remember—
What?
I was alone, and I had no hands to clench around my memories. I had no memories, no name, only the knowledge (deeper and colder than any darkness) that I had lost what I loved more than life.
And then I forgot I had lost it.
Time unwound. Prices were unpaid.
The world changed.
”
”
Rosamund Hodge (Cruel Beauty)
“
No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
They say nothing!" the little captain raged. "They only putrid gunner, ship engineer. I, Ba-Karkar, must speak for all!"
Ogu kicked him again. "Then ask what kind help Asahel wants, untranslatable epithet male. Or no more untranslatable for you! Never again in putrid boomer prison."
Her husband gave a choked gasp. "Cruel female!"
"No more sex, either," she added.
”
”
Julian May (Orion Arm (Rampart Worlds, #2))
“
But I must start at the beginning, if I can find it. Beginnings are elusive things. Just when you think you have hold of one, you look back and see another, earlier beginning, and an earlier one before that. Even if you start with "Chapter One: I am Born," you still have the problem of antecedents, of cause and effect. Why is young David fatherless? Because, Dickens tells us, his father died of a delicate constitution. Yes, but where did this mortal delicacy come from? Dickens doesn't say, so we're left to speculate. A congenital defect, perhaps, inherited from his mother, whose own mother had married beneath her to spite her cruel father, who'd been beaten as a child by a nursemaid who was forced into service when her faithless husband abandoned her for a woman he chanced to meet when his carriage wheel broke in front of the milliner's where she'd gone to have her hat trimmed. If we begin there, young David is fatherless because his great-great-grandfather's nursemaid's husband's future mistress's hat needed adornment.
”
”
Hillary Jordan (Mudbound)
“
'Not all women have the failings that I must have had, given that I have not succeeded in tying you to me,' she said, and added, with a sigh, 'or else not all husbands are like you.'
'Wives...false, jealous, domineering, flirtatious, or devout...husbands, wicked, inconstant, cruel or despotic: that in a nutshell is how all individuals on earth are, Madame; do not expect to find any paragons of virtue.'
”
”
Marquis de Sade (Incest)
“
Life and love can be so cruel and beautiful and utterly confusing. This isn’t the love I dreamed of as a little girl. This isn’t the whirlwind romance I swooned over in books. There’s no sparkly ring, no wedding bells, no husband holding our baby in the delivery room. But what we have is a real love. It’s dark, and ugly; raw and passionate. It brings pain and it brings happiness and everything in between. This love - our love – is a love that never dies. It withers in the dark and comes back to life again under bright moments even stronger than it was before.
”
”
Carian Cole (No Tomorrow (All the Tomorrows, #1))
“
Many novelists fumed at men they saw as jailers. A host of masculine villains paraded through their plots—neglectful fathers, cruel husbands, and assorted gamblers, alcoholics, philanderers, failures, or murderers—with whom courageous and creative women did combat or from whom they fled.
”
”
Mike Wallace (Gotham: A History of New York City to 1898)
“
People thought that tragedy made you wise, that it automatically elevated you to a higher, spiritual level, but it seemed to Rachel that just the opposite was true. Tragedy made you petty and spiteful. It didn’t give you any great knowledge or insight. She didn’t understand a damned thing about life except that it was arbitrary and cruel, and some people got away with murder, while others made one tiny careless mistake and paid a terrible price.
”
”
Liane Moriarty (The Husband's Secret)
“
How should a woman act when she discovers her husband is a bloody coward? She’s damn cruel but they’re all cruel. They govern, of course, and to govern one has to be cruel sometimes.
”
”
Ernest Hemingway (The Short Happy Life of Francis Macomber and Other Stories)
“
My husband is a brute. And I’ve got a cruel stepmother just like Snow White. I mean, Cinderella. And my Pop thinks I’m imaginary. But I love you all anyway because you’re all I’ve got.
”
”
Robert A. Heinlein (The Pursuit of the Pankera: A Parallel Novel About Parallel Universes)
“
and Hadia I decided in that moment that she too hated them all—her brother, who made everything difficult for himself. Her mother, who turned against her own children just to stand by her husband. Huda with a smug look on her face, and how provoking Amar’s anger was like a game to her. They were all cruel to each other. They could not even get through one dinner. She stared at the food on her plate and made a silent pact with herself: she would work hard, she would study, and she would find herself a new family. And new house that never got angry, A home where weeks would pass without a voice raised.
”
”
Fatima Farheen Mirza (A Place for Us)
“
men were encouraged to punish any woman they regarded as unruly. If a woman tried to escape from a cruel or violent husband, she was considered an outlaw, and her husband had the legal right to imprison her.
”
”
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
“
So, Robert Wilson thought to himself, she is giving him a ride, isn’t she? Or do you suppose that’s her idea of putting up a good show? How should a woman act when she discovers her husband is a bloody coward? She’s damn cruel but they’re all cruel. They govern, of course, and to govern one has to be cruel sometimes. Still, I’ve seen enough of their damn terrorism. “Have some more eland,” he said to her politely.
”
”
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
“
Helen has traffic-stopping beauty. On me, the same features are a little too sharp, a little uncanny.
I prefer it that way. My beauty makes people uncomfortable. Wary.
My new husband won’t know what hit him.
”
”
Katee Robert (Cruel Seduction (Dark Olympus, #5))
“
They asked me to tell you what it was like to be twenty and pregnant in 1950 and when you tell your boyfriend you’re pregnant, he tells you about a friend of his in the army whose girl told him she was pregnant, so he got all his buddies to come and say, “We all fucked her, so who knows who the father is?” And he laughs at the good joke…. What was it like, if you were planning to go to graduate school and get a degree and earn a living so you could support yourself and do the work you loved—what it was like to be a senior at Radcliffe and pregnant and if you bore this child, this child which the law demanded you bear and would then call “unlawful,” “illegitimate,” this child whose father denied it … What was it like? […] It’s like this: if I had dropped out of college, thrown away my education, depended on my parents … if I had done all that, which is what the anti-abortion people want me to have done, I would have borne a child for them, … the authorities, the theorists, the fundamentalists; I would have born a child for them, their child. But I would not have born my own first child, or second child, or third child. My children. The life of that fetus would have prevented, would have aborted, three other fetuses … the three wanted children, the three I had with my husband—whom, if I had not aborted the unwanted one, I would never have met … I would have been an “unwed mother” of a three-year-old in California, without work, with half an education, living off her parents…. But it is the children I have to come back to, my children Elisabeth, Caroline, Theodore, my joy, my pride, my loves. If I had not broken the law and aborted that life nobody wanted, they would have been aborted by a cruel, bigoted, and senseless law. They would never have been born. This thought I cannot bear. What was it like, in the Dark Ages when abortion was a crime, for the girl whose dad couldn’t borrow cash, as my dad could? What was it like for the girl who couldn’t even tell her dad, because he would go crazy with shame and rage? Who couldn’t tell her mother? Who had to go alone to that filthy room and put herself body and soul into the hands of a professional criminal? – because that is what every doctor who did an abortion was, whether he was an extortionist or an idealist. You know what it was like for her. You know and I know; that is why we are here. We are not going back to the Dark Ages. We are not going to let anybody in this country have that kind of power over any girl or woman. There are great powers, outside the government and in it, trying to legislate the return of darkness. We are not great powers. But we are the light. Nobody can put us out. May all of you shine very bright and steady, today and always.
”
”
Ursula K. Le Guin
“
Is It possible to live in such a world where everyone does what he pleases? No one is punished by God or man and no one has to earn a living? Are there such women who follow every whim? Men such foolish weaklings, who succumb to every little desire, every little dream of happiness? Where are the honest husbands who work to earn their bread, who think of the best ways to protect their children from fate and the cruel world? Where are the people who understand a piece of cheese, a glass of wine, a warm house at the end of the day is reward enough? Who are these people who yearn for some mysterious happiness? What an uproar they make of life, what tragedies they brew up out of nothing.
”
”
Mario Puzo (The Last Don (The Godfather))
“
Jasu offers a weak smile to the taunting men, but Kavita sees the pain in his eyes. She sees the injured pride, the shame, the disappointment she knows he feels. In this moment, witnessing him in his messy, helpless state, Kavita feels her anger and fear washed away by sorrow. All this time, Jasu has had only one goal above all else, to provide for his family. And over the last twenty years, it seems as if God has been dreaming up one cruel complication after another to keep him from even this modest goal. The poor harvests back in Dahanu, the illusive dhaba-wallah job, the bicycle factory raid, the moneylender, and now his broken hand, dangling limply at his side as he tries to stand. Kavita rushes over to help him. “Come, Jasu-ji,” she says, using the respectful term of address for her husband. “You wanted me to tell you when dinner was ready. I’ve made all your favorites—bhindi masala, khadi, laddoo.
”
”
Shilpi Somaya Gowda (Secret Daughter)
“
We claim we are not emotional, yet we are so sensitive that a vicious word from a cruel woman can leave the most manly of us impotent! A cutting statement can undermine the strength, vigor, and vitality of even the strongest of men. Most women greatly underestimate the power of their words to magnify or crush their husbands’ strength.
”
”
T.D. Jakes (T.D. Jakes Speaks to Men, 3-in-1)
“
I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
John's explosion left Abigail in a quandary. Priding herself on being a good wife, she cheerfully accepted that her main role was to soothe the cares of her adored if sometimes baffling spouse. Being a wife required at least the appearance of submission. On the other hand, it would be cruel to abandon a husband altogether to his follies when it was so easy to correct him with a little tact.
”
”
Diane Jacobs (Dear Abigail: The Intimate Lives and Revolutionary Ideas of Abigail Adams and Her Two Remarkable Sisters)
“
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.”
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back.
“As charming as you are, how can that be?” I say.
He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.”
Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask.
“Well, there was you,” the prince says. “When we were children.”
“Me?” I ask incredulously.
“You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.”
I cannot help snorting over the sheer absurdity of his statement.
He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women.
He cannot expect me to believe he had real feelings. “Stop with your games.”
“Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.”
“You do like cruel women,” I say.
“Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show.
I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words.
“That resulted in my accidentally killing a person she liked better than me.”
“Oh,” I say. “That is three levels of unfortunate.”
“Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.”
The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?”
“Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.”
“Surely,” I say, wondering if he was. Wondering if I wanted him to be.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
When I was first at court and he was the young husband of a beautiful wife, he was a golden king. They called him the handsomest prince in Christendom, and that was not flattery. Mary Boleyn was in love with him, Anne was in love with him, I was in love with him. There was not one girl at court, nor one girl in the country, who could resist him. Then he turned against his wife, Queen Katherine, a good woman, and Anne taught him how to be cruel.
”
”
Philippa Gregory (The Boleyn Inheritance (The Plantagenet and Tudor Novels, #10))
“
In recent years I had begun to be interested in fashion. But sometimes—especially when I had dressed not only to make a good impression in general but for a man—preparing myself (this was the word) seemed to me to have something ridiculous about it. All that struggle, all that time spent camouflaging myself when I could be doing something else. The colors that suited me, the ones that didn’t, the styles that made me look thinner, those that made me fatter, the cut that flattered me, the one that didn’t. A lengthy, costly preparation. Reducing myself to a table set for the sexual appetite of the male, to a well-cooked dish to make his mouth water. And then the anguish of not succeeding, of not seeming pretty, of not managing to conceal with skill the vulgarity of the flesh with its moods and odors and imperfections.
But I had done it. I had done it also for Nino, recently. I had wanted to show him that I was different. But now, enough. He had brought his wife and it seemed to me a mean thing. I hated competing in looks with another woman, especially under the gaze of a man, and I suffered at the thought of finding myself in the same place with the beautiful girl I had seen in the photograph, it made me sick to my stomach. She would size me up, study every detail with the pride of a woman of Via Tasso taught since birth to attend to her body; then, at the end of the evening, alone with her husband, she would criticize me with cruel lucidity.
”
”
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
“
In one well-known case, a woman named Martha Robinson was for years beaten and physically misused by a cruel and unstable husband. Eventually, he infected her with gonorrhea and then poisoned her almost to the point of death by slipping antivenereal powders into her food without her knowledge. Her health and spirit broken, she sued for divorce. The judge listened carefully to the arguments, then dismissed the case and sent Mrs. Robinson home with instructions to try to be more patient.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
somebody had taken an old disk of McCartney and the Wings - as in the historical Beatles's McCartney - taken and run it through a Kurtzweil remixer and removed every track on the songs except the tracks of poor old Mrs. Linda McCartney singing backup and playing tambourine.
...
Poor old Mrs. Linda McCartney just fucking could not sing, and having her shaky off-key little voice flushed from the cover of the whole slick multitrack corporate sound and pumped up to solo was to Gately unspeakably depressing - her voice sounding so lost, trying to hide and bury itself inside the pro backups' voices; Gately imagined Mrs. Linda McCartney - in his Staff room's wall's picture a kind of craggy-face blonde - imagined her standing there lost in the sea of her husband's pro noise, feeling low esteem and whispering off-key, not knowing quite when to shake her tambourine: C's depressing CD was past cruel, it was somehow sadistic-seeming, like drilling a peephole in the wall of a handicapped bathroom.
”
”
David Foster Wallace (Infinite Jest)
“
I forgot the maid who works in my P.G. and struggles to make money, every day, who is in fear that one day her cruel husband will find her out eventually and beat her and her son to death.
I forgot that auto driver I met on my way to M.G. road metro station, and who wanted to be in the army but gave up study due to the financial crisis.
I forgot that security guard I met at IIT Delhi, and who was forced to leave the study and marry at the age of 15.
I forgot those little kids I generally encounter at Railway stations and trains selling packets of pens @ Rs.25 per packet.
I forgot that 75 years old ricksha wala I met in sector 23 market with only one eye and high power lens
I forgot that washroom cleaning staff at my office who always welcomes me with a broad smile.
I forgot the dead body of that martyred soldier I saw at the Kashmir airport, laden with garlands of marigold and people shouting," jawan amar rahe!"
I forgot the scream of that pig near my office when a thick rope was brutally tied in its nose and it was forcefully taken by some people on a bike.
I almost forgot everything!
”
”
sangeeta mann
“
I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds.”
Guffaws erupted from the floor to the rafters. Elizabeth waited until they were finished before she leaned forward and said in a proud, confiding tone, “My husband often says that emeralds match my eyes. Isn’t that sweet?”
Sutherland was beginning to grind his teeth, Elizabeth noted. Afraid to look at Ian, she cast a quick glance at Peterson Delham and saw him watching her alertly with something that might well have been admiration.
“So!” Sutherland boomed in a voice that was nearly a rant. “We are now supposed to believe that you weren’t really afraid of your husband?”
“Of course I was. Didn’t I just explain how very cruel he can be?” she asked with another vacuous look. “Naturally, when Bobby showed me his back I couldn’t help thinking that a man who would threaten to cut off his wife’s allowance would be capable of anything-“
Loud guffaws lasted much longer this time, and even after they died down, Elizabeth noticed derisive grins where before there had been condemnation and disbelief. “And,” Sutherland boomed, when he could be heard again, “we are also supposed to believe that you ran off with a man you claim is your brother and have been cozily in England somewhere-“
Elizabeth nodded emphatically and helpfully provided, “In Helmshead-it is the sweetest village by the sea. I was having a very pleas-very practical time until I read the paper and realized my husband was on trial. Bobby didn’t think I should come back at all, because he was still provoked about being put on one of my husband’s ships. But I thought I ought.”
“And what,” Sutherland gritted, “do you claim is the reason you decided you ought?”
“I didn’t think Lord Thornton would like being hanged-“ More mirth exploded through the House, and Elizabeth had to wait for a full minute before she could continue. “And so I gave Bobby my money, and he went on to have his own agreeable life, as I said earlier.”
“Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?”
“I believe,” Elizabeth said, “it means to tell a lie in a place like this.”
“Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?”
“It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?”
Shouts of laughter shook the chandeliers that hung from the vaulted ceilings.
“No, you would not!”
“Then I’m certainly happy I haven’t lied.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What’s the point?” “Who can know?” answered Merrin. “Who can really hope to know? And yet I think the demon’s target is not the possessed; it is us … the observers … every person in this house. And I think—I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial, vile and putrescent; without dignity; ugly; unworthy. And there lies the heart of it, perhaps: in unworthiness. For I think belief in God is not a matter of reason at all; I think it finally is a matter of love: of accepting the possibility that God could ever love us.” Merrin paused, then continued more slowly and with an air of introspection: “Again, who really knows. But it is clear—at least to me—that the demon knows where to strike. Oh, yes, he knows. Long ago I despaired of ever loving my neighbor. Certain people … repelled me. And so how could I love them? I thought. It tormented me, Damien; it led me to despair of myself and from that, very soon, to despair of my God. My faith was shattered.” Surprised, Karras turned and looked at Merrin with interest. “And what happened?” he asked. “Ah, well … at last I realized that God would never ask of me that which I know to be psychologically impossible; that the love which He asked was in my will and not meant to be felt as emotion. No. Not at all. He was asking that I act with love; that I do unto others; and that I should do it unto those who repelled me, I believe, was a greater act of love than any other.” Merrin lowered his head and spoke even more softly. “I know that all of this must seem very obvious to you, Damien. I know. But at the time I could not see it. Strange blindness. How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
Hallmarks of Wife Abandonment Syndrome 1 Prior to the separation, the husband had seemed to be an attentive, emotionally engaged spouse, looked upon by his wife as honest and trustworthy. 2 The husband had never said that he was unhappy or thinking of leaving the marriage, and the wife believed herself to be in a secure relationship. 3 The husband typically blurts out the news that the marriage is over out-of-the-blue in the middle of a mundane domestic conversation. 4 Reasons given for his decision are nonsensical, exaggerated, trivial or fraudulent. 5 By the time the husband reveals his intentions to his wife, the end of the marriage is already a fait accompli, and he often moves out quickly. 6 The husband’s behavior changes radically, so much so that it seems to his wife that he has become a cruel and vindictive stranger. 7 The husband shows no remorse; rather, he blames his wife and may describe himself as the victim. 8 In almost all cases, the husband had been having an affair. He typically moves in with his girlfriend. 9 The husband makes no attempt to help his wife, either financially or emotionally, as if all positive regard for her has been suddenly extinguished. 10 Systematically devaluing his wife and the marriage, the husband denies what he had previously described as positive aspects of the couple’s joint history.
”
”
Vikki Stark (Runaway Husbands: The Abandoned Wife's Guide to Recovery and Renewal)
“
Zachary had never accepted defeat before. He'd tolerated it in small doses, perhaps, always knowing that in the larger scheme of things, he would have what he wanted. But he'd never been truly vanquished, never known a real loss. Until this, the biggest loss of all. It made him feel vicious and a bit crazed. He wanted to kill someone. He wanted to weep. Most of all he wanted to laugh at himself for being a big sodding fool. In the nonsensical stories that Holly read aloud some evenings about Greeks and their amorous, carelessly cruel gods, mortals were always punished for reaching too high. Hubris, Holly had once explained. Too much prideful ambition. Zachary knew he had been guilty of hubris, and now he was paying the price. He should never have let himself want a woman who was clearly not meant for him. What tormented him the most was the suspicion that he might actually still be able to obtain her, if he bullied and tormented and bribed her into it. But he wouldn't do that to her, or to himself. He wanted her to love him as willingly and joyously as she had loved George. The very idea would have made most people laugh. It even amused him. What must Holly think when she compared him to her saintly husband? Zachary was a scoundrel, an opportunist, a rough-mannered scavenger—the definitive opposite of a gentleman. Clearly Ravenhill was the right choice, the only choice, if she wanted a life similar to the one she'd had with George.
”
”
Lisa Kleypas (Where Dreams Begin)
“
He shook his head. “This is more honest.” “Henching never struck me as honest work.” He pointed a thick finger at me. “More honest than anything out there. I used to play at being a hero too, just not with a fucking cape. We were supposed to be noble, but we were just as cruel, corrupt, and selfish as anyone else. You just have to hide it, pretend everyone’s doing good.” “With henching, you know where you stand,” I allowed. “Exactly. You own the cruelty, the scheming; it’s all on the surface. No one wants to be a real hero; it’s too hard. My husband didn’t give a damn whether the work I was doing was noble as long as it appeared to be. When I killed someone then—something I did a lot more than I do now—it was for the greater good. It was such bullshit. So the second the pretense was gone, so was he. I didn’t need that.
”
”
Natalie Zina Walschots (Hench (Hench, #1))
“
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness.
...
And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing!
Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone.
Only the Oinokha remains herself for all time--that is her sacrifice for us.
There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel.
Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
”
”
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
“
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“
“No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told.
“No further questions!”
“Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.”
Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?”
“Yes, I do,” Elizabeth emphatically declared.
“My dear, poor woman, could you tell us-all of us-some examples of his cruelty?”
“Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst.
“Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?”
“Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.”
“You were afraid he would beat you for it?”
“No, I was afraid he wouldn’t give me more until next quarter!”
Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.”
“And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?”
“Yes, I believe it was!”
“Why were you weeping, Lady Thornton?”
The galleries tipped further toward her.
“I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed.
Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
January 1787 On the day we arrived at Condorcet’s residence, I admired a portrait in the hall, my fingers itching to reproduce it in a sketch. “Who is this darling little girl? A relation of yours?” Unexpectedly, the question made my new husband cringe. “In a way.” His reaction made my stomach knot. Was this a bastard daughter? Given our arrangement, it wasn’t my right to know, but my voice was sharp. “In what way?” He glanced at me warily. “My mother was a good woman. A loving mother . . . but she kept me in dresses almost until the age of eight. Years after other boys were breeched and began to attend school. That portrait is not a girl. It’s me. You can, perhaps, easily imagine the cruel laughter and mockery of other boys that I endured.” Sensing a lingering pain, I took the liberty of reaching for his hand. “We should be rid of this portrait if it humiliates you.” “No, it educates me,” he said, squeezing my fingers. “That’s a good thing. The experience taught me the
”
”
Kate Quinn (Ribbons of Scarlet)
“
longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
”
”
Charles Dickens (A Tale of Two Cities)
“
We were happy and powerful. But the Europeans came to our country; it was from them that I learned the accomplishments which you appeared to be surprised at my possessing. Our principal acquaintance among the Europeans was a Spanish captain; he promised my father territories far greater than those he now ruled over, treasure, and white women. My father believed him, and gathering his family together, followed him. Brother, he sold us as slaves!” The breast of the negro rose and fell, as he strove to restrain himself; his eyes shot forth sparks of fire; and without seeming to know what he did, he broke in his powerful grasp a fancy medlar-tree that stood beside him. “The master of Kakongo in his turn had a master, and his son toiled as a slave in the furrows of St. Domingo. They tore the young lion from his father that they might the more easily tame him; they separated the wife from the husband, and the little children from the mother who nursed them, and from the father who used to bathe them in the torrents of their native land. In their place they found cruel masters and a sleeping place shared with the dogs!
”
”
Victor Hugo (Complete Works of Victor Hugo)
“
O that today you would hearken to his voice! —Psalm 95:7 (RSV) MARIA, INSPIRATION BEHIND HOLY ANGELS HOME Maria was nine in 1965 when I first wrote about her, a bright, little girl with an impish smile. Born hydrocephalic, without legs, a “vegetable” who could not survive, she’d dumbfounded experts and become the inspiration behind a home for infants with multiple handicaps. Now I was back at Holy Angels in North Carolina to celebrate Maria’s fiftieth birthday. I had to trot to keep up with Maria’s motorized wheelchair through a maze of new buildings, home now for adults as well as infants. At each stop, Maria introduced me to staff and volunteers who simply exuded joy. And yet the people they were caring for had such cruel limitations! How could everyone seem so happy, I asked, working day after day with people who’ll never speak, never hold a spoon, never sit up alone? “None of us would be happy,” Maria said, “if we looked way off into the future like that.” Here, she explained, they looked for what God was doing in each life, just that one day. “That’s where God is for all of us, you know. Just in what’s happening right now.” How intently one would learn to look, I thought, to spot the little victories. In my life too…. What if I memorized just the first stanza of Millay’s “Renascence”? What if I understood just one more function on my iPhone? What if just one morning I didn’t comment about my husband’s snoring? “Thank you, Maria,” I said as we hugged good-bye, “for showing me the God of the little victories.” Through what small victory, Father, will You show me Yourself today? —Elizabeth Sherrill Digging Deeper: Ps 118:24; Mt 6:34
”
”
Guideposts (Daily Guideposts 2014)
“
Adeline is Battered & Threatened
Not knowing the title of this bureaucrat, I addressed him incorrectly as Meine Herrschaften. With this silly fabricated title, I simply tried to explain to him that the corporal was a brave Frontsoldat. My efforts were in vain since he was intent on finding out the corporal’s name, and my stalling only made matters worse. “What’s his name?” he shouted again and again, this time hitting my breasts and punching me in the stomach, which caused me to vomit all over the floor. It didn’t matter to him that my husband was a German soldier fighting for das Vaterland. He continued to beat me and threatened to put me into the terrible prison camp at Schirmeck. Having passed by there recently, the crying and moaning sounds from inside the gates of this prison were still very vivid in my mind. He reached for his telephone and said, “With one call you’ll be there if you don’t answer me!” “Please, I won’t be able to live with myself if I’m the cause of an innocent person’s death,” I sobbed. I remember him saying, “I remember you! You’re the woman from Bischoffsheim who helped with the kindergarten class and did the art work there. You have two little girls, don’t you?” How could this man know so much about me? He continued his threats by saying that he would beat my little girls at 3 o’clock every afternoon in the Village center, until I gave him the names he wanted. I formed a mental image of this cruel act, however in spite of this, I firmly told him that I would never talk and that the only Etappenhase was the man standing in front of me. The last thing I can remember was him using the telephone to hit me. His last blow struck me above my right eye…. With this I fell down into my own vomit and lost consciousness!
”
”
Hank Bracker
“
Poor Zélie! It was much her wont to declare about this time, that she was tired to death of a life of seclusion and labour; that she longed to have the means and leisure for relaxation; to have some one to work for her—a husband who would pay her debts (she was woefully encumbered with debt), supply her wardrobe, and leave her at liberty, as she said, to “goûter un peu les plaisirs.” It had long been rumoured, that her eye was upon M. Emanuel. Monsieur Emanuel’s eye was certainly often upon her. He would sit and watch her perseveringly for minutes together. I have seen him give her a quarter-of-an-hour’s gaze, while the class was silently composing, and he sat throned on his estrade, unoccupied. Conscious always of this basilisk attention, she would writhe under it, half-flattered, half-puzzled, and Monsieur would follow her sensations, sometimes looking appallingly acute; for in some cases, he had the terrible unerring penetration of instinct, and pierced in its hiding-place the last lurking thought of the heart, and discerned under florid veilings the bare; barren places of the spirit: yes, and its perverted tendencies, and its hidden false curves—all that men and women would not have known—the twisted spine, the malformed limb that was born with them, and far worse, the stain or disfigurement they have perhaps brought on themselves. No calamity so accursed but M. Emanuel could pity and forgive, if it were acknowledged candidly; but where his questioning eyes met dishonest denial—where his ruthless researches found deceitful concealment—oh, then, he could be cruel, and I thought wicked! he would exultantly snatch the screen from poor shrinking wretches, passionately hurry them to the summit of the mount of exposure, and there show them all naked, all false—poor living lies—the spawn of that horrid Truth which cannot be looked on unveiled. He thought he did justice; for my part I doubt whether man has a right to do such justice on man: more than once in these his visitations, I have felt compelled to give tears to his victims, and not spared ire and keen reproach to himself. He deserved it; but it was difficult to shake him in his firm conviction that the work was righteous and needed.
”
”
Charlotte Brontë (Villette)
“
She thinks no one would ever marry ‘a reckless society miss’ and a ‘troublemaker.’”
He winced to hear his own words thrown back at him. Celia was all that…and so much more. Not that he dared tell her. Bad enough that he’d revealed too much of how he felt yesterday. For now, she could chalk it up to mere desire. If he started paying her compliments, she might guess how far his feelings went, and that wouldn’t do.
So he tempered his remarks. “Your grandmother is merely worried that you will waste yourself on some man who doesn’t deserve you.” Like a bastard Bow Street Runner. “I suspect that if you tell her you’re going to marry the duke, she won’t be a bit surprised. And she certainly won’t agree to rescind the ultimatum, now that she’s finally achieved what she wanted.”
“Yes, I’ve come to that conclusion myself. And besides…well…it wouldn’t be fair to involve him in such a plot behind his back when he’s a genuinely nice man offering marriage. If word got out that he had offered and I’d accepted, only to turn him down, people would assume I’d done it because of the madness in his family. That would just be cruel.”
Now that Jackson knew she wasn’t actually going to marry the duke, he could be open-minded. “It certainly wouldn’t be kind,” he agreed. “But I’d be more worried that if word got out, you’d be painted as the worst sort of jilt.”
She shrugged that off. “I wouldn’t care, as long as it freed me from Gran’s ultimatum.”
It took him a moment to digest that. “So you lied when you said at our first discussion of your suitors that you had an interest in marriage?”
“Of course I didn’t lie.” Her cheeks pinkened again. “But I want to marry for love, and not because Gran has decided I’m taking too long at it. I want my husband to genuinely care for me.” Her voice shook a little. “And not just my fortune.” She cut him a sidelong glance. “Or my connections.”
He stiffened in the saddle. “I understand.” Oh yes, he understood all right. Any overtures he made would be construed as mercenary. Her grandmother had made sure of that by telling her of his aspirations.
Not that it mattered. If he married her, he risked watching her lose everything. A Chief Magistrate made quite a lofty sum for someone of Jackson’s station, but for someone of hers?
It was nothing. Less than nothing.
“So what do you plan to do?” he asked. “About your grandmother’s ultimatum, I mean.”
She shook her head. “If presenting her with an offer and begging her forbearance didn’t work, my original plan was just to marry whichever of the three gentlemen had offered.”
“And now?”
“I can’t bring myself to do it.”
He stopped clenching the reins. “Well, that’s something then.”
“So I find myself back where I started. I suppose I shall have to drum up some more suitors.” She slanted a glance at him. “Any ideas?
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
The tears gathered and stood without overflowing the red sockets.
Ah! if I were rich still, if I had kept my money, if I had not given all to them, they would be with me now; they would fawn on me and cover my cheeks with their kisses! I should be living in a great mansion; I should have grand apartments and servants and a fire in my room; and they would be about me all in tears, and their husbands and their children. I should have had all that; now--I have nothing. Money brings everything to you; even your daughters. My money. Oh! where is my money? If I had plenty of money to leave behind me, they would nurse me and tend me; I should hear their voices, I should see their faces. Ah, God! who knows? They both of them have hearts of stone. I loved them too much; it was not likely that they should love me. A father ought always to be rich; he ought to keep his children well in hand, like unruly horses. I have gone down on my knees to them. Wretches! this is the crowning act that brings the last ten years to a proper close. If you but knew how much they made of me just after they were married. (Oh! this is cruel torture!) I had just given them each eight hundred thousand francs; they were bound to be civil to me after that, and their husbands too were civil. I used to go to their houses: it was 'My kind father' here, 'My dear father' there. There was always a place for me at their tables. I used to dine with their husbands now and then, and they were very respectful to me. I was still worth something, they thought. How should they know? I had not said anything about my affairs. It is worth while to be civil to a man who has given his daughters eight hundred thousand francs apiece; and they showed me every attention then--but it was all for my money. Grand people are not great. I found that out by experience! I went to the theatre with them in their carriage; I might stay as long as I cared to stay at their evening parties. In fact, they acknowledged me their father; publicly they owned that they were my daughters. But I was always a shrewd one, you see, and nothing was lost upon me. Everything went straight to the mark and pierced my heart. I saw quite well that it was all sham and pretence, but there is no help for such things as these. I felt less at my ease at their dinner-table than I did downstairs here. I had nothing to say for myself. So these grand folks would ask in my son-in-law's ear, 'Who may that gentleman be?'-- 'The father-in-law with the money bags; he is very rich.'--'The devil, he is!' they would say, and look again at me with the respect due to my money. Well, if I was in the way sometimes, I paid dearly for my mistakes. And besides, who is perfect? (My head is one sore!) Dear Monsieur Eugene, I am suffering so now, that a man might die of the pain; but it is nothing to be compared with the pain I endured when Anastasie made me feel, for the first time, that I had said something stupid. She looked at me, and that glance of hers opened all my veins. I used to want to know everything, to be learned; and one thing I did learn thoroughly --I knew that I was not wanted here on earth.
”
”
Honoré de Balzac (Père Goriot)
“
But the bed I made up for myself was sufficiently uncomfortable to give me a wakeful night, and I thought a good deal of what the unlucky Dutchman had told me.I was not so much puzzled by Blanche Stroeve’s action, for I saw in that merely the result of a physical appeal. I do not suppose she had ever really cared for her husband, and what I had taken for love was no more than the feminine response to caresses and comfort which in the minds of most women passes for it. It is a passive feeling capable of being roused for any object, as the vine can grow on any tree; and the wisdom of the world recognizes its strength when it urges a girl to marry the man who wants her with the assurance that love will follow. It is an emotion made up of the satisfaction in security, pride of property, the pleasure of being desired, the gratification of a household, and it is only by an amiable vanity that women ascribe to its spiritual value. It is an emotion which is defenceless against passion. I suspected that Blanche Stroeve's violent dislike of Strickland had in it from the beginning a vague element of sexual attraction. Who am I that I should seek to unravel the mysterious intricacies of sex? Perhaps Stroeve's passion excited without satisfying that part of her nature, and she hated Strickland because she felt in him the power to give her what she needed.I think she was quite sincere when she struggled against her husband's desire to bring him into the studio; I think she was frightened of him, though she knew not why; and I remembered how she had foreseen disaster. I think in some curious way the horror which she felt for him was a transference of the horror which she felt for herself because he so strangely troubled her. His appearance was wild and uncouth; there was aloofiness in his eyes and sensuality in his mouth; he was big and strong; he gave the impression of untamed passion; and perhaps she felt in him, too, that sinister element which had made me think of those wild beings of the world's early history when matter, retaining its early connection with the earth, seemed to possess yet a spirit of its own. lf he affected her at all. it was
inevitable that she should love or hate him. She hated him.
And then I fancy that the daily intimacy with the sick man moved her strangely. She raised his head to give him food, and it was heavy against her hand; when she had fed him she wiped his sensual mouth and his red beard.She washed his limbs; they were covered with thick hair; and when she dried his hands, even in his weakness they were strong and sinewy. His fingers were long; they were the capable, fashioning fingers of the artist; and I know not what troubling thoughts they excited in her. He slept very quietly, without movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot breath on her neck; and still she fled silently. and silently he pursued, and when at last he seized her was it terror that thrilled her heart or was it ecstasy?
Blanche Stroeve was in the cruel grip of appetite. Perhaps she hated Strickland still, but she hungered for him, and everything that had made up her life till then became of no account. She ceased to be a woman, complex, kind, and petulant, considerate and thoughtless; she was a Maenad. She was desire.
”
”
W. Somerset Maugham
“
I wanted to apologize.”
His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?”
“For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.”
A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.”
“Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?”
“We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would.
Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.”
Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.”
She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.”
Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing?
She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?”
He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride.
Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.”
Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?”
She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.”
“You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source."
Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-"
"You think I'm hiding?" A vein in his temple throbbed.
Innocent confusion met his gaze. "Aren't you?"
"I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years."
She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?"
Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head."
"Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop.
Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there.
Ahab turned.
"Starbuck!"
"Sir."
"Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!”
“Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home!
But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil.
“What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I find it ironic that my father should die this way. He was so safety-conscious that everything he built was two or three times stronger than necessary. We joked that his carnival rides were likely to sink through to China if a heavy rain ever hit. And everything he built was grounded, vented, and had backup systems.
On the other hand, my father was so obsessed with Oak Island that I had remarked to my husband as we left the island three years earlier that the only way my father would ever leave Oak Island was “feet first.” I had meant that he would find one way or another to hang on and keep trying until he died from old age. I certainly did not mean this.
Karl Graeser was a fine man with a wife and two daughters who deeply loved him. he was a successful businessman who was enthusiastic, adventuresome, and always ready to lend a hand. A terrible loss.
And Cyril Hiltz. He was no treasure hunter. He didn’t sign on to risk his life. He came to the island that day only to earn a few dollars. But when that crucial moment came, he rushed in to help the others. He was only 16 years old. His loss is especially cruel.
My father, Robert Ernest Restall, had lived a rich and varied life--the life he wanted. He was 60 years old. Not nearly enough time, but they were 60 good years.
My brother Bobby, Robert Keith Restall, is another matter. Twenty-four is too young to die. Bobby was smart and funny and always upbeat. He never had a chance. My brother deserved better than this.
But, of course, they all did.
”
”
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
“
A friend who had divorced her husband because he had cheated on her, had surprised Yeong-sin by confiding that she had felt liberated when she found out about her husband's affair. It stunned Yeong-sin, because she knew that her friend was being completely truthful. And Yeong-sin shuddered to realize how the unvarnished truth could make a mockery of the reassuring latitude that people marry because they're in love. It was a platitude that most people, including herself, wanted to believe. Once the truth is revealed, it is impossible to go back to the world as it had been before. That's because we have changed in light of the truth, but the world has not. If the truth is discomfiting or cruel, that's because only we are changed by it. Before we know the truth, we tremble in fear of it; after we know the truth we shiver with regret. Platitudes are the lies that we tell in order to escape fear or regret. On the one hand Yeong-sin hoped her boy-friend would propose to her, but on the other hand she was afraid he would.
”
”
Kim Gyeong-uk (God Has No Grandchildren (Library of Korean Literature))
“
The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.
”
”
R.D. Rosen (Such Good Girls: The Journey of the Holocaust's Hidden Child Survivors)
“
First Lady Eleanor Roosevelt was heard often on radio beginning soon after her husband’s inauguration in 1932. To stem inevitable criticism, all fees from her commercial broadcasts were donated to charity. Her shows were often behindscenes color pieces: on one 1937 Blue Network Pond’s Cream broadcast, her topic was “White Housekeeping,” a discussion of life in the White House, with recipes. Her early talks were given in a hesitant, nervous voice, leading to widespread mimicry and even cruel ridicule. “Eleanor” jokes became common at parties and in the workplace. Perhaps her best radio series came after her husband’s death, when she had attained a kind of senior stateswoman status. She was in Paris for the opening programs of Eleanor and Anna Roosevelt, and her voice was heard by transcription while her daughter, Anna Boettiger, handled the rest of the show live from California. It made instant news: Mrs. Roosevelt blasted the “Dixiecrat” wing of the Democratic Party and called upon party bosses to throw the boll weevils out. While Washington buzzed, Variety raved about her courage and cited her as one of the “standout commentators of the air.
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
Have you met him, then? Don Ernesto of Rome? Rumor has it he can be quite a handful.”
“As well as a mouthful, no doubt.” The fat woman threw her head back and cackled. “Bit of an odd one, though. He likes his women cold.”
“I could be cold,” Hortensa said. She looked around the group, as if daring anyone to challenge this assertion.
“So your husband tells us.” Donna Domacetti cackled again. “But I don’t mean cold as in cruel, Hortensa. I mean physically cold. Apparently he makes his favorite courtesan bathe in ice water before he lies with her.”
“How unusual,” the dark-haired woman murmured. Cass had already forgotten her name. Isabella? No, Isabetta. “Does he not have to worry about the cold affecting his…size?” Isabetta asked.
Cass almost choked on her tea. Her face turned bright red. This wasn’t what she imagined socializing with Donna Domacetti’s circle would be like. What if Agnese had come with her? Surely they wouldn’t have spoken so crassly in front of her aunt.
Donna Domacetti chuckled. “Careful, ladies. An innocent sits among us.”
Cass forced her lips into a small, closed-mouth smile. She wondered what these women would think of her if they knew of her trysts with Falco. Cass thought of the moment they had shared only last night. What might have happened if the world were only her and Falco, if he could have laid her back on one of her aunt’s marble benches and kissed her until sunrise?
“It’s hard to imagine the niece of Agnese Querini being too innocent,” Isabetta said. She sipped her tea and then set the pale pink cup back on its saucer, a smear of blood-red lip stain marring the golden rim.
Cass raised an eyebrow at the dark-haired woman. “What does that mean?”
Donna Domacetti rubbed her chins with the back of her hand. “Nothing, my dear. Simply that your aunt is very wise in the ways of the world.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
I immediately packed up Bindi and went to catch the next plane home. The family was in free fall. Steve was in shock, and Bob was even worse off. Lyn had always acted as the matriarch, the one who kept everything together. She was such a strong figure, a leader. Her death didn’t seem real.
I sat on that plane and looked down at Bindi. Life is changed forever now, I thought. As we arrived home, I didn’t know what to expect. I had never dealt with grief like this before. Lyn was only in her fifties, and it seemed cruel to have her life cut short, as she was on the brink of a dream she had held in her heart forever. These were going to be her golden years. She and Bob could embark on the life they had worked so hard to achieve. They would be together, near their family, where they could take care of the land and enjoy the wildlife they loved.
I couldn’t imagine what Steve, his dad, and his sisters were going through. My heart was broken. Bindi’s gran was gone just when they had most looked forward to spending time together. The aftermath of Lyn’s death was every bit as awful as I could have imagined. Steve was absolutely inconsolable, and Bob was very obviously unable to cope. Joy and Mandy were trying to keep things together, but they were distraught and heartbroken. Everyone at the zoo was somber. I felt I needed to do something, yet I felt helpless, sad, and lost.
Steve’s younger sister Mandy performed the mournful task of sifting through the smashed items from the truck. One of the objects Lyn had packed was Bob’s teapot. There was nothing Bob enjoyed more than a cup of tea. As Mandy went to wash out the teapot, she noticed movement. Inside was Sharon, the bird-eating spider, the sole survivor of the accident. Although her tank had been smashed to bits, she had managed to crawl into the teapot to hide.
After the funeral, time appeared to slow down and then stop entirely. Steve talked about moving out to Ironback Station. He couldn’t seem to order his thoughts. He no longer saw a reason for going on with all the projects on which we had worked so hard. Bindi was upset but didn’t have the understanding to know why. She was too young to get her head around what had happened. She simply cried when she saw her daddy crying.
It would be a long time before life returned to anything like normalcy. Lyn’s death was something that Steve would never truly overcome. His connection with his mum, like that of so many mothers and sons, was unusually close. Lyn Irwin was a pioneer in wildlife rehabilitation work. She had given her son a great legacy, and eventually that gift would win out over death. But in the wake of her accident, all we could see was loss.
Steve headed out into the bush alone, with just Sui and his swag. He reverted to his youth, to his solitary formative years. But grief trailed him. My heart broke for my husband. I was not sure he would ever find his way back.
”
”
Terri Irwin (Steve & Me)
“
Do you want to meet Katherine?” he asked. She lived in Cambridge, her husband a wealthy man. Apparently my father was still chasing the dream of marrying rich, even while being very much married. They’d met at school. Sound familiar? I remember thinking how cruel my grandparents were to judge my father so harshly. But now that I’m an adult, well—I can see that they had their points. Back then, all I knew was that Katherine smelled nice and that she wasn’t crying, and that she gave me Oreos and cold milk and played basketball with me. Her house was big, and there were no bugs in it, at least not that I saw. She showed me her new child, a baby, and I held him.
”
”
Isaac Fitzgerald (Dirtbag, Massachusetts: A Confessional)
“
A lady who fails to find a husband is a charity case for life,” I said. “One who marries well is fixed for life, and one who marries a cruel man is doomed for life.
”
”
Grace Burrowes (Lady Violet Goes for a Gallop (The Lady Violet Mysteries, #6))
“
Wives clearly are not to be trusted. A husband must even go so far as to withhold or hide his affection for his wife, because that gives her too much “power.” What a sad thing that is, to deprive a woman you love of even the knowledge that you love her.
”
”
Nonie Darwish (Cruel and Usual Punishment: The Terrifying Global Implications of Islamic Law)
“
Never had my husband’s eyes been left so unguarded, so naked to me. A tear slipped down my cheek. I did love him. Perhaps it was not the smoldering, desperate sort of love I felt for Maelgwn, but wasn’t this love, this feeling of warmth overcoming me? Perhaps love was made up of more than just passion. Rhydderch offered me kindness and constancy. Loyalty. His heart. And passion was a cruel master—I had learned as much so far. I reached for his hand.
”
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Signe Pike (The Lost Queen (The Lost Queen Trilogy, #1))
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Om
“
Think of your life as a boat on the stormy seas. The boat represents all that you think will keep you safe from death by drowning. Dark skies block out the sun, winds tear at your face, angry waves rise to sweep you off your treasured boat and send you into a deep, watery grave. And so you cringe in fear as you cling to the boat that you believe will save you from suffering. But Yeshua is at peace. How can He be at rest in the midst of such a terrible threat? When you cry out in fear, He rises and looks out at that storm, totally unconcerned. Why are you afraid? He asks. Has He gone mad? Does He not see the reason to fear? Does He not see the cruel husband, the cancer, the terrified children, the abuse, the injustice, the empty bank account, the rejection at the hands of friends, the assault of enemies, the killing of innocents? How could He ask such a question? Unless what He sees and what you see are not the same. And what does He see instead of the storm? He sees another dimension to which this one is ultimately subject, though the two are also wholly integrated. He sees the Father, who offers no judgment nor condemnation. He sees life and love and joy and peace in an eternal union with His Father, manifesting now, on earth, in the most spectacular fashion. He sees peace in the storm. And so can we, if we only change our beliefs about what we are seeing; if we only, through faith, see as He sees. His question is still the same today. Why are you afraid, oh you of little faith? Yeshua shows us the Way to be saved from all that we think threatens us on the dark seas of our lives. Only when we, too, see what He sees can we leave the treasured boat that we think will save us and walk on the troubled waters that we thought would surely drown us. I wasn’t seeing what He saw, you see? I was seeing the storm clouds.
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Ted Dekker (Waking Up: To The Way of Love)
“
She sounds... cruel."
"There were many sides to Grace," Fiske said.
...
Beatrice leaned closer to the screen. "Grace made her own husband, Nathaniel Harford, an Outcast.
”
”
Jude Watson (Mission Titanic (The 39 Clues: Doublecross, #1))
“
Today my friend Julie let me bring her dinner. Her husband, Doug, had two very scary seizures in the last two days, and a zillion tests and scans and appointments with neurologists. They had just come home from the hospital, and they were sitting on the front porch when I drove up, and Lilly, their three-year-old, was riding her big-girl bike on the sidewalk in her pink underpants. It was ninety-four degrees today, and they were exhausted. Being with them made me think about the idea that everything is okay. That idea is cruel in its untruth. The bottom just falls out sometimes, and nobody is exempt. I can’t take away the seizures or tell Lilly that it’s never going to happen again, although I would if I could. But I can be there, and I can feed them, and I can listen to their stories, of funny things the doctors said, and the strange and infuriating things family members invariably say in tense situations. I can sit in silence in the heat and stillness of a sticky June night, knowing that everything is not okay, but that this tiny moment is.
”
”
Shauna Niequist (Savor: Living Abundantly Where You Are, As You Are (A 365-Day Devotional, plus 21 Delicious Recipes))
“
When they got back to town the hunters had returned and Mel was delighted to see no evidence of murdered wildlife in the truck beds or tied to roofs. But her elation was short-lived, because once inside the bar she learned that they had bagged two bucks, four-by-fours, both of which had already been taken to the meat processor to be butchered. “Oh,” she whined emotionally. “Who did it?” Jack looked at his feet. But he made an attempt. “I think Ricky did it.” Mel met Rick’s eyes and the boy put up two hands, palms toward her. It wasn’t him. Mel leaned against her husband and, unbelievably, started to cry. Jack shook his head, put an arm around her and led her away from the gathering, back toward the kitchen. As he did so, David was bouncing up and down on Mel’s hip, waving his arms wildly and reaching for his dad. “Melinda,” Jack said. “You knew we were going hunting. We didn’t torture the deer. We’re going to have venison.” “I hate it,” she sniveled. “I know you hate it, but it’s not a cruel thing. It’s probably more humane than the way cattle are slaughtered.” “Don’t try to make me feel better about this.” “Jesus, I wouldn’t dare,” he said. “What’s wrong with you?” “I don’t know,” she whimpered. “I’m weepy.” “No shit. Here, let me have him. He’s out of his mind.” “Sugar,” she said. “I should go nurse him.” “He’s going to be riding his bike up to the breast before long.” “He doesn’t want to give it up.” “Understandable. But you’re worn out. Maybe you should go home and go to bed.” “I don’t sleep till he sleeps. And he isn’t going to sleep until he detoxes.” “All right,” Jack said, taking his son. “Go cry or wash your face or nap or something. I’ll hang on to the wild one until he calms down a little.” He kissed her forehead. “This really isn’t like you. Not even over deer.” “By the way, you smell really bad,” she said. “Thank you, my love. You smell really good. I’ll wash this off before I smell the rest of you, how’s that?” She
”
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Robyn Carr (Whispering Rock (Virgin River, #3))
“
Yeah I see,” Syn said quietly. Ro’s phone rang and he picked it up, giving Syn a couple of private minutes, which were needed because his heart was beating a mile a minute. The fates can’t be that cruel. To make the only man, no forget that; the only person that Syn had been interested in in over ten years a suspect in a murder case he was overseeing. On top of everything else, the man is married. This isn’t good. Ro disconnected his call and Syn asked him, “How soon before this one arrives?”
“He’s already here in room five. You coming?” Ro asked, taking Furious’ file from his hands.
“I’ll watch.” Syn walked beside Ro to the interrogation rooms. Then he thought better of it, and decided he needed to be honest with his men. They worked effectively together, but most of all they had each other's backs. Ro was a good man and Syn felt he could trust him. “Ro wait.”
“What’s up?”
Syn blew out a breath and scratched at the hair on top of his head, which was grown out enough that it was already starting to curl.
“Syn what’s going on?” Ro looked genuinely concerned, his vibrant blue eyes staring intently at him.
Syn looked back and forth as uniforms brushed passed them in the hall. Ro clasped a firm grip on Syn’s shoulder and ushered him into one of the vacant offices. “Talk to me man. You’re my Sarge but I consider you a friend first. That’s the way we operate. If you have a problem, then I have a fuckin’ problem, and so do twenty-one other men. But between you and me right now, what’s up?”
Syn rubbed the back of his neck and tried to ease some of the tension there. “This guy Furious.”
Ro shook his head indicating he was listening.
“I’m kind of, um … we uh … he’s my,” Syn stuttered not quite finding the right words.
“You know him and you like him,” Ro finished for him.
Syn looked Ro in the eye. “Yeah, I like him.” Syn took a deep breath. “He’s the first him that I’ve liked in a very long time.”
“I see.” Ro rubbed his hand over his cheek again. Syn knew the gesture meant Ro was thinking.
“Shit’s all fucked up now. I can’t date a goddamn suspect, a married goddamn suspect.”
“Hey whoa. We don’t know the situation with the marriage yet. The reasons I thought he could be a suspect? They might be easily explained away.”
“You’re the one said you think he’s hiding something,” Syn argued.
“Yes, I did. This guy is married, right? He leaves his husband in a way that makes the man file a missing persons on him, and then Furious changes his name, and not back to his birth name. It looks like he’s hiding from him, I just need to find out why.” Ro pulled a paper from the file. “This shows him making regular deposits to an account in a bank located in Los Angeles. The account is under a different name and has over ninety thousand dollars in it.”
“So he stole his husband’s money and hauled ass in the middle of the night. Fuckin’ great.” Syn yanked the door open, ready to charge into interrogation room five and tell Furious he could go to hell.
“Geez, hold on a minute, Sarge.” Ro grabbed his arm and pulled him back inside, slamming the door closed. “No wonder Day likes you so much. Both of you go off half-cocked all the fucking time. That money wasn’t stolen. It was life insurance proceeds from when his father died. He might’ve been hiding it from the husband. The contributions he’s been making since then have been small but frequent.”
“He’s a porn star, Ronowski! I can’t date a damn porn star! Fucking other women and probably men. What the fuck?” Syn was yelling and pacing now. He knew it wasn’t fair to yell at Ro, but he was the only one there now.
”
”
A.E. Via
“
Say your husband wants to start a business creating topiary sculptures for clients. You think the idea is bonkers, but you admire his passion, so it seems cruel to veto it. Instead, set a tripwire. Okay, dear, let’s give the topiary-sculpture business a shot, but can we agree that we won’t invest more than $10,000 of our savings in it? Alternatively, you might say: Go for it, but if you don’t have a paying customer within three months, let’s talk seriously about Plan B.
”
”
Chip Heath (Decisive: How to Make Better Choices in Life and Work)
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He was a shitty husband, a cruel and distant father, and had absolutely no empathy for other human beings.
”
”
Alafair Burke (The Ex)
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It was the season Ching Ming--clearness and brightness—when spirits returned from the netherworld, essences of all sorts abounded and filial sons journeyed home to their ancestral shrines to pay homage. The Wang widow, Siao lan, whose husband died on their wedding night, was on her third and final year of mourning. Her weeping-singing rent asunder the twilight calm, "O master, thou are cruel. O father, curse the day of my birth. Fate is a playful warlock. One day the fresh young bride, tomorrow, an empty-bowl widow.
”
”
Charlson Ong (Woman of Am-kaw and Other Stories (Contemporary Philippine Fiction))
“
I was thinking of Simon,” she told him defiantly. “There. Are you satisfied? I was thinking of the wedding day I should have had. Of the husband I would have loved.” The earl’s jaw tensed, but he did not go or fly into a rage as she had hoped he would. Instead, he remained where he was. “Love and marriage have nothing to do with each other, princess. Trust me. I have more than adequate experience in the matter. You shall be better off despising me from the start than had you married your beau. He would have only disappointed you or betrayed you, had he lived.” What a desolate view of marriage he had. “He loved me, and I loved him.” Sinclair’s lip curled. “Love is a poison.” “Like the poison your wife swallowed to escape you?” she snapped. The instant the question fled her lips, she regretted it. She was not a cruel woman; at least, she had not believed she was until this very moment. She had wanted to hurt him.
”
”
Scarlett Scott (Lady Ruthless (Notorious Ladies of London, #1))
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She had fallen in love with Dante Gallo—the husband she didn’t want and had hoped to set free. The only problem was, she no longer wished to be free. This was so cruel.
”
”
Sam Crescent (Blackmailed Marriage)
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Urmila suffered immensely, silently. Her husband left her and went with his elder brother and Sita without saying anything. He could have asked Urmila whether she wanted to accompany him to the forest, but he did not do that, and Urmila was left alone for fourteen years. Urmila’s husband was not only impolite but also cruel. He represents Indian bigotry, as he was a male chauvinist,” Ammu said.
”
”
Varghese V Devasia (Women of God’s Own Country)
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What really terrified Madeline was loving and being loved. “Love” had spelled abandonment, disappointment, and betrayal for her. She had a mother who did cruel things to her and then said, “I’m only doing this because I love you.” Her father loved her but had chosen two narcissistic psychopaths over her welfare. As Elie Wiesel says, “Silence encourages the tormentor, never the tormented.” Her husband, Joey, turned out to be a slightly more affable version of her mother.
”
”
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
“
At the same time, Kelly was finding her voice. She had always been strong, but she had put her faith in me, that I would return to her the way I had once been, and it kept her from putting me on trial. But with her twenties in the rearview, she had a right to know if I was ever going to step up and be the husband she deserved. I wasn’t ready to answer questions about my mental health, my anger, or my choice to meet the day impaired, but she was done sharing the house with a ghost. The harder she pushed back on me, the more explosive our exchanges became. There were tire marks in the driveway, empty threats of divorce, and then one sweltering night in September, I climbed up on my soapbox with some bullshit defense to her well-earned concerns. She burned that soapbox down. She was done. It had been six years since the hospital, and good days be damned, I had never returned to her, never fully recovered. I was a cynic, a stoner, and cruel in confrontation. I stayed out late and didn’t call and left her to worry about where I was and whom I’d fallen in with so many nights as I moved through the world. She knew where I came from and feared me steering toward addiction and felt like a fool for having accepted my excuses for years. I had robbed her of her youth and then asked for loyalty in return. She had loved me through it all, but she couldn’t love me any longer, not like that. And that night in September, she finally gave me an ultimatum: either I find my way back to the land of the living or she was moving on without me.
”
”
Andrew McMahon (Three Pianos: A Memoir)
“
You don't have to carry me," I said. "I can walk."
"I'm your lord husband. It's in my arms or over my shoulder."
"Over the shoulder."
"You want me holding you by the thighs? Not that I would mind."
I glowered, but he only laughed and dropped a kiss on my forehead. I supposed that if this was his revenge for last night, it wasn't too bad.
”
”
Rosamund Hodge (Cruel Beauty)
“
What do you want?" I demanded finally.
He tilted his head. "What do you want?"
His face was pale and composed, his pupils narrowed to threadlike slits; there was no hint of hesitation in his body. It came over me again, the knowledge of how little he was human.
He had clung to me in the night. He had saved my life twice. He had seen me, in all my ugliness, and never hated me; and in that moment, nothing else mattered.
"I want my world to be free." I stepped toward him. "I want my sister never to have been hurt by me." I took his hands. "And I want you to say that you love me again."
His hands tightened around mine. "I love you," he said. "I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?"
I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of the Earth. Except that the sunlight was false, and his love was real.
It was real.
Very deliberately, I pulled my hands out of his. "You're a demon," I said, staring at the ground.
"Most likely."
"I know what you've done."
"The exciting parts, anyway."
"And I still don't know your name." My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so easily. "But I know you're my husband."
The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I were a bird that might be startled into flight. Finally I met his eyes.
"And," I said. "I suppose I do love you."
Then he pulled me in his arms.
”
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Rosamund Hodge (Cruel Beauty)
“
Lux.
I bolted up and then didn't dare move. It didn't seem possible that he was here; the prince I had dreamt about, actually real. The husband I had betrayed, actually rescued. The ghostly prisoner, actually whole. Yet here he lay, half-curled on his side, his chest moving softly with each breath. I felt like he would vanish if I moved.
So I sat still and stared at him. He had the same slender, lovely face that I remembered seeing on both men. His skin was shockingly pale, but it was a human pallor, not the ghostly milk-white of Shade. His hair was black, but lanky and tangled as I had never seen Ignifex's.
The line of his jaw was exactly the same as I remembered kissing. But I had never kissed him, not in this life. And he was not exactly the same man.
Since I had remembered him last night, I hadn't had time to think of anything except what I had done and the terrible need to set it right. I hadn't even wondered what he would be like reunited. Now I could think of nothing else. I had loved Ignifex, and after a fashion, I had loved Shade. They had both more or less loved me in return. But Marcus Valerius Lux? What were we to each other?
His eyes flickered open and focused on me. They were bright blue eyes, the pupils round and completely human, but they were not exactly Shade's eyes; the way he squinted against the light, his whole face wrinkling into the expression, was exactly like Ignifex.
”
”
Rosamund Hodge (Cruel Beauty)
“
People thought that tragedy made you wise, that it automatically elevated you to a higher, more spiritual level, but it seemed to Rachel that just the opposite was true. Tragedy made you petty and spiteful. It didn’t give you any great knowledge or insight. She didn’t understand a damned thing about life except that it was arbitrary and cruel,
”
”
Liane Moriarty (The Husband's Secret)
“
God, if I ever believed in him, can’t be this cruel. Mr. Vanellys said everyone needs a little mercy. So have mercy on me, God. On my Jonas. Have mercy on the idea of hope, the belief living can’t be this constant nightmare, this infinite parade of hopeless memories. My life cannot be clutching my husband to me as his breathing slows, as the lids of his dark-rimmed eyes slowly flutter open and shut. This can’t be my last moment with him; he struggles to breathe and yet his lips still somehow murmur to me, “It’s okay, Sara. It’ll be okay.
”
”
Catherine Adel West (The Two Lives of Sara)
“
Nan's not cruel. Tell her you can't live without him."
"But I think perhaps I can live without him. You can live without her, too."
"I know I can. I've done it all this while, haven't I. But I don't want to. Agatha, don't you want your husband anymore?"
"I can't say that I do. Not entirely.
”
”
Nina de Gramont (The Christie Affair)
“
Occasionally, the law reveals itself as an elegant lady, but very cruel and sadistic. Possessor of vast riches. Be a good husband: use good manners, a lot of psychology and patience and you will have lots of love and possessions for the rest of your life.
”
”
Geverson Ampolini
“
That’s just it, Husband.” She smiles sweetly, only the tiniest edge present. “I’m the only one who gets to kill you. I’ll bury anyone else who tries.
”
”
Katee Robert (Cruel Seduction (Dark Olympus, #5))