Reluctant Hero Quotes

Oh, and Drew, honey?” The former counselor looked back reluctantly. “In case you think I’m not a true daughter of Aphrodite,” Piper said, “don’t even look at Jason Grace. He may not know it yet, but he’s mine. If you even try to make a move, I will load you into a catapult and shoot you across Long Island Sound.” Drew turned around so fast, she ran into the doorframe. Then she was gone.

Reluctant hero, drafted again each Fourth of July, I'll bow and remember you. Who shall we follow next? Who shall we kill next time?

Strange tale of Angelic guidance as this reluctant Female Rock Star hero brings the world back from the brink through her incredible Music!

Reluctant though you may be, Noah, you are the embodiment of the Hero. You don’t have to learn to become good at anything. You simply are the best at everything. Your telomeres don’t stop replicating. If you aren’t killed, you might actually live forever. You have every gift, Noah.” I D O N ’ T W A N T T H E M.

He had always thought the Holy Grail would be finding a girl who submitted gladly and whole- heartedly to his leadership. Now he saw how much more powerful it was when the surrender was a bit reluctant, when she had to overcome her own strong will before yielding to his. He didn’t want an off-the-shelf submissive after all. He wanted a girl with a mind of her own, whose heart and will had to be tamed, who would submit to him and him alone.

Once we have broken free of the prejudices of our own provincially limited ecclesiastical, tribal, or national rendition of the world archetypes, it becomes possible to understand that the supreme initiation is not that of the local motherly fathers, who then project aggression onto the neighbors for their own defense. The good news, which the World Redeemer brings and which so many have been glad to hear, zealous to preach, but reluctant, apparently, to demonstrate, is that God is love, the He can be, and is to be, loved, and that all without exception are his children. Such comparatively trivial matters as the remaining details of the credo, the techniques of worship, and devices of episcopal organization (which have so absorbed the interest of Occidental theologians that they are today seriously discussed as the principal questions of religion), are merely pedantic snares, unless kept ancillary to the major teaching. Indeed, where not so kept, they have the regressive effect: they reduce the father image back again to the dimensions of the totem. And this, of course, is what has happened throughout the Christian world. One would think that we had been called upon to decide or to know whom, of all of us, the Father prefers. Whereas, the teaching is much less flattering: "Judge not, that ye be not judged." The World Savior's cross, in spite of the behavior of its professed priests, is a vastly more democratic symbol than the local flag.

And the One will take the Sword of the Western Sun and triumph over the enemy with boldness and insight. The arm of the One is steady and heads will roll. Snow Giants will battle

And the One will reveal the Bow of the Southern Star and conquer the enemy with courage and fine judgment. The sight of the One is true and the enemy cannot hide. Griffon will fly

Also, he was reluctant to share his one clear memory: Annabeth's face, her blond hair and gray eyes, the way she laughed, threw her arms around him, and gave him a kiss whenever he did something stupid. She must have kissed me a lot, Percy thought. He feared that if he spoke about that memory to anyone, I would evaporate like a dream. He couldn't risk that.

In real life women often complain about the reluctance of their male partners to engage in meaningful dialogue, but in the world of romantic fantasy heroes willingly participate in verbal discussions. They fence, they flirt, they express their anger, they talk out the confounding details of their relationships with the heroine. No hero of romance will ever respond to the eternal feminine query, "What's wrong?" with the word, "Nothing." He will tell her what's wrong; they will argue about it, perhaps, but they will be communicating, and eventually, as they resolve their various conflicts, the war of words will end. One of the most significant victories the heroine achieves at the close of the novel is that the hero is able to express his love for her not only physically but also verbally.

Drew backed to the door. Even her closest lieutenants didn’t follow her. She was about to leave when Piper said, “Oh, and Drew, honey?” The former counselor looked back reluctantly. “In case you think I’m not a true daughter of Aphrodite,” Piper said, “don’t even look at Jason Grace. He may not know it yet, but he’s mine. If you even try to make a move, I will load you into a catapult and shoot you across Long Island Sound.” Drew turned around so fast, she ran into the doorframe.

She shouldn't have had to be a hero.' 'No,' said the Duchess, 'no, no one should.

The best heroes in the world are the reluctant ones. Courage isn’t fearlessness—it’s acting in the face of fear.

And the One will win the Armor of the Easter Dawn and defeat the enemy with audacity and wisdom. The body of the One is strong and ready to lead. Lammasu will pounce

Why does it not surprise me that you talk during sex?

This seemed like such a good and noble idea ten minutes ago," Tyler said. "I forgot that I'm not a good and noble person.

I stare at Diane's smile. I would die for that, though I barely understand why.

Now they have the wounded to distract them,' I told the others. Mercy has its utility.

This is why I don't like being a hero; it complicates things to the point of ruining the simple pleasure of gunning people down in a shootout.

The journey of a hero I learned from writer Joseph Campbell, that a hero is someone born into a world where they don’t fit in, they are then summoned on a call to an adventure that they are reluctant to take. What is the adventure? A revolutionary transformation of self the final goal is to find the elixir, the magic potion – that is the answer to unlocking her. Then she comes home to this ordinary life transformed and shares her story of survival with others.

She had read enough stories in her life to be familiar with the trope in which heroes make a great show of being reluctant when told they must embark on a dangerous quest. They often refuse the call to adventure, only to change their minds at the very last moment. This had always bothered Sophie, who thought that such dithering was both unrealistic and unheroic. But now that she was being told she must embark on a dangerous quest, she suddenly understood just how difficult it was to take that first step.

By the second cycle of the solstice of the warm time, the One will face the enemy. And the One will unearth the Shield of the Northern Lights and smote the enemy with daring and intelligence. The heart of the One is pious and evil will cower. Couatl will rise.

As Ian popped the lock and opened the car door, he turned to Phoebe. “Can you do me a favour?” She immediately stepped toward him, fully embracing their new mature relationship. “Of course.” Ian looked pointedly over his own shoulder and said, “Tell me the truth. Does this car make my glowing ass look fat?” She’d naturally followed the direction of his gaze, but now she looked up, hard, into his eyes. And she smiled back at him despite herself. She even laughed. “You’re an idiot.” “When things get too serious, I get a rash.” She pointedly looked back down at his nether regions, despite the fact doing so made her blush. Still, she spoke coolly, dryly. “Not on your ass.” If Ian believed in love, that would’ve been it for him. Instantly. Enthrallingly. Eternally. Instead, he just laughed. “Thank God for that. See if there’s anything remotely clothinglike in the backseat or the trunk.

That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves.

I’m not the one who kissed you in the bathroom. In case you’re thinking I forgot about that, or somehow missed it, or …” “Kind of hard to miss,” Ian agreed. “Your lips, mine. A distinct smacking sound. Yup, that was me kissing you. Still, it was short—quickly over and done. A kiss good-bye. The subtext was I hope we don’t die, but if we do, it was nice meeting you. Not at all like that under-the-dock kiss.” He paused. “The one where you jumped me. The first time. So far.” He narrowed his eyes at her, much the way she’d done to him. “Naturally I’m suspicious. Did you intentionally leave my clothes behind?

Also, he was reluctant to share his one clear memory: Annabeth's face, her blond hair and gray eyes, the way she laughed, threw her arms around him, and gave him a kiss whenever he did something stupid. She must have kissed me a lot, Percy thought. He feared that if he spoke about that memory to anyone, it would evaporate like a dream. He couldn't risk that.

Get in here.” Reluctantly, Steve came inside. Suddenly the huge door closed behind us. Steve let out a girly scream. “Oh, no! We’re trapped!” “Stop panicking. You’re making me look bad!” Then these red glowing eyes appeared out of the darkness and a monstrous voice filled the courtyard. “So, you must be Herobrine, the dummy who wishes to challenge me,” the scary voice said.

Celebrities are our heroes and heroines now, discussed the next day over latte or lunch. We have such a strong need to talk to each other, to have some commonality of story, that we're finding it in celebrities. In effect, we're turning reality into fiction. Using actors and actresses, just off duty. And how is this working for us? Not great. It leaves us with a perennially empty feeling. We find the celebrities empty, and at some level, we find ourselves empty for paying them so much attention. We've become reluctant voyeurs, and at some level, we know they're just people trying to live their lives. Our culture begins to lack content, depth, and substance. We miss the richness of human experience that story embodies, reflects, and carries forward. We might have to go back to reading books. Yay!

We shouldn’t do this,” he said again as he looked up into her eyes. “But, God, I want to. I just …” He closed his eyes, exhaled hard. “Pheeb. I’m a bad bet. There’s no future here. I know this feels big, this thing between us, right now it feels huge—and shh, don’t make a dick joke, I’m serious. But it’s not going to feel as big or special tomorrow, or, shit, even later tonight. I mean, yeah, I can make you feel good. I know it. And God knows you can make me … Jesus, you’re so beautiful, I just —” She stopped him there, again, with a kiss, and just like that, it was as if something snapped.

In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place. Certainly, the convention existed well before the age of the tape recorder and the wiretap. Not on the phone, in a spy or mystery story, has always been, in and of itself, sufficient to hold up the resolution of the case for a long, long time.

Then it’s a deal, we’re friends.” […] “Can we just make one conditional rule here? That if we get into a situation where we know—absolutely—that we’re going to die, we can have—“ She pulled her hand away. “Don’t say it!” He did. “Sex.” She glared her disbelief. “You are such and asshole!” “I am,” Ian agreed. I’m afraid that accepting me for who I am comes with the territory when talking friendship.” “Stay in the shadows, asshole,” she said, then turned to stalk up the lawn toward the deck. “Thank you,” he said as he headed for the shrubs. “I appreciate our open-minded acceptance of my asshole-ishness.” And he wasn’t sure, but he could’ve sword that he heard Phoebe laugh.

Most people have heard of Mahatma Gandhi, the man who led India to independence from British rule. His life has been memorialized in books and film, and he is regarded as one of the great men in history. But did you know Gandhi did not start out as a great hero? He was born into a middle-class family. He had low self-esteem, and that made him reluctant to interact with others. He wasn’t a very good student, either, and he struggled just to finish high school. His first attempt at higher education ended in five months. His parents decided to send him to England to finish his education, hoping the new environment would motivate him. Gandhi became a lawyer. The problem when he returned to India was that he didn’t know much about Indian law and had trouble finding clients. So he migrated to South Africa and got a job as a clerk. Gandhi’s life changed one day while riding on a train in South Africa in the first-class section. Because of his dark skin, he was forced to move to a freight car. He refused, and they kicked him off the train. It was then he realized he was afraid of challenging authority, but that he suddenly wanted to help others overcome discrimination if he could. He created a new vision for himself that had value and purpose. He saw value in helping people free themselves from discrimination and injustice. He discovered purpose in life where none had existed previously, and that sense of purpose pulled him forward and motivated him to do what best-selling author and motivational speaker Andy Andrews calls “persist without exception.” His purpose and value turned him into the winner he was born to be,

For my speaking gigs, the title of my presentation is always the same: 'The journey of a hero'. I learned from writer Joseph Campbell, that a hero is someone born into a world where they don’t fit in. They are then summoned on a call to an adventure that they are reluctant to take. What is the adventure? A revolutionary transformation of self. The final goal is to find the elixir. The magic potion that is the answer to unlocking HER. Then she comes "home" to this ordinary life transformed and shares her story of survival with others... My journey was like a war movie, where at the end, the hero has been bruised and bloodied, traumatized from witnessing untold amounts of death and destruction, and so damaged that she cannot go back to being the same woman who went to war. She may have even seen her death but was somehow resurrected. But to go on THAT journey, I had to be armed with the courage of a lioness... Individuals on the journey eventually find themselves experiencing a baptism by fire. It's that moment when they are just about to lose their lives, and they, miraculously, courageously find the answer that gives their life meaning. And that meaning saves them. In the words of Joseph Campbell, in "The Hero with a Thousand Faces", "The call to adventure signifies that destiny has summoned the hero. The hero, whether god or goddess, man or woman, the figure in a myth, or the dreamer in a dream, discovers and assimilates his opposites, his own unsuccessful self, either by swallowing it or being swallowed. I still see my younger self so clearly from that fateful day in my therapist's office. She stands up, in tears, on a mound of snow. Pissed off, she shouts, "Bitch!!! I'm not going to be swallowed!

Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick. Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived. Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness. Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.

Christ meant "Messiah," which means the Anointed, the king, the political/military hero. Politics is power, our only means of transcending the problems of this world. "Jesus, when are you at last going to move from spiritual blather to something important—like politics?" Jesus responded by telling his followers that it was not for them to know the times for such things. Jesus seems somewhat evasive, reluctant to come right out and say, "I'm the Messiah you have been expecting," probably because he knew that their messianic expectations were not for someone like him. At this point, honesty compels me to say that, if you are one of those people with great love for the government or reverent respect for the military that props up government, you will find Jesus a jolt to your sensibilities. The modern state—with its flags, pronouncements, parades, propaganda, public works projects, and assorted patriotic paraphernalia—does not mesh well with Jesus. Patriotism, while perhaps a virtue, has never been regarded as a specifically Christian virtue.

As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved.

Hero might have enjoyed the evening spent at Almack's Assembly Rooms, but it had not been one of unmixed pleasure for her escort, while for one other person it had been an evening of almost unleavened annoyance. Miss Milborne, seeing the most ardent of her admirers enter the rooms with Hero on his arm, had suffered something in the nature of a shock. Never before had she seen George in attendance on any other lady than herself! When he came to Almack's it was to form one of her court; and when she did not dance with him he had a gratifying habit of leaning against the wall and watching her, instead of soliciting some other damsel to dance with him. Now, on the heels of the most obdurate quarrel they had had, here he was, looking perfectly cheerful, actually laughing at something Hero had said to him, his handsome head bent a little to catch her words. Hero, too, was in very good looks: in fact, Miss Milborne had not known that her little friend could appear to such advantage. She could never, of course, aspire to such beauty as belonged to the Incomparable, but Miss Milborne was no fool, and she was obliged to own that there was something particularly taking in the bride's smile and mischievous twinkle. Watching George, she came to the reluctant conclusion that he was fully sensible of his partner's charm. He had given his adored Isabella nothing more than a common bow upon catching sight of her, and it was plain that he meant to devote his evening to Hero. Miss Milborne could think of a dozen reasons to account for his gallanting Hero to the ball, but none of them satisfied her; nor could the distinguishing attention paid to her by her ducal admirer quite restore her spirits.

DEAR YOUNG DEMIGOD, Your destiny awaits. Now that you have discovered your true parentage, you must prepare yourself for a difficult future—fighting monsters, adventuring across the world, and dealing with temperamental Greek and Roman gods. I don’t envy you. I hope this volume will help you on your journeys. I had to think long and hard before publishing these stories, as they were given to me in the strictest confidence. However, your survival comes first, and this book will give you an inside look at the world of demigods—information that may help keep you alive. We’ll begin with “The Diary of Luke Castellan.” Over the years, many readers and campers at Camp Half-Blood have asked me to tell the story of Luke’s early days, adventuring with Thalia and Annabeth before they arrived at camp. I have been reluctant to do this, as neither Annabeth nor Thalia likes to talk about those times. The only information I have is recorded in Luke’s own handwriting, in his original diary given to me by Chiron. I think it’s time, though, to share a little of Luke’s story. It may help us understand what went wrong for such a promising young demigod. In this excerpt you will find out how Thalia and Luke arrived in Richmond, Virginia, chasing a magic goat, how they were almost destroyed in a house of horrors, and how they met a young girl named Annabeth. I have also included a map of Halcyon Green’s house in Richmond. Despite the damage described in the story, the house has been rebuilt, which is very troubling. If you go there, be careful. It may still contain treasures. But it most assuredly contains monsters and traps as well. Our second story will definitely get me in trouble with Hermes. “Percy Jackson and the Staff of Hermes” describes an embarrassing incident for the god of travelers, which he hoped to solve quietly with

As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved. Callum had always tended toward the assassins in the stories, the dutiful soldiers, those driven by personal reaction rather than on some larger moral cause. Perhaps it was a small role to serve on the whole, but at least it was rational, comprehensible beyond fatalistic. Take the huntsman who failed to kill Snow White, for example. An assassin acting on his own internal compass. Whether humanity as a whole won or lost as a result of his choice? Unimportant. He didn’t raise an army, didn’t fight for good, didn’t interfere much with the queen’s other evils. It wasn’t the whole world at stake; it was never about destiny. Callum admired that, the ability to take a moral stance and hold it. It was only about whether the huntsman could live with his decision—because however miserable or dull or uninspired, life was the only thing that mattered in the end. The truest truths: Mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn’t buy happiness, but nothing could buy happiness, so at least money could buy everything else. In terms of finding satisfaction, all a person was capable of controlling was himself.

Heroes are the reluctant ones with the courage to face their dragons.

Real heroes, those who sacrifice themselves for the collective good, and whom society recognizes as such (maybe some time later, whereas at the time they are branded as irresponsible outlaws), are always people who act reluctantly. They die, but they would rather not die; they kill, but they would rather not kill; and in fact afterwards they refuse to boast of having killed in a condition of necessity. Real heroes are always impelled by circumstances; they never choose because, if they could, they would choose not to be heroes.

Shouldn’t we try to help him?’ Simla asked. I shook my head, with as much reluctance as I could feign. ‘I wish we could,’ I lied.

On the eve of America’s entrance into World War II, Walter Brennan embodied fundamental decency and democratic virtues that made him indispensable to Cooper’s signature Everyman roles. Brennan’s performance in Sergeant York (September 27, 1941) foreshadows the country’s emergence from isolationism into a reluctant, then confirmed internationalism. Although Brennan received an Academy Award nomination for his work in Sergeant York, his low-key style is barely mentioned in later accounts of the film, which focus on Gary Cooper as Alvin York, a backwoods Tennessee conscientious objector who overcomes religious objections to war to become the nation’s greatest war hero. Brennan’s Pastor Pile persuades York to fight for his principles, to abide by the law and register for the draft, and then to serve in the army after he is denied conscientious objector status.

She is very close to having a pretty face. But there’s a hardness to her that seems reluctant to lapse and let her cross the boundary into simple prettiness. She has a structured look, everything ordered. Her hair is carefully clipped into place. Her suit is straight edges and diagonal lines. Fashionable without being flashy, but without looking comfortable either. She seems a rather severe woman. The sort who’d play a nun in a movie and hit your knuckles with a ruler.

... a sabre truly has only one purpose, lads, and that’s to kill… don’t ever forget it.” - Rowan d'Rhys del'Quist

I wonder what the future has in store for the two of them.” Lucetta’s mention of the future had Bram pausing for a moment, realizing that with all the insanity of the past week or so, they’d not had much time to talk about anything, let alone what either of them wanted for the future. “Even though I was disappointed with the explanation behind the supposed ghosts at Ravenwood, you have to admit that some of what Mrs. Macmillan told you would make good fodder for a new book,” Lucetta continued, pulling him from his thoughts. “Readers would especially like the part about a hidden treasure, although, in my humble opinion, the hero should get caught trying to find it and . . .” As Lucetta continued musing about different plot points, it suddenly hit him how absolutely wonderful life would be if he could spend it with the amazing lady standing right next to him. That she was beautiful, there could be no doubt, but her true beauty wasn’t physical in nature, it was soul-deep—seen in the way she treated her friends, animals, and even a mother who’d brushed her aside for a man who was less than worthy. She’d been through so much, and yet, here she was, contemplating his work and what could help him, and . . . he wanted to give her a spectacular gesture, something that would show her exactly how special he found her. She’d been on her own for far too long, and during that time, she’d decided she didn’t need anyone else, or rather, she wouldn’t need anyone because that could cause her pain—pain she’d experienced when her father had left her, and then when her mother had done the same thing by choosing Nigel. “. . . and I know that you seem to be keen on the whole pirate idea, but really, Bram, if you’d create a hero who is more on the intelligent side, less on the race to the rescue of the damsel in distress side, well, I mean, I’m no author, but . . .” As she stopped for just a second to gulp in a breath of air, and then immediately launched back into a conversation she didn’t seem to realize he wasn’t participating in, Bram got the most intriguing and romantic idea he’d ever imagined. Taking a single step closer to Lucetta, he leaned down and kissed her still-moving lips. When she finally stopped talking and let out the smallest of sighs, he deepened the kiss, reluctantly pulling away from her a moment later. “I know this is going to seem rather peculiar,” he began. “But I need to go to work right this very minute.” “Work?” she repeated faintly. “Indeed, and I do hope you won’t get too annoyed by this, but I need to get started straightaway, which means you might want to go back to the theater so that you don’t get bored.” “You want me gone from Ravenwood?” she asked in a voice that had gone from faint to irritated in less than a second. “I don’t know if I’d put it quite like that, but I might be able to work faster without you around.” He sent her a smile, kissed her again, but when he started getting too distracted with the softness of her lips, pulled back, kissed the tip of her nose, and then . . . after telling her he’d see her before too long, headed straight back into his dungeon.

Gray,” she said slowly, “I don’t think we can get married.” “Don’t be silly, love, of course we can get married.” “No. We can’t.” His lips found the sensitive spot behind her ear. “And whyever not, sweeting?” he said, cheerfully. “Because your career as a naval officer would never survive the reality of having a wife who’s out roving the Spanish Main.” He looked amused and, straightening up, ruffled her hair affectionately before tugging the bright purple ribbon from her nape. Then his lips came down against hers and she moaned softly as his tongue explored the recesses of her mouth. “Ah, Maeve,” he murmured, reluctantly breaking the kiss. “Any roving you do after we are wed will take place in our marriage bed.

Paul calls leaders not merely to be humble and self-effacing but to be desperate and honest. It is not enough to be self-revealing, authentic, and transparent. Our calling goes far beyond that. We are called to be reluctant, limping, chief-sinner leaders, and even more, to be stories. The word that Paul uses is that a leader is to be an “example,” but what that implies is more than a figure on a flannel board. He calls us to be a living portrayal of the very gospel we beseech others to believe. And that requires a leader to see himself as being equally prone to deceive as he is to tell the truth, to manipulate as he is to bless, to cower as he is to be bold. A leader is both a hero and a fool, a saint and a felon.

[Prince Stefan’s] family was of Eastern European descent, with some real royalty thrown in via a connection to Vlad the Impaler—who hung from a branch that Ian wouldn’t kept secret had the family tree been growing in his yard.

[describing Aaron, hero's brother] His hair was shorter and lighter, and his eyes were more green than blue. And even though he was tall, he wasn’t quite super-sized. He was more sculpted, more … elegant. more slender and beautiful and less raw-boned. Less Stone Age and more Bronze Age—but till the kind of man who enjoyed living in a cave.

From her vantage point, looking up at [Ian] through the water-spotted and slightly blurry lenses of her glasses, he was quite literally larger than life. Right at that moment, with his hands up on his head, his muscular chest bare, and his boxer shorts clinging to him in a most revealing way, water matting the hair on his chest and his legs and his eyelashes, he was ridiculously attractive. Even with his more conventionally handsome brother standing next to him. Of course the fact that Aaron was looking down at her with unconcealed dislike in his pretty hazel eyes might’ve had something to with it, as if she weren’t a person but instead a pile of excrement left on his pool deck by a wart-covered troll with an intestinal ailment.

Was it really called dry humping, if they did it underwater? Probably not. Crying shame that they both had their jeans on, because this was definitely one of those adrenaline-fuelled moments of passion with a total loss of inhibition, where need and desire trumped all reason.

… now that I’m stuck here for an undetermined amount of time, it seems beyond foolish not to let me help.” She took a bite for emphasis. “You could at least let me make you a sandwich,” she added balefully through her mouthful. “That was me being respectful of your law degree,” Ian said.

This is what we, in the con business, call making a spectacle of ourselves. Let’s try to avoid that from now on.” “Except […] Mr. No-Sex-in-the-Bathrooms is going to describe two probably drunk people who staggered in. Plus, he thinks I’m a prostitute. We can double down on that by …” She stopped him, glancing back into the store throught the big plate-glass windows. Ian looked, too, and sure enough, the clerk was still watching them warily. “Perfect, she said, and the made what was, absolutely, the international two-handed gesture for sexual intercourse. She then added a couple of exaggerated hip thrusts, saying, “I want to make this absolutely clear, because this guy’s kind of an idiot.” She then rubbed her fingers together, after which she held out her hand, palm up, as if to say Pay me. Ian cracked up. “That’s actually kind of scary. Sex with a mime. Do I have to pay extra to make sure you don’t do the trapped-in-a-box thing while we’re doing it?

I figured it was probably best for me to leave that bicycle back there for a real emergency.

What she wanted was right there, between them, pressed against her stomach—so big and accessible and user-friendly—neatly covered and ready to go.

As Ian looked at her, he felt something in his chest slip and shift. The pressure came with a blood-tingling rush of triumph and satisfaction, pride and a deeply burning sense of possessiveness. His inner caveman warrior had been awakened and wanted to rush around the room, peeing into the corners, marking it—and her—as his own, while shouting Mine! and randomly smashing things for emphasis. But he knew that was he was feeling was the equivalent of emotional and hormonal indigestion. He hadn’t done this in a long time. And he particularly hadn’t done it with a woman he liked as much as this one. In fact, he’d never had sex with anyone that he genuinely liked as much as he liked Phoebe.

You did a fine job with those science nerds over the course of this past year, John. Very fine job. Nothing but praise from the lot of them. Well done.” His thick English accent had a soothing effect every time he spoke. John remembered him fondly as a young man. His father and the Admiral had gone to the academy together and served side by side for many years before John’s father met an untimely death. Sitting here with him now and listening to him speak brought him back to those simpler times. “I was just doing my duty, Sir.” “Oh come now. You know and I know that there isn’t a bloody captain in this entire fleet that wanted that assignment. There isn’t a bit of action when you have the lot of them aboard. And on a bloody science mission besides. No, no, you are a real hero for saving all of us from having to do such a duty. And for a year! Bloody hell.” He opened up a drawer and pulled out two thick, stubby glasses, and then extracted a bottle of rum. Of course he brought out the rum. “I suppose you heard that we’ve been hard at work getting our first Deep Space Class starship ready to launch this year?” he asked as he filled both glasses half full with the amber liquid. He Offered one glass to John who took it with reluctance. He had never been one who liked liquor. “Heard she’s a beauty. The engine is something of a marvel as well?” “Damn straight,” he said as he downed his first glass in one pull. He filled his glass up half full for round two. “Currently our fastest ship will get you to the Wild Space region in twenty years. This buggers going to do it in six months and I’d like you to take her out on her maiden voyage.” John sat back in shock. The thought of taking out the prototype of the future… it was a great honor and one that hundreds of captains in star fleet would give anything for. He certainly wasn’t worthy of such an honor. He didn’t have nearly the amount of years as everyone else in the fleet. “I don’t think it’d be right to accept, would it? I mean… there are some captains who’ve…” “Bumshnickles!” he shouted. “Your father was the captain of the first Earth Starship Independence. It’s only right that the second to bear her name should have an Avery in the chair.

The attraction had come later, delayed by Tyler’s awkwardness and Nathaniel’s reluctance. Eventually, both had given way and, in a moment of need, had kissed. It had been quick, hurried, and a little clumsy and hadn’t gone much farther than that.

Sometimes I feel as though I've lived a million lives, and other times I wonder if I've lived at all.

If you read as much as I suspect you do, then I'd say you've lived more lives than most anyone else could claim.

Ithan said slowly, “Hel is our enemy.” “Is it?” Aidas laughed, ears twitching. “Who wrote the history?” “The Asteri,” Tharion said darkly. Aidas turned approving eyes on him. “You’ve heard the truth in some form, I take it.” “I know that the official history of this world is not necessarily to be believed.” Aidas leapt off the counter, trotting to the coffee table again. “The Asteri fed their lies to your ancestors. Made the scholars and philosophers write down their version of events under penalty of death. Erased Theia from the record. That library your former employer possesses,” he said, turning to Bryce, “is what remains of the truth. Of the world before the Asteri, and the few brave souls who tried to voice that truth afterward. You knew that, Bryce Quinlan, and protected the books for years—yet you have done nothing with that knowledge.” “What the fuck?” Ithan asked Bryce. Aidas only asked, “What was this world before the Asteri?” Tharion said, “Ancient humans and their gods dwelled here. I’ve heard the ruins of their civilizations are deep beneath the sea.” Aidas inclined his head. “And where did the Asteri come from? Where did the Fae or the shifters or the angels come from?” Bryce cut in, “Enough with the questions. Why not just tell us? What does this have to do with my…gifts?” She seemed to choke on the word. “The war approaches its crescendo. And your power isn’t ready.” Bryce flicked the length of her ponytail over her shoulder. “How fucking cliché. Whatever my powers are, I want nothing to do with them. Not if they somehow link me to you—the Asteri will consider that a serious threat. Rightly so.” “People have died so you could have this power. People have been dying in this battle for fifteen thousand years so we could reach this point. Don’t play the reluctant hero now. That is cliché.

Bryce flicked the length of her ponytail over a shoulder. “How fucking cliché. Whatever my other powers are, I want nothing to do with them. Not if they somehow link me to you—the Asteri will consider that a serious threat. Rightly so.” “People died so you could have this power. People have been dying in this battle for fifteen thousand years so we could reach this point. Don’t play the reluctant hero now. That is the cliché

For my speaking gigs, the title of my presentation is always the same: 'The journey of a hero'. I learned from writer Joseph Campbell, that a hero is someone born into a world where they don’t fit in. They are then summoned on a call to an adventure that they are reluctant to take. What is the adventure? A revolutionary transformation of self. The final goal is to find the elixir. The magic potion that is the answer to unlocking HER. Then she comes "home" to this ordinary life transformed and shares her story of survival with others... My journey was like a war movie, where at the end, the hero has been bruised and bloodied, traumatized from witnessing untold amounts of death and destruction, and so damaged that she cannot go back to being the same woman who went to war. She may have even seen her death but was somehow resurrected. But to go on THAT journey, I had to be armed with the courage of a lioness.

The feeling of the Indian towards the earth was a part of his religion which makes still more understandable his reluctance to give up his lands. In his belief, the earth is the mother; light the father. He must not disrupt the mother's bosom by plowing, nor cut her hair (the grass). When he dies, his body returns to his mother earth, while his breath, or spirit, goes in a vapor to the father. The Indians felt that calamity would come upon them, if they should sell their mother.

I walked to the door and turned to face everyone. 'You might hear panic and screaming outside.' I flashed them a smile. 'But that will be a good sign.

He stood next to one of the pillars before his hall. She stared fixedly at the open neck of his tunic so she need not see how the young spring sunlight danced in his hair; but she found herself watching a rapid little pulse beating in the hollow of his throat, and so she shifted her attention to his left shoulder. “Goodbye,” she said. “Thanks. Um.” The arm attached to the shoulder she was staring at reached out toward her, and she was so absorbed in not thinking about anything that its hand had seized her chin before she thought to flinch away. The hand exerted upward force and her neck reluctantly bent back, but her eyes stuck on his chin and stayed there.

Do you hear that? The ticking of the time clock. It started the very moment President Trump reluctantly ordered the FBI investigation (limited though it may be) into the 'Honorable' Brett Michael Kavanaugh.

Naelin resisted rolling her eyes. This was absurd. She was consorting with born-from-the-womb heroes. She wasn't worthy if this.

Radical reform and even revolution are indeed justified in some cases; and in such cases, those who wage them with reluctant yet steady hearts are heroes of the highest rank. But any self-styled social justice warrior who has never even smelled gunpowder in their life should think long and hard before impetuously calling for an armed revolt, in a lazy leapfrog over those more measured modes of reform that prudence first demands. Press them to define exactly what they mean by such revolt, how they imagine they might pull it off, why they think it is the best of bad routes to take, and which positive program they hope to implement the day after rebel bugles sound their last taps. A mind built with integrity, brick for brick, will survive all such degrees of scrutiny; a scattered brain drunk on conflict will not.

Chris didn’t look down on any musical genre as unworthy of further inquiry,