Ala Carte Quotes

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hawing, let us ask of the starling (who is a more sociable bird than the lark) what he may think on the brink of the dustbin, whence he picks among the sticks combings of scullion’s hair. What’s life, we ask, leaning on the farmyard gate; Life, Life, Life! cries the bird, as if he had heard, and knew precisely, what we meant by this bothering prying habit of ours of asking questions indoors and out and peeping and picking at daisies as the way is of writers when they don’t know what to say next. Then they come here, says the bird, and ask me what life is; Life, Life, Life! We trudge on then by the moor path, to the high brow of the wine-blue purple-dark hill, and fling ourselves down there, and dream there and see there a grasshopper, carting back to his home in the hollow, a straw. And he says (if sawings like his can be given a name so sacred and tender) Life’s labour, or so we interpret the whirr of his dust-choked gullet. And the ant agrees and the bees, but if we lie here long enough to ask the moths, when they come at evening, stealing among the paler heather bells, they will breathe in our ears such wild nonsense as one hears from telegraph wires in snow storms; tee hee, haw haw. Laughter, Laughter! the moths say. Having asked then of man and of bird and the insects, for fish, men tell us, who have lived in green caves, solitary for years to hear them speak, never, never say, and so perhaps know what life is — having asked them all and grown no wiser, but only older and colder (for did we not pray once in a way to wrap up in a book something so hard, so rare, one could swear it was life’s meaning?) back we must go and say straight out to the reader who waits a-tiptoe to hear what life is — alas, we don’t know.
Virginia Woolf (Orlando (Illustrated))
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
Marcel Proust (In Search of Lost Time: Swann's Way)
Podria dir que la Raó subterrània que impulsa les cartes és deixar la Rima una estona i tornar-hi més tard amb un Altre desfici —però Aquí també hi ha unes rimes que no s'han depurat, de les quals només es pot dir que són el senyal d'una Pífia o d'una Badada estrident. Podria dir això i no seria mentida, però el Motiu és més elemental i més clar: si fa un mes que us escric és perquè he decidit no buscar-vos per cap altre mitjà que no siguin les cartes. Això he decidit: impedir-me de sortir a la captura d'un Amor evident de tan impossible com és i concentrar-me Aquí dins —en aquest lloc on abunden els díctics i on s'enyoren els dits, en aquest punt d'entreguerres, en aquest medi on es prospera patint i que segueix el model d'una crossa fent d'ala. Ho he decidit per uns dies i després tornaré perquè Vós pugueu dir-me que una Criatura és molt guapa, d'acord, però que, amb aquest Desgavell, no la consolarà ni son Pare.
Blanca Llum Vidal (La princesa sou Vós)
Des Cartes no sooner began to dig in this mine, than scepticism was ready to break in upon him. He did what he could to shut it out. Malebranche and Locke, who dug deeper, found the difficulty of keeping out this enemy still to increase; but they laboured honestly in the design. Then Berkeley, who carried on the work, despairing of securing all, bethought himself of an expedient:—By giving up the material world, which he thought might be spared without loss, and even with advantage, he hoped, by impregnable partition, to secure the world of spirits. But, alas! the “Treatise of Human Nature” wantonly sapped the foundation of this partition, and drowned all in one universal deluge.
Thomas Reid (Inquiry and Essays)
Alas, Mama’s protest fell on deaf ears, the bears of Bear Country gave in to their fears. Mama’s advice Notwithstanding, they put the cart of fear before the horse of understanding. “To arms!” cried Papa. “There’s no time to fuss. We’ve got to get him before he gets us.” Swords were unsheathed. Bugles were blown. They were no longer bears with minds of their own. They were no longer Jack and Jill, Betty and Bob. The bears had become a dangerous mob. With the false courage of numbers to the mountain they went, with an arsenal of weapons and deadly intent.
Stan Berenstain (The Berenstain Bears' Thanksgiving)
I'll Be There For You These words are etched on our hearts. but they're so much more than just words, they're a complete emotion. But it's all just an illusion, a utopia, for which we long. we trade in drinking coffee on a couch, with drinking at a bar. we utter more words to Alexa and Siri, than to people face to face. we can never have six people in one room without anyone looking at their phones. we trade in memories with pictures. we actively look for reasons to not be around people. a Chandler is considered too mean and sarcastic, Ross has too much baggage, who has the energy to deal with that. Phoebe is too quirky to handle. Rachel, that spoilt and entitled bitch. no way. Joey is the fuck boy that will cause you nothing but pain, and Monica with her OCD, that's way too high maintenance. no, we don't say these things when we watch the show, we say these about people around us who bear similar characteristics. we adore these characters, we envy their friendship, their bond, their love. we long for nothing else, yet when confronted with them in real life, we belittle, avoid, cut-off, ignore. we don't want to disturb the utopia, are terrified of bursting the bubble, because if we start recognizing the flaws in our fantasies, we'll be forced to recognize our own. we love to live an à la carte life, wherein we pick and choose the qualities and personalities of a person that we wish to see, and the ones that may simply be brushed away. Generation after generation, will watch that show and call it their utopia, and each will give up hope of ever attaining that, alas! It was a different time! what we long for doesn't require a time machine to achieve, it doesn't need for mobile phones to not exist, or for less bars to exist, or to live away from your parents. it's only as complicated as we try to make it, when it can be as simple as, I'll be there for you, 'cause you're there for me too
Suraj
I'll Be There For You These words are etched on our hearts. but they're so much more than just words, they're a complete emotion. But it's all just an illusion, a utopia, for which we long. we trade in drinking coffee on a couch, with drinking at a bar. we utter more words to Alexa and Siri, than to people face to face. we can never have six people in one room without anyone looking at their phones. we trade in memories with pictures. we actively look for reasons to not be around people. a Chandler is considered too mean and sarcastic, Ross has too much baggage, who has the energy to deal with that. Phoebe is too quirky to handle. Rachel, that spoilt and entitled bitch. no way. Joey is the fuck boy that will cause you nothing but pain, and Monica with her OCD, that's way too high maintenance. no, we don't say these things when we watch the show, we say these about people around us who bear similar characteristics. we adore these characters, we envy their friendship, their bond, their love. we long for nothing else, yet when confronted with them in real life, we belittle, avoid, cut-off, ignore. we don't want to disturb the utopia, are terrified of bursting the bubble, because if we start recognizing the flaws in our fantasies, we'll be forced to recognize our own. we love to live an à la carte life, wherein we pick and choose the qualities and personalities of a person that we wish to see, and the ones that may simply be brushed away. Generation after generation, will watch that show and call it their utopia, and each will give up hope of ever attaining that, alas! It was a different time! what we long for doesn't require a time machine to achieve, it doesn't need for mobile phones to not exist, or for less bars to exist, or to live away from your parents. it's only as complicated as we try to make it, when it can be as simple as, "I'll be there for you, 'cause you're there for me too
Suraj
I'll Be There For You" These words are etched on our hearts. but they're so much more than just words, they're a complete emotion. But it's all just an illusion, a utopia, for which we long. we trade in drinking coffee on a couch, with drinking at a bar. we utter more words to Alexa and Siri, than to people face to face. we can never have six people in one room without anyone looking at their phones. we trade in memories with pictures. we actively look for reasons to not be around people. a Chandler is considered too mean and sarcastic, Ross has too much baggage, who has the energy to deal with that. Phoebe is too quirky to handle. Rachel, that spoilt and entitled bitch. no way. Joey is the fuck boy that will cause you nothing but pain, and Monica with her OCD, that's way too high maintenance. no, we don't say these things when we watch the show, we say these about people around us who bear similar characteristics. we adore these characters, we envy their friendship, their bond, their love. we long for nothing else, yet when confronted with them in real life, we belittle, avoid, cut-off, ignore. we don't want to disturb the utopia, are terrified of bursting the bubble, because if we start recognizing the flaws in our fantasies, we'll be forced to recognize our own. we love to live an à la carte life, wherein we pick and choose the qualities and personalities of a person that we wish to see, and the ones that may simply be brushed away. Generation after generation, will watch that show and call it their utopia, and each will give up hope of ever attaining that, alas! It was a different time! what we long for doesn't require a time machine to achieve, it doesn't need for mobile phones to not exist, or for less bars to exist, or to live away from your parents. it's only as complicated as we try to make it, when it can be as simple as, "I'll be there for you, 'cause you're there for me too
Suraj