Reels Video Quotes

We've searched our database for all the quotes and captions related to Reels Video. Here they are! All 16 of them:

You are such a dork,” I exclaim as my fingers flit over the multitude of images and videos of Will Smith. Pinned quotes and sayings are highlighted, and I chuckle when I recognize a few. “Oh. My. God. Did you actually learn these on purpose?” He reels me into his arms and kisses the top of my head. “Will I be cementing my dork status if I answer affirmatively?” “Absolutely.” I look up into his beautiful eyes. “But I only love you more for it.
Siobhan Davis ™ (Saven Defiance (Saven #4))
It is always the best policy to speak the truth — unless, of course, you are an exceptionally good liar.
Joyce Nance (Reel to Real: The Video Store Murders)
If you don't want anyone to know, don't do it.” CHINESE PROVERB
Joyce Nance (Reel to Real: The Video Store Murders)
[Rylie:] I was thinking about that short you directed--The Pier. I wondered if you had a video or a reel of it somewhere. [Finn:] You want to see my short. Why? [Rylie:] Color me curious.
Jessica Lave (Quiet on the Set: A Novel)
The goal here is to document what YOU do, not what you think everyone else should do. When you position yourself as someone who is on a journey and document your process and your progress, you become relatable, and that is what audiences long for. Some of my most popular videos feature me failing, often. It’s fascinating that people want to see what’s really going on, not the highlight reel we think they want.
Noah Kagan (Million Dollar Weekend: The Surprisingly Simple Way to Launch a 7-Figure Business in 48 Hours)
It is miserably clear that the video has been shot by a third conspirator who is burdened with a consumer-grade camcorder and reeling from some kind of inner-ear disease that he or she would like to share with others.
Neal Stephenson (Cryptonomicon)
So let me get this straight,” Ysabel asked. “You lost five prisoners, have no idea how or when, have no video footage due to some malfunction, and you can’t even make one chained up soul talk?” “When you put it that way, it sounds bad.” Ysabel stepped up to the warden and although she remained shorter than him by almost a foot, she seemed to grow somehow in presence. “What’s bad is if you let any more prisoners escape, the Devil won’t have to fire you because I’ll come down here myself, carve your body parts off one at a time and feed them to the hounds. Incompetence is unacceptable and I will not tolerate it.” “Yes, ma’am.” Remy laughed as Crax reeled back from her, a dazed look on his face. He was still chuckling as they exited the rusted gates. “What is so damned funny?” she asked through gritted teeth. “You. I mean, you couldn’t even hold your own against Pedro last night and yet you’re threatening the warden of Hell’s Prison. That takes balls.” He received no warning, just a flick of her hand and he went flying, his impromptu airborne status halted by a crag of rock. And not a smooth one. -Ysabel, Crax, & Remy
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
This was a fantasy come true. He had real guns, real bullets, and was shooting real people. He was pulling the trigger; he wasn’t just watching a movie. He was the writer, the director, the star. He did not want it to end. This scene had everything. It had the guns and it had the blood, but most of all, it had the power.
Joyce Nance (Reel to Real: The Video Store Murders)
For those few glorious couple of hours — when they finally had time to be alone, Esther was happy; hopeful happy. It was like old times, like nothing bad had ever happened and they were just an ordinary, carefree couple in love.
Joyce Nance (Reel to Real: The Video Store Murders)
All bad precedents begin as justifiable measures.” JULIUS CAESAR
Joyce Nance (Reel to Real: The Video Store Murders)
If the only tool you have is a hammer, you tend to see every problem as a nail.” ABRAHAM MASLOW
Joyce Nance (Reel to Real: The Video Store Murders)
Evil is unspectacular and always human, and shares our bed and eats at our own table.” W.H. AUDEN
Joyce Nance (Reel to Real: The Video Store Murders)
also brought home a set of fly-fishing how-to videotapes. This is the eighties, I reasoned, the age of video. What better way to take up a sport than from a comfortable armchair? That’s where I’m at my best with most sports anyway. There were three tapes. The first one claimed it would teach me to cast. The second would teach me to “advanced cast.” And the third would tell me where trout live, how they spend their weekends, and what they’d order for lunch if there were underwater delicatessens for fish. I started the VCR and a squeaky little guy with an earnest manner and a double-funny hat came on, began heaving fly line around, telling me the secret to making beautiful casting loops is … Whoever made these tapes apparently assumed I knew how to tie backing to reel and line to backing and leader to line and so on all the way out to the little feather and fuzz fish snack at the end. I didn’t know how to put my rod together. I had to go to the children’s section at the public library and check out My Big Book of Fishing and begin with how to open the package it all came in. A triple granny got things started on the spool. After twelve hours and help from pop rivets and a tube of Krazy Glue, I managed an Albright knot between backing and line. But my version of a nail knot in the leader put Mr. Gordian of ancient Greek knot fame strictly on the shelf. It was the size of a hamster and resembled one of the Woolly Bugger flies I’d bought except in the size you use for killer whales. I don’t want to talk about blood knots and tippets. There I was with two pieces of invisible plastic, trying to use fingers the size of a man’s thumb while holding a magnifying glass and a Tensor lamp between my teeth and gripping nasty tangles of monofilament with each big toe. My girlfriend had to come over and cut me out of this with pinking shears. Personally, I’m going to get one of those nine-year-old Persian kids that they use to make incredibly tiny knots in fine Bukhara rugs and just take him with me on all my fishing trips.
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
One popular picture quote is attributed to Steven Furtick: “The reason we struggle with insecurity is because we compare our behind the scenes with everyone else’s highlight reel.” That’s a fine statement. There’s some truth there. Too often, we do compare their sparkle to our shambles. In this Facebook age, our friend’s perfect family picture pops up on the day we didn’t have time to shower or get the kids out of their pajamas. We fight with our spouse, then get on Instagram and see a friend’s “so romantic” date night. But here’s my problem with this as a proposed remedy for comparison: What if my ugly really is uglier than your ugly? What if their marriage fight is over toothpaste and yours is over infidelity? What if their parenting problems are too many video games while yours involve serious rebellion? What if she battles the scale for ten pounds while you’re fighting to lose a hundred? I wonder if this quote instructs us to compare our worst with someone else’s worst, instead of quitting comparison altogether. How do we stop comparing when we really are struggling? Pretty platitudes can’t answer this question.
Heather Creekmore (The Burden of Better: How a Comparison-Free Life Leads to Joy, Peace, and Rest)
in making decisions about what to keep, we inevitably have to make decisions about what to throw away. You cannot highlight the main takeaways from an article without leaving some points out. You cannot make a highlight reel of a video without cutting some of the footage. You cannot give an effective presentation without leaving out some slides.
Tiago Forte (Building a Second Brain: A Proven Method to Organise Your Digital Life and Unlock Your Creative Potential)
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))