Rebels Deep Quotes

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There's a rebel lying deep in my soul. Anytime anybody tells me the trend is such and such, I go the opposite direction. I hate the idea of trends. I hate imitation; I have a reverence for individuality.
Clint Eastwood (Wild Open Spaces: Why We Love Westerns)
And I — my head oppressed by horror — said: "Master, what is it that I hear? Who are those people so defeated by their pain?"       And he to me: "This miserable way is taken by the sorry souls of those who lived without disgrace and without praise.       They now commingle with the coward angels, the company of those who were not rebels nor faithful to their God, but stood apart.       The heavens, that their beauty not be lessened, have cast them out, nor will deep Hell receive them — even the wicked cannot glory in them.
Dante Alighieri (Inferno)
It's never been true, not anywhere at any time, that the value of a soul, of a human spirit, is dependent on a number on a scale. We are unrepeatable beings of light and space and water who need these physical vehicles to get around. When we start defining ourselves by that which can be measured or weighed, something deep within us rebels. We don't want to EAT hot fudge sundaes as much as we want our lives to BE hot fudge sundaes. We want to come home to ourselves. (p. 174-5)
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consiousness of self, deep inner feelings, an excruciating inner yearning for life and self-expression and with all this yet to die. It seems like a hoax, which is why one type of cultural man rebels openly against the idea of God. What kind of deity would crate such a complex and fancy worm food?
Ernest Becker (The Denial of Death)
You’ve made mistakes, yes. And I have no doubt, just as anyone who lives and breathes, that you will make many more in your life. But it doesn’t change who you are deep down inside.
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
Deep-fried Oreos were sent from heaven to prove God loves us.
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
I know it's selfish of me to even think of sayin this. You deserve a guy who'll... pluck the stars from the sky and lay 'em at yer feet. I'm the kinda guy who'd step on 'em on my way out the door. I ain't got nuthin to offer you. He takes my hands in his. I jest want you to know that... How I feel about you ain't changed. No. That ain't true. It has changed. It's grown stronger. He touches my face. You run deep in me Saba.
Moira Young (Rebel Heart (Dust Lands, #2))
Reluctantly she lifted her eyes to his, and he went on: "I want you to understand this as though I were one of your own people." He drew in a deep breath. "Thank you. Thank you for your friendship. Thank you for my life.
R.J. Anderson (Spell Hunter (Faery Rebels, #1))
A KISS! A KISS!" the crowd chanted. (...) "I dont know," Cleo began, sickened by the thought of it. How far was she willing to go to appear agreeable? "Quite honestly, it seems like a bad--" Magnus took a tight hold of her arm and turned her around. Before she could say another word, he put his hand behind her neck, drew her closer to him, and kissed her. Every muscle in her body stiffened. It was the sensation of being a bird caught in a hinter's trap. Her wings screamed out for her to fly away as fast and as far as possible. But he held her firmly in place, his mouth against hers, soft but demanding a response. She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown. And for a moment, just a moment, she found it didn't seem to matter. The warmth of his body against hers on such a cold day, his now-familiar scent of sandalwood, the heat of his mouth against hers...it all made her head spin, and logic fell away.
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
There's some wounds that run too deep to be seen. They're the most dangerous.
Moira Young (Rebel Heart (Dust Lands, #2))
What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consciousness of self, deep inner feelings, an excruciating inner yearning for life and self-expression and with all this yet to die. It seems like a hoax, which is why one type of cultural man rebels openly against the idea of God. What kind of deity would create such a complex and fancy worm food?
Ernest Becker (The Denial of Death)
Teachers dread nothing so much as unusual characteristics in precocious boys during the initial stages of their adolescence. A certain streak of genius makes an ominous impression on them, for there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A schoolmaster will prefer to have a couple of dumbheads in his class than a single genius, and if you regard it objectively, he is of course right. His task is not to produce extravagant intellects but good Latinists, arithmeticians and sober decent folk. The question of who suffers more acutely at the other's hands - the teacher at the boy's, or vice versa - who is more of a tyrant, more of a tormentor, and who profanes parts of the other's soul, student or teacher, is something you cannot examine without remembering your own youth in anger and shame. yet that's not what concerns us here. We have the consolation that among true geniuses the wounds almost always heal. As their personalities develop, they create their art in spite of school. Once dead, and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. Thus the struggle between rule and spirit repeats itself year after year from school to school. The authorities go to infinite pains to nip the few profound or more valuable intellects in the bud. And time and again the ones who are detested by their teachers are frequently punished, the runaways and those expelled, are the ones who afterwards add to society's treasure. But some - and who knows how many? - waste away quiet obstinacy and finally go under.
Hermann Hesse (Beneath the Wheel)
There is this common notion that people are shallow and ignorant until they go out and see the world. I, on the other hand, went out and in comparison realized I was in pretty good standing.
Criss Jami (Healology)
Social media is basically standing at a bucket filled with other people’s vomit and you suck the vomit through a straw, and gag and wince at the unbearable taste of other people’s vomit. Yet strangely we continue to suck through the straw as if we’ve never tasted such lovely vomit. And then before you know it you’re old and you’re grey. And that’s the end of you. A lonely death. Your gravestone is marked with the six saddest words: Social Media Drained My Soul Away And they all mourn your loss at a budget funeral service while updating their social media statuses on mobile phones apps. And in years to come nobody remembers any of your updates; even those updates that you deep-down believed were going to bring about world peace. The Digital Age is more disposable than nappies and just as full of shit.
Rupert Dreyfus (The Rebel's Sketchbook)
The heartstone burns, fierce an true. I bin missin him so deep. It hurts my heart to see him agin. I open my mouth to call his name. I stop myself. His head snaps in my direction. Like he knows I'm here.
Moira Young (Rebel Heart (Dust Lands, #2))
I vowed that I would never tell anyone of my shame. They say that when you kept a secret, it eats you up inside, but I felt it was better that way. I wanted to appear strong in front of my children and my family. I didn't want anybody to know. And I would maintain my persona as Jenni, the Rivera Rebel who had never lost a fight. But deep down inside I knew I had lost a piece of myself that I would never recover. My soul had been shattered, but to the outside world I did just as I had been taught since I was a little girl; I kept my head up and continued forward. It is, after all, the Rivera way.
Jenni Rivera (Unbreakable: My Story, My Way)
he’s staring at me, so intense and focused, as though I’m the only thing he sees or cares about in this moment. I already know, deep down in my bones, that being looked at like that by him will be an addiction I won’t be able to shake.
Callie Hart (Rebel (Dead Man's Ink, #1))
The cases described in this section (The Fear of Being) may seem extreme, but I have become convinced that they are not as uncommon as one would think. Beneath the seemingly rational exterior of our lives is a fear of insanity. We dare not question the values by which we live or rebel against the roles we play for fear of putting our sanity into doubt. We are like the inmates of a mental institution who must accept its inhumanity and insensitivity as caring and knowledgeableness if they hope to be regarded as sane enough to leave. The question who is sane and who is crazy was the theme of the novel One Flew Over The Cuckoo's Nest. The question, what is sanity? was clearly asked in the play Equus. The idea that much of what we do is insane and that if we want to be sane, we must let ourselves go crazy has been strongly advanced by R.D. Laing. In the preface to the Pelican edition of his book The Divided Self, Laing writes: "In the context of our present pervasive madness that we call normality, sanity, freedom, all of our frames of reference are ambiguous and equivocal." And in the same preface: "Thus I would wish to emphasize that our 'normal' 'adjusted' state is too often the abdication of ecstasy, the betrayal of our true potentialities; that many of us are only too successful in acquiring a false self to adapt to false realities." Wilhelm Reich had a somewhat similar view of present-day human behavior. Thus Reich says, "Homo normalis blocks off entirely the perception of basic orgonotic functioning by means of rigid armoring; in the schizophrenic, on the other hand, the armoring practically breaks down and thus the biosystem is flooded with deep experiences from the biophysical core with which it cannot cope." The "deep experiences" to which Reich refers are the pleasurable streaming sensations associated with intense excitation that is mainly sexual in nature. The schizophrenic cannot cope with these sensations because his body is too contracted to tolerate the charge. Unable to "block" the excitation or reduce it as a neurotic can, and unable to "stand" the charge, the schizophrenic is literally "driven crazy." But the neurotic does not escape so easily either. He avoids insanity by blocking the excitation, that is, by reducing it to a point where there is no danger of explosion, or bursting. In effect the neurotic undergoes a psychological castration. However, the potential for explosive release is still present in his body, although it is rigidly guarded as if it were a bomb. The neurotic is on guard against himself, terrified to let go of his defenses and allow his feelings free expression. Having become, as Reich calls him, "homo normalis," having bartered his freedom and ecstasy for the security of being "well adjusted," he sees the alternative as "crazy." And in a sense he is right. Without going "crazy," without becoming "mad," so mad that he could kill, it is impossible to give up the defenses that protect him in the same way that a mental institution protects its inmates from self-destruction and the destruction of others.
Alexander Lowen (Fear Of Life)
This rebel would but toss his head, and men,slaves,horses, towers...all the accursed levels above him...would come tumbling down. God always works in this way. Deep in the foundations of wrong he buries the small despised cry of justice.
Nikos Kazantzakis (The Last Temptation of Christ)
At a deep, unconscious level, Broud sensed the opposing destinies of the two. Ayla was more than a threat to his masculinity, she was a threat to his existence. His hatred of her was the hatred of the old for the new, of the traditional for the innovative, of the dying for the living. Broud’s race was too static, too unchanging. They had reached the peak of their development; there was no more room to grow. Ayla was part of nature’s new experiment, and though she tried to model herself after the women of the clan, it was only an overlay, a façade only culture-deep, assumed for the sake of survival. She was already finding ways around it, in answer to a deep need that sought an avenue of expression. And though she tried in every way she could to please the overbearing young man, inwardly she began to rebel.
Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
It's the deep, fundamental bedrock of hypocrisy upon which religion is founded. Consider: no creature can be said to worship if it does not possess free will. Free will, however, is FREE. And just by virtue of being free, is intractable and incalculable, a truly Godlike gift, the faculty that makes a state of freedom possible. To exist in a state of freedom is a wild, strange thing, and was clearly intended as such. But what to the religions do with this? They say, "Very well, you possess free will; but now you must use your free will to enslave yourself to God and to us." The effrontery of it! God, who would not coerce a fly, is painted as a supreme slavemaster! In the fact of this, any creature with spirit must rebel, must serve God entirely of his own will and volition, or must not serve him at all, thus remaining true to himself and to the faculties God has given him.
Robert Sheckley (Dimension of Miracles (Dimension of Miracles #1))
Amory, sorry for them, was still not sorry for himself - art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria - he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights... There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth - yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams... And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed... He stretched out his arms to the crystalline, radiant sky. "I know myself," he cried, "but that is all.
F. Scott Fitzgerald (This Side of Paradise)
Risk is the ultimate differentiator. I have always had a deep and complex relationship with it. I am not a reckless person, but taking risks is really the only way to consistently achieve above-average returns—in life as well as in investments. My father proved that when he left Poland. I am probably more comfortable with risk than most people. That’s because I do as much as I can to understand it. To me, risk-taking rests on the ability to see all the variables and then identify the ones that will make or break you.
Sam Zell (Am I Being Too Subtle?: Straight Talk From a Business Rebel)
we’ll have for a president a symbolic Rebel against his own power whose election was underwritten by inhuman soulless profit-machines whose takeover of American civic and spiritual life will convince Americans that rebellion against the soulless inhumanity of corporate life will consist in buying products from corporations that do the best job of representing corporate life as empty and soulless. We’ll have a tyranny of conformist nonconformity presided over by a symbolic outsider whose very election depended on our deep conviction that his persona is utter bullshit. A rule of image, which because it’s so empty makes everyone terrified—they’re small and going to die, after all—
David Foster Wallace (The Pale King: An Unfinished Novel)
Though his countenance was solemn, there was a glint of amusement in his eyes. "Major MacKinnon, won't you join us?" "But, my lord, he is clad in outlawed rebel attire. The Dress Act expressly forbids--" "I am not blind, Colonel, and I am familiar with our laws." Sarah fought back a smile. Colonel Haviland lowered his voice, leaned toward Uncle William. "He was invited to pay respects to your niece, my lord, and he has the gall to--" "I _am_ payin' my respects to the lass!" Connor's deep voice filled the room, cutting Colonel Haviland off altogether.
Pamela Clare (Defiant (MacKinnon's Rangers, #3))
The key to contagious grace—the grace that allows the margins to move to the center, the grace that commands you to never fear the future, the grace that reveals that what humbles you cannot hurt you if Jesus is your Lord—that grace is ours when we do what Mary says to do in this scene. She says to the servants (and the Holy Spirit says to us): “Do whatever he tells you” (John 2:5). Simple, right? No. We cannot will ourselves into the deep obedience that God requires. We can’t obey until we ourselves have received this grace and picked up our cross. We can’t obey until we have laid down our life, with all our false and worldly identities and idols. We can’t obey until we face the facts: the gospel comes in exchange for the life we once loved. But when we die to ourselves, we find the liberty to obey. As Susan Hunt explains, “When God’s grace changes our status from rebel to redeemed, we are empowered by his Spirit to obey him. We are transformed by the renewing of our minds (Rom. 12:2) into his likeness (2 Cor. 3:18). Joyful obedience is the evidence of our love for Jesus (John 14:15).”2
Rosaria Champagne Butterfield (The Gospel Comes with a House Key: Practicing Radically Ordinary Hospitality in Our Post-Christian World)
It is not the dead rather the ones who lives through war have seen the dreadful end of the war, you might have been victorious, unwounded but deep within you, you carry the mark of the war, you carry the memories of war, the time you have spend with your comrades, the times when you had to dug in to foxholes to avoid shelling, the times when you hate to see your comrade down on the ground, feeling of despair, atrocities of the war, missing families, home. They live through hell and often the most wounded, they live with the guilt, despair, of being in the war, they may be happy but deep down they are a different person. Not everyone is a hero. You live with the moments, time when you were unsuccessful, when your actions would have helped your comrades, when your actions get your comrades killed, you live with regret, joyous in the victory can never help you forget the time you have spent. You are victorious for the people you have lost, the decisions you have made, the courage you have shown but being victorious in the war has a price to pay, irrevocable. You can't take a memory back from a person, even if you lose your memory your imagination haunts you as deep down your sub conscious mind you know who you are, who you were. Close you eyes and you can very well see your past, you cant change your past, time you have spent, you live through all and hence you are a hero not for the glorious war for the times you have faced. Decoration with medals is not going to give your life back. the more you know, more experiences doesn't make it easy rather make its worse. Arms and ammunition kills you once and free you from the misery but the experiences of war kills you everyday, makes you cherish the times everyday through the life. You may forgot that you cant walk anymore, you may forget you cant use your right hand, you may forgot the scars on your face but you can never forgot war. Life without war is never easy and only the ones how survived through it can understand. Soldiers are taught to fight but the actual combat starts after war which you are not even trained for. You rely on your weapon, leaders, comrades, god, luck in the war but here you rely on your self to beat the horrors,they have seen hell, heaven, they have felt the mixed emotions of hope, despair, courage, victory, defeat, scared.
Pushpa Rana (Just the Way I Feel)
God knows what I would have given to be able to sleep a few moments. But deep inside, I knew that to sleep meant to die. And something in me rebelled against that death.
Elie Wiesel (Night)
The violent do not trust in deep mysteries, they rebel against the Tao and the power
Lao Tzu (Tao Te Ching)
We don’t like to hurt. And there is no worse pain for fallen people than facing an emptiness we cannot fill. To enter into pain seems rather foolish when we can run from it through denial. We simply cannot get it through our head that, with a nature twisted by sin, the route to joy always involves the very worst sort of internal suffering we can imagine. We rebel at that thought. We weren’t designed to hurt. The physical and personal capacities to feel that God built into us were intended to provide pleasures, like good health and close relationships. When they don’t, when our head throbs with tension and our heart is broken by rejection, we want relief. With deep passion, we long to experience what we were designed to enjoy.
Larry Crabb
I’m not too upset to answer that.” Peeta takes a deep breath and then looks straight into the camera. “I want everyone watching — whether you’re on the Capitol or the rebel side — to stop for just a moment and think about what this war could mean. For human beings. We almost went extinct fighting one another before. Now our numbers are even fewer. Our conditions more tenuous.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
He’s going to get hurt. And he’s got to know you’re someone safe to come back to. He’s going to feel that in his bones. Just like I do. Because loving someone doesn’t mean needing them to be what you want them to be or swaddling them in bubble wrap so they can’t move. It means them knowing, deep down inside of their heart, you’re going to be there to hold them when they fall and celebrate when they fly.
Rhys Ford (Rebel (415 Ink, #1))
The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-" "It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets. Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent." "That makes two of us." He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her. "Leave," Farah ordered, unable to face him for fear she'd lost her nerve. "Stand up and make me.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
Yoga is not something a person practices with music or mirrors or any other distraction. It's purpose is less about samyoga than it is about viyoga, which is to say, it is more about disconnecting than it is about connecting which many Westerners find strange, until they hear it explained. The reason a person practices every day is to disconnect from their deep connection to suffering. The author of the ancient Yogatattva Upanishad believed that without the practice of yoga, it was entirely impossible to set the atman free. The atman, of course, is the soul. And just as the rani said, we are so burdened down by our daily worries that many of us have become no different than beasts. We walk around eating and drinking and caring very little about our purpose in this life. Some of us are not even very clever beasts. We are merely trudging through our work, yoked to some terrible master or job. The goal of yoga is to changed all of this; to remind the human who has become like an ox that their yoke and harness can be taken off, even if it's only for a few minutes a day, and that through silencing the mind, we can silence greed, and hunger, and desire as well.
Michelle Moran (Rebel Queen)
You can see where it’s going. The extraordinary political apathy that followed Watergate and Vietnam and the institutionalization of grass-roots rebellion among minorities will only deepen. Politics is about consensus, and the advertising legacy of the sixties is that consensus is repression. Voting’ll be unhip: Americans now vote with their wallets. Government’s only cultural role will be as the tyrannical parent we both hate and need. Look for us to elect someone who can cast himself as a Rebel, maybe even a cowboy, but who deep down we’ll know is a bureaucratic creature who’ll operate inside the government mechanism instead of naively bang his head against it the way we’ve watched poor Jimmy do for four years.
David Foster Wallace (The Pale King: An Unfinished Novel)
There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
I love you, Catherine. You claimed my heart soon after we met, a beautiful Highland selkie who kept me safe within her cave. No one ever came to my rescue before. I laughed and I teased you, but I'd never been so deeply moved. While I was waiting at The Hague, I promised myself I'd tell you as soon as I saw you again." He wet a taut nipple with his tongue and blew on it gently. "It made me very happy to admit it. You're the only one I've ever truly loved." He turned his attention to the other tip, one hand plumping her as the other tickled its peak. She whimpered and he soothed her with a wet kiss. She moaned, gripping his shoulders as her heels dug in the ground. He lifted his head and looked straight into her eyes. "I feared I'd lost you when I saw you in that river. You're the only thing that gives my life meaning, Catherine. I love you." His lips brushed the corner of her mouth. "I love you," he breathed against her lips. "I love you!" He enfolded her in his arms and thrust his tongue deep in her mouth, claiming her in a voluptuous kiss.
Judith James (Highland Rebel)
As much as I approve of your change in tactics, Morley, dangling this tasty piece in front of me still won't have the desired effect." Blackwell's voice reached out to her like the first unwelcome tendrils of frost in winter. Deep, smooth, caustic, and bitter cold.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
I was a storm of calamity, cast adrift on a sea of black doings and loosely drawn rebel rules. He was an old growth oak with roots sunk deep into rich earth, limbs stretching wide across the sky, standing sentry across centuries as the world toiled away beneath its leaves.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A school master will prefer to have a couple of dumbheads in class than a … genius. … His task is not to produce extravagant intellectuals but good Latinists, arimeticians and sober decent folk. … We have the consolation that among true geniuses the wounds always heal. … they create their art in spite of school. Once dead and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. … Time and again the ones who are detested by their teachers … are afterwards the ones who add to society's treasure.
Hermann Hesse (Beneath the Wheel)
It's made of poetry and art and lost hearts enhanced in magic It's the kingdom of love, where free spirits find their resilience It's the dream catcher of lost passion and deep silence It's the torso where rebel souls find their homeland It's the beginning of a dream and the end of another It's what keeps you up in the night, when you're breathing dreams It's that madness of artists caught in the wind It's the night on a full moon drown between chimeras It's you making love to me, under the blessings of Seine..." (fragment from "Paris", chapter Hope)
Claudia Pavel (The odyssey of my lost thoughts)
Most citizens of Leo Mega consider the ARK rebels an urban legend—the fable of a community beyond the walls, deep in the jungle, it has been told for the last sixty to eighty years. However, with a recent increase in gossip on the subject, more citizens have been enticed to escape.
Julian Fernandes (Ark Part I (Earth’s Final Chapter #6))
She had come out of her first illness alive with new hopes, expecting so much, yet deprived of any subsistence except Dick, bringing up children she could only pretend gently to love, guided orphans. The people she liked, rebels mostly, disturbed her and were bad for her--she sought in them the vitality that had made them independent or creative or rugged, sought in vain--for their secrets were buried deep in childhood struggles they had forgotten. They were more interested in Nicole's exterior harmony and charm, the other face of her illness. She led a lonely life owning Dick who did not want to be owned.
F. Scott Fitzgerald (Tender Is the Night)
We should be in my bed right now. I should be kissing your breasts, sucking your nipples, tasting your honey. I should be sinking inside you slow and hot and so deep that you’ll be begging me to make it fast, then make it last. I should be feeling your sweet grip on my cock, and I bet you grip hard, Harper, ’cause you’re the kind of woman who takes no prisoners. I should be squeezing that gorgeous ass of yours while I pump in and out, looking for that spot that’ll light you up. I need you to know that in another universe, this would be a done deal, and the only thing stopping me from making you mine is that in this universe, my current employment situation stops me from making good on all the dirty things I’m dying to do to you. You understand?
Kate Meader (Irresistible You (Chicago Rebels, #1))
A child will twist his own mind into knots to protect his image of a parent as caring, loving, committed. It never occurs to a child that a parent doesn’t have his best interest in mind. Why won’t a child speak his mind to a neglectful parent? Easy: he fears losing his sacred bond. He knows, on some deep level, that the cost of rebelling is abandonment, and no child will take the risk of that loss.
Brad Wetzler (Into the Soul of the World: My Journey to Healing)
Father, thank you for your deep and endless mercy to rebels like us. We have trampled on the blood of your precious and only Son, time and time again. We know that we deserve your wrath, and yet when we approach you we find grace and mercy instead. Father, we cannot fathom the cost to your heart of pouring out so much anger on your perfect Son. Father, we are so grateful that you were willing to suffer so much for us.
Barbara R. Duguid (Prone to Wander: Prayers of Confession and Celebration)
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
The Beautiful General stood up over and over again for those who couldn't stand for themselves, and others stood with her. And she won every fight, one after the other, the way her father had taught her to. Until the day she lost. The general's daughter was punished for daring to ask for a better world. She was sent deep into the darkness, hidden away, where a good death would never find her. ... And for once she could find no escape, not even with her quick and clever mind. For the first time, the general's daughter was forced to watch instead of standing to fight. ... The Beautiful General's back ached from bowing it when she didn't want to. Her eyes hurt from turning away when men and women burned. Her throat pained from being silent. So the general loosened her tongue, opened her eyes, and straightened her back. And she stood up to walk into death...
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
the young Romantics began to feel a deep sense of connection to the world around them. They wanted to see the world through the lens of their own selves. Instead of just visiting museums and cities, this new generation scrambled into caves, slept in forests and hiked up mountains to be in nature. They wanted to feel rather than observe what they were seeing. They wanted to discover themselves in nature and ‘to be one with everything living’,
Andrea Wulf (Magnificent Rebels: The First Romantics and the Invention of the Self)
Everything lives on earth according to the law of nature, and from that law emerges the glory and joy of liberty; but man is denied this fortune, because he set for the God-given soul a limited and earthly law of his own. He made for himself strict rules. Man built a narrow and painful prison in which he secluded his affections and desires. He dug out a deep grave in which he buried his heart and its purpose. If an individual, through the dictates of his soul, declares his withdrawal from society and violates the law, his fellowmen will say he is a rebel worthy of exile, or an infamous creature worthy only of execution. Will man remain a slave of self-confinement until the end of the world? Or will he be freed by the passing of time and live in the Spirit for the Spirit? Will man insist upon staring downward and backward at the earth? Or will he turn his eyes toward the sun so he will not see the shadow of his body amongst the skulls and thorns?
Kahlil Gibran (11 Books: The Prophet / Spirits Rebellious / The Broken Wings / A Tear and a Smile / The Madman / The Forerunner / Sand and Foam / Jesus the Son of Man / Lazarus and His Beloved / The Earth Gods / The Wanderer / The Garden of the Prophet)
I was a storm of calamity, cast adrift on a sea of black doings and loosely drawn rebel rules. He was an old growth oak with roots sunk deep into rich earth, limbs stretching wide across the sky, standing sentry across centuries as the world toiled away beneath its leaves. I could whip around that kind of man, cause hurricanes with my spirit, quake the earth with my tempers, but none of it mattered. He would remain untouched no matter what I did, no matter what anyone did. He was just so simply and profoundly good.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
Any other orders?" "No,but an observation." "I'm fascinated." "No,you're irritated again,but I'll tell you anyway.Your mouth's more appealing naked as it is now than when it's painted as it was this morning." "So you don't approve of lipstick?" "Not at all.Some women need it.You don't, so it's just a distraction." Baffled,nearly amused,she shook her head. "Thanks so much for the advice." She started for the house-where she'd been going to change into something cooler in the first place. "Keeley." She stopped,but instead of turning merely glanced over her shoulder to where he stood,thumbs in the pockets of ancient jeans. "Yes?" "It's nothing.I just wanted to try out your name.I like it." "So do I.Isn't that handy?" This time he blew out a breath as she strode off-long legs in tight pants and tall boots. He lifted her soft drink, took a deep sip.Playing with fire with that one,Donnelly,he warned himself. Since he was damned sure singed fingers wouldn't be all he would get if he risked a touch,it was best to back away before the heat became too tempting to resist.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
It's all right, Adam," she murmured, stroking the damp hair that still adorned all but the back of his head.  "Just relax." Adam stared fixedly at the wall, his lips just grazing the bloodstained pillow.  "Not Adam . . . Charles." It came out Chaaahles, on a deep and startlingly elegant drawl that left the "r" from the name and marked him as anything but the rebel they'd all assumed him to be. Amy's jaw dropped open and horrified, she whirled to stare at her brother.  "He's a —" "Redcoat."  Will went green and shot a terrified glance at the door through which the doctor had just passed.  "An officer, if you must know."  He hugged his arms to himself and stared at Amy, his lower lip thrust out, his eyes both fearful and defiant.  He looked like the frightened child he was.  "What would you have me do, leave him out in a field to die?" Amy, paling, grabbed Will by the sleeve.  "Do you realize what you've done?" Will looked as though he were about to cry.  "Now you know why I was half-hoping he wouldn't make it." "Why on earth did you bring him home?" "I felt guilty." "For heaven's sake, Will!" Beneath
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A school master will prefer to have a couple of dumbheads in class than a […] genius. […] His task is not to produce extravagant intellectuals but good Latinists, arimeticians and sober decent folk. […] We have the consolation that among true geniuses the wounds always heal. […] they create their art in spite of school. Once dead and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. […] [T]ime and again the ones who are detested by their teachers […] are afterwards the ones who add to society's treasure.
Hermann Hesse (Beneath the Wheel)
How do we stay on the narrow path of following God's will in every sphere of life? How do we maintain sure footing and not fall into the temptation of rebellion on one side, or the temptation of legalism on the other? God has not sent us out across a tightrope! Yes, the path is narrow, but on both sides of the path is a solid handrail, driven down deep into the rock. What has God given to us that we might not rebel against Him? He has given us His sufficient Word. What has God given us that we might not become legalists and elevate our words above His? He has given us His sufficient word.
Rob Rienow
Kierkegaard's torment was the direct result of seeing the world as it really is in relation to his situation as a creature. The prison of one's character is painstakingly built to deny one thing and one thing alone: one's creatureliness. The creatureliness is the terror. Once admit that you are a defecating creature and you invite the primeval ocean of creature anxiety to flood over you. But it is more than creature anxiety, it is also man's anxiety, the anxiety that results from the human paradox that man is an animal who is conscious of his animal limitation. Anxiety is the result of the perception of the truth of one's condition. What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consciousness of self, deep inner feelings, an excruciating inner yearning for life and self-expression-and with all this yet to die. It seems like a hoax, which is why one type of cultural man rebels openly against the idea of God. What kind of deity would create such complex and fancy worm food? Cynical deities, said the Greeks, who use man's torments for their own amusement.
Ernest Becker (The Denial of Death)
what it’s like to struggle with sin (Rom. 7), he tells a story we are all too familiar with: I decide to do good, but I don’t really do it; I decide not to do bad, but then I do it anyway. My decisions, such as they are, don’t result in actions. Something has gone wrong deep within me and gets the better of me every time. It happens so regularly that it’s predictable. The moment I decide to do good, sin is there to trip me up. I truly delight in God’s commands, but it’s pretty obvious that not all of me joins in that delight. Parts of me covertly rebel, and just when I least expect it, they take charge. (The Message)
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
I can’t marry you,” I finally said. He nodded slowly. “I figured that out.” His mouth opened, then shut quickly, and he went back to waiting. But I couldn’t figure out where to begin, because I couldn’t understand Declan. There was a sadness deep in his eyes, but he didn’t look as if I’d just rejected his proposal. He didn’t look like the girl he’d thought was his fiancée had just told him she couldn’t marry him. He looked as if he had been waiting for this conversation. “Why, Rorie?” he said pleadingly. “Why won’t you?” “I’m sorry, Dec. I’m so sorry. I never wanted to hurt you, but I—” I sucked in a sharp breath, as if my body was rebelling against voicing the truth to him again, then forced out: “I fell in love with Jentry.” He winced in pain. “It was before I ever met you. I just didn’t know who he was. I didn’t know who he was to you, and didn’t think that I would see him again! I’m sorry! I didn’t mean for this to happen, but I couldn’t continue a relationship with you when my heart belonged to someone else. It wasn’t fair to you. You have to understand than I never wanted to hurt you; he never wanted to hurt you.” Declan’s lips formed a sad smile after a few moments. “God, that hurts just as much hearing it the second time.
Molly McAdams (I See You)
We find, therefore, Lowell and Mailer ostensibly locked in converse. In fact, out of the thousand separate enclaves of their very separate personalities, they sensed quickly that they now shared one enclave to the hilt: their secret detestation of liberal academic parties to accompany worthy causes. Yes, their snobbery was on this mountainous face close to identical—each had a delight in exactly the other kind of party, a posh evil social affair, they even supported a similar vein of vanity (Lowell with considerably more justice) that if they were doomed to be revolutionaries, rebels, dissenters, anarchists, protesters, and general champions of one Left cause or another, they were also, in private, grands conservateurs, and if the truth be told, poor damn émigré princes. They were willing if necessary (probably) to die for the cause—one could hope the cause might finally at the end have an unexpected hint of wit, a touch of the Lord’s last grace—but wit or no, grace or grace failing, it was bitter rue to have to root up one’s occupations of the day, the week, and the weekend and trot down to Washington for idiot mass manifestations which could only drench one in the most ineradicable kind of mucked-up publicity and have for compensation nothing at this party which might be representative of some of the Devil’s better creations. So Robert Lowell and Norman Mailer feigned deep conversation. They turned their heads to one another at the empty table, ignoring the potentially acolytic drinkers at either elbow, they projected their elbows out in fact like flying buttresses or old Republicans, they exuded waves of Interruption Repellent from the posture of their backs, and concentrated on their conversation, for indeed they were the only two men of remotely similar status in the room. (Explanations about the position of Paul Goodman will follow later.)
Norman Mailer (The Armies of the Night: History as a Novel, the Novel as History)
Her eyes were liquid silver as they narrowed at him, swirling with as many mysteries as the stars in the night sky. "I want a family," she murmured. "And I'll do what I must to get it." The naked, aching honesty in her voice pierced him with a poisoned arrow, and he could feel the toxins spreading through his blood. Soon he would be completely paralyzed, a victim of the opposing forces now quarreling inside him like two wolves fighting for dominance. The two strongest emotions known to man. He took in a deep breath, the scent of her honey soap and the lavender water evading his senses with the subtlety of a Roman legion.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
In the 1960s, it took months before someone figured out they could sell tie-dyed shirts and bell bottoms to anyone who wanted to rebel. In the 1990s, it took weeks to start selling flannel shirts and Doc Martens to people in the Deep South. Now people are hired by corporations to go to bars and clubs and observe what the counterculture is into and have it on the shelves in the mall stores right as it becomes popular. The counterculture, the indie fans, and the underground stars—they are the driving force behind capitalism. They are the engine. This brings us to the point: Competition among consumers is the turbine of capitalism.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
I'm neither a magician, nor a wizard," Mab's deep voice sounded behind him. John was startled. "But you are. I mean you must be. You can do magic." "Not magic, Sword Bearer. /Miracles/." .... "But you do magic!" John said, bewildered. "No, Sword Bearer. It is true that I have power from the Changer, but the power I have is His power, not ours. It is to be used in his service. Magic is stolen power. The power that Qhahdrun has is magical power. It was stolen from the Mystery of Abomination when he rebelled against the Changer. Qhahdrun really thinks it belongs to him, but one day it will be taken from him. For at the last all power will go back to the Changer from whence it came.
John White (The Sword Bearer (Archives of Anthropos, #1))
Emergency One.What's the problem?" "It's my heart." The familiar deep voice had her pausing mid-stride. "Wyatt?" "Yeah.I meant to ask you to call me when you got home so I'd know you were safe. Now I've been having heart palpitations worrying about you all alone on that long stretch of highway." "Pretty good timing,rebel.That highway is just a memory now.I'm already inside my apartment and heading toward the bedroom." "I'm betting you set a new speed record." She laughed. "And broke a few speeding laws along the way.But I'm home now,safe and sound. I hope this eases your worries about me." "Yeah.I can sleep now.But I still wish you'd agreed to bunk out here with me. Good night,Marilee.
R.C. Ryan (Montana Destiny)
There’s always a tension between self and society. If things are too tightly bound, then the urge to rebel is strong. But we’ve got the opposite problem. In a culture of “I’m Free to Be Myself,” individuals are lonely and loosely attached. Community is attenuated, connections are dissolved, and loneliness spreads. This situation makes it difficult to be good—to fulfill the deep human desires for love and connection. It’s hard on people of all ages, but it’s especially hard on young adults. They are thrown into a world that is unstructured and uncertain, with few authorities or guardrails except those they are expected to build on their own. Among other things, it becomes phenomenally hard to launch yourself into life.
David Brooks (The Second Mountain: The Quest for a Moral Life)
I realized that music was a force that brought people together and gave them power. People living outside society need a sound to believe in. A sound that cannot be owned or emulated by squares. It inspires the marginalized and the rebels. It gives a soundtrack to their walk that only they understand. It speaks for people who might not otherwise have a voice. It dawned on me that music was not just a fun-to-play-beautiful-thing to trip people out and make ’em happy. I thought of the old jazz guys I knew who couldn’t catch a break, and how the music they played was a personal voice for each of them, one that no rich person could ever silence. I had a deep desire to connect with it, I knew there was no faking it, you had to live the notes.
Flea (Acid for the Children: A Memoir)
I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The people who are made larger by suffering go on to stage two small rebellions. First, they rebel against their ego ideal. When they were on their first mountain, their ego had some vision of what it was shooting for—some vision of prominence, pleasure, and success. Down in the valley they lose interest in their ego ideal. Of course afterward they still feel and sometimes succumb to their selfish desires. But, overall, they realize the desires of the ego are never going to satisfy the deep regions they have discovered in themselves. They realize, as Henri Nouwen put it, that they are much better than their ego ideal. Second, they rebel against the mainstream culture. All their lives they’ve been taking economics classes or living in a culture that teaches that human beings pursue self-interest—money, power, fame. But suddenly they are not interested in what other people tell them to want. They want to want the things that are truly worth wanting. They elevate their desires. The world tells them to be a good consumer, but they want to be the one consumed—by a moral cause. The world tells them to want independence, but they want interdependence—to be enmeshed in a web of warm relationships. The world tells them to want individual freedom, but they want intimacy, responsibility, and commitment. The world wants them to climb the ladder and pursue success, but they want to be a person for others. The magazines on the magazine rack want them to ask “What can I do to make myself happy?” but they glimpse something bigger than personal happiness.
David Brooks
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Then as Anna listened another sound began to rise within the first. It began as a low keening, like the wind in a bottle tree, almost indiscernible amid the guns. Yet it was there, and it grew and grew, gaining strength and timbre until suddenly a new note broke away and was taken up: a high weird quavering like nothing that Anna had ever heard, that peopled the smoke with an army of mourning phantoms. Anna had heard the men talk of this, too—the uncanny demon cry of the Rebel army going into the attack—and now here it was for real, echoing across violence and death for the last time in a wild crescendo that seemed to peak and yet peak again: descanting blood, crying lost youth and the loss of all dreams. One last time it shrilled out of the rolling smoke, then collapsed all at once into a maelstrom of voices—the deep snarling utterance of thousands of men in hell.
Howard Bahr (The Black Flower: A Novel of the Civil War)
Things can get out of hand quickly, especially with Sid around. I also decide never to wear heels again when I'm out with him. I go to Holt's in Camden Town and buy a pair of black Dr Martens. (You can get them in black, brown or maroon, the skinhead boys at school used to buy the brown ones and polish them with Kiwi Oxblood shoe polish — this gives them a deep reddish brown colour, much subtler than the flat red of the originals. They also keep them pristinely clean and polished at all times.) I wear my new boots with everything — dresses, tutus — it’s a great feeling to be able to run again. No other girl wears DMs with dresses, so I get a lot of funny looks. (Skinhead girls only wear DMs with Sta-Prest trousers. With their boring grey skirts, they west plain white or holey ecru tights and black patent brogues.) Bit I wear them all the time to clubs and pubs, it eventually catches on with other girls and I don’t look so odd.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
My soul is more than matched; she's overmanned; and by a madman! Insufferable sting, that sanity should ground arms on such a field! But he drilled deep down, and blasted all my reason out of me! I think I see his impious end; but feel that I must help him to it. Will I, nill I, the ineffable thing has tied me to him; tows me with a cable I have no knife to cut. Horrible old man! Who's over him, he cries; aye, he would be a democrat to all above; look, how he lords it over all below! Oh! I plainly see my miserable office, to obey, rebelling; and worse yet, to hate with touch of pity! For in his eyes I read some lurid woe would shrivel me up, had I it. Yet is there hope. Time and tide flow wide. The hated whale has the round watery world to swim in, as the small gold-fish has its glassy globe. His heaven-insulting purpose, God may wedge aside. I would up heart, were it not like lead. But my whole clock's run down; my heart the all-controlling weight, I have no key to lift again.
Herman Melville (Moby-Dick or, The Whale)
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
But it happens at least equally often in the history of science that the understanding of the component parts of a composite system is impossible without an understanding of the behavior of the system as a whole. And it often happens that the understanding of the mathematical nature of an equation is impossible without a detailed understanding of its solutions. The black hole is a case in point. One could say without exaggeration that Einstein's equations of general relativity were understood only at a very superficial level before the discover of the black hole. During the fifty years since the black hole was invented, a deep mathematical understanding of the geometrical structure of space-time has slowly emerged, with the black hole solution playing a fundamental role in the structure. The progress of science requires the growth of understanding in both directions, downward from the whole to the parts and upward from the parts to the whole. A reductionist philosophy, arbitrarily proclaiming that the growth of understanding must go only in one direction, makes no scientific sense. Indeed, dogmatic philosophical beliefs of any kind have no place in science.
Freeman Dyson (The Scientist as Rebel)
Prayer and Meditation Matthew 14 AND HE WENT UP INTO THE MOUNTAIN APART TO PRAY This was always the practice of Jesus when he would move into the masses, the crowd, afterwards he would go alone into deep prayer and meditation. Why did he do this? If you have been meditating, you will understand. You will understand that once you start meditating, a very fragile and delicate quality of consciousness is born in you. A flower of the unknown, of the beyond, starts opening, which is delicate. And whenever you move into the crowd, you lose something. Whenever you come back from the crowd, you come back lesser than you had gone. Something has been lost, some contact has been lost. The crowd pulls you down, it has a gravitation of it's own. You may not feel it if you live on the same plane of consciousness. Then there is no problem, then you have nothing to lose. In fact, when you live in the crowd, on the same plane, alone you feel very uneasy. When you are with people, you feel good and happy. But alone, you feel sad, your aloneness is not aloneness. It is loneliness, you miss the other. You do not find yourself in the aloneness, you simply miss the other. When you are alone, you are not alone, beacuse you are not there. Only the desire to be with others is there - that is what loneliness is. Always remember the distinction between aloneness and loneliness. Aloneness is a peak experience - loneliness is a valley. Aloneness has light in it, loneliness is dark. Loneliness is when you desire others; aloneness is when you enjoy yourself. When Jesus would move into the masses, into the crowd, he would tell his disciples to got to the other shore of the lake, and he would move into total aloneness. Not even the disciples were allowed to be with him. This was a constant practice with him. Whenever you go into the crowd, you are infected by it. You need a higher altitude to purify yourself, you need to be alone so that you can become fresh again. You need to be alone with yourself, so that you become together again. You need to be alone, so that you become centered and rooted in yourself again. Whenever you move with others, they push you off centre. AND WHEN THE EVENING WAS COME, HE WAS THERE ALONE Nothing is said about his prayer in the Bible, just the word "prayer". Before God or before existence, you simply need to be vulnerable - that is prayer. You are no to say something. So when you go into prayer, don't start saying something. It will all be desires, demands and deep complaints to God. And prayer with complaints is no prayer, a prayer with deep gratitude is prayer. There is no need to say something, you can just be silent. Hence nothing is said about what Jesus did in his aloneness. It simply says "apart to pray". He went apart, he became alone. That is what prayer is, to be alone, where the other is not felt, where the other is not standing between you and existence. When God's breeze can pass througn you, unhindered. It is a cleansing experience. It revejunates your spirit. To be with God simply means to be alone. You can miss the point, if you start thinking about God, then you are not alone. If you start talking to God, then in imagination you have created the other. And then you God is a projection, it will be a projection of your father. A prayer is not to say something. It is to be silent, open, available. And there is no need to believe in God, because that too is a projection. The only need is to be alone, to be capable of being alone - and immediately you are with God. Whenever you are alone, you are with God.
Swami Dhyan Giten (The Way, the Truth and the Life: On Jesus Christ, the Man, the Mystic and the Rebel)
Psalm 5 Song of the Clouded Dawn For the Pure and Shining One, for her who receives the inheritance.11 By King David. 1Listen to my passionate prayer! Can’t You hear my groaning? 2Don’t You hear how I’m crying out to You? My King and my God, consider my every word, For I am calling out to You. 3At each and every sunrise You will hear my voice As I prepare my sacrifice of prayer to You. Every morning I lay out the pieces of my life on the altar And wait for Your fire to fall upon my heart.12 4I know that You, God, Are never pleased with lawlessness, And evil ones will never be invited As guests in Your house. 5Boasters collapse, unable to survive Your scrutiny, For Your hatred of evildoers is clear. 6You will make an end of all those who lie. How You hate their hypocrisy And despise all who love violence! 7But I know the way back home, And I know that You will welcome me Into Your house, For I am covered by Your covenant of mercy and love. So I come to Your sanctuary with deepest awe, To bow in worship and adore You. 8Lord, lead me in the pathways of Your pleasure, Just like You promised me You would, Or else my enemies will conquer me. Smooth out Your road in front of me, Straight and level so that I will know where to walk. 9For you can’t trust anything they say. Their hearts are nothing but deep pits of destruction, Drawing people into their darkness with their speeches. They are smooth-tongued deceivers Who flatter with their words! 10Declare them guilty, O God! Let their own schemes be their downfall! Let the guilt of their sins collapse on top of them, For they rebel against You. 11But let them all be glad, Those who turn aside to hide themselves in You, May they keep shouting for joy forever! Overshadow them in Your presence As they sing and rejoice, Then every lover of Your name Will burst forth with endless joy. 12Lord, how wonderfully You bless the righteous. Your favor wraps around each one and Covers them Under Your canopy of kindness and joy. 11. 5:Title The Hebrew word used here is Neliloth, or “flutes.” It can also be translated “inheritances.” The early church father, Augustine, translated this: “For her who receives the inheritance,” meaning the church of Jesus Christ. God the Father told the Son in Psalm 2 to ask for His inheritance; here we see it is the church that receives what Jesus asks for. We receive our inheritance of eternal life through the cross and resurrection of the Son of God. The Septuagint reads “For the end,” also found in numerous inscriptions of the Psalms. 12. 5:3 Implied in the concept of preparing the morning sacrifice. The Aramaic text states, “At dawn I shall be ready and shall appear before You.
Brian Simmons (The Psalms, Poetry on Fire (The Passion Translation Book 2))
This Dr. Wilburforce was wonderful! He sounded as if he had had adolescent children. He said that adolescence was a difficult period but entirely normal and his sympathies were with the parents, not the adolescents. He said that there was entirely too much “understanding,” actually excusing of the adolescent, his lack of manners, selfishness, tantrums, and so on. He thought that the most intelligent approach to the problem was to understand that the adolescent, just by the nature of the beast, is going to chafe and rebel and he needs something specific to chafe and rebel against. Lay down strict rules of behavior and enforce them. Rebelling against nothing is very frustrating. Demand that the adolescent go along with the family routine. Do not allow him to keep the household in a continual uproar. …Instead of giving your child too much freedom, too much money, and all the responsibility for his actions, try giving him limited freedom and money, a strict code of behavior, and oceans and gallons and mountains of love. Not the deep-hidden-river I-bore-you-so-I-will-have-to-like-you type of love, but the visible, hug-and-kiss, lavish-compliment, interested-audience kind. Tell your adolescent he is brilliant, handsome, charming, witty, and lovable. Tell him every day. Tell him even when you are taking away the keys of the car and would like to kick him. Assure him and reassure him and re-reassure him. Love is the most important element in human relationships. You can never give a child too much love.
Betty MacDonald (Onions in the Stew (Betty MacDonald Memoirs, #4))
A rogue who has been condemned to death by the tribunal says he wants to resist oppression simply because he wants to resist the scaffold!" Saint-Just's indignation is hard to understand in that, until his time, the scaffold was precisely nothing else but one of the most obvious symbols of oppression. But at the heart of this logical delirium, at the logical conclusion of this morality of virtue, the scaffold represents freedom. It assures rational unity, and harmony in the ideal city. It purifies (the word is apt) the Republic and eliminates malpractices that arise to contradict the general will and universal reason. "They question my right to the title of philanthropist," Marat exclaims, in quite a different style. "Ah, what injustice! Who cannot see that I want to cut off a few heads to save a great number?" A few—a faction? Naturally—and all historic actions are performed at this price. But Marat, making his final calculations, claimed two hundred and seventy-three thousand heads. But he compromised the therapeutic aspect of the operation by screaming during the massacre: "Brand them with hot irons, cut off their thumbs, tear out their tongues." This philanthropist wrote day and night, in the most monotonous vocabulary imaginable, of the necessity of killing in order to create. He wrote again, by candlelight deep down in his cellar, during the September nights while his henchmen were installing spectators' benches in prison courtyards—men on the right, women on the left—to display to them, as a gracious example of philanthropy, the spectacle of the aristocrats having their heads cut off.
Albert Camus (The Rebel)
It is a curious paradox that several of the greatest and most creative spirits in science, after achieving important discoveries by following their unfettered imaginations, were in their later years obsessed with reductionist philosophy and as a result became sterile. Hilbert was a prime example of this paradox. Einstein was another. Like Hilbert, Einstein did his great work up to the age of forty without any reductionist bias. His crowning achievement, the general relativistic theory of gravitation, grew out of a deep physical understanding of natural processes. Only at the very end of his ten-year struggle to understand gravitation did he reduce the outcome of his understanding to a finite set of field equations. But like Hilbert, as he grew older he concentrated his attention more and more on the formal properties of his equations, and he lost interest in the wider universe of ideas out of which the equations arose. His last twenty years were spent in a fruitless search for a set of equations that would unify the whole of physics, without paying attention to the rapidly proliferating experimental discoveries that any unified theory would finally have to explain. I do not need to say more about this tragic and well-known story of Einstein's lonely attempt to reduce physics to a finite set of marks on paper. His attempt failed as dismally as Hilbert's attempt to do the same thing with mathematics. I shall instead discuss another aspect of Einstein's later life, an aspect that has received less attention than his quest for the unified field equations: his extraordinary hostility to the idea of black holes.
Freeman Dyson (The Scientist as Rebel)
Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.
David Cook (Liberty or Death (The Soldier Chronicles #1))
General Lawton Collins, a top American adviser, said that the United States must "put the squeeze on the French to get them off their fannies." Nothing of that sort happened, and the French, hanging on to major cities such as Hanoi and Saigon, foolishly decided in early 1954 to fight a decisive battle at Dienbienphu, a hard-to-defend redoubt deep in rebel-held territory near the border with Laos.49
James T. Patterson (Grand Expectations: The United States, 1945-1974 (Oxford History of the United States Book 10))
Now if you tell anyone about this deep conversation, I'll cut off one of your nuts.
Glenna Maynard (Grim: The Beginning (Black Rebel Riders' MC, #1))
At His pleasure the Red Sea divided and its waters stood up as walls (Exo 14); the earth opened her mouth, and guilty rebels went down alive into the pit (Num 16). When He so ordered, the sun stood still (Josh 10); and on another occasion went backward ten degrees on the dial of Ahaz (Isa 38:8). To exemplify His supremacy, He made ravens carry food to Elijah (1Ki 17), iron to swim on top of the waters (2Ki 6:5), lions to be tame when Daniel was cast into their den, fire to burn not when the three Hebrews were flung into its flames. Thus “Whatsoever the LORD pleased, that did He in heaven, and in earth, in the seas, and all deep places” (Psa 135:6).
Arthur W. Pink (The Attributes of God - with study questions)
You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
The Alinsky ideology and Alinsky concepts of mass organization for power” are not relics of the past but practices of the present. Alinsky died in 1972, but he left behind a cadre of community organizers who had been trained how to carry out the political strategies described in Alinsky’s frank and elegantly written book called Rules for Radicals: A Pragmatic Primer for Realistic Radicals (originally published by Random House in 1971)—a book that made a deep impression on a young Barack Obama. The tone of Alinsky’s book and its obvious determination to change America into a socialist and secularist collective are made clear by the book’s audacious dedication to Satan in its first printing (later editions dropped this dedication): Lest we forget at least an over-the-shoulder acknowledgment to the very first radical: from all our legends, mythology, and history (and who is to know where mythology leaves off and history begins—or which is which), the first radical known to man who rebelled against the establishment and did it so effectively that he at least won his own kingdom—Lucifer.
Phyllis Schlafly (No Higher Power: Obama's War on Religious Freedom)
he found the general seated on a log, quite motionless, with his eyes closed. His cap, as usual, was pulled down to his nose. Hampton gave Jackson his report and volunteered to lead an advance over his new bridge. To Hampton’s complete amazement, the general did not speak, nor did he even move. He “sat in silence for some time, then rose and walked off in silence.” Jackson later was found prostrate and asleep underneath a tree, in spite of the daylong artillery battle that was screaming overhead. He seemed almost perfectly passive. When Longstreet sent an aide to him asking for his help, Jackson replied that he could do nothing. He later fell into such a deep sleep that his aides had trouble waking him. He fell asleep at dinner with a biscuit between his teeth. When he was awakened, he suddenly seemed to come to his senses, saying, “Now, gentlemen, let us at once to bed, and rise with the dawn, and see if tomorrow we cannot do something.
S.C. Gwynne (Rebel Yell: The Violence, Passion, and Redemption of Stonewall Jackson)
The country converted the Gestapo headquarters into a museum called "The Topography of Terror," a deep dive into the founding of the Third Reich. As for the man who oversaw these atrocities, Germany chose quite literally to pave over the Fuhrer's gravesite. There can be no more pedestrian resolution than that. In Germany, displaying the swastika, is a crime, punishable by up to three years in prison. In the United States, the rebel flag is incorporated into official state flag of Mississippi.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
We belong to God. He may do with us as he wishes. There is something deep within us that rebels at being reminded of that elemental truth. But truth it is. Indeed, our rebellion in the face of it is a reminder of how much we still want to be at the center of the universe, with God serving us. That is the heart of all idolatry.
D.A. Carson (For the Love of God: A Daily Companion for Discovering the Riches of God's Word)
Anarchism is the purity of rebellion. A pig who struggles wildly and rends the air with his cries while he is held to be slaughtered, and a baby who kicks and screams when, wanting warmth and his mother's breast, he is made to wait in the cold—these are two samples of natural rebellion. Natural rebellion always inspires either deep sympathy and identification with the rebelling creature, or a stiffening of the heart and an activation of aggressive-defensive mechanisms to silence an accusing truth. This truth is that each living being is an end in itself; that nothing gives a being the right to make another a mere instrument of his purposes.
Giovanni Baldelli (Social Anarchism)
Alex Moretti is the kind of guy who sweeps into your life like a wildfire, torching anything and everything you’ve ever cared about before he makes himself perfectly at home, rooting himself down so deep into your soul that it becomes impossible to differentiate where you end and he begins.
Callie Hart (Revenge At Raleigh High (Raleigh Rebels, #2))
The sound of his deep voice through the speakers, had me closing my eyes momentarily thinking back to the night before when I heard the same deep voice whispered low in my ear.
Brooke O'Brien (Brix (A Rebels Havoc, #1))
What in the Dan Tucker you think you’re doin’ here?” Grandpa growled. Rebel yipped out a soft bark and waved his tail hesitantly. His big brown eyes pleaded for understanding. “I orta take a brush to you and wear you out. Sneakin’ off and waylayin’ us like this.” Old Rebel didn’t drop his eyes, not even once. He whined way down deep in his throat and it sounded just like he was saying, “I wanta go.” “Sure, you wanta go.” Grandpa cut his eye up to see if Toby and Jim were taking in this intelligent conversation. Old Dave looked around at Rebel and whickered. “You stay out of this,” Grandpa spoke shortly to his mule. Turning back to Rebel, he went on, “I don’t like it, don’t like it a tall, but it looks like you got us where the wool’s short.
Robinson Barnwell (Head Into the Wind)
no matter what he said about us leaving and not working with the humans, his first instinct was to stay and save them, and I liked that about him. I hadn't realized it at first, but I liked that he had a deep sense of right and wrong and stuck to what he believed
Amy Tintera (Rebel (Reboot, #2))
But pride was a funny thing. It could keep a man from reaching out and grabbing his wildest dreams. It could parade the past before the windows of your mind, making damn sure the pain and betrayal sank deep.
Anna Lowe (Rebel Alpha (Aloha Shifters: Pearls of Desire, #5))
Most émigrés, lacking the resources to establish themselves in England, traveled to other British outposts in North America known only by maps and rumors. The most popular destination for loyalists in the deep South was East Florida, which grew from a population of 4,000 to 17,000 in a single year.105 Within a few months of their arrival, however, the émigrés learned that Great Britain had ceded East Florida to Spain in the peace settlement. Not wishing to become Spanish subjects, the vast majority decided to move on. About one-third returned to the United States, some creeping back to their former homes, most settling on the frontier or some other location where their prior loyalties would not be known. Many others, including Thomas Brown and Robert Cunningham, sailed for the Bahamas, with a plantation economy based upon slavery. Those who carried their slaves to Jamaica, ironically, wound up protesting the trade policies of the British Parliament, just as their rebel opponents had done. Southern loyalists without slaves and nowhere better to go headed north to Canada, but many did not take well to the cold, and they too petitioned the British government, claiming it was “altogether impossible . . . to clear the ground, and raise the necessaries of life, in a Climate to southern Constitutions inhospitable and Severe.”106 They would prefer, they said, to trade in their homesteads in Canada for a small piece of the Bahamas.
Ray Raphael (A People's History of the American Revolution: How Common People Shaped the Fight for Independence)
Galison uses critical opalescence as a metaphor for the merging of technology, science, and philosophy that happened in the minds of Poincare and Einstein in the spring of 1905. Poincare and Einstein were immersed in the technical tools of time signaling, but the tools by themselves did not lead them to their discoveries. They were immersed in the mathematical ideas of electrodynamics, but the ideas by themselves did not lead them to their discoveries. They were also immersed in the philosophy of space and time. Poincare had written a philosophical book, Science and Hypothesis, which Einstein studied, digging deep into the foundations of knowledge and criticizing the Newtonian notions of absolute space and time. But the philosophy by itself did not lead them to their discoveries. What was needed to give birth to the theory of relativity was a critical moment, when tools, ideas, and philosophical reflections jostled together and merged into a new way of thinking. Galison would like to put an end to the argument between Kuhnians and Galisonians. In this book he takes his position squarely in the middle: "Attending to moments of critical opalescence offers a way out of this endless oscillation between thinking of history as ultimately about ideas or fundamentally about material objects.
Freeman Dyson (The Scientist as Rebel)
After all, Rutherford had as deep a sense of the mysteries of nature as Einstein. And the human spirit expresses itself as eloquently in the work of human hands as in the work of human minds. Rutherford was supreme as an experimenter and Einstein was supreme as a theorist, but each of them held the other in deep respect. Both of them understood that the human spirit is at its best when hands and minds are working together.
Freeman Dyson (The Scientist as Rebel)
Tyrone, after wandering with his family through France, the Netherlands, and Germany, finally took up residence in Italy, subsidized by the Pope. Every night, deep in his cups, he would brag that come Hell or high water he would die in Ireland. In 1616 the great rebel O’Neill passed away, a frustrated exile, in Venice.   T
Robin Maxwell (The Wild Irish: A Novel of Elizabeth I and the Pirate O'Malley)
God’s supremacy over the works of his hands is vividly depicted in Scripture. Inanimate matter, irrational creatures, all perform their Maker’s bidding. At his pleasure the Red Sea divided and its waters stood up as walls (Exod. 14); and the earth opened her mouth, and guilty rebels went down alive into the pit (Num. 16). When he so ordered, the sun stood still (Josh. 10); and on another occasion went backward ten degrees on the dial of Ahaz (Isa. 38:8). To exemplify his supremacy, he made ravens carry food to Elijah (1 Kings 17), iron to swim on top of the waters (2 Kings 6:5), lions to be tame when Daniel was cast into their den, fire to burn not when the three Hebrews were flung into its flames. Thus “Whatsoever the Lord pleased, that did he in heaven, and in earth, in the seas, and all deep places” (Ps. 135:6).
Arthur W. Pink (The Attributes of God)
study by Harvard Business School professor Leslie Perlow. In this study, a group of management consultants were asked to disconnect for a full day each workweek. The consultants were afraid the client would rebel. It turned out that the client didn’t care. As Jung, Grant, and Perlow’s subjects discovered, people will usually respect your right to become inaccessible if these periods are well defined and well advertised, and outside these stretches, you’re once again easy to find.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
The last great poem has already been written and will continue to write itself until you accept that you are the author and the only way of concluding is to search deep inside yourself for the beginning. - Dharma
Sophie McKeand (Rebel Sun)