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It's a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman's task is to teach them gentleness and courtesy and love and kindness. It's a big task, too, Caddie--harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman's work is something fine and noble to grow up to, and it is just as important as a man's.
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Carol Ryrie Brink (Caddie Woodlawn (Caddie Woodlawn, #1))
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Before one cut a tree, mined a mountain, or dammed a brook, it was important to placate the spirit in charge of that particular situation, and to keep it placated. By destroying pagan animism, Christianity made it possible to exploit nature in a mood of indifference to the feelings of natural objects. Lynn White, Jr.
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Annie Proulx (Barkskins)
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When dams were erected on the Columbia, salmon battered themselves against the concrete, trying to return home. I expect no less from us. We too must hurl ourselves against and through the literal and metaphorical concrete that contains and constrains us, that keeps us from talking about what is most important to us, that keeps us from living the way our bones know we can, that bars us from our home. It only takes one person to bring down a dam.
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Derrick Jensen (A Language Older Than Words)
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She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter.
Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly lonely.
It was important to have a really good book.
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Laura Florand (The Chocolate Kiss (Amour et Chocolat, #2))
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Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.
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Rebecca Skloot (The Best American Science and Nature Writing 2015)
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Even more important, the twin revolutions in infotech and biotech could restructure not just economies and societies but our very bodies and minds. In the past, we humans learned to control the world outside us, but we had very little control over the world inside us. We knew how to build a dam and stop a river from flowing, but we did not know how to stop the body from aging. We knew how to design an irrigation system, but we had no idea how to design a brain. If a mosquito buzzed in our ear and disturbed our sleep, we knew how to kill the mosquito, but if a thought buzzed in our mind and kept us awake at night, most of us did not know how to kill the thought.
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Yuval Noah Harari (21 Lessons for the 21st Century)
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Don Tommasino also controlled the water rights in the area and vetoed the local building of any new dams by the Roman government. Such dams would ruin the lucrative business of selling water from the artesian wells he controlled, make water too cheap, ruin the whole important water economy so laboriously built up over hundreds of years.
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Mario Puzo (The Godfather (The Godfather #1))
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In 1936, President Franklin Delano Roosevelt addressed the Third World Power Conference in Washington, D.C., on the importance of engineering in solving the nation’s social problems. At the conclusion of his speech, he pressed a button that stirred the turbines in the Boulder Dam to “creative activity.” “Boulder Dam,” said the president as his right index finger came down, “I call you to life!
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Tom Lewis (Divided Highways: Building the Interstate Highways, Transforming American Life)
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She sat back again, a gentle loosening that made her straight spine seem effortless and restful. Again she did nothing. She simply sat across from me and unfurled herself. I felt her life brush up against me and flow around me. It was but the faintest touching, and had I not experienced both the Skill and the Wit, I do not think I would have sensed it. Cautiously, as softly as if I assayed a bridge made of cobweb, I overlay my senses on hers.
She quested. Not as I did, toward a specific beast, or to read what might be close by. I discarded the word I had always given to my sensing. Kettricken did not seek after anything with her Wit. It was as she said, simply a being, but it was being a part of the whole. She composed herself and considered all the ways the great web touched her, and was content. It was a delicate and tenuous thing and I marveled at it. For an instant I, too, relaxed. I breathed out. I opened myself, Wit wide to all. I discarded all caution, all worry that Burrich would sense me. I had never done anything to compare it with before. Kettricken's reaching was as delicate as droplets of dew sliding down a strand of spiderweb. I was like a dammed flood, suddenly released, to rush out to fill old channels to overflowing and to send fingers of water investigating the lowlands.
Let us hunt! The Wolf, joyfully.
In the stables, Burrich straightened from cleaning a hoof, to frown at no one. Sooty stamped in her stall. Molly shrugged away and shook out her hair. Across from me, Kettricken started and looked at me as if I had spoken aloud. A moment more I was held, seized from a thousand sides, stretched and expanded, illuminated pitilessly. I felt it all, not just the human folk with their comings and goings, but every pigeon that fluttered in the eaves, every mouse that crept unnoticed behind the wine kegs, every speck of life, that was not and never had been a speck, but had always been a node on the web of life. Nothing alone, nothing forsaken, nothing without meaning, nothing of no significance, and nothing of importance.
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Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
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I’m the guy who builds things. So when this dam is done, it will have Pete Conroy’s name written on it somewhere. Even if nobody else in the world ever finds that place, it doesn’t matter because I’ll know that it was me and my men who did the job. Just as important, my men always come first. I get a lot more work out of men by treating them like decent human beings. I don’t treat them like slaves, as some of the foremen do.
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Jerry Borrowman (Life and Death at Hoover Dam)
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Concrete is an invention as transformative as fire or electricity. It has changed where and how billions of people live, work, and move around. Concrete is the skeleton of the modern world, the scaffold on which so much else is built. It gives us the power to dam enormous rivers, erect buildings of Olympian height, and travel to all but the remotest corners of the world with an ease that would astonish our ancestors. Measured by the number of lives it touches, concrete is easily the most important man-made material ever invented.
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Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
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Rivers flood our tallest levees and break through our mightiest dams. Beaches keep moving, despite jetty walls and truckloads of imported sand. “Our domination of nature is a delusion,” Carol says. “We cannot exempt ourselves from nature’s ironclad laws. We cannot grow infinitely on a finite planet.” Mother Nature is a tough old broad. Like the humble tortoise lining up against the hotshot hare, she will outlast us. We can’t sustain our blustery sprint to the front of the pack. Our current reign has lasted fewer than ten thousand years—barely a blip in the earth’s four-billion-year history. Our supremacy is short-lived, and our species’ future is uncertain. Only one thing is for sure: we need Mother Nature a lot more than she needs us.
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Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
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I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture, everybody can understand it. If I draw a picture of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower." So I draw because I want to talk to the world. And I want the world to pay attention to me. I feel important with a pen in my hand. I feel like I might grow up somebody important. An artist. Maybe a famous artist. Maybe a rich artist.
So I draw because I feel like it might be my only real chance to escape the reservation.
I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats.
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Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
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I draw because words are too unpredictable.
I draw because words are too limited.
If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning.
But when you draw a picture, everybody can understand it. If I draw a picture of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower."
So I draw because I want to talk to the world. And I want the world to pay attention to me.
I feel important with a pen in my hand. I feel like I might grow up somebody important. An artist. Maybe a famous artist. Maybe a rich artist.
So I draw because I feel like it might be my only real chance to escape the reservation.
I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats.
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Markus Zusak (The Absolutely True Diary of a Part-Time Indian)
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It’s a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman’s task is to teach them gentleness and courtesy and love and kindness. It’s a big task, too, Caddie—harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman’s work is something fine and noble to grow up to, and it is just as important as a man’s. But no man could ever do it so well. I don’t want you to be the silly, affected person with fine clothes and manners whom folks sometimes call a lady. No, that is not what I want for you, my little girl. I want you to be a woman with a wise and understanding heart, healthy in body and honest in mind. Do you think you would like to be growing up into that woman now? How about it, Caddie, have we run with the colts long enough?
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Carol Ryrie Brink (Caddie Woodlawn)
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One of the reasons concealment is so important is because animals live in the woods and humans only visit the wild. Animals make their homes throughout the woods. Just like I’m alert to someone pulling up in my driveway or walking through my yard, wild animals are highly sensitive to trespassers. During one scouting trip at a beaver pond on Phil’s property, I saw the biggest beaver hut I’d ever seen. It was probably thirty feet tall! It wasn’t a very cool day, and I was kind of hot from all the walking. For whatever reason, I decided I was going to crawl into the beaver hut to see what was inside of it. I started trying to nudge my way into a bunch of different holes in the beaver dam, and I finally found one that was big enough for me on the back side of it. I was amazed at how the inside of the beaver hut looked. Compared to the chaos on the outside, it was like it was furnished on the inside.
As I was breaking limbs, punching holes, and digging into it, I heard something growling! I turned around and there was a thirty-pound beaver standing about three feet from me. It was on its hind legs in the kill position. I remember thinking, Man, I’ve got to get out of here! Fortunately, I escaped from the beaver before it could get its teeth into me. It was one of the dumbest things I’ve ever done.
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Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
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It is important to understand that, despite the way in which Chandrakīrti’s method is inevitably described, what is being referred to is not a process of philosophical exposition. The recognition, right from the beginning, of the ultimate in itself, is necessarily a meditative experience, not merely an intellectual exercise. It is moreover in this context—that of the ultimate in itself (rnam grangs ma yin pa’i don dam)—that no assertion can possibly be made
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Jamgon Mipham (The Wisdom Chapter: Jamgön Mipham's Commentary on the Ninth Chapter of The Way of the Bodhisattva)
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I sensed that this was a small part of what contributed to the passivity with regard to the Three Gorges Project in Fuling. The vast majority of the people would not be directly affected by the coming changes, and so they weren’t concerned. Despite having large sections of the city scheduled to be flooded within the next decade, it wasn’t really a community issue, because there wasn’t a community as one would generally define it. There were lots of small groups, and there was a great deal of patriotism, but like most patriotism anywhere in the world, this was spurred as much by fear and ignorance as by any true sense of a connection to the Motherland. And you could manipulate this fear and ignorance by telling people that the dam, even though it might destroy the river and the town, was of great importance to China.
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Peter Hessler (River Town: Two Years on the Yangtze)
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Bruce Horn: I thought that computers would be hugely flexible and we could be able to do everything and it would be the most mind-blowing experience ever. And instead we froze all of our thinking. We froze all the software and made it kind of industrial and mass-marketed. Computing went in the wrong direction: Computing went to the direction of commercialism and cookie-cutter. Jaron Lanier: My whole field has created shit. And it’s like we’ve thrust all of humanity into this endless life of tedium, and it’s not how it was supposed to be. The way we’ve designed the tools requires that people comply totally with an infinite number of arbitrary actions. We really have turned humanity into lab rats that are trained to run mazes. I really think on just the most fundamental level we are approaching digital technology in the wrong way. Andy van Dam: Ask yourself, what have we got today? We’ve got Microsoft Word and we’ve got PowerPoint and we’ve got Illustrator and we’ve got Photoshop. There’s more functionality and, for my taste, an easier-to-understand user interface than what we had before. But they don’t work together. They don’t play nice together. And most of the time, what you’ve got is an import/export capability, based on bitmaps: the lowest common denominator—dead bits, in effect. What I’m still looking for is a reintegration of these various components so that we can go back to the future and have that broad vision at our fingertips. I don’t see how we are going to get there, frankly. Live bits—where everything interoperates—we’ve lost that. Bruce Horn: We’re waiting for the right thing to happen to have the same type of mind-blowing experience that we were able to show the Apple people at PARC. There’s some work being done, but it’s very tough. And, yeah, I feel somewhat responsible. On the other hand, if somebody like Alan Kay couldn’t make it happen, how can I make it happen?
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Adam Fisher (Valley of Genius: The Uncensored History of Silicon Valley (As Told by the Hackers, Founders, and Freaks Who Made It Boom))
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Nature is harsh. It doesn’t give crowns to those who create the best but to the ones who can destroy the most. Beavers can build dams as much as they want, but bears will always rule the forest.
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Nikola Misovic (Untold Stories of the Little Prince)
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And to say that the citizens of those rival domains did not always see eye to eye was a bit of an understatement, because each represented the antithesis of the other’s deepest values. To the engineers and the technicians who belonged to the world of the dam, Glen was no dead monolith but, rather, a living and breathing thing, a creature that pulsed with energy and dynamism. Perhaps even more important, the dam was also a triumphant capstone of human ingenuity, the culmination of a civil-engineering lineage that had seen its first florescence in the irrigation canals of ancient Mesopotamia and China, then shot like a bold arrow through the Middle Ages, the Renaissance, and the Industrial Revolution to reach its zenith here in the sun-scorched wastelands of the American Southwest. Glen embodied the glittering inspiration and the tenacious drive of the American century—a spirit that in other contexts had been responsible for harnessing the atom and putting men on the moon. As impressive as those other accomplishments may have been, nothing excelled the nobility of transforming one of the harshest deserts on earth into a vibrant garden. In the minds of its engineers and its managers, Glen affirmed everything that was right about America. To Kenton Grua and the river folk who inhabited the world of the canyon, however, the dam was an offense against nature. Thanks to Glen and a host of similar Reclamation projects along the Colorado, one of the greatest rivers in the West, had been reduced to little more than a giant plumbing system, a network of pipes and faucets and catchment tubs whose chief purpose lay in the dubious goal of bringing golf courses to Phoenix, swimming pools to Tucson, and air-conditioned shopping malls to Vegas. A magnificent waterway had been sacrificed on the altar of a technology that enabled people to prosper without limits, without balance, without any connection to the environment in which they lived—and in the process, fostered the delusion that the desert had been conquered. But in the eyes of the river folk, even that wasn’t the real cost. To
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Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
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The city that Elizabeth looked out on that spring was in the midst of changes far greater than any since the Revolutionary era. During the 1820s, Boston transformed itself from a harbor dependent on foreign imports to one rich in exports from the rising inland mill towns of Lawrence and Lowell. Independent proprietors built new wharves and bridges. A toll road stretching west across swampland between Boston and Brookline was laid out atop an ambitious system of dykes that provided waterpower for scores of new mills. Known as the Mill Dam, this last project served as the underpinnings for future expansion into the Back Bay. In the next decades, Boston, once just a tight fist of land thrust into the Atlantic, would nearly double in landmass: its seven hills were razed and its riverbeds dredged for landfill to support a population swelling past 50,000.
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Megan Marshall (The Peabody Sisters)
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Environmentalists like to say that defeats are permanent, victories temporary. Extinction, like death, is forever, but protection needs to be maintained. But now, in a world where restoration ecology is becoming increasingly important, it turns out that even defeats aren't always permanent. Across the United States and Europe, dams have been removed, wetlands and rivers restored, once-vanished native species reintroduced, endangered species regenerated.
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Rebecca Solnit (Hope in the Dark: Untold Histories, Wild Possibilities)
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Mr. Wallingford, I noticed with amusement and some exasperation, was making the most of the situation. His shocked, mournful gaze as he took up the collection shook loose from the tourists a good deal of folding money. With the smallest bank note at five pounds these days, the take must have been considerable. How upset the dean would be if he realized the way the verger was using the tragedy! It was a little odd, come to think of it, that Mr. Wallingford was presiding. The main service of a Sunday was Mr. Swansworthy’s responsibility as head verger. But he was inclined to dyspepsia; perhaps he’d had too much Christmas. Certainly Wallingford was glorying in his importance. I watched him strut to the altar rail with the collection and was vividly reminded of the money changers in the temple.
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Jeanne M. Dams (The Body in the Transept (Dorothy Martin, #1))
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The term “niche construction,” first used widely by biologist Richard Lewontin, the Alexander Agassiz Research Professor at the Museum of Comparative Zoology at Harvard University, represents the process by which an organism alters its own (or another species’) environment to help increase its chances of survival. A beaver building a dam and a spider spinning a web are examples of niche construction. So is a bird building its nest or a rabbit burrowing a hole. When animals migrate, they are seeking a favorable niche within which to flourish. Each of these activities assists the organism in achieving its basic needs—gathering food, protecting offspring, keeping clear of prey, seeking shelter from inclement weather—and thus raising the likelihood that it will pass its genes on to the next generation. Scientists are just beginning to appreciate that niche construction may be as important to evolution as natural selection. In the book Niche Construction: The Neglected Process in Evolution, Oxford lecturer F. John Odling-Smee and his colleagues write, “Niche construction should be regarded, after natural selection, as a second major participant in evolution. Rather than acting as an ‘enforcer’ of natural selection through the standard physically static elements of, for example, temperature, humidity, or salinity, because of the actions of organisms, the environment will be viewed here as changing and coevolving with the organisms on which it acts selectively.”17 What this can mean for neurodiverse individuals is that instead of always having to adapt to a static, fixed, or “normal” environment, it’s possible for them (and their caregivers) to alter the environment to match the needs of their own unique brains. In this way, they can be more of who they really are.
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Thomas Armstrong (The Power of Neurodiversity: Unleashing the Advantages of Your Differently Wired Brain)
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Thought One of the most important ways we can show our respect and love is by listening carefully when another person speaks. When we interrupt, no matter how important our contribution may seem, we’re damming up the flow of energy and giving the other person the nonverbal message that their thoughts and feelings are less important than our own.
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Joan Borysenko (Pocketful of Miracles: Prayer, Meditations, and Affirmations to Nurture Your Spirit Every Day of the Year)
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In Antiquity every tree, every spring, every stream, every hill had its own genius loci, its guardian spirit. These spirits were accessible to men, but were very unlike men; centaurs, fauns, and mermaids show their ambivalence. Before one cut a tree, mined a mountain, or dammed a brook, it was important to placate the spirit in charge of that particular situation, and to keep it placated. By destroying pagan animism, Christianity made it possible to exploit nature in a mood of indifference to the feelings of natural objects.
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Lynn White, Jr.
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Some early approaches were deeply principled, but the associated programs made assumptions about hardware that were no longer valid a few years later; readers, looking first at the details of implementation, said "Oh, this is old stuff - it's not relevant to us at all", and missed the still important ideas of the research. All too frequently, too, researchers have simply reinvented things known in other disciplines for years.
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Andries van Dam (Computer Graphics: Principles and Practice in C)
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What if I said, you are the single most important breath in my space. You are the first gear that turns the clock of my world. You are the final drop of dew that turns down the universal dam of miscommunication. I need you with every blood cell and cranial nerve I possess,
And you believed me?
Does that change anything?
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Hansol Jung (Wolf Play)
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The rituals of Demeter and Persephone at Eleusis were practiced for some 2000 years, from the fifteenth century B.C.E. to the end of the fourth century C.E. Demeter and Persephone are Goddesses of the agricultural cycle, Goddesses of the death and rebirth of the seed crops, Goddesses whose rites were later spiritualized to symbolize the death and rebirth of the soul. The rites of Demeter and Persephone are said to derive from agricultural rituals for women only known as the Thesmophoria. In classical times the rituals of Demeter and Persephone at Eleusis were among the most important in all Greece.
We go to Eleusis because we too want to celebrate the mysteries of mother and daughter. For those of us who are reared on myths and stories of fathers and sons, it is healing to know that once the deepest mysteries of the universe were symbolized in a story about the relationship of mother and daughter. The story of Demeter and Persephone resonates with echoes of the powerful but little-celebrated relationship we have had with our mothers and daughters.
Our rituals at Eleusis in the summers of 1981 to 1986, are among the first to have been celebrated there in conscious recognition of the Goddesses since the forced closing of the ancient temples about 400 C.E. These rituals have been among the most powerful experiences of my life. It seems as if there is an enormous energy dammed up on the site waiting to be released. Whether that power is the natural energy of the place (all the Greek temple sites are at naturally powerful spots, as Vincent Scully has shown) or the cumulative energy of worshippers, or the power of the Goddess, I do not know.
From "Eleusinian Mysteries" featured in The Goddess Celebrates: an Anthology of Women's Rituals, Edited by Diane Stein, published in 1991.
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Carol P. Christ, Ph.D.
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When Franklin Roosevelt came out to dedicate Hoover Dam on September 30, 1935, the one important dignitary who refused to attend the ceremony, which drew some ten thousand people, was the governor of Arizona, B. B. Moeur.
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Marc Reisner (Cadillac Desert: The American West and Its Disappearing Water)
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education C.S. Lewis makes many references to education in his fiction. Experiment House*, for instance, in The Voyage of the “Dawn Treader”*, embodies his dislike of modern educational methods. In his opinion Mark Studdock*, in That Hideous Strength*, is characteristic of many of Lewis’s contemporary intelligensia – uneducated by classical standards. Judged only by his satire, however, Lewis would seem intensely prejudiced. This is misleading. His powerful essay The Abolition of Man* suggested that anti-human values were being unwittingly embodied in some typical school textbooks of his time. Lewis nowhere more clearly put forward his vision of education than in his early essay “Our English Syllabus” in Rehabilitations and Other Essays*. He confesses: “Human life means to me the life of beings for whom the leisured activities of thought, art, literature, conversation are the end, and the preservation and propagation of life merely the means. That is why education seems to me so important: it actualizes that potentiality for leisure, if you like for amateurishness, which is man’s prerogative... Man is the only amateur animal; all the others are professionals… The lion cannot stop hunting, nor the beaver building dams… When God made the beasts dumb He saved the world from infinite boredom…
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Colin Duriez (The A-Z of C.S. Lewis: An encyclopaedia of his life, thought, and writings)