Saying Goodbye To A Friend Who Died Quotes

We've searched our database for all the quotes and captions related to Saying Goodbye To A Friend Who Died. Here they are! All 18 of them:

That first winter, when it was time for her friends to leave, the girl ventured out into the show to say goodbye, and the stunning raven-haired Squaller handed her another gift. "A blue kefta," said the math teacher, shaking her head. "What would she do with that?" "Maybe she knew a Grisha who died," replied the cook, taking note of the tears that filled the girl's eyes. They did not see the note that read, You will always be one of us.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
That first winter, when it was time for her friends to leave, the girl ventured out into the snow to say goodbye, and the stunning raven-haired Squaller handed her another gift. “A blue kefta,” said the math teacher, shaking her head. “What would she do with that?” “Maybe she knew a Grisha who died,” replied the cook, taking note of the tears that filled the girl’s eyes. They did not see the note that read, You will always be one of us.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Elric: We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. John Sheridan: Such as? Elric: The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them. That is why we are going away—to preserve that knowledge. Sheridan: From what? Elric: There is a storm coming, a black and terrible storm. We would not have our knowledge lost or used to ill purpose. From this place we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish. But I cannot tell you where we are going. I can only ask you to trust us.
J. Michael Straczynski
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
That first winter, when it was time for her friends to leave, the girl ventured out into the snow to say goodbye, and the stunning raven-haired Squaller handed her another gift. "A blue kofta," said the math teacher, shaking her head. "What would she do with that?" "Maybe she knew a Grisha who died," replied the cook, taking not of the tears that filled the girl's eyes. They did not see the note that read, You will always be one of us
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
As she died, Mary was alone on the planet as were Dwayne Hoover or Kilgore Trout. She had never reproduced. There were no friends or relatives to watch her die. So she spoke her very last words on the planet to Cyprian Ukwende. She did not have enough breath left to make her vocal cords buzz. She could only move her lips noiselessly. Here is all she had to say about death: 'Oh my, oh my.' . . . Like all Earthlings at the point of death, Mary Young sent faint reminders of herself to those who had known her. She released a small could of telepathic butterflies, and one of these brushed Dwayne Hoover, nine miles away. Dwayne heard a tired voice from somewhere behind his head, even though no one was back there. It said this to Dayne: 'Oh my, oh my." . . .
Kurt Vonnegut Jr.
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
Blue was gone without a goodbye. Robbie kept his eyes on the crow flying off as long as he could see it, but soon the black dot was out of sight, either too far or vanished into the air. Blue was headed somewhere Robert could not follow him—not yet, anyway. Robbie hoped wherever Blue was flying next would be a mystery for a long time. But he would write down the rules for haints so another kid who met another Blue would think twice before putting their life in a haint’s hands: Haints can look different ways. Haints usually come if you call their full names. Haints don’t like to be called haints. Haints can be fun as friends, but you have to look out for yourself or you might die like Redbone. Haints don’t say goodbye, except when they visit your dreams. And haints can kill you.
Tananarive Due (The Reformatory)
I am nine. We are bored and Karen is dying. We drove to Austin that summer so Sarah's dad- who described Karen as /the great and impossible love/ of his life, who taught us the word /lymphoma/ and then, the concept of the prefix, how it explains where the tumor lives- could say goodbye. The house is a rind spooned out by the onset of death, what's left in the medicine cabinet full of razors & we are hungry & alone & sitting on the living room floor where the light from a naked window slices the hardwood like a melon, brandishes each, individualfuzz on my scabbed calf a field of erect, yellow poppies & we have been alive as girls long enough to know to scowl at this reveal & what better time than now to practice removal. Once, I watched my mother skin a potato in six perfect strokes I remember this as Sarah teaches me to prop up my leg on the side of the tub and runs the blade along my thing, /See?/ she says, /Isn't that so much better?/ Before we left Albuquerque her father warned us, /She will have no hair/ a trait we have just begun to admire except, of course for the hair he is talking about we hold against our necks, that which will get us compliments or scouted in a mall, eventually cut off by our envious sisters while we sleep.
Olivia Gatwood (New American Best Friend (E.P. Chapbooks))
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played. There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know. As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes. A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye. He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone." Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found. Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end. "Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarden)
What does a mind that is focused on hope look like? I read recently about a woman who had been diagnosed with cancer and was given three months to live. Her doctor told her to make preparations to die, so she contacted her pastor and told him how she wanted things arranged for her funeral service—which songs she wanted to have sung, what Scriptures should be read, what words should be spoken—and that she wanted to be buried with her favorite Bible. But before he left, she called out to him, “One more thing.” “What?” “This is important. I want to be buried with a fork in my right hand.” The pastor did not know what to say. No one had ever made such a request before. So she explained. “In all my years going to church functions, whenever food was involved, my favorite part was when whoever was cleaning dishes of the main course would lean over and say, You can keep your fork. “It was my favorite part because I knew that it meant something great was coming. It wasn’t Jell-O. It was something with substance—cake or pie—biblical food. “So I just want people to see me there in my casket with a fork in my hand, and I want them to wonder, What’s with the fork? Then I want you to tell them, Something better is coming. Keep your fork.” The pastor hugged the woman good-bye. And soon after, she died. At the funeral service people saw the dress she had chosen, saw the Bible she loved, and heard the songs she loved, but they all asked the same question: “What’s with the fork?” The pastor explained that this woman, their friend, wanted them to know that for her—or for anyone who dies in Christ—this is not a day of defeat. It is a day of celebration. The real party is just starting. Something better is coming.
John Ortberg Jr. (If You Want to Walk on Water, You've Got to Get Out of the Boat)
her rest. If she had lived in the Middle Ages, she would surely have been a witch and flown a broomstick Saturday night to keep a date with the devil. But the Bronx is one place where the devil would have died of boredom. Her mother is also a witch in her own way, but a good witch: half rebbetzin, half fortuneteller. Every female sits in her own net weaving like a spider. When a fly happens to come along, it’s caught. If you don’t run away, they’ll suck the last drop of life out of you.” “I’ll manage to run away. Goodbye.” “We can be friends. The rabbi is a savage, but he loves people. He has unlimited connections and he can be of use to you. He’s angry at me because I won’t read electronics and television into the first chapter of Genesis. But he’ll find someone who will. Basically he’s a Yankee, although I think he was born in Poland. His real name isn’t Milton but Melech. He writes a check for everything. When he arrives in the next world and has to give an accounting, he’ll take out his checkbook. But, as my grandmother Reitze used to say, ‘Shrouds don’t have pockets.’ ” 3 The telephone rang, but Herman didn’t answer it. He counted the rings and went back to the Gemara. He sat at the table, which was covered with a holiday cloth, studying and intoning as he used to do in the study house in Tzivkev. Mishnah: “And these are the duties the wife performs for the husband. She grinds, bakes, washes, cooks, nurses her child, makes the bed, and spins wool. If she has brought one servant with her, she doesn’t grind, bake, or wash. If
Isaac Bashevis Singer (Enemies, A Love Story (Isaac Bashevis Singer: Classic Editions))
Time flies, knells call, life passes, so hear my prayer. “Birth is nothing but death begun, so hear my prayer. “Death is speechless, so hear my speech.” The words drifted away into the haze of green and gold. Roland let them, then set upon the rest. He spoke more quickly now. “This is Jake, who served his ka and his tet. Say true. “May the forgiving glance of S’mana heal his heart. Say please. “May the arms of Gan raise him from the darkness of this earth. Say please. “Surround him, Gan, with light. “Fill him, Chloe, with strength. “If he is thirsty, give him water in the clearing. “If he is hungry, give him food in the clearing. “May his life on this earth and the pain of his passing become as a dream to his waking soul, and let his eyes fall upon every lovely sight; let him find the friends that were lost to him, and let every one whose name he calls call his in return. “This is Jake, who lived well, loved his own, and died as ka would have it. “Each man owes a death. This is Jake. Give him peace.” He knelt a moment longer with his hands clasped between his knees, thinking he had not understood the true power of sorrow, nor the pain of regret, until this moment. I cannot bear to let him go. But once again, that cruel paradox: if he didn’t, the sacrifice was in vain. Roland opened his eyes and said, “Goodbye, Jake. I love you, dear.
Stephen King (The Dark Tower Boxed Set)
Haha, same crap in different fancy words. You know nothing, you know shit… You've never felt what I feel. You have no experience with the pain. The morning pressure on the stomach, blaming yourself every single day in your mind for a mistake you made ten fucking years ago while you have to smile at others. Or having a crush on your boyfriend's best friend while never doing anything out of morality, but still feeling guilty. Comparing yourself with successful people who are your age and feeling like a complete loser. Dying for a piece of donut but hesitating to eat it to keep your fucking body in shape, just to feel desirable for some stupid guys waiting to fuck you and say goodbye the next day. Meanwhile, losing your mind every second because you left the best boyfriend on the planet for some bullshit reason and don’t have the courage to call him back and tell him sorry.
Ali Kiani (Therapy Session with Jemma: Uncovering the Truths Within)
A-are you going on a raid tomorrow after you take me home?” He glanced up from his work. “With this? His dark eyes filled with laughter as he peered along the crooked shaft of the lance. “Blue Eyes, a crooked tse-ak such as this would kill my friend beside me. This tse-ak will say hi, hites, hello, my friend.” “To who?” “To all who pass. You will see, eh?” “You’re sure you aren’t planning to attack my home?” “No fight. You will be easy.” After his lance was finished, she and Hunter made their fire away from the others, then sat near the flames to eat the traveler’s fare his mother had thoughtfully packed for them. As Loretta chewed her jerked buffalo meat, her mouth went dry. The meat got bigger and bigger, a gigantic wad she couldn’t swallow. This was it, the last time they would ever eat together beside a fire. The very last time. It was insane to feel sad, but she did. Soon after they finished eating, they arranged their respective beds near the dying fire and retired for the night. Loretta lay on her back, gazing at the stars. Hardly more than an arm’s reach away, Hunter slept. At least she guessed he was asleep. She never knew for sure. He could be still as death one minute and on his feet, wide awake, the next. All afternoon he had been quieter than usual. Perhaps he was a little sad, too. Tomorrow they would have to say good-bye.
Catherine Anderson (Comanche Moon (Comanche, #1))
James had never thought it was possible to feel so lonely in a room full of people he liked. “Jamie?” Ryan said suddenly. “You okay?” “Yeah,” James said, without looking at him. “I just have to go. I remembered something important Dad told me to do.” He felt Tristan’s gaze on him. After bidding everyone goodbyes, James made his way to the door. He wasn’t surprised when Tristan followed him. “Don’t tell him anything,” James said, putting on his jacket. “Please.” Crossing his arms over his chest, Tristan leaned against the wall and eyed him. “You know what?” he said mildly. “You want my opinion?” Did he have a choice? “Shoot.” “Are you really planning to suck it up and suffer in silence all your life, watching him get married and have kids with her? Really? That’s just sad. Walk away or tell him you want him. Worst-case scenario, your friendship becomes strained and dies sooner rather than later. You have nothing to lose.” Tristan sneered. “And don’t kid yourself. You’ll lose him anyway when you eventually get sick of watching him with someone else.” Cocking his head, Tristan said softly, “You already feel it, don’t you? The bitterness, the jealousy, the ugliness.” James swallowed and averted his eyes. He wanted to deny it but couldn’t. He didn’t like the person he was becoming: someone who constantly lied to hide his feelings, someone who put on a smile when he felt like punching people or curling up and crying like a baby. Someone who felt sick and bitter watching the person he loved be happy. Wasn’t love supposed to be selfless? He was better than that. Wasn’t he? Wasn’t he? James looked at Tristan. “Why are you helping me? Why are you so nice all of a sudden?” A faint smile touched Tristan’s face. “I’m not being nice. To be honest, I find it hilarious that you, of all people…” He looked over James’s shoulder, presumably at Zach, and his expression softened and warmed. “But I’m trying to be a better person. It’s still a work in progress, but it’s easier to be a better person when you’re happy.” He looked back at James. “Bitterness and jealousy are my old friends. Trust me, the longer you know them intimately, the uglier it gets. Cut your losses now.” James opened the door and left without saying a word. Outside, a cold gust of November wind blew into his face, biting at his skin and making his eyes water.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
What was it to her whether people would laugh or sneer at what she was doing? No such notion ever crossed her mind; the one thought that filled her whole soul, and left no room for any other, was that the man who had saved her from hell, who had been the best friend she had ever had in the world, was dying, and she must see him again to say good-bye. At
Rhoda Broughton (Not Wisely, but Too Well [annotated])
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)