Reunion Memories Quotes

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People parted, years passed, they met again- and the meeting proved no reunion, offered no warm memories, only the acid knowledge that time had passed and things weren't as bright or attractive as they had been.
Jacqueline Susann (Valley of the Dolls)
I wish I could believe in the otherworld I wish I could believe in a place Of reunions outside of memory
Edward Hirsch (Gabriel: A Poem)
At such moments the collapse of their courage, willpower, and endurance was so abrupt that they felt they could never drag themselves out of the pit of despond into which they had fallen. Therefore they forced themselves never to think about the problematic day of escape, to cease looking to the future, and always to keep, so to speak, their eyes fixed on the ground at their feet. But, naturally enough, this prudence, this habit of feinting with their predicament and refusing to put up a fight, was ill rewarded. For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when by conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between these heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to root themselves in the solid earth of their distress.
Albert Camus (The Plague)
I wonder if childhood is ever really happy. Just as well, perhaps. To be blissfully happy so young would leave one always seeking to recapture the unobtainable. Like those people who were always happiest at school or university. Always going back. No reunion ever missed. It always seemed to me rather pathetic.
P.D. James (The Lighthouse (Adam Dalgliesh, #13))
Damon spoke without moving. “I’m not like you.” “You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.” Damon snapped, almost automatically, “Because I wasn’t invited!” Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon. “But how did Klaus get in, then—?” she began, following her own thoughts. “That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.” “Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question. “Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.” Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made. “You see, I’m not like you,” he said. “It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
Reunion with the mother is a siren call haunting our imagination. Once there was bliss, and now there is struggle. Dim memories of life before the traumatic separation of birth may be the source of Arcadian fantasies of a lost golden age.
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
In the airport's frenzy, our meeting was a quiet storm of emotions. A million thoughts must have rushed through my mind as I approached him, but I can't, for the life of me, recall anything but a whirlwind humming to the rhythm of my steps—slightly offbeat, like a manic indie song. Heartbeat racing in B minor.
Aura Biru (We Are Everyone)
The soft song from the past threatened to awaken feelings and memories she avoided like black-eyed peas and family reunions.
Pepper Basham (A Twist of Faith (Mitchell's Crossroads, #1))
Ordinary homesickness is a miserable feeling, a temporary illness healed by reunion or return. But pining for a home that exists only in your memory is a more chronic ailment. It flares up painfully then subsides, but it's never really cured.
Cheryl Anne Tuggle (Unexpected Joy)
But mortification - literally, "making death" - is what life is all about, a slow discovery of the mortality of all that is created so that we can appreciate its beauty without clinging to it as if it were a lasting possession. Our lives can indeed be seen as a process of becoming familiar with death, as a school in the art of dying . . . all these times have passed by like friendly visitors, leaving you with dear memories but also with the sad recognition of the shortness of life. In every arrival there is a leave-taking; in every reunion there is a separation; in each one's growing up there is a growing old; in every smile there is a tear; and in every success there is a loss. All living is dying and all celebration is mortification too.
Henri J.M. Nouwen (Show Me the Way: Daily Lenten Readings)
Who was she in high school? Little Miss Nobody. She could have embroidered it on her sweaters, tattooed it across her forehead. And in small letters: i am shit, i am anonymous, step on me. please. She wasn't voted Most Humorous in her high school yearbook or Best Dancer or Most Likely to Succeed, and she wasn't in the band or Spanish Club and when her ten year reunion rolled around nobody would recognize her or have a single memory to share.
T. Coraghessan Boyle (Drop City)
I read of a Buddhist teacher who developed Alzheimer's. He had retired from teaching because his memory was unreliable, but he made one exception for a reunion of his former students. When he walked onto the stage, he forgot everything, even where he was and why. However, he was a skilled Buddhist and he simply began sharing his feelings with the crowd. He said, "I am anxious. I feel stupid. I feel scared and dumb. I am worried that I am wasting everyone's time. I am fearful. I am embarrassing myself." After a few minutes of this, he remembered his talk and proceeded without apology. The students were deeply moved, not only by his wise teachings, but also by how he handled his failings. There is a Buddhist saying, "No resistance, no demons.
Mary Pipher (Seeking Peace: Chronicles of the Worst Buddhist in the World)
There are several diseases of the memory. Forgetfulness of nouns, for instance, or of numbers. Or there are more complex amnesias. With one, you can lose your entire past; you start afresh, learning how to tie your shoelaces, how to eat with a fork, how to read and sing. You are introduced to your relatives, your oldest friends, as if you’ve never met them before; you get a second chance with them, better than forgiveness because you can begin innocent. With another form, you keep the distant past but lose the present. You can’t remember what happened five minutes ago. When someone you’ve known all your life goes out of the room and then comes back in, you greet them as if they’ve been gone for twenty years; you weep and weep, with joy and relief, as if at a reunion with the dead. I sometimes wonder which of these will afflict me, later; because I know one of them will. For years I wanted to be older, and now I am.
Margaret Atwood (Cat's Eye)
I guess it is what you do if you grow up with warnings of damnation ringing from every church door and radio station and family reunion, in a place where total strangers will walk up to you at the Piggly Wiggly and ask if you are Saved. Even if you deny that faith, rebuke it, you still carry it around with you like some half-forgotten Indian head penny you keep in your pocket for luck. I wonder sometimes if I will be the same, if when I see my life coming to an end I will drop to my knees and search my soul for old sins and my memory for forgotten prayers. I reckon so.
Rick Bragg (All Over But the Shoutin')
And a Northerner who had just returned from six months in South Carolina and Georgia informed Thaddeus Stevens in February 1866 that “the spirit which actuated the traitors . . . during the late rebellion is only subdued and allows itself to be nourished by leniency.
David W. Blight (Race and Reunion: The Civil War in American Memory)
Despite your best efforts and intentions, there's a limited reservoir to fellowship before you begin to rely solely on the vapors of nostalgia. Eventually, you move on, latch on to another group of friends. Once in a while, though, you remember something, a remark or a gesture, and it takes you back. You think how close all of you were, the laughs and commiserations, the fondness and affection and support. You recall the parties, the trips, the dinners and late, late nights. Even the arguments and small betrayals have a revisionist charm in retrospect. You're astonished and enlivened by the memories. You wonder why and how it ever stopped. You have the urge to pick up the phone, fire off an email, suggesting reunion, resumption, and you start to act, but then don't, because it would be awkward talking after such a long lag, and, really, what would be the point? Your lives are different now. Whatever was there before is gone. And it saddens you, it makes you feel old and vanquished--not only over this group that disbanded, but also over all the others before and after it, the friends you had in grade and high school, in college, in your twenties and thirties, your kinship to them (never mind to all your old lovers) ephemeral and, quite possibly, illusory to begin with.
Don Lee (The Collective)
The more rapacious, to take what I never had; The more unpardonable, to taunt me with not having it. Had you taken what I had, you would have left me at least a memory Of something to live upon.
T.S. Eliot (The Family Reunion)
Anne felt sad. People parted, years passed, they met again — and the meeting proved no reunion, offered no warm memories, only the acid knowledge that time had passed and things weren’t as bright or attractive as they had been.
Jacqueline Susann (Valley of the Dolls)
In exposing our nation’s troubled roots, the 1619 Project challenges us to think about a country whose exceptionalism we treat as the unquestioned truth. It asks us to consider who sets and shapes our shared national memory and what and who gets left out. As the Pulitzer Prize–winning historian David W. Blight writes in Race and Reunion: The Civil War in American Memory, our nation’s “glorious remembrance” is “all but overwhelmed by an even more glorious forgetting.”35
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
We became a tribe recalling the founding two. Ducked in thru a door, we ate food from Reunion, island in an ocean some- where, we forgot which, ducked in, not a trace of them there. . . We clutched bodies, rubbed each other's limbs, less in love with skin than the memory of skin, skin's image, all the more extolling skin. . . Sexed insinuance, nixed insistence in retreat. . . Would-be what-if, what if. . . We wanted it back, big promise, portent, apocalypse, urgency, plummet, plunge
Nathaniel Mackey (Nod House (New Directions Paperbook))
The greatest enthusiasts for Civil War history and memory often displace complicated consequences by endlessly focusing on the contest itself. We sometimes lift ourselves out of historical time, above the details, and render the war safe in a kind of national Passover offering as we view a photograph of the Blue and Gray veterans shaking hands across the stone walls at Gettysburg. Deeply embedded in an American mythology of mission, and serving as a mother lode of nostalgia for antimodernists and military history buffs, the Civil War remains very difficult to shuck from its shell of sentimentalism.
David W. Blight (Race and Reunion: The Civil War in American Memory)
The vigor I lacked for physical activities became incandescent when, pen in hand, I filled those pages with invented stories. Sometimes they were intimately about me – family tales, parental exploits – sometimes they became horrific stories sprinkled with torture, death, and reunion: crazy games and tear-soaked sagas.
Philippe Grimbert (Memory)
As husband and wife We’ll never doubt our love, Let us enjoy our fill tonight And cherish our conjugal felicity, In this blissful moment Holding your hand, I let out a long sigh My tears— Enjoy the prime of your life, Do not forget our time in glee Safe and sound, I’ll come back to you. Though dead, my love won’t die with me.
Qin Jian
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
And then she knew me. I saw the knowing arrive, wonderful and terrible. In my memory she has two different faces at once, like the god she named me for: On one face is riotous joy, blazing at me like the sun itself. On the other is deepest mourning, the keening, marrow-deep ache of someone who has looked for something too long and found it too late. She reached her hand toward me, and I saw her mouth move. Jan-u-ary.
Alix E. Harrow (The Ten Thousand Doors of January)
My friend (and ex-lover) Nicole says I’m just a restless soul. My barhopping friend Mark thinks it’s just a premature middle-age crisis; I just celebrated my 33rd birthday last week, after all. I have another theory. It’s not original, so I can’t call it the James Garraty Theory of Life. Want to hear it? Here goes. No matter how old you get, how affluent or successful you become, you’ll never outrun the ghosts of your past. Particularly the ghosts of your adolescence. Put simply, you can graduate from high school, but your soul will never leave that place.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
The concerts went off as Concert for Bangladesh on August 1 (afternoon and evening shows), with Ringo Starr double-drumming next to Jim Keltner and an all-star band, including Billy Preston, Leon Russell, Klaus Voormann, Badfinger, and Eric Clapton. Reunion rumors evaporated the minute Harrison introduced Bob Dylan, who hadn’t performed widely in America since his motorcycle accident in 1966. Except for the Woody Guthrie memorial concert with the Band in 1968, Dylan hadn’t appeared on a New York stage since 1966, and he quickly upstaged everybody by reworking five songs that signaled a larger return to form. Once again, Harrison trumped expectations by bringing in a ringer.
Tim Riley (Lennon)
"I...I still—" "Can't believe it?" Rafe shrugged. "I'm guessing a regular person wouldn't have survived. But we're part cat so maybe falls aren't so bad. I think I lost one of my nine lives though." He twisted to look at the stab wound. "Maybe two." I threw my arms around his neck and kissed him, and when I did, I knew he was real—the heat of him, the smell of him, the feel of him, the taste of him so incredibly real that it surpassed anything my memory could conjure up. He wrapped his arms around me and kissed me back, and it was like every other amazing kiss he'd given me, multiplied ten-fold. I kissed him until I couldn't breathe, and then I kissed him a little more, until I had to pull back, gasping. "I have got to die more often," he said. And he grinned, that incredible blaze of a grin that made me kiss him again.
Kelley Armstrong (The Calling (Darkness Rising, #2))
A startlingly clear memory jolted through Ronan, as fresh as the moment he'd lived it. It was the day Ronan had first come to Harvard to surprise Adam, back when he still thought he was moving to Cambridge. He'd been so full of anticipation for how the reveal would go and then, in the end, they'd walked right past each other. At the time, Ronan had thought it was because Adam looked so different after his time away. He was dressed differently. He held himself differently. He'd even lost his accent. And he'd assumed it had felt the same to Adam; Ronan had gotten older, lonelier, sharper. But now they were in this strange sea, and neither of them looked anything like the Adam Parrish and Ronan Lynch the other had known. Adam was a collection of thoughts barely masquerading as a human form. Ronan Lynch was raw dark energy, alien and enormous. And yet when Adam's consciousness touched his, Ronan recognized him. It was Adam's footsteps on the stairs. His surprised whoop as he catapulted into the pond they'd dug. The irritation in his voice; the impatience of his kiss; his ruthless, dry sense of humor; his biting pride; his ferocious loyalty. It was all caught up in this essential form that had nothing to do with how his physical body looked. The difference between this reunion and the one at Harvard was that there in Cambridge they had been false. They'd both been wearing masks upon masks, hiding the truth of themselves from everyone, including themselves. Here, there was no way to hide. They were only their thoughts. Only the truth. "Ronan, Ronan, it is you. I did it. I found you. With just a sweetmetal, I found you." Ronan didn't know if Adam had thought it or said it, but it didn't matter. The joy was unmistakable. "Tamquam," said Ronan, and Adam said, "Alter idem." Cicero had written the phrase about Atticus, his dearest friend. Qui est tamquam alter idem. Like a second self. Ronan and Adam could not hug, because they had no real arms, but it didn't matter. Their energy darted and mingled and circled, the brilliant bright of the sweetmetals and the absolute dark of the Lace. They didn't speak, but they didn't have to. Audible words were redundant when their thoughts were tangled together as one. Without any of the clumsiness of language, they shared their euphoria and their lurking fears. They rehashed what they had done to each other and apologized. They showed everything they had done and that had been done to them in the time since they'd last seen each other--the good and the bad, the horrid and the wonderful. Everything had felt so murky for so long, but when they were like this, all that was left was clarity. Again and again they spiraled around and through one another, not Ronan-and-Adam but rather one entity that held both of them. They were happy and sad, angry and forgiven, they were wanted, they were wanted, they were wanted.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
I was not able to sleep that night. To be honest, I didn’t even try. I stood in front of my living room window, staring out at the bright lights of New York City. I don’t know how long I stood there; in fact, I didn’t see the millions of multicolored lights or the never-ending streams of headlights and taillights on the busy streets below. Instead, I saw, in my mind’s eye, the crowded high school classrooms and halls where my friends and I had shared triumphs and tragedies, where the ghosts of our past still reside. Images flickered in my mind. I saw the faces of teachers and fellow students I hadn’t seen in years. I heard snatches of songs I had rehearsed in third period chorus. I saw the library where I had spent long hours studying after school. Most of all, I saw Marty. Marty as a shy sophomore, auditioning for Mrs. Quincy, the school choir director. Marty singing her first solo at the 1981 Christmas concert. Marty at the 1982 Homecoming Dance, looking radiant after being selected as Junior Princess. Marty sitting alone in the chorus practice room on the last day of our senior year. I stared long and hard at those sepia-colored memories. And as my mind carried me back to the place I had sworn I’d never return to, I remembered.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
Who has not known you, O deep joys of wine? Whoever has had some remorse to appease, a memory to evoke, a sorrow to drown, a castle to build in Spain, in fact all men have invoked you, mysterious god concealed in the tendrils of the vine. Wine is like man himself: one never knows to what extent one may esteem or despise him, love or hate him, nor of what sublime actions or monstrous crimes he is capable. Let us not then be crueller towards wine than towards ourselves, let us treat him as an equal. Sometimes I think I can hear wine speak (he speaks with his soul, the spiritual voice heard only by the spirit) and he says: “Man, my beloved, I would pour out for you, in spite of my prison of glass and fetters of cork, a song full of brotherhood, a song full of joy, light and hope. I am no ingrate; I know that I owe you my life. I know what it cost you in toil, your back under the burning sun. You gave me life and I shall reward you for it. I am the soul of your country. I am half-lover, half-soldier. I shall light up your aged wife’s eyes, the old companion of your everyday cares and your oldest hopes. I shall soften her glance and drop into the pupil of her eye the lightning-flash of her youth. Our close reunion will create poetry. Between us we shall make a god. This is what wine sang in its mysterious language.
Charles Baudelaire (On Wine and Hashish (Hesperus Classics))
Joël describes here, in unmistakable symbolism, the merging of subject and object as the reunion of mother and child. The symbols agree with those of mythology even in their details. There is a distinct allusion to the encircling and devouring motif. The sea that devours the sun and gives birth to it again is an old acquaintance. The moment of the rise of consciousness, of the separation of subject and object, is indeed a birth. It is as though philosophical speculation hung with lame wings on a few primordial figures of human speech, beyond whose simple grandeur no thought can fly. The image of the jelly-fish is far from accidental. Once when I was explaining to a patient the maternal significance of water, she experienced a very disagreeable sensation at this contact with the mother-complex. “It makes me squirm,” she said, “as if I’d touched a jelly-fish.” The blessed state of sleep before birth and after death is, as Joël observes, rather like an old shadowy memory of that unsuspecting state of early childhood, when there is as yet no opposition to disturb the peaceful flow of slumbering life. Again and again an inner longing draws us back, but always the life of action must struggle in deadly fear to break free lest it fall into a state of sleep. Long before Joël, an Indian chieftain had expressed the same thing in the same words to one of the restless white men: “Ah, my brother, you will never know the happiness of thinking nothing and doing nothing. This is the most delightful thing there is, next to sleep. So we were before birth, and so we shall be after death.”34
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
sure what happened after the accident was client-protected,” he told Mazzone. By their silence, “Markham and Gargan were taking the big fall to protect Ted Kennedy.” Paul Redmond doubted the lawyer-client issue would even arise at the inquest. “People were walking around Boston whaling the bee-jesus out of Paul Markham and Joe Gargan for not reporting the accident—that was so unfair. Here were two guys, good lawyers and fine men, made to look like stooges or worse by the press.” Gargan had told him he could not have reported an accident in which a driver faced a possible manslaughter charge, Redmond said. “It’s no secret Joe was a dear friend. When I left the U.S. Attorney’s office, Paul Markham took my spot.” A week before the inquest, Redmond bumped into Gargan in the elevator of the building in which both had law offices. The Boiler Room girls were “upstairs,” Redmond said. “They haven’t seen you in a long time. I think they’d like to say hello.” Gargan went straight to Redmond’s office for “a nice reunion, a pleasant chat. Very friendly.” There was no discussion about the inquest. Gargan did not want to become involved in the preparation of anybody else’s testimony. As one of two persons at the party who wasn’t “a bit bombed,” Gargan’s memory of the occasion was “clear as a bell.” So it was Gargan’s description of the party that, along with the Senator’s two public versions of the accident, would provide the scenario for inquest testimony. If Gargan testified to the Senator’s attempt to cover up his involvement in the accident as the reason he had failed to report it until the next day, he could blow the entire lid off the case. But that prospect became moot when a writ of certiorari was filed on Tuesday, September 2, asking the Massachusetts Supreme Judicial Court to determine whether “errors of law” had been made in Judge Boyle’s ruling on the conduct of the scheduled inquest in re: Mary Jo Kopechne. Justice Paul Reardon scheduled a hearing for three o’clock. Notified an appeal had been filed,
Leo Damore (Chappaquiddick: Power, Privilege, and the Ted Kennedy Cover-Up)
By that time he was already an old hand at travel in Paris; four months of residence made him an oldtimer. Well, he said that he loved the city, he regretted to have come so late in life. The reunion was very emotional; Father's appearance was changed. He looked drawn, pale; his voice weak, his eyes lustreless. Yet, my parents hoped that a resolution of their hardships was in sight. They wanted to show me off to Dr. Falk and his wife, two wonderful, helpful people. Next day I went to visit Dorzia in the Rothschild hospital.
Pearl Fichman (Before Memories Fade)
…reunions, she felt, were not much more than a scratching at the vague itch of memory. And like scratching, they rarely helped—indeed, scratching often made matters worse, as any dermatologist would tell you.
Alexander McCall Smith (At the Reunion Buffet (Isabel Dalhousie, #10.5))
They waited for one another. Yuda saw him just once more, in 1971, in Israel, after 30 years. That was the only time I had occasion to meet my brother-in-law. At that reunion, the heartache was so visible on everybody's face. They knew that they were the closest blood relatives and had been apart for most of their lives. They knew that they were brothers, yet they were in essence strangers, molded by completely different conditions. Both had gone through inhuman hardships, but in different places, in different surroundings.
Pearl Fichman (Before Memories Fade)
When dawn breaks again, we'll say our farewells Our dreams become distant phantoms The times we were embraced In the light that chased you Relying on the warm winds Heralding spring, The wild plants start to dance Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days Under my eyelids still resides Vestiges of summer And those too-distant skies (it was warm) Holding hands, as we picked the flowers -- we sang Memories of that evening (I wasn't there) For three months from August The clouds fall under the sway of the moon And I awaken to the fact That you'll never come back I realize I'm alone I'll go on a journey to find you Now my memories within awaken And now I start to walk To wherever you are When dawn breaks again, we'll say our farewells Our dreams become distant phantoms The times we were embraced In the light that chased you Relying on the warm winds Heralding spring, The wild plants start to dance Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days It's seven o'clock Near you, beneath the cypress trees Your arm on my shoulders With you, a souvenir of the fragrant flowers we saw If the road leading to our reunion were there -- But that doesn't matter, you won't come back again Do you suppose -- Will these tears stop flowing ? The tailwinds scream The silence is broken Fearing nothing, I move on Carrying the golden flowers I'll see you, and I'll again know kindness (Now) The silence is broken Fearing nothing, I move on Carrying the golden flowers I'll see you, and I'll again know kindness Heralding spring, The wild plants start to dance Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days Heralding spring, We dance and samba Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days When dawn breaks again, we'll say our farewells Our dreams become distant phantoms The times we were embraced In the light that chased you Relying on the warm winds
Michiko Evwana
Then there was the HSP whose earliest memory was of being the imaginary “dough” in a family-reunion skit of “patty-cake, patty-cake.” In spite of crying and pleading with her parents, this two-year-old was passed in a circle from stranger to stranger. Reliving the long-repressed feelings that went with this memory, she realized that it (and other situations she had probably repressed completely) left her with a sense of helpless terror about being picked up, about being controlled physically in any way, and about her parents not protecting her.
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
In the Stars, there is no more pain. Only joy and reunion with those we have loved. May your memory bring tears, then fond smiles, and finally peace to those who follow behind.
Marie Mistry (Pirate Witch (The Deadwood, #3))
Flinx rocked in his chair. “Then you’ve decided that they are as artificial in nature as the core material?” “I did not say that. I cannot tell from their composition whether they are of natural or manufactured derivation. But I can estimate their age, which pertinent instrumentation places at between four hundred eighty thousand and five hundred thousand years.” Something about those dates prodded at Flinx’s memory. Something more than the fact that they matched the AAnn researchers’ estimate of the age of the great transmitter on Pyrassis. But he was too caught up in the excitement of the moment to stop and try to identify their significance. If any, it could wait until later.
Alan Dean Foster (Reunion (Pip & Flinx #8))
The ten-year reunion had been an odd experience. I’d gone mostly out of curiosity, but had found the evening awkward and anticlimactic. Most people had turned out to be exactly who I’d expected them to be. Our class had produced no celebrities or mega successes. Everyone had extremely mundane and commonplace jobs, except for Donal Larkin’s twin sister Shannon, who’d joined the State Department. There had been a lot of strained small talk with people who didn’t remember me, as well as a few uncomfortable conversations with people I’d forgotten who remembered me well. One woman whose name and face rang no bell whatsoever had proudly produced her yearbook to show off the heartfelt note I’d written to her. There on the page, in my own handwriting, was a lengthy message I had no memory of writing, extolling our meaningful and abiding friendship. The whole experience had been unsettling. I wasn’t particularly looking forward to repeating it, but I supposed since I was on the reunion committee now I had no choice but to attend the thirty-year.
Susannah Nix (Mad About Ewe (Common Threads, #1))
I left my high school reunion as I had left high school most days, wishing the car would move faster so the bad memory might fade quicker. Only this time, I was telling a limo driver to speed it up.
Ann Wilson (Kicking & Dreaming: A Story of Heart, Soul, and Rock & Roll)
Of all the gems of wisdom that they shared with me, this insight, from Norma, stood out: “When the kids come home for a family reunion, I like to listen to their banter back and forth about the experiences they had growing up, and which had the greatest impact on their lives. I typically have no memory of the events they recall as being important. And when I ask them about the times when Jim and I sat them down specifically to share what we thought were foundationally important values of our family, well, the kids have no memory of any of them. I guess the thing to learn from this is that children will learn when they are ready to learn, not when we’re ready to teach them.” It’s a beautiful way of articulating the importance of building the third of the capabilities—priorities. It affects what our children will put first in their lives. In fact, it may be the single most important capability we can give our kids. You can probably recall similar moments from your own childhood—the times that you picked up something important from your parents that they probably weren’t aware they were sharing. Your parents most likely weren’t thinking consciously about teaching you the right priorities at the time—but simply because they were there with you in those learning moments, those values became your values, too. Which means that first, when children are ready to learn, we need to be there. And second, we need to be found displaying through our actions, the priorities and values that we want our children to learn.
Clayton M. Christensen (How Will You Measure Your Life?)
Stories where I can only imagine what they faced, what they felt and symbolize the futility of the war. The memory of that reunion is seared into my mind as my final picture of the Vietnam War and will remain until either I die, or I have no memories." — Clarence Vold on book, Vietnam War: Through My Eyes.
Clarence Vold
As Jiminy hopped away, the Blue Fairy spun her wand for one last spell before she tucked it away for a year. In her mind, she conjured the smell of cinnamon and pistachios, of chocolate and buttery sugar. A modest plate appeared on her palm, and she inhaled. "Just like home," she whispered to herself. With a wave of her arm, she let go of her wand and made for the humble two-storied house with a yellow door. A lemon or two still hung from the trees brushing against the back window, and a bittersweet pang overcame Chiara's heart. It squeezed inside her, filled with excitement and nervousness and wonder. When she found her courage, she knocked. At first, she didn't think anyone heard. Then from inside, Niccolo's wife shouted: "It's the girls! They must be back early!" Footsteps approached, and Chiara held her breath. Niccolo himself answered the door, and let out a gasp. The expression on her brother's face was one she would treasure all her life. Joy and surprise flooded his eyes as years of forgotten memories came back to him. When he finally cried her name, his voice choked with emotion. "Chiara?" "I know I'm a few years late," she said, finally letting go of her breath. She smiled at her brother. "But is there room for one more at dinner tonight? I've brought cookies.
Elizabeth Lim (When You Wish Upon a Star)
Karly- I stopped wearing my glasses after that day, when Jess Smith walked up and ripped them off my face and broke them in half, and poked me in the boob hard. I miss them, what wrong with glasses, they make you look sophisticated. Why was I so quiet and laid back, and a pushover? Marcel- She runs like everything for the bathroom, like always- not making it very far. She feels like some poor little girl, with a broken nose, and I remember when that happened. That is when I felt like she was in love with me she took the balls to the face for me. ‘I thought you liked balls in your face one boy said.’ You tripped and fell to the ground, hard, and I picked you up and carried you to safety, and we fell in love, even more, kissing under the bleachers. ‘You’re a weirdo,’ and the kiss was long and – fearing H-O-T! Like, kick your tongue out smoking hot! It’s still not as bad as the time my face was smashed to a brick wall, by some back boy- and I have to have something done about it, like getting my nose redone, yet I blamed it on my dad. Jenny- Sing the same girlie crap every year, you’ll blow chunks all over the place, which never happened, that’s why she stopped singing way back when. You can see here doing it on YouTube! Like- It happened! Jenny says every time someone brings it up. Until some unicycles guy flies into the frame where nothing freaking speedo- showing his tor·pe·do with the American flag up his ass! I don’t know if that is patriotic or what the hell that is… I am not sure what to look at. What can you say other than- ‘Ew-ah- gross…? Who does that…?’ Marcel- It kind of reunions the magic does it…? I spoke. Karly- Yep! I am glad I cannot see all that anyway! I am sure yours is better anyway. (She goes underneath his underwear down for it, getting a handful, and does what she feels is right in front of them all. It was more romantic than you would think pervs.) I did it for me and him, I did not give a crap; if they liked it or not… they can all look the other way. I have- a leaning popping lag kisses, and he rubbed his nose on mine saying it- I LOVE YOU! You’ll be fine… I’ll make sure of that. Karly- Back in time: We rain from the schoolyard to my house… stole my dad’s Nash and got married. My stepmother cased us down, with a bible in her hand saying we were sinners. Both- We’re sinner okay then- we all are- yet love is love even if age is in the way. Marcel- the very next day, it was all over. Say what you want to say… I know why- how- and who.
Marcel Ray Duriez (Nevaeh They Call Out)
Do you remember what you said to me on the last day of school?” I ask. “I said a lot of things, Jim. But that was, what? 14? 15 years ago?” “You said that if I didn’t tell her how I felt, it would come back someday and bite me on my ass.” “That sounds like something I would say.” “I hate to admit it,” I say, “but you were right.” “I was wise beyond my years,” Mark says lightly. “At the time, I thought you were just messing with my head.” “I was messing with your head. I was also telling you the truth.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
Their corner She withdrew her hand from his soft but firm grip, And that was all about their romantic trip, She went her way and he went his way, And they got busy chasing the mammons of the day, The hands that held on to each other had slipped away, To feed the obsequious vanities of every new day, But at that discreet corner where she freed her hand, There she does often for a moments few stand, To hold the same sensation and to grab the same feeling, Under which her heart had discovered a new healing, And as her bus arrives, she occupies her seat, And keeps looking at the fading away corner in that narrow street, Where at dusk two shadows often meet, Holding each others hands as they wish and greet, The memory of the hands that held on to each other, Under the sun, under the moon, under the rain, in every weather, The man stands there moments after the woman has left, And his mind turns contemplative in ways simple yet deft, He too catches the bus and goes away, Leaving behind the shadows that you will find there every night and every day, Today the woman did not visit the corner, Today the man too did not surrender, His wishes and his desires, To this corner where he often her memories admires, And where she experiences his sensations crawling all over her, This corner where she felt him and he felt her, Where could they be wondered the street? And the corner, sadly in its obscurity clad dimension did retreat, The following day, they walked together holding their hands again, The street overflowed with joy and the corner had nothing left to disdain, They caught the bus together and looked at the corner and the narrow street, Where they now often meet, And the corner resonates with their whispering smiles, Because now in their minds they cover journeys of endless miles!
Javid Ahmad Tak (They Loved in 2075!)
But please never confuse redemption with reunion. Reunion, or reconciliation, requires two people who are willing to do the hard work to come back together. Redemption is just between you and God. God can redeem your life, even if damaged human relationships don’t come back together.
Lysa TerKeurst (Forgiving What You Can't Forget: Discover How to Move On, Make Peace with Painful Memories, and Create a Life That’s Beautiful Again)
His sullenness could hide excitement at the prospect of reunion with his parent or-given his blood-murderous impulses.
Storm Constantine (The Shades of Time and Memory (Wraeththu Histories, #2))
Republican Ebon C. Ingersoll of Illinois, however,
David W. Blight (Race and Reunion: The Civil War in American Memory)
For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between those heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to room themselves in the sold earth of their distress.
Albert Camus (The Plague)
While the Reconstruction struggle ensued in Washington and across the South, Edward A. Pollard, wartime editor of the Richmond Examiner, wrote his long manifesto, The Lost Cause, published in 1867. Pollard issued a warning to all who would ever try to shape the memory of the Civil War, much less Reconstruction policy. “All that is left the South,” wrote Pollard, “is the war of ideas.” The war may have decided the “restoration of the union and the excision of slavery,” declared Pollard, “but the war did not decide Negro equality.”39 Reconstruction was at once a struggle over ideas, interests, and memory.
David W. Blight (Race and Reunion: The Civil War in American Memory)
Though he was tired of loneliness - tired down to the depths of his heart - that was really not was troubled him most. What tortured him was the hunger in his soul. A longing. A quiet voice that could not be stilled. Not a threatening voice - or a nagging one. But a persistent calling. Like a parent who calls an errant child back to dinner. Or a father who calls for a son to join him down at the pier for a fishing trip; like a voice echoing off the lake. It was a strangely familiar voice that was calling. A little like the memory of a reunion, long forgotten. Why did he resist it, even fear it? Why would he not respond to a call that came to him in a way that sounded, and felt, so much like family?
Craig Parshall (The Resurrection File (Chambers of Justice, #1))
Ace Bourke, whose ecstatic reunion in Africa, years after Christian’s release, is memorialized on film—the unavoidable circumstances of
Nick Jans (A Wolf Called Romeo)
Therefore they forced themselves never to think about the problematic day of escape, to cease looking to the future, and always to keep, so to speak, their eyes fixed on the ground at their feet. But, naturally enough, this prudence, this habit of feinting with their predicament and refusing to put up a fight, was ill rewarded. For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when by conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between these heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to root themselves in the solid earth of their distress.
Albert Camus (The Plague)
She captured the singular moment in her mind, with the sun shining on their faces, knowing she’d keep it in her memory forever like a treasured photograph.
Mary Alice Monroe (Beach House Reunion (Beach House, #5))