Rare Girl Quotes

We've searched our database for all the quotes and captions related to Rare Girl. Here they are! All 100 of them:

That's why I like you. Do you realize how rare it is to come across a hot girl who creates a adjectival version of the word pedophile? You are so busy being you that you have no idea how utterly unprecedented you are.
John Green (The Fault in Our Stars)
I see you're determined to miss my point." "If you're point is that there was a pretty girl in the room and it was distracting you, then I think I've taken your point handily." "You think she's pretty?" Will was surprised; Jem rarely opinioned this sort of thing. "Yes, and you do too." "I hadn't noticed, really." "Yes, you have, and I've noticed you noticing.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Not that she didn't love almost every boy she'd ever met, and not that every boy in the world didn't totally love her. It was impossible not to. But she wanted someone to love her and shower her with attention the way only a boy who was completely in love with her could. The rare sort of love. True love. The kind of love she'd never had.
Cecily von Ziegesar (I Like It Like That (Gossip Girl, #5))
Sorry is the Kool-Aid of human emotions. It's what you say when you spill a cup of coffee or throw a gutter ball when you're bowling with the girls in the league. True sorrow is as rare as true love.
Stephen King (Carrie)
If you’re the girl that needs a boyfriend, and once she loses that boyfriend needs to replace it with a different boyfriend, it’s just this constant stream of boyfriends all the time. I don’t feel like I ever want to be that girl. I want to be the girl that when she falls in love, it’s a big deal and it’s a rare thing.
Taylor Swift
... People with great passions, people who accomplish great deeds, people who possess strong feelings, even people with great minds and a strong personality, rarely come out of good little boys and girls.
Lev Semyonovich Vygotsky
You usually can’t recall all the people you’ve shared laughs with. But you rarely forget the people you’ve shared your tears with.
Mya Robarts (The V Girl: A Coming of Age Story)
When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.
Simone de Beauvoir (The Second Sex)
Lately I can't help wanting us to be like other people. For example, if I were a smoker, you'd lift a match to the cigarette just as I put it between my lips. It's never been like that between us: none of that easy chemistry, no quick, half automatic flares. Everything between us had to be learned. Saturday finds me brooding behind my book, all my fantasies of seduction run up against the rocks. Tell me again why you don't like sex in the afternoon? No, don't tell me-- I'll never understand you never understand us, America's strangest loving couple: they never drink a bottle of wine together and rarely look at each other. Into each other's eyes, I mean.
Deborah Garrison (A Working Girl Can't Win)
Why can't a girl be smart without it being explained away as a rare supernatural phenomenon?
Cat Winters (In the Shadow of Blackbirds)
The girl in the mirror caught my eye briefly...It is an uncanny feeling, that rare occasion when one catches a glimpse of oneself in repose. An unguarded moment, stripped of artifice, when one forgets to fool even oneself.
Kate Morton (The House at Riverton)
In an era where women undress their outfits & give their bodies so carelessly, become the rare wild woman that undresses her mind and soul & knows the worth of what she has to offer.
Nikki Rowe
Any guy can love a thousand girls But only a rare guy can love one girl in a thousand ways
Karl A. Menninger
Above all, she is the girl who 'feels' things, who has hung on to the freshness and pain of adolescence, the girl ever wounded, ever young. Now, at an age when the wounds begin to heal whether one wants them to or not, Joan Baez rarely leaves the Carmel Valley.
Joan Didion (Slouching Towards Bethlehem)
Loving a guarded girl, I had realized, was a pyrrhic victory. The rare moments of happiness came at too great a cost.
Penelope Douglas (Nightfall (Devil's Night, #4))
I heard voices outside our front door - a woman's, bright as polished brass, and a man's, low and dark like the wood of the table I was working on. They were the kind of voices we heard rarely in our house. I could hear rich carpets in their voices, books and pearls and fur.
Tracy Chevalier (Girl with a Pearl Earring)
He was distracted by a giggle, and turned to see a rare sight: a girl.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
Here: an exercise in choice. Your choice. One of these tales is true. She lived through the war. In 1959 she came to America. She now lives in a condo in Miami, a tiny French woman with white hair, with a daughter and a grand-daughter. She keeps herself to herself and smiles rarely, as if the weight of memory keeps her from finding joy. Or that's a lie. Actually the Gestapo picked her up during a border crossing in 1943, and they left her in a meadow. First she dug her own grave, then a single bullet to the back of the skull. Her last thought, before that bullet, was that she was four months' pregnant, and that if we do not fight to create a future there will be no future for any of us. There is an old woman in Miami who wakes, confused, from a dream of the wind blowing the wildflowers in a meadow. There are bones untouched beneath the warm French earth which dream of a daughter's wedding. Good wine is drunk. The only tears shed are happy ones.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Stories are made about girls like you. The wild ones, those rare faces that smile in the midst of chaos.
Nikki Rowe
Her love is rare but she'll keep you wild.
Nikki Rowe
Bianca, camp is cool! It's got a pegasus stable and a sword-fighting arena and… I mean, what do you get by joining the Hunters?" To begin with," Zoe said, "immortality." I stared at her, then at Artemis. "She's kidding, right?" Zoe rarely kids about anything," Artemis said. "My Hunters follow me on my adventures. They are my maidservants, my companions, my sisters-in-arms. Once they swear loyalty to me, they are indeed immortal… unless they fall in battle, which is unlikely. Or break their oath." What oath?" I said. To foreswear romantic love forever," Artemis said. To never grow up, never get married. To be a maiden eternally." Like you?" The goddess nodded. I tried to imagine what she was saying. Being immortal. Hanging out with only middle-school girls forever. I couldn't get my mind around it.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
A boy admiring a pretty girl. A rare thing to be certain. But love—true love—is something else.
Alex Flinn (A Kiss in Time)
We should be telling girls what they already know but rarely see affirmed: that the lives they lead inside their own self-contained bodies; the skills they attain through their own concentration and rigor, and the unique phase in their lives during which they may explore boys and eroticism at their own pace - these are magical. And they constitute the entrance point to a life cycle of a sexuality that should be held sacred.
Naomi Wolf (Promiscuities: The Secret Struggle for Womanhood)
She was a rule breaker, never settling her fierce spirit for things built of structure.
Nikki Rowe
We were born in the '70s, back when twins were rare, a bit magical: cousins of the unicorn, siblings of the elves.
Gillian Flynn (Gone Girl)
Let us wonder at how X was just a rare letter until algebra came along and made it something special that can be unravelled to reveal inner value.
Bernardine Evaristo (Girl, Woman, Other)
It is rare that one can see in a little boy the promise of a man, but one can almost always see in a little girl the threat of a woman.
Alexandre Dumas
I think love is a rare thing in the World. If you think you have it with this Girl, then fuck whoever tries to stop you and fuck their Rules. Take the risk and do whatever you can do and try not to get caught. If you do get caught, do it again.
James Frey (A Million Little Pieces)
The Ad♥rkable Manifesto 1. We have nothing to declare but our dorkiness. 2. Jumble sales are our shopping malls. 3. Better to make cookies than be a cookie-cutter. 4. Suffering doesn’t necessarily improve you but it does give you something to blog about. 5. Experiment with Photoshop, hair dye, nail polish and cupcake flavours but never drugs. 6. Don’t follow leaders, be one. 7. Necessity is the mother of customisation. 8. Puppies make everything better. 9. Quiet girls rarely make history. 10. Never shield your oddness, but wear your oddness like a shield.
Sarra Manning (Adorkable)
Kindness toward strangers is rare in North Korea. There is risk in helping others. The irony was that by forcing us to be good citizens, the state made accusers and informers of us all.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Our society makes plenty of room for complacency or laziness; we’re rarely surrounded by accountability. We’re also rarely surrounded by sugar-free vanilla lattes, but when I really want one, I somehow find a way to get one.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
Fool girl. An enemy isn’t always an enemy. Sometimes, in the rare moments, we can be the greatest ally.
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
Our society makes plenty of room for complacency or laziness; we’re rarely surrounded by accountability.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
Her mouth twitched. My girl rarely smiled, but when she did, I felt like Superman.
Isabelle Ronin (Chasing Red (Red, #1))
When I first met you, I thought: There is a girl in a million. She isn't like these other silly little fools who believe everything their mammas tell them and act on it, no matter how they feel. And conceal all their feelings and desires and little heartbreaks behind a lot of sweet words. I thought: Miss O'Hara is a girl of rare spirit. She knows what she wants and she doesn't mind speaking her mind–or throwing vases.
Margaret Mitchell (Gone with the Wind)
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Adrian shifted just enough so that we could look at each other again. It was one of those rare moments where he was completely floored. “Let me get this straight. The future of our relationship hinged on advice from a fifteen-year-old girl, a probably untrue story from a one-eyed Chihuahua trainer, and me unromantically—yet skillfully—kissing you on top of silverware and china?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Today we tell girls to grow up to be or do whatever they want. But the cultural pressure to become a mother remains very strong; rare is she who doesn’t at least occasionally succumb to the nagging fear that if she remains childless, she’ll live to regret it.
Kate Bolick (Spinster: Making a Life of One's Own)
There were times when I would forget her, though they were rare, and it would be for a time as though she had never existed; and then some passing girl's inadvertent gesture, or an accidental profile, or a hat like hers, would restore her, and restore the suffering too, and I would long again, somehow, to encounter or to see her.
Alfred Hayes (In Love (Modern Romance Classics))
She'd known girls on diets her entire life. Iron-rich blood had rarely, if ever, been their goal. Most of them had been looking for smaller waists, clearer complexions, and richer boyfriends, spurred on by a deeply ingrained self-loathing that had been manufactured for them before they were old enough to understand the kind of quicksand they were sinking in.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Humans rarely look back to the past, until they have made the same mistake!
Lucinda Riley (The Girl on the Cliff)
There's the good girl leading a charmed life who secretly covets to be the rare and elusive femme fatale and the femme fatale who yearns to be good and then there is their nemesis - men who dream and desire both.
Donna Lynn Hope
When I walk into a room, you're the only person I see. My brain doesn't get a choice anymore, because there's something inside you so rare it radiates out and blocks everyone else. You have the kind of beauty that can't be manufactured - the kind that comes from in here." He tapped a finger against her chest. "I didn't know what real beauty was before I met you, but I get it now. So trust me when I say you're the most breathtaking girl in my world.
Melissa Landers (Starflight (Starflight, #1))
Darling girl, blinded by foolish thoughts of love. How to tell her that the hearts of men were not so easily won. If won, rarely kept.
Kate Morton (The Forgotten Garden)
Ruth loved color so much she rarely wore any. Except on her face.
Kate Zambreno (Green Girl)
my relationship with my body is like that of an egomaniac with a self-esteem problem. mostly i think about myself and how much i suck. but there are rare moments when i walk around for hours and think i look amazing. either i feel great about myself or i've decided some guy is checking me out. then i catch a side view of myself in a store window or a department store mirror and i'm plunged into despair. if i could always life in a place with no mirrors or disapproving glances, i would think i was the prettiest girl around.
Liza Palmer (Conversations With the Fat Girl)
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Now the two of them rode silently toward town, both lost in their own thoughts. Their way took them past the Delgado house. Roland looked up and saw Susan sitting in her window, a bright vision in the gray light of that fall morning. His heart leaped up and although he didn't know it then, it was how he would remember her most clearly forever after- lovely Susan, the girl in the window. So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely if ever crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.
Stephen King (Wizard and Glass (The Dark Tower, #4))
Mami wanted me to be a lady: sit up straight, cross my ankles, let men protect me. Papi wanted me to be a leader. To think quick & strike hard, to speak rarely, but when I did, to always be heard. Me? Playing chess taught me a queen is both: deadly & graceful, poised & ruthless. Quiet & cunning. A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time. But what happens when those principles only apply in a game? & in the real world, I am not treated as a lady or a queen, as a defender or opponent but as a girl so many want to strike off the board.
Elizabeth Acevedo (Clap When You Land)
Even from a young age I undersood that when a girl is unlikable, a girl is a problem. I also understand that I wasn't being intentionally mean. I was being honest (admittedly, without tact), and I was being human. It is either a blessing or a curse that those are rarely likable qualities in a woman.
Roxane Gay (Bad Feminist)
My mom was never the type to write me long letters or birthday cards. We never got mani-pedis together, she never gave me a locket with our picture in it. She wouldn't tell me I looked beautiful, or soothe me when a boy broke my heart. But she was there. She kept me safe. She did her best to make me tough. She fed me the most delicious home-cooked meals. For lunch, she'd pack me rare sliced steak over white rice and steamed broccoli. She sent me to private school from kindergarten through twelfth grade. She is still there for me. She will always be there for me, as long as she's able. That's a great mom.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
William Peter Blatty (The Exorcist)
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.
Annie Dillard (Pilgrim at Tinker Creek)
Amy was looking around the sanctum in awe. "It's...beautiful!" The girl was modest and thoughtful. How bizarre. So rarely did Ian see these qualities in others–especially during the quest for the 39 Clues. Naturally, he had been taught to avoid these behaviors at all costs and never to consort with anyone who possessed them. They were distasteful–FLO, as Papa would say. For Losers Only. And Kabras never lost. Yet she fascinated him. Her joy in running up Alistair's tiny lawn, her awe at this piddling cubbyhole–it didn't seem possible to gain so much happiness from so little. This gave him a curious feeling he'd never quite experienced. Something like indigestion but quite a bit more pleasant. Ah well. Blame it on the ripped trousers, he thought. Humiliation softened the soul.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
You know who you are, he said- that intimidates boys but oneday a man will come along and value that exact part in you. - Wise words from my best friend.
Nikki Rowe
In my own case, I had to train myself out of that phony smile, which is like a nervous tic on every teenage girl. And this meant that I smiled rarely, for in truth, when it came down to real smiling, I had less to smile about. My 'dream' action for the women's liberation movement: a smile boycott, at which declaration all women would instantly abandon their 'pleasing' smiles, henceforth smiling only when something pleased them.
Shulamith Firestone (The Dialectic of Sex: The Case for Feminist Revolution)
ive lived so long a person, they tamed me to be, I spoke with care & held back the real, me. But the time has come, My voice will be heard. My messages are clear & I'm not the same girl. I am wild, my heart is rare I am untameable and I dont fuckin' care Life is too short, to live for another, I've faced the rain, storms and thunder And if there's one thing, I have kept in my mind It's i am, who I am and I don't give a damn if you don't like.
Nikki Rowe
Sorry is the Kool-Aid of human emotions. It’s what you say when you spill a cup of coffee or throw a gutter ball when you’re bowling with the girls in the league. True sorrow is as rare as true love.
Stephen King (Carrie)
My twin, Go. I've said this phrase so many times, it has become a reassuring mantra instead of actual words: Mytwingo. We were born in the '70s, back when twins were rare, a bit magical: cousins of the unicorn, siblings of the elves. We even have a dash of twin telepathy. Go is truly the one person in the entire world I am totally myself with. I don't feel the need to explain my actions to her. I don't clarify, I don't doubt, I don't worry. I don't tell her everything, not anymore, but I tell her more than anyone else, by far. I tell her as much as I can. We spent nine months back to back, covering each other. It became a lifelong habit. It never mattered to me that she was a girl, strange for a deeply self-conscious kid. What can I say? She was always just cool.
Gillian Flynn (Gone Girl)
we are all victims of our childhood, even good ones, for they made us what we are, and it’s a rare person who isn’t disappointed with that.
Mark Lawrence (The Girl and the Stars (Book of the Ice #1))
I didn't come looking for you the day you uninvitedly appeared on my doorstep How did we go from nonchalant conversation me waiting for you to turn me off with corny jokes and mind dumbing conversation to love To love and mind blowing chemistry that I've yet to make sense of What are you here to teach me?
Maquita Donyel Irvin Andrews (Stories of a Polished Pistil: Lace and Ruffles)
The pressure to be “good” is not exclusive to one gender, nor is it applied equally to all genders. To be clear, the stress on girls to be “good” far surpasses any stress men might feel to be “good.” This disparity is perhaps best exemplified by the fact that when a girl does something “wrong,” few mourn her goodness. We rarely hear, “I thought she was one of the good girls.” Women who behave “badly” are ultimately not given the same benefit of the doubt as men and are immediately cast off as bitches or sluts. Men might be written off as “dogs,” but their reckless behaviour is more often unnoticed, forgiven, or even celebrated—hence our cultural fixation with bad boys.
Vivek Shraya (I'm Afraid of Men)
Kell looked down at Delilah Bard, a cutthroat and a thief, a valiant partner and a strange, terrifying girl. He would see her again. He knew he would. Magic bent the world. Pulled it into shape. There were fixed points. Most of the time those points were places. But sometimes, rarely, they were people. For someone who never stood still, Lila still felt like a pin in Kell’s world. One he was sure to snag on.
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
He means that he hopes to find himself a girl, the rarest of rare pieces, and live the life of Rudolfo on the balcony, sitting around on the floor and experiencing soul-communications. I have my doubts. In the first place, he will defeat himself, jump ten miles ahead of himself, scare the wits out of some girl with his great choking silences, want her so desperately that by his own peculiar logic he can't have her; or having her, jump another ten miles beyond both of them and end by fleeing to the islands where, propped at the rail of his ship in some rancid port, he will ponder his own loneliness.
Walker Percy (The Moviegoer)
Those who participate in a genocide as well as those who merely look away rarely volunteer much in the way of anecdote or observation. Same with the heroic and the righteous. Usually it's only the survivors who speak-and often they don't want to talk much about it either. p. 75
Chris Bohjalian (The Sandcastle Girls)
He was here once before but that was in a different lifetime, when wonders were rare and announced—like amusement parks or school trips. Now they are everywhere, for the delectation of those among the survivors who might be hunters of miracles. And the beauty he looks over is fathomable only by a girl who would have felt the measure of it as deep as to her dazzled soul.
Alden Bell (The Reapers are the Angels (Reapers, #1))
It's one of those rare Splenda moments in here. Little imitations of life that, depending on your tastes, can be a kind of substitute for what you're missing on the outside, like real friends, real family, and something really worth celebrating.
Anissa Gray (The Care and Feeding of Ravenously Hungry Girls)
Creatures of the Darkness BY VICKI JORDAN It was world of vampires and demons, where innocence was rare and so were the living. It was a world of darkness, where light had been outlawed and nightfall had swallowed us whole. An epic war had been fought, and the creatures of the dark had finally prevailed over the promoters of the light. Finally, for the first time in existence, the people of the shadows could come out and freely walk among one another in the rays of the dying sun, which had once been used to shun them away. A little girl, a child of the light, had survived the battle and crawled out from under the ashes of the destruction. She looked around at her altered world in dismay and confronted a vampire about the changes, of which she did not approve. “Why did you turn my world into a world of night, and make wrong into a new form of right? How could you make all the light disappear, and with it everyone I once loved so dear? Why are the shadows now the new sun, and why is everything lost what you have won?” The vampire looked down at the little girl with amusement and delight. “Because, little girl, this is the real world you see, where there’s no light to shine on false identities. We didn’t destroy the world just to scare; we simply uncovered what was already there. What has come out was all the darkness that was once hidden within, and you’ll soon meet the darkness in you once my fangs pierce your skin.” We are our own greatest fears…..
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
Men and women who are lonely create. Those who are gregarious rarely do... Any poet would rather bed with a girl than write a poem about her. All art is the result of frustration. Art is energy deflected from its normal course in action.
Burton Rascoe (Before I Forget)
I am a freshwater girl. I live on the lake, and in New Jersey, that's rare. The girls on the other side of town have swimming pools, and the girls in the south have the seashore. Other girls are dry, breezy, salty, and bleached. I, on the other hand, am dark, grounded, heavy, and wet. Fed by springs, tangled in soft fernlike seaweed, I am closer to the earth. Saturated to the bone. I know it, and so do the freshwater boys, who prefer the taste of salt.
Wendy Wunder (The Museum of Intangible Things)
Dr. Ambrose himself told Mark Nechtr...that the problem with young people, starting sometime in about the 1960s, is that they tend to live too intensely inside their own social moment, and thus tend to see all existence past age thirty or so as somehow postcoital. It's then that they'll relax, settle back, sad animals, to watch- and learn, as Ambrose himself said he learned from hard artistic and academic experience- that life instead of being rated a hard R, or even a soft R, actually rarely even makes it into distribution. Tends to be too slow.
David Foster Wallace (Girl With Curious Hair)
Most girls, however much they resent their mothers, do become very much like them. Rebellion can rarely survive the aversion therapy that passes for being brought up female. Male violence acts directly on the girl through her father or brother or uncle or any number of male professionals or strangers, as it did and does on her mother, and she too is forced to learn to conform in order to survive. A girl may, as she enters adulthood, repudiate the particular set of males with whom her mother is allied, run with a different pack as it were, but she will replicate her mother’s patterns in acquiescing to male authority within her own chosen set. Using both force and threat, men in all camps demand that women accept abuse in silence and shame, tie themselves to hearth and home with rope made of self-blame, unspoken rage, grief, and resentment.
Andrea Dworkin (Right-Wing Women)
The ones whose light will remain with me long after they have burnt out are the ones that had grace. Because it's rare that the gift comes with grace. Some of the biggest arseholes I've ever met are the most gifted. Because it's "pretty girl" syndrome. Being gifted is like being born beautiful. You don't have to work a day in a year in your life for it. You were born with it. In one sense, it's like blue blood, money, gift, or beauty. They are the things that should make you the most humble, because they are not the things you have earned. They are the things you were given. Yet, it is my experience that they male people the most spoiled. And the people who work the hardest, and who have overcome the most obstacles on their life, who have reason to beat their breasts are the most humble, sometimes. I can't get over that. it's bewildering to me. To make it through success and still have manners, to still have curiosity, intellectual curiosity, to still have some grace, to keep your dignity, that is really... rare.
Bono (Bono: In Conversation with Michka Assayas)
Until there was Piper McCloud. The probability of a flier is so rare, so completely out of the ordinary, and it was the very thing that Conrad needed to make an escape plan work. The minute he saw that Piper could fly, he knew hope. He carefully plotted and prepared for every eventuality except one---Piper's refusal to leave without the other's. How can she be so colosally stupid??!! Didn't she understand?
Victoria Forester
Few female characters get to be “the Chosen One” in science fiction and fantasy. Leia is as much the child of Darth Vader as Luke is, but only Luke gets to use the force, be recruited by his dad and ultimately save the day. We don’t get impossibly clever female sleuths or the sexy spies with the awesome gadgets. And on the rare occasions that we do get those characters, they’re denigrated as unrealistic Mary Sues.
Rhiannon Thomas
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
Nikolai Gogol (Dead Souls)
There's a reason you feel the need to blame yourself," he continues, "from all accounts you're a very careful girl. If you accept the blame, decide you took a rare misstep, you can reassure yourself this was not a random event. If you blame yourself you can believe you're still in control of your universe. You're not, you never will be.
Julia Heaberlin
My mother lived alone in the ruins of the great Library, which was called Compleat, and a very passionate and dashing Library indeed. Under the slightly blackened rafters and more than slightly caved-in walls, my mother lived and read and dreamed, allowing herself to grow closer and closer to Compleat, to notice more and more how fine and straight his shelves remained, despite great structural stress. That sort of moral fortitude is rare in this day and age. By and by, my siblings and I were born and romped on the balconies, raced up and down the splintered ladders, and pored over many encyclopedias and exciting novels. I know just everything about everything—so long as it beings with A through L.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Boiled beef and greens constitute the day's variety on the former repast of boiled pork and greens; and Mrs. Bagnet serves out the meal in the same way, and seasons it with the best of temper: being that rare sort of old girl that she receives Good to her arms without a hint that it might be Better; and catches light from any little spot of darkness near her.
Charles Dickens (Bleak House)
He hadn't meant to get so angry at Morgan. He didn't often get angry at other people. There was no sense in it. The person you were angry at was rarely ever repentant. Now, getting angry with yourself had some merit. It showed you had sense enough to chastise the one person who had any hope of benefiting from it. And he was plenty angry with himself. For many things.
Sarah Addison Allen (The Girl Who Chased the Moon)
Another storybook hero to swoop in and rescue a girl from a dragon or a monster or herself - they're all the same. A woman must be protected, must be sheltered, must be kept from the winds that would batter her into the earth. But I am a wildflower and will stand against the gales. Rare and uncultivated, difficult to find, impossible to forget.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
William Peter Blatty (The Exorcist)
I will always know the glory of the beautiful and rare, as they will know security from labour and prayer. As they will hear the laughter of the children they gave life, I will know the torments of the song born under knife. And to their girls, they will give, while with their sons they'll share; where I will bear a song—a son! The wife of despair.
Roman Payne
You. Must. Do. Your. Homework. I'm not kidding. Our world is full of dangerous things. When you neglect your studies, you deny yourself the tools to deal with them. Every assignment-" I lifted a hand to stop him. "Allow me. Every assignment is a rare window into the ancient and noble tradition of the Guardians, a key to the mysterious power of the Crossworld, blah, blah. Don't forget the part about how I'm not living up to my potential.
Cecily White (Prophecy Girl (Angel Academy, #1))
This is the stuff dreams are made of, right?" I could've pointed out the misquotation; everybody goes for Humphrey Bogarst's famous like from The Maltese Falcon, when the words actually are "We are such stuff as dreams are made on" and they belong to Master Shakespeare, but you know what? With all due to respect to the women's movement, the fact is that, on rare occasions, silence really is a girl's best garment. So I just smiled instead.
Ramona Wray (Hex: A Witch and Angel Tale)
The detective thinks he is investigating a murder or a missing girl. But truly he is investigating something else altogether, something he cannot grasp hold of directly. Satisfaction will be rare. Uncertainty will be your natural state. Sureness will always elude you. The detective will always circle around what he wants, never seeing it whole. We do not go on despite this. We go on because of it.
Sara Gran (Claire DeWitt and the City of the Dead (Claire DeWitt Mysteries, #1))
They walked him into the cane and then turned him around. He tried to stand bravely... They looked at Oscar and he looked at them and then he started to speak. The words coming out like they belonged to someone else, his Spanish good for once. He told them that what they were doing was wrong, that they were going to take a great love out of the world. Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him. He told them about Ybón and the way he loved her and how much they had risked and that they'd started to dream the same dreams and say the same words. He told them that it was only because of her love that he'd been able to do the thing that he had done, the thing they could no longer stop, told them if they killed him they would probably feel nothing and their children would probably feel nothing either, not until they were old and weak or about to be struck by a car and then they would sense him waiting for them on the other side and over there he wouldn't b no fatboy or dork or kid no girl had ever loved; over there he'd be a hero, an avenger. Because anything you can dream (he put his hand up) you can be. They waited respectfully for him to finish and then they said, their faces slowly disappearing in the gloom, Listen, we'll let you go if you tell us what "fuego" means in English. Fire, he blurted out, unable to help himself. Oscar—
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Rose sighed softly, in a way that seemed to signal a close to the conversation. "I love him, Mamma." Adeline closed her eyes. Youth! What chance had the most reasonable arguments against the arrogant power of those three words? That her daughter, her precious prize, should utter them so easily, and about such a one as he! "And he loves me, Mamma, he told me so." Adeline's heart tightened with fear. Darling girl, blinded by foolish thoughts of love. How to tell her that the hearts of men were not so easily won. If won, rarely kept. "You'll see," Rose said. "I shall live happily ever after.
Kate Morton (The Forgotten Garden)
No, time has silverted the dark sheen of her hair, and thickened her body, and lined the corners of her eyes and her lips. He saw in them the hints of the smile he loved, and knew, to be fair, that time had been no kinder to him. Or perhaps, it had been just as kind; for she did not look the part of a young girl, and she was not: she was stronger, wiser, and more just than the fear of youth allowed; she gave him the shelter that he needed, on the rare occasions that that need drove him. She trusted him, always; she looked up to him, still; he strove, in every way, to continue to live up to her expectation. She was the one person in his life he did not wish to disappoint.
Michelle Sagara West (The Broken Crown (The Sun Sword, #1))
Every eighth-grade girl is rare and precious. Every eighth-grade girl is a treasure, like a priceless work of art, so you’d like to think that every eighth-grade teacher will be like a security guard in an art gallery. He’s not there to enjoy the beauty; he’s there to protect it. He’s there to enforce the rules, and Rule Number One is: DO. NOT. TOUCH. Keep your fingers, lips, and man bits off the masterpieces. It should be obvious that the Girl with a Pearl Earring deserves a chance to smile her wistful smile without some creepy guy feeling her up. Because damage to that precious work of art can be hidden, but it can never be undone.
Paris Hilton (Paris: The Memoir)
Never before had I felt trapped, seduced, and caught up in a story,' Clara explained, 'the way I did with that book. Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel. Have you ever kissed a girl, Daniel?' My brain seized up; my saliva turned to sawdust. 'Well, you're still very young. But it's that same feeling, that first-time spark that you never forget. This is the world of shadows, Daniel, and magic is a rare asset. That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone changed my life.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
There were some that were of so rare a beauty that my pleasure on catching sight of them was enhanced by surprise. By what privilege, on one morning rather than another, did the window on being uncurtained disclose to my wondering eyes the nymph Glauconome, whose lazy beauty, gently breathing, had the transparence of a vaporous emerald beneath whose surface I could see teeming the ponderable elements that coloured it? She made the sun join in her play, with a smile rendered languorous by an invisible haze which was nought but a space kept vacant about her translucent surface, which, thus curtailed, became more appealing, like those goddesses whom the sculptor carves in relief upon a block of marble, the rest of which he leaves unchiselled. So, in her matchless colour, she invited us out over those rough terrestrial roads, from which, seated beside Mme. de Villeparisis in her barouche, we should see, all day long and without ever reaching it, the coolness of her gentle palpitation.
Marcel Proust (In the Shadow of Young Girls in Flower)
The children of the Fulcrum are all different: different ages, different colors, different shapes. Some speak Sanze-mat with different accents, having originated from different parts of the world. One girl has sharp teeth because it is her race's custom to file them; another boy has no penis, though he stuffs a sock into his underwear after every shower; another girl has rarely had regular meals and wolfs down every one like she's still starving. (The instructors keep finding food hidden in and around her bed. They make her eat it, all of it, in front of them, even if it makes her sick.) One cannot reasonably expect sameness out of so much difference, and it makes no sense for Damaya to be judged by the behavior of children who share nothing save the curse of orogeny with her.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
In this martial world dominated by men, women had little place. The Church's teachings might underpin feudal morality, yet when it came to the practicalities of life, a ruthless pragmatism often came into play. Kings and noblemen married for political advantage, and women rarely had any say in how they or their wealth were to be disposed in marriage. Kings would sell off heiresses and rich widows to the highest bidder, for political or territorial advantage, and those who resisted were heavily fined. Young girls of good birth were strictly reared, often in convents, and married off at fourteen or even earlier to suit their parents' or overlord's purposes. The betrothal of infants was not uncommon, despite the church's disapproval. It was a father's duty to bestow his daughters in marriage; if he was dead, his overlord or the King himself would act for him. Personal choice was rarely and issue. Upon marriage, a girl's property and rights became invested in her husband, to whom she owed absolute obedience. Every husband had the right to enforce this duty in whichever way he thought fit--as Eleanor was to find out to her cost. Wife-beating was common, although the Church did at this time attempt to restrict the length of the rod that a husband might use.
Alison Weir (Eleanor of Aquitaine: A Life (World Leaders Past & Present))
In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century. For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.
Rick Bass
What a pretty dress,” Ariadne said to Cordelia, her voice warm. Her own gown was of flattering wine-colored silk. “I believe that’s the shade they call ‘ashes of roses.’ Very popular in Paris.” “Oh, yes,” Cordelia said eagerly. She’d known so few girls growing up—just Lucie, really—so how did one impress them and charm them? It was desperately important. “I did get this dress in Paris, as a matter of fact. On Rue de la Paix. Jeanne Paquin made it herself.” She saw Lucie’s eyes widen in concern. Rosamund’s lips tightened. “How fortunate you are,” she said coolly. “Most of us here in the poky little London Enclave rarely get to travel abroad. You must think us so dull.” “Oh,” said Cordelia, realizing she had put her foot in it. “No, not at all—” “My mother has always said Shadowhunters aren’t meant to have much of an interest in fashion,” said Catherine. “She says it’s mundane.” “Since you’ve spoken of Matthew’s clothes admiringly so often,” said Ariadne tartly, “should we assume that rule is only for girls?
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen." Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday." Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was.
Neil Gaiman (The Graveyard Book)
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.” Peter smiled.   “He’s not going to stop liking you over one little argument.   I don’t think he’s the type to just fall for someone and then hate them the next day.   We don’t live in that kind of world anymore, anyway.” “What do you mean?”   “Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from.   You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby.   But now, there’s no candy store.   There’s a single jawbreaker that you found in the gutter.   And there are no more jawbreaker factories.   No more candy stores.   No more refined sugar.   That one jawbreaker you found could be the only one you’ll ever have again.   You aren’t going to just eat it and say goodbye.” His analogy wasn’t perfect but I saw where he was going with it.   “So I’m like a jawbreaker.   A dirty one you find in the gutter.” “Yeah.   And he likes that candy.   It’s his favorite.   So he doesn’t care that it has smelly feet.” I scowled at him.   “How do you know he likes jawbreakers so much?” “I just know.   I can tell a good match when I see one.   He needs someone spunky and tough, someone different than other girls.   That’s you.” I smiled, liking how Peter had described me.   “But what if he just decides to eat it real quick and then move on?   I mean, there are other jawbreakers out there.   They’re just more rare.” “That’s not how he is.   He’s methodical.   A thinking person.   He’s not rash. And he knows his odds of finding a jawbreaker of this flavor?   Are pretty slim.” “I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.” “That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker.   He wants to keep the candy happy.   Keep it sweet.” I rolled my eyes.   “Ugh.   Your analogy is making me want to eye gouge you right now.
Elle Casey (Kahayatle (Apocalypsis, #1))
Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences. For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that. You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them. - For the Sake of a Single Poem
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)