Love Costs Everything Quotes

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The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete... Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side. Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent. Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you. Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
Bob Moorehead (Words Aptly Spoken)
Never give all the heart, for love Will hardly seem worth thinking of To passionate women if it seem Certain, and they never dream That it fades out from kiss to kiss; For everything that's lovely is But a brief, dreamy, kind delight. O Never give the heart outright, For they, for all smooth lips can say, Have given their hearts up to the play. And who could play it well enough If deaf and dumb and blind with love? He that made this knows all the cost, For he gave all his heart and lost.
W.B. Yeats (In the Seven Woods: Being Poems Chiefly of the Irish Heroic Age)
Everyone loves something for nothing...even if it costs everything.
Stephen King (Needful Things)
Its twice as terrifying, working with someone you love. A mistake could cost you everything. It makes what they do that much more ... impressive. " - Julian about ty & zane
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
I have loved you for years. I have been in love with you for years and years and years ... throughout school and training ... before transitions and afterward ... when you approached me and yes, even now that you're with Saxton and you hate me. And that ... shit ... in my fucking head locked me down, locked everything down ... and it cost me you.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
That's what love does - it pursues blindly, unflinchingly, and without end. When you go after something you love, you'll do anything it takes to get it, even if it costs everything.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want. I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say. I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom. I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about. I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes. Believe it or not, I even love your road smell – of sweat and horses and leather and wool. I want to breathe you in for the rest of my life.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
G.G. Renee Hill (The Beautiful Disruption)
That’s exactly what I’m talking about. That’s the evil that’s seducing you. The malevolent power that is crawling through your blood tempting you onto a treacherous path that will cost you everything you love and hold dear. You have to let that anger go before it’s too late. Vengeance always turns inward and it will consume you until nothing’s left but an empty hole that nothing can fill. (Ambrose)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Everything can change in a heartbeat; it can slip away in an instant. Everything you trust, and treasure, whatever brings you comfort, comes at a terrible cost. Health is temporary; money disappears. Safety is nothing big an illusion.  So when the moment comes, and everything you depend upon changes, or perhaps someone you love disappears, or no longer loves you, must disaster follow? Or will you-somehow-adapt?
Margaret Overton
Everything that’s really worthwhile in life came to us free; our mind, our soul, our body, our hopes, our dreams, our ambitions, our intelligence, our love of family and children and friends. All these priceless possessions are free, but the things that cost us money are actually very cheap and can be replaced at any time.
Earl Nightingale (The Strangest Secret)
You disgust me, all of you, with your happiness! With your life that must be loved at all costs. […] I spit on your idea of life! […] You are all like dogs that lick everything they smell! […] I do not want to understand. I am here for something other than understanding. I am here to tell you no, and to die. To tell you no and to die.
Jean Anouilh (Antigone)
And if we ask how are we to know where our hearts are, the answer is just as simple - everything which hinders us from loving God above all things and acts as a barrier between ourselves and our obedience to Jesus is our treasure, and the place where our heart is.
Dietrich Bonhoeffer (The Cost of Discipleship)
That’s what love does—it pursues blindly, unflinchingly, and without end. When you go after something you love, you’ll do anything it takes to get it, even if it costs everything.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
It cost me everything, absolutely everything, but maybe it's not love if it doesn't cost us everything.
J.R. Moehringer
Growth of the soil was something different, a thing to be procured at any cost; the only source, the origin of all. A dull and desolate existence? Nay, least of all. A man had everything; his powers above, his dreams, his loves, his wealth of superstition.
Knut Hamsun (Growth of the Soil)
Qhuinn’s head cranked around, leaving its cage of the hand that had remained, his blue and green eyes red rimmed and watery. “I have loved you for years. I have been in love with you for years and years and years… throughout school and training… before transitions and afterward… when you approached me and yes, even now that you’re with Saxton and you hate me. And that… shit… in my fucking head locked me down, locked everything down… and it cost me you.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Christmas is supposed to be this time when everyone is nice to one another and forgives one another and all that, but the true meaning of Christmas is presents. And in the real world, Santa’s not fair. Rich kids get everything and poor kids get secondhand crap their parents bust their asses to afford. It costs money just to sit on Santa’s lap.
Holly Black (My True Love Gave to Me: Twelve Holiday Stories)
You’ll always come back to warn him, no matter how much danger it could put you in, no matter what it costs you, because he cared for you when you thought you were nothing. You were never nothing. That didn’t matter. Perception is everything in this world
Seanan McGuire (The Winter Long (October Daye, #8))
Anyone who says love is free has never truly been in love. Your lover will need comfort. Your spouse will have bad days. Your child will have their heart broken, more than once and you will be expected to help pick up the pieces. Your beloved pets become a parade of joy and loss. Love costs, sometimes it costs everything you have, and sometimes it costs more. On those days you weigh the joy you gain against the pain; you weigh the energy given from the loving and the energy lost from the duties that love places upon us. Love can be the most expensive thing in the world. If it's worth it, great, but if not, then love does not conquer all, sometimes you are conquered by it. You are laid waste before the breathtaking pain of it, and crushed under the weight of it's obligations.
Laurell K. Hamilton
I spend that first week--and it does feel like spending, like not seeing him is costing me something.
Nicola Yoon (Everything, Everything)
Orthodoxy as right belief will cost us little; indeed, it will allow us to sit back with our Pharisaic doctrines, guarding the ‘truth’ with the purity of our interpretations. But orthodoxy, as believing in the right way, as bringing love to the world around us and within us … that will cost us everything. For to live by that sword, as we all know, is to die by it.
Peter Rollins (How (Not) to Speak of God: Marks of the Emerging Church)
My Angel, My greatest hope is that you never have to read this. Vee knows to give you this letter only if my feather is burned and I’m chained in hell or if Blakely develops a devilcraft prototype strong enough to kill me. When war between our races ignites, I don’t know what will become of our future. When I think about you and our plans. I feel a desperate aching. Never have I wanted things to turn out right as as I do now. Before I leave this world, I need to make certain you know that all my love belongs to you. You are the same to me now as you were before you swore the Changeover Vow. You are mine. Always. I love the strength, courage, and gentleness of your soul. I love your body too. How could someone so sexy and perfect be mine? With you I have purpose-someone to love, cherish and protect. There are secrets in my past that weigh on your mind. You've trusted me enough not to ask about them, and it's your faith that has made me a better man. I don’t want to leave you with anything hidden between us. I told you I was banished from heaven for falling in love with a human girl. The I way I explained it, I risked everything to be with her. I said those words because they simplified my motivations. But they weren't the truth. The truth is I had become disenchanted with the archangels’s shifting goals and wanted to push back against them and their rules. That girl was an excuse to let go of an old way of living and accept a new journey that would eventually lead me to you. I believe in destiny, Angel. I believe every choice I've made has brought me closer to you. I looked for you for a very long time. I may have fallen from heaven but I fell for you. I will do whatever it takes to make sure you win this war. Nephilim will come out on top. You’ll fulfill your vow to the Black Hand and be safe. This is my priority even if the cost is my life. I suspect this will make you angry. It may be hard to forgive me. I promised that we would be together at the end of this and you may resent me for the breaking that vow. I want you to know I did everything to keep my word. As I write this I am going over ever possibility that will see us through this. I hope I find a way. But if this choice I have to make comes down to your or me, I choose you. I always have. All my love, Patch
Becca Fitzpatrick (Finale (Hush, Hush, #4))
The love has got to be bigger than everything else. The isolation, the separation, the danger. When the love is bigger than all of that – you just do it. You pay the price in uncertainty and sometimes bereavement, because every moment you’re together is worth the cost.
Thea Harrison (Moonshadow (Moonshadow, #1))
Loving yourself costs nothing, but not loving yourself could cost you everything.
B.D. Jordan (A Calling Dream)
I whisper over to myself the way of loss, the names of the dead. One by one, we lose our loved ones, our friends, our powers of work and pleasure, our landmarks, the days of our allotted time. One by one, the way we lose them, they return to us and are treasured up in our hearts. Grief affirms, them, preserves them, sets the cost. Finally a man stands up alone, scoured and charred like a burnt tree, having lost everything and (at the cost only of its loss) found everything, and is ready to go. Now I am ready.
Wendell Berry (Jayber Crow)
There are quiet places also in the mind,” he said, meditatively. “But we build bandstand and factories on them. Deliberately—to put a stop to the quietness. We don’t like the quietness. All the thoughts, all the preoccupation in my head—round and round continually.” He made a circular motion with his hands. “And the jazz bands, the music hall songs, the boys shouting the news. What’s it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost it isn’t there. Ah, but it is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes—not restlessly, but serenely, waiting for sleep—the quiet re-establishes itself, piece by piece; all the broken bits, all the fragments of it we’ve been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows –a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one’s alone in the crystal and there’s no support from outside, there’s nothing external and important, nothing external and trivial to pull oneself up by or to stand up, superiorly, contemptuously, so that one can look down. There’s nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you’d die; all the regular habitual, daily part of you would die. There would be and end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously n some strange unheard-of manner. Nearer, nearer come the steps; but one can’t face the advancing thing. One daren’t. It’s too terrifying; it’s too painful to die. Quickly, before it is too late, start the factory wheels, bang the drum, blow up the saxophone. Think of the women you’d like to sleep with, the schemes for making money, the gossip about your friends, the last outrage of the politicians. Anything for a diversion. Break the silence, smash the crystal to pieces. There, it lies in bits; it is easily broken, hard to build up and easy to break. And the steps? Ah, those have taken themselves off, double quick. Double quick, they were gone at the flawing of the crystal. And by this time the lovely and terrifying thing is three infinities away, at least. And you lie tranquilly on your bed, thinking of what you’d do if you had ten thousand pounds and of all the fornications you’ll never commit.
Aldous Huxley
Hold on to hope no matter the cost, because as long as there’s hope, everything else is just the unfortunate side effects of heartbreak and magic.
Breanne Randall (The Unfortunate Side Effects of Heartbreak and Magic)
I will tell you that I am a child of this century, a child of disbelief and doubt. I am that today and will remain so until the grave. How much terrible torture this thirst for faith has cost me and costs me even now, which is all the stronger in my soul the more arguments I can find against it. And yet, God sends me sometimes instants when I am completely calm; at those instants I love and feel loved by others, and it is at those instances that I have shaped for myself a Credo where everything is clear and sacred for me. This Credo is very simple, here it is: to believe that nothing is more beautiful, profound, sympathetic, reasonable, manly and more powerful than Christ.
Fyodor Dostoevsky
When I write, all those that we don’t know we can be write themselves from me, without exclusion, without prediction, and everything that we will be calls us to the tireless, intoxicating, tender-costly-search for love. We will never lack ourselves.
Hélène Cixous
Showing kindness to others costs nothing, and yet it changes everything. It makes the world a better place. It makes humanity more human, and at the end of the day, in the difficult times we’re living in now, kindness is the one and only thing that will allow the human race to move forward with love, hope, and caring, instead of the hate, division, and the constant bickering that unfortunately seems to be at the forefront of daily life.
Art Rios (Let's Talk: ...About Making Your Life Exciting, Easier, And Exceptional)
When aspiring chefs ask me for career advice, I offer a few tips: Cook every single day. Taste everything thoughtfully. Go to the farmers’ market and familiarize yourself with each season’s produce. Read everything Paula Wolfert, James Beard, Marcella Hazan, and Jane Grigson have written about food. Write a letter to your favorite restaurant professing your love and beg for an apprenticeship. Skip culinary school; spend a fraction of the cost of tuition traveling the world instead.
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
The important thing to bear in mind is that you must face your willingness to die to yourself before you choose to walk down the aisle. Is this person the one for whom you are willing to die daily? Is this person to whom you say, “I do” also the one for whom you are willing to say, “No, I don’t” to everybody else? Be assured that marriage will cost you everything.
Ravi Zacharias (I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love)
You think I don’t know, that I don’t understand what that cost you. But you’re wrong.” She couldn’t keep her voice steady, gave up trying. “You’re wrong, Roarke. I do know. There’s no one else in the world who would want, who would need to kill for me. No one else in the world who would step back from it because I asked it. Because I needed it.” She turned, and the first tear spilled over. “No one but you.” “Don’t. You’ll do me in if you cry.” “I never in my life expected anyone would love me, all of me. How would I deserve that? What would I do with it? But you do. Everything we’ve managed to have together, to be to each other, this is more. I’ll never be able to find the words to tell you what you just gave me.” “You undo me, Eve. Who else would make me feel like a hero for doing nothing.” “You did everything. Everything. Are everything.
J.D. Robb
The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected: People who are different are dangerous; they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse. When we are married we are authorised to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill. We must buy jewelry; it identifies us with our tribe. We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings. We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss--it might attract the attention of an enemy tribe. If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods. Our children must follow in our footsteps; after all we are older and know more about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.
Paulo Coelho (The Zahir)
You have judged them worthy of love, even if it cost you everything. That is how Jesus loves.
William Paul Young
I’ve never been in love like that.” Samuel swallowed hard. “Like what?” “Like everything I was before is destroyed when the person I loved is gone.
A.M. Arthur (Cost of Repairs (Cost of Repairs, #1))
Love was like a stock, Lizzie realized. You gambled on its paying off in the long run—but it could just as easily cost you everything.
Joanna Shupe (Magnate (The Knickerbocker Club, #1))
Have you ever been in love? The kind of love where you were willing to sacrifice everything just to be with that person?
Joy Crain (The Cost of the Crown)
By God, if you'd split on me to Mr Ducie, I'd have broken you. It might have cost me hundreds, but I've got them, and the police always back my sort against yours. You don't know. We'd have got you into quod, for blackmail, after which — I'd have blown out my brains.' 'Killed yourself? Death?' 'I should have known by that time that I loved you. Too late . . . everything's always too late.
E.M. Forster (Maurice)
Cath liked Levi. A lot. She liked looking at him. She liked listening to him -- though sometimes she hated listening to him talk to other people. She hated the way he passed out smiles to everyone he met like it didn't cost him anything, like he'd never run out. He made everything look so easy.
Rainbow Rowell (Fangirl)
Comfort and security are all well and good, but not at the cost of liberty, love and lustiness. The Bohemian knows that money, property and status have little to do with the content of one’s character, and that professional success and widespread celebration have little to do with talent. Of value to the Bohemian is spiritual integrity and creative freedom. The Bohemian would sooner live in poverty than submit to an undesirable job.
Robert Wringham (Escape Everything!)
There is a word that comes to my mind when I think about our company and our people. That word is 'love.' I love Starbucks because everything we've tried to do is steeped in humanity. Respect and dignity. Passion and laughter. Compassion, community, and responsibility. Authenticity. These are Starbucks' touchstones, the source of our pride. Valuing personal connections at a time when so many people sit alone in front of screens; aspiring to build human relationships in an age when so many issues polarize so many; and acting ethically, even if it costs more, when corners are routinely cut--these are honorable pursuits, at the core of what we set out to be.
Howard Schultz (Onward: How Starbucks Fought for Its Life without Losing Its Soul)
The cats are asleep at the end of my bed and all around me, the thundery silence of L'Escarènere, caught at last in the rising flood of warm air, carrying the sand from the south. The Alps are folded above in the flickering light. And on the desk in the room beneath lies the writing which insists that the only escape is through the absolute destruction of everything you have ever known, loved, cared for, believed in, even the shell of yourself must be discarded with contempt; for freedom costs no less than everything, including your generosity, self-respect, integrity, tenderness - is that really what i wanted to say? It's what I have said. Worse still, I have pointed out the sheer creative joy of this ferocious destructiveness and the liberating wonder of violence. And these are dangerous messages for which I am no longer responsible.
Patricia Duncker
She started out, then pressed a hand on the door to brace herself. “You think I don’t know, that I don’t understand what that cost you. But you’re wrong.” She couldn’t keep her voice steady, gave up trying. “You’re wrong, Roarke. I do know. There’s no one else in the world who would want, who would need to kill for me. No one else in the world who would step back from it because I asked it. Because I needed it.” She turned, and the first tear spilled over. “No one but you.” “Don’t. You’ll do me in if you cry.” “I never in my life expected anyone would love me, all of me. How would I deserve that? What would I do with it? But you do. Everything we’ve managed to have together, to be to each other, this is more. I’ll never be able to find the words to tell you what you just gave me.” “You undo me, Eve. Who else would make me feel like a hero for doing nothing.” “You did everything. Everything. Are everything.” Mira was right, again. Love, that strange and terrifying entity, was the answer after all. “Whatever there is, whatever happened to me, or how it comes back on me, you have to know, you need to know that what you did here gave me more peace than I ever thought I’d find. You have to know that I can face anything knowing you love me.” “Eve.” He stepped away from the slot, away from what was gone. And toward her, toward what mattered. “I can’t do anything but love you.
J.D. Robb (Divided in Death (In Death, #18))
...somewhere in that intersection of broken hearts and shattered souls... broken is not the end of things, but the beginning. Maybe broken is what happens before you become unbroken. What's more, maybe our broken pieces don't fit us... maybe my pieces are the very pieces needed to mend you and your pieces are the very pieces needed to mend me, but until we've been broken we don't have the pieces to mend each other. Maybe in the offering we discover the meaning, and value of being broken. Maybe...somewhere on the planet is another somebody standing around holding a bag of all the jagged, painful pieces of themselves and they can't get whole without you... Maybe love, the real kind, the kind only wished for in whispers and the kind our hearts are hardwired to want, is opening up the bag of you... And what's more, they don't cost you anything. They're free. I paid for them in the breaking... And because you're desperate, and you've tried most everything else, you empty my bag across the floor... and...find the one piece you've been missing... And when you insert that piece into the puzzle that had become you, it stops the hemorrhage, and for the first time in maybe your whole life, the wound starts to heal.
Charles Martin (Unwritten)
When you are visited by chaos and swallowed up; when nature curses you or someone you love with illness; or when tyranny rends asunder something of value that you have built, it is salutary to know the rest of the story. All of that misfortune is only the bitter half of the tale of existence, without taking note of the heroic element of redemption or the nobility of the human spirit requiring a certain responsibility to shoulder. We ignore that addition to the story at our peril, because life is so difficult that losing sight of the heroic part of existence could cost us everything.
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
You are Tal’kamar, though precious few know you as such. You destroyed Saran’geth for an ideal. You butchered the Arathi for revenge. You created the Plains of Decay for the love of a woman long dead.” He paused. “You saved Jala Terr knowing it would cost you a century alone. You hid Wereth from the Shadows because you believed a good man was worth more than a good name. You destroyed us—and then, when we hated you most, you saved us at the expense of everything you ever wanted.” There was sadness in those blue eyes as he said the last. Sadness, and bright pain. “You have lived for over four thousand years, and done so much evil and so much good. You are a legend here amongst the Lyth, despised and beloved, famous and infamous both. You are Tal’kamar,” he finished softly.
James Islington (The Shadow of What Was Lost (The Licanius Trilogy, #1))
Why does the life everlasting have to be won at such terrible cost? If the life everlasting is true, why can it be achieved only through death, through grief, and through agony? What kind of God is it who gives us the world and everything in it, and the capabiliiy of loving so fiercely, and then takes it all away?
Graham Masterton (Death Trance)
There is no great reward for being emotionally withdrawn, no pity prize for bottling your frustration. No one is coming to congratulate your chronic self-repression. By opening up, maybe you will inconvenience some people. Maybe you will trigger some conflict. Maybe you will be rejected, criticized, judged. Everything comes with a price and everything has its compensation. Authenticity may require pain, but it also opens the doors to joy, creativity, self-respect, empathy. Self-repression, on the other hand, costs you all the beauty of the world in exchange for a prison of comfort. Is it really worth it? Isn't it time to break free?
Vironika Tugaleva
Because everything began and ended with Daly. That was the cost of loving her. Without her, he wasn’t whole.
Lea Griffith (Too Much (All or Nothing, #1))
She didn't stir me. Challenge me. Make me desperately want to be everything she needed. Protect her at all costs.
Stephenia H. McGee (The Cedar Key)
Everything has a price but nothing is costlier than your spoken words in hate and unspoken words in love
P.S. Jagadeesh Kumar
But in love I gave all: my capabilities, my efforts, my feelings, my deepest emotions. Like a saint, I gave everything I had without ever counting the cost.
Nawal El Saadawi (Woman at Point Zero)
Why do you want to do this?" he asked curiously. "Why is this woman so important to you?" Saint-Germain blinked in surprise. "Have you ever loved anyone?" he asked. "Yes," Tamnuz said cautiously, "I had a consort once, Inanna..." "But did you love her? Truly love her?" The Green Man remained silent. "Did she mean more to you than life itself?" Saint-Germain persisted. "They do not love that do not show their love," Shakespeare murmured very softly. The French immortal stepped closer to the Elder. "I love my Jeanne," he said simply. "I must go to her." "Even though it will cost you everything?" Tamnuz persisted, as if the idea was incomprehensible. "Yes. Without Joan, everything I have is worthless." "Even your immortality?" "Especially my immortality." Gone were the banter and the jokes. This was a Saint-Germain whom neither Shakespeare nor Palamedes had ever seen before. "I love her," he said,
Michael Scott
God would have to come through for them because they had nothing else to fall back on. This place of trust isn't a comfortable place to be; in fact, it flies in the face of everything we've been taught about proper planning. We like finding refuge in what we already have rather than in what we hope God will provide. But when Christ says to count the cost of following Him, it means we must surrender everything. It means being willing to go without an extra tunic or a place to sleep at night, and sometimes without knowing where we are going.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
I used to make these bargains with the universe,” I say, smiling a little at the ridiculousness of it. “Like if I got straight As, then everything would be okay. Or if I won the science fair a second time. Or if I was never late to school, or if I always did the dishes before Mom got home from work, or I got her the perfect birthday gift, or whatever. And I know my parents love me. I’ve always known that,” I say tightly. “But the truth is . . .” Wyn squeezes the back of my neck: I’ve got you. “I’ve spent my whole life trying to make it up to them.” Wyn tucks a curl behind my ear, ever patient and calm, warm and safe. “That we cost them so much,” I go on. “That they didn’t get the lives they wanted, because of us. But if I could be good enough . . .” “Harriet,” he says, crushing me in against his chest, tightening his arms against me, a human barricade. “No.
Emily Henry (Happy Place)
An individual's torments only have meaning within his or her personal experience. Faced with the collective we are as naked and helpless as the day we were born. Our individual development depends on realizing that others cannot understand our experience. Sometimes the obstacles we meet tempt us to place our destiny in the hands of another. But we cannot live by proxy, we must take everything on our own shoulders. Then we know we are alone. We must allow this sensation to fill our being and live like abandoned children because only thus is our life in our own hands. From time to time a mirage will surface of some way of life that will free us from the feeling of abandonment; but a mirage is exactly what it will remain. We can of course live solely within the collective, with the illusion of speaking a common language and of not being alone, but this deception can cost our lives. If we act according to the general rule, we are following a code that is not our own. Everyone must find his or her own tune, accepting the resulting abandonment by those who continue singing in concert. Great artists create modes of expression that are uniquely their own: they enter so deeply into their sense of life that preexisting modes no longer serve their purpose. They invent new ways of writing poetry, of painting and making music.
Aldo Carotenuto (Eros and Pathos: Shades of Love and Suffering (Studies in Jungian Psychology by Jungian Analysts, 40))
With God everything is beautiful because neither you have to sleep with him – let him snore – nor do you have to live with him. If his body stinks, let it stink. It is a pure hypothesis in your mind. But to be in contact with real human beings is a totally different experience. It is a fire test for your love. It is very easy to love God; it is very difficult to love man. It costs nothing to love God; it needs tremendous understanding to love a man. So those who have escaped into the forest and the mountains, and are projecting an idea of God, and love that God, have chosen a very easy kind of life. Their love is not going to grow because it has no challenges. The
Osho (In Love with Life: Reflections on Friedrich Nietzsche's Thus Spake Zarathustra)
I deserve this,” she thought. She deserved the pain and the punishment. She deserved death. Ever since she was a child, she had refused to fight–she didn't believe that she was capable of it. She accepted everything from others, suffered in silence the injustices to which she fell victim. She wanted everyone to see that she was a good girl. That she was sensitive in her heart, and able to help everyone. She wanted to be liked at any cost. God had given her a good life, and she had not been able to make use of it. Instead, she begged that others love her, lived her life as others wanted her to, all in order to show that she was kindhearted and able to please everyone
Paulo Coelho (The Valkyries)
[On Love After Love by Derek Walcott] I read this poem often, once a month at least. In the madness and mayhem of modern life, where every man seems committed to an endless search for the approval and esteem of his fellows and peers, no matter what the cost, this poem reminds me of a basic truth: that we are, as we are, "enough". Most of us are motivated deep down by a sense of insufficiency, a need to be better stronger, faster; to work harder; to be more committed, more kind, more self-sufficient, more successful. But this short poem by Derek Walcott is like a declaration of unconditional love. It's like the embrace of an old friend. He brings us to an awareness of the present moment, calm and peaceful, and to a feeling of gratitude for everything we have. I have read it to my dearest friends after dinner once, and to my family at Christmas, and they started crying, which always, unfailingly, makes me cry.
Tom Hiddleston
After years of watching my parents -I always assumed marriage meant loving someone so much that you were blind to everything and everyone else. And when your eyes were finally opened you'd hate that person so much that all you wanted was to see them hurt, no matter what it cost. I never wanted to live like that. But with Kai, we aren't blind to the world. He doesn't blind me, being with him makes the world clearer. My eyes are open and there's no way I'd ever want to hurt him.
H.R. Willaston (Nine Days)
Objects and Objectives To contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind. A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well. From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.
Jay Woodman (SPAN)
Mary Elizabeth’s hand flew up again, but Toshi ignored her. Many of his student surveys would come back, with comments that he appeared to be unfeeling.  That was untrue. He felt everything. Right now, the main emotion coursing through his body was disdain.
Oliva Gaines (The Cost To Play (Slivers of Love Book 2))
Telltale Signs That You Grew Up as a “Little Adult” It’s often so difficult for adult daughters to step back and see how they were put into the adult helper role. To help you recognize if this dynamic echoes your experience, I’ve created a pair of checklists to help you identify how mothering your mother shaped and influenced a significant part of your life. When you were a child did you: • Believe that your most important job in life was to solve your mother’s problems or ease her pain—no matter what the cost to you? • Ignore your own feelings and pay attention only to what she wanted and how she felt? • Protect her from the consequences of her behavior? • Lie or cover up for her? • Defend her when anyone said anything bad about her? • Think that your good feelings about yourself depended on her approval? • Have to keep her behavior secret from your friends? As an adult, do these statements ring true for you: • I will do anything to avoid upsetting my mother, and the other adults in my life. • I can’t stand it if I feel I’ve let anyone down. • I am a perfectionist, and I blame myself for everything that goes wrong. • I’m the only person I can really count on. I have to do things myself. • People like me not for myself but for what I can do for them. • I have to be strong all the time. If I need anything or ask for help, it means I’m weak. • I should be able to solve every problem. • When everyone else is taken care of, I can finally have what I want. • I feel angry, unappreciated, and used much of the time, but I push these feelings deep inside myself.
Susan Forward (Mothers Who Can't Love: A Healing Guide for Daughters)
I decided to write a myth." "Have you figured out a topic? A moral conundrum?" "Yes." "What is it?" I heard Jack's chair creak. "It's about how there's no such thing as redemption," I whispered. "How you deserve what you get,and no higher power can save you." Mrs. Stone didn't answer immediately. The only sound in the room came from my own breathing. "What about heroes?" I hunched over and scribbled a few lines on my notebook. "There are no heroes." Sure,it wasn't an optimistic paper,but it was the only thing I could write passionately about. She was quiet for a moment again. When she spoke,her voice was gentle. "Okay. I'm excited to see what you put together." I nodded. "And,Mr. Caputo? Everything going well with the personal essay?" I could only assume he nodded, because Mrs. Stone returned to the front of the classroom. My right hand started to tremble,and I clenched my pencil and began scribbling. "You don't really believe that, do you?" Jack's voice was soft. I lifted my head, allowing my eyes to meet his for the first time in weeks. "It doesn't matter what I believe." I looked down at my notebook. "Wait," he said. I turned back. "What?" He shrugged,then spoke in a low murmur. "Just stop hiding behind your hair for a minute." I closed my eyes,but I didn't turn away. "You're making things difficult, Jack Caputo," I whispered. "At least you remember my name." I remembered everything. The first time he called me his girlfriend. The first time he told me he loved me. The first time I started to question whether or not I'd be able to hold on to him.The first time I knew I had to come back to see him again, at whatever cost.
Brodi Ashton (Everneath (Everneath, #1))
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
Haruki Murakami (Norwegian Wood (Vintage International))
What was it that made this human love so much more desirable to me than the love of my own kind? Was it because it was exclusive and capricious? The souls offered love and acceptance to all. Did I crave a greater challenge?...Or was it simply better somehow? Because these humans hate with so much fury, was the other end of the spectrum that they could love with more heart and zeal and fire? I didn't know why I had yearned after it so desperately. All I knew was that, now that I had it, it was worth every ounce of risk and agony it had cost. It was better than I imagined. It was everything.
Stephenie Meyer
Finally there are those who saw at once that the question was a trap. There is no answer. Instead of wasting time grappling with that trap. They decide to act. They look to their childhood and look for what filled them with enthusiasm then and disregarding the advice of their elders, devote their life to it. Because enthusiasm is the sacred fire. They slowly discover, their actions are linked to a mysterious impulse beyond human knowledge. And they bow their heads as a sign of respect for that mystery and pray that they will not be diverted from a path they do not know, a path which they have chosen to travel because of the flame burning in their hearts. They use their intuition when they can and resort to discipline when intuition fails them. They seem quite mad. And sometimes they behave like mad people. But they are not mad. They have discovered true love and will. And those two things reveal the goal and the direction that they should follow. Their will is crystalline, their love is pure and their steps determined. In moments of doubt or sadness they never forget: I am an instrument, allow me to be an instrument capable of manifesting your will. They have chosen their road, and they may understand what their goal is only when they find themselves before the unwanted visitor. That is the beauty of the person who continues onward with enthusiasm and respect for the mystery of life as his only guide. His road is beautiful, and his burden light. The goal will be large or small, it can be far away or right next door. He goes in search of it with respect and honor. He knows what each step means, and how much it costs in effort and training and intuition. He focuses not just on the goal to be reached but on everything happening around him. He often has to stop because his strength fails him. At such moments, love appears and says: You think you're heading toward a specific point, but the whole justification for the goals existence lies in your love for it. Rest a little. But as soon as you can, get up and carry on. Because ever since your goal found out that you were traveling toward it, it has been running to meet you.
Paulo Coelho
I almost let him die. I did. I’m not proud of that now. It was a mistake. But when all you can think of is revenge, you don’t think straight. I haven’t for a long time. I’ve plotted and manipulated and stolen to get what I want, and it’s cost me everything. When I lost my mother, I lost a bit of myself to the hatred. It clouded my judgment. I couldn’t think straight anymore, and I lost both my father and brother because of it. I lost the love of my life. I lost the respect of my fellow Bloods. I lost control over you. By using deception to get my revenge, I lost everything, Kara. I lost everything that ever used to matter to me. - Blood Gavin
S.M. Boyce (Heritage (The Grimoire Saga, #3))
Your life work is a statement of Who You Are. If it is not, then why are you doing it? Do you imagine that you have to? You don’t have to do anything. If “man who supports his family, at all costs, even his own happiness” is Who You Are, then love your work, because it is facilitating your creation of a living statement of Self. If “woman who works at job she hates in order to meet responsibilities as she sees them” is Who You Are, then love, love, love your job, for it totally supports your Self image, your Self concept. Everyone can love everything the moment they understand what they are doing, and why. No one does anything he doesn’t want to do.
Neale Donald Walsch (The Complete Conversations with God)
I cannot look into the eyes of my Lord Jesus, blazing with such great love, mercy, and grace for me—knowing what He did for me on the cross—and say defiantly, “No, Lord!” Now, I can only joyfully say, “Yes, Lord,” even if it costs me dearly—even if it costs me everything. He gave everything for me, now I have the joy and privilege of giving everything for Him. I
April Cassidy (The Peaceful Wife: Living in Submission to Christ as Lord)
We’re finally living,” she whispered, putting her hand on her chest. “I’m doing things I never dreamed I’d get to do. I’m loving! I wanted to die because it hurt too much to live and you,” she gasped, tossing her hand at him. “You make me forget I was ever a whore.” “Come here,” he whispered. She slowly scooted over onto the seat, eyeing his harsh gaze. “Closer,” he said. “Until your lips are pressed into mine.” She took hold of his face and ran him over with a kiss, laughing when he smiled under the attack. He held her face, stroking her hair. “I think you should be a life coach,” he muttered. “Done. You’ll have to be my first customer.” “How much will this cost me?” “Everything,” she giggled. “And all your time.” “That’s
Lucian Bane (Reginald Bones 3 (Reginald Bones #3))
Craig, I asked Braden how he and his wife made the kind of commitment they had, when we live such dangerous lives. He said, the love has got to be bigger than everything else. The isolation, the separation, the danger. When the love is bigger than all that—you just do it. You pay the price in uncertainty and sometimes bereavement, because every moment you’re together is worth the cost.” “What
Thea Harrison (Moonshadow (Moonshadow, #1))
December 31 YOUR DEDICATION The way of Love, upon which you may step at any moment—at this moment if you like—requires no formal permit, has no entrance fee, and no conditions whatever. You need no expensive laboratory in which to train, because your own daily life, and your ordinary daily surroundings, are your laboratory. You need no reference library, no professional training; no external acts of any kind. All you need is to begin steadfastly to reject from your mentality everything that is contrary to the law of love. You must build up by faithful daily exercise the true Love Consciousness. Love will heal you. Love will comfort you. Love will guide you. Love will illumine you. Love will redeem you from sin, sickness, and death, and lead you into your promised land. Say to yourself: “My mind is made up; I have counted the cost; and I am resolved to attain the Goal by the path of Love. Others may pursue knowledge, or organize great enterprises for the benefit of humanity, or scale the austere heights of asceticism; but I have chosen the path of Love. My own heart is to be my workshop, my laboratory, my great enterprise, and love is to be my contribution to humanity.
Emmet Fox (Around the Year with Emmet Fox: A Book of Daily Readings)
Believe me, young lady, when I tell you that there is no place for you in his world of ghosts and nightmares — no place for your fresh beauty or your unmarred dreams, no place for your wonderful hope. He can bring you nothing, because he has lost everything. Don’t try to keep him, to tie him down, because if you succeed, if he weakens, he will hate you for it. Let him be. He is not unhappy; he is resigned. He has surrendered and acquired at a high cost a deep understanding of life.
Hannah Fielding (Burning Embers)
It doesn’t cost much to hate, but it costs you everything to love. It doesn’t cost much to fall, but it costs you everything to rise. It doesn’t cost much to doubt, but it costs you everything to believe. It doesn’t cost much to forget, but it costs you everything to remember. It doesn’t cost much to take, but it costs you everything to give. It doesn’t cost much to create, but it costs you everything to destroy. It doesn’t cost much to seek, but it costs you everything to find. It doesn’t cost much to command, but it costs you everything to obey. It doesn’t cost much to destroy, but it costs you everything to build. It doesn’t cost much to hinder, but it costs you everything to help. It doesn’t cost much to harm, but it costs you everything to heal. It doesn’t cost much to revenge, but it costs you everything to forgive. It doesn’t cost much to condenm, but it costs you everything to sympathize. It doesn’t cost much to assume, but it costs you everything to prove. It doesn’t cost much to ignore, but it costs you everything to understand. It doesn’t cost much to despise, but it costs you everything to honor. It doesn’t cost much to blame, but it costs you everything to praise. It doesn’t cost much to denounce, but it costs you everything to appluad. It doesn’t cost much to rest, but it costs you everything to work. It doesn’t cost much to surrender, but it costs you everything to conquer. It doesn’t cost much to lose, but it costs you everything to win. It doesn’t cost much to fail, but it costs you everything to succeed. It doesn’t cost much to rest, but it costs you everything to work. It doesn’t cost much to die, but it costs you everything to live. It doesn’t cost much to sit, but it costs you everything to stand. It doesn’t cost much to walk, but it costs you everything to run. It doesn’t cost much to jog, but it costs you everything to soar. It doesn’t cost much to follow, but it costs you everything to lead. It doesn’t cost much to give up, but it costs you everything to persevere.
Matshona Dhliwayo
Oh Lover! Oh my Queen! You took everything from me, Now I have got nothing, you made me saint like! The charm of love is gone, now I am Carefree, I have no expectation from you and life, you made me saint like! Now I don’t wear costly robes! My heart has turned to ashes! I have no worry for fortune, you made me saint like! What I was, that I was, that is not, I am not, I give up, and gave everything for her, she made me saint like! Now there is no life in my body, she made me saint like, Pain is only relief, she made saint like!
Mahiraj Jadeja (Love Forever)
Let all our employment be to know GOD: the more one knows Him, the more one desires to know Him. And as knowledge is commonly the measure of love, the deeper and more extensive our knowledge shall be, the greater will be our love: and if our love of GOD were great, we should love Him equally in pains and pleasures. Let us not content ourselves with loving GOD for the mere sensible favors, how elevated soever, which he has done, or may do us. Such favors, though never so great, cannot bring us so near to Him as faith does in one simple act. Let us seek Him often by faith. He is within us: seek Him not elsewhere. If we do love Him alone, are we not rude, and do we not deserve blame, if we busy ourselves about trifles which do not please and perhaps offend Him. It is to be feared these trifles will one day cost us dear. Let us begin to be devoted to Him in good earnest. Let us cast everything besides out of our hearts. He would possess them alone. Beg this favor of Him. If we do what we can on our parts, we shall soon see that change wrought in us which we aspire after.
Brother Lawrence (The Practice of the Presence of God the Best Rule of a Holy Life)
CRICKET A poor little cricket Hidden in the flowery grass, Observes a butterfly Fluttering in the meadow. The winged insect shines with the liveliest colors: Azure, purple, and gold glitter on his wings; Young, handsome, foppish, he hastens from flower to flower, Taking from the best ones. Ah! says the cricket, how his lot and mine Are dissimilar! Lady Nature For him did everything, and for me nothing. I have no talent, even less beauty; No one takes notice of me, they know me not here below; Might as well not exist. As he was speaking, in the meadow Arrives a troop of children. Immediately they are running After this butterfly, for which they all have a longing. Hats, handkerchiefs, caps serve to catch him. The insect in vain tries to escape. He becomes soon their conquest. One seizes him by the wing, another by the body; A third arrives, and takes him by the head. It should not be so much effort To tear to pieces the poor creature. Oh! Oh! says the cricket, I am no more sorry; It costs too dear to shine in this world. How much I am going to love my deep retreat! To live happily, live hidden.
Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)
[a St. Luke 14:26.] Of course, the term 'hate' does not imply hatred of parents or relatives, or of life, in the ordinary sense. But it points to this, that, as outward separation, consequent upon men's antagonism to Christ, was before them in the near future, so, in the present, inward separation, a renunciation in mind and heart, preparatory to that outwardly, was absolutely necessary. And this immediate call was illustrated in twofold manner. A man who was about to begin building a tower, must count the cost of his undertaking. [b vv. 28-30.] It was not enough that he was prepared to defray the expense of the foundations; he must look to the cost of the whole. So must they, in becoming disciples, look not on what was involved in the present following of Christ, but remember the cost of the final acknowledgement of Jesus. Again, if a king went to war, common prudence would lead him to consider whether his forces were equal to the great contest before him; else it were far better to withdraw in time, even though it involved humiliation, from what, in view of his weakness, would end in miserable defeat. [c vv. 31, 32.] So, and much more, must the intending disciple make complete inward surrender of all, deliberately counting the cost, and, in view of the coming trial, ask himself whether he had, indeed, sufficient inward strength, the force of love to Christ, to conquer. And thus discipleship, then, and, in measure, to all time, involves the necessity of complete inward surrender of everything for the love of Christ, so that if, and when, the time of outward trial comes, we may be prepared to conquer in the fight. [d ver. 33.] He fights well, who has first fought and conquered within.
Alfred Edersheim (Life and Times of Jesus the Messiah)
Paper Bag" I was staring at the sky, just looking for a star To pray on, or wish on, or something like that I was having a sweet fix of a daydream of a boy Whose reality I knew, was a hopeless to be had But then the dove of hope began its downward slope And I believed for a moment that my chances Were approaching to be grabbed But as it came down near, so did a weary tear I thought it was a bird, but it was just a paper bag Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love And I went crazy again today, looking for a strand to climb Looking for a little hope Baby said he couldn't stay, wouldn't put his lips to mine, And a fail to kiss is a fail to cope I said, 'Honey, I don't feel so good, don't feel justified Come on put a little love here in my void,' he said 'It's all in your head,' and I said, 'So's everything' But he didn't get it I thought he was a man But he was just a little boy Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills Because I know that I'm a mess that he don't wanna clean up I got to fold because these hands are just too shaky to hold Hunger hurts, but starving, it works, when it costs too much to love
Fiona Apple
I believe the most powerful of emotions is Hope; it is in everything we do. It is like an atom, so to speak, closely related to that of carbon. So many things can be bonded with it to create so many different things; some good, some bad. Combine Hope with Opportunity and Desire, and you get a force that can move mountains; combine it with Love, you can change a civilization; combine it with Fear and you can enslave a whole people. But take away Hope and you will have someone who has nothing left to lose, and that can cost you an empire. - Alsop Tambor’s Address to the Assembly
S. Cameron Roach
You destroyed Saran'geth for an ideal. You butchered the Arathi for revenge. You created the Plains of Decay for the love of a woman long dead...You saved Jala Terr knowing it would cost you a century alone. You hid Wereth from the Shadows because you believed a good man was worth more than a good name. You destroyed us--and then, when we hated you most, you saved us at the expense of everything you ever wanted...You have lived for over four thousand years, and done so much evil and so much good. You are a legend here amongst the Lyth, despised and beloved, famous and infamous both.
James Islington (The Shadow of What Was Lost (The Licanius Trilogy, #1))
And after they had made love, she became more than everything for him. Like that other source of domestic strife, Saeeda Bai too made hungry where most she satisfied. Part of it was simply the delicious skill with which she made love. But even more than that it was her nakhra, the art of pretended hurt or disaffection that she had learned from her mother and other courtesans in the early days in Tarbuz ka Bazaar. Saeeda Bai practised this with such curious restraint that it became infinitely more believable. One tear, one remark that implied—perhaps, only perhaps implied— that something he had said or done had caused her injury—and Maan's heart would go out to her. No matter what the cost to himself, he would protect her from the cruel, censorious world. For minutes at a time he would lean over her shoulder and kiss her neck, glancing every few moments at her face in the hope of seeing her mood lift. And when it did, and he saw that same bright, sad smile that had so captivated him when she sang at Holi at Prem Nivas, he would be seized by a frenzy of sexual desire. Saeeda Bsi seemed to know this, and graced him with a smile only when she herself was in the mood to satisfy him.
Vikram Seth (A Suitable Boy)
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.
John C. Wright (The Phoenix Exultant (Golden Age, #2))
But then I don’t begin to understand a lot of things about Sweden and Norway. It’s as if they are determined to squeeze all the pleasure out of life. They have the highest income-tax rates, the highest VAT rates, the harshest drinking laws, the dreariest bars, the dullest restaurants, and television that’s like two weeks in Nebraska. Everything costs a fortune. Even the purchase of a bar of chocolate leaves you staring in dismay at your change, and anything larger than that brings tears of pain to your eyes. It’s bone-crackingly cold in the winter and it does nothing but rain the rest of the year. The most fun thing to do in these countries is walk around semi-darkened shopping centers after they have closed, looking in the windows of stores selling wheelbarrows and plastic garden furniture at prices no one can afford. On top of that, they have shackled themselves with some of the most inane and restrictive laws imaginable, laws that leave you wondering what on earth they were thinking about. In Norway, for instance, it is illegal for a barman to serve you a fresh drink until you have finished the previous one. Does that sound to you like a matter that needs to be covered by legislation? It is also illegal in Norway for a bakery to bake bread on a Saturday or Sunday. Well, thank God for that, say I. Think of the consequences if some ruthless Norwegian baker tried to foist fresh bread on people at the weekend. But the most preposterous law of all, a law so pointless as to scamper along the outer margins of the surreal, is the Swedish one that requires motorists to drive with their headlights on during the daytime, even on the sunniest summer afternoon. I would love to meet the guy who thought up that one. He must be head of the Department of Dreariness. It wouldn’t surprise me at all if on my next visit to Sweden all the pedestrians are wearing miners’ lamps.
Bill Bryson (Neither Here nor There: Travels in Europe)
UNREQUITED LOVE: Look, you see me, a lonely girl having a drink. What do you do? LOST: Avoid eye contact at all costs? UNREQUITED LOVE: Oh come on, don’t you ever randomly flirt and find yourself falling in love with attractive young women? LOST: I’ve forgotten how. UNREQUITED LOVE: How peculiar. LOST: (Struggles, trying to find the right words.) No…I mean I did once, but I’ve forgotten most things about love I guess. It just comes with the territory of losing your heart. UNREQUITED LOVE: Wait. (Beat.) You lost your heart? LOST: Yeah um...I lost my heart about a year ago. Filed a police report and everything, but they haven’t had any luck finding it. UNREQUITED LOVE: But without a heart, how can you- LOST: Love? I can’t. UNREQUITED LOVE: Can you remember what love feels like? LOST: (Shrugs.) Vaguely, but for the most part I don’t remember much about it. Like when couples hold hands, I don’t understand why they do that. UNREQUITED LOVE: Must make for some lonely nights.
Alyssa Ahle (Lost and Found: a stage play)
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
Wheston Chancellor Grove (Who Has Known Heights)
I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There
Robert K. Massie (Catherine the Great: Portrait of a Woman)
My intention, this time, was to transfer a play to the screen while keeping its theatrical character. It was in some senses a matter of walking, invisibly, around the stage and catching the different aspects and nuances in the play, the urgency and the facial expressions that escape a spectator who cannot follow them in detail from a seat in the stalls. Apart from that, I had noticed how effective a play becomes when you have a bird's-eye view from it, for example from the flies, that is to say from the viewpoint of a voyeur. The Audience is enclosed with the characters in a room lacking its fourth wall and listens to them on equal terms, without the element of my story conferred on scenes of intimacy by the whimsical shape of a keyhole.” “L'aigle à deux têtes is not History. It is a story, an invented story lived out by imaginary heroes, and I should never have dared venture into the realistic world of cinema without being able to rely on the help of Christian Bérard. He has a genius for situating whatever he touches, for giving it a depth in time and space and an appearance of truth that are literally inimitable.” (...) “A drama of this kind would be unacceptable, and almost impossible to tell, unless it was interpreted by superb actors who could instill grandeur and life into it. Edwige Feuillère and Jean Marais, applauded evening after evening in their parts in the play, surpass themselves on the screen and give of themselves, as I suggested above, everything that they cannot give us on the stage.” “George Auric's music and the Strauss waltzes at the krantz ball make up the liquid in this drama of love and death is immersed.” (...) “In L'aigle à deux têtes, I wanted to make a theatrical film.” (...) “I know the faults of the film, but unfortunately the expense of the medium and the constraints of time that it imposes on us, prevent us from correcting our faults, Cinematography costs too much.” (...) “In Les parents terribles (1948), what I determined to do was the opposite of what I did in L'aigle à deux têtes; to de-theatricalize a play, to film it in chronological order and to catch the characters by surprise from the indiscreet angle of the camera. In short, I wanted to watch a family through the keyhole instead of observing its life from a seat in the stalls.
Jean Cocteau (The Art of Cinema)
Anna is not just a woman, not just a splendid specimen of womanhood, she is a woman with a full, compact, important moral nature: everything about her character is significant and striking, and this applied as well to her love. She cannot limit herself as another character in the book, Princess Betsy, does, to an undercover affair. Her truthful and passionate nature makes disguise and secrecy impossible. She is not Emma Bovary, a provincial dreamer, a wistful wench creeping along crumbling walls to the beds of interchangeable paramours. Anna gives Vronski her whole life, consents to a separation from her adored little son—despite the agony it costs her not to see the child and she goes to live with Vronski first abroad in Italy, and then on his country place in central Russia, though this "open" affair brands her an immoral woman in the eyes of her immoral circle. (In a way she may be said to have put into action Emma's dream of escaping with Rodolphe, but Emma would have experienced no wrench from parting with her child, and neither were there any moral complications in that little lady's case.) Finally Anna and Vronski return to city life. She scandalizes hypocritical society not so much with her love affair as with her open defiance of society's conventions.
Vladimir Nabokov (Lectures on Russian Literature)
O my God! how much I long to be the missionary of Your holy will, and to teach all men that there is nothing more easy, more attainable, more within reach, and in the power of everyone, than sanctity. How I wish that I could make them understand that just as the good and the bad thief had the same things to do and to suffer; so also two persons, one of whom is worldly and the other leading an interior and wholly spiritual life have, neither of them, anything different to do or to suffer; but that one is sanctified and attains eternal happiness by submission to Your holy will in those very things by which the other is damned because he does them to please himself, or endures them with reluctance and rebellion. This proves that it is only the heart that is different. Oh! all you that read this, it will cost you no more than to do what you are doing, to suffer what you are suffering, only act and suffer in a holy manner. It is the heart that must be changed. When I say heart, I mean will. Sanctity, then, consists in willing all that God wills for us. Yes! sanctity of heart is a simple “fiat,” a conformity of will with the will of God. What could be more easy, and who could refuse to love a will so kind and so good? Let us love it then, and this love alone will make everything in us divine.
Jean-Pierre de Caussade (Abandonment to Divine Providence)
O, Mary, conceived without sin, pray for us who turn to you. Amen. . When we meet someone and fall in love, we have a sense that the whole universe is on our side. I saw this happen today as the sun went down. And yet if something goes wrong, there is nothing left! No herons, no distant music, not even the taste of his lips. How is it possible for the beauty that was there only minutes before to vanish so quickly? . Life moves very fast. It rushes us from heaven to hell in a matter of seconds. . I smile and say nothing, . If I must be faithful to someone or something, then I have, first of all, to be faithful to myself. . Everything is an illusion - and that applies to material as well as spiritual things. . She had spent a lot of her life saying 'no' to things to which she would have liked to say 'yes', . My dear, it's better to be unhappy with a rich man than happy with a poor man, and over there you'll have far more chance of becoming an unhappy rich woman. . Love isn't that important. I didn't love your father at first, but money buys everything, even true love. . Hail Mary conceived without sin, pray for us who turn to you. Amen. . She would never find what she was looking for if she couldn't express herself. . At the moment, I'm far too lonely to think about love, but I have to believe that it will happen, that I will find a job and that I am here because I chose this fate. . Life always waits for some crisis to occur before revealing itself at its most brilliant. . A writer once said that it is not time that changes man, nor knowledge; the only thing that can change someone's mind is love. What nonsense! The person who wrote that clearly knew only one side of the coin. Love was undoubtedly one of the things capable of changing a person's whole life, from one moment to the next. . Again, she seemed like a stranger to herself. . I let fate choose which route I should take. . Some people were born to face life alone, and this is neither good nor bad, it is simply life. . I'm not a body with a soul, I'm a soul that has a visible part called the body. . She was doing it because she had nothing to lose, because her life was one of constant, day-to-day frustration. . Human beings can withstand a week without water, two weeks without food, many years of homelessness, but not loneliness. It is the worst of all tortures, the worst of all sufferings. . We are each of us responsible for our own feelings and cannot blame someone else for what we feel. . No one loses anyone, because no one owns anyone. . However tempted she was to continue, however prepared she was for the challenges she had met on her path, all these months living alone with herself had taught her that there is always a right moment to stop something. . He knew everything about her, although she knew nothing about him. . She had opened a door which she didn't know how to close. . Our experiences have been entirely different, but we are both desperate people. . Free yourself from something that cost your heart even more. . One moment, you have nothing, the next, you have more than you can cope with. . Does a soldier go to war in order to kill the enemy? No, he goes in order to die for his country. . What the eyes don't see, the heart doesn't grieve over. . Because we don't want to forget who we are - nor can we. . This was simply a place where people gathered to worship something they could not understand.
Paulo Coelho (Eleven Minutes)
It was the morning when she went confront my father's killer. I asked her why she wouldn't let one of the soldiers or gerents handle his rescue. And she said to me that all little girls, regardless of what they say, dream of a prince to come in and sweep them off their feet and save the day. But what no one ever mentions is that all little boys dream of a princess to do the same thing for them. But the problem with princes and princesses is that they're spoiled and self-absorbed. They act in their own best interest. They don't go after their loved ones to rescue them so much as they do it for their own vainglory, and to serve themselves. While she'd had many princes try for her hand, it was a king who had claimed her heart. Unlike princes, kings take responsibility. they think of others instead of themselves and they will risk everything, even their very lives , for those they love. It is never about them, but rather about the ones they cherish most. they love to such depth that they would sacrifice all just to see their family smile. For every thousand princes, there is only one king. And such rare men do not deserve a useless princess who sits on her duff and orders others to worship her and do her bidding. Kings deserve queens- rare women who never flinch to do whatever it takes to keep their king safe. Women who have the courage to face any attacker and to rally to whatever challenge life throws at them. I will not sit here, she said to me, and let your father suffer while I hide in comfort. He risked his life to keep us safe and I will do no less for him. If it means my life, so be it. After all, he is my life and I don't want to live without him. He deserves only my best and that's exactly what he's going to get, no matter the personal cost.
Sherrilyn Kenyon (Cloak and Silence (The League, #5.5))
Can you send stuff out from Nepal by air, John?’ ‘Ooh! No. No. I can’t do anything like that. No. No. No. Now, I know a man. He knows a man who might know.’ ‘How much would it cost?’ ‘Well, money is the thing, and they always do things for a fair and honest price, I promise you.’ ‘What’s a fair price, John?’ ‘You will tell me, I’m quite sure.’ ‘What will you want out of it, John?’ ‘If I help you do business, I’m sure you will give me a drink.’ ‘A drink?’ ‘Yes. If a man does something for you, you give him a drink. Please, if everything goes well, give me a drink.’ ‘Can you check that the quality will be all right?’ ‘I only smoke Tom Thumb, but I know a man who has a knife.’ I took this as a yes. ‘Can you make it smell-proof?’ ‘Not if God made it smell.’ ‘Do you know a man who can?’ ‘No. But if you do, let him come and do it, or give me instructions.’ ‘How much can they send?’ ‘I should think it depends on when you want to do it by.’ ‘Well, John, the Americans will want to do a ton as soon as possible.’ ‘Now I was in America once, and the thing is that Americans will always want more, and there is no end to their madness. Lovely people, for sure, but you have to keep them in line. When my visa ran out, the Immigration asked me why I wanted to extend it, and I said it was because I hadn’t run out of money. He stamped it and said, “Have a nice day.” So, if the Americans ask for a ton tomorrow, say you will do half a ton when Wales win the Triple Crown. That will deal with their madness, and everyone can get on with their lives. It saves all that tidding.’ ‘Tidding?’ ‘Talking Imaginary Deals.’ Accurately conveying the contents of my conversation with Old John to Ernie wasn’t easy. I told Ernie hashish could be exported from Nepal for about the same price as Robert Crimball charged in Bangkok, but 500 kilos was the most they could do at one time, and someone would have to be sent out to ensure the consignment was smell-proof. Ernie sent his right-hand man, Tom Sunde, with money, instructions, and smell-proof know-how. Tom came to London first before going to Kathmandu to meet Old John. He had been authorised by Ernie to keep nothing from me regarding the intricacies of the New York scam.
Howard Marks (Mr. Nice)
... sleeping with someone else and deceiving her husband, her poor husband, always so understanding and loving ... But only you know that this husband is unable to keep the loneliness at bay. Because something has been missing that even you don’t know how to pinpoint, because you love him and don’t want to lose him. But a shining knight promising adventure in distant lands is a much stronger lure than your desire for everything to remain as it is, even if at parties people stare at you and whisper among themselves that it would be better to tie a millstone around your neck and toss you overboard than let you be a terrible example. And to make matters worse, your husband quietly puts up with everything. He doesn’t complain or make a scene. He believes it will pass. You also know it will pass, but now it’s stronger than you. That’s the way things go for a month, two months, a year ... and everyone quietly puts up with it. But it’s not about asking permission. You look back and see that you also used to think like these people who have become your accusers. You also used to condemn those you knew were adulterers and imagined that if you lived somewhere else, the punishment would be stoning. Until the day it happens to you. Then you come up with a million excuses for your behavior and say you have the right to be happy, even for a little while, because dragon-slaying knights exist only in fairy tales. The real dragons never die, but you still have the right, just once in your life, to live out an adult fairy tale. Then comes the moment you tried to avoid at all costs, one that you had been putting off for so long: the moment you must decide to stay together or to separate forever. Along with this moment, however, comes the fear of making a mistake, no matter what decision you choose. And you hope someone will make the choice for you, throw you out of the house or bed, because it is impossible to go on like this. After all, we are no longer one person, we have become two or many, each completely different. And since you’ve never been through this before, you don’t know where it will end. The fact is that now you are facing a situation that will make one person suffer, or two, or many. But mostly it will destroy you, whatever your choice.
Paulo Coelho (Adultery)
I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said. Elizabeth thought it must be a great deal more uncommon, but she wasn’t completely certain and she let it pass. The following day, that discovery was completely eclipsed by another one. At Ian’s insistence, she’d spread the books from Havenhurst across his desk in order to go over the quarter’s accounts, and as the morning wore on, the long columns of figures she’d been adding and multiplying began to blur together and transpose themselves in her mind-due in part, she thought with a weary smile, to the fact that her husband had kept her awake half the night making love to her. For the third time, she added the same long columns of expenditures, and for the third time, she came up with a different sum. So frustrated was she that she didn’t realize Ian had come into the room, until he leaned over her from behind and put his hands on the desk on either side of her own. “Problems?” he asked, kissing the top of her head. “Yes,” she said, glancing at the clock and realizing that the business acquaintances he was expecting would be there momentarily. As she explained her problem to him, she started shoving loose papers into the books, hurriedly trying to reassemble everything and clear his desk. “For the last forty-five minutes, I’ve been adding the same four columns, so that I could divide them by eighteen servants, multiply that by forty servants which we now have there, times four quarters. Once I know that, I can forecast the real cost of food and supplies with the increased staff. I’ve gotten three different answers to those miserable columns, and I haven’t even tried the rest of the calculations. Tomorrow I’ll have to start all over again,” she finished irritably, “and it takes forever just to get all this laid out and organized.” She reached out to close the book and shove her calculations into it, but Ian stopped her. “Which columns are they?” he asked calmly, his surprised gaze studying the genuine ire on her face. “Those long ones down the left-hand side. It doesn’t matter, I’ll fight it out tomorrow,” she said. She shoved the chair back, dropped two sheets of paper, and bent over to pick them up. They’d slid beneath the kneehole of the desk, and in growing disgust Elizabeth crawled underneath to get them. Above her, Ian said, “$364.” “Pardon?” she asked when she reemerged, clutching the errant sheets of paper. He was writing it down on a scrap of paper. “$364.” “Do not make light of my wanting to know the figures,” she warned him with an exasperated smile. “Besides,” she continued, leaning up and pressing an apologetic kiss on his cheek, loving the tangy scent of his cologne, “I usually enjoy the bookwork. I’m simply a little short of sleep today, because,” she whispered, “my husband kept me awake half the night.” “Elizabeth,” he began hesitantly, “there’s something I-“ Then he shook his head and changed his mind, and since Shipley was already standing in the doorway to announce the arrival of his business acquaintances, Elizabeth thought no more of it. Until the next morning.
Judith McNaught (Almost Heaven (Sequels, #3))
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)