Ramp Look Quotes

We've searched our database for all the quotes and captions related to Ramp Look. Here they are! All 100 of them:

With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Come on," Alec said, already stomping down the ramp. "Let's find us a squirrel." He swept the weapon back and forth as he walked, looking for any interlopers. "Or better yet, one of the crazies who might've strayed over here. Too bad these things have to be charged or we could get rid of this virus problem in a jiffy. Sweep these old neighborhoods nice and clean." Mark joined him on the ground below the Berg, wary that someone might be watching from the ruined homes surrounding them or from the burnt woods beyond those. "Your value of human life brings tears to my eyes," he muttered.
James Dashner (The Kill Order (The Maze Runner, #0.4))
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
A young man and woman walked past - a handsome young man and pretty young woman, the man in a seersucker suit and the woman in an old-fashioned summer dress - and they were walking a bit apart from one another with a space between them, and the man was looking straight ahead and the woman had her arms crossed against her chest, hugging herself, looking down at her feet, at her toes that peeked out the open fronts of her shoes, and they both had the same gleefully suppressed smile on their faces, and I knew that they were freshly in love, perhaps they had fallen in love having dinner in some restaurant with a garden or tables on the sidewalk, perhaps they had not even kissed yet, and they walked apart because they thought they had their whole lives to walk close together, touching, and wanted to anticipate the moment they touched for as long as possible, and they passed my without noticing me and Miro. Something about watching them made me sad. I think it was too lovely: the summer night, the open-toed shoes, their faces rapt with momentarily ramped-down joy. I felt I had witnessed their happiest moment, the pinnacle, and they were already walking away from it, but they did not know it.
Peter Cameron (Someday This Pain Will Be Useful to You)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
Habits, scientists say, emerge because the brain is constantly looking for ways to save effort. Left to its own devices, the brain will try to make almost any routine into a habit, because habits allow our minds to ramp down more often.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret. Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love. "Who is that man?" she asked, tremendously affected by his expression. "The curator of the Hermitage." "Why is he looking at the crates that way?" Alexander said, "They are his life's sole passion. He doesn't know if he is ever going to see them again.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I took a breath and said, “Look … you remember when we watched Star Wars with Amy? And she’s like, ‘Why is Princess Leia being such a bitch when those guys just rescued her?’ Well I don’t want to be the Leia in this situation and I completely appreciate what a sweet ramp job that was back there. But did you have any kind of a plan at all?
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
That's the famous vampire Helgarson you're riding with, isn't it? Is he fond of lattes?" "I don't know." I looked over at Leif, who was grinning-he was hearing both sides of the conversation, of course-and said, "Malina wants to know if you like lattes, and I want to know if you're famous." "No to both," he said, as we screamed onto the 202 on-ramp. "Sorry, Malina," I said to the phone. "He's not famous." "Perhaps it would be better to call infamous. It is irrelevant at this point. What is relevant is that my sisters and I are not great warriors. Were the odds even and they did not cheat with modern weapons, I would say, yes, we could walk in and win a magical battle against most opponents. But we are outnumbered more than three to one." "How many are there?" "Twenty-two. Some of them have firearms, but they are not great warriors either. And while they may be expecting you, Mr. O'Sullivan, they will not be expecting Mr. Helgarson to get involved. I imagine the two of you together will be quite formidable." "She's complimenting our martial prowess, Leif," I said to him. "I feel more manly already," He said. The short distance on the 202 was already covered and we were merging onto the southbound 101. "Hey, Malina, tell me how much you want to see us play with our swords.
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
The mean boys huddled nearby, looking over, hoping my mom wouldn’t rat them out to their moms. Mom called to them, “That’s really original, I wish I’d thought of that.” I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn’t fall, because Mom was in the world.
Maria Semple (Where'd You Go, Bernadette)
Increase similarity, not diversity. To make a human hive, you want to make everyone feel like a family. So don’t call attention to racial and ethnic differences; make them less relevant by ramping up similarity and celebrating the group’s shared values and common identity.49 A great deal of research in social psychology shows that people are warmer and more trusting toward people who look like them, dress like them, talk like them, or even just share their first name or birthday.50 There’s nothing special about race. You can make people care less about race by drowning race differences in a sea of similarities, shared goals, and mutual interdependencies.51
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Your site isn't static. It's dynamically generated. Do you know what that means ?" "No." "It means the site looks different to different people. Let's say you chose the poll option that said you're in favor of tax cuts. Well there's a cookie on your machine now, and when you look at the site again, the articles are about how the government is wasting your money. The site is dynamically selecting content based on what you want. I mean, not what you want. What will piss you off. What will engage your attention and reinforce your beliefs, make you trust the site. And if you said you were against tax cuts, we'll show you stories of Republicans blocking social programs or whatever. It works every which way. Your site is made of mirrors, reflecting everyone's thoughts back at them..." "And we haven't even started talking about keywords. This is just the beginning. Third major advantage: People who use a site like this tend to ramp up their dependence on it. Suddenly all those other news sources, the ones that aren't framing every story in terms of the user's core beliefs, they start to seem confusing and strange. They start to seem biased, actually, which is kind of funny. So now you've got a user who not only trusts you, you're his major source of information on what's happening in the world. Boom, you own that guy. You can tell him whatever you like and no one's contradicting you.
Max Barry (Lexicon)
Peter, Adam's Son," said Father Christmas. "Here, sir," said Peter. "These are your presents," was the answer, "and they are tools, not toys. The time to use them is perhaps near at hand. Bear them well." With these words he handed to Peter a shield and a sword. The shield was the color of silver and across it there ramped a red lion, as bright as a ripe strawberry at the moment when you pick it. The hilt of the sword was of gold and it had a sheath and a sword belt and everything it needed, and it was just the right size and weight for Peter to use. Peter was silent and solemn as he received these gifts, for he felt they were a very serious kind of present. "Susan, Eve's Daughter," said Father Christmas. "These are for you," and he handed her a bow and a quiver full of arrows and a little ivory horn. "You must use the bow only in great need," he said, "for I do not mean you to fight in the battle. It does not easily miss. And when you put this horn to your lips and blow it, then, wherever you are, I think help of some kind will come to you." Last of all he said, "Lucy, Eve's Daughter," and Lucy came forward. He gave her a little bottle of what looked like glass (but people said afterwards that it was made of diamond) and a small dagger. "In this bottle," he said, "there is a cordial made of the juice of one of the fire-flowers that grow on the mountains of the sun. If you or any of your friends is hurt, a few drops of this will restore them. And the dagger is to defend yourself at great need. For you also are not to be in the battle." "Why, sir?" said Lucy. "I think- I don't know- but I think I could be brave enough." "That is not the point," he said. "But battles are ugly when women fight.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
There are no U-Turns or Exit Ramps in this life, move forward and don't look back.
John S. Epstein
You take a straight tip from the stable, Cokey, if you must hate, hate the government or the people or the sea or men, but don't hate an individual person. Who's done you a real injury. Next thing you know he'll be getting into your beer like prussic acid; and blotting out your eyes like a cataract and screaming in your ears like a brain tumour and boiling round your heart like melted lead and ramping though your guts like a cancer. And a nice fool you'd look if he knew. It would make him laugh till his teeth dropped out; from old age.
Joyce Cary (The Horse's Mouth)
When couples start to get stale, instead of looking to books or movies or other people for their support or romance, they should be coming to each other, ramping things up, making things fun.
Shelly Crane (Undeniably Chosen)
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
I stared out the window and watched the land change like it had a mental illness. Dead and barren became spinach, chard and cabbage glittering with the pulsing spray from long-wheeled irrigators, and then a dead stockyard with knocked down fence posts and a collapsed ramp and then a dumping ground for junk cars and raw garbage with turkey buzzards circling overhead and then sudden low orchards, peaches it looked like, with migrants reaching into scraggly trees with dirty pick-sacks slung over their shoulders. And then it was barren again, looking quite scorched, and then we arrived.
Lynda Barry (Cruddy)
An older boy pointed. “Look,” he told his friend. “It’s Violet Beauregarde!” That was the bratty girl in Willy Wonka and the Chocolate Factory who turned blue and ballooned into a huge ball. I was puffy because they’d pumped me up with steroids to get me ready for surgery. I ran to Mom, who was sitting on the edge. I stuffed my face in her breasts. “What is it, Bee?” “They called me it,” I squeaked. “It?” Mom’s eyes were across from mine. “Violet Beauregarde,” I managed to say, then burst into fresh tears. The mean boys huddled nearby, looking over, hoping my mom wouldn’t rat them out to their moms. Mom called to them, “That’s really original, I wish I’d thought of that.” I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn’t fall, because Mom was in the world.
Maria Semple (Where'd You Go, Bernadette)
When abled people get ASL and ramps and fragrance-free lotion but haven’t built relationships with any disabled people, it just comes off like the charity model once again—Look at what we’re doing for you people! Aren’t you grateful? No one likes to be included as a favor. Inclusion without power or leadership is tokenism.
Leah Lakshmi Piepzna-Samarasinha (Care Work: Dreaming Disability Justice)
I was in the neighborhood," he said, answering the question I was about to ask. His lips twitched. "You know, wandering around,trying to be a hero." I sighed. "Are you going to thank me?" Cole said. After a pause, he added, "Or hit me?" I thought about Tommy,scared and cowering on the ground. "Thank you." Before Cole could say anything else I said, "But don't do it again." He nodded. I'd expected Cole to ramp up his efforts to change my mind, but was this his new approach? If so,it scared me more than any attempts he'd made to sway me in the past. It felt so real, and so genuine.I looked in his eyes, and I honestly didn't know what his motives were.Would he have saved Tommy if I weren't around? Would he have done it anonymously? My love for Tommy was a weakness. I just didn't know if Cole was exploiting it.How did he have the power to confuse me still? I had to get him away.He was more dangerous now than ever,because with Jack gone,and my time almost gone, he was more tempting than he'd ever been before.
Brodi Ashton (Everneath (Everneath, #1))
Mzatal gave a decisive nod. “I will manage this. It cannot continue to interfere with his work. Too much is at stake.” I raised an eyebrow. “How do you intend to manage it?” “I will tell him the truth and outline the consequences.” I was surprised Mzatal didn’t shrivel away from the look I gave him. “Dude. Seriously? You expect him to stop crushing on me because you forbid it?” Mzatal frowned, contemplative. “Perhaps not ideal given the entanglement of human emotions, though there is no time for it to drag on,” he said, as if he actually knew what he was talking about. “If he knows you have no interest and sees how his distractions have affected his work, he will subside enough for now.” My withering look became glacial. “Boss, you’re completely awesome in many ways, but you are so off-base with this it’s not even funny.” I rolled my eyes. “I’ve already ramped ‘No Interest’ up to eleven on the dial and, at this point, he doesn’t care if his work suffers.” I took a big gulp of coffee, then ran my fingers through my tangled hair. “Let me deal with it. Normally I’m not into direct confrontation with this sort of shit, but there’s isn’t enough time for it to fizzle out on its own.” Mzatal regarded me with that damned unreadable mask which he’d slipped on as I was talking. Great. Lords weren’t much on being told they were wrong, but it had to be said.
Diana Rowland (Touch of the Demon (Kara Gillian, #5))
voice in this? For God’s sake, Chase—” She caught the warning look in Chase’s eye and stopped cold. This wasn’t the time or place. He seemed to be silently warning her, telling her not to make a scene in front of the detective. “Baldwin was interested. That’s all.” “And so you met at the mill and then what?” Wilson asked. “We’d just left the office and were walking up the ramp to building
Lisa Jackson (Final Scream)
From the top of the ramp he looked back and saw them go, their glasses crashing to the flagstoned paths and brick paved patios, their cigarettes dropping like poisoned fireflies. “I loved you,” the girl said. “Or at least I liked you. You’ll be gone in a moment and I can’t even ask you to kiss me, because I’m going to be sick.” “We’re still here,” John Edward told her, “both of us.” And she was gone.
Gene Wolfe (Castle of Days: Short Fiction and Essays)
When I got back to my office Tween was there. She rose from the foyer couch as I wheezed in off the ramp. I took one look at her and said, “Come inside.” She followed me through the inner door. I waved my hand over the infra-red plate and it closed. Then I put out my arms. She bleated like a new-born lamb and flew to me. Her tears were scalding, and I don’t think human muscles are built for the wrenching those agonized sobs gave her. People should cry more. They ought to learn how to do it easily, like laughing or sweating. Crying piles up. In people like Tween, who do nothing if they can’t smile and make a habit-pattern of it, it really piles up. With a reservoir like that, and no developed outlet, things get torn when the pressure builds too high. I just held her tight so she wouldn’t explode. The only thing I said to her was “sh-h-h” once when she tried to talk while she wept. One thing at a time.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume VI: Baby Is Three)
Help," the working Account Representative called, feeling the stir of a tinily remembered humid wind and pausing, again, to look behind him, past the Brougham's black hood and the carelessly dropped safety helmet beside the white cycle, at the Ramp that spiraled up and out of sight toward a street, empty and bright, before the Building, empty and bright, dispossessed, autonomous and autonomic. Bent to what two lives required, below everything, he called for help again and again.
David Foster Wallace (Girl with Curious Hair)
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges. Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy. This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right. This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour. He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up. He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Resource constrained instead of not enough people to do the job. Bake in the numbers instead of include. In the August timeframe instead of August. Tasked by the organization instead of assigned. The optics of the plan instead of how the plan will look. Double-click the point instead of emphasize. Drill down instead of analyze. Scope this out instead of check further. On a go-forward basis instead of in the future. Operationalized its goal, instead of achieved. Aggressively ramp headcount instead of hiring a lot of people. Or bandwidth — as in I don’t have the bandwidth (time) for that meeting or He doesn’t
Kenneth Roman (Writing That Works: How to Communicate Effectively in Business)
Throughout the autumn and the winter activity increased in the Beaulieu area, and with it came mysteries. Lepe House, the mansion at the entrance to the river, was taken over by the Navy and became full of secretive Naval officers; it became known that this was part of a mysterious Navel entity called 'Force J'. Near Lepe House and at the very mouth of the river a construction gang began work in full strength to make a hard, sloping concrete platform running down into the river where the flat-bottomed landing craft could beach to refuel and let their ramps down to embark the vehicles and tanks. This place was about two miles from 'Mastodon'. A mile or so along the coast a country house was occupied by a secret Naval party who did strange things with tugs and wires and winches, and with what looked like a gigantic reel of cotton floating in the sea; this was 'Pluto', Pipe Line Under The Ocean, which was to lay pipes from England to France to carry petrol to supply the armies which were due to land in Normandy. On a bare beach nearby a thousand navvies were camped making huge concrete structures known as 'Phoenix', one of many such sites all along the coast. It was not till after the invasion that it became known that these were a part of the artificial harbour 'Mulberry' on the north coast of France.
Nevil Shute (Requiem for a Wren)
If what we’re doing is good, why does it smell so lancingly bad? On the ramp at night, why do we feel the ungainsayable need to get so brutishly drunk? Why did we make the meadow churn and spit? The flies as fat as blackberries, the vermin, the diseases, ach, scheusslich, schmierig—why? Why do rats fetch 5 bread rations per cob? Why did the lunatics, and only the lunatics, seem to like it here? Why, here, do conception and gestation promise not new life but certain death for both woman and child? Ach, why all der Dreck, der Sumpf, der Schleim? Why do we turn the snow brown? Why do we do that? Make the snow look like the shit of angels. Why do we do that?
Martin Amis (The Zone of Interest: A novel)
It looked like every cartoon of a flying saucer Newt had ever seen. As he stared over the top of his map, a door in the saucer slid aside with a satisfying whoosh, revealing a gleaming walkway which extended automatically down to the road. Brilliant blue light shone out, outlining three alien shapes. They walked down the ramp. At least, two of them walked. The one that looked like a pepper pot just skidded down it, and fell over at the bottom. The other two ignored its frantic beeping and walked over to the car quite slowly, in the worldwide approved manner of policemen already compiling the charge sheet it their heads. The tallest one, a yellow toad dressed in kitchen foil, rapped on Newt's window. He wound it down. The thing was wearing the kind of mirror-finished sunglasses that Newt always thought of as Cool Hand Luke shades. 'Morning, sir or madam or neuter,' the thing said. 'This your planet, is it?' The other alien, which was stubby and green, had wandered off into the woods by the side of the road. Out of the corner of his eye Newt saw it kick a tree, and then run a leaf through some complicated gadget on its belt. It didn't look very pleased. 'Well, yes. I suppose so.' he said. The toad stared thoughtfully at the skyline. 'Had it long, have we, sir?' it said. 'Er. Not personally. I mean, as a species, about half a million years. I think.' The alien exchanged glances with its colleague. 'Been letting the old acid rain build up, haven't we, sir?' it said. 'Been letting ourselves go a bit with the old hydrocarbons, perhaps?' 'I'm sorry.' 'Could you tell me your planet's albedo, sir?' said the the toad, still staring levelly at the horizon as though it was doing something interesting. 'Er. No.' 'Well, I'm sorry to have to tell you, sir, that your polar ice caps are below regulation size for a planet of this category, sir.' 'Oh, dear,' said Newt. He was wondering who he could tell about this, and realizing that there was absolutely no one who would believe him. [...] The small alien walked past the car. 'CO2 level up 0.5 percent,' it rasped, giving him a meaningful look. 'You do know you could find yourself charged with being a dominant species while under the influence of impulse-driven consumerism, don't you?
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
What’s this crazy sail plan you’ve got there?” He was walking down to the ship now. Someone had placed a boarding ramp against the rail and he climbed up, studying the twin yardarms and the bundled-up sails. Hal and Stig joined him. Others clustered round the bow of the beached ship, straining to see. “It’s my design, Oberjarl. It’s based on a bird’s wing,” Hal said. Erak frowned. He shoved one of the yardarms with his toe. “Why? What’s the point? I mean, it’s pretty, but why do you want a sail like a bird’s wing?” “She’ll point higher into the wind than a square sail,” Hal said. Erak looked doubtful. “So you say.” “She’ll point three times as high as a wolfship,” Stig interjected indignantly. “She’ll sail rings around a wolfship!” Erak turned slowly to regard him. There was a long silence and Stig’s face began to redden. “Who are you? His lawyer?” Erak asked.
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
Elijah had roasted duck confit legs in toasted, ground coriander, cumin, and chili; he'd paired it with a strawberry and pink peppercorn gastrique sauce drizzled overtop and dotted on the platter. He'd baked walnut, ramp, and queso fresco financiers in small round molds and topped each of them with a strawberry flower. He'd colored more of his homemade queso fresco---one of Penelope's recipes---with beet powder, which he'd molded into spheres, dotted with nigella seeds, and topped with strawberry stems to approximate the look of strawberries while adding a creamy element to the dish. To punctuate the strawberry-patch appearance further and add another contrast, he'd scattered pickled half-ripe strawberry cubes, more strawberry blossoms, and tiny, fragrant yellow and red alpine strawberries across the plate. Shards of sumptuous, crispy duck skin finished the plate.
Jennieke Cohen (My Fine Fellow)
But there wasn’t much peace to be had on Southern California freeways during the morning rush hour. The pace alternated between brief intervals of violent acceleration, and total gridlock. He was navigating the I-5 and 805 merge—known euphemistically as the ‘Golden Triangle’—when a motorcyclist riding a blue Kawasaki ZX6 cut in front of him, passing so close to Derrick’s front bumper that he felt his body tense for collision. Somehow, it didn’t come. Still crossing the freeway on a reckless diagonal, the bike barely missed getting run over by a semi-truck in the far right lane. The truck driver blew his horn long and angrily. Without looking up, the cyclist raised his left fist and made the time-honored ‘bird’ gesture. Then, he darted down the off ramp, and sped away on the East 56 freeway. Derrick shook his head in amazement. “What the hell is wrong with people?” Not more than thirty seconds later, he passed an Amber Alert sign that read, “SHARE THE ROAD. LOOK TWICE FOR MOTORCYCLES.
David Lucero (Who's Minding the Store)
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.
Mike Rowe (The Way I Heard It)
FOCUS ON GENERATING REVENUE THE DOJ FOUND THAT virtually every branch and tributary of the city’s bureaucracy—the mayor, city council, city manager, finance director, municipal court judge, municipal court prosecutor, court clerk, assistant clerks, police chief—all were enmeshed in an unending race to raise revenue through municipal fines and fees:            City officials routinely urge Chief [Tom] Jackson to generate more revenue through enforcement. In March 2010, for instance, the City Finance Director wrote to Chief Jackson that “unless ticket writing ramps up significantly before the end of the year, it will be hard to significantly raise collections next year. . . . Given that we are looking at a substantial sales tax shortfall, it’s not an insignificant issue.” Similarly, in March 2013, the Finance Director wrote to the City Manager: “Court fees are anticipated to rise about 7.5%. I did ask the Chief if he thought the PD [police department] could deliver 10% increase. He indicated they could try.” The importance of focusing on revenue generation is communicated to FPD officers. Ferguson police officers from all ranks told us that revenue generation is stressed heavily within the police department, and that the message comes from City leadership. The evidence we reviewed supports this perception.
Norm Stamper (To Protect and Serve: How to Fix America's Police)
The men standing on deck now were not surprised by the order to abandon ship. They had been called up and assembled for it. There were only about twenty-five Terrors present this morning; the rest were at Terror Camp two miles south of Victory Point or sledging materials to the camp or out hunting or reconnoitering near Terror Camp. An equal number of Erebuses waited below on the ice, standing near sledges and piles of gear where the Erebus gear-and-supply tents had been pitched since the first of April when that ship had been abandoned. Crozier watched his men file down the ice ramp, leaving the ship forever. Finally only he and Little were left standing on the canted deck. The fifty-some men on the ice below looked up at them with eyes almost made invisible under low-pulled Welsh wigs and above wool comforters, all squinting in the cold morning light. “Go ahead, Edward,” Crozier said softly. “Over the side with you.” The lieutenant saluted, lifted his heavy pack of personal possessions, and went down first the ladder and then the ice ramp to join the men below. Crozier looked around. The thin April sunlight illuminated a world of tortured ice, looming pressure ridges, countless seracs, and blowing snow. Tugging the bill of his cap lower and squinting toward the east, he tried to record his feelings at the moment. Abandoning ship was the lowest point in any captain’s life. It was an admission of total failure. It was, in most cases, the end of a long Naval career. To most captains, many of Francis Crozier’s personal acquaintance, it was a blow from which they would never recover. Crozier felt none of that despair. Not yet. More important to him at the moment was the blue flame of determination that still burned small but hot in his breast—I will live.
Dan Simmons (The Terror)
Only then did Shukhov catch on to what was up. He glanced at Kilgas. He'd understood, too. The roofing felt. Der had spotted it on the windows. Shukhov feared nothing for himself. His squad leader would never give him away. He was afraid for Tiurin. To the squad Tiurin was a father, for them he was a pawn. Up in the North they readily gave squad, leaders a second term for a thing like this. Ugh, what a face Tiurin made. He threw down his trowel and took a step toward Der. Der looked around. Pavlo lifted his spade. He hadn't grabbed it for nothing. And Senka, for all his deafness, had understood. He came up, hands on hips. And Senka was built solid. Der blinked, gave a sort of twitch, and looked around for a way of escape. Tiurin leaned up against him and said quite softly, though distinctly enough for everyone to hear: "Your time for giving terms has passed, you bastard. If you say one word, you blood-sucker, it'll be your last day on earth. Remember that." Tiurin shook, shook uncontrollably. Hatchet-faced Pavlo looked Der straight in the eyes. A look as sharp as a razor. "Now, men, take it easy." Der turned pale and edged away from the ramp. Without another word Tiurin straightened his hat, picked up his trowel, and walked back to his wall. Pavlo, very slowly, went down the ramp with his spade. Slo-o-owly. Der was as scared to stay as to leave. He took shelter behind Kilgas and stood there. Kilgas went on laying blocks, the way they count out pills at a drugstore--like a doctor, measuring everything so carefully--his back to Der, as if he didn't even know he was there. Der stole up to Tiurin. Where was all his arrogance? "But what shall I tell the superintendent, Tiurin?". Tiurin went on working. He said, without turning his head: "You will tell him it was like that when we arnved. We came and that's how it was." Der waited a little longer. They weren't going to bump him off now, he saw. He took a few steps and puthis hands in his pockets. "Hey, S 854," he muttered. "Why are you using such a thin layer of mortar?" He had to get back at someone. He couldn't find fault with Shukhov for his joints or for the straightness of his line, so he decided he was laying the mortar too thin.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
The little sneak caught me one day, coming around the car when I was outside puffing away. “I was wondering what you were doing,” he said, spying me squatting behind the truck. He’d nailed me, but the look on his face made it seem as if our roles were reversed--he looked as if he were in shock, as if I’d just slapped him. When I went back inside, I found he’d taped signs to the walls: DON’T SMOKE! I laugh about it now, but not then. “Why are you so devastated that I’m smoking?” I asked when I found him. “Because. I already lost one parent. I don’t want to lose you, too.” “I’m sorry, I’m sorry,” I told him. “I’m going to stop.” But of course it wasn’t nearly that easy. As horrible as I felt, I was deep into the habit. I would quit for a while--a day, an hour--then somehow a cigarette would find its way to my mouth. I continued to rationalize, continued to struggle--and Bubba continued to call me out. “I’m trying,” I told him. “I’m trying.” He’d come up and give me a hug--and smell the cigarette still on me. “Did you have one?” “Yes.” “Hmmmm…” Instant tears. “I’m trying, I’m trying.” One day I went out to the patio to take what turned out to be a super stressful call--and I started to smoke, almost unconsciously. In the middle of the conversation, Bubba came out and threw a paper airplane at me. What!!! My son scrambled back inside. I was furious, but the call was too important to cut short. Wait until I get you, mister! Just as I hung up, Bubba appeared at the window and pointed at the airplane at my feet. I opened it up and read his message. YOU SUCK AT TRYING. That hurt, not least of all because it was true. I tried harder. I switched to organic cigarettes--those can’t be that bad for you, right? They’re organic! Turns out organic tars and nicotine are still tars and nicotine. I quit for day, then started again. I resolved not to go to the store so I couldn’t be tempted…then found myself hunting through my jacket for an old packet, rifling around in my hiding places for a cigarette I’d forgotten. Was that a half-smoked butt I saw on the ground? Finally, I remembered one of the sayings SEALs live by: Slow is smooth, smooth is fast. Not exactly the conventional advice one uses to stop smoking, but the conventional advice had failed me. For some reason I took the words and tried applying them to my heartbeat, slowing my pulse as it ramped up. It was a kind of mini-meditation, meant to take the place of a cigarette. The mantra helped me take control. I focused on the thoughts that were making me panic, or at least getting my heart racing. Slow is smooth. Slow down, heart. Slow down--and don’t smoke. I worked on my breathing. Slow is smooth. Slow is smooth. And don’t smoke.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
In opting for large scale, Korean state planners got much of what they bargained for. Korean companies today compete globally with the Americans and Japanese in highly capital-intensive sectors like semiconductors, aerospace, consumer electronics, and automobiles, where they are far ahead of most Taiwanese or Hong Kong companies. Unlike Southeast Asia, the Koreans have moved into these sectors not primarily through joint ventures where the foreign partner has provided a turnkey assembly plant but through their own indigenous organizations. So successful have the Koreans been that many Japanese companies feel relentlessly dogged by Korean competitors in areas like semiconductors and steel. The chief advantage that large-scale chaebol organizations would appear to provide is the ability of the group to enter new industries and to ramp up to efficient production quickly through the exploitation of economies of scope.70 Does this mean, then, that cultural factors like social capital and spontaneous sociability are not, in the end, all that important, since a state can intervene to fill the gap left by culture? The answer is no, for several reasons. In the first place, not every state is culturally competent to run as effective an industrial policy as Korea is. The massive subsidies and benefits handed out to Korean corporations over the years could instead have led to enormous abuse, corruption, and misallocation of investment funds. Had President Park and his economic bureaucrats been subject to political pressures to do what was expedient rather than what they believed was economically beneficial, if they had not been as export oriented, or if they had simply been more consumption oriented and corrupt, Korea today would probably look much more like the Philippines. The Korean economic and political scene was in fact closer to that of the Philippines under Syngman Rhee in the 1950s. Park Chung Hee, for all his faults, led a disciplined and spartan personal lifestyle and had a clear vision of where he wanted the country to go economically. He played favorites and tolerated a considerable degree of corruption, but all within reasonable bounds by the standards of other developing countries. He did not waste money personally and kept the business elite from putting their resources into Swiss villas and long vacations on the Riviera.71 Park was a dictator who established a nasty authoritarian political system, but as an economic leader he did much better. The same power over the economy in different hands could have led to disaster. There are other economic drawbacks to state promotion of large-scale industry. The most common critique made by market-oriented economists is that because the investment was government rather than market driven, South Korea has acquired a series of white elephant industries such as shipbuilding, petrochemicals, and heavy manufacturing. In an age that rewards downsizing and nimbleness, the Koreans have created a series of centralized and inflexible corporations that will gradually lose their low-wage competitive edge. Some cite Taiwan’s somewhat higher overall rate of economic growth in the postwar period as evidence of the superior efficiency of a smaller, more competitive industrial structure.
Francis Fukuyama (Trust: The Social Virtues and the Creation of Prosperity)
himself out. He was out cold for quite a while, apparently. Jimmy had to slap his cheeks a few times before he came round. Other than a blinding headache he was as right as rain. Unfortunately.’ Ted added with feeling. Poppy looked at the streaks of dried blood that were caked to Cloud’s flanks and wondered what had gone on in the back of that lorry. She laid her cheek gently against Cloud’s as Ted continued. ‘Blackstone decided last night to send the pony to the sales. He wasn’t prepared to throw good money after bad, Jimmy said. Cloud here was one of the last lots of the afternoon. Bella recognised him as soon as he came into the ring. And the rest you know. Right, shall we unload him now?’ Poppy pulled the quick release knot and led Cloud slowly down the ramp and around the back of the house to the stables. As she passed the kitchen window she saw Charlie watching her, a huge grin on his face. Her heart was threatening to burst as she undid the bolts of Chester’s stable. The donkey looked up and hee-hawed loudly when he saw his old friend. Cloud limped straight over and they nuzzled each other affectionately.
Amanda Wills (The Lost Pony of Riverdale (The Riverdale Pony Stories, #1))
release knot and led Cloud slowly down the ramp and around the back of the house to the stables. As she passed the kitchen window she saw Charlie watching her, a huge grin on his face. Her heart was threatening to burst as she undid the bolts of Chester’s stable. The donkey looked up and hee-hawed loudly when he saw his old friend. Cloud limped straight over and they nuzzled each other affectionately. ‘It’s a bit of a squeeze. Do you think they’ll be OK in there together?’ asked Caroline, who was watching over the stable door. Poppy looked at them and smiled. ‘I think so. He looks pretty settled already, I’d say.’ ‘We’ll get the vet out to have a look at his leg. You do realise it’s going to be a long journey, getting him back to full strength, Poppy? His leg might be so badly damaged you’ll never be able to ride him. And if it does heal it’s been years since Cloud has had anyone on his back. We’ll be starting from scratch,’ said Caroline. Poppy was glad her stepmother was planning to help. It felt right. ‘I know, Mum. All I care about is that he’s safe and he’s here. Anything else will be a bonus.’ Caroline smiled. Cloud Nine lay down, exhausted, in the thick straw, with Chester standing over
Amanda Wills (The Lost Pony of Riverdale (The Riverdale Pony Stories, #1))
I peered hard, trying to make out what was perched, as the realization of the most Gothic and brutal of horrors bound right through my body in an instant once I realized what we were seeing! We were looking at the dead bodies of Ned and Amanda! Hoisted as in byzantine ritual, his eyes shut and body motionless, her body naked and unmolested, her head missing in the night air as a group surrounded them on the ground below! “Oh god!” I said, my voice and body quivering. “My God! They’ve got bodies hanging up in the air!” Harold said as he tried to reconcile what he was looking at before flooring the vehicle and barreling toward the on ramp! Jess stood beside Nathaniel Williams, at the foot of the bodies, laughing wildly! The throws and pitch of her voice penetrating the vehicle, as we passed, as in a chant mocking of the horror that we were witnessing in modern times! Her hair was blowing wildly in the wind and her eyes menaced the shear vice of evil as Nathaniel looked on with curious intent in our charging direction! “They should not get far I would suppose, but we shall see. I do think my better arrangements of decency hope they escape, but then again I’m not decent!” he extolled as he watched the vehicle move out of sight and onto the interstate with Jess laughing and shouting words of irreverence next to him.
Michael Gitabaum (The Plural Mind Inside: A Real Clan of Existence (This Guy Is Dead!))
I encourage everyone to visit the exhibits and then walk up the ramp and go aboard Nautilus. Check out the torpedo room, wardroom, officer quarters, attack center, galley, and crew’s mess and quarters. I think you will find her as grand and accommodating as ever. Looking
William R. Anderson (The Ice Diaries: The Untold Story of the USS Nautilus and the Cold War's Most Daring Mission)
Quote of non fiction “I peered hard, trying to make out what was perched, as the realization of the most Gothic and brutal of horrors bound right through my body in an instant once I realized what we were seeing! We were looking at the dead bodies of Ned and Amanda! Hoisted as in byzantine ritual, his eyes shut and body motionless, her body naked and unmolested, her head missing in the night air as a group surrounded them on the ground below! “Oh god!” I said, my voice and body quivering. “My God! They’ve got bodies hanging up in the air!” Harold said as he tried to reconcile what he was looking at before flooring the vehicle and barreling toward the on ramp! Jess stood beside Nathaniel Williams, at the foot of the bodies, laughing wildly! The throws and pitch of her voice penetrating the vehicle, as we passed, as in a chant mocking of the horror that we were witnessing in modern times! Her hair was blowing wildly in the wind and her eyes menaced the shear vice of evil as Nathaniel looked on with curious intent in our charging direction! “They should not get far I would suppose, but we shall see. I do think my better arrangements of decency hope they escape, but then again I’m not decent!” he extolled as he watched the vehicle move out of sight and onto the interstate with Jess laughing and shouting words of irreverence next to him.
Michael Gitabaum (The Plural Mind Inside: A Real Clan of Existence (This Guy Is Dead! Book 1))
I unhooked the partition and pulled it back, revealing the donkey’s shaggy coat and pot belly. She wouldn’t win any beauty pageants, but she looked to be in fairly good health. I clipped up her lead rope and led her to the top of the ramp where she stopped and looked around, swivelling her huge ears like antennae. Skip and Forbes were in the furthest corner of their paddock, staring in horror at the truck and snorting loudly at each other, clearly not impressed with the newest addition to the family. “What
Kate Lattey (Seventh Place (Pony Jumpers, #7))
Our driveway seemed darker than usual. I knew it was silly, but I kept looking around as I walked. Then something rustled in the trees overhead. That was enough for me. I took off running and didn’t stop until I made it to the bottom of the boat ramp. Conditions at the marina weren’t exactly ideal for a romantic conversation. The wind was howling, and the docks groaned as they rose and fell. Even so, it was better than trying to talk with Julie around.
P.J. Petersen (The Freshman Detective Blues)
near-deserted parking lot, both buildings looking freshly painted and hopeful for a marina in which there were no yachts. The biggest boat moored at the dock looked to be a forty-footer. Most of the others looked to be lobster boats, aged and constructed of wood. A few of the newer ones were fiberglass. The nicest of those was about thirty-five feet long, the hull painted blue, the wheelhouse painted white, the deck a honey teak. She paid attention to it because her husband stood on it, bathed in their headlights. Caleb exited the car fast. He pointed back at her, told Brian his wife was not taking things well. Rachel was happy to note Caleb limped even as he speed-walked to the boat. She, on the other hand, moved slowly, her eyes on Brian. His gaze barely left hers except for the occasional flicks in the direction of Caleb. If she’d known she’d end up killing him, would she have boarded the boat? She could turn around and go to the police. My husband is an impostor, she’d say. She imagined some smarmy desk sergeant replying, “Aren’t we all, ma’am?” Yes, she was certain, it was a crime to impersonate someone and a crime to keep two wives, but were those serious crimes? In the end, wouldn’t Brian just take a plea and it would all go away? She’d be left the laughingstock never-was, the failed print reporter who’d become a pill-addicted broadcast reporter who’d become a punch line and then a shut-in and who would keep the local comics stocked with weeks of fresh material once it was discovered that Meltdown Media Chick had married a con man with another wife and another life. She followed Caleb up the ramp to the boat. He stepped aboard. When she went to do the same, Brian offered his hand. She stared at it until he dropped it. He noticed the gun she carried. “Should I show you mine? So I feel safer?” “Be my guest.” She stepped aboard. As she did, Brian caught her by the wrist and stripped the gun from her hand in the same motion. He pulled his own gun, a .38 snub-nosed revolver, from under the flaps of his shirt and then laid them both on a table by the
Dennis Lehane (Since We Fell)
Habits, scientists say, emerge because the brain is constantly looking for ways to save effort. Left to its own devices, the brain will try to make almost any routine into a habit, because habits allow our minds to ramp down
Charles Duhigg (The Power of Habit: Why We Do What We Do and How to Change)
I'm waiting for able bodied people to be like 'oops babe we fucked this one up, didn't we?' and feature us on magazine covers and give us ramps and meaningful employment and pass real legislation. It's wild to be ignored in a culture that currently has such a hard on for injustice. When the fuck will it be our turn?
Ryan O'Connell (Just by Looking at Him)
She was right, Hominy didn't necessarily look happy, but neither do motorcycle daredevils standing atop fifty-foot-high jump ramps, revving their engines, and starting out a the desert expanse and precipitous drop that is Gila Monster Canyon. Yet, as he stood on the lookout for one of his Caucasian betters, grabbing the seat back in front of him, nervously scanning his surroundings like women suicidal gazelle looking over the Serengeti for a jungle cat to whom he could sacrifice himself, one has to understand that death-defying feats are their own reward.
Paul Betty
How are earthworms going to get on board?” Sulfur asked, half-joking. “Good question. We’ll make sure there’s a way.” Zest looked at the structure with a critical eye. Acorn was confused. “Why would earthworms need transit?” Sulfur arched an eyebrow. “They’re members of the public.” “OK, I’ll put worm accessibility on the list.” With nonchalant acceptance, Acorn saved the audio of their last few seconds of conversation to a local to-do list for the team. “Probably they can use the same ramp as the naked mole rats, but we should check to be sure whether they might need some moist dirt to sit in during the ride.” “Thanks.” Zest sounded surprised but happy. “I wasn’t sure you’d actually do that.” Acorn tilted their head to the side quizzically. “Why wouldn’t we?
Annalee Newitz (The Terraformers)
Simple Fast Funnels may be the new kid on the block when it comes to a complete bumper to bumper CRM system, but it’s a force to be reckoned with! Business owners are switching over right and left and I’m going to outline 10 of the best features of Simple Fast Funnels so you can see what all the buzz is about! Funnel builder: Simple Fast Funnels has easy intuitive software so you can build your own landing pages, funnels, websites, sales pages etc. No developer needed, everything included and simple to use Email Software: Instead of paying hundreds or thousands per month to send emails, this software does it for you! You can have your entire email list automated or send emails on the fly, whatever fits the bill for you, they’ve got you covered and it’s so easy to track your email results so you can modify and make improvements as you go. Online Membership Area: Now, for no additional fees that lot’s of CRM software likes to charge, you can build glorious membership areas for your clients. You can control timing on video releases, give access for certain time periods upset packages… whatever your business looks like, if you can dream it, you can build it in the membership area. Survey and quiz generator: Ramp up your lead capture game to grow your customer list! One of the best ways to get leads is to get your customers talking about themselves. Not only do people love to take surveys and quizzes, but it can help you gather information about your clients to serve them better and grow your sales! SMS Marketing Software: If you’re not messaging your customers, you’re missing out, and if you are messaging your customers you’re probably over paying. Amazing automated intuitive SMS marketing can make your life much easier and allow you to reach your customers in more ways. Being where your customers are more present is always good for business. Simple Fast Funnels helps you get the cheapest SMS rates around and it automatically integrates into the system for your unified messages. Appointment booking: Another expensive thing you used to have to pay for and try to get to work properly with your website AND look decent is also built right in. Now, without leaving Simple Fast Funnels, you’re able to capture the lead, follow up with the lead all over the place, engage with them, build trust, book appointments, schedule calls and even send them automated text reminders. E com Purchases: Directly on your website, you’ll be able to take payments. No more invoices sent from other platforms, everything buttoned up nice and clean. Unified messaging: From now on, whether a client emails, texts, calls etc, it all shows up in one place at your end. This might not seem like a big deal, but it’s a HUGE pain to have to follow customers about and keep track of conversations. Now you see all your communication with customers in a neat little area. Blogs: Blogs these days can really help your marketing efforts across the board, and of course your blogs will be a perfect fit in your simple fast funnel account. Analytics: Data tracking when you’re dealing with features on various platforms is a nightmare. If you capture a lead on a Word press landing page, send it an email software like Keep, mail chimp or whatever, send them to a new website to schedule calls and another to make purchases… How could you possibly expect to get good customer data? Hosting all of your “business” in one location makes tracking flawless. The more customers you have the more data you need to be efficient. Cheers to making it easy. All that software and that’s just the top 10, guys there’s more. Simplefastfunnels.com also lets you have a 2 week free trial. Don’t take anyone word for anything. Go try it for yourself.
10 best features of Simple Fast Funnels
This is rot.” Sammerin spoke quietly, focused only on his fingers. Zeryth and I both lapsed into silence. I glanced at Tisaanah, who stared back at me with wide eyes. “Rot?” I echoed. “Rot. Decay.” He shook his head, still staring at his hands, then my wound, perplexed. “I can’t even speak to the flesh. It’s dead.” “Like an infection?” Tisaanah asked, hesitantly. “An infected wound will start to decay if left unattended long enough, but this is far beyond that. Was it like this from the beginning?” “It’s gotten worse, but—” “Was it black like this?” “Yes.” Tisaanah answered for me. “It looked the same.” “I’ve never seen anything like this,” Sammerin muttered. Neither had I. In me, Reshaye had simply ramped up the scale of my natural magic ability, feeding my own powers back to me at a staggering scale. But as a Valtain, this kind of physical ability would be difficult for Tisaanah. And I’d never heard of any Wielder, Valtain or Solarie, turning something living to decay through touch. Not even a Wielder who controlled flesh, like Sammerin. He could tear it apart, deprive it of blood, strangle it and wither it slowly. But rotting it? Outright killing it? That was new to me. Tisaanah paled. “It appears I’m missing some background information. You did this, Tisaanah?” Zeryth’s eyes had a certain sparkle in them, a certain hunger, as they landed on her and lingered. “Reshaye did,” she corrected.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
You know that old saying,” Betty said, a look of approval on her face as Josh lowered the front ramp and led out two stunning chestnut warmblood showjumpers, one after the other. “Don’t drive a Rolls-Royce and bring out an old banger of a horse. Drive an old banger and bring out a Rolls-Royce of a horse.
Plum Sykes (Wives Like Us)
Focus on Generating Revenue The City budgets for sizeable increases in municipal fines and fees each year, exhorts police and court staff to deliver those revenue increases, and closely monitors whether those increases are achieved. City officials routinely urge Chief Jackson to generate more revenue through enforcement. In March 2010, for instance, the City Finance Director wrote to Chief Jackson that “unless ticket writing ramps up significantly before the end of the year, it will be hard to significantly raise collections next year. . . . Given that we are looking at a substantial sales tax shortfall, it’s not an insignificant issue.” Similarly, in March 2013, the Finance Director wrote to the City Manager: “Court fees are anticipated to rise about 7.5%. I did ask the Chief if he thought the PD could deliver 10% increase. He indicated they could try.” The importance of focusing on revenue generation is communicated to FPD officers. Ferguson police officers from all ranks told us that revenue generation is stressed heavily within the police department, and that the message comes from City leadership. The evidence we reviewed supports this perception.
U.S. Department of Justice (The Ferguson Report: Department of Justice Investigation of the Ferguson Police Department)
Habits, scientists say, emerge because the brain is constantly looking for ways to save effort. Left to its own devices, the brain will try to make almost any routine into a habit, because habits allow our minds to ramp down more often. This effort-saving instinct is a huge advantage. An efficient brain requires less room, which makes for a smaller head, which makes childbirth easier and therefore causes fewer infant and mother deaths.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
What about after? Getting back through the lobby, I mean. Assuming you’ll need to leave at some point. For the bachelorette party, if nothing else.” “That’s not until the weekend.” He grinned. “Your point being?” “You know,” she said, tipping up on her toes and kissing his cheek, “I like it when you do the thinking.” “Well, I was going to mention that, but--” She pinched his butt, making him laugh. “Careful or I’ll swing you up and carry you up to my room over my shoulder.” Kerry spluttered a laugh, then said, “You know, it’s almost worth doing, just to blow everyone’s minds.” He pulled her closer. “Don’t tempt me.” She batted her lashes again. “But I thought you liked it when I tempted you.” Now he slid his hand behind her and gave her a little pinch, making her skip a little step but laugh at the same time. “I guess I had that coming.” “There’s a lot I’d like to do that has coming in the description.” “Okay, okay, so assuming I will have to leave your pirate’s lair at some point, then yes, how to do that without being the front-page story of the gossip gazette.” She looked up at him, her expression serious. “I could always come down the ramp carrying a box of tiddledywinks. Then no one would suspect for sure.” “A real funny one, you are,” he said dryly. “I was revisiting the whole black spandex cat burglar idea. Maybe you could sneak out under cover of darkness, shimmy down a rope from my window.” “Okay, you’ve given that particular scenario way too much thought.” They were still laughing when they reached the end of the pier.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Listen, Sam, and everyone, you need to know something so it won’t freak you out: Pack Leader can speak. I mean, human words. Like Smart-Girl Barbie there was saying, he’s some kind of mutant or whatever. I know you think I’m probably crazy.” She had Hermit Jim’s tin cup now and used it to scoop up another helping of wonderful, wonderful pudding. Blondie—Astrid—was opening a can of fruit cocktail. “What do you know about the FAYZ?” Astrid asked. Lana stopped eating and stared at her. “The what?” Astrid shrugged and looked embarrassed. “That’s what people are calling it. The Fallout Alley Youth Zone. FAYZ.” “What does that mean?” “Have you seen the barrier?” She nodded. “Oh, yeah. I’ve seen the barrier. I touched the barrier, which, by the way, is not a good idea.” Sam said, “As far as we can tell, it goes clear around in a big circle. Or maybe a sphere. We think the center is the power plant. It seems like a ten-mile radius from there, you know, twenty miles across.” “Circumference of 62.83 miles, with an area of 314.159 square miles,” Astrid said. “Point 159,” Quinn echoed from his corner. “That’s important.” “It’s basically pi,” Astrid said. “You know, 3.14159265…. Okay, I’ll stop.” Lana hadn’t stopped being hungry. She took a scoop of the fruit cocktail. “Sam, you think the power plant caused it?” Sam shrugged, and then he hesitated, surprised. Lana guessed that he felt no pain in his shoulder. “No one knows. All of a sudden every single person over the age of fourteen disappears and there’s this barrier and people…animals…” Lana slowly absorbed this new information. “You mean all the adults? They’re gone?” “Poof,” Quinn said. “They ditched. They blinked out. They vacated. They took the off-ramp. They cut a hole. They emigrated. Adults and teenagers. Nothing left but kids.” “I’ve done all I can to strengthen the door,” Edilio announced. “But all I have is nails. Someone can break it in eventually.” “Maybe they didn’t all ditch,” Lana said. “Maybe we did.” Astrid said, “That’s definitely one of the possibilities, not that it makes any real difference. It’s effectively the same thing.
Michael Grant
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Dawn is breaking, sending pale fingers of cold light across the hills that surround the Harrisons’ farmyard. Jess is being difficult, rearing and trying to bolt away from the truck, and we’ve been at it for some time when Liam comes out of the house and sees our predicament. He marches across the yard, picks up a piece of cut-off hosepipe and walks up behind the pony. I see the look on Alec’s face as his dad approaches, and he’s not happy. Liam tells his son to “walk her up” and then cracks the mare around the rump with the piece of pipe when she plants her feet. The sound of the pipe hitting the pony echoes across the hills and rings in my ears. Jess starts to rear but earns another whack around the backside, so scrambles up the ramp and stands trembling in the truck. Alec quickly ties her up, his expression unreadable.
Kate Lattey (Flying Changes (Clearwater Bay, #1))
Habits, scientists say, emerge because the brain is constantly looking for ways to save effort. Left to its own devices, the brain will try to make almost any routine into a habit, because habits allow our minds to ramp down more often. This effort-saving instinct is a huge advantage.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
She went on to Seishin University, the famous women’s private college, and studied abroad in France for two years. A couple of years after she got back I had a chance to see her, and when I did, I was floored. I’m not sure how to put it, but she seemed faded. Like something that’s been exposed to strong sunlight for a long time and the color fades. She looked much the same as before. Still beautiful, still with a nice figure … but she seemed paler, fainter than before. It made me feel like I should grab the TV remote to ramp up the color intensity. It was a weird experience. It was hard to imagine that someone could, in the space of just a few years, visibly diminish like that.
Haruki Murakami
Time is one ramp putting you in the place going down by bus, but if you decide on this stop to stop and to run backward you will be there, but in different time and day... But this what has happen makes a big scar, look me my father is dead 25 days + 3 = 28 days from his dead, he suicided 27, so yesterday was the 27 day…
Deyth Banger
This is damn peculiar,” she muttered as Burton kept driving on, now twenty miles out of downtown and continuing north as Interstate 35W and 35E merged to form Interstate 35 to Duluth. Heather contemplated giving up, but Burton hit his right turn blinker and took the Forest Lake exit. At the top of the exit ramp, the FBI man turned right and drove a mile east into downtown Forest Lake, pulling into the parking lot of the Ranger Bar. A bright white marquee on the front indicated that the Ranger—a play on the nickname of the local high school—was open until 2:00 a.m. From the looks of the cars in the parking lot, it was apparent that the party was going plenty strong inside. Tomorrow was the Fourth of July, and a lot of people in the Forest Lake area were getting a head start.
Roger Stelljes (Deadly Stillwater (McRyan Mystery, #2))
When you speak of a frequency, you are speaking of the frequencies of music, and also the frequencies of dimensions and realities. You are within a specific frequency; and that frequency is held together in its own motion, its own perpetual vibration. You can compare it to cars driving at different speeds in different lanes. You are driving a car that is going thirty-five mph on the ramp. Other cars on the highway are going fifty-five, sixty-five, seventy-five, and eighty-five mph in different lanes. You can see the cars and acknowledge that they are there, but you cannot experience what is going on in their reality until you drive at the same speed as them. Once you move up to the same speed, you can look over and see someone who is flipping through People Magazine or chewing Wrigley’s Spearmint gum. She has blonde hair and blue eyes. However, when you step on your brakes, that frequency is broken and you have now dropped into a lower frequency. You are no longer part of that higher frequency; you are now a part of the lower frequency. If you speed up, you can no longer see the lower frequency because you are in a higher frequency.
Eric Pepin (Silent Awakening: True Telepathy, Effective Energy Healing and the Journey to Infinite Awareness)
After having ice cream, Alexander and Tatiana were walking along the Neva embankment heading west into the sunset and across from the green-and-white splendor of the Winter Palace when on the opposite side of the street Tatiana spotted a man who made her stop suddenly. A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret. Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love. “Who is that man?” she asked, tremendously affected by his expression. “The curator of the Hermitage.” “Why is he looking at the crates that way?” Alexander said, “They are his life’s sole passion. He doesn’t know if he is ever going to see them again.” Tatiana stared at the man. She almost wanted to go and comfort him. “He’s got to have more faith, don’t you think?” “I agree, Tania.” Alexander smiled. “He’s got to have a little more faith. After the war is over, he will see his crates again.” “The way he is looking at them, after the war is over he is going to bring them back single-handedly,” declared Tatiana.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
They relink the chains to Syasku’s bands, and the sound of clanging metal sounds the space. Once he’s secured, the soldiers remove his cage and step away. “You’re dismissed,” Pierce orders. They file out of the room, never once looking my way. “Commander Pierce.” I step toward the man who is often at my father’s side. A man I’ve known since I was a child, someone who once intimidated me into silence whenever he was near. He doesn’t frighten me anymore. “Not now, Vivian.” He dismisses me and he strides up to Syasku. As he does, Syasku’s face wrenches, his lips pull back, and his body starts shaking uncontrollably. Realizing Pierce is hurting him, I rush forward. “Fucker,” Pierce curses, ramping up the electricity. “Stop!” I grab his arm. “You’re hurting him!” He throws me off him, and I stumble away. Pivoting, I seize his arm again. “Stop!” Pierce doesn’t throw me off this time. Instead, his scowl deepens as he looks at me. Syasku’s convulsions come to an abrupt end, and his body slumps into his restraints. The reek of burnt flesh and static floods my nose, making me want to gag.
Naomi Lucas (Cottonmouth (Naga Brides #6))
He looked up, and as he stepped off the ramp onto the level ground he stumbled and nearly fell. He thought of death, in that gap between the beginning of a step and its completion, and at the end of the step he stood on a new earth.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
Who should I date then, Aldo? Want to introduce me to someone? A friend, perhaps?” “No,” I snarled, my arm going around her waist and pulling her close. “No one.” “But I have needs,” she whispered. “Who will help me with those?” We were so close, our lips were almost touching. I felt her breath on my skin. Tasted her in the air. A low growl built in my chest. I yanked her closer, daring to cup her ass with my free hand. I almost groaned at the feeling of her. “Stop tempting me.” “I was only doing my job.” She reached out, running her finger along my scruff. “I like this,” she whispered. “I wonder how it would feel on my skin.” I covered her mouth with mine, kissing her in frustration. Her lips were soft and pliant. Full and welcoming. I kissed her harder, sliding my tongue in as her mouth parted. Her taste exploded in my head, filling my senses. I explored every part of her, running my tongue along her teeth, over the roof of her mouth, twining with hers. Groaning deep in my chest at the taste and feel of her. Wanting more. Needing more. Determined to have it. I cupped her ass fully, yanking her tight to me. She whimpered, lifting one leg and wrapping it around me. I settled between her thighs, my cock hard and aching for her. I ground against her, and she moaned, a low, throaty sound that ramped me up more. And then I heard it. Footsteps and a voice calling her name. Reality crashed down around me. We were in the supply closet of the restaurant. Wanda was looking for her. I stepped back. Violet’s eyes were wide, her lips wet. My cock screamed at being denied what he wanted. I shook my head. “I’m off in an hour,” she whispered, pleading, reaching for me. I shook my head. “No.
Melanie Moreland (Aldo (Men of the Falls #1))
Bombs spewing like volcanoes, glass race tracks, hookin' u-bowl skate ramps, barrels beautiful and violent at the same time that fill us with waves of life straight from the source and the force of God in our veins when all of our fear and pain and joy pulse through us in waves as we reach for the light at the end of the tunnel. A fleeting moment we know we are alive. Every wave is a life on its own unique path... its own journey. The ride, man. And if we're lucky we're there for that final moment...looking into its soul.
Benjamin Lane (He'enalu Days)
You know the limited edition ramp. If you write very obscure verse (and why shouldn't you, pray?) for which there is little or no market, you pretend there is an enormous demand, and that the stuff has to be rationed. Only 300 copies will be printed, you say, and then the type will be broken up forever. Let the connoisseurs and bibliophiles savage each other for the honor of snatching a copy. Positively no reprint. Reproduction in whole or in part forbidden. 300 copes of which this is Number 4,312. Hand-monkeyed oklamon paper, indigo boards in inter-pulped squirrel-toe, not to mention twelve point Campile Perpetua cast specially for the occasion. Complete, unabridged, and positively unexpurgated. Thirty-five bob a knock and a gory livid bleeding bargain at the price. Well, I have decided to carry this thing a bit further. I beg to announce respectfully my coming volume of verse entitled 'Scorn for Taurus.' We have decided to do it in eight point Caslon on turkey-shutter paper with covers in purple corduroy. But look out for the catch. When the type has been set up, it will instantly be destroyed, and NO COPY WHATSOEVER WILL BE PRINTED. In no circumstances will the company's servants be permitted to carry away even a rough printer's proof. The edition will be so utterly limited that a thousand pounds will not even buy one copy. This is my idea of being exclusive. The charge will be 5 shillings. Please do not make an exhibition of yourself by asking me what you get for your money. You get nothing you can see or feel, not even a receipt. But you do yourself the honor of participating in one of the most far-reaching literary experiments ever carried out in my literary workshop.
Flann O'Brien
A good transitional call to action can do three powerful things for your brand: 1.​Stake a claim to your territory. If you want to be known as the leader in a certain territory, stake a claim to that territory before the competition beats you to it. Creating a PDF, a video series, or anything else that positions you as the expert is a great way to establish authority. 2.​Create reciprocity. I’ve never worried about giving away too much free information. In fact, the more generous a brand is, the more reciprocity they create. All relationships are give-and-take, and the more you give to your customers, the more likely they will be to give something back in the future. Give freely. 3.​Position yourself as the guide. When you help your customers solve a problem, even for free, you position yourself as the guide. The next time they encounter a problem in that area of their lives, they will look to you for help. Transitional calls to action come in all shapes and sizes. Here are a few ideas to create transitional calls to action of your own: •​Free information: Create a white paper or free PDF educating customers about your field of expertise. This will position you as a guide in your customer’s story and create reciprocity. Educational videos, podcasts, webinars, and even live events are great transitional calls to action that on-ramp customers toward a purchase. •​Testimonials: Creating a video or PDF including testimonials from happy clients creates a story map in the minds of potential customers. When they see others experience a successful ending to their story, they will want that same ending for themselves. •​Samples: If you can give away free samples of your product, do it. Offering a customer the ability to test-drive a car, taste your seasoning, sample your music, or read a few pages of your book are great ways to introduce potential customers to your products. •​Free trial: Offering a limited-time free trial works as a risk-removal policy that helps to on-ramp your customers. Once they try your product, they may not be able to live without it.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
if it leads to nothing. “I never thanked you for saving my life back at the convention center,” she says, her chin on my shoulder, her cheek pressed to mine. “And at the hotel.” I slowly hug her back. I’m feeling her body against mine, but I can’t help thinking of Margot. This is how we first met, how we first fell in love. I was a pro-skater back then, fresh on the circuit. She was a groupie and was on the top of a half pipe when one of the skaters went down, his board launching out from under him. It flew up the ramp, launched about fifteen feet in the air and started coming down right at her. I pulled her out of the way and the board torpedoed into the deck where she was standing. Gasping, rattled, Margot looked up at me with such wonder in her eyes. “That would have hit me in the head,” she said, breathless. “That’s why I pulled you out of the way,” I replied. “You okay?
Ryan Schow (The Complete Last War Series (The Last War #1 - 7))
Leave it,” Gwyn said, enough authority lacing her words that Nesta dropped the book onto a dark wood table. The priestess put a hand to Nesta’s back, escorting her up the sloping ramp. “Don’t look behind,” Gwyn muttered out of the corner of her mouth. “What level is your cart on?” “Four.” She began to twist her head to gaze over her shoulder, but Gwyn pinched her. “Don’t look behind,” Gwyn murmured again. “Is it following?” “No, but …” Gwyn’s swallow was audible. “I can feel something. Like a cat. Small and clever and curious. It’s watching.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
What’s your name?” Bryce advanced up the ramp. Tharion murmured, “Legs.” She ignored the warning. Ithan kept quiet. Yet the old male replied, utterly unfazed, “Some people call me the Astronomer.” She couldn’t keep the bite from her voice. “What do other people call you?” The Astronomer didn’t answer. Up and up, Bryce ascended into the heavens, Tharion and Ithan trailing her. Like the assholes were second-guessing this. One of the mystics twitched, water splashing. “A normal reaction,” the Astronomer said, not even looking up from his dials as they approached. “Everyone is always so concerned for their well-being. They made the choice, you know. I didn’t force them into this.” He sighed. “To give up life in the waking world to glimpse wonders of the universe that no Vanir or mortal shall ever see …” Stroking his beard, he added, “This trio is a good one. I’ve had them for a while now with no issues. The last group … One drifted too far. Too far, and for too long. They dragged the others with them. Such a waste.” Bryce tried to block out the excuses. Everyone knew the truth: the mystics came from all races, and were usually poor. So poor that when they were born with the gift, their families sold them to people like the Astronomer, who exploited their talent until they died, alone in those tubs. Or wandered so deep into the cosmos they couldn’t find their way back to their minds.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Does my brother, Connor Holstrom, remain in the Bone Quarter, or has his soul passed through the Dead Gate?” The Astronomer whispered, “Luna above.” He fiddled with one of the faintly glowing rings atop his hand. “This question requires a … riskier method of contact than usual. One that borders on the illegal. It will cost you.” Bryce said, “How much?” Scam-artist bullshit. “Another hundred gold marks.” Bryce started, but Ithan said, “Done.” She turned to warn him not to spend one more coin of the considerable inheritance his parents had left him, but the Astronomer hobbled toward a metal cabinet beneath the dials and opened its small doors. He pulled out a bundle wrapped in canvas. Bryce stiffened at the moldy, rotten earth scent that crept from the bundle as he unfolded the fabric to reveal a handful of rust-colored salt. “What the fuck is that?” Ithan asked. “Bloodsalt,” Bryce breathed. Tharion looked to her in question, but she didn’t bother to explain more. Blood for life, blood for death—it was summoning salt infused with the blood from a laboring mother’s sex and blood from a dying male’s throat. The two great transitions of a soul in and out of this world. But to use it here … “You can’t mean to add that to their water,” Bryce said to the Astronomer. The old male hobbled back down the ramp. “Their tanks already contain white salts. The bloodsalt will merely pinpoint their search.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Cameron detects movement in his peripheral vision and looks over Waller’s shoulder. The shifting winds hurl sheets of snow in every direction, but there’s something else . . . a void at the heart of the swirling flakes, like the eye of a tornado . . . only growing larger by the second. Its outline takes form, rimed with ice, its haunches bunching, its massive girth shuddering as its claws strike the ramp with a clattering sound that causes all eyes to turn in its direction.
Michael McBride (Chimera)
So, what do these (re)interpretations look like?3 First, some have said the Sermon is really Moses or the law ramped up to the highest level and that Jesus’ intent is not to summon his followers to do these things but to show just how wretchedly sinful they are and how much they are in need of Christ’s righteousness. The Sermon, then, is nothing but a mirror designed to reveal our sinfulness. Second, others assign the sayings of Jesus in the Sermon to the private level, sometimes as little more than disposition or intention or striving and other times to how Christians live personally and privately as a Christian but not how they live publicly. The Sermon, then, is a code for private morality. Third, others think these sayings belong only to the most committed of disciples, whether monk, nun, priest, pastor, or radical. If they are designed only for the hypercommitted, the ordinary person can pass them by. The Sermon is for the elite Christian. Fourth, the tendency today is to see the Sermon as preceded by something, and that something is the gospel and that gospel is personal salvation and grace. That means that the Sermon is a sketch of the Christian life but only for those who have been so transformed by grace that they see the demands not as law but as grace-shaped ethics that can only be done by the person who lives by the Spirit. The Sermon, then, is Christian ethics, but it can only be understood once someone understands a theology of grace.
Scot McKnight (Sermon on the Mount (The Story of God Bible Commentary Book 21))
Fisher ramped back the engine while I waited, watching as the line of the horizon turned into dots and dashes- and then something slim and black and white lifted out of the water in a soaring arc that looked like nothing but celebration. "Dolphins," I said, laughing. "It's dolphins." Hundreds of them, streaking toward us, faster than our boat could ever go. They overtook us, wave after wave of flashing tails and gleaming backs. For what must have been ten minutes we stood, stunned, as the dolphins flowed around our boat. Finally, the last wave passed and we watched as they traveled on, leaving a foaming white trail for us behind them. "I think we can call that a welcome," Fisher said.
Erica Bauermeister (The Scent Keeper)
CHAPTER 1 THE WITNESS I made a mistake. I know that now. The only reason I did what I did was what I heard on that train. And I ask you, in all truthfulness – how would you have felt? Until that moment, I had never considered myself prudish. Or naive. OK, OK, so I had a pretty conventional – some might say sheltered – upbringing but . . . Heavens. Look at me now. I’ve lived a bit. Learned a lot. Pretty average, I would argue, on the Richter scale of moral behaviour, which is why what I heard so shook me. I thought they were nice girls, you see. Of course, I really shouldn’t listen in on other people’s conversations. But it’s impossible not to on public transport, don’t you find? So many barking into their mobile phones while everyone else ramps up the volume to compete. To be heard. On reflection, I would probably not have become so sucked in had my book been better, but to my eternal regret I bought the book for the same reason I bought the magazine with wind turbines on the cover. I read somewhere that by your forties you are supposed to care more about what you think of others than what they think of you – so why is it I am still waiting for this to kick in? If you want to buy Hello! magazine, just buy it, Ella. What does it matter what the bored student on the cash desk thinks? But no. I pick the obscure environmental magazine and the worthy biography, so that by the time the two young men get on with their black plastic bin bags at Exeter, I am bored to my very bones. A question for you now. What would you think if you saw two men board a train, each holding a black bin bag – contents unknown? For myself, the mother of a teenage son whose bedroom is subject to a health and safety order, I merely think, Typical. Couldn’t even find a holdall, lads?
Teresa Driscoll (I Am Watching You)
Politicians kick the can and rarely get anything done. They look busy until the latest election cycle ends, then they wait until the next election cycle to ramp it up and get busy again.
Jeff Dixon - Kingdom Chaos
walked through a small park and up the steps of the stern gray building of US Customs and Border Protection. I strolled down the ramp and pushed through a turnstile, no one looking at my passport. Glancing through the chain-link fence on the Mexican side of the building, I saw a line of people—a long line, stretching down the stairs and through a foyer and along a passageway, hundreds, perhaps a thousand people waiting to enter the United States.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
Habits, scientists say, emerge because the brain is constantly looking for ways to save effort. Left to its own devices, the brain will try to make almost any routine into a habit, because habits allow our minds to ramp down more often. This effort-saving instinct
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)
prisoner thinking is always accompanied by an insistence that you are not a prisoner. “I AM Free!” you insist. “I have no need. I have it all under control.” These thoughts are the bedrock of prisoner thinking. No person who thinks this way will even glance at an off-ramp sign labeled “freedom.” In fact, you might look right at it and still not see it. In the same way you don’t notice restaurants until you are hungry, prisoners who begin believing they are free will never avail themselves of any of the steps on the journey.
Bob Hamp (Think Differently Live Differently: Keys to a Life of Freedom)
I watched the mirror for black sedans as we pulled away, and checked every side street as we drove to the freeway. I looked for their big black beast as we climbed the ramp, and kept looking, even after the freeway swallowed us, a buffalo joining a herd, one hiding among the many, and finally safe.
Robert Crais (The Wanted (Elvis Cole, #17; Joe Pike, #6))
Together we watched the little bird climb up and down the ramp, and even saw it eat a dead mouse. That was a first, even for me. It held the critter with its feet and tore off the poor thing’s head. Then after bolting the head down, it picked at the body until there was nothing left of it. All this seemed shocking, especially to Greta, because she hadn’t been through the process of reading books, setting traps, and becoming hardened to what it takes to keep an owl alive, as I had. But I found it hard to watch too. “Well, we eat meat,” Greta finally said. “Only, first, somebody else--the butcher, I guess--has to cut off the head of the chicken or the cow so that we don’t have to see it looking at us.” Greta had a way of putting things.
Hope Ryden (Backyard Rescue)
I leave my hotel around two. Without thinking, I go in the direction of the Place du Vieux Marché. It is a truly vast square, bordered entirely by cafés, restaurants and luxury shops. It's here that Joan of Arc was burnt more than five hundred years ago. To commemorate the event they've piled up a load of weirdly curved concrete slabs, half stuck in the ground, which turn out on closer inspection to be a church. There are also embryonic lawns, flowerbeds, and some ramps which seem destined for lovers of skateboarding - unless it be for the cars of the disabled, it's hard to tell. But the complexity of the place does not end here: there are also shops in the middle of the square, under a sort of concrete rotunda, as well as an edifice which looks like a bus station. I settle myself on one of the concrete slabs, determined to get to the bottom of things. It seems highly likely that this square is the heart, the central nucleus of the town. Just what game is being played here exactly? I observe right away that people generally go around in bands, or in little groups of between two and six individuals. No one group is exactly the same as another, it appears to me. Obviously they resemble each other, they resemble each other enormously, but this resemblance could not be called being the same. It's as if they'd elected to embody the antagonism which necessarily goes with any kind of individuation by adopting slightly different behavior patterns, ways of moving around, formulas for regrouping. Next I notice that all these people seem satisfied with themselves and the world; it's astonishing, even a little frightening. They quietly saunter around, this one displaying a quizzical smile, that one a moronic look. Some of the youngsters are dressed in leather jackets with slogans borrowed from the more primitive kind of hard rock; you can read phrases on their backs like Kill them all! or Fuck and destroy! ; but all commune in the certainty of passing an agreeable afternoon devoted primarily to consumerism, and thus to contributing to the consolidation of their being. I note, lastly, that I feel different from them, without however being able to define the nature of this difference.
Michel Houellebecq (Whatever)
A ramp was lowered, and the group was ordered to disembark from the car. Max was one of the first to exit—he looked left, then right, and saw that the train contained over twenty cares, filled with hundreds of prisoners, bound and chained, in a similar fashion to his group. All Jewish? He wondered.
Mark M. Bello (L'DOR V'DOR: From Generation to Generation)
You say she’ll sail rings around a wolfship?” Stig nodded determinedly. “That’s right.” “Do you include my wolfship in that assessment?” Erak asked. Stig hesitated. He glanced sidelong at Hal and saw the minuscule shake of his head, the warning look in his eye. “Ah . . . of course not, Oberjarl.” Erak nodded, satisfied. “Thought as much.” He nudged the yardarm with his toe again. “Looks flimsy,” he said, then turned and stepped easily down the boarding ramp, moving nimbly in spite of his bulk. When Erak was safely out of earshot, Stig turned to his friend. “Of course, she’ll sail rings around Wolfwind,” he said. “Then why didn’t you tell him that?” Hal asked, grinning. “I like my head where it is.
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
At the top of the hill, Armand Gamache stopper the car and got out. He looked down at the village and his heart soared. J I won a copy of this book from St. Martin's Press (via Bookreporter.com) in return for an unbiased review. This is the first book I've read by Chevy Stevens, but it will not be the last. Never Let You Go is a well-written, very compelling suspense novel that held my interest throughout. I received it on a Friday, and read the first few chapters the same day. It's evidence of the novel's quality that I immediately continued reading the next day, and stayed up late into the night to finish it. Well before the end, it began to appear that all was resolved and the book was headed for a "happily-ever-after" ending that felt a bit disappointing. But Stevens still had a few more twists to go, and suddenly the suspense and tension ramped up again, not letting go until the very end. 4-1/2 stars. He looked over rooftops and imagined the good, kind, flawed people inside struggling with their lives. People were walking their dogs, raking the relentless autumn leaves, racing the gently falling snow. They were shopping at M. Beliveau's general store and buying baguettes from Sarah's boulangerie. Olivier stood at the Bistro doorway and shook out a tablecloth. Life was far from harried here. But neither was it still.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
Every touch ramped her desire higher and the carnal look in Chad's eyes was making swallowing difficult.By the time the waiter served their coffee, she was ready to throw him down on the table and ravish him in front of God and everybody.
Tamara Hoffa (Fetching Love (Circle R Ranch, #3))
A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret. Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love. “Who is that man?” she asked, tremendously affected by his expression. “The curator of the Hermitage.” “Why is he looking at the crates that way?” Alexander said, “They are his life’s sole passion. He doesn’t know if he is ever going to see them again.” Tatiana stared at the man. She almost wanted to go and comfort him. “He’s got to have more faith, don’t you think?” “I agree, Tania.” Alexander smiled. “He’s got to have a little more faith. After the war is over, he will see his crates again.” “The way he is looking at them, after the war is over he is going to bring them back single-handedly,” declared Tatiana.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))