Accent Wall Quotes

Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.

They decide as soon as they meet you. Ten seconds in. If you’re poor. If you’re brown. If you’re black. If you’ve got an accent. If your skirt’s too short. If your nose is ugly—sorry, Cherie. If you’re chewing gum. If you’re breathing funny. If nobody from your family is there. If you’re any of that? Or all of that? Have a nice life, because you’re out of there.

The office's olive green walls with gold accents gave the room the charm of a poker table from the Old West

Exquisitely embroidered tapestries lined the walls of Medb’s bedroom, but their impact was somewhat reduced by the room’s ambience. A musky odor with pungent accents of stale piss.

Judging by the trace of accent in her voice, she had attended one of the Eastern colleges that teach women how to wear Harris tweed and talk with their teeth clenched.

I don’t want to hurt you,” he gasps so close to my ear I can feel his breath, a deep voice reverberating through my body. He has a soothing soft southern accent as if his family lived in the south for generations. He puts more pressure on my head effectively diminishing the soothing part. I also hope that’s a gun pressed against my thigh. For that, I'm not going to give him the satisfaction of backing down easy.

You should know I never intended to fall in love again. I never imagined I’d have a reason to move on, and when you came along, I wasn’t prepared. I didn’t know how to handle you. You were… a lot to take in at once. I tried to keep my wall up, but you blew right past it.” She grinned. “Tramontana.” Her Italian accent had improved dramatically. “Exactly.” I leaned forward and cupped her cheek, stroking my thumb across her skin. “You’re the woman I love now, Georgie. The only woman.

The older sisters all had tacky taste: brocade curtains and brightly painted accent walls, mimicking the tropical colonial style of the country they’d left behind and the era in which they’d left it. Camila didn’t need textile reminders of home. She’d arrived like a bird that was molting.

Her dark brown eyes were staring straight at him. “Pretty teeth.” She had a light Texan accent. Not as hearty as the others he’d been hearing on his ride from California. “Long.” Her right index finger was in his mouth. It suddenly occurred to him that he hadn’t yet retracted his canines. She smiled at him. “You’re pretty too.” Wow, she was REALLY drunk. With a sudden surge of strength, she slammed Zach against the far alley wall. Then she was leaning into him, “I’ve never seen anyone as pretty as you.” Zach had been called a lot of things in his lifetime, “pretty” had never been one of them. She growled as she smiled… uh, no… leered at him. She kissed him

Seizing an imaginary microphone, Dennis adopts a limp Estuary accent: 'Masturbating's changed a lot since I were a lad, Brian. In my day, we masturbated for the sheer love of it. Day and night we did it, all the kids on our estate, masturbating on the old waste ground, masturbating up against the wall of the house... I remember me mam coming out and shouting, "Stop that masturbating and come in for your tea! You'll never amount to anything if all you think about is masturbating!" Masturbating crazy we were. Your young masturbators today, though, it's all about the money, it's all about agents and endorsements. Sometimes I worry that the masturbating's in danger of being squeezed out altogether.

Slowly the highlights emerged: sunlight on the Madonna’s face, on the curls, left cheek and shoulder of the child. On the foredrapery covering the Madonna’s leg, on the back of John as he straddled the balustrade, on the inside of the balustrade itself to accent its importance in the structure. All the rest, the blockseat, stairs, walls were in quiet shadow. Now, he thought, one saw and felt the crisis, the intense emotional thinking reflected on Mary’s face as she felt the tug of Jesus at her breast and the weight of the cross in her hand.

Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted. Two decades ago now, and yet here, on the No. 168 bus towards Hampstead Heath, Peter was beset with an almost bodily sense of being back there. His lips twitched with the memory of being nine years old and lanky as a foal. His mood lifted as he remembered how large, how filled with possibilities, and yet, at once, how safe and navigable the world had seemed when he was shut within those four walls .

For a moment she believed he had left, but as she shifted away from the wall she sensed him there beside the bed. He was very close. Wretched curiosity! But she would fight it and not look. “Katherine,” he whispered, his breath rolling in a warm wave across her cheek. A traitor tear spilled out, the humiliation was too much to contain. Gently, a finger dabbed the wetness from her skin. He said it again, softly, as though it pleased him just to say it, “Katherine.” “Viktor!” the accented voice bellowed from below. And then the shadow was gone. Darkness overwhelmed her then and carried her away to a land of crows and mocking strangers.

A tremendous amount of my brain was fitted with noticing new things out where nothing was familiar: buildings, types of cars, types of people, accents, plants, packaged-food items. Before I left my brain never had to register my bedroom, my husband, mailbox, apple core, alarm clock, walls. My brain just said "—, —, —, —, —, —, —, —," to these things, because a brain lets you keep going, keep not seeing the same walls, underwear, husband, doorknobs, ceiling, husband, husband. A brain can be merciful in this way: sparing you the monotony of those monotonies, their pitiful cozy. A brain lets all the borefilled days shrink like drying sponges until they're hard and ungiving

Berryman" I will tell you what he told me in the years just after the war as we then called the second world war don't lose your arrogance yet he said you can do that when you're older lose it too soon and you may merely replace it with vanity just one time he suggested changing the usual order of the same words in a line of verse why point out a thing twice he suggested I pray to the Muse get down on my knees and pray right there in the corner and he said he meant it literally it was in the days before the beard and the drink but he was deep in tides of his own through which he sailed chin sideways and head tilted like a tacking sloop he was far older than the dates allowed for much older than I was he was in his thirties he snapped down his nose with an accent I think he had affected in England as for publishing he advised me to paper my wall with rejection slips his lips and the bones of his long fingers trembled with the vehemence of his views about poetry he said the great presence that permitted everything and transmuted it in poetry was passion passion was genius and he praised movement and invention I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write

The man has a filthy mouth. His accent gets stronger, more sensual, when his walls come down. I’m pretty sure he could talk me into an orgasm if he tried, if he looked at me in the special way he does. Yeah, I’m almost positive I could orgasm on the spot from that alone.

See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.

Each time he returned, he looked slightly different, not merely older, but changed: a new accent, the cigarettes, three sharp knocks on the door. It was as if the city was entering his body and remaking it; he’d look at the low dark houses and wandering hens and farmers with their rope belts as if at film from another century.

Trip Advisor: Travel the World with Haiku [D] Jerusalem, Israel Jews pray motionless and the Western Wall shakes. It's all relative. Capetown, South Africa And the coloured girls say, 'We're not Africaans, we're English.' In a total Africaans accent. Bulls Bay, Jamaica Weed, rum, guava jelly, Reggae, Marley, Red Stripe beer, O Baby, jerk that chicken. Istanbul, Turkey I asked my driver, 'Why do you believe in Allah?' He answers: 'If not, He hit me!' Cairo, Egypt Cairo International Airport, Porter drops my bags six times. Descendents of the Pharaohs, my ass. Santorini Island, Greece Greeks are like the current, They push you over and then Try to suck you in. Christiania, Denmark One thousand drug dealers, Five hundred thousand tourists. Alway$ Chri$tma$ here.*

Decorated in exotic tones of saffron, gold, ruby, and cinnamon with accent walls representing the natural movement of wind and fire, and a cascading waterfall layered with beautiful landscaped artificial rocks and tiny plastic animals, the restaurant was the embodiment of her late brother's dream to re-create "India" in the heart of San Francisco. The familiar scents- cinnamon, pungent turmeric, and smoky cumin- brought back memories of evenings spent stirring dal, chopping onions, and rolling roti in the bustling kitchen of her parents' first restaurant in Sunnyvale under the watchful army of chefs who followed the recipes developed by her parents. What had seemed fun as a child, and an imposition as a teenager, now filled her with a warm sense of nostalgia, although she would have liked just one moment of her mother's time.

Judges are blind and dumb," another said. "Mine was a certified idiot." "They decide as soon as they meet you. Ten seconds in. If you're poor. If you're brown. If you're black. If you've got an accent. If your skirts too short. If your nose is ugly - sorry, Cherie. If you're chewing gum. If you're breathing funny. If nobody from your family is there. If you're any of that? Or all of that? Have a nice life, because you're out of there.

When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through. “Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.” Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well. “Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?” “Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

I read, in yellow, on the roof tile of a low structure: "Silvano free." He's free, we're free, all of us are free. Disgust at the torments that shackle us, the chains of heavy life. I leaned weakly on the blue-painted wall of a building on Via Alessandria, with letters cut in the stone: "Prince of Naples Nursery." That's where I was, accents of the south cried in my head, cities that were far apart became a single vice, the blue surface of the sea and the white of the Alps. Thirty years ago the poverella of Piazza Mazzini had been leaning against a wall, a house wall, as I was now, when her breath failed, out of desperation. I couldn't, now, like her, give myself the relief of protest, of revenge.

To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window. Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack. The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?” “Shh, you wanna wake the neighbors?” “Like they can hear anything over that TV? Hey, this is the bat epi…” Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet. The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.” “Jesus Ch—” A grunt cut off the swearing. Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?” Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.” “Put on your big-girl pants and deal.” As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet. When Butch returned, Wrath heaved again. “Two more.” There was another grunt and a rattle. “Fuck me.” “Not on your life.” “Fine. Fuck you.” -Butch & Wrath

They lay together in Seivarden’s bunk—pressed close, the space was narrow. Ekalu angry—and terrified, heart rate elevated. Seivarden, between Ekalu and the wall, momentarily immobile with injured bewilderment. “It was a compliment!” Seivarden insisted. “The way provincial is an insult. Except what am I?” Seivarden, still shocked, didn’t answer. “Every time you use that word, provincial, every time you make some remark about someone’s low-class accent or unsophisticated vocabulary, you remind me that I’m provincial, that I’m low-class. That my accent and my vocabulary are hard work for me. When you laugh at your Amaats for rinsing their tea leaves you just remind me that cheap bricked tea tastes like home. And when you say things meant to compliment me, to tell me I’m not like any of that, it just reminds me that I don’t belong here. And it’s always something small but it’s every day.

So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce. Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground. I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)

When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through. “Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.” Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well. “Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?” “Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor. Then I asked him to help me lift something on the deck, and he said, “Aye, aye, matey!” in his best pirate voice, and slowly but surely I came around. I can’t believe I’m saying this, but by the end of that afternoon I was actually a little bit excited about taking on such a big challenge. Chip was still deflated that he’d allowed himself to get duped, but he put his arm around me as we started walking back to the truck. I put my head on his shoulder. And the camera captured the whole thing--just an average, roller-coaster afternoon in the lives of Chip and Joanna Gaines. The head cameraman came jogging over to us before we drove away. Chip rolled down his window and said sarcastically, “How’s that for reality TV?” We were both feeling embarrassed that this is how we had spent our last day of trying to get this stinkin’ television show. “Well,” the guy said, breaking into a great big smile, “if I do my job, you two just landed yourself a reality TV show.” What? We were floored. We couldn’t believe it. How was that a show? But lo and behold, he was right. That rotten houseboat turned out to be a blessing in disguise.

Berryman" I will tell you what he told me in the years just after the war as we then called the second world war don't lose your arrogance yet he said you can do that when you're older lose it too soon and you may merely replace it with vanity just one time he suggested changing the usual order of the same words in a line of verse why point out a thing twice he suggested I pray to the Muse get down on my knees and pray right there in the corner and he said he meant it literally it was in the days before the beard and the drink but he was deep in tides of his own through which he sailed chin sideways and head tilted like a tacking sloop he was far older than the dates allowed for much older than I was he was in his thirties he snapped down his nose with an accent I think he had affected in England as for publishing he advised me to paper my wall with rejection slips his lips and the bones of his long fingers trembled with the vehemence of his views about poetry he said the great presence that permitted everything and transmuted it in poetry was passion passion was genius and he praised movement and invention I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write

Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.

His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.

A faint singing seemed to issue from the walls... yes, it was as though the walls themselves were singing!... The song became plainer... the words were now distinguishable... he heard a voice, a very beautiful, very soft, very captivating voice... but, for all its softness, it remained a male voice... The voice came nearer and nearer... it came through the wall... it approached... and now the voice was in the room, in front of Christine. Christine rose and addressed the voice, as though speaking to some one: "Here I am, Erik," she said. "I am ready. But you are late." Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery. The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daaé was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master. The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros church-yard, to the invisible violin playing The Resurrection of Lazarus and nothing could describe the passion with which the voice sang: "Fate links thee to me for ever and a day!" The strains went through Raoul's heart.

we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere

Am I mistaken to think that even back then, in the vivid present, the fullness of life stirred our emotions to an extraordinary extent? Has anywhere since so engrossed you in its ocean of details? The detail, the immensity of the detail, the force of the detail, the weight of the detail—the rich endlessness of detail surrounding you in your young life like the six feet of dirt that’ll be packed on your grave when you’re dead. Perhaps by definition a neighborhood is the place to which a child spontaneously gives undivided attention; that’s the unfiltered way meaning comes to children, just flowing off the surface of things. Nonetheless, fifty years later, I ask you: has the immersion ever again been so complete as it was in those streets, where every block, every backyard, every house, every floor of every house—the walls, ceilings, doors, and windows of every last friend’s family apartment—came to be so absolutely individualized? Were we ever again to be such keen recording instruments of the microscopic surface of things close at hand, of the minutest gradations of social position conveyed by linoleum and oilcloth, by yahrzeit candles and cooking smells, by Ronson table lighters and Venetian blinds? About one another, we knew who had what kind of lunch in the bag in his locker and who ordered what on his hot dog at Syd’s; we knew one another’s every physical attribute—who walked pigeon-toed and who had breasts, who smelled of hair oil and who oversalivated when he spoke; we knew who among us was belligerent and who was friendly, who was smart and who was dumb; we knew whose mother had the accent and whose father had the mustache, whose mother worked and whose father was dead; somehow we even dimly grasped how every family’s different set of circumstances set each family a distinctive difficult human problem. And, of course, there was the mandatory turbulence born of need, appetite, fantasy, longing, and the fear of disgrace. With only adolescent introspection to light the way, each of us, hopelessly pubescent, alone and in secret, attempted to regulate it—and in an era when chastity was still ascendant, a national cause to be embraced by the young like freedom and democracy. It’s astonishing that everything so immediately visible in our lives as classmates we still remember so precisely. The intensity of feeling that we have seeing one another today is also astonishing. But most astonishing is that we are nearing the age that our grandparents were when we first went off to be freshmen at the annex on February 1, 1946. What is astonishing is that we, who had no idea how anything was going to turn out, now know exactly what happened. That the results are in for the class of January 1950—the unanswerable questions answered, the future revealed—is that not astonishing? To have lived—and in this country, and in our time, and as who we were. Astonishing.

The servant escorted Cass up the stairs into a vast portego lined with dark wood and accented with red and yellow paint. Cass fought the urge to wince. The whole room, even the ceiling, was adorned with elaborate sculptures of angels and winged horses. There must have been forty little flying creatures in there, each painted more garishly than the next. The walls were deep mahogany, with white marble moldings carved in swirling patterns. A giant square mirror hung at the center of each wall, reflecting the swirls and wings from across the room, magnifying the entire effect. It was hideous.

Exhibit-focused lighting 1. "Ambient light" describes light thrown onto walls creating an overall brightness. 2. "Accent lighting" describes an object illuminated while the surrounding room is in relative darkness. 3. "Sparkle" describes special coloured or accented light features intended to create a spectacle.

I draw in a long breath, and then it catches in my throat as his hand closes over mine, still wrapped around his waist. “Siamo arrivati,” he says gently. I have to get off first, I realize. And I’m embarrassed that it takes me a while to unwind my arms. Luca starts to turn and I realize with horror that my skirt is practically up around my waist: this galvanizes me and I jump off so fast I nearly fall over, dragging down my skirt so he can’t see my thighs. I’m wobbling, shaken up by the ride, and I hear him huff a little laugh of amusement as he swings his leg over to sit on the seat facing me, unbuckling his helmet. “You like to ride on a Vespa?” I take my helmet off and hand it back to him. “Well, it’s bumpy,” I say. I can’t really see his face, it’s so dark out here. There are a couple of lights on the villa walls, one over the main door, but that’s higher up; the parking lot is around the side, barely illuminated. He stands up, towering over me, and puts the helmets down on the seat. “And loud,” he says. “You know what ‘vespa’ means?” I shake my head, my mouth suddenly dry, because he’s taken a step toward me, and his legs are so long that one step means he’s already standing in front of me, close enough to touch. “It means ‘wasp,’” he says softly. “Because it makes a sound like a wasp. How do you say that?” “Buzzing,” I manage. “It buzzes.” “Buzzes,” Luca says, and his accent makes the word sound so funny that I can’t help laughing. “You laugh at me?” he asks, and though he’s put on a serious voice, as if he’s annoyed, somehow I know he isn’t. “Girls never laugh at me. You are the only one.” “Well, maybe they should,” I say without thinking. “No,” he says firmly. “Only you can laugh at me.

As I pass Logan’s room, I catch a glorious purple glow. My curiosity gets the best of me. I walk in and flick on the light switch. On the wall above a bookshelf hangs something truly magnificent. Delicately, I pick up the Mace Windulightsaber replica. It reminds me of those super expensive knives professional chefs use that are weighted perfectly for precision. I take a step back and brandish the weapon at a poster of Aragorn from Lord of the Rings on the wall. “Don’t worry, your highness. Your Jedi escort will see you to safety,” I say in my best Obi Wan accent. “The force is strong with this one.” The words come from behind me. I whip around out of pure freaked-out instinct, swinging the lightsaber in a big arc. It clashes with one just like it, except it’s blue. I look up into Dan’s smug face and wish these lightsabers weren’t replicas. Sure, it’s a cute face, but it’s a face I’m not in the mood to deal with at the moment. I swirl my saber to move his out of the way and put the point of it to his chin. “Don’t make me slice your nose off, you scruffy-looking nerf herder.” I’ve always wanted to call someone that, but the opportunity never presented itself until now. He tosses his lightsaber onto the bed and holds his hands up in surrender. “I yield, but only because that is a limited edition.

I hadn’t been anywhere like this since high school, since Brett’s house. It had been gross with excess, but this place was fucking hideous. There might as well have been hundred dollar bills stapled to the goddamn walls with all the fat, velvet sofas and enormous rugs, and everything gold, gold, gold wherever an accent could be shoved.

Jack LeGoff used to have a joke about that (complete with French accent) "My horse is galloping flat and fast toward the big ditch and wall, all strung out. I pick up the telephone to dial the horse, but...there is no answer.

The dining room’s accent wall was a shade of orange that made everyone who walked through the room take on a Velma-esque glow.

The mural that adorned the back wall was so intimately familiar, and yet so different from the version of it that I knew. The massive painting of Araich and Rosira Shelaene was the same image as the ink drawing in my well-worn book — the two of them framed by the sun and the moon, their palms touching. And right there in the center, where their hands met, the building itself changed, accents turning from Rosira’s silver to Araich’s gold. The Tower of Midnight and the Tower of Daybreak shared the same ground floor, and this was where they converged.

Inside, the tent was sectioned off by cloth walls. In the main area where they entered, there was a table with four chairs and an arming stand that held the knight’s chain mail, helm, and sword. “Ioan?” Christian called. No one answered. As they turned to leave, they were confronted by what appeared to be a young archer who was surely no older than the boy who had led them here. Several inches shorter than Adara, he was gangly and thin, with raven-black hair and brown eyes that watched them warily. He held his bow at the ready with an arrow already nocked. “Who are you and what business have you with Lord Ioan?” he asked in a gruff, low tone. “We are old friends,” Christian said calmly. Phantom moved toward him. The archer turned quickly and let fly the arrow. Phantom caught it midflight, but before he could take another step, the archer swung the bow and caught him upside his head with it. Phantom staggered back from the force of the blow. The archer struck again and knocked him to the ground. Christian moved toward them. Before Adara could blink, the archer had another arrow nocked and ready to fly into Christian’s chest. “Corryn, cease!” The Welsh-accented voice rang through the room like thunder. Adara looked at the entrance to see a tall, well-muscled man there who bore a striking resemblance to the archer. His wavy black hair fell to his shoulders and a full beard covered his cheeks. He looked wild and untamed as he put himself between the archer and Christian. “What has gotten into your head, Spider?” he asked the archer in his thick, rolling accent. “They came here looking for you,” the archer said brashly, as if the larger man’s anger didn’t concern him at all. He finally unnocked the arrow. “After the message from Stryder saying there were assassins out to kill you, I thought I was protecting you, brawd.” The man she assumed must be Ioan made a disgusted noise at him. “God save me from your protection. Did it never occur to you that an assassin wouldn’t bother to come into my tent and announce himself?” He said something in a language Adara didn’t understand, but by Corryn’s reaction, it must have been a curse or reprimand of some kind. “Now apologize. You almost took the head off the Abbot, and it’s the Phantom who you’ve knocked to the ground.” The archer’s face went pale at that. Ioan stepped away from the boy to offer his hand to Phantom, who took it. He helped him back up to his feet. “You’ll have to forgive my brother, Phantom. He’s a damned fool.” “Are you the Abbot?” Corryn asked Christian. “Aye.” The boy’s lips quivered before he threw himself into Christian’s arms. “May the saints guard your blessed soul throughout all eternity!” Christian looked awkward as he frowned at Ioan. “Brother?” Ioan’s gaze turned dark, dangerous as he pulled Corryn back. Still Corryn stared at Christian with hero worship. “Thank you, Abbot, for bringing my brother back to me.” “Get out of here, scamp,” Ioan said gruffly, “before I skin you.” Corryn curled his lip at Ioan. “I spoke too soon, Abbott. Curses to you, that you brought his surly hide home. Methinks you should have left him there to rot.” He turned to Phantom. “My apologies to you, sir. I hope you’ll forgive me.” Phantom shook the boy’s arm. “I admire anyone who can get the better of me. It doesn’t happen often.” “Corryn!” “I’m leaving,” he snapped. “To the devil with your hoary hide.” -Christian, Corryn, Ioan, & Phantom

D’aron the Daring, Derring, Derring-do, stealing base, christened D’aron Little May Davenport, DD to Nana, initials smothered in Southern-fried kisses, dat Wigga D who like Jay Z aw-ite, who’s down, Scots-Irish it is, D’aron because you’re brave says Dad, No, D’aron because you’re daddy’s daddy was David and then there was mines who was named Aaron, Doo-doo after cousin Quint blew thirty-six months in vo-tech on a straight-arm bid and they cruised out to Little Gorge glugging Green Grenades and read three years’ worth of birthday cards, Little Mays when he hit those three homers in the Pee Wee playoff, Dookie according to his aunt Boo (spiteful she was, misery indeed loves company), Mr. Hanky when they discovered he TIVOed ‘Battlestar Galactica,’ Faggot when he hugged John Meer in third grade, Faggot again when he drew hearts on everyone’s Valentine’s Day cards in fourth grade, Dim Dong-Dong when he undressed in the wrong dressing room because he daren’t venture into the dark end of the gym, Philadelphia Freedom when he was caught clicking heels to that song (Tony thought he was clever with that one), Mr. Davenport when he won the school’s debate contest in eighth grade, Faggot again when he won the school’s debate contest in eighth grade, Faggot again more times than he cared to remember, especially the summer he returned from Chicago sporting a new Midwest accent, harder on the vowels and consonants alike, but sociable, played well with others that accent did, Faggot again when he cried at the end of ‘WALL-E,’ Donut Hole when he started to swell in ninth grade, Donut Black Hole when he continued to put on weight in tenth grade (Tony thought he was really clever with that one), Buttercup when they caught him gardening, Hippie when he stopped hunting, Faggot again when he became a vegetarian and started wearing a MEAT IS MURDER pin (Oh yeah, why you craving mine then?), Faggot again when he broke down in class over being called Faggot, Sissy after that, whispered, smothered in sniggers almost hidden, Ron-Ron by the high school debate team coach because he danced like a cross between Morrissey and some fat old black guy (WTF?) in some old-ass show called ‘What’s Happening!!’, Brainiac when he aced the PSATs for his region, Turd Nerd when he hung with Jo-Jo and the Black Bruiser, D’ron Da’ron, D’aron, sweet simple Daron the first few minutes of the first class of the first day of college.

She was in the back of the pub, delivering another round to the guys playing pool at the table Hardy and Perry had left behind for a rousing game of darts, when a hush fell over the folks crowded around the bar and the front door to the place. A man’s deep, accented voice boomed through the sudden hush. “I was told I might find her here, mate,” the man was saying to someone. “Kerry? Kerry McCrae. Her uncle owns the place, yeah?” If Kerry’s heart had clutched in her chest before, it stopped functioning altogether the moment that voice reached her ears. This is why you don’t let yourself think about him, because then you won’t stop thinking about him. And now you’re hearing things. Even as she thought the words, knowing rationally that there was no way she’d heard his voice, not for real, some small part of her understood that the impossible had actually just happened. She looked up, a fierce expression on her face, one meant to forestall even the remotest possibility that he was indeed right there. In the pub. Her pub. Looking for her. It didn’t work, of course. Because he was there. And she thought her heart might beat right through her chest wall. So much for being fearless. Someone--she didn’t even notice who--took the badly wobbling tray of drinks from her hand as she went toward him, seemingly without even moving her feet. It was like a dream. Maybe it was a dream. Maybe this whole night had been a dream and she was in bed, right now, and would wake up any second and laugh at herself, then swear at herself, for letting him into her dreams. Again. But it sure didn’t feel like she was dreaming.

in fact there’s nothing thicker and lazier than some taffy puller’s Tidewater drawl, only he says it in a Tidewater accent—nothin thickuh and laziuh than some taffy-pulluh’s Tahdwatuh drawl.

A framed print of a white flower in a jar standing in front of a range of mountains in varying shades of blue brightened the wall opposite the window, which admitted enough sunlight to make the wooden surfaces of the sideboard gleam. Mrs. Johnson noticed Susan looking at it. “It’s a Hockney print,” she said proudly. “We bought it at the photography museum when we went to see his exhibition. It lightens up the place a bit, doesn’t it? He’s a local lad, you know, Hockney.” Her accent sounded vaguely posh and wholly put on. “Yes,” said Susan. She remembered Sandra Banks telling her about Hockney once. A local lad he might be, but he lived near the sea now in Southern California, a far cry from Bradford. “It’s very nice,” she added. “I think so,” said Mrs. Johnson. “I’ve always had an eye for a good painting, you know. Sometimes I think if I’d stuck it and not…” she looked around. “Well,…it’s too late for that now, isn’t it? A cup of tea?

Gasping, Mara backed up toward the far wall, raising her hands. "What are ye tryin' to pull?" "Revenge." Her accent changed, becoming more polished, softer, and with a conniving edge.

Teasdale doesn't have money for an attorney," he said. "Especially one from Boston. Who are you, really?" Sidney lifted her chin. "An attorney from Boston." "You don't sound like it." She lifted an eyebrow. "Like an attorney?" He scoffed. "No, you have that droning drivel down. You don't sound Boston." She shrugged. "I didn't start out there." "You sound like Sawyer," he said with a nod toward wherever Sawyer had headed. She refused to turn around to find out. "Well, I'm sure there are more than just two of us from---" "You know him," Crane said, narrowing his eyes. Sidney's tongue faltered, and she cleared her throat. "You're from the same place, aren't you?" he asked. "The same little hick town." "Because we both have an accent?" she asked, laughing, hoping it would cover up her lie. "Because of how I just saw him look at you," Crane said, studying Sidney with a grin. "Like a lovesick schoolboy. Holy shit, you're her>." Sidney's breath felt trapped in her chest, unable to move in or out, just held captive there. Sawyer had a her? And she was it? "I---I'm who?" "The girl he came to town all messed up over," Crane said, crossing his own arms. "A hundred years ago. Well, well, well." All messed up over. After punching out his own father. Defending her. Damn it if all her carefully constructed and ancient defenses weren't crumbling around her regarding him. The boy who shattered her already shaky confidence. The reason she bitterly swore off love and dove into work, into making herself a hard and formidable beast. A beast without people skills but still. And now... "We were friends in high school, yes," Sidney managed to push out, her voice sounding decidedly wobbly. "That has no bearing on Mr. Teasdale's case." "Which came to you how, again?" Crane asked. Sidney smiled. "I'll ask the questions." Crane winked, and she so much wanted to slug him. "Nice deflection. What firm are you with?" "Finley and Blossom." "Blossom?" he asked. And it wasn't about the name. It was recognition. Shit. "Yes, sir." "His damn niece," Crane said, slapping a big hand against the ladder. "I forgot she was a lawyer. Damn it. She sent you." Oh, seven kinds of hell, now this wall was disintegrating, too. She needed a suit of armor. "Everything okay?" said a voice from directly behind her. A voice that sent shock waves to all her nether regions, especially coupled with thee hand that rested on the back of her neck. Crap, she needed more than armor. Sidney needed a force field. "I work for her," Sidney said, ignoring Sawyer's question and fighting the urge to settle back against him. "And you need to bring back the win," Crane said, chuckling. God help her if she was ever up against this asshole in court.

There’s something about a British accent that just does it for me. I blame it on…” Vivian faltered when I pushed off the wall and walked toward her, my steps slow and methodical. “My obsession with…” She inched back, the teasing glint in her eyes replaced with equal parts trepidation and anticipation. “Pride and Prejudice when I was younger,” she finished breathlessly. Her back hit one of the bookshelves.

Sexism, and its expressions, are multi-layered and complex. Often, it comes in gender-neutral language, decorated with gendered accents. It comes in the form of pink walls for young girls and blue for young boys. Barbie dolls and G.I. Joe’s. Skirts and dresses and Bermuda shorts. Fairy tales that shamelessly teach that women need a Prince Charming and superheroes who are almost always men. That boys don’t cry. It comes in the form of ‘protective’ mothers and fathers who don’t allow their daughters to date, while the son has many girlfriends. Or in the idea that while a woman may be doing well for herself, she must marry a man who does better than her or marry at all! And the over-glorification of motherhood that carefully cloaks the sacrifices a woman makes to raise a child and systematically alienates the man — the father. There is sexism everywhere if you stop and pay attention.

The décor was the perfect contrast to the club's existing dark wood walls and coffered ceilings. Cedric's team used accents of gold to tie in with the space, but lightened things up with oodles of ivory and blush flowers. They highlighted the massive arched window overlooking the twinkling lights of downtown by flanking it with two equally massive blooming dogwood trees. Where he found blooming dogwoods this time of year in Dallas was a mystery, but that was all part of his magic. Dining tables were draped in champagne-colored velvet linen, and atop every table was an ivory urn overflowing with blush antique garden roses. They reminded me of the roses that grew in our garden at home, which was certainly on purpose. Twinkling candles in glass sleeves covered every surface, and next to the bar stood a sparkling tower of champagne glasses.

The beast plopped into the chair, the wood groaning, and, in a flash of white light, turned into a golden-haired man. I stifled a cry and pushed myself against the panelled wall beside the door, feeling for the molding of the threshold, trying to gauge the distance between me and escape. The beast was not a man, not a lesser faerie. He was one of the High Fae, one of their ruling nobility: beautiful, lethal, and merciless. He was young- or at least what I could see of his face seemed young. His nose, cheeks, and brows were covered by an exquisite golden mask embedded with emeralds shaped like whorls of leaves. Some absurd High Fae fashion, no doubt. It left only his eyes- looking the same as they had in beast form, strong jaw, and mouth for me to see, and the latter tightened into a thin line. 'You should eat something,' he said. Unlike the elegance of his mask, the dark green tunic he wore was rather plain, accented only with a leather baldric across his broad chest. It was more for fighting than style, even though he bore no weapons I could detect. Not just one of the High Fae, but... a warrior, too.

This belief in the inherent sophistication of all things British was connected to another common American misconception, the one I and every other girl who had a poster of Legolas on her bedroom wall when she was sixteen had committed: mistaking a British accent for a personality.

Light pierced her eyes like a thousand needles. Shea stumbled, then felt a strong hand close like a vise around her upper arm, preventing her from falling. Murmuring a thank you, she fumbled in her pocket for her dark glasses to cover her streaming eyes. “What are you doing here alone, unprotected?” The voice was pitched low, the dialect and accent eerily similar to Jacques’. Shea’s breath caught in her throat, and she struggled for release. The tall, dark-haired man merely pushed her into the shadows, her back to the wall of the building, his large frame easily blocking hers. “Who are you?” he asked. “You are small and fair for one of us.” His hand caught her chin so that she met the penetration of his sunglass-shaded eyes. “Your scent is familiar to me but elusive. How is it I did not know of your existence?” For just a moment satisfaction curved his mouth. “You are free. That is good.” “I don’t know you, sir, and you’re scaring me. I’m in a great hurry, so please let me go.” Shea used her coolest, most disdainful voice, and she deliberately spoke English. The man was enormously strong, and it terrified her. “I am Byron.” He gave only his first name, as if that should be enough. “I am a male of our race, you a single female. The sun is climbing, and you did not give yourself enough time to seek refuge from the dawn. I can do no other than help you, offer my protection.” He switched easily to heavily accented English. His voice seemed to slide right inside her. He gave the illusion of being a gentleman, so friendly, yet he had not released her or moved even an inch to allow her to get by him. He inhaled, dragged her scent into his lungs. Suddenly his entire demeanor changed. His body stiffened. His fingers dug into her arm. White teeth gleamed a predator’s flash of warning. “Why did you not answer me when I spoke to you?

General lighting / cleaning lighting: A ceiling lamp or light fixture that spreads ambient light over the whole room. Work lighting / task lighting: A reading lamp by the armchair or sofa; lighting over work surfaces in the kitchen; a desk lamp. Spot lighting: Accent lighting or spotlights directed at a wall of pictures, a work of art, a bookcase, or shadow play on the wall. Atmospheric lighting / decorative lighting: Mood lighting, dimmable small lamps, string lights, candles.

Story is the most adequate way we have of accounting for our lives, noticing the obscure details that turn out to be pivotal, appreciating the subtle accents of color and form and scent that give texture to our actions and feelings, giving coherence to our meetings and relationships in work and family, finding our precise place in the neighborhood and in history.

I’ve always been awed by the interior of the cathedral. It’s breathtaking, ethereal. Ridged, marble columns run the length of the walls, interspersed with stained glass windows boasting colorful mosaics made of stained glass accented with gold leaf.

having a friend in the Met was enough of a payment. That, and he kept nagging her to start competing — said she kicked like a horse, and that once she had her grapple game on point, she could probably go pro.  Jamie knew having a pro fighter coming out of a gym was a great way to bring in new business, as well as get another taste of the big time. But she wasn’t interested in that. She just needed to know how to handle herself. And she did. Though it didn’t hurt to stay sharp, and Cake was one of the few people she could stand to be around for prolonged periods. ‘We’ve still got six minutes,’ she said, looking at the clock on the wall herself. Her accent had all but gone now, but anyone with a keen ear would know she wasn’t a British native.  And the blonde hair and blue eyes, along with her second name, would be enough to tip off anyone with any sense to her Scandinavian heritage.  ‘You earned it,’ Cake said, heading for the office. ‘And plus, I don’t think my arms could take anymore.’ He chuckled, his broad shoulders bouncing as he stepped off the raised matt and onto the rubber-tiled floor.  Jamie cast a glance over at the heavy-bag in the corner, thought maybe she could get some more hits in. But her shin was starting to throb. Maybe she should ice it. Probably a good idea. She pulled the sparring gloves off and unstrapped the kick-guards, wincing a little as they came away from her ankle.  Yeah, she’d definitely need to ice it.  The smell of coffee beckoned her towards the office and she followed her nose, entering to see Cake standing over a hotplate, a stove-top coffee maker steaming away on it.  He was a simple man, easy to talk to. Everyone wanted something. Except Cake. All he wanted was for people to treat him with respect. And Jamie did. He would always go on about it. People don’t have

Immigrant. The word carries currency. Loaded. Weighed down by a politics of emotionality. Fear reigns and rules. It shrouds policy and reaches into these borders of manufactured fear where the walls are thick with America's rewritten history of immigration, featuring the accents of bigotry and unapologetic open political warfare turning small screens of news shows into horror movies where caged children are vilified and their proponent, America's forty-fifth president, is deified.