Rain And Tea Quotes

Rainy days should be spent at home with a cup of tea and a good book.

Surely everyone is aware of the divine pleasures which attend a wintry fireside; candles at four o'clock, warm hearthrugs, tea, a fair tea-maker, shutters closed, curtains flowing in ample draperies to the floor, whilst the wind and rain are raging audibly without.

Heaven opened and the water hammered down, reviving the reluctant old well, greenmossing the pigless pigsty, carpet bombing still, tea-colored puddles the way memory bombs still, tea-colored minds.

They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.

Dirk turned on the car wipers, which grumbled because they didn't have quite enough rain to wipe away, so he turned them off again. Rain quickly speckled the windscreen. He turned on the wipers again, but they still refused to feel that the exercise was worthwhile, and scraped and squeaked in protest.

I love storms—I just don’t like to be in them. I’d prefer to cuddle up under the blankets with a mug of tea and a book while listening to the rain fall.

The best kind of rain, of course, is a cozy rain. This is the kind the anonymous medieval poet makes me remember, the rain that falls on a day when you'd just as soon stay in bed a little longer, write letters or read a good book by the fire, take early tea with hot scones and jam and look out the streaked window with complacency.

I miss a good cup of tea, dancing, boys- definitely not rain." "We dance," Diana protested. Maeve had just laughed. "You dance differently when you know you won't live forever.

We sit for a long time without talking and watch the rain until our tea goes cold, and I am enormously, unspeakably glad to have found someone I can be silent with.

With the rain falling surgically against the roof, I ate a dish of ice cream that looked like Kafka's hat. It was a dish of ice cream tasting like an operating table with the patient staring up at the ceiling.

We both disliked rude rickshwalas, shepu bhaji in any form, group photographs at weddings, lizards, tea that has gone cold, the habit of taking newspaper to the toilet, kissing a boy who'd just smoked a cigarette et cetra. Another list. The things we loved: strong coffee, Matisse, Rumi, summer rain, bathing together, Tom Hanks, rice pancakes, Cafe Sunrise, black-and-white photographs, the first quiet moments after you wake up in the morning.

The problem with a lot of people who read only literary fiction is that they assume fantasy is just books about orcs and goblins and dragons and wizards and bullshit. And to be fair, a lot of fantasy is about that stuff. The problem with people in fantasy is they believe that literary fiction is just stories about a guy drinking tea and staring out the window at the rain while he thinks about his mother. And the truth is a lot of literary fiction is just that. Like, kind of pointless, angsty, emo, masturbatory bullshit. However, we should not be judged by our lowest common denominators. And also you should not fall prey to the fallacious thinking that literary fiction is literary and all other genres are genre. Literary fiction is a genre, and I will fight to the death anyone who denies this very self-evident truth. So, is there a lot of fantasy that is raw shit out there? Absolutely, absolutely, it’s popcorn reading at best. But you can’t deny that a lot of lit fic is also shit. 85% of everything in the world is shit. We judge by the best. And there is some truly excellent fantasy out there. For example, Midsummer Night’s Dream; Hamlet with the ghost; Macbeth, ghosts and witches; I’m also fond of the Odyessey; Most of the Pentateuch in the Old Testament, Gargantua and Pantagruel. Honestly, fantasy existed before lit fic, and if you deny those roots you’re pruning yourself so closely that you can’t help but wither and die.

Being tender and open is beautiful. As a woman, I feel continually shhh’ed. Too sensitive. Too mushy. Too wishy washy. Blah blah. Don’t let someone steal your tenderness. Don’t allow the coldness and fear of others to tarnish your perfectly vulnerable beating heart. Nothing is more powerful than allowing yourself to truly be affected by things. Whether it’s a song, a stranger, a mountain, a rain drop, a tea kettle, an article, a sentence, a footstep, feel it all – look around you. All of this is for you. Take it and have gratitude. Give it and feel love.

It was raining in the quadrangle, and the quadrangular sky looked like a grimace of a robot or a god made in our own likeness. The oblique drops of rain slid down the blades of grass in the park, but it would have made no difference if they had slid up. Then the oblique (drops) turned round (drops), swallowed up by the earth underpinning the grass, and the grass and the earth seemed to talk, no, not talk, argue, their comprehensible words like crystallized spiderwebs or the briefest crystallized vomitings, a barely audible rustling, as if instead of drinking tea that afternoon, Norton had drunk a steaming cup of peyote.

...at morning, I'm unruffled - I'll sit with my tea and Muse Cat beside me and listen to the soft chime of the grandfather clock...

This is the perfume of March: rain, loam, feathers, mint. Every morning and afternoon, I drink fresh mint tea sweetened with honey.

… I am the sound of rain on the roof. I also happen to be the shooting star, the evening paper blowing down an alley, and the basket of chestnuts on the kitchen table. I am also the moon in the trees and the blind woman's tea cup. But don't worry, I am not the bread and the knife. You are still the bread and the knife. You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.

Be present. Make love. Make tea. Avoid small talk. Embrace conversation. Buy a plant, water it. Make your bed. Make some one else's bed. Have a smart mouth and quick wit. Run. Make art. Create. Swim in the ocean. Swim in the rain. Take chances. Ask questions. Make mistakes. Learn. Know your worth. Love fiercely. Forgive quickly. Let go of what doesn't make you happy. Grow.

Begin. Keep on beginning. Nibble on everything. Take a hike. Teach yourself to whistle. Lie. The older you get the more they'll want your stories. Make them up. Talk to stones. Short-out electric fences. Swim with the sea turtle into the moon. Learn how to die. Eat moonshine pie. Drink wild geranium tea. Run naked in the rain. Everything that happens will happen and none of us will be safe from it. Pull up anchors. Sit close to the god of night. Lie still in a stream and breathe water. Climb to the top of the highest tree until you come to the branch where the blue heron sleeps. Eat poems for breakfast. Wear them on your forehead. Lick the mountain's bare shoulder. Measure the color of days around your mother's death. Put your hands over your face and listen to what they tell you.

To this day I never know which version of myself I’m going to wake up to. It can happen that the smallest chores or decisions—brushing my teeth, hanging up a towel, should I have tea or coffee—overwhelm me. Sometimes I find the best way to get through the day is by setting myself tiny, achievable goals that take me from one minute to the next. If you sometimes feel like that, you are not alone, and I urge you to talk about it to someone. It’s easy to bask in the sun, not so easy to enjoy the rain. But one can’t exist without the other. The weather always changes. Feelings of sadness and happiness deserve equal mental screen time.

The sky outside is a static gray, a thin mist of rain blurring the buildings. It is the kind of day designed for wood fires, and mugs of tea, and well-loved books.

I love the rain. It calms me down, somehow, soothes my reckless heartbeats. It’s like chamomile tea for my soul.

It's hot rain and humid days and broken thermostats. It's screaming tea kettles and raging steam engines and wanting to take your clothes off just to feel a breeze.

You cannot be everyone's cup of tea, but you can be someone's first sip of a cold drink on a sunny day. Or a warming hot chocolate when you come in from the rain. Or the pop of a long-awaited champagne cork. Or a stiff shot of tequila when things go awry. Find your people. Love them hard

No,” Maeve had said in her lilting voice. “I miss a good cup of tea, dancing, boys—definitely not rain.” “We dance,” Diana protested. Maeve had just laughed. “You dance differently when you know you won’t live forever.” Then she’d stretched, freckles like dense clouds of pollen on her white skin.

Something as simple and ordinary as drinking a cup of tea can bring us great joy and help us feel our connection to the Earth. The way we drink our tea can transform our lives if we truly devote our attention to it. Sometimes we hurry through our daily tasks, looking forward to the time when we can stop and have a cup of tea. But then when we’re finally sitting with the cup in our hands, our mind is still running off into the future and we can’t enjoy what we’re doing; we lose the pleasure of drinking our tea. We need to keep our awareness alive and value each moment of our daily life. We may think our other tasks are less pleasant than drinking tea. But if we do them with awareness, we may find that they’re actually very enjoyable. Drinking a cup of tea is a pleasure we can give ourselves every day. To enjoy our tea, we have to be fully present and know clearly and deeply that we are drinking tea. When you lift your cup, you may like to breathe in the aroma. Looking deeply into your tea, you see that you are drinking fragrant plants that are the gift of Mother Earth. You see the labor of the tea pickers; you see the luscious tea fields and plantations in Sri Lanka, China, and Vietnam. You know that you are drinking a cloud; you are drinking the rain. The tea contains the whole universe.

Monsoons and tea were inseparable partners in love and their fidelity had stood the test of time. Together they oozed an unsurpassable romance so it sometimes evoked jealousy in those preferring the high of wine. - Page 124, Blue Jeans

Keep your whiskers crisp and clean. Do not let the mice grow lean. Do not let yourself grow fat Like a common kitchen cat. Have you set the kittens free? Do they sometimes ask for me? Is our catnip growing tall? Did you patch the garden wall? Clouds are gentle walls that hide Gardens on the other side. Tell the tabby cats I take All my meals with William Blake, Lunch at noon tea at four, Served in splendor on the shore At the tinkling of a bell. Tell them I am sleeping well. Tell them I have come so far, Brought by Blake's celestial cat, Buffeted by wind and rain, I may not get home again. Take this message to my friends. Say the King of Catnip sends To the cat who winds his clocks A thousand sunsets in a box, To the cat who brings the ice The shadows of a dozen mice (serve them with assorted dips and eat them like potato chips), And to the cat who guards his door A net for catching stars, and more (if patience he abide): Catnip from the other side.

Marcus’s appearance the day before had been discussed, dissected, analyzed, and—by Lady Sarah Pleinsworth, Honoria’s cousin and one of her closest friends —rendered into poetry. “He came in the rain,” Sarah intoned. “The day had been plain.” Honoria nearly spit out her tea. “It was muddy, this lane—” Cecily Royle smiled slyly over her teacup. “Have you considered free verse?” “—our heroine, in pain—” “I was cold,” Honoria put in. Iris Smythe-Smith, another of Honoria’s cousins, looked up with her signature dry expression. “I am in pain,” she stated. “Specifically, my ears.” Honoria shot Iris a look that said clearly, Be polite. Iris just shrugged. “—her distress, she did feign—” “Not true!” Honoria protested. “You can’t interfere with genius,” Iris said sweetly. “—her schemes, not in vain—” “This poem is devolving rapidly,” Honoria stated. “I am beginning to enjoy it,” said Cecily. “—her existence, a bane . . .” Honoria let out a snort. “Oh, come now!” “I think she’s doing an admirable job,” Iris said, “given the limitations of the rhyming structure.” She looked over at Sarah, who had gone quite suddenly silent. Iris cocked her head to the side; so did Honoria and Sarah. Sarah’s lips were parted, and her left hand was still outstretched with great drama, but she appeared to have run out of words. “Cane?” Cecily suggested. “Main?” “Insane?” offered Iris. “Any moment now,” Honoria said tartly, “if I’m trapped here much longer with you lot.

You cannot divide a child's heart in two" she had observed to Mma Makutsi, "and yet that is what some people wish to do. A child has only one heart." "And the rest of us?" Mma Makutsi had asked. "Do we not have one heart too?" Mma Ramotswe nodded. "Yes, we have only one heart, but as you grow older you heart grows bigger. A child loves only one or two things; we love so many things." "Such as?" Mma Ramotswe smiled. "Botswana. Rain. Cattle. Friends. Our children. Our late relatives. The smell of woodsmoke in the morning. Red bush tea...

Then, while Cinnamon straightened up the kitchen as usual, Nutmeg and I sat at a small table, drinking tea. She ate only one slice of toast, with a little butter. Outside, a cold, sleety rain was falling. Nutmeg said little, and I said little - a few remarks about the weather. She seemed to have something she wanted to say, though. That much was clear from the look on her face and the way she spoke. She tore off stamp-sized pieces of toast and transported them, one at a time, to her mouth. We looked out at the rain now and then, as if it were our longtime mutual friend.

He was becoming an effective human being. He had learned from his birth family how to snare rabbits, make stew, paint fingernails, glue wallpaper, conduct ceremonies, start outside fires in a driving rain, sew with a sewing machine, cut quilt squares, play Halo, gather, dry, and boil various medicine teas. He had learned from the old people how to move between worlds seen and unseen. Peter taught him how to use an ax, a chain saw, safely handle a .22, drive a riding lawn mower, drive a tractor, even a car. Nola taught him how to paint walls, keep animals, how to plant and grow things, how to fry meat, how to bake. Maggie taught him how to hide fear, fake pain, how to punch with a knuckle jutting. How to go for the eyes. How to hook your fingers in a person’s nose from behind and threaten to rip the nose off your face. He hadn’t done these things yet, and neither had Maggie, but she was always looking for a chance. When

And the waves, of course, have almost gone here in the shelter of the island and the peninsula where even today there are cars glinting wet through the trees, people desperate enough to walk in the rain or some of them just seem to drive to the end of the road and park and sit there, newspapers and tea from a flask and it makes him itch everywhere at once just thinking of it, people sitting in parked cars, the windows steaming up, waiting for minutes to pass, for their lives to drip away.

Along with the greening of May came the rain. Then the clouds disappeared and a soft pale lightness fell over the city, as if Kyoto had broken free of its tethers and lifted up toward the sun. The mornings were as dewy and verdant as a glass of iced green tea. The nights folded into pencil-gray darkness fragrant with white flowers. And everyone's mood seemed buoyant, happy, and carefree. When I wasn't teaching or studying tea kaiseki, I would ride my secondhand pistachio-green bicycle to favorite places to capture the fleeting lushness of Kyoto in a sketchbook. With a small box of Niji oil pastels, I would draw things that Zen pots had long ago described in words and I did not want to forget: a pond of yellow iris near a small Buddhist temple; a granite urn in a forest of bamboo; and a blue creek reflecting the beauty of heaven, carrying away a summer snowfall of pink blossoms. Sometimes, I would sit under the shade of a willow tree at the bottom of my street, doing nothing but listening to the call of cuckoos, while reading and munching on carrots and boiled egg halves smeared with mayonnaise and wrapped in crisp sheets of nori. Never before had such simple indulgences brought such immense pleasure.

For a moment or two before the spell took effect, he was aware of all the sounds around him: rain splashing on metal and leather, and running down canvas; horses shuffling and snorting; Englishmen singing and Scotsmen playing bagpipes; two Welsh soldiers arguing over the proper interpretation of a Bible passage; the Scottish captain, John Kincaid, entertaining the American savages and teaching them to drink tea (presumably with the idea that once a man had learnt to drink tea, the other habits and qualities that make up a Briton would naturally follow). Then silence. Men and horses began to disappear, few by few at first, and then more quickly – hundreds, thousands of them vanishing from sight. Great gaps appeared among the close-packed soldiers. A little further to the east an entire regiment was gone, leaving a hole the size of Hanover-square. Where, moments before, all had been life, conversation and activity, there was now nothing but the rain and the twilight and the waving stalks of rye. Strange wiped his mouth because he felt sick.

A red veil covers the room as walls, which flow but do not stand. Screams echo from every stone. Incense I smell of sandalwood and lavender, and lavender I taste as well. A tea, a brew, or a liquid I sip. Calm I feel. Gyfu shows a great sacrifice will be made. I feel tied in knots as light reflects from crystals found in rock. All is not what it seems. Choices are made, the white handled bolline swings, the steps slide, gates swing open, memories flow like rain—betrayal and it is done. --A quote by Gannon reciting his vision

blood and having the same last name. It’s made by the people who love you. Who worry about you and champion you. Who take one look at you and know when you need a talk over that nourishing tea.

1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.

Through these seventeen years of your life I have had this hour of your marriage in mind. In everything I have taught you I have considered two persons, the mother of your husband and your husband. For her sake I have taught you how to prepare and to present tea to an elder; how to stand in an elder’s presence; how to listen in silence while an elder speaks whether in praise or blame; in all things I have taught you to submit yourself as a flower submits to sun and rain alike. “For your husband I have taught you how to decorate your person, how to speak to him with eyes and expression but without words, how to—but these things you will understand when the hour comes and you are alone with him.

In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

These I have loved: Pork with apple sauce; tea in a heavy mug; The smell of new books, and musty ones; A girl with red coils for curls --Her scream--Her smile; The slap of a blonde dog's tongue Against my face; and an old face--Nana's; A broken fence--a secret pathway between two houses; The sinking into a familiar bed; Sheets white and crispy clean; The return of a woman in a green coat-- Imperfect and human; The sound of poetry; And of pencil lead scuffing the page as I write; Made-up stores; and Truth. These I have loved.

The raw honesty of the characters in Shuggie Bain is almost shocking to an American ear. Nobody holds back, not even the kind man who runs the taxi garage where Agnes takes refuge in the rain and who right away sizes Agnes up for a drunk the day she’s on her way to pawn her mink coat. Unlike other characters, he seems bent on helping Agnes, suggesting AA to her over a cup of tea. What do you make of the unapologetic candor—both kind and rough—in this book? Is there something to this Glaswegian honesty that Americans could benefit from?

They’d been attacked by lions, stampeded by elephants, flooded out by rains, made war on by “natives.” The tales they told were simply incredible. There they sat on a heavily antimacassared horsehair sofa, two prim and proper ladies in ruffles and lace, telling these stupendous stories over tea.

Bottle cork, bottle cork There’s naught within but lees. The glowing eyes of Jack O’Lantern Dance on evening’s breeze; Goblin fires light the wood And flicker through the trees. The clouds, they say, are whipping cream, The oceans seas of teas, The rain a fall of diamonds, The moon a ball of cheese.

No sunrises that stop you dead with their unspeakable beuaty, either, he thought. No whales breaching only yards away from the ship, showering your awestruck self with a cold ocean rain. No songs and whiskey belowdecks at night while the wind plucks at the ship's rigging and the ice beats against her hull.

Raining agen it wer nex morning. Theres rains and rains. This 1 wer coming down in a way as took the hart and hoap out of you there wer a kynd of brilyants in the grey it wer too hard it wer too else it made you feal like all the tracks in the worl wer out paths nor not a 1 to bring you back. Wel of coarse they are but it dont all ways feal that way. It wer that kynd of morning when peopl wernt jus falling in to what they done naturel they had to work ther selfs in to it. Seamt like a lot of tea got spilt at breakfas nor the talk wernt the userel hummeling and mummeling there wer some thing else in it. Like when you see litening behynt the clouds.

It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.

If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page.

The herb ephedra has been used in China and India for five thousand years as a stimulant for cold and flu sufferers. Later known as Mormon tea, ephedra is now synthesized as pseudoephedrine and is found in many marketed cold remedies. (Unfortunately, it's also a key ingredient in the illicit manufacture of highly addictive and destructive methamphetamine.) Quinine, from the bark of the rain forest tree, Cinchona ledgeriana, is an effective preventive to malaria, one of the greatest killers of humanity, with up to one million deaths per year. The heart drug, dioxin, is synthesized from the foxglove flower. Aspirin's principle ingredients were recognized in willow bark by Hippocrates around 400 BCE. It was named and marketed by Bayer in 1899 and is still one of the biggest selling drugs in the world.

fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames.

O Thebes! garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dancе — and let all the land of Thebes dance! with Dionysos leading, to the mountains! to the mountains! where the mob of women waits! They’ve forsaken their shuttles, they’ve left their looms, they’ve dropped their aprons and taken up their stations on Dionysos’ mountain!

Tears were running down her cheeks but a smile trembled on her lips. 'We will still die together." With a shaking hand, she reached for the teapot. 'Will you have a last cup of tea with me?' He turned his gaze on her. An odd calmness was welling up in him. 'I would rather have a kiss. My first and last, I think.' 'Your first kiss?' He laughed shakily. 'My circumstances have not lent themselves to the giving or receiving of kisses.' She blinked and the tears spilled faster. 'For me, also.' She leaned a little closer to him and then stopped. He looked at her. She had closed her eyes. Her hair was sleek, her skin like cream, her lips pink. Her first kiss would come from a scaled dragon-man. He leaned in and found her mouth with his. He kissed her softly, unsure of how it was done, expecting her to pull away in revulsion. Instead, when he leaned back, she was smiling through her tears. 'To be touched by a man, with gentleness,' she said, as if that wonder were so great, it dispelled the circling dragons.

Tea at the Palaz of Hoon Not less because in purple I descended The western day through what you called The loneliest air, not less was I myself. What was the ointment sprinkled on my beard? What were the hymns that buzzed beside my ears? What was the sea whose tide swept through me there? Out of my mind the golden ointment rained, And my ears made the blowing hymns they heard. I was myself the compass of that sea: I was the world in which I walked, and what I saw Or heard or felt came not but from myself; And there I found myself more truly and more strange.

Ideally, the exchange should be a member of Tarman's family.' He turned his gaze to Leftrin and Alise. 'Do you expect to breed soon?' Leftrin choked on his tea. 'Not that I'm aware,' Alise replied demurely. 'A pity. It might be productive for you just now.' Paragon was politely enthused. 'Can we please just not?' Althea asked him, almost sharply. 'It's bad enough to have you offering Brashen and me your helpful insights into productive breeding without you extending your wisdom to our guests.' Alise could not tell if Brashen were embarrassed or red from suppressing laughter.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing 'the other', Has become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of world’s end? Or will world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic on October 13 at ahewar.org]

A doorman peers up at the rain from under an awning. We reach Madison, where Holly waits in the drizzle while I stand in the doorway of a boutique, watching that dog walker, those Hasidic Jews, the Arab-looking businessman over there. A couple of cabs slow down, hoping to lure a fare, but Holly is gazing into the small green rectangle of Central Park at the far end of the block. Her mind must be in turmoil. To write a memoir in which psychic events irrupt occasionally is one thing, but for psychic events to dreamseed you, serve you Irish tea, and spin you a whole cosmology, that’s another. Maybe Ōshima’s right; maybe I should suasion her back to 119A.

These pastries are gorgeous colors," she said. "I didn't even know I liked green, but I do. It reminds me of her. I keep thinking of her grandparents' house in India. My mother and aunt grew up in the city, but their grandparents grew coffee on a plantation a few hours away. Have you ever heard of Coorg? It's this region in the south of India where people grow tea and coffee, and they have the most beautiful forests, and we used to go there every year when I was little. My mother would take me out to show me the coffee blossoms and the tigers in the forests. It was always so green there, and the air always felt like rain. And now it's raining here and it's all just wet and cold and I'm scared that-" She broke off. "I don't know. Sorry. I'm probably not making much sense." Lila was quiet for a moment, and then she said, "What are you scared of?" Anna shook her head. She couldn't shape the words, and she wasn't sure she could say them to someone she had only just met anyway. To distract herself, she took a bite of one of the pan dulce Lila had given her. It almost melted in her mouth, moist and sweet and perfectly crumbly. "This is amazing," she said. Lila beamed. "I'm glad you like it." Another bite, another taste. Lila continued to swing gently, back and forth, in an oddly soothing rhythm. The taste of the pan dulce on Anna's tongue felt soft, comforting, like a friend holding her hand.

The smell of near-black tea leaves torn from the green mountains of India that would travel to Britain without losing their moisture, and without losing the sharp perfume born of the tears Buddha shed for the world's suffering, suffering that also travels in tea: we drink green mountains and rain, and we also drink what the Queen drinks. We drink the Queen, we drink work, and we drink the broken back of the man bent double as he cuts the leaves, and the broken back of the man carrying them. Thanks to steam power, we no longer drink the lash of the whip on the oarsmen's backs. But we do drink choking coal miners. And that's the way of the world: everything alive lives off the death of someone or something else. Because nothing comes from nothing.

But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.

Departure It's little I care what path I take, And where it leads it's little I care, But out of this house, lest my heart break, I must go, and off somewhere! It's little I know what's in my heart, What's in my mind it's little I know, But there's that in me must up and start, And it's little I care where my feet go! I wish I could walk for a day and a night, And find me at dawn in a desolate place, With never the rut of a road in sight, Or the roof of a house, or the eyes of a face. I wish I could walk till my blood should spout, And drop me, never to stir again, On a shore that is wide, for the tide is out, And the weedy rocks are bare to the rain. But dump or dock, where the path I take Brings up, it's little enough I care, And it's little I'd mind the fuss they'll make, Huddled dead in a ditch somewhere. "Is something the matter, dear," she said, "That you sit at your work so silently?" "No, mother, no—'twas a knot in my thread. There goes the kettle—I'll make the tea.

Can I make you a cup of tea?” He says that would be wonderful, and she smiles handsomely; then her face darkens in terrible sorrow. “And I am so sorry, Mr. Arthur,” she says, as if imparting the death of a loved one. “You are too early to see the cherry blossoms.” After the tea (which she makes by hand, whisking it into a bitter green foam—“Please eat the sugar cookie before the tea”) he is shown to his room and told it was, in fact, the novelist Kawabata Yasunari’s favorite. A low lacquered table is set on the tatami floor, and the woman slides back paper walls to reveal a moonlit corner garden dripping from a recent rain; Kawabata wrote of this garden in the rain that it was the heart of Kyoto. “Not any garden,” she says pointedly, “but this very garden.” She informs him that the tub in the bathroom is already warm and that an attendant will keep it warm, always, for whenever he needs it. Always. There is a yukata in the closet for him to wear. Would he like dinner in the room? She will bring it personally for him: the first of the four kaiseki meals he will be writing about. The kaiseki meal, he has learned, is an ancient formal meal drawn from both monasteries and the royal court. It is typically seven courses, each course composed of a particular type of food (grilled, simmered, raw) and seasonal ingredients. Tonight, it is butter bean, mugwort, and sea bream. Less is humbled both by the exquisite food and by the graciousness with which she presents it. “I most sincerely apologize I cannot be here tomorrow to see you; I must go to Tokyo.” She says this as if she were missing the most extraordinary of wonders: another day with Arthur Less. He sees, in the lines around her mouth, the shadow of the smile all widows wear in private. She bows and exits, returning with a sake sampler. He tries all three, and when asked which is his favorite, he says the Tonni, though he cannot tell the difference. He asks which is her favorite. She blinks and says: “The Tonni.” If only he could learn to lie so compassionately.

One of the sturdiest precepts of the study of human delusion is that every golden age is either past or in the passing. During 1941, in the wake of that outburst of gaudy hopefulness, the World’s Fair, a sizable portion of the citizens of New York City had the odd experience of feeling for the time in which they were living, at the very moment they were living in it, that strange blend of optimism and nostalgia which is the usual hallmark of the aetataureate delusion. The rest of the world was busy feeding itself, country by country, to the furnace, but while the city’s newspapers and newsreels at the Trans-Lux were filled with ill portents, defeats, atrocities, and alarms, the general mentality of the New Yorker was not one of siege, panic, or grim resignation to fate but rather the toe-wiggling, tea-sipping contentment of a woman curled on a sofa, reading in front of a fire with cold rain rattling against the windows. The economy was experiencing a renewal not only of sensation but of perceptible movement in its limbs, Joe DiMaggio hit safely in fifty-six straight games, and the great big bands reached their suave and ecstatic acme in the hotel ballrooms and moth-lit summer pavilions of America.

Benjamin Munro was his name. She mouthed the syllables silently, Benjamin James Munro, twenty-six years old, late of London. He had no dependents, was a hard worker, a man not given to baseless talk. He'd been born in Sussex and grown up in the Far East, the son of archaeologists. He liked green tea, the scent of jasmine, and hot days that built towards rain. He hadn't told her all of that. He wasn't one of those pompous men who bassooned on about himself and his achievements as if a girl were just a pretty-enough face between a pair of willing ears. Instead, she'd listened and observed and gleaned, and, when the opportunity presented, crept inside the storehouse to check the head gardener's employment book. Alice had always fancied herself a sleuth, and sure enough, pinned behind a page of Mr. Harris's careful planting notes, she'd found Benjamin Munro's application. The letter itself had been brief, written in a hand Mother would have deplored, and Alice had scanned the whole, memorizing the bits, thrilling at the way the words gave depth and color to the image she'd created and been keeping for herself, like a flower pressed between pages. Like the flower he'd given her just last month. "Look, Alice"- the stem had been green and fragile in his broad, strong hand- "the first gardenia of the season.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing ‘the other’, Have become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of the world’s end? Or will the world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic by ahewar.org on October 13, 2022]

From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.

sighed. “I can’t say that you weren’t expected.” “I’m just going to be walking around here and taking some measurements. It says here… you own eighty acres? That is one of the most gorgeous mansions I have ever seen,” he rambled on. “It must have cost you millions. I could never afford such a beauty. Well, heck, for that matter I couldn’t afford the millions of dollars in taxes a house like this would assess, let alone such a pricey property. Do you have an accountant?” Zo opened her mouth to respond, but he continued, “For an estate this size, I would definitely have one.” “I do have an accountant,” she cut in, with frustration. “Furthermore, I have invested a lot of money bringing this mansion up to speed. You can see my investment is great.” “Of course, it would be. The fact of the matter is, Mrs. Kane, a lot of people are in over their heads in property. You still have to pay up, or we take the place. Well, I’ll get busy now. Pay no mind to me.” He walked on, taking notes. “Clairrrrre!” Zo called as soon as she entered the house. “Bring your cell phone!” Two worry-filled months went by and many calls were made to lawyers, before Zoey finally picked one that made her feel confident. And then the letter came with the totals and the due date. “There is no way we can pay this, Mom, even if we sold off some of our treasures, because a lot of them are contracted to museums anyway. I am feeling awfully poor all of a sudden, and insecure.” “Yes, and I did some research, thinking I’d be forced to sell. It’s unlikely that anyone else around here can afford this place. It looks like they are going to get it all; they aren’t just charging for this year. What we have here is a value about equal to a little country. And all the new construction sites for housing developments suddenly popping up on this side of the river, does not help. Value is going up.” Zo put her head in her hands. “Ohhh, oh, oh, oh!” “Yeah, bring out the ice-cream and cake. I need comforting,” sighed Claire. The cell phone rang. “Yes, tonight? You guys have become pretty good to us, haven’t you?! You know, Bob, Mom and I thought we were just going to pig out on ice cream and cake. We found out we are losing this estate and are going to be poor again and we are bummed out.” There was a long pause. “No, that’s okay, I understand. Yeah, okay, bye.” “Well?” Zo ask dryly. “He was appropriately sorry, and he got off the phone fast, saying he remembered he had other business to take care of. Do you want to cry? I do…” “I’ll get the cake and dish the ice cream. You make our tea and we’ll cry together.” A pitter patter began to drum on the window. “Rain again. It seems softer though, dear.” “I thought you said this was going to be a softer rain!” It started to pour. “At least this is not a thunder storm… What was that?” “Thunder,” replied Claire, unmoved and resigned. An hour had gone by when there was a rapping at the door. “People rarely use the doorbell, ever notice that?” Zo asked on the way to the door. She opened it to reveal two wet guys holding a pizza, salad, soft drink, and giant chocolate chip cookies in a plastic container. In a plastic

When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.

The temple was in a field of graves suddenly a pitiful-looking skeleton appeared and said: A melancholy autumn wind Blows through the world; the pampas grass waves As we drift to the moor, Drift to the sea. What can be done With the mind of a man That should be clear But though he is dressed up in a monk's robe, Just lets life pass him by? Such deep musings Made me uneasy, I could not sleep. Towards dawn I dozed off... I found myself surrounded by a group of skeletons, acting as they had when they were still alive. One skeleton came over to me and said: Memories Flee and Are no more. All are empty dreams Devoid of meaning. Violate the reality of things And babble about 'God' and 'the Buddha' And you will never find the true Way. Still breathing, You feel animated, So a corpse in a field Seems to be something Apart from you. If chunks of rock Can serve as a memento To the dead A better headstone Would be a simple tea-mortar. Humans are indeed frightful things. A single moon Bright and clear In an unclouded sky; Yet we still stumble In the world's darkness. This world Is but A fleeting dream So why be alarmed At its evanescence? The vagaries of life, Though painful, Teach us Not to cling To this floating world. Why do people Lavish decoration On this set of bones, Destined to disappear Without a trace? The original body Must return to Its original place. Do not search For what cannot be found. No one really knows The nature of birth Nor the true dwelling place. We return to the source And turn to dust. Many paths lead from The foot of the mountain, But at the peak We all gaze at the Single bright moon. If at the end of our journey There is no final Resting place, Then we need not fear Losing our Way. No beginning. No end. Our mind Is born and dies; The emptiness of emptiness! Relax, And the mind Runs wild; Control the world And you can cast it aside. Rain, hail, snow, and ice: All are different But when they fall They become to same water As the valley stream. The ways of proclaiming The Mind all vary, But the same heavenly truth Can be seen In each and every one. Cover your path With fallen pine needles So no one will be able To locate your True dwelling place. How vain, The endless funderals at the Cremation grounds of Mount Toribe! Don't the mourner realize That they will be next? 'Life is fleeeting!' We think at the sight Of smoke drifting from Mount Toribe, But when will we realize That we are in the same boat? All is in vain! This morning, A healthy friend; This evening, A wisp of cremation smoke. What a pity! Evening smoke from Mount Toribe Blown violently To and fro By the wind. When burned We become ashes, and earth when buried. Is it only our sins That remain behind? All the sins Committed In the Three Worlds Will fade away Together with me.

to stay! It was another answer to prayer, and I graciously accepted her offer. When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.

Mr. Crabtree looked at him for a moment, blinked, nodded, then turned back to Sophie. “Why’re you dressed like that?” Sophie looked down and realized with horror that she’d completely forgotten she was wearing men’s clothes. Men’s clothes so big that she could barely keep the breeches from falling to her feet. “My clothes were wet,” she explained, “from the rain.” Mr. Crabtree nodded sympathetically. “Quite a storm last night. That’s why we stayed over at our daughter’s. We’d planned to come home, you know.” Benedict and Sophie just nodded. “She doesn’t live terribly far away,” Mr. Crabtree continued. “Just on the other side of the village.” He glanced over at Benedict, who nodded immediately. “Has a new baby,” he added. “A girl.” “Congratulations,” Benedict said, and Sophie could see from his face that he was not merely being polite. He truly meant it. A loud clomping sound came from the stairway; surely Mrs. Crabtree returning with breakfast. “I ought to help,” Sophie said, jumping up and dashing for the door. “Once a servant, always a servant,” Mr. Crabtree said sagely. Benedict wasn’t sure, but he thought he saw Sophie wince. A minute later, Mrs. Crabtree entered, bearing a splendid silver tea service. “Where’s Sophie?” Benedict asked. “I sent her down to get the rest,” Mrs. Crabtree replied. “She should be up in no time. Nice girl,” she added in a matter-of-fact tone, “but she needs a belt for those breeches you lent her.” Benedict felt something squeeze suspiciously in his chest at the thought of Sophie-the-housemaid, with her breeches ’round her ankles. He gulped uncomfortably when he realized the tight sensation might very well be desire. Then he groaned and grabbed at his throat, because uncomfortable gulps were even more uncomfortable after a night of harsh coughing. “You need one of my tonics,” Mrs. Crabtree said. Benedict shook his head frantically. He’d had one of her tonics before; it had had him retching for three hours. “I won’t take no for an answer,” she warned. “She never does,” Mr. Crabtree added. “The tea will work wonders,” Benedict said quickly, “I’m sure.” But Mrs. Crabtree’s attention had already been diverted. “Where is that girl?” she muttered, walking back to the door and looking out. “Sophie! Sophie!” “If you can keep her from bringing me a tonic,” Benedict whispered urgently to Mr. Crabtree, “it’s a fiver in your pocket.” Mr. Crabtree beamed. “Consider it done!” “There she is,” Mrs. Crabtree declared. “Oh, heaven above.” “What is it, dearie?” Mr. Crabtree asked, ambling toward the door. “The poor thing can’t carry a tray and keep her breeches up at the same time,” she replied, clucking sympathetically. “Aren’t you going to help her?” Benedict asked from the bed. “Oh yes, of course.” She hurried out. “I’ll be right back,” Mr. Crabtree said over his shoulder. “Don’t want to miss this.” “Someone get the bloody girl a belt!” Benedict yelled grumpily. It didn’t seem quite fair that everyone got to go out to the hall and watch the sideshow while he was stuck in bed.

He watched the rain and thought about some of the possible reasons why Sherlock Holmes never married.

Working Nine to Five   Wet, cold, miserable, Monday morning.  I had toast for breakfast, no bananas.  I think my mum is taking out her revenge on Steve’s behalf by withholding the purchase of bananas.  I stood by the sink sipping my morning tea watching the rain wash down the kitchen window.  Damn, I noticed that an eye had fallen off one of my bunny slippers.  I decided to wear the blue pencil skirt with a white blouse to work and to tie my hair up as best I could.  The journey was short and uneventful, no desperate people throwing themselves in

We’ve brought you a present, dear.’ ‘Really?’ ‘It’s just for you.’ It’s a hardcover of Jane Austen’s Sense and Sensibility and on the inside front page there’s this little oval black and white picture of her with a baby’s bonnet on her head and a kind of ironic smile like She Knows. Jane knows what stupid insensitive people there are in the world and that’s what is behind every word she writes. Look at her portrait, She Knows. I think Dear Jane had a bit of the Impossible Standard herself although maybe it wasn’t even that impossible, maybe it was just some kind of decency and awareness she was expecting. ‘It’s Jane Austen, dear,’ Aunt P says. ‘What?’ Nan asks from the fire. ‘JANE AUSTEN,’ Aunt roars. ‘EXHAUSTING?’ Nan bellows back. ‘YES,’ and starts the Aged P nod. Neither of my aunts, I am convinced, ever drank tea from a mug. The china cups are out for them. They are a pair in the world, the two of them, and trade in exchange one to the other an entire currency of startled, dismayed and disapproving looks. The world fails the Impossible Standard constantly. Sometimes I imagine a whole gallery of their failed suitors, scrubbed jowly farmers of Meath, tweeded-up and cow-licked down, sent up to evenings in Ashcroft. The Meath men have surnames like Castlebridge, Farns, Ainsley. The sisters kill them off afterwards with cutting remarks. One sentence will do for each one.

not get home until after ten. Her coat was still sodden from the rain so she hung it over the heated towel rail in her bathroom before having a shower. Anna’s own fridge was virtually empty. She sighed, knowing she should have bought some groceries for herself, never mind Langton. She made some beans on toast and a mug of tea, taking them on a tray to eat in her bedroom. Her initial nagging thoughts about the doll’s house returned. Putting down the tray on the floor beside the bed, she reached for her briefcase and

Most other places I know, water is a discrete entity. It is hemmed in by well-defined boundaries: lakeshores, stream banks, the great rocky coastline. You can stand at its edge and say “this is water” and “this is land.” But here in these misty forests those edges seem to blur, with rain so fine and constant as to be indistinguishable from air and cedars wrapped with clouds so dense that only their outlines emerge. After hours in the penetrating rain, I am suddenly damp and chilled and the path back to the cabin is a temptation. I could so easily retreat to tea and dry clothes, but I cannot pull myself away. However alluring the thought of warmth, there is no substitute for standing in the rain to waken every sense—senses that are muted within four walls, where my attention would be on me instead of all that is more than me. I could not bear the loneliness of being dry in a wet world. Here in the rainforest, I don’t want to just be a bystander to rain, passive and protected; I want to be part of the downpour, to be soaked, along with the dark humus that squishes underfoot.

Mrs Dursley had had a nice, normal day. She told him over dinner all about Mrs Next Door’s problems with her daughter and how Dudley had learnt a new word (‘Shan’t!’). Mr Dursley tried to act normally. When Dudley had been put to bed, he went into the living-room in time to catch the last report on the evening news: ‘And finally, bird-watchers everywhere have reported that the nation’s owls have been behaving very unusually today. Although owls normally hunt at night and are hardly ever seen in daylight, there have been hundreds of sightings of these birds flying in every direction since sunrise. Experts are unable to explain why the owls have suddenly changed their sleeping pattern.’ The news reader allowed himself a grin. ‘Most mysterious. And now, over to Jim McGuffin with the weather. Going to be any more showers of owls tonight, Jim?’ ‘Well, Ted,’ said the weatherman, ‘I don’t know about that, but it’s not only the owls that have been acting oddly today. Viewers as far apart as Kent, Yorkshire and Dundee have been phoning in to tell me that instead of the rain I promised yesterday, they’ve had a downpour of shooting stars! Perhaps people have been celebrating Bonfire Night early – it’s not until next week, folks! But I can promise a wet night tonight.’ Mr Dursley sat frozen in his armchair. Shooting stars all over Britain? Owls flying by daylight? Mysterious people in cloaks all over the place? And a whisper, a whisper about the Potters … Mrs Dursley came into the living-room carrying two cups of tea. It was no good. He’d have to say something to her. He cleared his throat nervously. ‘Er – Petunia, dear – you haven’t heard from your sister lately, have you?’ As he had expected, Mrs Dursley looked shocked and angry. After all, they normally pretended she didn’t have a sister. ‘No,’ she said sharply. ‘Why?’ ‘Funny stuff on the news,’ Mr Dursley mumbled. ‘Owls … shooting stars … and there were a lot of funny-looking people in town today …’ ‘So?’ snapped Mrs Dursley.

Now look at verse 22.” Ibrahim continued reading. “‘With pestilence and with blood I will enter into judgment with him; and I will rain on him and on his troops, and on the many peoples who are with him, a torrential rain, with hailstones, fire and brimstone.’” “Here the Lord talks of the judgment he will bring against Gog, the Russian dictator, and his allies. This will be the most terrifying sequence of events in human history to date. On the heels of a supernatural global earthquake that will undoubtedly take many lives will come a cascading series of other catastrophes. Pandemic diseases, for example, will sweep through the troops of the Russian coalition. And the attackers will face other judgments such as have rarely been seen since the cataclysmic showdown in Egypt between Moses and Pharaoh. Devastating hailstorms will hit these enemy forces and their supporters. So, too, will apocalyptic firestorms that will call to mind the terrible judgment of Sodom and Gomorrah. The Scriptures indicate that the firestorms will be geographically widespread and exceptionally deadly.” Birjandi took a sip of tea as he let the implications of the words sink in. “Think about it, gentlemen. This suggests that targets throughout Russia and the former Soviet Union, and perhaps throughout some of Russia’s allies, will be supernaturally struck on this day of judgment and partially consumed. These could be limited to nuclear missile silos, military bases, radar installations, defense ministries, intelligence headquarters, and other

They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!

Everything reminded him of something else: the fragrance of a peach-skin was like opening his stamp-album, the chack-chack of the wheatear not only recalled mist on the hills, but also reminded him of foxgloves, droplets of rain tapping from the mauve bells on to a dock leaf or fern. Ferns reminded him of his mother's soap, the luxurious tan-coloured lozenges that came to her in a box each christmas and birthday, and other scents too, the yellow of oriental jasmine, the pink of tea-rose, the green of mimosa. For all of these scents he could find a correlative within the spectrum of his own experience.

My furs are also full of plants. Intisar leaves. The weird hraku that has the tasty, candy-like seeds. Three-leaf plants, which are good for tea. Herbs of all kinds. Branches from the eyelash-like pink trees. All kinds of plants. These people really don’t grasp the mistletoe concept. I laugh as I push the blankets off my legs and it rains more plants down. The entire cave is covered.

She takes a final bite of the ugly, messed-up tart she saved, then swipes her finger through a glob of curd left on the plate. It tastes like spring rain, the summer before pastry school, mint-tea afternoons with her mother, and mulch from her father's peony gardens.

WHAT TO DO WITH YOUR PAST Serve it with lemons and curdled milk with shortbread biscuits make the day gray spots of rain. Make a quilt out of the villains crochet the heroes together in a hat Wear the hat. Use the quilt as a picnic blanket. Bring your friends. Watch the squirrels be tiny monkeys dare-deviling the trees. Exclaim things! Each lemon, sup of tea, cookie is a bite into the future / will digest, exit, and swim. Digest. Exit. Swim. Drink the curdled milk and get sick watch your friends clean up hold your hair back / hat on hand you a tissue. When you wash the vomit out of the villainous quilt each time it gets weaker Picnic often.

Larry's dog's named Earl P. Jessup Bowers, if you can get ready for that. And I should mention straightaway that I do not like dogs one bit, which is why I was glad when Larry said somebody had to go. Cats are bad enough. Horses are a total drag. By the age of nine I was fed up with all that noble horse this and noble horse that. They got good PR, horses. But I really can't use em. Was a fire once when I was little and some dumb horse almost burnt my daddy up messin around, twisting, snorting, broncing, rearing up, doing everything but comin on out the barn like even the chickens had sense enough to do. I told my daddy to let that horse's ass burn. Horses be as dumb as cows. Cows just don't have good press agents is all. I used to like cows when I was real little and needed to hug me something bigger than a goldfish. But don't let it rain, the dumbbells'll fall right in a ditch and you break a plow and shout yourself hoarse trying to get them fools to come up out the ditch. Chipmunks I don't mind when I'm at the breakfast counter with my tea and they're on their side of the glass doing Disney things in the yard. Blue jays are law-and-order birds, thoroughly despicable. And there's one prize fool in my Aunt Merriam's yard I will one day surely kill. He tries to "whip whip whippoorwill" like the Indians do in the Fort This or That movies when they're signaling to each other closing in on George Montgomery but don't never get around to wiping that sucker out. But dogs are one of my favorite hatreds. All the time woofing, bolting down their food, slopping water on the newly waxed linoleum, messin with you when you trying to read, chewin on the slippers.

Thunder, lightning, rain, hail, anxious fog and all the other things that accompany an iconic horror movie or damn fire tale about Tea, Cake, and lashings of Untimely Death, were occurring all over the little island known colloquially (and everywhere else) as The Skull.

I head straight to my suite, a set of rooms reminiscent of a British manor house library with tall mahogany bookshelves and a crackling fire. Even though the weather outside is furious and rain lashes the windows, I can take refuge here. More importantly, I can take tea, settle into a deep chair to read a book, and listen to overwrought operatic sopranos going to their graves, singing of doomed love. This recipe never fails to soothe me.

In the minutes that followed, a waiter was signaled, a samovar was ordered, and with thunderclouds accumulating over Theatre Square, remarks were exchanged on the bittersweet likelihood of rain. But once the tea was poured and the tea cakes on the table, Nina adopted a more serious expression—intimating the time had come to speak of weightier concerns.

The tiny tea-shop beside the eleven water spouts was at the edge of the Dhorpatan Valley. From there we could see right across the wide, wind-swept peat-bog. The high mountain ridges that walled in the valley seemed to catch the rain and send it down here. Even the air we were breathing was wet. Golden eagles played on the updrafts. Two, one a little smaller than the other, circled on a thermal. They looked huge, but when others disappeared behind a mountain ridge, I realised they were further away and even bigger than I first thought. The nearest eagles half folded their wings and plummeted earthwards, still circling each other as they dived head first. They touched claws as they spiralled down, in complete control.

It is June. I am in Shanghai and I am not tired. June in Shanghai is for cold bubble tea, for kissing, for three-yuan ice creams and misty rain mixing with sweat on skin.

I thought about how vaguely familiar this scene was to me, especially with the smells of the restaurant around me, but strangely so, because it was not my childhood, but my mother’s childhood that I was thinking of, and from another country at that. And yet there was something about the subtropical feel, the smell of the steam and the tea and the rain. It reminded me of her photographs, or the television dramas we had watched together when I was still young. Or it was like the sweets she used to buy for me, which no doubt were the sweets her mother used to buy for her. It was strange at once to be so familiar and yet so separated. I wondered how I could feel so at home in a place that was not mine.

Like the scent version of reading your favorite book in a worn leather chair with a cup of Earl Grey tea while rain patters against the windowpane.

The oblique drops of rain slid down the blades of grass in the park, but it would have made no difference if they had slid up. Then the oblique (drops) turned round (drops), swallowed up by the earth underpinning the grass, and the grass and the earth seemed to talk, no, not talk, argue, their incomprehensible words like crystallized spiderwebs or the briefest crystallized vomitings, a barely audible rustling, as if instead of drinking tea that afternoon, Norton had drunk a steaming cup of peyote. But

It was raining in the quadrangle, and the quadrangular sky looked like the grimace of a robot or a god made in our own likeness. The oblique drops of rain slid down the blades of grass in the park, but it would have made no difference if they had slid up. Then the oblique (drops) turned round (drops), swallowed up by the earth underpinning the grass, and the grass and the earth seemed to talk, no, not talk, argue, their incomprehensible words like crystallized spiderwebs or the briefest crystallized vomitings, a barely audible rustling, as if instead of drinking tea that afternoon, Norton had drunk a steaming cup of peyote. But

It’s nice to wake up in bed with someone next to you, isn’t it? Someone to cuddle up to when it’s cold. Someone to make you feel better when you’ve had a nightmare. Someone to spoon with on lazy Sundays, kissing, listening to the rain, watching TV while you drink tea and make plans for the day, for the week, for the rest of your lives.

There is always time for tea and mistakes. That's my philosophy" -Mrs. Guzman

A pluviophile is someone who finds joy and peace in the sound and smell of rain, and may enjoy activities such as reading, drinking tea, or listening to music on a rainy day.

Love looked like a man who had coffee ready for me in the mornings even though he preferred tea, and remembered exactly how I took it. Love ate my sugary spaghetti, and held an umbrella over my head when it rained, and apologized when he knew he was wrong. Love was inquisitive, and mindful, and—somewhere beneath the grumpy exterior—sweet. Love was tricking yourself into doing something you didn’t want to do, because you loved the person who did.

She thought of Leftrin and tried to see him dispassionately. He was uncouth and unschooled. He told jokes at the table, and she’d seen him laugh so hard that tea spewed from his mouth, at a coarse jest from one of his sailors. He didn’t shave every day, nor wash as often as a gentleman should. The elbows of his shirts and the knees of his trousers were scuffed with work. The short nails of his wide hands were broken and rough. Where Hest was tall and lean and elegant, Leftrin was perhaps an inch taller than she was, wide shouldered and thick bodied. Her female friends in Bingtown would turn aside if a man like that spoke to them on the street. Then she thought of his gray eyes, gray as the river he loved, and her heart melted. She thought of the ruddy tops of his unshaven cheeks, and how his lips seemed redder and fuller than Hest’s sophisticated smile. She longed to kiss that mouth, to feel those calloused hands clasp her close. She missed sleeping in his bunk, missed the smell of him in the room and on the bedding. She wanted him as she’d never wanted anything or anyone before. At the thought of him, her body warmed even as tears filled her eyes. She sat up straight and dashed the useless water from her eyes. “Take what you can have, for the short time you can have it,” she counseled herself sternly.

It was only when the creature stepped into view on the path in front of her that her mind made the connection. Cat, she thought to herself. He was not immediately aware of her. His head was low, and he sniffed at the ground with his mouth open. Long yellow fangs extended past his lower jaw. His coat was an uneven black, darker dapples against blackness. His ears were tufted, and the muscles under his smooth fur bunched and slid as he moved. She was caught in disbelief, filled with wonder at the sight of an animal that no one had seen in ages. And then, almost immediately, her translation of an Elderling word popped into her mind. “Pard,” she breathed aloud. “A black pard.” At her whisper, he lifted his head and looked directly at her with yellow eyes. Fear flooded her. Her own scent trail. That was what he snuffed at. Her heart leaped, and then began hammering. The animal stared at her, perhaps as startled to see a human as she was to see a pard. Surely their kind had not met for generations. He opened his mouth, taking in her scent. She wanted to shriek but did not. She flung her panicky thought wide. Sintara! Sintara, a great cat stalks me, a pard! Help me! I cannot help you. Solve it yourself. The dragon’s thought was not uninterested, merely factual. Alise could feel, in that moment of connection, that the dragon had fed heavily and was sinking into a satiated stupor. Even if she had wished to rouse herself, by the time she took flight and crossed the river and located Alise… Useless thought. Focus now. The cat was watching her, and its wariness had become interest. The longer Alise stood there, frozen like a rabbit, the more his boldness would grow. Do something. “Not prey!” she shouted at the animal. She seized the lapels of her cloak and tore it open wide, holding it out to make herself twice her natural size. “Not prey!” she shouted at it again, deepening her voice. She flapped the sides of her cloak at the animal and forced her shaking body to jolt a step closer to it. If she ran, it would have her; if she stood still, it would have her. The thought galvanized her, and with a wordless roar of angry despair, she charged the beast, flapping the sides of her cloak as she ran. It crouched and she knew then it would kill her. Her deep roar became a shriek of fury, and the cat suddenly snarled back. Alise ran out of breath. For a moment, silence held between the crouched cat and the flapping woman. Then the animal wheeled and raced off into the forest. It had left the path clear, and Alise did not pause but continued her fear-charged dash. She ran in bounds, ran as she had never known that anyone could run. The forest became a blur around her. Low branches ripped at her hair and clothing, but she did not slow down. She gasped in the cold air that burned her throat and dried her mouth and still ran. She fled until darkness threatened the edges of her vision, and then she stumbled on, catching at tree trunks as she passed them to keep herself upright and moving. When finally her terror could no longer sustain her, she sank down, her back to a tree, and looked back the way she had come. Nothing moved in the forest, and when she forced her mouth to close and held her shuddering breath, she heard nothing save the pounding of her own heart. She felt as if hours passed before her breath moved easily in her dry mouth and her heart slowed to where she could hear the normal sounds of the forest. She listened, straining her ears, but heart only the wind in the bared branches. Clutching at the tree trunk, she dragged herself to her feet, wondering if her trembling legs could still hold her. Then, as she started down the path toward home, a ridiculous grin blossomed on her face. She had done it. She had faced down a pard, and saved herself, and was coming home triumphant, with wintergreen leaves for tea and berries, too. “Not prey,” she whispered hoarsely to herself, and her grin grew wider.

Brashen scratched his chin and then smiled at Althea. “Changing history seems to run in your family. First Wintrow and Malta, now Selden.” He took a sip of his tea. Paragon spoke up, his voice wry. “So fortunate for you that you married the sane, responsible female in the family.” Brashen choked. Althea slapped him on the back, perhaps a trifle harder than she needed to.