“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
My room is so quiet and empty it hurts.
”
”
Nina LaCour (Hold Still)
“
A void in my chest was beginning to fill with anger. Quiet, defeated anger that guaranteed me the right to my hurt, that believed no one could possibly understand that hurt.
”
”
Rachel Sontag (House Rules)
“
The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.
We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.
We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.
These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships.
These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...
Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.
Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.
Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.
Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
”
”
Bob Moorehead (Words Aptly Spoken)
“
It was a sort of ferocious, quiet beauty, the sort that wouldn't let you admire it. The sort of beauty that always hurt.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The shattering of a heart when being broken is the loudest quiet ever.
”
”
Carroll Bryant
“
Time ticks by; we grow older. Before we know it, too much time has passed and we've missed the chance to have had other people hurt us. To a younger me this sounded like luck; to an older me this sounds like a quiet tragedy.
”
”
Douglas Coupland (Life After God)
“
It doesn't hurt."
"But my eyes do," said a coolly amused voice from the doorway. Jace. He had come in so quietly that even Simon hadn't heard him; closing the door behind him, he grinned as Isabelle pulled Simon's shirt down. "Molesting the vampire while he's too weak to fight back, Iz?" he asked. "I'm pretty sure that violates at least one of the Accords."
"I'm just showing him where he got stabbed," Isabelle protested, but she scooted back to her chair with a certain amount of haste.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
People who are hurting don't need Avoiders, Protectors, or Fixers. What we need are patient, loving witness. People to sit quietly and hold space for us. People to stand in helpful vigil to our pain.
”
”
Glennon Doyle Melton (Love Warrior)
“
Be quiet or I'll be forced to flick you."
"Ooh," he mocked. "The ultimate threat. I don't think I've ever been flicked before."
"Are you suggesting I can't hurt you?"
"On the contrary, I think you have the power to do great damage.
”
”
Alexandra Adornetto (Halo (Halo, #1))
“
I always think that when we’re quiet, we’re agreeing to be harmless to each other. That we’re just sharing the same space and letting each other exist exactly as we are, and neither of us would hurt or upset the other one.
”
”
Abby Jimenez (Yours Truly (Part of Your World, #2))
“
You can feel the whole world and still feel lost in it. So many people are in pain-- no matter how smart or accomplished--they cry, they yearn, they hurt. But instead of looking down on things, they look up, which is where I should have been looking, too. Because when the world quiets to the sound of your own breathing, we all want the same things: comfort, love and a peaceful heart.
”
”
Mitch Albom
“
But I hurt you." His voice grows quiet. "I wish that I hadn't.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
I used to think I knew everything. I was a "smart person" who "got things done," and because of that, the higher I climbed, the more I could look down and scoff at what seemed silly or simple, even religion.
But I realized something as I drove home that night: that I am neither better nor smarter, only luckier. And I should be ashamed of thinking I knew everything, because you can know the whole world and still feel lost in it. So many people are in pain-no matter how smart or accomplished-they cry, they yearn, they hurt.But instead of looking down on things, they look up, which is where I should have been looking, too. Because when the world quiets to the sound of your own breathing, we all want the same things:comfort, love, and a peaceful heart.
”
”
Mitch Albom (Have a Little Faith: a True Story)
“
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
My brother was born a soft whistle:
quiet, barely stirring the air, a gentle sound.
But I was born all the hurricane he needed
to lift - and drop- those that hurt him to the ground.
”
”
Elizabeth Acevedo (The Poet X)
“
There was a large sting near his upper lip. I touched it lightly. “Does it hurt?”
My gaze moved from his lips up to his eyes. He was looking at me in a way that made me blush.
“Yes,” he responded quietly.
”
”
Colleen Houck
“
So, I looked up, and we were in this giant dome like a glass snowball, and Mark said that the amazing white stars were really only holes in the black glass of the dome, and when you went to heaven, the glass broke away, and there was nothing but a whole sheet of star white, which is brighter than anything but doesn't hurt your eyes. It was vast and open and thinly quiet, and I felt so small.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time."
An hour later, he had his answer.
"Not practicing, huh?"
"Ow,” I groaned, momentarily incapable of normal speech.
He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times.
"I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow.
"You’d hate me more if I held back."
"Yeah, that’s true," I agreed, staggering along as the class put the equipment back.
"You actually did okay."
"What? I just had my ass handed to me."
"Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly.
"Did I mention I hate you?”
He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—"
"They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue.
"Extra sessions with who?"
"That tall guy. Dimitri."
Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?"
"Yeah, so what?"
"So the man is a god."
"Exaggerate much?" I asked.
"No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you."
Great. Something else to improve my day.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Zane didn’t reply immediately. After a short pause he spoke quietly.
“I’ll warn you, I’m going to be grouchy as my back really starts hurting.”
“And I’ll be on the lookout for that major change of attitude,” Ty
responded sarcastically.
”
”
Madeleine Urban (Cut & Run (Cut & Run, #1))
“
It doesnt hurt."
"But my eyes do," said a coolly amused voice from the doorway. Jace. He had come in so quietly that even Simon hadn't heard him, he grinned as Isabelle pulled Simon's shirt down. "Molesting the vampire while he's too weak to fight back, Iz?" he asked. "I'm pretty sure that violates at least one of the Accords.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Maybe, it is just enough to believe with a positive heart that people didn’t let you down. It could be just this: They couldn’t give you the compassion you really wanted based on where their heart is right now. Maybe, not now, but years later they will catch the memory of you in a quiet moment. There on that Sunday morning, a light will shine through the fog of lies, misunderstanding and frustration they built inside their angry mind about your true character. And, when it does, the shadows will be casted out to reveal a scared and hurt little boy or girl that just wanted to be loved, but went about it all wrong. Maybe, on that day, the whisper of their gratitude for your love will find its way back to your heart. And when that day comes, you will find yourself smiling all day long and not know why.
”
”
Shannon L. Alder
“
When you want something so bad it hurts,” he said quietly, “and you bury it, bury it so deep that you convince yourself it no longer matters . . . and someone tells you you can have it, it's terrifying. What if you take the chance and you're wrong? What if you let yourself feel the loss and it's this huge pain and you can't put it back in the box?
”
”
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
“
What do you want, Mal?" The room seemed very quiet.
"Don't ask me that."
"Why not?"
"Because it can't be."
"I want to hear it anyway."
He blew out a long breath. "Say goodnight. Tell me to leave, Alina."
"No."
"You need an army. You need a crown."
"I do."
He laughed then. "I know I'm supposed to say something noble--I want a united Ravka free from the Fold. I want the Darkling in the ground, where he can never hurt you or anyone else again." He gave a rueful shake of his head. "But I guess I'm the same selfish ass I've always been. For all my talk of vows and honor, what I really want is to put you up against that wall and kiss you until you forget you ever knew another man's name. So tell me to go, Alina. Because I can't give you a title or an army or any of the things you need.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I decide this is just A Bad Day. We all get them, because grief doesn't care how many years it's been.
”
”
Sara Barnard (A Quiet Kind of Thunder)
“
I think I wait for people to hurt me," she said quietly, "and when they do I feel a certain smugness at being right. And, after that, I just feel pain.
”
”
Sue Zhao
“
Someone else’s actions may affect you. But what other people choose to do is about them.” We were both quiet for a moment.. “Will it…will it ever stop hurting?” “Non.” Mum shook her head. “But it will stop mattering.
”
”
Alexis Hall (Boyfriend Material (London Calling, #1))
“
For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves-not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
Perhaps the greatest charity comes when we are kind to each other, when we don't judge or categorize someone else, when we simply give each other the benefit of the doubt or remain quiet. Charity is accepting someone's differences, weaknesses, and shortcomings; having patience with someone who has let us down; or resisting the impulse to become offended when someone doesn't handle something the way we might have hoped. Charity is refusing to take advantage of another's weakness and being willing to forgive someone who has hurt us. Charity is expecting the best of each other.
None of us need one more person bashing or pointing out where we have failed or fallen short. Most of us are already well aware of the areas in which we are weak. What each of us does need is family, friends, employers, and brothers and sisters who support us, who have the patience to teach us, who believe in us, and who believe we're trying to do the best we can, in spite of our weaknesses. What ever happened to giving each other the benefit of the doubt? What ever happened to hoping that another person would succeed or achieve? What ever happened to rooting for each other?
”
”
Marvin J. Ashton
“
Four wanders through the crowd of initiates, watching us as we go through the movements again. When he stops in front of me, my insides twist like someone is stirring them with a fork. He stares at me, his eyes following my body from my head to my feet, not lingering anywhere - a practical, scientific gaze.
"You don't have much muscle", he says, "which means you're better off using your knees and elbows. You can put more power behind them."
Suddenly he presses a hand to my stomach. His fingers are so long that, though the heel of his hand touches one side of my rib cage, his fingertips still touch the other side. My heart pounds so hard my chest hurts, and I stare at him, wide-eyed.
"Never forget to keep tension here", he says in a quiet voice.
Four lifts his hand and keeps walking. I feel the pressure of his palm even after he's gone. It's strange, but I have to stop and breathe for a few seconds before I can keep practicing again.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Perhaps the greatest charity comes when we are kind to each other, when we don’t judge or categorize someone else, when we simply give each other the benefit of the doubt or remain quiet. Charity is accepting someone’s differences, weaknesses, and shortcomings; having patience with someone who has let us down; or resisting the impulse to become offended when someone doesn’t handle something the way we might have hoped. Charity is refusing to take advantage of another’s weakness and being willing to forgive someone who has hurt us. Charity is expecting the best of each other
”
”
Marvin J. Ashton
“
You bastard! Let me down!"
"Not on your life, beauty." The godlen claw gripped her tighter. "You get hurt, he'll kill me. Now quiet. I'm trying not to vomit." --Gwenvael to Annwyl
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
I’ve grown quiet now. You won’t hear me talk about you anymore. It doesn’t hurt like it used to. I suppose that is something to be thankful for.
”
”
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
“
Past one o’clock. You must have gone to bed.
The Milky Way streams silver through the night.
I’m in no hurry; with lightning telegrams
I have no cause to wake or trouble you.
And, as they say, the incident is closed.
Love’s boat has smashed against the daily grind.
Now you and I are quits. Why bother then
To balance mutual sorrows, pains, and hurts.
Behold what quiet settles on the world.
Night wraps the sky in tribute from the stars.
In hours like these, one rises to address
The ages, history, and all creation.
”
”
Vladimir Mayakovsky
“
The sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories,
but the panic kept growing, exploding in my chest. Tears falling on the desk
tick tick tick
me not making a sound
and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind,
but anxiety eats you up and I just want to be fine.
”
”
Charlotte Eriksson
“
All jokes aside, if you hurt her again, I will fucking murder you, and I’m not talking about a nice quiet murder, I’m talking dick cut off, internal organs everywhere kind of murder. So please, be mindful of that.
”
”
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
“
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
”
”
Dorothy Parker (The Portable Dorothy Parker)
“
I shook with helplessness and rage, but also with fear. This was what fighting back earned you. More abuse. More death. Half a dozen Jews would be murdered today because one man refused to die without a fight. To fight back was to die quickly and to take others with you.
This was why prisoners went meekly to their deaths. I had been so resolved to fight back, but I knew then that I wouldn't. To suffer quietly hurt only you. To suffer loudly, violently, angrily--to fight back--was to bring hurt and pain and death to others.
”
”
Alan Gratz (Prisoner B-3087)
“
Adults who were hurt as children inevitably exhibit a peculiar strength, a profound inner wisdom, and a remarkable creativity and insight. Deep within them - just beneath the wound - lies a profound spiritual vitality, a quiet knowing, a way of perceiving what is beautiful, right, and true. Since their early experiences were so dark and painful, they have spent much of their lives in search of the gentleness, love, and peace they have only imagined in the privacy of their own hearts.
”
”
Wayne Muller (Legacy of the Heart: The Spiritual Advantage of a Painful Childhood)
“
I could do a lot of things. I have done a lot of things, and sometimes, I do hurt people, he said quietly, softly. But I could never hurt you.
”
”
Jennifer L. Armentrout (The Darkest Star (Origin, #1))
“
Camille?" Her voice quiet and girlish and unsure. "You know how people sometimes say they have to hurt because if they don't, they're so numb they won't feel anything?"
"Mmm."
"What if it's the opposite?" Amma whispered. "What if you hurt because it feels so good? Like you have a tingling, like someone left a switch on in your body. And nothing can turn that switch off except hurting? What does that mean?"
I pretended to be asleep. I pretended not to feel her fingers tracing vanish over and over on the back of my neck.
”
”
Gillian Flynn (Sharp Objects)
“
Imagine taking that last drive to the hospital," I said quietly. "The last time you'll ever drive a car."
Without looking over at me, Augustus said, "You're killing my vibe here, Hazel Grace. I'm trying to observe young love in it's many-splendored awkwardness."
"I think he's hurting her boob," I said.
"Yes it's difficult to ascertain whether he is trying to arouse her or perform a breast exam.
”
”
John Green (The Fault in Our Stars)
“
After all this time, she still had not found an end to her grief. It was a dark well, an echoing place into which she’d once cast a stone, sure that it would strike bottom and she would stop hurting. Instead, it just kept falling. She forgot about the stone, forgot about the well, sometimes for days or even weeks at a time. Then she would think Liliyana’s name, or her eye would pause on the little boat painted on her bedroom wall, its two-starred flag frozen in the wind. She’d sit down to write a letter and realize she had no one to write to, and the quiet that surrounded her became the silence of the well, of the stone still falling.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
Sometimes being crazy is a demon. And sometimes the demon is me. And I visit quiet sidewalks and loud parties and dark movies, and a small demon looks out at the world with me. Sometimes it sleeps. Sometimes it plays. Sometimes it laughs with me. Sometimes it tries to kill me. But it’s always with me. I suppose we’re all possessed in some way. Some of us with dependence on pills or wine. Others through sex or gambling. Some of us through self-destruction or anger or fear. And some of us just carry around our tiny demon as he wreaks havoc in our mind, tearing open old dusty trunks of bad memories and leaving the remnants spread everywhere. Wearing the skins of people we’ve hurt. Wearing the skins of people we’ve loved. And sometimes, when it’s worst, wearing our skins.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
It was a sort of ferocious, quiet beauty, the sort that wouldn’t let you admire it. The sort of beauty that just always hurt.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.”
Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?”
“Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.”
“Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?”
“One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.”
He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.”
“I already feel that way,” I said quietly.
Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.”
I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Do you think she’s crossed over? I mean, I’ve always wanted her to figure things out, but I never expected her to cross over the very instant she remembered. What if she’s gone?”
“We’ll celebrate.”
Still, she kept quiet. “I know it’s difficult to believe, but something is going on. Sara is not like this. She would never do anything to hurt me. I didn’t even say good-bye.
”
”
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
“
Since that night a couple of weeks ago when Valerie had stayed with
him, they had barely separated. The stories of Rabbit’s Revenge droned
on and on talking of the impending doom of the planet and the international
scientific community’s various attempts to determine a course of
action to prevent it.
For Jeremy, however, each passing day left him feeling more and
more certain he was missing something. It was just a nagging little sensation
that lingered like an itch on the back of his neck. With Valerie
now firmly implanted in his life, it was a wonder he even thought about
it at all, but during his quiet moments and when he awoke in the mornings
or even during his more intense workouts, the sensation crept back
up on him. It seemed to center around the experience of having his life
pass before his eyes, but beyond that it was just nebulous.
And annoying.
”
”
Jody Summers (The Mayan Legacy)
“
When Hades decided he loved this girl
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.
Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness
Gradually, he thought, he’d introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she’d find it comforting.
A replica of earth
except there was love here.
Doesn’t everyone want love?
He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.
Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns—
That’s what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there’d be no more smelling here,
certainly no more eating.
Guilt? Terror? The fear of love?
These things he couldn’t imagine;
no lover ever imagines them.
He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone’s Girlhood.
A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you
but he thinks
this is a lie, so he says in the end
you’re dead, nothing can hurt you
which seems to him
a more promising beginning, more true.
”
”
Louise Glück
“
They wanted it because they've got some sort of darkness in them. And maybe because they like pain. Because pain turns them on. Well, maybe it turns me on, too," she said quietly. "In fact, I know it does, because loving you hurts. And yet, I still come back for more.
”
”
Larissa Ione (Desire Unchained (Demonica, #2))
“
And sometimes, healing is rest; it is hiding from the world, it is having everything inside of you be still and quiet and eerily bare. Sometimes healing feels like nothing at all, like you are a silhouette of hope and hurt at the same time.
”
”
Bianca Sparacino (The Strength In Our Scars)
“
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell.
I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her.
Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
”
”
Nina LaCour (Hold Still)
“
So what is it in a human life that creates bravery, kindness, wisdom, and resilience? What if it's pain? What if it's the struggle?... The bravest people I know are those who've walked through the fire and come out on the other side. They are those who've overcome, not those who've had nothing to overcome. .. (P)eople who are hurting don't need Avoiders, Protectors, or Fixers. What we need are patient, loving witnesses. People to sit quietly and hold space for us. People to stand in helpless vigil to our pain.
”
”
Glennon Doyle Melton (Love Warrior)
“
I am not sad anymore.
I am not weak or tender or quiet like you remember because the second you said those words and closed that door, I sold my soul to the part of myself I had buried in order to love you, to let you touch every inch of my rotten body, for I wanted to be touchable and not so strange. Not so sad and tender, like I’ve always been, they say, so I changed.
And then your glances and words throwing knives with no return about my change of habits and ways of living, being, and I nodded and smiled, dying silently a little bit inside.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
Now we will count to twelve
and we will all keep still.
For once on the face of the earth
let's not speak in any language,
let's stop for one second,
and not move our arms so much.
It would be an exotic moment
without rush, without engines,
we would all be together
in a sudden strangeness.
Fishermen in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.
Those who prepare green wars,
wars with gas, wars with fire,
victory with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.
What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.
If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.
Now I'll count up to twelve
and you keep quiet and I will go.
”
”
Pablo Neruda
“
I nodded toward Cade’s wrist. “I’m sorry.”
“It’s fun. I get a man bracelet.”
I smiled. “I don’t think you get to keep it. She’s just using you as her model.”
“Her model?”
“It’s a fact, not a compliment.”
“Because if you gave me a compliment you might have a stroke.”
I laughed. “Probably not a stroke, but my brain would definitely revolt in some way.”
He didn’t laugh along with me, just looked at the cording on his wrist.
“Oh, stop, you don’t need me to tell you that you’re hot to know that it’s true.”
“Are you okay? Did that hurt your head?” Cade asked.
I kicked his foot with mine and he laughed.
“So you think I’m hot?” Cade’s eyes sparkled.
“Doesn’t every girl?”
It surprised me when his cheeks turned a light shade of pink. I wasn’t sure why that embarrassed him in any way. I was positive he already knew it. He ran one hand through his hair. Then he said, almost too quiet for me to hear, “You’re not every girl.
”
”
Kasie West (P.S. I Like You)
“
The marquis de Carabas was not a good man, and he knew himself well enough to be perfectly certain that he was not a brave man. He had long since decided that the world, Above or Below, was a place that wished to be deceived, and, to this end, he had named himself from a lie in a fairy tale, and created himself--his clothes, his manner, his carriage--as a grand joke.
There was a dull pain in his wrists and his feet, and he was finding it harder and harder to breathe. There was nothing more to be gained by feigning unconsciousness, and he raised his head, as best he could, and spat a gob of scarlet blood into Mr. Vandemar's face.
It was a brave thing to do, he thought. And a stupid one. Perhaps they would have let him die quietly, if he had not done that. Now, he had no doubt, they would hurt him more.
And perhaps his death would come the quicker for it.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
...both he and she were creek beds, quiet when they were full and quiet when they were dry. But when they were half-full, wearing a coat of shallow water, the current bumped over the rocks and valleys in the creek beds, wearing down the earth. Giving someone else a little of who they were hurt more than giving up none or all of it.
”
”
Anna-Marie McLemore (When the Moon Was Ours)
“
It may well be that we can never fully adapt to our own deformities. Unable to
find a place inside ourselves for the very real pain and suffering that these deformities cause, we come here to get away from such things. As long as we are here, we can get by without hurting others or being hurt by them because we know that we are "deformed". That's what
distinguishes us from the outside world: most people go about their lives unconscious of their deformities, while in this little world of ours the deformities themselves are a precondition. Just as Indians wear
feathers on their heads to show what tribe they belong to, we wear our deformities in the open. And we live quietly so as not to hurt one another.
”
”
Haruki Murakami (Norwegian Wood)
“
It is through the tender austerity of our troubles that the Son of Man comes knocking. In every event He seeks an entrance to my heart, yes, even in my most helpless, futile, fruitless moments. The very cracks and empty crannies of my life, my perplexities and hurts and botched-up jobs, He wants to fill with Himself, His joy, His life...He urges me to learn of Him: 'I am gentle and humble in heart.
”
”
Elisabeth Elliot
“
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?'
That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?'
I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out.
Jacks laughed, louder this time.
Embarrassment surged through her. 'That's not what I meant to say.'
'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away.
She made a sound somewhere between a squeal and a gasp. 'What that really necessary?'
'No, but everyone should have their clothes ripped off at some point.'
She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest.
Out of the corner of her eye, she thought she saw him smile.
And for a second, nothing hurt.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I sat down on the cot, curling up on my side and tried to stay quiet as I wept. But the thing writhing inside me was too angry to be calmed. It was too hurt to be hushed. It was a living, breathing thing and it was trying to swallow me whole. And maybe it would. I cried until I couldn’t cry anymore and only the sound of the fire remained.
”
”
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
“
Wherever you turn, you run up against your childhood and hurt yourself because it’s sharp-edged and hard, and stops only when it has torn you completely apart. It seems that everyone has their own and each is totally different. My brother’s childhood is very noisy, for example, while mine is quiet and furtive and watchful. No one likes it and no one has any use for it.
”
”
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
“
I expected Abe to yell for everyone to shut up or something like that. Of course, Nathan had been trying that for a while with no results. So, I was quite shocked-as was everyone else- when Abe put a finger to his lips and let out the most ear-piercing whistle I had ever heard. A whistle like that through a microphone? Yeah. It hurt my ears. It had to be worse for the Moroi, and the screeching feedback in the speakers didn't help.
The room quieted enough for him to be heard. "Now that you have some sense to keep your mouths shut," said Abe,"we have...some things to say.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
You're going to pee in someone's suitcase?"
"Do you have any other ideas?"
And suddenly Miracolina begins to snicker, then giggle, then giggle, then cackle uncontrollably. "He's going to pee in someone's suitcase!"
"Quiet! Do you want people on the bus to hear you?"
But Miracolina is beyond help. She's entered into a fullfledged laughter fit-the kind that leaves your stomach hurting. "They're gonna open their suitcase," she blurts between bursts of glee, "And their clothes’ll be full of pee!
”
”
Neal Shusterman (UnWholly (Unwind, #2))
“
And Pantalaimon didn't ask why, because he knew; and he didn't ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn't be able to resist; so the dæmon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn't hurt, it wouldn't be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.
”
”
Daphne du Maurier (Rebecca)
“
On the outside, Oscar simply looked tired, no taller, no fatter, only the skin under his eyes, pouched from years of quiet desperation, had changed. Inside, he was in a world of hurt. He saw black flashes before his eyes. He saw himself falling through the air. He knew what he was turning into. He was turning into the worst kind of human on the planet: an old bitter dork. Saw himself at the Game Room, picking through the miniatures for the rest of his life. He didn't want this future but he couldn't see how it could be avoided, couldn't figure his way out of it.
Fukú.
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
I just don't understand what you see in her," Sim said carefully. "I know she's charming. Fascinating and all of that. But she seems rather," he hesitated, "cruel."
I nodded. "She is."
Simmon watched me expectantly, finally said. "What? No defense for her?"
"No. Cruel is a good word for her. But I think you are saying cruel and thinking of something else. Denna is not wicked, or mean, or spiteful. She is cruel."
Sim was quiet for a long while before responding. "I think she might be some of those things, and cruel as well."
Good, honest gentle Sim. He could never bring himself to say bad things about another person, just imply them. Even that was hard for him.
He looked up at me. "I talked with Savoy. He's still not over her. He really loved her, you know. Treated her like a princess. He would have done anything for her. But she left him anyway, no explanation."
"Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna."
"What's a hind?"
"A deer."
"I thought that was a hart?"
"A hind is a female deer. A wild deer. Do you know how much good it does you to chase a wild thing? None. It works against you. It startles the hind away. All you can do is stay gently where you are, and hope in time that the hind will come to you.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
You died here," I said quietly.
"October -"
"I wasn't here, and the girl I'm supposed to be finding was, and you died ." I looked up at him, glaring through the tears in my eyes. I left my fingers balanced on the floor, letting his blood sing its song of pain and longing. Longing to live; refusal to let go of the world. Maybe that's what differentiates the Kings and Queens of Cats from the rest of Faerie. They have a cat's stubbornness and the power to back it up. So when death says, "Go," they just refuse.
My heart hurt. My heart hurt so badly, and I was still trying to recover from Connor, and oh, Titania, I couldn't do this again. The thought startled me. I froze where I was, still glaring.
Tybalt sighed. "I know." he hesitated before adding, "This is not the time, and this is not the place, and my nephew needs us. But I ask you to consider this. I got better. I will always get better." He hesitated again - possibly the first time I'd ever seen him pause more than once after he'd decided he was going to say something.
Finally, he said, "Some of us, October, will not leave you.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
I'll tell the truth; all of my songs
Are pretty much the fucking same
I'm not a faerie but I need
More than this life so I became
This creature representing more to you
Than just another girl
And if I had a chance to change my mind
I wouldn't for the world
Twenty years
Sinking slowly
Can I trust you
But I don't want to
I don't want to be a legend
Oh well that's a god damned lie - I do
To say I do this for the people
I admit is hardly true
You tell me everything's all right
As though it's something you've been through
You think this torment is romantic
Well it's not except to you
Twenty years
Sinking slowly
Can I trust you
But I don't want to
I will swallow
If it will help my sea level go down
But I'll come back to haunt you if I drown
Low tide and high tea
The oysters are waiting for me
If I'm not there on time
I'll send my emissary
If I photoshop you
Out of every picture I could
Go quietly quiet
But would that do any good
Will it hurt? No it won't
Then what am I so afraid of
Filthy victorians
They made me what I'm made of
The brighter the light
The darker the shadow
I don't need a minder
I've made up my mind
Go away
”
”
Emilie Autumn
“
After a while Mary said, “Zsadist?”
“Yeah?”
“What are those markings?”
His frowned and flicked his eyes over to her, thinking, as if she didn’t know? But then . . . well, she had been a human. Maybe she didn’t. “They’re slave bands. I was . . . a slave.”
“Did it hurt when they were put on you?”
“Yes.”
“Did the same person who cut your face give them to you?”
“No, my owner’s hellren did that. My owner . . . she put the bands on me. He was the one who cut my face.”
“How long were you a slave?”
“A hundred years.”
“How did you get free?”
“Phury. Phury got me out. That’s how he lost his leg.”
“Were you hurt while you were a slave?”
Z swallowed hard. “Yes.”
“Do you still think about it?”
“Yes.” He looked down at his hands, which suddenly were in pain for some reason. Oh, right. He’d made two
fists and was squeezing them so tightly his fingers were about to snap off at the knuckles.
“Does slavery still happen?”
“No. Wrath outlawed it. As a mating gift to me and Bella.”
“What kind of slave were you?”
Zsadist shut his eyes. Ah, yes, the question he didn’t want to answer. For a while it was all he could do to force himself to stay in the chair. But then, in a falsely level voice, he said,
“I was a blood slave. I was used by a female for blood.”
The quiet after he spoke bore down on him, a tangible weight.
“Zsadist? Can I put my hand on your back?”
His head did something that was evidently a nod, because Mary’s gentle palm came down lightly on his
shoulder blade. She moved it in a slow, easy circle.
“Those are the right answers,” she said. “All of them.”
He had to blink fast as the fire in the furnace’s window became blurry. “You think?” he said hoarsely.
“No. I know.
”
”
J.R. Ward (Father Mine (Black Dagger Brotherhood, #6.5))
“
I lay there wrapped in Carter’s arms and it was the most comfortable I had ever been. For about five minutes. This just proved that everything they did in the movies was a load of bullshit. His arm was under my neck on the pillow which tilted my head at an awkward angle. I could already feel the beginnings of a kink. I was starting to sweat like a whore in church with his other arm heavily draped over my waist and his legs tangled with mine. With my sweaty ass and his itchy leg hair, it felt like I had a hundred mosquito bites on my legs. It would be wrong to kick him now, right? I shifted my body just the tiniest bit. I didn't want him to think I didn't want to cuddle, but I was going insane trying to lie perfectly still. . . .
"Out with it, Claire," Carter mumbled close to my ear.
Shit. Now it was going to get awkward. We just now had sex for the first time in years and I was going to tell him to get away from me so I could sleep. I am the most unromantic person in the world. . . .
"My neck is killing me and I'm so hot right now my skin could start a blanket fire," I rambled. Carter was quiet. Too quiet. Shit, I hurt his feelings. "Oh, thank fucking God," he said as he pulled both of his arms out from around me. "My arm fell asleep and my legs were getting a cramp.
”
”
Tara Sivec
“
Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth.
Anger is the demand of accountability, It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope.
How much anger is too much? Certainly not the anger that, for many of us, is a remembering of a self we learned to hide and quiet. It is willful and disobedient. It is survival, liberation, creativity, urgency, and vibrancy. It is a statement of need. An insistence of acknowledgment. Anger is a boundary. Anger is boundless. An opportunity for contemplation and self-awareness. It is commitment. Empathy. Self-love. Social responsibility. If it is poison, it is also the antidote. The anger we have as women is an act of radical imagination. Angry women burn brighter than the sun.
In the coming years, we will hear, again, that anger is a destructive force, to be controlled. Watch carefully, because not everyone is asked to do this in equal measure. Women, especially, will be told to set our anger aside in favor of a kinder, gentler approach to change. This is a false juxtaposition. Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most—those who have looked to themselves and the limitations and adversities that come with our bodies and the expectations that come with them—have all found ways to transform their anger into meaningful change. In them, anger has moved from debilitation to liberation.
Your anger is a gift you give to yourself and the world that is yours. In anger, I have lived more fully, freely, intensely, sensitively, and politically. If ever there was a time not to silence yourself, to channel your anger into healthy places and choices, this is it.
”
”
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
“
I need a break after school," she told me later. "School is hard because a lot of people are in the room, so you get tired. I freak out if my mom plans a play date without telling me, because I don't want to hurt my friends' feelings. But I'd rather stay home. At a friend's house you have to do the things other people want to do. I like hanging out with my mom after school because I can learn from her. She's been alive longer than me. We have thoughtful conversations. I like having conversations because they make people happy.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
The law presumably says that it is finest to keep as quiet as possible in misfortunes and not be irritated, since the good and bad in such things aren't plain, nor does taking it hard get one anywhere, not are any of the human things worthy of great seriousness.... One must accept the fall of the dice and settle one's affairs accordingly-- in whatever way argument declares would be best. One must not behave like children who have stumbled and who hold on to the hurt place and spend their time in crying out; rather one must always habituate the soul to turn as quickly as possible to curing and setting aright what has fallen and is sick, doing away with lament by medicine.
”
”
Socrates
“
A high school student wrote to ask, "What was the greatest event in American history?" I can't say. However, I suspect that like so many "great" events, it was something very simple and very quiet with little or no fanfare (such as someone forgiving someone else for a deep hurt that eventually changed the course of history). The really important "great" things are never center stage of life's dramas; they're always "in the wings". That's why it's so essential for us to be mindful of the humble and the deep rather than the flashy and the superficial.
”
”
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
“
Lily slumped, putting her shaking hands on his shoulders. "But you will, won't you?" Pansy's voice broke into a sob.
"Yes, Pan," Galen said quietly.
"I don't like that," Pansy said. Galen stood and put his arms around the fine-boned girl, while Rose continued to comfort Lily. Oliver looked away. It was such a private moment; he hated to intrude on it. Galen was beloved by all of the sisters, but the love between him and Rose was so clear and shining that it hurt to look at them, spending their last hours together caring for the other girls.
”
”
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
“
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first."
Why me? "Right. Any other tips?" Her sarcasm whistled right over his head.
"Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally."
Rose put down her fork. "Lord Submarine..."
"Camarine."
"Whatever."
"You can call me Declan." He said it as if granting her a knighthood. The nerve.
"Declan, then. How did you spend your day?"
He frowned.
"It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?"
"I rested from my journey," he said with a sudden regal air.
"You took a nap"
"Possibly."
"I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself."
The look on his face was worth having him under her roof. As if he had gotten slapped.
She smiled at him. "Oh and thank you for the pancakes. They are delicious.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
”
”
John Steinbeck (The Grapes of Wrath)
“
She blames herself. I hurt from knowing that I hurt her. Even when we know all of these other people are to blame. My friends. The media. Not her. Not me.
I can’t help myself. I continue the cycle and I say, “I don’t want to hurt you.”
Lily is quiet for a moment before she says, “I’m tougher than you think. You just need to believe in me. You know, like a fairy.”
I do believe in fairies. I do. I do. The jubilant chorus from Peter Pan fills my ears.
I look up at her, tears in both our eyes. Is that how we end this? I trust that I can share my grief with her and that she won’t crumble beneath the pain?
She nods to me like go on. I can handle it.
”
”
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
“
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest.
His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes.
"What? What's wrong?"
I shake my head.
"Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me."
I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me.
"Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is."
"What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris."
"I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..."
"What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to."
I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him.
"I'm going to leave now," I say quietly. And I turn toward the door.
"No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us.
"I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you."
"You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?"
"What?" He releases my wrists, and the hurt look is back. "You're afraid of me?"
"Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..."
"Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too."
"Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know."
"Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise."
I believe him.But this has nothing to do with his kindness.
He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
You stop noticing pain, is the thing.
You notice it when it’s really bad, or when it’s different, but… on the rare occasion someone asks me what it’s like to live with RA, I don’t ever know what to say. They ask me if its painful, and I say yes because I know intellectually it must be, because the idea of doing some of the things that other people do without thinking fills me with dread and panic, but I always think about it mechanically. I can’t do x. I don’t want to do y. I don’t continue the thought into I can’t do that because it would hurt. I don’t want to do that because then I would be in pain.
You can’t live like that. There’s only so much you can carry quietly by yourself, so you turn an illness into a list of rules instead of a list of symptoms, and you take pills that don’t help, and you do stretches, and you think instead of feeling. You think.
”
”
Hannah Moskowitz (Sick Kids in Love)
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
Brambleclaw's tail filicked angrily. "Did there have to be so many lies?" He was staring at Squirrelflight. "Couldn't you have told me the truth?"
Squirrelflight dipped her head. "It was never my secret to tell. Leafpool had so much to lose".
"She lost everything anyway", Brambleclaw snarled.
"No, I didn't". Leafpool lifted her muzzle. "I watched my kits grow into fine warrior, and I still serve my Clan with all my heart".
Lionblaze felt his heart prick. Perhaps this was the truth that was most important. Leafpool had sacrificed so much and, even though her kits rejected her time and again, she'd never stopped loving them. In his darkest moments, he couldn't deny that.
"Brambleclaw, I'm sorry". Squirrelflight moved closer to the ThunderClan deputy. Her voice was stronger now, as if she was tired of being punished for something she had believed to be right. "You have to understand that I never intended to hurt you. I loved you, and was proud to raise these kits with you. You were a wonderful father".
"But I wasn't their father!" Brambleclaw hissed.
"Yes, you were!" Squirrelflight thrust her muzzle close to Brambleclaw's. Her eyes blazed. "Don't throw away everything just because you are angry with me!"
Lionblaze swallowed. "I was so proud to be your son".
Brambleclaw looked at him in surprise, as if he'd forgotton Lionblaze was there. Something in the deputy's expression changed. "And I couldn't have asked for a better son. And you Jayfeather. Or a better daughter, Hollyleaf." Hollyleaf opened her mouth as if to protest, but Brambleclaw spoke first. "You played no part in this deception, I know that. Whatever you did, it was because of the lies taht had been told when you were born."
"It was my fault alone," Leafpool meowed quietly. "You are wrong to blame Squirrelflight. She was just being loyal to me. And now that we know about the prophecy, surely the only thing that matters is that these kits were accepted by their Clan? It's not about us, after all. It's about them. Their destinies shaped ours, right from the moment they were born."
Squirrelflight nodded. "Everything was meant to be".
Lionblaze looked down at his paws. If these cats could accept their destinies, then he had enough courage to accept his. I am one of the Four.
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
I’M SORRY
I am developing a new board game. It’s called “I’m Sorry.” It’s also a form of “Self-Help Psychological Therapy!”
You take turns moving around the board like Monopoly. But if you land on a Yellow or Green “I’m Sorry Space”… you have to make a Phone call. Both green and yellow cards are labeled- the same with things like: Your Ex, Parental figure, friend, co-worker, boss, children, etc. You get the point…
If you land on the yellow space, the game stops, everyone gets quiet and you have to call that person up – on speakerphone. You apologize for something you’ve done in your past. Come on you know you are not perfect and you probably screwed up, hurt or disappointed everyone in your past at one time or another. So you call and you apologize. You explain what you did to them wrong if they forgive you, you move forward 10 places and everyone cheers! No forgiveness back- you move back to the beginning.
If you land on the green space- it’s similar. But you call the person up and you try to explain to them how, in someway, they hurt you in the past. If they apologize… cheers and you move forward 10 spaces. No apology… move backward ten spaces. They curse at you- game over.
In the original packaging of the yellow and green cards, are mixed in a set of “I’m Sorry Cards.” If you are lucky enough to get to pick up an “I’m Sorry Card,” it’s like a Get Out of Jail Free Card, and you don’t have to make the call.
The only catch is that the cards come hermetically sealed. After opening up the package, and the cards are exposed to air, all of the “I’m Sorry Cards,” magically turn into “Deal With it Cards!” And so, you really never get a free ride. In reality, every time you pick up a yellow or green card, you have to- Deal with It!
Of course you can always order a new factory set of sealed of “I’m Sorry Cards.” But they only last about 30 minutes and are very expensive, so you’ll have to play fast. Cute Game? Hey, don’t steal my idea!!!
”
”
José N. Harris (Mi Vida)
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
I mean that we hold the centre. We hold everything from Acquitart to Sicyon. Can we not call it a kingdom and rule it together? Am I such a poorer prospect than a Patran princess, or a daughter of the Empire?’ He made himself say no more than that, though the words crowded in his chest. He waited. It surprised him that it hurt to wait, and that the longer he waited, the more he felt he couldn’t bear to hear the answer, brought to him on a knife point. When he made himself look at Laurent, Laurent’s eyes on him were very dark, his voice quiet. ‘How can you trust me, after what your own brother did to you?’ ‘Because he was false,’ said Damen, ‘and you are true. I have never known a truer man.’ He said, into the stillness, ‘I think if I gave you my heart, you would treat it tenderly.’ Laurent turned his head, denying Damen his face. Damen could see his breathing. After a moment he said in a low voice, ‘When you make love to me like that, I can’t think.’ ‘Don’t think,’ said Damen. Damen
”
”
C.S. Pacat (Kings Rising (Captive Prince, #3))
“
What would you decide?” Darrow’s question was quiet, tentative. She considered it. No one had ever asked her such a thing. “I should have very much liked to live at Caraverre,” Evangeline admitted. She knew he did not recognize it, but it didn’t matter now, did it? “Murtaugh showed me the land—the rivers and mountains right nearby, the forests and hills.” An ache throbbed in her chest. “I saw the gardens by the house, and I would have liked to have seen them in spring.” Her throat tightened. “I would have liked for that to have been my home. For this … for all of Terrasen to have been my home.” Darrow said nothing, and Evangeline set a hand on the castle stones, gazing to the west now, as if she could see all the way to Allsbrook and the small territory in its shadow. To Caraverre. “That’s what Terrasen has always meant to me, you know,” Evangeline went on, speaking more to herself. “As soon as Aelin freed Lysandra, and offered to let us join her court, Terrasen has always meant home. A place where … where the sort of people who hurt us don’t get to live. Where anyone, regardless of who they are and where they came from and what their rank is can dwell in peace. Where we can have a garden in the spring, and swim in the rivers in the summer. I’ve never had such a thing before. A home, I mean. And I would have liked for Caraverre, for Terrasen, to have been mine.” She chewed on her lip. “So I would choose to fight. Until the very end. For my home, new as it is. I choose to fight.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason."
I nod and try to believe him.
"The others won't be as jealous if you show some vulnerability. Even if it isn't real."
"You think I have to pretend to be vulnerable?" I ask, raising an eyebrow.
"Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt.
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
"You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down."
The idea nauseates me.
"I don't think I can do that," I say hollowly. I lift my eyes to his.
"You have to."
"I don't think you get it." Heat rises into my face. "They touched me."
His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold.
"Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost."
I look away.
He is silent and still for so long that eventually,I have to say something.
"What is it?"
"I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?"
His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears.
I nod.
"But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them."
I laugh shakily. "You're a little scary, Four."
"Do me a favor," he says, "and don't call me that."
"What should I call you,then?"
"Nothing." He takes his hand from my face. "Yet.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud,
but I walked numbly through the park, round and round,
40 times for 4 hours
just wanting to make it through the day.
There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through
and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories,
but the panic kept growing, exploding in my chest. Tears falling on the desk
tick tick tick
me not making a sound
and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind,
but anxiety eats you up and I just want to be fine.
This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways
but you can not let it.
I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use.
the smoking and the starving, the running, the madness,
thinking it will help but it only feeds the fire
and I don't want to hurt myself anymore.
I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all.
And I have people around that I like and can laugh with, and it's spring again.
It will always be spring again.
And there will always be a new day.
”
”
Charlotte Eriksson
“
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago."
Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear."
But Mrs. Bentley had stubbornly kept them.
"It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen."
It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors."
If he were alive tonight, what would he say?
"You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture."
"Affidavits?"
No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you."
Mrs. Bentley nodded at the memory, breathing easier.
"Yes, I see. I see."
The gold-feruled cane lay silently on the moonlit rug.
"In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do."
She slept . . .
”
”
Ray Bradbury (Dandelion Wine)
“
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest.
Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it.
I winced as Ren’s hand brushed against my head, shaking me from my reverie.
“You’ve got a major bump here.”
I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again.
I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious.
“Ren, you’re in pain. You’ve been in this form too long today.”
He shook his head in denial, but I saw him grit his teeth.
I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.”
He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“
His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
10 facts about abusive relationships (what i wish i'd known)
1. it's not always loud. it's not always obvious. the poison doesn't always hit you like a gunshot. sometimes, it seeps in quietly, slowly. sometimes, you don't even know it was ever there until months after.
2. love is not draining. love is not tiring. this is not how it is supposed to be.
3. apologies are like band-aids, when what you really need is stitches– they don't actually fix anything long-term. soon enough, you'll be bleeding again, but they will never give you what you really need.
4. this is not your fault. you did not turn them into this. this is how they are, how they've always been. you can't blame yourself.
5. there will be less good days than bad days but the good days will be so amazing that it will feel like everything is better than it actually is. your mind is playing tricks on itself and your heart is trying to convince itself that it made the right choice.
6. they do not love you. they can not love you. this is not love.
7. you're not wrong for wanting to run, so do it. listen to what your gut is telling you.
8. you will let them come back again and again before you realize that they only change long enough for you to let them in one more time.
9. it's okay to be selfish and leave. there is never any crime in putting yourself first. when they tell you otherwise, don't believe them. don't let them tear you down. they want to knock you off your feet so that they can keep you on the ground.
10. after, you will look back on this regretting all the chances given, all the time wasted. you will think about what you know now, and what you would do differently if given the chance. part of you will say that you would never have even given them the time of the day, but another part of you, the larger one, will say that even after everything, you wouldn't have changed a thing. and as much as it will bother you, eventually, you will realize that that is the part that is right. because as much as it hurts, as much as you wish you'd never felt that pain, it has taught you something. it has helped you grow. they brought you something that you would have never gotten from somebody else. at the end of the day, you will accept that even now, you wouldn't go about it differently at all.
”
”
Catarine Hancock (how the words come)
“
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)