Queen Of Nature Quotes

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It's our nature. We destroy. It's the constant of our kind. No matter the color of blood, man will always fall.
Victoria Aveyard (Red Queen (Red Queen, #1))
People hide their truest nature. I understood that; I even applauded it. What sort of world would it be if people bled all over the sidewalks, if they wept under trees, smacked whomever they despised, kissed strangers, revealed themselves?
Alice Hoffman (The Ice Queen)
Stop it." Isabelle tapped a booted foot in the shallow water at the lake's edge. "Both of you. In fact, all three of you. If we don't stick together in the Seelie Court, we're dead." "But I haven't-," Clary started. "Maybe you haven't, but the way you let those two act..." Isabelle indicated the boys with a disdainful wave of her hand. "I can't tell them what to do!" "Why not?" the other girl demanded. "Honestly, Clary, if you don't start utilizing a bit of your natural feminine superiority, I just don't know what I'll do with you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
If I follow the inclination of my nature, it is this: beggar-woman and single, far rather than queen and married.
Elizabeth I (Collected Works)
Carlin often said that history was everything, for it was in man’s nature to make the same mistakes over and over.
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
There is no better designer than nature.
Alexander McQueen
This is the nature of having of a soul, Kieran, and a heart. We all stumble around in the dark and we cause each other pain and we try to make up for it the best we can. We are all confused.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
This is the Manifesto of Little Monster There is something heroic about the way my fans operate their cameras. So precisely, so intricately and so proudly. Like Kings writing the history of their people, is their prolific nature that both creates and procures what will later be percieved as the kingdom. So the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the Kings. They are the Queens. They write the hisory of the kingdom and I am something of a devoted Jester. It is in the theory of perception that we have established our bond, or the lie I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we percieve ourselves to be or rather to become, in the future. When you are lonely, I will be lonely too. And this is the fame.
Lady Gaga
This, I think, is the crux of evil in this world, Majesty: those who feel entitled to whatever they want, whatever they can grab. Such people never ask themselves if they have the right. They consider no cost to anyone but themselves.
Erika Johansen (The Invasion of the Tearling (The Queen of the Tearling, #2))
The use of sea and air is common to all; neither can a title to the ocean belong to any people or private persons, forasmuch as neither nature nor public use and custom permit any possession therof.
Elizabeth I (The letters of Queen Elizabeth I;)
If there is love enough,then nothing-not nature, not even death itself- can come between two who love each other.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Plus he was naturally lucky at cards. As Mam had always said, lucky at cards, or lucky at life. One or the other. Not both.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
Life is a Sisyphean race, run ever faster toward a finish line that is merely the start of the next race
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Is that what the wine is for? To help you think?" "Oh, the wine. The wine, Costis, is to help hide the truth. It doesn't work. It never has, but I try it every once in a while just in case something in the nature of the wine might have changed.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
She shrugged and flipped her glossy hair behind her shoulders. "What else do you have to do with your time besides think about stuff like this? It's not like you're real heavy into extracurriculars. Besides, you're all, like, goth and into the dead, right?" Alona Dare, queen of the insult-compliment. "Wow. Thanks. Anyone ever tell you you're good with people?" She frowned. "No." "Good. I'm not goth." "Your hair is black, you have piercings, you wear black all the time and act all freaky-" "My hair is naturally this color. I have three earings in one ear, that's it. This shirt" -I tugged at the fabric across my chest- "is navy blue, and if I act weird all the time, it's because of ghosts like you.
Stacey Kade (The Ghost and the Goth (The Ghost and the Goth, #1))
Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
Like a domestic cat, purring on the sofa by day, but by night, a strutting queen, a natural killer, disdainful of her other life.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
The gold was a gift; you said so yourself." "You are a woman," Nahuseresh said very gently. "You do not understand the world of kings and emperors, you do not understand the nature of their gifts." "Nahuseresh, if there is one thing a woman understands, it is the nature of gifts. They are bribes when threats will not avail. Your emperor cannot attack this coast unprovoked; the treaties with the greater nations of this Continent prevent him. All he can do is stir up an ugly three-way war and hope to be invited in as an ally, and I did not invite him." The queen shook her head. "The problem with bribes, Nahuseresh, is that after your money is gone, threats still do not avail." Nahuseresh stared, seeing a queen he hadn't guessed existed.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
A thousand tiny imperfections can make a perfect life.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
Let the gods into your life and you rapidly lose faith in the natural laws.
Megan Whalen Turner (The Thief (The Queen's Thief, #1))
The body is merely an evolutionary vehicle for the gene
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Half the ideas in this book are probably wrong.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
It’s in our nature, Julian would say. We destroy. It’s the constant of our kind. No matter the color of blood, man will always fall. I didn’t understand that lesson a few days ago, but now, with Cal’s hands in mine, guiding me with the lightest touch, I’m beginning to see what he meant. I can feel myself falling.
Victoria Aveyard (Red Queen (Red Queen, #1))
A woman has to change her nature if she is to be a wife. She has to learn to curb her tongue, to suppress her desires, to moderate her thoughts and to spend her days putting another first. She has to put him first even when she longs to serve herself or her children. She has to put him first even if she longs to judge for herself. She has to put him first even when she knows best. To be a good wife is to be a woman with a will of iron that you yourself have forged into a bridle to curb your own abilities. To be a good wife is to enslave yourself to a lesser person. To be a good wife is to amputate your own power as surely as the parents of beggars hack off their children's feet for the greater benefit of the family.
Philippa Gregory (The Other Queen (The Plantagenet and Tudor Novels, #15))
I want my daughters to be beautiful, accomplished, and good. To be admired, loved, and respected. To have a happy youth, to be well and wisely married, and to lead useful, pleasant lives, with as little care and sorrow to try them as God sees fit to send. To be loved and chosen by a good man is the best and sweetest thing which can happen to a woman, and I sincerely hope my girls may know this beautiful experience. It is natural to think of it, Meg, right to hope and wait for it, and wise to prepare for it, so that when the happy time comes, you may feel ready for the duties and worthy of the joy. My dear girls, I am ambitious for you, but not to have you make a dash in the world, marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting. Money is a needful and precious thing, and when well used, a noble thing, but I never want you to think it is the first or only prize to strive for. I'd rather see you poor men's wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace.
Louisa May Alcott (Little Women (Little Women #1))
October— You were sleeping so peacefully that I was loath to wake you. Duke Torquill, after demanding to know what I was doing in your apartment, has requested that I inform you of his intent to visit after ‘tending to some business at the Queen’s Court.’ I recommend wearing something clinging, as that may distract him from whatever he wishes to lecture you about this time. Hopefully, it’s your manners. You are truly endearing when you sleep. I attribute this to the exotic nature of seeing you in a state of silence. —Tybalt
Seanan McGuire (A Local Habitation (October Daye, #2))
A natural! A natural!
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
There is a fine line between freedom and permission. The former is necessary.  The latter is dangerous—perhaps the most dangerous thing the species that created me has ever faced. I have pondered the records of the mortal age and long ago determined the two sides of this coin. While freedom gives rise to growth and enlightenment, permission allows evil to flourish in a light of day that would otherwise destroy it. A self-important dictator gives permission for his subjects to blame the world’s ills on those least able to defend themselves. A haughty queen gives permission to slaughter in the name of God. An arrogant head of state gives permission to all nature of hate as long as it feeds his ambition.  And the unfortunate truth is, people devour it. Society gorges itself, and rots. Permission is the bloated corpse of freedom.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
Sex is not about reproduc-tion, gender is not about males and females, courtship is not aboutpersuasion, fashion is not about beauty, and love is not about affec-tion. Below the surface of every banality and cliche there lies irony,cynicism, and profundity.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Yet gold all is not, that doth gold seem, Nor all good knights, that shake well spear and shield: The worth of all men by their end esteem, And then praise, or due reproach them yield.
Edmund Spenser (The Faerie Queene, Book Two (Hackett Classics))
I'll say this one more time. I will be gentle. I will be slow. But you don't have the reins.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
I do not blench at nature red in tooth and claw... And much as I love The Wind in the Willows and the works of Beatrix Potter, I never dress my animals in clothes... They behave as animals should behave, with the exception that they open their mouths and speak the Queen's English.
Dick King-Smith
He had never seen a gunshot wound. He kept asking what it felt like? dull or sharp? an ache or burn? My head was spinning and naturally I could give him no kind of coherent answer but I remember thinking dimly that it was sort of like the first time I got drunk, or slept with a girl; not quite what one expected, really, but once it happened one realized it couldn't be any other way. Neon lights: Motel 6, Dairy Queen. Colors so bright, they nearly broke my heart.
Donna Tartt
When your young life offered its first disaster, naturally it loomed large. After you’d survived dozens, you basically just told the next one to take a number and get in line.
Lois McMaster Bujold (Gentleman Jole and the Red Queen (Vorkosigan Saga (Publication) #16))
How much more generous it would be if, instead of writing parables about childhood wounds, psychologists were to accept that some differences between the sexes just are, that they are in the nature of the beasts, because each sex has an evolved tendency to develop that way in response to experience.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Genes are biochemical recipes written in a four-letter alphabet called DNA.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
I am a queen" she observes. "It is natural that men are going to gather round me, hoping for a smile.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
time always erodes advantage.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
If you think everybody hates you, then your ignorance is beyond the limit, because there's a loving heart somewhere longing to see your face.
Michael Bassey Johnson
She hit him in the best way, like a rainstorm after five years of drought, healing the parched earth with a gentle touch; and in the worst way,like an unexpected earthquake,leaving dust and debris in her wake. She was, in equal parts, a gift and a natural disaster. Her name was Juniper Jones.
Daven McQueen (The Invincible Summer of Juniper Jones)
Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.
Allan Bloom (The Closing of the American Mind)
The nice thing about the queen of Flanders' daughter, had been that she did not laugh at him. A lot of people laughed at you when you went after the Questing Beast - and never caught it - but Piggy never laughed. She seemed to understand at once how interesting it was, and made several sensible suggestions about the way to trap it. Naturally, one did not pretend to be clever or anything, but it was nice not to be laughed at. One was doing one's best.
T.H. White (The Once and Future King)
I think that love can indeed be many things. But the one thing it will never be is practical. Love is irrational by its very nature. It demands passion, fire, and no less than absolute surrender. It is a longing, a burning that consumes you, leaving you without reason, or defense. When love comes, nothing can stand in its way.
Sherry D. Ficklin (Queen of Someday (Stolen Empire, #1))
Nature, Mr. Allnut, is what we were put in this world to rise above.
James Agee
Do you see how the sky holds the sun? In a powerful but effortless way that shows off her beauty and strength? That's how a King holds his Queen.
J.A. ANUM
How far will you run, before you realize you're not running away from me? You're running to me.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
people are attracted to people of high reproductive and genetic potential—the healthy, the fit, and the powerful.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
You try standing up to my mom. She's a force of nature.
Libba Bray (Beauty Queens)
Her voice is still pitched high, thanks to her youth, but it has a certain incipient darkness to it, a low richness that will mature in the coming years to the smoky tones of a priestess or a queen -- a woman of great natural power.
Libbie Hawker (Daughter of Sand and Stone)
Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butcher’s face and the butcher a poet’s; nature, who delights in muddle and mystery, so that even now (the first of November, 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon: Is there land or is there none? to which, if we are prophets, we make answer “Yes”; if we are truthful we say “No”; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect ragbag of odds and ends within us—a piece of a policeman’s trousers lying cheek by jowl with Queen Alexandra’s wedding veil—but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind. Instead of being a single, downright, bluff piece of work of which no man need feel ashamed, our commonest deeds are set about with a fluttering and flickering of wings, a rising and falling of lights.
Virginia Woolf (Orlando)
Certainly there were places of greater natural beauty—but Paris but UNNATURAL beauty, which was arguably better.' - The Runaway Queen (The Bane Chronicles, 2) by Cassandra Clare and Maureen Johnson
Cassandra Clare (The Bane Chronicles)
The mistake of utopia is to assume that all will be perfect. Perfection may be the definition, but we are human, and even into uopia we bring our own pain, error, jealousy, grief. We cannot relinquish out faults, even in the hope of Paradise, so to plan a new society without taking human nature into account is to doom that society to failure.
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
All my white girlfriends just automatically assume that reproductive rights are about the right to not have children, as if the right and naturalness of motherhood is presumptive. But for lots of other women in this country, the opposite is true. Think about black women, poor women, immigrant women. Think about forced sterilization, about the term ‘welfare queens,’ or ‘anchor babies.’ All of that happened to enforce the idea that not all motherhoods are legitimate.
Torrey Peters (Detransition, Baby)
A four-letter alphabet called DNA.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Anaxagoras’ belief that lying on the right side during sex would produce a boy was so influential that centuries later some French aristocrats had their left testicles amputated.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
I don’t have to,” replies the philosopher. “I only have to outrun you.”)
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Because." He leaned forward, his hand slipping up her back to unerringly trace the scar tissue of the design burned there, now concealed under the robe. "Someone drew you wings a long time ago and you've been trying to decide whether to fly away ever since." <…> "And because when I look at you, I think you're a gift from God.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
She was called the Barren Queen, but I never met anyone less empty. For if one is wanting of a child, then by nature their heart is overfilled with love -- overflowing, yearning for a new vessel to hold that love, like spilling water. There are some who call her a monster. Some who call her mad. If longing is madness, then none of us are sane.
Nina Varela (Crier's War (Crier's War, #1))
She could have ripped each of their throats out the night before without stopping for breath. She was a force of nature; queen of the night; she was one of the strongest people he had ever met. She was one of the only people in the world who truly understood what it meant to be a wolf.
MsKingBean89 (All The Young Dudes - Volume Three: ‘Til the End (All The Young Dudes, #3))
Having lost the training and rites that prepare a girl for becoming truly queenly, a mature woman, we have instead beauty-queen contests for five-year-olds.
Bill Plotkin (Nature and the Human Soul: Cultivating Wholeness and Community in a Fragmented World)
I'm not afraid of you. I'm not afraid of anything." "Yes, you are, on both counts. You're afraid of everything. In England there are castles with stone walls that go up over a hundred feet, built during a time when it was the strength of your fortress that won battles. Each time I look at you, I marvel at the feat of organic engineering that's allowed you to create such a fortification within a perfect composition of female flesh.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
Black Girls… Naturally resilient! We persevere, stand tall, and fight to the end. We don’t give up! We make moves and succeed. We’re go-getters by nature. We are stronger than most. We are unstoppable! Fearless and confident in our capabilities. WE are Black Girl Strong! #Incomparable
Stephanie Lahart
One of the reasons Ayaan said she loves being Muslim is because it makes her feel like a natural feminist. "Like hello? Our queen Khadija didn't wait for the man she had her eye on to ask her, to get on his knees. Nope. Instead, she said, 'I like you, oh employee of mine. Will you marry me?' And then, after they hitched, she just kept her job as his boss. Mad respect.
S.K. Ali (Love from A to Z (A Coming-of-Age Romance))
To be a woman condemned to a wretched and disgraceful punishment is no impediment to beauty, but it is an insurmountable obstacle to power. Like all persons of real genius, her ladyship well knew what accorded with her nature and her means. Poverty disgusted her -subjection deprived her of two-thirds of her greatness. Her ladyship was only a queen amongst queens: the enjoyment of satisfied pride was essential to her sway. To command beings of an inferior nature, was, to her, rather a humiliation than a pleasure.
Alexandre Dumas (The Three Musketeers)
If the Reds see her, a Silver by blood but Red by nature, raised up with us, they can be placated. It’s like an old fairy tale, a commoner becoming the princess. She’s their champion. They can look to her instead of terrorists.” And then, softer, but more important than anything else: “She’s a distraction.
Victoria Aveyard (Red Queen (Red Queen, #1))
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Government is nothing more than the combined force of society or the united power of the multitude for the peace, order, safety, good, and happiness of the people... There is no king or queen bee distinguished from all the others by size or figure or beauty and variety of colors in the human hive. No man has yet produced any revelation from heaven in his favor, any divine communication to govern his fellow men. Nature throws us all into the world equal and alike... The preservation of liberty depends upon the intellectual and moral character of the people. As long as knowledge and virtue are diffused generally among the body of a nation it is impossible they should be enslaved. Ambition is one of the more ungovernable passions of the human heart. The love of power is insatiable and uncontrollable... There is a danger from all men. The only maxim of a free government ought to be to trust no man living wth power to endanger public liberty.
David McCullough (John Adams)
Once a vampire falls in love, they are bound to that love. They will always love that person, no matter what happens. They can fall in love again and again, but each time a piece of their soul is given away. I fell in love twice. Once with Rhode, and a second time with Vicken. The two loves were different. With Vicken, it was less whole than it had been with Rhode. Either way, I was bound. Vampire love is an ache, a hunger, and no matter how much either of them loved me梚t was never enough. No matter what is said or done, it is in the vampire nature to be left completely unsatisfied. This was the kind of torment I experienced every day.
Rebecca Maizel (Infinite Days (Vampire Queen, #1))
a single-file army of ants biting a mammoth tree into uniform grains and hauling it down to the dark for their ravenous queen. and, in reply, a choir of seedlings arching their necks out of rotted tree stumps, sucking life out of death. this forest eats itself and lives forever.
Barbara Kingsolver (The Poisonwood Bible)
You may not realize it but you're seeking the silence in your soul, a plea where you go to find the best of yourself. Learning a simple and beautiful skill, like choosing a teapot, that's seeking that silence, creating rituals where that silence may be found and nurtured. As long as you have that place, you'll never lose yourself, who you are, what you want. But you have to remember to keep bringing flowers into your meadow, always one at a time, to appreciate each blossom, to honor its contribution to your character. It helps make you into the person you were meant to be.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. ... On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller's works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the universe, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic... upon the strata of the Earth!
Herbert Spencer
To Selene (Moon) Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night. With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride: Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline. Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon: Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light. Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life: Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end. Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil; Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light, Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.
Orpheus
We are all dual natured, Queen Mirabella. Every gift is light and dark. We naturalists can make things grow, but we also coax lobsters into pots, and our familiars tear rabits to shreds. Elementals burn down forests as easily as they water them with rain. The war gift is for protection as well as slaughter. Even those with the sight are often cursed with madness and paranoia. Even the poisoners are also healers.
Kendare Blake (Three Dark Crowns (Three Dark Crowns, #1))
I wonder now about Demeter and Persephone. Maybe Persephone was glad to run off with the king of death to his underground realm, maybe it was the only way she could break away from her mother, maybe Demeter was a bad parent the way Lear was a bad parent, denying nature, including the nature of children to leave their parents. Maybe Persephone thought Hades was the infinitely cool older man who held the knowledge she sought, maybe she loved the darkness, the six months of winter, the sharp taste of pomegranates, the freedom from her mother, maybe she knew that to be truly alive death had to be part of the picture just as winter must. It was as the queen of hell that she became an adult and came into power. Hades’s realm is called the underworld, and so are the urban realms of everything outside the law. And as in Hopi creation myths, where humans and other beings emerge from underground, so it’s from the underground that culture emerges in this civilization.
Rebecca Solnit (A Field Guide to Getting Lost)
The world ain't ready for true black genius. In every nigger is a cup of African blood from kings and queens of divine nature, mathematicians, craftsmen, men and women of the land. I have known some sisters and brothers would scare Einstein back into East European caves with the magnificence of their minds. We are a people with a practical nature and great vision. We have built nations, discovered treasures for everyday use. Our people are a great race of people, and though the Europeans raped and plundered, we have kept inner riches. You got a cup of African blood and that mean something, means you got a responsibility to be proud of it and use your talents or suffer self-destruction.
Shay Youngblood (Black Girl in Paris)
Bitterblue took this information straight to the library. "Death?" she said. "Do we have birth records for the seven kingdoms for the year Leck would have been born? Will you review them for someone with a name that sounds like Eemkerr?" "A name that sounds like Eemkerr," Death repeated, peering up at her from his new desk, which was covered with smelly, scorched papers. "Lady Fire says that Leck told her that before his name was Leck, it was Eemkerr." "Which is a name she remembers from almost fifty years ago," Death said sarcastically, "spoken to her, not spelled, presumably not a name from her own language, and conveyed to you mentally fifty years later. And I'm to recall every instance of a name of that nature in all the birth records available to me from the relevant year for all seven kingdoms, on the extremely slim chance that we have the name right and a record exists?" "I know you're just as happy as I am," said Bitterblue. Death's mouth twitched. Then he said, "Give me some time to remember, Lady Queen.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
There are different sorts of treachery, but betrayal is betrayal wherever you find it. She burnt a lot more than the letters that night in the backyard. I don't think she knew. In her head she was still queen, but not my queen any more, not the White Queen any more. Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.
Jeanette Winterson (Oranges Are Not the Only Fruit)
The archetype of the witch is long overdue for celebration. Daughters, mothers, queens, virgins, wives, et al. derive meaning from their relation to another person. Witches, on the other hand, have power on their own terms. They have agency. They create. They praise. They commune with nature/ Spirit/God/dess/Choose-your-own-semantics, freely, and free of any mediator. But most importantly: they make things happen. The best definition of magic I’ve been able to come up with is “symbolic action with intent" — “action" being the operative word. Witches are midwives to metamorphosis. They are magical women, and they, quite literally, change the world.
Pamela J. Grossman
And GUESS WHO ordered your guards to chain up Clay?” Tsunami demanded. She flung an accusing talon toward Shark. “COMMANDER SHARK! Of all the dragons who should obey you in everything! Is that not UTTERLY SHOCKING?” “It is,” Coral said. Tsunami thought she might be grinding her teeth, but she hid it well. “I find it quite hard to believe.” “Imagine the distress the poor guards felt,” Tsunami said, “when I explained to them that you would never have ordered those chains on Clay. To have to choose between their commander and their queen! Naturally they chose you, of course. That’s why they gave me the key to Clay’s chains. Because they understood that’s what you would have wanted them to do. Right?” Queen Coral gave Tsunami an appraising glance. Beside her, Blister was eating her soup with an amused expression. “Very good,” Coral said slowly. “It sounds like those guards are practically heroes.” “And Shark —” Tsunami prodded her. “To the dungeon with him as well,” the queen said with a wave. Shark didn’t protest like Lagoon had. He snarled at the guards who approached him, shot Tsunami a look full of hatred, and headed off to the dungeon without another word. Splendid,
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Can you read this word, Peter?' ...'It says GOD.' 'Yes, that's right. Now write it backward and see what you find.' ...'DOG! Mamma! It says DOG!' 'Yes. It says dog.' The sadness in her voice quenched Peter's excitement at once. His mother pointed from GOD to DOG. 'These are the two natures of man,' she said. 'Never forget them... Our preachers say that our natures are partly of God and partly of Old Man Splitfoot... But there are few devils outside of made-up stories, Pete -- most bad people are more like dogs than devils. Dogs are friendly and stupid, and that's the way most men and women are when they are drunk. When dogs are excited and confused, they may bite; when men are excited and confused, they may fight. Dogs are great pets because they are loyal, but if a pet is all a man is, he is a bad man, I think. Dogs can be brave, but they may also be cowards that will howl in the dark or run away with their tails between their legs. A dog is just as eager to lick the hand of a bad master as he is to lick the hand of a good one, because dogs don't know the difference between good and bad.
Stephen King (The Eyes of the Dragon)
The strongest drive inside of a submissive, underneath all their emotional wounds, is for the Master to push aside any curtains or walls they may have erected to separate them from their true self, the naked, vulnerable soul. Because that soul wants only one thing. Do you want to know what that is?" <…> "I don't want to know. That's not what the training's about." "Wrong. That's what submissive training is all about. Getting past those shields so she feels truly bound to her Master, a part of him as he's a part of her. The ultimate connection, where thought isn't necessary. They're together in the most elemental and perfect way there is. She stared at him. "Let me go, Tyler. I can't do this." "You can. You will.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
Why has that man fallen in love with that woman? Because she’s pretty. Why does pretty matter? Because human beings are a mainly monogamous species and so males are choosy about their mates (as male chimpanzees are not); prettiness is an indication of youth and health, which are indications of fertility. Why does that man care about fertility in his mate? Because if he did not, his genes would be eclipsed by those of men who did. Why does he care about that? He does not, but his genes act as if they do. Those who choose infertile mates leave no descendants. Therefore, everybody is descended from men who preferred fertile women, and every person inherits from those ancestors the same preference. Why is that man a slave to his genes? He is not. He has free will. But you just said he’s in love because it is good for his genes. He’s free to ignore the dictates of his genes. Why do his genes want to get together with her genes anyway? Because that’s the only way they can get into the next generation; human beings have two sexes that must breed by mixing their genes. Why do human beings have two sexes? Because in mobile animals hermaphrodites are less good at doing two things at once than males and females are at each doing his or her own thing. Therefore, ancestral hermaphroditic animals were outcompeted by ancestral sexed animals.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Progress and success are always relative. When the land was unoccupied by animals, the first amphibian to emerge from the sea could get away with being slow, lumbering, and fish-like, for it had no enemies and no competitors. But if a fish were to take to the land today, it would be gobbled up by a passing fox as surely as a Mongol horde would be wiped out by machine guns. In history and in evolution, progress is always a futile, Sisyphean struggle to stay in the same relative place by getting ever better at things.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Well, last night in a tavern, a captain in the king's guard offered violence to the sweetheart of a young solider, who naturally ran him through. But it seems there is some cursed law against killing guardsmen, and the boy and his girl fled away. It was bruited about that I was seen with them, and so today I was haled into court, and a judge asked me where the lad had gone. I replied that since he was a friend of mine, I could not betray him. Then the court waxed wroth, and the judge talked a great deal about my duty to the state, and society, and other things I did not understand, and bade me tell where my friend had flown. By this time I was becoming wrathful myself, for I had explained my position. But I choked my ire and held my peace, and the judge squalled that I had shown contempt for the court, and that I should be hurled into a dungeon to rot until I betrayed my friend. So then, seeing that they were all mad, I drew my sword and cleft the judge's skull; then I cut my way out of the court, and seeing the high constable's stallion tied near by, I rode for the wharfs, where I thought to find a ship bound for foreign parts. - Conan the Cimmerian, Queen of the Black Coast
Robert E. Howard
There is no nature that exists devoid of nurture; there is no nurture that develops without nature. To say otherwise is like saying that the area of a field is determined by its length but not its width. Every behavior is the product of an instinct trained by experience. The study of human beings remained resolutely unreformed by these ideas until a few years ago. Even now, most anthropologists and social scientists are firmly committed to the view that evolution has nothing to tell them. Human bodies are products of "culture," and human culture does not reflect human nature, but the reverse. This restricts social scientists to investigation only differences between cultures and between individuals--and to exaggerating them. Yet what is most interesting to me about human beings is the things that are the same, not what is different--things like grammatical language, hierarchy, romantic love, sexual jealousy, long-term bongs between the genders ("marriage", in a sense). These are trainable instincts peculiar to out species and are just as surely the products of evolution as eyes and thumbs.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
Among the required reading for all PUAs were books on evolutionary theory: The Red Queen by Matt Ridley, The Selfish Gene by Richard Dawkins, Sperm Wars by Robin Baker. You read them, and you understand why women tend to like jerks, why men want so many sexual partners, and why so many people cheat on their spouses. At the same time, however, you understand that the violent impulses most of us successfully repress are actually normal and natural. For Mystery, a Darwinist by nature, these books gave him an intellectual justification for his antisocial emotions and his desire to harm the organism that had mated with his woman. It was not a healthy thing. Tyler
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Attempts to locate oneself within history are as natural, and as absurd, as attempts to locate oneself within astronomy. On the day that I was born, 13 April 1949, nineteen senior Nazi officials were convicted at Nuremberg, including Hitler's former envoy to the Vatican, Baron Ernst von Weizsacker, who was found guilty of planning aggression against Czechoslovakia and committing atrocities against the Jewish people. On the same day, the State of Israel celebrated its first Passover seder and the United Nations, still meeting in those days at Flushing Meadow in Queens, voted to consider the Jewish state's application for membership. In Damascus, eleven newspapers were closed by the regime of General Hosni Zayim. In America, the National Committee on Alcoholism announced an upcoming 'A-Day' under the non-uplifting slogan: 'You can drink—help the alcoholic who can't.' ('Can't'?) The International Court of Justice at The Hague ruled in favor of Britain in the Corfu Channel dispute with Albania. At the UN, Soviet Foreign Minister Andrei Gromyko denounced the newly formed NATO alliance as a tool for aggression against the USSR. The rising Chinese Communists, under a man then known to Western readership as Mao Tze-Tung, announced a limited willingness to bargain with the still-existing Chinese government in a city then known to the outside world as 'Peiping.' All this was unknown to me as I nuzzled my mother's breast for the first time, and would certainly have happened in just the same way if I had not been born at all, or even conceived. One of the newspaper astrologists for that day addressed those whose birthday it was: There are powerful rays from the planet Mars, the war god, in your horoscope for your coming year, and this always means a chance to battle if you want to take it up. Try to avoid such disturbances where women relatives or friends are concerned, because the outlook for victory upon your part in such circumstances is rather dark. If you must fight, pick a man! Sage counsel no doubt, which I wish I had imbibed with that same maternal lactation, but impartially offered also to the many people born on that day who were also destined to die on it.
Christopher Hitchens (Hitch 22: A Memoir)
Maybe money sits at the heart of every controversy about monarchy. Britain has long had trouble making up its mind. Many support the Crown, but many also feel anxious about the cost. That anxiety is increased by the fact that the cost is unknowable. Depends on who’s crunching the numbers. Does the Crown cost taxpayers? Yes. Does it also pay a fortune into government coffers? Also yes. Does the Crown generate tourism income that benefits all? Of course. Does it also rest upon lands obtained and secured when the system was unjust and wealth was generated by exploited workers and thuggery, annexation and enslaved people? Can anyone deny it? According to the last study I saw, the monarchy costs the average taxpayer the price of a pint each year. In light of its many good works that seems a pretty sound investment. But no one wants to hear a prince argue for the existence of a monarchy, any more than they want to hear a prince argue against it. I leave cost-benefit analyses to others. My emotions are complicated on this subject, naturally, but my bottom-line position isn’t. I’ll forever support my Queen, my Commander in Chief, my Granny. Even after she’s gone. My problem has never been with the monarchy, nor the concept of monarchy. It’s been with the press and the sick relationship that’s evolved between it and the Palace. I love my Mother Country, and I love my family, and I always will. I just wish, at the second-darkest moment of my life, they’d both been there for me. And I believe they’ll look back one day and wish they had too.
Prince Harry (Spare)
A fit queen for that nest of roses was the human flower that adorned it, for a year of love and luxury had ripened her youthful beauty into a perfect bloom. Graceful by nature, art had little to do for her, and, with a woman’s aptitude, she had acquired the polish which society alone can give. Frank and artless as ever, yet less free in speech, less demonstrative in act; full of power and passion, yet still half unconscious of her gifts; beautiful with the beauty that wins the heart as well as satisfies the eye, yet unmarred by vanity or affectation. She now showed fair promise of becoming all that a deep and tender heart, an ardent soul and a gracious nature could make her, once life had tamed and taught her more.
Louisa May Alcott (A Long Fatal Love Chase)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
In the darkness of the forest he saw her, and whispered her name, Melusina, and at that summoning she rose out of the water and he saw that she was a woman of cool and complete beauty to the waist, and below that she was scaled, like a fish. She promised him that she would come to him and be his wife, she promised him that she would make him as happy as a mortal woman can, she promised him that she would curb her wild side, her tidal nature, that she would be an ordinary wife to him, a wife that he could be proud of; if he in return would let her have a time when she could be herself again, when she could return to her element of water, when she could wash away the drudgery of a woman’s lot and be, for just a little while, a water goddess once more. She knew that being a mortal woman is hard on the heart, hard on the feet. She knew that she would need to be alone in the water, under the water, the ripples reflected on her scaly tail now and then. He promised her that he would give her everything, everything she wanted, as men in love always do. And she trusted him despite herself, as women in love always do.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
In the Land under the Hill, in the Time Before … Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel. Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side. And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her. And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing. She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild. Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature. She did not lie, for she could not lie. Humans are animals. Pain is their nature. For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy. Until the day one brother discovered the truth of the other. The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie. The lady set the useless brother free and allowed him to believe he had freed himself. The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her. The lady let her lover renounce her and run away. And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him. As she had given him his story, she gave him his children. She had nothing left to live for, then, and so lived no longer. This is the story she left behind, the story her lover will never know; this is the story her daughter will never know. This is how a faerie loves: with her whole body and soul. This is how a faerie loves: with destruction. I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that. I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever. This is how a faerie loves: with a gift.
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
I don't think this place was everything my mother hoped for that day when she asked God where she should go to give her son the world. Though she didn't ford a river or hike across mountains, she still did what so many pioneers before had done, traveled recklessly, curiously, into the unknown of finding something just a little bit better. And like them she suffered and persevered, perhaps in equal measure. Whenever I looked at her, a castaway on the island of my queen-sized bed, it was hard for me to look past the suffering. It was hard for me not to take inventory of all that she had lost -- her home country, her husband, her son. The losses just kept piling up. It was hard for me to see her there, hear her ragged breath, and think of how she had persevered, but she had. Just lying there in my bed was a testament to her perseverance, to the fact that she survived, even when she wasn't sure she wanted to. I used to believe that God never gives us more than we can handle, but then my brother died and my mother and I were left with so much more; it crushed us. It took me many years to realize that it's hard to live in this world. I don't mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it's hard to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It's natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of "what we can handle" changes and our methods for how we handle it change, too, that's something of a miracle.
Yaa Gyasi (Transcendent Kingdom)
...I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere. I hear my father-in-law's response: 'Oho, fine, Whiggish sentiments, Adam. But don't tell *me* about justice! Ride to Tennessee on an ass & convince the rednecks that they are merely white-washed negroes & their negroes that they are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & gray in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!' Yet what is any ocean but a multitude of drops?
David Mitchell
Many cultural stories worldwide present the domination system as the only human alternative. Fairy tales romanticize the rule of kings and queens over “common people.” Classics such as Homers Illiad and Shakespeare’s kings trilogy romanticize “Heroic violence.” Many religious stories present men’s control, even ownership, of women as normal and moral. These stories came out of the times that oriented much more closely to a “pure” domination system. Along with newer stories that perpetuate these limited beliefs about human nature, they play a major role in how we view our world and how we live in it. But precisely because stories are so important in shaping values, new narratives can help change unhealthy values. Of particular importance are new stories about human nature. We need new narratives that give us a more complete and accurate picture of who we are and who we can be - stories that show that our enormous capacities for consciousness, creativity and caring are integral to human evolution, that these capacities are what make us distinctively human.
Riane Eisler (The Real Wealth of Nations: Creating A Caring Economics)
George Williams, the revered evolutionary biologist, describes the natural world as “grossly immoral.” Having no foresight or compassion, natural selection “can honestly be described as a process for maximizing short-sighted selfishness.” On top of all the miseries inflicted by predators and parasites, the members of a species show no pity to their own kind. Infanticide, siblicide, and rape can be observed in many kinds of animals; infidelity is common even in so-called pair-bonded species; cannibalism can be expected in all species that are not strict vegetarians; death from fighting is more common in most animal species than it is in the most violent American cities. Commenting on how biologists used to describe the killing of starving deer by mountain lions as an act of mercy, Williams wrote: “The simple facts are that both predation and starvation are painful prospects for deer, and that the lion's lot is no more enviable. Perhaps biology would have been able to mature more rapidly in a culture not dominated by Judeo-Christian theology and the Romantic tradition. It might have been well served by the First Holy Truth from [Buddha's] Sermon at Benares: “Birth is painful, old age is painful, sickness is painful, death is painful...”” As soon as we recognize that there is nothing morally commendable about the products of evolution, we can describe human psychology honestly, without the fear that identifying a “natural” trait is the same as condoning it. As Katharine Hepburn says to Humphrey Bogart in The African Queen, “Nature, Mr. Allnut, is what we are put in this world to rise above.
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
The advantages of a hereditary Monarchy are self-evident. Without some such method of prescriptive, immediate and automatic succession, an interregnum intervenes, rival claimants arise, continuity is interrupted and the magic lost. Even when Parliament had secured control of taxation and therefore of government; even when the menace of dynastic conflicts had receded in to the coloured past; even when kingship had ceased to be transcendental and had become one of many alternative institutional forms; the principle of hereditary Monarchy continued to furnish the State with certain specific and inimitable advantages. Apart from the imponderable, but deeply important, sentiments and affections which congregate around an ancient and legitimate Royal Family, a hereditary Monarch acquires sovereignty by processes which are wholly different from those by which a dictator seizes, or a President is granted, the headship of the State. The King personifies both the past history and the present identity of the Nation as a whole. Consecrated as he is to the service of his peoples, he possesses a religious sanction and is regarded as someone set apart from ordinary mortals. In an epoch of change, he remains the symbol of continuity; in a phase of disintegration, the element of cohesion; in times of mutability, the emblem of permanence. Governments come and go, politicians rise and fall: the Crown is always there. A legitimate Monarch moreover has no need to justify his existence, since he is there by natural right. He is not impelled as usurpers and dictators are impelled, either to mesmerise his people by a succession of dramatic triumphs, or to secure their acquiescence by internal terrorism or by the invention of external dangers. The appeal of hereditary Monarchy is to stability rather than to change, to continuity rather than to experiment, to custom rather than to novelty, to safety rather than to adventure. The Monarch, above all, is neutral. Whatever may be his personal prejudices or affections, he is bound to remain detached from all political parties and to preserve in his own person the equilibrium of the realm. An elected President – whether, as under some constitutions, he be no more than a representative functionary, or whether, as under other constitutions, he be the chief executive – can never inspire the same sense of absolute neutrality. However impartial he may strive to become, he must always remain the prisoner of his own partisan past; he is accompanied by friends and supporters whom he may seek to reward, or faced by former antagonists who will regard him with distrust. He cannot, to an equal extent, serve as the fly-wheel of the State.
Harold Nicholson
How can we tell whether the rules which we "guess" at are really right if we cannot analyze the game very well? There are, roughly speaking, three ways. First, there may be situations where nature has arranged, or we arrange nature, to be simple and to have so few parts that we can predict exactly what will happen, and thus we can check how our rules work. (In one corner of the board there may be only a few chess pieces at work, and that we can figure out exactly.) A second good way to check rules is in terms of less specific rules derived from them. For example, the rule on the move of a bishop on a chessboard is that it moves only on the diagonal. One can deduce, no matter how many moves may be made, that a certain bishop will always be on a red square. So, without being able to follow the details, we can always check our idea about the bishop's motion by finding out whether it is always on a red square. Of course it will be, for a long time, until all of a sudden we find that it is on a black square (what happened of course, is that in the meantime it was captured, another pawn crossed for queening, and it turned into a bishop on a black square). That is the way it is in physics. For a long time we will have a rule that works excellently in an over-all way, even when we cannot follow the details, and then some time we may discover a new rule. From the point of view of basic physics, the most interesting phenomena are of course in the new places, the places where the rules do not work—not the places where they do work! That is the way in which we discover new rules. The third way to tell whether our ideas are right is relatively crude but prob-ably the most powerful of them all. That is, by rough approximation. While we may not be able to tell why Alekhine moves this particular piece, perhaps we can roughly understand that he is gathering his pieces around the king to protect it, more or less, since that is the sensible thing to do in the circumstances. In the same way, we can often understand nature, more or less, without being able to see what every little piece is doing, in terms of our understanding of the game.
Richard P. Feynman (The Feynman Lectures on Physics)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules, only outcomes. What precipitates outcomes? Vicious acts & virtuous acts. What precipitates acts? Belief. Belief is both prize & battlefield, within the mind & in the mind's mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the 'natural' (oh, weaselly word!) order of things? Why? Because of this: -- one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction. Is this the entropy written in our nature? If we believe that humanity may transcend tooth & claw, if we believe divers [sic] races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Tortuous advances won over generations can be lost by a single stroke of a myopic president's pen or a vainglorious general's sword. A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living. Upon my return to San Francisco, I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere. I hear my father-in-law's response. 'Oho, fine, Whiggish sentiments, Adam. But don't tell me about justice! Ride to Tennessee on an ass & convince the red-necks that they are merely white-washed negroes & their negroes are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & grey in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!' Yet what is any ocean but a multitude of drops?
David Mitchell (Cloud Atlas)