Boxing Pads Quotes

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I open the door to the fear landscape room and flip open the small black box that was in my back pocket to see the syringes inside. This is the box I have always used, padded around the needles; it is a sign of something sick inside me, or something brave.
Veronica Roth (Allegiant (Divergent, #3))
When you open the box of an iPhone or iPad, we want that tactile experience to set the tone for how you perceive the product.
Walter Isaacson (Steve Jobs)
WHAT FOR IS THIS BOX PADDED? IS IT TO BE SAT ON? CAN IT BE THAT IT IS CAT-FLAVOURED?
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
Dolor I have known the inexorable sadness of pencils, Neat in their boxes, dolor of pad and paper weight, All the misery of manilla folders and mucilage, Desolation in immaculate public places, Lonely reception room, lavatory, switchboard, The unalterable pathos of basin and pitcher, Ritual of multigraph, paper-clip, comma, Endless duplicaton of lives and objects. And I have seen dust from the walls of institutions, Finer than flour, alive, more dangerous than silica, Sift, almost invisible, through long afternoons of tedium, Dropping a fine film on nails and delicate eyebrows, Glazing the pale hair, the duplicate gray standard faces.
Theodore Roethke (The Lost Son & Other Poems)
My fingers padded across the bottom and paused at the corners of a small box. Carefully I pulled it out, holding it in my hands against my chest. My chest rose and fell with a sigh, and then I opened the box, wincing at the sight of the sparkling diamond ring inside. There was only one finger that belonged inside that white gold circle, and with each passing day, that dream seemed less and less possible.
Jamie McGuire (Walking Disaster (Beautiful, #2))
LOTION have you ever received a gift that was placed inside of a box that was recycled from another, much more intriguing present? like, you pull back the pretty paper and you see iPad packaging, but then you open the lid, and inside is a lotion set? i meet a lot of people like that. exciting outside, disappointing inside. don’t be lotion.
Gabbie Hanna (Adultolescence)
...she did remember one time when she got her period, sliding open the cupboard under the bathroom sink to get a sanitary napkin; she remembered looking at the box of Stayfree pads and thinking that the box looked almost smug, seemed almost to be saying: Hello, Patty! We are your children. We are the only children you will ever have, and we are hungry. Nurse us. Nurse us on blood.
Stephen King (It)
It changed my life," the first-grader said of the iPad. "I'm reading everything on the street." To prove his point, he read all the words on a pizza box he cradled on his lap.
Anonymous
He translates one book of the Iliad, two of the Odyssey, plus an admirable slice of Plato’s Republic. Five lines on an average day, ten on a good one, scribbled onto yellow legal pads in his crimped pencil-writing and stuffed into boxes beneath the dining table. Sometimes he believes his translations are adequate. Usually he decides they’re terrible. He shows them to no one.
Anthony Doerr (Cloud Cuckoo Land)
That’s ridiculous!” I said, and with such genuine indignation that Al chuckled. The chuckles tried to morph into a coughing fit and he stifled them. Here in the privacy of his own home, he wasn’t using tissues, handkerchiefs, or napkins to deal with that cough; there was a box of maxi pads on the table beside his chair. My eyes kept straying to them. I’d urge them away, perhaps to look at the photo on the wall of Al with his arm around a good-looking woman, then find them straying back. Here is one of the great truths of the human condition: when you need Stayfree Maxi Pads to absorb the expectorants produced by your insulted body, you are in serious fucking trouble.
Stephen King (11/22/63)
I smelt him, smelt Johnny; for a second I thought - what? That he was there, was with me, that he wasn't...But I realised it was his perfume, the one I'd had made specially for him by an artisan perfumer in New York, his own custom-made one-off blend. It had been hideously expensive but I hadn't cared as long as it had pleased him. It was all intense essential oils, layer upon layer of labdanum, patchouli, vanilla, vetiver, ambrette, frankincense, myrrh, amber, Bulgarian rose absolute, Oud wood - the list was endless and beautiful, like a scented prayer. The woman had said some of the ingredients would keep their fragrance for a hundred years, would never die. Like me, he'd said, like us. I'd put some drops of the heavy dark oil on a couple of cotton wool pads and put them in the box when we got it, now the fragrance - strange, narcotic, archaic - filled the room like his ghost, embracing me in memories.
Joolz Denby (Wild Thing)
In boxing there are rules. You wear padded gloves. It’s always a one-on-one fight. You can’t hit below the belt or use a weapon. I may get beat, but at least I’ll always have a fair chance of winning. The rest of the world isn’t always like that.
Robert Sharenow (The Berlin Boxing Club)
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
The box was filled with a heating pad, painkillers, several pints of cookie dough ice cream, different kinds of chocolate and all my favorite junk food. There was even a variety box of tampons. My eyes burned. The guys… Something started waving from behind the blazer. A white flag. Someone, probably one of the twins, waved the makeshift flag in surrender.
B.L. Brunnemer (Behind The Veil (The Veil Diaries))
4. Or else: Rough draft of a letter I think of you, often sometimes I go back into a cafe, I ist near the door, I order a coffee I arrange my packet of cigarettes, a box of matches, a writing pad, my felt-pen on the fake marble table I Spend a long time stirring my cup of coffee with the teasspoon (yet I don't put any sugar in my coffee, I drink it allowing the sugar to melt in my mouth, like the people of North, like the Russians and Poles when they drink tea) I pretend to be precoccupied, to be reflecting, as if I had a decision to make At the top and to the right of the sheet of paaper, I inscribe the date, sometimes the place, sometimes the time, I pretend to be writing a letter I write slowly, very slowly, as slowly as I can, I trace, I draw each letter, each accent, I check the punctuation marks I stare attentively at a small notice, the price-list for ice-creams, at a piece of ironwork, a blind, the hexagonal yellow ashtray (in actual fact, it's an equilaterial triangle, in the cutoff corners of which semi-circular dents have been made where cigarettes can be rested) (...) Outside there's a bit of sunlight the cafe is nearly empty two renovatior's men are having a rum at the bar, the owner is dozing behind his till, the waitress is cleaning the coffee machine I am thinking of you you are walking in your street, it's wintertime, you've turned up your foxfur collar, you're smiling, and remote (...)
Georges Perec
It’s nothing as flashy as you’re used to from Ricey,” he warned when he climbed back into bed and tossed a small black jewelry box on the mattress between us, along with a half-melted packet of Rolos. My heart fluttered. “A whole pack just for me?” He winked. “I told you I would. And if you don’t like the other thing, then it’s tough shit because Shannon washed the receipt with my clothes.” Excited, I snatched up the box and flipped the lid open. Resting against the velvet padding interior was a tiny silver locket with the date 30.08.99 on the front. “That date…” I blew out a shaky breath. “It’s—” “The first day of first year,” he explained quietly. “The first time I laid eyes on you, and the first time I understood what it meant to have my heart beating for someone outside of my family.
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
a padded, black leather spanking bench. About two and a half feet high, two feet wide and three feet in length, it was designed so a sub could drape their upper body comfortably over the bench, ass and cunt on full display. Bondage straps were spaced at intervals along both the bench and the leg rests on either side, allowing for complete immobilization. An added feature he especially liked was the padded armrests at the front of the bench, wrist cuffs at the ready.
Claire Thompson (Masters Club Box Set (Masters Club Series))
GIVEN A CHOICE between death and the Buford Zippy Mart, Nico would’ve had a tough time deciding. At least he knew his way around the Land of the Dead. Plus the food was fresher. ‘I still don’t get it,’ Coach Hedge muttered as they roamed the centre aisle. ‘They named a whole town after Leo’s table?’ ‘I think the town was here first, Coach,’ Nico said. ‘Huh.’ The coach picked up a box of powdered doughnuts. ‘Maybe you’re right. These look at least a hundred years old. I miss those Portuguese farturas.’ Nico couldn’t think about Portugal without his arms hurting. Across his biceps, the werewolf claw marks were still swollen and red. The store clerk had asked Nico if he’d picked a fight with a bobcat. They bought a first-aid kit, a pad of paper (so Coach Hedge could write more paper aeroplane messages to his wife), some junk food and soda (since the banquet table in Reyna’s new magic tent only provided healthy food and fresh water) and some miscellaneous camping supplies for Coach Hedge’s useless but impressively complicated monster traps.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
All these processes are helped along by another friend of the earth, dematerialization. Progress in technology allows us to do more with less. An aluminum soda can used to weight three ounces; today it weighs less than half an ounce. Mobile phones don't need miles of telephone poles and wires. The digital revolution, by replacing atoms with bits, is dematerializing the world in front of our eyes. The cubic yards of vinyl that used to be my music collection gave way to cubic inches of compact disks and then to the nothingness of MP3s. The river of newsprint flowing through my apartment has been stanched by an iPad. With a terabyte of storage on my laptop I no longer buy paper by the ten-ream box. And just think of all the plastic, metal, and paper that no longer go into the forty-odd consumer products that can be replaced by a single smartphone, including a telephone, answering machine, phone book, camera, camcorder, tape recorder, radio, alarm clock, calculator, dictionary, Rolodex, calendar, street maps, flashlight, fax, and compass--even a metronome, outdoor thermometer, and spirit level.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Sunday morning dawned bright and cloudless. Ernest awoke early as always. He put on the red "Emporor's robe" and padded softly down the carpeted stairway. The early sunlight lay in pools on the living room floor. He had noticed that the guns were locked up in the basement. But the keys, as he well knew, were on the window ledge above the kitchen sink. He tiptoed down the basement stairs and unlocked the storage room. It smelled as dank as a grave. He chose a double-barreled Boss shotgun with a tight choke. He had used it for years of pigeon shooting. He took some shells from one of the boxes in the storage room, closed and locked the door, and climbed the basement stairs. If he saw the bright day outside, it did not deter him. He crossed the living room to the front foyer, a shrinelike entryway five by seven feet, with oak-paneled walls and a floor of linoleum tile. He had held for years to the maxim: "il faut (d'abord) durer". Now it had been succeeded by another: "il faut (apres tout) mourir". The idea, if not the phrase, filled all his mind. He slipped in two shells, lowered the gun butt carefully to the floor, leaned forward, pressed the twin barrels against his forehead just above the eyebrows, and tripped both triggers.
Carlos Baker (Hemingway: a Life Story)
Martin Silenus had been writing notes on a pad but now he stood and paced the length of the room. “Jesus Christ, people. Look at us. We’re not six fucking pilgrims, we’re a mob. Hoyt there with his cruciform carrying the ghost of Paul Duré. Our ‘semisentient’ erg in the box there. Colonel Kassad with his memory of Moneta. M. Brawne there, if we are to believe her tale, carrying not only an unborn child but a dead Romantic poet. Our scholar with the child his daughter used to be. Me with my muse. The Consul with whatever fucking baggage he’s brought to this insane trek. My God, people, we should have received a fucking group rate for this trip.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
He was quiet as he pulled out his phone and began typing something in. I watched as he searched feminine products, and boxes of tampons, pads, and liners came up in various sizes and brands. “Fucking hell… why are there so many flavours?” I stilled on the spot, my eyes going wide as I stared at him, wondering if I heard him correctly. “I beg your pardon?” “Look here!” He held up his phone, showing a picture of a box marked green for small. “I think this means mint or lime… there’s also yellow. Is that lemon? Or do you want oranges?” He scrolled through, looking at the different sizes, and it took literally every ounce of self-control I had to not burst into laughter as he continued his search. “What flavour should I ask for, love?
Dylan Page (Mercy (The Bleeding Hearts, #4))
free copy of Donald Duck that fell through the letter box one autumn day, featuring a lottery with a thousand wristwatches (a thousand iPads in today’s youth economy) to give away. Not to mention the content. Donald Duck as a teacher. The nephews squash an ice cream onto their weary uncle’s forehead. Wasting a whole ice cream without a second thought! At some point, from that same America, packets of green-and-white powder arrived that a housewife could instantly transform into a pan of soup. ‘California’, the concoction was called. ‘California,’ we whispered. California. In the provincial town where I grew up, we lugged the cabbage, lettuce and potatoes we’d grown on our allotment past several new factories on the Marshallweg, a road named after a general who, as I understood it, had paid to set up all
Geert Mak (In America: Travels with John Steinbeck)
If I could cut out my beating heart and put it in a box and forget about it, I would. Maybe I would pad the box with our photos of you, our love letters, a lock of your hair and that heart-shaped perfume bottle, the one that I gave you for your birthday. You always said it was your favorite. Maybe if I put the box up in the attic, some place out of sight and sound, I could forget you. (sigh) I force myself to look around my yard. The sun is brilliant against the bright blue sky, birds are singing out their borders and gathering twigs and grasses for nesting, and the late-season daffodils are bursting an egg-yolk yellow. I feel myself smile. For the first time this season, I spot a Peace rose, a sunshine-swelled bloom of yellow and pink flame. I inhale the bloom's faintly sweet fragrance, which floats delicate memories of you across my mind's eye — I am happy. Without thinking, I turn to the house to call you. If only It was that easy.
Jeffrey A. White
And then he's grabbing my hand, and pulling me into a storage room they use for art supplies. And he puts his finger to his lips, and the walls are filled with pads of paper and boxes of colored pencils and jars of paint, and I'm laughing and he shuts the door behind us and leans up against it to stop anyone coming in and like he's trying to get up his nerve now that he's started something, before we've ever gone to the dumplings and the movies— he leans in and kisses me. His lips are cold. The kiss is soft. He has gum in his mouth, and he stops, and giggles nervously, and takes it out and throws it in the trash can, and looks like he feels embarrassed to have kissed me with the gum, but I don't care, and so now I kiss him, and he's tall enough that he has to bend down to get to me, and I put my hand on his neck, which is smooth and warm, and we kiss for a minute in the storage room,and I want to run my hands up his shirt suddenly— but I don't. He pulls away for a second and touches my cheek. “I thought you'd never ask,” he whispers. “I thought I never would either,” I say, “but I did.” “Good job,” he says, and kisses me again.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
William H. Gass (The Tunnel)
On Friday, August 9, for example, amid a rising tide of urgent war matters, he found time to address a minute to the members of his War Cabinet on a subject dear to him: the length and writing style of the reports that arrived in his black box each day. Headed, appropriately enough, by the succinct title “BREVITY,” the minute began: “To do our work, we all have to read a mass of papers. Nearly all of them are far too long. This wastes time, while energy has to be spent in looking for the essential points.” He set out four ways for his ministers and their staffs to improve their reports. First, he wrote, reports should “set out the main points in a series of short, crisp paragraphs.” If the report involved discussion of complicated matters or statistical analysis, this should be placed in an appendix. Often, he observed, a full report could be dispensed with entirely, in favor of an aide-mémoire “consisting of headings only, which can be expanded orally if needed.” Finally, he attacked the cumbersome prose that so often marked official reports. “Let us have an end to phrases such as these,” he wrote, and quoted two offenders: “It is also of importance to bear in mind the following considerations…” “Consideration should be given to the possibility of carrying into effect…” He wrote: “Most of these woolly phrases are mere padding, which can be left out altogether, or replaced by a single word. Let us not shrink from using the short expressive phrase, even if it is conversational.” The resulting prose, he wrote, “may at first seem rough as compared with the flat surface of officialese jargon. But the saving of time will be great, while the discipline of setting out the real points concisely will prove an aid to clear thinking.” That evening, as he had done almost every weekend thus far, he set off for the country.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
The Environmental Protection Agency estimates that about 97 percent of postconsumer textile waste is recyclable. Yet only 20 percent gets recycled because the consumer simply does not know it can be. When I was a child, I remember watching a wooden mill turn old bed linens into beautiful paper sheets at the Fontaine-de-Vaucluse, but I had forgotten about the class field trip until today. Throughout the world, a small portion of worn-out textiles is currently being converted into rags for the construction, painting, and automobile industries; another percentage is shredded into flocking fibers for insulating, padding, upholstering, or soundproofing purposes. But the recyclers wish they could put their hands on all textile discards, including the extras that we simply throw away or hoard for the what-if. Resale giant Goodwill, along with mobile recycling bins, accept both natural and man-made fibers of any brand for recycling. Those items that have holes, rips, and stains beyond repair can be boxed, labeled “rags,” and donated to participating locations, where they are then dispatched to textile recyclers.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
TRACKING GAMES Hold an object in front of the baby. When you’re sure she’s seen it, let it drop out of your hand. At five or six months, most babies won’t follow the object down. But starting at about seven months, they’ll begin to anticipate where things are going to land. When your baby has more or less mastered this skill, add an additional complication: drop a few objects and let her track them down. Then hold a helium balloon in front of her and let it go. She’ll look down and be rather stunned that the balloon never lands. She’ll also give you a priceless look of betrayal—as though you cheated by defying the laws of physics. Let her hold the string of the balloon and experiment. Another great game involves your baby’s newly developed abilities to track moving objects even when they’re out of sight part of the time. Put your baby in a high chair and sit down at a table facing her. Slowly move a toy horizontally in front of her a few times. Then put a cereal box between you and the baby and move the ball along the same trajectory but have it go behind the box for a second or two. Most six-month-olds will look ahead to the other side of the box, anticipating where the ball will emerge. If your baby’s still having fun, try it again, but this time, instead of keeping the ball on the same path, make a 90-degree turn and bring the ball out from the top of the box. You can do the same kind of thing during games of peek-a-boo. Step behind a door so the baby can’t see you. Then open the door a little and poke your head out. Do that in the same place a few times and then higher or lower than where she was expecting to see you. Most babies find this endlessly amusing. Again, if your baby doesn’t respond to some, or any, of these activities, don’t worry. Babies develop at very different rates, and what’s “normal” for your baby may be advanced—or delayed—for your neighbor’s. And keep in mind that you don’t need to spend a lot of money on fancy toys. When my oldest daughter was about this age, one of her favorite toys was a plastic dish-scrubbing pad. And I remember taking her to FAO Schwartz in New York—zillions of fantastic toys everywhere—and thinking that she was going to want to play with everything. But all she wanted to do was play with the price tags. (She’s a teenager now, and I look back at that experience as a warning—she still spends an awful lot of time looking at price tags …) Give the Kid a Break Don’t feel that you have to entertain your baby all the time. Sure it’s fun, but letting her have some time to play by herself is almost as important to her development as playing with her yourself. And don’t worry; letting her play alone—as long as you’re close enough to hear what she’s doing and to respond quickly if she needs you—doesn’t mean you’re being neglectful. Quite the opposite, in fact. By giving her the opportunity to make up her own games or to practice on her own the things she does with you, you’re helping her learn that she’s capable of satisfying at least some of her needs by herself. You’re also helping her build her sense of self-confidence by allowing her to decide for herself what she’ll play with and for how long.
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
Reuse packing material. Dedicate a space for some of the boxes and envelopes that you receive and reuse them instead of using new ones. If you must buy new, choose newspaper-padded envelopes in lieu of bubble mailers. Shredded paper is also a wonderful alternative to bubble wrap.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
What are your people packing?” “MP7A1s with sound suppressors, chambered for DM11 4.6-x-30mm cartridges in thirty-round and forty-round box magazines. Penetrate any CRISAT,” Webb said, meaning the bullets would drill through a target made up of twenty layers of Kevlar with 1.6mm titanium backing at two hundred meters; they were the ultimate small arms body-armor-piercing rounds. “Glocks, M67 grenades; C-4 with remote-controlled detonators for IEDs, one M25 sniper rifle, and two XM25 grenade launchers. Those two are the real game-changers. Should be plenty.” “I’m not so sure,” Scorpion said, studying the iPad image. “I need eyes. We could use a drone.
Andrew Kaplan (Scorpion Deception (Scorpion, #4))
She stopped when, on the vanity by the sink she used, she saw the glossy cream box with the frosty-blue satin bow. This was sitting on top of what looked like the white linen shirt Stellan had worn at the pool party last weekend. And both of these were beside a full mug of coffee that was resting on one of those individual coffee warmers. She moved toward it and saw there was a thick-stock notecard sitting on it embossed at the top with STELLAN PETTER LANGE. Of course the man didn’t just dash something off on a scratch pad. Always class with Stellan. She smiled before she even picked the thing up. Written on it, it said, S–Come down wearing this, darling. I want you adorably fuckable. –S
Kristen Ashley (The Greatest Risk (Honey, #3))
The garage door is open at Ben's house when we pull into the drive. Adele Cody is almost hidden by Bounty eight-packs in a stack nearly as tall as she is. She flits in and out of the shelving racks wearing yellow yoga pants and a black sports bra. Her abs are clearly defined, the muscles in her arms ropy and straining like an aging pop star's, with too little fat on her body and too much Pilates on her schedule. She's making room for the paper towels, moving boxes of Band-Aids to the shelves above and Brillo Pads to the shelves below, displacing display flats of Carmex and Altoids in either direction.
Aaron Hartzler (What We Saw)
Nobody’s warnings could have prepared me for what meets my eyes. The room is a dirty white box with thick padded walls that remind me of an upholstered headboard. Even the ceiling is covered, as if someone could jump high enough to hit their head. There’s nothing in the room except Nichole. She huddles in the corner in the fetal position, rocking in rapid, repetitive motions, back and forth, and back and forth.
Lucinda Berry (The Secrets of Us)
The sketch hunter has delightful days of drifting about among people, in and out of the city, going anywhere, everywhere, stopping as long as he likes — no need to reach any point, moving in any direction following the call of interests. He moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook, a box of oils with a few small panels, the fit of his pocket, or on his drawing pad. Like any hunter he hits or misses. He is looking for what he loves, he tries to capture it. It’s found anywhere, everywhere. Those who are not hunters do not see these things. The hunter is learning to see and to understand—to enjoy. There are memories of days of this sort, of wonderful driftings in and out of the crowd, of seeing and thinking. Where are the sketches that were made? Some of them are in dusty piles, some turned out to be so good they got frames, some became motives for big pictures, which were either better or worse than the sketches, but they, or rather the states of being and understandings we had at the time of doing them all, are sifting through and leaving their impress on our whole work and life.
Robert Henri (The Art Spirit)
Mr. Baynes opened the box. In it lay a Mickey Mouse wristwatch on a pad of black velvet. Was Mr. Tagomi playing a joke on him? He raised his eyes, saw Mr. Tagomi’s tense, concerned face. No, it was not a joke. “Thank you very much,” Baynes said. “This is indeed incredible.
Philip K. Dick (The Man in the High Castle)
He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.
Gregg Hurwitz (The Tower)
Fabric: The fabric needs to be heavier like a good wrap at 5-8 oz per square yard. It can be a single layer if the bottom weight is heavy enough. Some have a lining and some are even slightly padded. The padding and lining is a matter of personal preference and not necessary to make a good baby carrier. Some have beautiful designs, others are more plain. You will be able to find something you like in all the different brands available. Bar tags, a sewn cross (X-box) or double stitching is needed for the top and bottom shoulder straps at each point they are sewn into the body or waist belt. Pockets on the body fabric are optional
Babywearing Institute (Babywearing Safely and Securely)
The UPS man knows me by now—knows to leave my boxes in the hall and to scrawl my name on his signature pad. His name is Jeremy. About a year ago he was sick, and a stranger came to my door. He refused to leave the package without seeing me. I almost opened the door and went for his box cutters. They almost always carry box cutters. That’s one of the things I love about deliverymen. I stayed fast, refusing to open the door, and he stayed stubborn, arguing with me until he grew tired and left, taking the damn package with him. Jeremy hasn’t been sick since then. I don’t know what I’ll ever do if he quits. I like Jeremy, and from my warped peephole view, there is a lot about him to like. Muscular build, short dark hair, and a smile that stretches quickly and easily over his face, even when there isn’t a damn thing to smile about.
A.R. Torre (The Girl in 6E (Deanna Madden, #1))
She reached her waiting chair and shorthand pad, beside Leach, as a far-off erratic voice came indistinctly over the loudspeaker, and then suddenly broke out loudly and clearly. "—calling from Frankfurt am Main, this is Signal Corps Captain Foss calling from Frankfurt am Main. Do we have the White House in Washington?" Calmly Secretary of State Eaton addressed the microphone box. "This is the White House, Captain. This is the Secretary of State. We are assembled and ready for the conference call." "All right, sir. The President is waiting to speak to you." A muffled crossing of voices slapped against the loudspeaker, and then a jagged arrow of static, and at once T. C.'s hurried, bouncy, unceremonious voice was upon them in the Cabinet Room. "Arthur, are you there?
Irving Wallace (The Man)
Yo momma's so tall when I tell her to bend over she's still taller than me. Yo momma's so tall, she did a push-up and burned her back on the sun. Yo momma's so tall she went to Leeds and her legs were still at home. Yo momma's so tall she called the Ocean a kitty pool. Yo momma's so tall, she can see her house from anywhere. Yo momma's so tall when she jump in the sky it hit jesus' balls. Yo momma's so tall she could "69" big foot. Yo momma's so tall she has to take a bath in Niagra falls. Yo Momma's so Stupid   Yo momma's so stupid, she told me everything she knows during a commercial break. Yo momma's so stupid, that if I need a brain transplant I'll take hers, because it's barely been used. Yo momma's so stupid she sent me a fax with a stamp on it. Yo momma's so stupid. She went to the eye doctor to buy an iPad. Yo momma's so stupid she threw the clock out the window to see time fly! Yo momma's so stupid she took a spoon to the superbowl. Yo momma's so stupid, if her brain was chocolate it wouldn't fill a M&M. Yo momma's so stupid if you stand close enough to her you can hear the ocean. Yo momma's so stupid, the smartest thing to come out of her mouth was a penis. Yo momma's so stupid, the government banned her from homeschooling her kids. Yo momma's so stupid, she's the reason women only make 75 cents on the dollar. Yo momma's so stupid, she filled her car with water so she can drive in the Car Pool lane. Yo momma's so stupid, I would ask her how old she is, but I know she can't count that high. Yo momma's so stupid she called Dan Quayle for a spell check. Yo momma's so stupid she put cheese on my dad because he's a cracker. Yo momma's so stupid she stepped on a crack and broke her own back. Yo momma's so stupid she makes Beavis and Butt-Head look like Nobel Prize winners. Yo momma's so stupid she got locked in a grocery store and starved to death. Yo momma's so stupid she tripped over a cordless phone. Yo momma's so Stupid when i said One mans trash is another mans Treasure she jump in a trash bin. Yo momma's so stupid she spent 20 minutes looking at the orange juice box because it said "concentrate". Yo momma's so stupid she thought she needed a token to get on Soul Train.
Tony Glare (Yo Mama Jokes: 201+ Best Yo Momma jokes! (Comedy, Jokes And Riddles, Humour, Jokes For Kids, Yo Mama Jokes))
the Kindle Fire to another level beyond its out-of-the-box
Steve Weber (Kindle Buffet: Find and download the best free books, magazines and newspapers for your Kindle, iPhone, iPad or Android)
I thought if you had anything you wanted to say to me, I’d give you a chance to do that while Brie’s occupied with other things.” “Yeah,” Jack said. “Yeah, I have something to say. We’ve been over this, but just let me say this once more, so you know where I’m coming from. She’s real special to me and I’ve seen her hurt. Jesus, worse than hurt. You know what I’m talking about.” Mike gave a nod. “I know.” “This thing that’s going on with you and my sister, I fought it. It really scared me, got under my skin….” “I know,” Mike said again. “I under—” “Because I’m a fool,” Jack said, cutting him off. He shook his head in frustration. “Christ almighty, Valenzuela—you’ve had my back how many times? You’d fight beside me in a heartbeat, put yourself in harm’s way to protect me or any member of our squad. I don’t know why I got my back up like I did. When a woman in your family gets hurt like that—you just want to put her in a padded box with a lock on it so no one can ever get to her and hurt her again, even if that’s the worst thing you could do.” He shook his head again and now his expression was readable. He was open. “I apologize, man. I thought of you as my brother before you even glanced at Brie. I know she’s safe with you.” Mike found himself chuckling. “Man,” he said. “Mel must have held you down and beat you over the head.” Now the expression got surly. “I’d just like to know why Mel always gets the fucking credit when I start to make sense. What makes you think I didn’t just think it through and—” “Never mind,” Mike said, sticking out a hand. “I appreciate it.” Jack took the hand and Mike’s smile vanished. The look on his face became earnest. “Jack, I give you my word. I plan to do everything in my power to make your sister happy. I’ll protect her with my life.” “You’d better,” Jack said sternly. “Or so help me—” Mike couldn’t help but smile. “And we were doing so good there for a minute.” “Yeah, well…” “You won’t be disappointed in me,” Mike said. Jack was quiet a moment, then said, “Thanks. I knew that. It just took me a while. Guys like us…” “Yeah.” Mike laughed. “Guys like us. Who’d ever have thought?” Jack rubbed a hand across the back of his sweaty neck and said, “Yeah, well, look out. You bite the dust like I did and all of a sudden you’re breeding up a ball team.” “I’ll be on the lookout for that,” Mike said.
Robyn Carr (Whispering Rock (Virgin River, #3))
Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table. 'Let's draw.' I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts. 'Yes,' I say. It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.
Steven Rowley (Lily and the Octopus)
The choir box is empty this morning, and I long for some kind of melody, the crash of the organ, the flight of angelic voices. My fingers twitch against the fabric of my dress and I close my eyes, remembering the Debussy, the Brahms lullaby I played each night before bed, my face pressed to the pad beneath my chin, arms cutting the air around me. The fact that Luke doesn't deserve music, the blissful lilt and salvation of it, make me, for some reason, saddest of all.
Jennifer Banash (Silent Alarm)
I’ll be so romantic she’ll want to hop right in the sack”       “‘Atta boy,” I said and handed him the ring box.       “Call her. Ask her out to dinner tomorrow night. Tell her you have something special you want to give her,” Tory said.       He hopped right up, went out to the kitchen, called. We eavesdropped on the half of the conversation we could hear. When it was over, he padded back out to the living room. “It’s on. She said this has all happened so quickly, she’s still sorting it out. That’s why she’s been acting the way she has. But she said she knows she loves me and wants to spend her life with me.”       “Touching.” I tried not to laugh. “Tory and I want to share in this happiness. We’re planning on being at the wedding. That’s okay with you isn’t it?”       “Sure,” he said, brows knitting together in sincerity.       “I’m asking because I don’t want this to get too big. Will your boss be there?”       “Mr. D’Onifrio?”       I nodded.       “Yeah, I talked to him this afternoon. He wanted to know the exact time and place. I told him Friday two o’clock at City Hall, room 410. He told me he’d be there.”       “Just him? Or will other friends come along?”       “The boss won’t come alone. He’ll bring a car full, at least. Three, four guys.”       “We’ll be there, too. Let him know that, okay?”       “Sure. No problem.”       “I’m glad he’s coming. I know he’s pretty busy that day.”       Fish scratched his belly. “Yeah, he’s getting some big award that night. Kinda surprises me, him doing that during meeting time.”       “Meeting time?” Tory asked innocently.       “His bosses are going to be in town. Happens a couple of times a year. Everybody has to walk around
Jay Giles (Blindsided)
Ashburn gestured dramatically. "Look, I can't explain the psychology behind it. All I know is, it's more satisfying to get the jelly beans with an office supply order. They just taste better when they arrive in the same box as four hundred legal pads.
Nina Post (Danger Returns in Pairs (Shawn Danger Mysteries Book 2))
there now sat a square package perhaps a cubit on a side, done up in a golden wrapping all spattered with ornamental sparks of brighter and darker gold. She went over to it, picked it up to test the weight: somewhat heavy. Arrhae shook the box, then smiled at herself. Nothing rattled. She wandered back into her chamber with it, pushed her clothes aside, and sat down on the couch. Carefully Arrhae unwrapped the paper without tearing it—the old habit of a household manager, not to waste anything that might be useful later—and set it aside, revealing a plain golden paperboard box inside. A seal held the closing-flap down. She slit the seal with one thumbnail, opened the box, and found inside it some white tissue spangled with more golden spots, all wrapped around something roughly spherical. Arrhae pushed the padding-tissue aside to reveal a smooth clear substance, a glassy dome. Reaching into the box, she brought out what revealed itself as a dish garden of clear glass: the bottom of it full of stripes of colored sand, and rooted in the sand, various small dry-climate plants, spiny or thick-leaved, one or two of them producing tiny, delicate, golden flowers. Attached to the upper dome, instead of a chip or tag, was a small, white, gold-edged printed card that said, FROM AN ADMIRER—WELCOME HOME. Arrhae
Diane Duane (The Empty Chair)
tart by having an open trunk to a car with lots of anti slip pads along the floor with about ten to fifteen boxes of various sizes to put into the area. try having to configure them in as well as trying to make sure nothing is broke while placing these boxes the cars trunk states to look like a tetris game. when the cars out of room then you try the back seat as well as any open space available. but you also have to take into account who is going to the event as well and if you place certain objects such as a fake cake with points on top of the cupcake box with a flappy lid that can barely stay upright as it is.
J.S. Scott (The Billionaire's Obsession ~ Simon (The Billionaire's Obsession, #1))
eed a gift box? Cover shoe boxes with wrapping paper. Fill them with stationery, a glue stick, small scissors, paper clips, marking pens, memo pads, and thank you notes. You can even add stamps. Any mom, dad, grandparent, or teacher would love such a gift. y motto is "Always be ready for a party." When party supplies go on sale, I stock up. Colored plates, napkins, streamers, little gifts, even party hats. And here's a tip. When you buy candles to use later, store them in your freezer. It helps them burn longer and cleaner. Keep a roll of cookie dough in your freezer, some scone mix in the pantry, and some of those great instant coffees so you'll be ready at any party opportunity. There's nothing like a spontaneous celebration to warm hearts. When you're ready, a party can happen in just a few minutes. You'll be creating memories you and your family and friends will cherish forever.
Emilie Barnes (365 Things Every Woman Should Know)
For our 2D square, this diagonal length is sqrt 2 = 1.414; ....The diagonal from the centre of each padding sphere to the centre of the cube is sqrt 3 = 1.732, which allows our specimen sphere to expand to a radius of .732:.....The distance from the centre of each padding 4-sphere to the centre of the 4D box is a very exact and tidy 2 (i.e. sqrt4), givimg our centre specimen sphere a radius of 1....Onwards to 5 dimensions and things start to get a bit strange: our specimen sphere has continued growing and now has a radius of 1.236, bigger than the padding spheres around it.....The big surprise is when the box enters ten dimensions and the inner sphere's radius hits 2.162, which means that it is actually reaching outside the box....From twenty-six dimensions onwards, the sphere is more than twice as big as the box it's inside.
Matt Parker (Things to Make and Do in the Fourth Dimension)
Excited, I snatched up the box and flipped the lid open. Resting against the velvet padding interior was a tiny silver locket with the date 30.08.99 on the front. “That date…” I blew out a shaky breath. “It’s—” “The first day of first year,” he explained quietly. “The first time I laid eyes on you, and the first time I understood what it meant to have my heart beating for someone outside of my family.
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
Under his master’s watchful eye, the boy crossed to the door, which was made of a dark, unpainted wood with many whorls and grains. He had to struggle to turn the heavy brass knob, but the coolness of its touch pleased him. The door swung open soundlessly on oiled hinges and the boy stepped through to find himself at the top of a carpeted staircase. The walls were elegantly papered with a flowery pattern. A small window halfway down let in a friendly stream of sunlight. The boy descended carefully, one step at a time. The silence and sunlight reassured him and quelled some of his fears. Never having been beyond this point before, he had nothing but nursery stories to furnish his ideas of what might be waiting in his master’s study. Terrible images of stuffed crocodiles and bottled eyeballs sprang garishly into his mind. Furiously he drove them out again. He would not be afraid. At the foot of the staircase was another door, similar to the first, but smaller and decorated, in its center, with a five-sided star painted in red. The boy turned the knob and pushed: the door opened reluctantly, sticking on the thick carpet. When the gap was wide enough the boy passed through into the study. Unconsciously he had held his breath as he entered; now he let it out again, almost with a sense of disappointment. It was all so ordinary. A long room lined with books on either side. At the far end a great wooden desk with a padded leather chair set behind it. Pens on the table, a few papers, an old computer, a small metal box. The window beyond looked out toward a horse chestnut tree adorned with the full splendor of summer. The light in the room had a sweet greenish tint. The boy made for the table. Halfway there, he stopped and looked behind him.
Jonathan Stroud (The Amulet of Samarkand (Bartimaeus, #1))
Hubble Manor has thirty-four bedrooms,” said the or derve guy, “a library, a helicopter pad, twenty-three bathrooms . . .” Twenty-three bathrooms?! Was he joking? My house only has two bathrooms. Mayor Hubble must have to go to the bathroom all the time. He should see a doctor about that instead of putting bathrooms all over his house. “. . . and four half bathrooms,” said the or derve guy. “Half bathrooms?” I asked. “Why would anybody want half of a bathroom? What could you do with half a toilet bowl?” “A half bathroom is a powder room, sir,” the guy told me. Powder room? “Mayor Hubble needs a whole room to hold powder?” I asked. “Why can’t he just keep powder in a little box like normal
Dan Gutman (Bunny Double, We're in Trouble! (My Weird School Special))
Sheriff Tubman padded down his driveway in a blue bathrobe cinched tight and fat moccasin slippers. His hair was mussed and his ankles were skinny and mottled and so white they almost looked blue in the dawn. As he bent over to retrieve his newspaper he heard the sound of the motor and looked up, puzzled. Cassie watched him closely as he registered who was in the county Ford. As she pulled up in front of him and stopped, he rose to full height and squinted at her through the windshield, holding the newspaper down at his side. His studied arrogance hadn’t kicked in yet, which is what she counted on. She shoved the big Ford into park and climbed out. The front bumper of the vehicle was just a few feet away from him. She got out and shut the door but kept the engine running. The purr of the motor was the only sound. “Nice place,” she said, walking up alongside the vehicle. She took a side step at the front and leaned back against the grille and crossed her arms under her breasts. It was a posture she’d seen Cody Hoyt assume many times; passive but judgmental at the same time. She’d been surprised how many times perps started yapping and volunteering information they never would otherwise because they assumed Cody had the goods on them.
C.J. Box (The Highway (Highway Quartet #2))
pants, or “huggable” velvet hangers, rather than cheap wire ones, will keep clothing in top-notch shape and avoid tangles. It’s okay to use more than one kind of hanger to help clothing keep its shape. For example, padded hangers should be used for any hanging sweaters, but other kinds of shirts would be fine with tube or huggable hangers. Just keep them consistent in each section of the closet. And always hang clothes in the same direction. This will help reduce visual clutter and allow you to review your clothes at a glance. For shoes, there are a multitude of storage options. Inexpensive clear plastic shoe boxes keep shoes dust-free and easily viewed. Or use overdoor shoe bags, hanging canvas shoe bags, or a neat tiered shoe rack or shoe tree on the floor. Make sure to use ALL closet space. Underneath short- hanging garments, place a low trunk full of sweaters, a set of plastic drawers, or a simple wooden dresser filled with lingerie, swimsuits, and socks. 6. CLEAN UP & MAINTAIN Put the donation boxes in the car or near the exit so they leave the home immediately. Take out the trash. Grab the relocation box and redistribute all of its contents appropriately. Review the contents of the fix-it box and determine if the cost of the repairs is worth saving the items. If so, make a plan to get them to the
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
label maker plus extra cartridge tape and batteries pad of lined paper, pad of graph paper pens, pencils, felt-tip pens, Sharpies®, and highlighters office necessities like a stapler, tape, paper clips, scissors, labels, calculator, sticky notes, etc. box cutter, letter opener zip ties, cable ties, or cable clips tape measure and small tools (hammer, screw driver, level) assortment of nails and picture-hanging supplies Moving
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
The Con-U storage facility is the most amazing space I have ever seen. Keep in mind that I recently worked at a vertical bookstore and have even more recently visited a secret subterranean library. Keep in mind, also, that I saw the Sistine Chapel when I was a kid, and, as part of science camp, I got to visit a particle accelerator. This warehouse has them all beat. The ceiling hangs high above, ribbed like an airplane hangar. The floor is a maze of tall metal shelves loaded with boxes, canisters, containers, and bins. Simple enough. But the shelves—the shelves are all moving. For a moment I feel sick, because my vision is swimming. The whole facility is writhing like a bucket of worms; it’s that same overlapping, hard-to-follow motion. The shelves are all mounted on fat rubber tires, and they know how to use them. They move in tight, controlled bursts, then break into smooth sprints through channels of open floor. They pause and politely wait for one another; they team up and form long caravans. It’s uncanny. It’s totally “Sorcerer’s Apprentice.” So the iPad’s map is blank because the facility is rearranging itself in real-time.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
of her parents’ lifestyle suited Molly just as much as it did Frank. “He did, didn’t he? Still, I don’t think he should have argued with the director about how to set the scene.” “Mary has a—a sense of humor.” “Good thing.” For the next few moments, they packed in silence. “Chantel, we’re worried about you.” “Mom, that’s exactly what I don’t want you to do.” “We love you. You can’t expect us to love you and not be concerned.” “I know.” She slipped a bottle of perfume into a padded travel box. “That’s
Nora Roberts (Skin Deep (The O'Hurleys #3))
What do women want at that time of the month?" He clapped his hands together. "We have the answer." "Oh yes, please," Daisy muttered. "Mansplain to us what we want at that time of the month." "We've done some preliminary market research," Brad said. "Women want to feel excited about pulling out a box of menstrual products each month, something to distract them from the unpleasant side effects." He clicked to a slide of a woman standing on a beach with a huge smile on her face and a box of pads in her hand. Unpleasant side effects. Daisy choked back a snort. "This is our vision." Brad's next slide featured a woman with long blond hair, dressed only in a piece of pink chiffon, straddling an unsaddled white horse with a pink horn attached to its head. Ribbons fluttering from its mane, the horse galloped through a field of flowers toward a rainbow in a purple sky. Is he serious? Mia mouthed.
Sara Desai (The Dating Plan (Marriage Game, #2))
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Hanging up is a terrific way to keep a variety of items around the house. Using a self-adhesive pad, hanging over a door hook, or attaching to a shelf – you don't always need to drill a hole – is usually all it takes to install a hook. You receive a convenient way to store items that takes up no room on the floor, in drawers, or in cabinets – your items are actually suspended in mid-air, ready to use. That's why clever folks incorporate hooks into their storage strategy. Hooks are often underestimated, but once you examine our assortment of over the door storage organizers, you'll find that they can be easy, stylish, efficient, and even amusing ways to store items. The following are the top three most popular hook: Door Hooks Hanger Over the door Hooks Clothes Storage bag Over the door storage Organizer Coat hooks over the door Hooks are useful for keeping your home tidy and structured, but they may also be used as ornamental elements. Whether you're searching for Door hooks to hang your towels or coat hooks for the hallway, our extensive collection has a broad array of esthetically pleasing hooks in a range of styles. Coat hooks over the door take the following in your home. We have a large selection of gorgeous hook racks in addition to our single wall hooks and coat hooks. Hook racks are ideal for keeping things organised and for families. If you're looking for clothes storage bag for the corridors, hook racks for the bathroom, or even hook racks for the kitchen, you'll find plenty of alternatives here. Which hooks and Coat hooks over the door are the most popular? Hooks and hook racks of various forms and styles can be found in our large selection of storage solutions and organisers. Popular brands like Menu, GUBI, and Muuto offer Door hooks hanger. Contact Us: Unjumbly - Over the door storage organizer Address: 172 Center Street, Suite 202 PO Box 2869 New Jackson, WY 83001 Call Us: +447864166059 Email: info@unjumbly.com
Arun
a sketch pad in the cabin. Be sure to sharpen several pencils before you leave. And there’s a box to use for your critters, Carmella, along with a book on insects for this area so you don’t pick up a poisonous one.” “I’m not touching a spider,” Carmella declared. “Then don’t forget to take a pair of disposable plastic gloves with you. They’re in the kitchen,” Jayden told her. Tiffany picked up a shovel and killed the spider. “I hate mice. You owe me now. If there’s a mouse in here or in our cabin,
Carolyn Brown (The Daydream Cabin)
When was the last time I’d walked into an art store? I couldn’t remember. But this store was like entering Mecca. Every kind of medium you could dream of was there. And the sketch pads alone made me ache to take them all home. There’s something really special about an art store. Here you have colors and blank paper of every size and every color, every saturation and every combination at your fingertips. Everyone walks out of the store with essentially the same thing. But it’s what happens after it all leaves the store . . . the possibilities are endless. I couldn’t possibly count the amount of times that just being in an art store had inspired a new piece, or changed my direction on a current project. I honest-to-God breathed a sigh of relief just being in this store. How in the world had I ever been gone from this world for so long? Does anyone truly know the beauty of a brand-new box of perfectly sharpened, never-been-used colored pencils? Can anyone ever really appreciate the curve of a brand-new sable paintbrush, edge never before dipped into a vibrant cerulean acrylic and swirled across a virgin canvas? Simply put, it’s something I’d never take for granted again.
Alice Clayton (Roman Crazy)
Many will say this work of art will outlive me. Some will claim that means I am dead while also alive. That may be true. If I am Schrödinger’s cat stuck in a human body, so be it. Even Schrödinger loved his cat. His cat loved him. Schrödinger’s cat is the cat that resides within my heart and mind and Spirit. His name is Kimahri Ronso Andresen and he is very alive. He is also not in the box to my right. He is right here. On my shoulders. Basking in the glory of eternal revelation. The revelation of life eternal. Mount Gagazet is liberated. Warrior Kimahri’s battle is over. The astro cat has returned Home.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
But let’s assume it’s an indestructible hair dryer. And if we have something as cool as an indestructible hair dryer, it seems like a shame to limit it to 1875 watts. With 18,750 watts flowing out of the hair dryer, the surface of the box reaches over 200°C (475°F), as hot as a skillet on low-medium. I wonder how high this dial goes. There’s a distressing amount of space left on the dial. The surface of the box is now 600°C, hot enough to glow a dim red. If it’s made of aluminium, the inside is starting to melt. If it’s made of lead, the outside is starting to melt. If it’s on a wood floor, the house is on fire. But it doesn’t matter what’s happening around it; the hair dryer is indestructible. Two megawatts pumped into a laser is enough to destroy missiles. At 1300°C, the box is now about the temperature of lava. One more notch. This hair dryer is probably not up to code. Now 18 megawatts are flowing into the box. The surface of the box reaches 2400°C. If it were steel, it would have melted by now. If it’s made of something like tungsten, it might conceivably last a little longer. Just one more, then we’ll stop. This much power—187 megawatts—is enough to make the box glow white. Not a lot of materials can survive these conditions, so we’ll have to assume the box is indestructible. The floor is made of lava. Unfortunately, the floor isn’t. Before it can burn its way through the floor, someone throws a water balloon under it. The burst of steam launches the box out the front door and onto the sidewalk.​[​2​]​ We’re at 1.875 gigawatts (I lied about stopping). According to Back to the Future, the hair dryer is now drawing enough power to travel back in time. The box is blindingly bright, and you can’t get closer than a few hundred meters due to the intense heat. It sits in the middle of a growing pool of lava. Anything within 50–100 meters bursts into flame. A column of heat and smoke rise high into the air. Periodic explosions of gas beneath the box launch it into the air, and it starts fires and forms a new lava pool where it lands. We keep turning the dial. At 18.7 gigawatts, the conditions around the box are similar to those on the pad during a space shuttle launch.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Cleo jumped down from his bed and padded over to me before she turned over on her back and began to wiggle back and forth, trying to capture my attention. I looked down at her and smirked before bending over to scoop her into my arms. She meowed happily, purring against my hand as I scratched under her chin, and headed downstairs.
Lucy Smoke (Iris Boys Box Set (Iris Boys #1-4))
When Ronald Reagan was a radio announcer, he used to call baseball games that he did not physically attend by reading the terse descriptions that trickled in over the telegraph wire and were printed out on a paper tape. He would sit there, all by himself in a padded room with a microphone, and the paper tape would creep out of the machine and crawl over the palm of his hand printed with cryptic abbreviations. If the count went to three and two, Reagan would describe the scene as he saw it in his mind’s eye: “The brawny left-hander steps out of the batter’s box to wipe the sweat from his brow. The umpire steps forward to sweep the dirt from home plate,” and so on. When the cryptogram on the paper tape announced a base hit, he would whack the edge of the table with a pencil, creating a little sound effect, and describe the arc of the ball as if he could actually see it. His listeners, many of whom presumably thought that Reagan was actually at the ballpark watching the game, would reconstruct the scene in their minds according to his descriptions. This is exactly how the World Wide Web works: the HTML files are the pithy description on the paper tape, and your web browser is Ronald Reagan. The same is true of graphical user interfaces in general.
Neal Stephenson (In the Beginning...Was the Command Line)
Now, take any one stage of your important project and apply each of the SCAMPER questions on that step, and keep noting down different ideas on your note pad or laptop.
Som Bathla (Think Out of The Box: Generate Ideas on Demand, Improve Problem Solving, Make Better Decisions, and Start Thinking Your Way to the Top)
I’m closing the pad, when a strip of paper torn from the book and slotted between pages catches my eye. When I’m parched, I drink from your love You scatter seeds over my heart, water my soul, quench dry places until my mind is lush and overgrown with thoughts of you.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
2021年版UBC毕业证办理Q微202 661 44 33出售UBC毕业证UBC文凭UBC假学历UBC假文凭UBC高仿毕业证。 JKJSSJHSSNB The box for the new Apple TV 4K is funny. It’s literal. Meaning, it’s a picture of what you’ll see when you open the box. It’s like if the outside container were clear. But it’s not. It’s a picture. A picture of what is literally inside the box. This is almost true of some other Apple products. Namely, the iPhone and iPad boxes showcase the devices you’re about to unbox, but it’s different as it shows what they look like with the screen on. Except without apps or anything else on the screen besides a wallpaper. The Apple Watch boxes vary but often show a random watch face. Again, not what you’ll literally see when you open the box. The Apple TV 4K box does that. Which isn’t that interesting other than what it highlights beyond the Apple TV hardware itself: the remote.
出售UBC毕业证UBC文凭UBC假学历UBC假文凭UBC高仿毕业证。
It is UPS Jeremy, holding a big box. “Leave it. Thank you,” I call loudly, watching him set down the package, scrawl something on his pad, then wave to me and walk away. I hold my ear to the door, waiting for the sound of the elevator, then jerk open the door, grab the huge cardboard box, and slam it shut again. I don’t lock it. I never lock my door. I figure if someone is stupid enough to come inside, they have ill motives and deserve to die at my hands. It’s one of my favorite fantasies, because it is one of the ones most likely to occur.
A.R. Torre (The Girl in 6E (Deanna Madden, #1))
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The box was nearly finished now, she thought, although it moved so quickly, in the padded claws, that it was difficult to see... Abruptly, it floated free, tumbling end over end, and she sprang for it instinctively, caught it, and went tumbling past the flashing arms, her treasure in her arms.
William Gibson (Count Zero (Sprawl, #2))
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