Proud Ate Quotes

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Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Accepting the fact that she did indeed have Alzheimer's, that she could only bank on two unacceptably effective drugs available to treat it, and that she couldn't trade any of this in for some other, curable disease, what did she want? Assuming the in vitro procedure worked, she wanted to live to hold Anna's baby and know it was her grandchild. She wanted to see Lydia act in something she was proud of. She wanted to see Tom fall in love. She wanted one more sabbatical year with John. She wanted to read every book she could before she could no longer read. She laughed a little, surprised at what she'd just revealed about herself. Nowhere in that list was anything about linguistics, teaching, or Harvard. She ate her last bite of cone. She wanted more sunny, seventy-degree days and ice-cream cones.
Lisa Genova (Still Alice)
Behind the harrows, the long seeders—twelve curved iron penes erected in the foundry, orgasms set by gears, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Two days ago, Tuesday at 10:10 am, I gave birth to a bagel. And God commanded me to slice up my only begotten bagel in two, and who am I to argue with God? So I did it. Then I ate it. I’m not proud of the last part, but at the time it seemed like the right thing to do.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
He stopped, the proud smile melting from his face as he turned, looking at the opposite end of town. “I FORGOT! More pillagers are coming! WE’RE ALL GONNA D-
Pixel Ate (The Accidental Minecraft Family: Book 14)
I ate lunch with Keira today. Second day in a row,” I told him, then winced at how stupid that sounded. Rider’s grin turned into a full smile, transforming his handsome face into the kind of masculine beauty that was like a punch to the chest. “That’s really good, Mallory.” His voice dropped as he reached over, curving his hand over my arm. There was a near electric rush from his touch. “I’m proud of you. For real.” Giddiness surrounded my heart as I stared at his large hand, darker than my own. He knew how big that was, and I didn’t feel so idiotic. He got it. He got me. And that meant the entire universe to me.
Jennifer L. Armentrout (The Problem with Forever)
A whole ocean of rain seemed to be pouring out of the sky. We sat under an awning near a hotel parking lot and ate yellow plums. Eventually Rózsa ate one of the cookies I had bought, and I felt happy and proud, like I had successfully fed a shy and proud animal. Within minutes the sun was blazing as if it didn’t remember a thing.
Elif Batuman (The Idiot)
And what a lovely body the young girl possessed! She was obviously proud of it herself & never seemed ashamed to display it. Iris Leong then decided that if she had a body like Phyllis`, she, too, would be proud to display it in all its glory. All the cards now appeared to be stacked in the girl`s favour. She enjoyed orgasms all day long & yet never had to fear about losing her virginity. She thus had her cake & also ate it. She should be a model to all young girls, Iris decided.[MMT]
Nicholas Chong
Peggotty had a basket of refreshments on her knee, which would have lasted us out handsomely, if we had been going to London by the same conveyance. We ate a good deal, and slept a good deal. Peggotty always went to sleep with her chin upon the handle of the basket, her hold of which never relaxed; and I could not have believed unless I had heard her do it, that one defenceless woman could have snored so much. We made so many deviations up and down lanes, and were such a long time delivering a bedstead at a public-house, and calling at other places, that I was quite tired, and very glad, when we saw Yarmouth. It looked rather spongy and soppy, I thought, as I carried my eye over the great dull waste that lay across the river; and I could not help wondering, if the world were really as round as my geography book said, how any part of it came to be so flat. But I reflected that Yarmouth might be situated at one of the poles; which would account for it. As we drew a little nearer, and saw the whole adjacent prospect lying a straight low line under the sky, I hinted to Peggotty that a mound or so might have improved it; and also that if the land had been a little more separated from the sea, and the town and the tide had not been quite so much mixed up, like toast and water, it would have been nicer. But Peggotty said, with greater emphasis than usual, that we must take things as we found them, and that, for her part, she was proud to call herself a Yarmouth Bloater. When we got into the street (which was strange enough to me) and smelt the fish, and pitch, and oakum, and tar, and saw the sailors walking about, and the carts jingling
Charles Dickens (David Copperfield)
A honey pie, lovingly made. The tiny sugar bee, still perched on the edge of the flaky crust, mocked me. That little bee nibbling on her honey pie. A pulse of sheer heat lit up my sex, licked down my thighs, tweaked my nipples. I shoved another messy bite into my mouth, relishing the taste, wanting...him. This was his work, made with his hands, his skill, his mind. My grumpy man with the ability to create sweetness in the most unexpected of ways. Somehow, at the back of my mind, I'd known from the start. From the way he'd all but ordered me to try his brest. How he'd watched me eat it with that strange intent look upon his face. Pride. That was what it was. He was proud of his work. I ate up my honey pie without pause, devouring it until it was nothing more than a sticky paste on my fingers, buttery crumble on my lips. Moaning, I licked my skin clean like a cat might. I swore I felt claws prickling, aching to come out. Because he had known, and I hadn't. Was it a joke to him? What had he said? The chef was temperamental. Oh, how he must have laughed on the inside at that. With a growl, I washed my hands and headed for the door, half of me more turned on than I'd ever been in my life, the other half ready to tear into the most irritating man I'd ever met.
Kristen Callihan (Make It Sweet)
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
My fight isn’t so simple, it has very deep roots, from long ago, from earlier generations. Life weighs on me with the weight of my family history, my genes drag along a race of sons of plenty and sons of bitches who with a blade of a machete cleared the pathways of life. They’re still doing it. They ate with the machete, they worked, they shaved, killed, and settled differences with their wives with machete. Today the machete is a shotgun, a nine-millimeter, a chopper. The weapon has changed but not its use. The story has changed, too, has become terrifying. Once proud, we are now ashamed, without understanding how, why, and when it all happened. We don’t know how long our history is, but we can feel its weight.
Jorge Franco
Course they wouldn't have all the details, like whether or not they played in squares of sunlight on their walls, if they wore spiders on their hats, if they ate hamburger every other day, if they had ever made love in a yellow canola field tenderly or passionately or awkwardly. If they preferred dresses or pants, if they shaved their legs or didn't, or if they preferred red peppers to green. Stuff was happening. Even in Half-a-Life. Little things, but it all added up to something big. To our lives. It was happening all along. These were our lives. This was it. My mom was hanging on to the lives, the recorded lives, of these women. We might escape, but what if we didn't? What if we lived in Half-a-Life all our lives, poor, lonely, proud, happy? If we did, we did. These were our lives. If we couldn't escape them, we'd have to live them.
Miriam Toews (Summer of My Amazing Luck)
Germaine, on the other hand, was a whore from the cradle; she was thoroughly satisfied with her role, enjoyed it in fact, except when her stomach pinched or her shoes gave out, little surface things of no account, nothing that ate into her soul, nothing that created torment. Ennui! That was the worst she ever felt. Days there were, no doubt, when she had a bellyful, as we say – but no more than that! Most of the time she enjoyed it – or gave the illusion of enjoying it. It made a difference, of course, whom she went with – or came with. But the principal thing was a man. A man! That was what she craved. A man with something between his legs that could tickle her, that could make her writhe in ecstasy, make her grab that bushy twat of hers with both hands and rub it joyfully, boastfully, proudly, with a sense of connection, a sense of life. That was the only place where she experienced any life – down there where she clutched herself with both hands.
Henry Miller (Tropic of Cancer (Tropic, #1))
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
Neil Gaiman (American Gods (American Gods, #1))
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (Grapes of Wrath, The)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Once there was a boy. When the boy was 6 years old, his father gave him a falcon to train. Falcons are raptors - killing birds, his father told him, the Shadowhunters of the sky. The falcon didn't like the boy, and he didn't like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with his beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn't know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to train. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was ment to be easier to tame. He leard the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was ment to keep the bird blind, but he couldn't bring himself to do it - instead he tryed to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that the beak cut his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if it had to consume his blood to make that happen. He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and land on his wrist, he nearly shouted with delight. Sometimes the bird would hop to his sholder and but its beak in his hair. He knew his falcon loved him, and when he was certain that it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. Instead his father took the bird, now tame and trusting, in his hands, and broke its neck. 'I told you to make him obedient,' his father said, and dropped the falcon's lifeless body to the ground. "Instead, you taught it to love you. Falcons are not ment to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.' Later, when his father left him, the boy cried over his pet, until his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he'd learned: That to love is to destroy, and to be loved is to be the one destroyed.
Jace City of Bones
That settles it,” said Mr. Trapwood. “We’re going back to the pension. We’re going to pack. We’re going to be on the Bishop first thing tomorrow. Sir Aubrey will have to send someone else out. Nothing is worth another day in this hellhole.” Mr. Low did not answer. He had caught a fever and was lying in the bottom of a large canoe owned by the Brothers of the São Gabriel Mission, who had arranged for the crows to be taken back to Manaus. His eyes were closed and he was wandering a little in his mind, mumbling about a boy with hair the color of the belly of the golden toad which squatted on the lily leaves of the Mamari River. There had, of course, been no golden-haired boys; there hadn’t been any boys at all. What there had been was a leper colony, run by the Brothers of Saint Patrick, a group of Irish missionaries to whom the crows had been sent. “They’re good men, the Brothers,” a man on the docks had told them as they set off on their last search for Taverner’s son. “They take in all sorts of strays--orphans, boys with no homes. If anyone knows where Taverner’s lad might be, it’ll be them.” Then he had spat cheerfully into the river because he was a crony of the chief of police and liked the idea of Mr. Low and Mr. Trapwood spending time with the Brothers, who were very holy men indeed and slept on the hard ground, and ate porridge made from manioc roots, and got up four times in the night to pray. The Brothers’ mission was on a swampy part of the river and very unhealthy, but the Brothers thought only about God and helping their fellowmen. They welcomed Mr. Trapwood and Mr. Low and said they could look over the leper colony to see if they could find anyone who might turn out to be the boy they were looking for. “They’re a jolly lot, the lepers,” said Father Liam. “People who’ve suffered don’t have time to grumble.” But the crows, turning green, thought there wouldn’t be much point. Even if there was a boy there the right age, Sir Aubrey probably wouldn’t think that a boy who was a leper could manage Westwood. Later a group of pilgrims arrived who had been walking on foot from the Andes and were on their way to a shrine on the Madeira River, and the Brothers knelt and washed their feet. “We know you’ll be proud to share the sleeping hut with our friends here,” they said to Mr. Low and Mr. Trapwood, and the crows spent the night on the floor with twelve snoring, grunting men--and woke to find two large and hungry-looking vultures squatting in the doorway. By the time they returned to Manaus the crows were beaten men. They didn’t care any longer about Taverner’s son or Sir Aubrey, or even the hundred-pound bonus they had lost. All they cared about was getting onto the Bishop and steaming away as fast as it could be done.
Eva Ibbotson (Journey to the River Sea)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
God Answered Fire with Fire The Master sent a message against Jacob. It landed right on Israel’s doorstep. All the people soon heard the message, Ephraim and the citizens of Samaria. But they were a proud and arrogant bunch. They dismissed the message, saying, “Things aren’t that bad. We can handle anything that comes. If our buildings are knocked down, we’ll rebuild them bigger and finer. If our forests are cut down, we’ll replant them with finer trees.” So GOD incited their adversaries against them, stirred up their enemies to attack: From the east, Arameans; from the west, Philistines. They made hash of Israel. But even after that, he was still angry, his fist still raised, ready to hit them again. But the people paid no mind to him who hit them, didn’t seek GOD-of-the-Angel-Armies. So GOD hacked off Israel’s head and tail, palm branch and reed, both on the same day. The big-head elders were the head, the lying prophets were the tail. Those who were supposed to lead this people led them down blind alleys, And those who followed the leaders ended up lost and confused. That’s why the Master lost interest in the young men, had no feeling for their orphans and widows. All of them were godless and evil, talking filth and folly. And even after that, he was still angry, his fist still raised, ready to hit them again. Their wicked lives raged like an out-of-control fire, the kind that burns everything in its path— Trees and bushes, weeds and grasses— filling the skies with smoke. GOD-of-the-Angel-Armies answered fire with fire, set the whole country on fire, Turned the people into consuming fires, consuming one another in their lusts— Appetites insatiable, stuffing and gorging themselves left and right with people and things. But still they starved. Not even their children were safe from their rapacious hunger. Manasseh ate Ephraim, and Ephraim Manasseh, and then the two ganged up against Judah. And after that, he was still angry, his fist still raised, ready to hit them again.
Eugene H. Peterson (The Message Remix 2.0: The Bible In contemporary Language)
Action Plan: Before you eat food, change your focus to an empowering perspective by asking these 3 “pre-chow power questions” 1 - What will my body look like in 3 months if I ate this every day? 2 - Will I be proud of my choices at the end of the day if I eat this? 3 - Does this food and decision take me closer to my goals? Write these down on and put the on the fridge, or dining room table to help remind yourself. HH13
Benjamin Wilson (Weight Loss: 25 Simple Habits to Lose weight, Feel Great, and Have More Energy for A Healthier Life: Weight Loss Motivation (Weight loss health Book 1))
The farmers had grown proud and haughty. They ate better than anyone else in Germany now. And, like Volkswagen and Siemens, they had slaves. All they had to do was feed the local Nazi power elite, and they could have all the slaves they wanted.
Edith Hahn Beer (The Nazi Officer's Wife: How One Jewish Woman Survived the Holocaust)
When the boy was six years old, his father gave him a falcon to train. Falcons are raptors—killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it—instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and come to his wrist, he nearly shouted with delight. Sometimes the bird would hop to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Ridge nodded and Jamal gave him a small hug then turned to Ellie. “I’d tell you to do your best too, but I know you will. It’s just part of your personality. We’re so proud of you.” He squeezed her tight, then pulled back with an evil looking grin on his face. “Just make sure you’re being a good student, too.” Ellie’s eyes widened in shock, then horror. “Ah-hah!” Ridge yelled, pointing. “The student has remained the student!” Ellie groaned dramatically and Jamal laughed. He looked up to Hawke and Scorch. “You take care of my kids, you hear? King’s orders.” Hawke laughed. “Are you serious? Don’t forget who saved who’s life once already.” “Wasn’t it us that saved you?” Ridge asked Hawke, scratching his chin. Hawke rolled his eyes. “We’ll take care of them,” Scorch said, embracing Alice. “Don’t worry. I can take care of Hawke, too.” “Hey! I was a champion hatchamob handler too, you know!” Hawk protested. Scorch looked over at him with a sly grin. “Sure, but not in the capital. That’s a whole other level.” Hawke narrowed his eyes. “Excuse me for not trying harder while I was, leading a rebellion against a corrupt tyrant.” “Wasn’t Leanne the leader of the rebellion?” Ellie asked. Hawke threw his hands in the air. “Are we ready to go yet?
Pixel Ate (Hatchamob: Book 4)
From his headquarters in Los Angeles, Bob Lorsch had entered the prepaid calling card space and built SmarTalk into a success. I was a VP at Salomon at the time and had heard stories about how crazy and fascinating Lorsch was, so I agreed to work with my colleague Mark Davis on a SmarTalk equity offering a year or so after the company’s IPO. We met at their Los Angeles offices at lunchtime. Lorsch burst into the room like a bad caricature of Danny DeVito, and even though I’d been warned that he was an unconventional CEO, I still wasn’t prepared for the encounter. We had put together the standard detailed presentation that analyzed the state of the public equity markets, how the SmarTalk stock had been performing, who owned it, et cetera. A young Salomon analyst who had been pulling all-nighters to assemble the books sat in a chair near the door. Mark and I passed around the presentation books. “So we’ve prepared a—” I started. “Just tell me,” Lorsch interjected. “Do we have Grubman or not?” Jack Grubman, Salomon’s famed equity analyst, had previously endorsed the SmarTalk IPO with a buy rating. “Yes,” Mark said. “We have Jack. We talked to him prior to the meeting and confirmed that he’ll continue to cover the company and support the offering.” “Then you’re hired,” Lorsch said with a smile, pushing his unopened book to the center of the table. “Let’s eat.” It seemed reckless to have made his decision on so little information, and I could only imagine how the analyst kid near the door felt, sleep-deprived and probably proud of his hard work, only to see the book tossed aside without so much as a cracking of the spine. While we ate the catered lunch that was delivered to the conference room, Mark mentioned that I was in the midst of planning my wedding for that summer. “Don’t get married!” Lorsch advised me. “Terrible, terrible idea.” He described a few of his own ill-fated unions, dropping in crude one-liners to punctuate the stories: “Why buy when you can rent? . . . If it flies, floats, or fucks, don’t buy it! . . .” Despite
Christopher Varelas (How Money Became Dangerous: The Inside Story of Our Turbulent Relationship with Modern Finance)
Earthquake!” Jack shouted, remembering the lessons Dad had drilled into him and Kate about where to go if there ever was an earthquake.  Jack leapt from bed and darted toward the doorway when he suddenly stopped and looked around. When he realized where he was, he scowled at his dad. “There aren’t earthquakes in Minecraft DAD!”  Dad chuckled. “Hey, it’s important to know your emergency plan. I’m proud of you guys, you remembered what to do in an earthquake drill.”  “Honey?” Mom said from her bed.  “Yes dear?” Dad asked.  “If I could pull this pillow off this bed, I would throw it at you SO HARD!” She gave him ‘The Look’ to end all ‘Looks.’ Dad grinned. “Lots to do today! Let’s get our herd of boats and go sailing!”  Mom threw an egg at him and it bounced off his big ‘ole blockhead.
Pixel Ate (The Accidental Minecraft Family: MegaBlock 3 Edition (Books 9-12) (The Accidental Minecraft Family Megablock))
He's beaming at me like a proud papa. But the softness of his eyes has nothing to do with fatherhood and everything to do with sexual attraction. He takes a step toward me. "Claire?" he says, and I know exactly what he's asking. I want him, I have for a while. It's been a tough day, and I'd like nothing better than to crawl into his arms, have him obliter- ate all my fears and replace them with pleasure. But I've made too many bad choices before him, and now there are too many secrets between us. I shake head. my He blinks, steps back. "Okay. That's cool. Has nothing to do with the rest of the project. Or anything else." The longing on his face mirrors what I feel. "Maybe later," I say, wishing for sooner. "Maybe after this is all over..." "Probably smart," he in a flat voice that reveals that he says, doesn't think it's smart at all.
Barbara A. Shapiro (The Art Forger)
When Ellen announced that supper was ready Douglas Starr told Emily to go out to it. “I don’t want anything tonight. I’ll just lie here and rest. And when you come in again we’ll have a real talk, Elfkin.” He smiled up at her his old, beautiful smile, with the love behind it, that Emily always found so sweet. She ate her supper quite happily—though it wasn’t a good supper. The bread was soggy and her egg was underdone, but for a wonder she was allowed to have both Saucy Sal and Mike sitting, one on each side of her, and Ellen only grunted when Emily fed them wee bits of bread and butter. Mike had such a cute way of sitting up on his haunches and catching the bits in his paws, and Saucy Sal had her trick of touching Emily’s ankle with an almost human touch when her turn was too long in coming. Emily loved them both, but Mike was her favourite. He was a handsome, dark-grey cat with huge owl-like eyes, and he was so soft and fat and fluffy. Sal was always thin; no amount of feeding put any flesh on her bones. Emily liked her, but never cared to cuddle or stroke her because of her thinness. Yet there was a sort of weird beauty about her that appealed to Emily. She was grey-and-white—very white and very sleek, with a long, pointed face, very long ears and very green eyes. She was a redoubtable fighter, and strange cats were vanquished in one round. The fearless little spitfire would even attack dogs and rout them utterly. Emily loved her pussies. She had brought them up herself, as she proudly said. They had been given to her when they were kittens by her Sunday School teacher. “A living present is so nice,” she told Ellen, “because it keeps on getting nicer all the time.
L.M. Montgomery (Emily of New Moon: Emily 1 (Emily Novels))
This,” King Jamal offered proudly, “is a PP.
Pixel Ate (Hatchamob: Book 15)
Aren’t you proud that you know how to use a dial phone? That you lived a whole, full life without a digital device in your pocket? You remember who Gilligan is! You watched Fonzie jump the shark! You remember when coming in second place was still awesome. You know how to use a phone book and roll down a window manually. You probably drove a stick shift. As a kid, you played outside all day until dinner. You lived in a time when you could walk your loved ones all the way to the gate in an airport. The guy who sang your favorite song on the radio wasn’t also a model. You know what “Where’s the beef?” means and remember when everyone ate Hamburger Helper. You watched Jaws at the drive-in. We have seen a lot. We survived Aqua Net. We were the last generation of children to ride in a car without seat belts! And there’s nothing shameful in saying that.
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
I ate a terrible midday meal in a dark tavern, surrounded by soot-faced laborers. Each looked bone-tired. They chewed slowly, absently, like zombies. Why must we work so hard? I thought. Consider the lilies of the field… they neither toil nor spin. And yet the first-century rabbi Eleazar ben Azariah said our work is the holiest part of us. All are proud of their craft. God speaks of his work; how much more should man.
Phil Knight (Shoe Dog)
I’m so proud of you,” Ellie said, grabbing him in a hug. “Hi, so proud of you. I’m Ridge.
Pixel Ate (Hatchamob: MegaBlock 3 (Books 8-10))
I think about the smile he made when we first resonated, as if he’d been given the world’s greatest gift. I think about him grimacing as he ate the fish head, the rueful expression on his face. I think about how he looked when we first kissed. His sleepy expression when he was feeling relaxed and drowsy. His proud stance as he fished, his tail utterly still, back straight…and those two fascinating dimples that showed up just above his backside when he did. I think of the beautiful sound of his laugh. Of the tender expression on his face as he changed camouflage colors to match my skin. I think of the way he looked at me as we made love.
Ruby Dixon (Mari's Mistake (Icehome, #10))
Love and passion begat marriage in my world. Yet in my grandparents’ world, marriage began with practicality. My grandfather told me proudly of that day he first met my grandmother. He interviewed her, posing little riddles to test her common sense. “Supposing you have to take the children to school and you’re late and it’s supposed to rain,” he said. “Would you take a taxi or a bus?” My grandmother said, “Well, first I’d take an umbrella.” Ice cream in Central Park, this was not.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
She was too proud to eat her share of what little food we had. She told me she had. She swore she did. But every time I complained about being so hungry it hurt, she always offered me a nut or a partially rotted turnip, claiming she had just found two and already ate hers.” Rose sniffled and wiped her eyes again. “After she was gone, I left my pride in that little hut and begged my way to Medford. I’d do anything. Once you’ve spent an afternoon chasing a fly around your house for dinner, once you’ve eaten spiders whole and drooled over worms found while burying your mother with your bare hands, there’s nothing beneath you. All I wanted was to live-I’d forgotten everything else. A clod of dirt doesn’t have dreams. A bit of broken stone doesn’t understand hope. Each morning, all I wanted was to see the next dawn.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Oh yeah, I’m the animal master!” she crowed, proud of herself.
Pixel Ate (The Accidental Minecraft Family: Book 3: (An Unofficial Minecraft Book))
WE LEAVE THE DORM, and Ethan shows us the gym, where he proudly informs us that in one month he’s already doubled the weight he can curl, then the community room, which has an enormous flat-screen TV and a bunch of pinball and video games, then the computer room, and then his little corner patch of their big community garden, where he’s growing lettuce and beets. “But you don’t eat vegetables,” David says. “Sammy says food tastes better when you grow it yourself.” “It’s true,” I say. David rolls his eyes and makes a snorting sound. “It is,” I insist. “I once had a tomato plant, and I hate tomatoes, but I ate the one little tomato I succeeded in growing, and it was delicious. Then the plant died.” “I didn’t want to grow tomatoes,” Ethan says. “I don’t blame you. It only leads to heartbreak.
Claire LaZebnik (Things I Should Have Known)
He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.” ― John Steinbeck, The Grapes of Wrath
John Steinbeck (The Grapes of Wrath)
The tiny tortoiseshell kit blinked up at him. “Sootkit and Rainkit were asleep in the nursery,” she began in a faint voice. “But I wasn’t sleepy. My mother wasn’t watching, so I went to play in the ravine. I wanted to catch a mouse. And then I saw Darkstripe.” Her voice shook and she hesitated. “Go on,” Firestar encouraged her. “He was coming up the ravine by himself. I knew he should have had Brackenfur with him, and I . . . I wondered where he was going. I followed him—I remembered the time he took Bramblepaw and Tawnypaw out of the camp, and I thought I might have an adventure like that, too.” Firestar felt a pang of sadness as he remembered how Sorrelkit was always so bright and curious, getting into trouble because of her misguided courage. This limp scrap of fur didn’t look at all adventurous now, and Firestar could only hope that with Cinderpelt’s care she would soon be her lively self again. “I followed him a long way,” Sorrelkit went on, sounding rather proud of herself. “I’d never been so far from the camp. I hid from Darkstripe too—he didn’t know I was there. And then he met another cat—a cat I’d never seen before.” “What other cat? What did it look like? What scent did it have?” Firestar questioned her urgently. Sorrelkit looked bewildered. “I didn’t recognize the scent,” she mewed. Her nose wrinkled. “But it was yucky. He was a big white cat—bigger than you, Firestar. And he had black paws.” Firestar stared at her as he realized whom she had seen. “Blackfoot!” he exclaimed. “Tigerstar’s deputy. That was ShadowClan scent you smelled, Sorrelkit.” “And what’s Darkstripe doing, meeting the ShadowClan deputy on our territory?” Sandstorm growled. “That’s what I’d like to know.” “So what happened then?” Firestar prompted the kit. “I got scared,” Sorrelkit admitted, looking down at her paws. “I ran back to camp, but I think Darkstripe must have heard me, because he caught up with me in the ravine. I thought he would be angry because I spied on him, but he told me how clever I was. He gave me some red berries for a special treat. They looked tasty, but when I ate them I started to feel really ill. . . . And I don’t remember anything else, except waking up here.” She sank her head on her paws again as she finished, as if telling the long story had exhausted her. Cinderpelt nosed her gently, checking her breathing. “Those were deathberries,” she mewed. “You must never, ever touch them again.” “I won’t, Cinderpelt, I promise,
Erin Hunter (The Darkest Hour)
Sootkit and Rainkit were asleep in the nursery,” she began in a faint voice. “But I wasn’t sleepy. My mother wasn’t watching, so I went to play in the ravine. I wanted to catch a mouse. And then I saw Darkstripe.” Her voice shook and she hesitated. “Go on,” Firestar encouraged her. “He was coming up the ravine by himself. I knew he should have had Brackenfur with him, and I . . . I wondered where he was going. I followed him—I remembered the time he took Bramblepaw and Tawnypaw out of the camp, and I thought I might have an adventure like that, too.” Firestar felt a pang of sadness as he remembered how Sorrelkit was always so bright and curious, getting into trouble because of her misguided courage. This limp scrap of fur didn’t look at all adventurous now, and Firestar could only hope that with Cinderpelt’s care she would soon be her lively self again. “I followed him a long way,” Sorrelkit went on, sounding rather proud of herself. “I’d never been so far from the camp. I hid from Darkstripe too—he didn’t know I was there. And then he met another cat—a cat I’d never seen before.” “What other cat? What did it look like? What scent did it have?” Firestar questioned her urgently. Sorrelkit looked bewildered. “I didn’t recognize the scent,” she mewed. Her nose wrinkled. “But it was yucky. He was a big white cat—bigger than you, Firestar. And he had black paws.” Firestar stared at her as he realized whom she had seen. “Blackfoot!” he exclaimed. “Tigerstar’s deputy. That was ShadowClan scent you smelled, Sorrelkit.” “And what’s Darkstripe doing, meeting the ShadowClan deputy on our territory?” Sandstorm growled. “That’s what I’d like to know.” “So what happened then?” Firestar prompted the kit. “I got scared,” Sorrelkit admitted, looking down at her paws. “I ran back to camp, but I think Darkstripe must have heard me, because he caught up with me in the ravine. I thought he would be angry because I spied on him, but he told me how clever I was. He gave me some red berries for a special treat. They looked tasty, but when I ate them I started to feel really ill. . . . And I don’t remember anything else, except waking up here.” She sank her head on her paws again as she finished, as if telling the long story had exhausted her. Cinderpelt nosed her gently, checking her breathing. “Those were deathberries,” she mewed. “You must never, ever touch them again.” “I won’t, Cinderpelt, I promise,
Erin Hunter (The Darkest Hour)
I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.
Jessica Soffer (Tomorrow There Will Be Apricots)