Prison Notebooks Quotes

We've searched our database for all the quotes and captions related to Prison Notebooks. Here they are! All 49 of them:

One of the first signs of the beginning of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one willl only in time come to hate. In this there is also a residue of belief that during the move the master will chance to come along the corridor, look at the prisoner and say: "This man is not to be locked up again, He is to come with me.
Franz Kafka (Blue Octavo Notebooks)
The crisis consists precisely in the fact that the old is dying and the new cannot be born
Antonio Gramsci (Selections from the Prison Notebooks)
The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.
Antonio Gramsci (Prison Notebooks (Volumes 1, 2 & 3))
All men are intellectuals, but not all men have in society the function of intellectuals
Antonio Gramsci (Selections from the Prison Notebooks)
The aim of life is no more to control the mind, but to develop it harmoniously; not to achieve salvation here after, but to make the best use of it here below; and not to realise truth, beauty and good only in contemplation, but also in the actual experience of daily life; social progress depends not upon the ennoblement of the few but on the enrichment of democracy; universal brotherhood can be achieved only when there is an equality of opportunity - of opportunity in the social, political and individual life.— from Bhagat Singh's prison diary, p. 124
Bhagat Singh (The Jail Notebook and Other Writings)
Common sense is a chaotic aggregate of disparate conceptions, and one can find there anything that one like.
Antonio Gramsci (Selections from the Prison Notebooks)
The whole of language is a continuous process of metaphor, and the history of semantics is an aspect of the history of culture; language is at the same time a living thing and a museum of fossils of life and civilisations.
Antonio Gramsci (Selections from the Prison Notebooks)
Ideas and opinions are not spontaneously "born" in each individual brain: they have had a centre of formation, or irradiation, of dissemination, of persuasion-a group of men, or a single individual even, which has developed them and presented them in the political form of current reality.
Antonio Gramsci (Selections from the Prison Notebooks)
The starting-point of critical elaboration is the consciousness of what one really is, and is 'knowing thyself' as a product of the historical processes to date, which has deposited in you an infinity of traces, without leaving an inventory.
Antonio Gramsci (Prison Notebooks, Volume 2: 1930-1932)
Since defeat in the Struggle must always be envisaged, the preparation of one's own successors is as important as what one does for victory.
Antonio Gramsci (Selections from the Prison Notebooks)
The crisis creates situations which are dangerous in the short run, since the various strata of the population are not all capable of orienting themselves equally swiftly, or of reorganizing with the same rhythm. The traditional ruling class, which has numerous trained cadres, changes men and programmes and, with greater speed than is achieved by the subordinate classes, reabsorbs the control that was slipping from its grasp. Perhaps it may make sacrifices, and expose itself to an uncertain future by demagogic promises; but it retains power, reinforces it for the time being, and uses it to crush its adversary and disperse his leading cadres, who cannot be be very numerous or highly trained.
Antonio Gramsci (Selections from the Prison Notebooks)
At a certain point in their historical lives, social classes become detached from their traditional parties. In other words, the traditional parties in that particular organisational form, with the particular men who constitute, represent and lead them, are no longer recognised by their class (or fraction of a class) as its expression. When such crises occur, the immediate situation becomes delicate and dangerous, because the field is open for violent solutions, for the activities of unknown forces, represented by charismatic "men of destiny".
Antonio Gramsci (Selections from the Prison Notebooks)
The brain is not nourished on beans and truffles but rather the food manages to reconstitute the molecules of the brain once it has been turned into homogeneous and assimilable substances, which potentially have the "same nature", as the molecules of the brain
Antonio Gramsci (Selections from the Prison Notebooks)
It should never be forgotten that, in the struggle between the nations, it is in the interest of each one of them that the other should be weakened by internal struggle. Hence it is always possible to pose the question of whether the parties exist by virtue of their own strength, as their own necessity, or whether rather they only exist to serve the interests of others.
Antonio Gramsci (Selections from the Prison Notebooks)
The principle must always rule that ideas are not born of other ideas, philosophies of other philosophies; they are a continually renewed expression of real historical development. The unity of history (what the idealists call unity of the spirit) is not a presupposition, but a continuously developing process.
Antonio Gramsci (Selections from the Prison Notebooks)
From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words." - from Harper's Notebook, November 2010
Lewis H. Lapham
The starting-point of critical elaboration is the consciousness of what one really is, and is “knowing thyself” as a product of the historical process to date which has deposited in you an infinity of traces, without leaving an inventory. The first thing to do is to make such an inventory.
Antonio Gramsci (Selections from the Prison Notebooks)
In the Prison Notebooks Gramsci says: "The starting-point of critical elaboration is the consciousness of what one really is, and is ‘knowing thyself’ as a product of the historical process to date, which has deposited in you an infinity of traces, without leaving an inventory." The only available English translation inexplicably leaves Gramsci’s comment at that, whereas in fact Gramsci’s Italian text concludes by adding, "therefore it is imperative at the outset to compile such an inventory.
Edward W. Said (Orientalism)
Possibility means "freedom". The measure of freedom enters into the concept of man. That the objective possibilities exist for people not to die of hunder and that people do die of hunger, has its importance, or so one would have thought. But the existence of the objective conditions, of possibilities or of freedom is not yet enough: it is necessary to "know" them, and know how to use them.
Antonio Gramsci (Selections from the Prison Notebooks)
I looked at it out there. The figures that held my attention, as always (I too had an office at Buna, and spent many hours in front of its window), the figures that held my attention were not the men in stripes, as they queued or scurried in lines or entangled one another in a kind of centipedal scrum, moving at an unnatural speed, like extras in a silent film, moving faster than their strength or build could bear, as if in obedience to a frantic crank swivelled by a furious hand; the figures that held my attention were not the Kapos who screamed at the prisoners, nor the SS noncoms who screamed at the Kapos, nor the overalled company foremen who screamed at the SS noncoms. No. What held my eye were the figures in city business suits, designers, engineers, administrators from IG Farben plants in Frankfurt, Leverkusen, Ludwigshafen, with leather-bound notebooks and retractable yellow measuring tapes, daintily picking their way past the bodies of the wounded, the unconscious, and the dead.
Martin Amis (The Zone of Interest)
Common sense is not a single unique conception, identical in time and space. It is the "folklore" of philosophy, and, like folklore, it takes countless different forms. Its most fundamental character is that it is a conception which, even in the brain of one individual, is fragmentary, incoherent and inconsequential.
Antonio Gramsci (Selections from the Prison Notebooks)
It’s raising you up for prison. Your every move is criminalized, by design. In most schools, kids don’t get expelled for saying ‘fuck’ or get tased for tardiness or incarcerated for missing one detention. In most schools, eighth-grade boys aren’t terrorized this way. They’re allowed to be kids, nothing on their minds but pussy and Roblox.” Ty’s eyes focused on his notebook. He was painfully aware that Shane was referring to him. He’d been sent to juvie for missing a detention.
Tia Williams (Seven Days in June)
A man of politics writes about philosophy: it could be that his "true" philosophy should be looked for rather in his writings on politics. In every personality there is one dominant and predominant activity: it is here that his thought must be looked for, in a form that is more often than not implicit and at times even in contradiction with what is professly expressed.
Antonio Gramsci (Selections from the Prison Notebooks)
The streak of sunshine journeying through the prisoner's cell; it may be considered as something sent from Heaven to keep the soul alive and glad within him. And there is something equivalent to this sunbeam in the darkest circumstances; as flowers, which figuratively grew in Paradise, in the dusky room of a poor maiden in a great city; the child, with its sunny smile, is a cherub. God does not let us live any where or any how on earth, without placing something of Heaven close at hand, by rightly using and considering which, the earthly darkness or trouble will vanish, and all be Heaven.
Nathaniel Hawthorne (The American Notebooks: The Centenary Edition (Volume 8))
The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to the brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised, When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected—yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: ‘We have won!’ At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: It is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The offer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man’s smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
Doris Lessing (The Golden Notebook)
He looked like his father. That is to say he was a closely-welded, round youth, dark, like his father, with not a trace of Molly’s dash and vivacity. But unlike Richard, whose tenacious obstinacy was open, smouldering in his dark eyes and displayed in every impatient efficient movement, Tommy had a look of being buttoned in, a prisoner of his own nature. He
Doris Lessing (The Golden Notebook)
Oh, "what an intelligent, farsighted humane administration from top to bottom," as Supreme Court Judge Leibowitz of New York State wrote in Life magazine, after having visited Gulag. "In serving out his term of punishment the prisoner retains a feeling of dignity." That is what he comprehended and saw. Oh, fortunate New York State, to have such a perspicacious jackass for a judge! And oh, you well-fed, devil-may-care, nearsighted, irresponsible foreigners with your notebooks and your ball-point pens - beginning with those correspondents who back in Kem asked the zeks questions in the presence of the camp chiefs - how much you have harmed us in your vain passion to shine with understanding in areas where you did not grasp a lousy thing!
Alexander Solschenizyn (The Gulag Archipelago 1918–1956 (Abridged))
King’s Salary It Is inhuman to talk of a million sterling a year, paid out of the public taxes of any country, for the support of an individual, whilst thousands who are forced to contribute thereto, are pining with want and struggling with misery. Govt does not consist in a contract between prisons and palaces,14 between poverty and pomp; it is not instituted to rob the needy of his mite and increase the worthlessness of the wretched.
Bhagat Singh (Jail Notebook and Other Writings)
We shall never now be able to arrive at any judgment of the full scale of what took place, of the number who perished, or of the standard they might have attained. No one will ever tell us about the notebooks hurriedly burned before departures on prisoner transports, or of the completed fragments and big schemes carried in heads and cast together with those heads into frozen mass graves. Verses can be read, lips close to ear; they can be remembered, and they or the memory of them can be communicated. But prose cannot be passed on before its time. It is harder for it to survive. It is too bulky, too rigid, too bound up with paper, to pass through the vicissitudes of the Archipelago.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books III-IV)
Moment of adorable silence. Men fall silent. But the song of the world rises and I, a prisoner chained deep in the cave, am filled with delight before I have time to desire. Eternity is here and I was hoping for it. Now I can speak. I do not know what I could wish for rather than this continued presence of self with self. What I want now is not happiness but awareness. One thinks one has cut oneself off from the world, but it is enough to see an olive tree upright in the golden dust, or beaches glistening in the morning sun, to feel this separation melt away. Thus with me. I become aware of the possibilities for which I am responsible. Every minute of life carries with it its miraculous value, and its face of eternal youth.
Albert Camus (Notebooks 1935-1942)
John Roebling was a believer in hydropathy, the therapeutic use of water. Come headaches, constipation, the ague, he would sit in a scalding-hot tub for hours at a time, then jump out and wrap up in ice-cold, slopping-wet bed sheets and stay that way for another hour or two. He took Turkish baths, mineral baths. He drank vile concoctions of raw egg, charcoal, warm water, and turpentine, and there were dozens of people along Canal Street who had seen him come striding through his front gate, cross the canal bridge, and drink water “copiously”—gallons it seemed—from the old fountain beside the state prison. (“This water I relish much . . .” he would write in his notebook.) “A wet bandage around the neck every night, for years, will prevent colds . . .” he preached to his family. “A full cold bath every day is indispensable
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
Vorrei, per essere proprio tranquillo, che tu non ti spaventassi o ti turbassi troppo qualunque condanna siano per darmi. Che tu comprendessi bene, anche col sentimento, che io sono un detenuto politico e sarò un condannato politico, che non ho e non avrò mai da vergognarmi di questa situazione. Che, in fondo, la detenzione e la condanna le ho volute io stesso, in certo modo, perché non ho mai voluto mutare le mie opinioni, per le quali sarei disposto a dare la vita e non solo a stare in prigione. Che perciò io non posso che essere tranquillo e contento di me stesso. Cara mamma, vorrei proprio abbracciarti stretta stretta perché sentissi quanto ti voglio bene e come vorrei consolarti di questo dispiacere che ti ho dato ma non potevo fare diversamente. La vita è così, molto dura, e i figli qualche volta devono dare dei grandi dolori alle loro mamme, se vogliono conservare il loro onore e la loro dignità di uomini
Antonio Gramsci (Selections from the Prison Notebooks)
This issue of Stvar we dedicate to the anniversaries. Each effort that commences from historical years and epochal dates, however, is not only supposed to cope with the legacy and lessons of evoked events and figures, but also to question a certain (dominant) relation to the past and history. In other words, the task is not a commemorative one, that is, a fetishist relation to the epoch of decisive dates and big events, but rather the radical grasping of the materiality of history following its work where social contradictions require that fight for emancipation and progress is to be taken up. What is at stake here is not an academic requiem or a leftist memorial service to the era of revolutions and great revolutionaries; it is all about casting our gaze toward the past in order to better examine those moments where the past opens itself toward the future. The relation toward past, therefore, should contain perspectives of different future. Amputation of the future is nowadays one of the features of many current academic, scientific and ideological discourses. Once this perspective of different future has been eliminated, the resignification of Marx, Luxemburg, Kollontai, Lenin and others becomes possible, because their doctrines and results have been quite depoliticized. On the contrary, it is the memory that calls for struggle that is the main cognitive attitude toward the events remembered in the collected texts in this issue. Not nostalgic or collectionist remembrance but critical memory filled with hope. The main question, thus, is that of radical social transformations, i.e. theory and practice of revolution. In this sense, Marx, Kollontai, Lenin and other Bolsheviks, and Gramsci as well, constitute the coordinates in which every theoretical practice that wants to offer resistance to capitalist expansion and its ideological forms is moving. The year 1867, when the first Volume of Marx’s Capital is brought out in Hamburg, then October 1917 in Russia, when all power went to the hands of Soviets, and 1937, when Gramsci dies after 11 years of fascist prison: these are three events that we are rethinking, highlighting and interpreting so that perspective of the change of the current social relations can be further developed and carried on. Publishing of the book after which nothing was the same anymore, a revolutionary uprising and conquest of the power, and then a death in jail are the coordinates of historical outcomes as well: these events can be seen as symptomatic dialectical-historical sequence. Firstly, in Capital Marx laid down foundations for the critique of political economy, indispensable frame for every understanding of production and social relations in capitalism, and then in 1917, in the greatest attempt of the organization of working masses, Bolsheviks undermined seriously the system of capitalist production and created the first worker’s state of that kind; and at the end, Gramsci’s death in 1937 somehow symbolizes a tragical outcome and defeat of all aspirations toward revolutionizing of social relations in the Western Europe. Instead of that, Europe got fascism and the years of destruction and sufferings. Although the 1937 is the symbolic year of defeat, it is also a testimony of hope and survival of a living idea that inspires thinkers and revolutionaries since Marx. Gramsci also handed down the huge material of his prison notebooks, as one of the most original attempts to critically elaborate Marx’s and Lenin’s doctrine in new conditions. Isn’t this task the same today?
Saša Hrnjez (STVAR 9, Časopis za teorijske prakse / Journal for Theoretical Practices No. 9 (Stvar, #9))
Nevertheless two men good-humouredly greeted her, and both times she froze into nervous annoyance, and walked on with hastening steps. She got into her bedroom and locked the door as if against a danger. Then she sat at the window and thought that five years before the dinner alone would have been pleasant because of its solitariness, and because of the possibilities of an encounter; and the walk home from the restaurant alone delightful. And she would certainly have had a cup of coffee or a drink with one or other of the two men. So what had happened to her? It was true that with Paul she had taught herself never to look at a man, even casually, because of his jealousy; she was, with him, like a protected indoors woman from a Latin country. But she had imagined this was an outward conformity to save him from self-inflicted pain. Now she saw that her whole personality had changed. For some time she sat, listless, at the window, watching the darkening but blossoming city, and told herself she should make herself walk through its streets, and force herself into talking to people; she should let herself be picked up and flirt a little. But she understood she was as incapable of walking down the hotel stairs, leaving her key at the desk and going into the streets, as if she had just served a prison sentence for four years in solitary confinement and then told to behave normally. She went to bed. She was unable to sleep.
Doris Lessing (The Golden Notebook)
[Common sense] is a spontaneous set of beliefs which together express a conception of the world which takes the social order as ‘the way things are.’ It is apparently the ‘spontaneous feelings’ that people have, the traditional popular conception of the world – what is unimaginatively called “instinct” although it too is in fact a primitive and elementary historical acquisition.
Antonio Gramsci (Prison Notebooks: Volume I)
I'm stupid, I just told you how it will end. I'm sorry if i spoiled it.. Let it be fun again... There's a prison in the story. Believe it or not.
Angela Davis (Blank Notebook: Abstract)
know what we have left. This is an ongoing activity. Don't rush it. Take your time. Dedicate a notebook to writing down everything you have, everything you did get, everything you have left. No matter what your situation is—if you're in prison, in a hospital, in hospice—no matter who or where you are, you have something left and probably more than you know.
Melody Beattie (The Grief Club: The Secret to Getting Through All Kinds of Change)
In these days there are few sights more terrifying than that of a well-dressed man with a notebook looking at a piece of land.
Celia Fremlin (Prisoner's Base)
No, there's a group of hardened, fossilised men opposed by fresh young revolutionaries as John Butte once was, forming between them a whole, a balance. And then a group of fossilised hardened men like John Butte, opposed by a group of fresh and lively-minded and critical people. But the core of deadness, of dry thought, could not exist without lively shoots of fresh life, to be turned so fast, in their turn, into dead sapless wood. In other words, I, 'Comrade Anna'- and the ironical tone of Comrade Butte's voice now frightens me when I remember it-keep Comrade Butte in existence, feed him, and in due course will become him. And as I think this, that there is no right, no wrong, simply a process, a wheel turning, I become frightened, because everything in me cries out against such a view of life, and I am back inside a nightmare which it seems I've been locked in for years, whenever I'm off guard. The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to a brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised. When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected-yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: 'We have won!' At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: it is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The officer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man's smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
Doris Lessing (The Golden Notebook)
Time collapses here. It can have no linear reach. Everything that might ever happen has already happened, and will again, forever. What is left to fear? The concept of progress becomes a very silly joke. Any possible advancement is “locked up on each earth and disappears with it.” Instead, “always and everywhere, on the terrestrial camp, the same drama, the same set, on the same narrow stage, a noisy humanity, infatuated by its own greatness, thinking itself to be the universe and inhabiting its prison like an immensity, only to drown soon along with the globe.
Ben Ehrenreich (Desert Notebooks: A Road Map for the End of Time)
I love that during fall, there is a sacred sense of renewal. Like a snake shedding its skin, trees are given new life, new opportunities for growth. It's like opening the cover of a brand new notebook and staring at a blank white page. This isn't a test, there is no wrong answer, just a chance to take a deep breath and reset.
Jill Grunenwald (Reading Behind Bars: A True Story of Literature, Law, and Life as a Prison Librarian)
Exhaustion Salima sat in the fancy hotel room In the evening time. Here she is again in another foreign city, Attending a conference discussing “human rights”. Her eyes roamed the room. She suddenly felt a severe chill in her body. She suddenly realized that she is exhausted, But her exhaustion is not that of one day, It was one of a lifetime! It fell upon her abruptly. The thoughts of the bygone years Nested in her head, Were suddenly awoken. One thought after another. She realized at that moment That she is tired of responding to The same absurd questions About her origins Her ethnicity, Her religion, Her hobbies, Her favorite foods, Her education background, Her age, And her occupation. Questions asked frequently by people who don’t care. She suddenly realized That throughout her life, She never found a friend who could really understand. The evening was about to draw its dark curtains. She remembered that ever since she was a child, She had been hiding her favorite words and writings In notebooks that nobody will read. She has been murmuring her favorite tunes, In places where nobody could hear her. The evening was about to draw its dark curtains. She realized that her true thoughts and feelings Lived nowhere expect inside of her head, And there they will most likely die. Her head had become like a prison for her thoughts. The evening was about to draw its dark curtains. She suddenly realized That she had wasted so many years of her life Looking for someone who might understand. And each time she thought she had found one, She found herself in yet another prison. She looked through the window of the fancy hotel room And saw that the darkness had covered the entire city. September 9, 2017
Louis Yako (أنا زهرة برية [I am a Wildflower])
The notebook from the tobacco stand was the beginning of hope: a prisoner’s plan for escape. Its empty pages would be the book of everything, miraculous and unending like the sea at night, a heartbeat that never stops. Salomé for her part was not worried about running out of books, only of having her clothes go out of fashion.
Barbara Kingsolver (The Lacuna)
John Roebling was a believer in hydropathy, the therapeutic use of water. Come headaches, constipation, the ague, he would sit in a scalding-hot tub for hours at a time, then jump out and wrap up in ice-cold, slopping-wet bed sheets and stay that way for another hour or two. He took Turkish baths, mineral baths. He drank vile concoctions of raw egg, charcoal, warm water, and turpentine, and there were dozens of people along Canal Street who had seen him come striding through his front gate, cross the canal bridge, and drink water “copiously”—gallons it seemed—from the old fountain beside the state prison. (“This water I relish much . . .” he would write in his notebook.) “A wet bandage around the neck every night, for years, will prevent colds . . .” he preached to his family. “A full cold bath every day is indispensable . . .” Illness he regarded as a moral offense and he fought it with the same severe intensity he directed to everything else he did in life.
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
fuck this glitchy ass site.
Antonio Gramsci (Prison Notebooks, Volume 2: 1930-1932)
At the age of twenty-one, as a second lieutenant just out of St. Cyr, Gallieni had fought at Sedan and been held prisoner for some time in Germany, where he learned the language. He chose to make his further military career in the colonies where France was "growing soldiers." Although the Staff College clique professed to regard colonial service as "le tourisme," Gallieni's fame as the conqueror of Madagascar brought him, like Lyautey of Morocco, to the top rank of the French Army. He kept a notebook in German, English, and Italian called Erinnerungen of my life di ragazzo, and never ceased studying, whether it was Russian or the development of heavy artillery or the comparative administrations of the colonial powers. He wore a pince-nez and a heavy gray mustache that was rather at odds with his elegant, autocratic figure. He carried himself like an officer on parade. Tall and spare, with a distant, untouchable, faintly stern air, he resembled no other French officer of his time. Poincare described the impression he made: "straight, slender and upright with head erect and piercing eyes behind his glasses, he appeared to us as an imposing example of powerful humanity.
Barbara W. Tuchman (The Guns of August)
He was captured, tortured by the French, escaped, rejoined the F.L.N., and found himself torturing, under orders to do so, French prisoners. He knew that he should feel something about this that he did not in fact feel. He discussed his state of mind late one night with one of the French prisoners whom he had tortured. The French prisoner was a young intellectual, a student of philosophy. This young man (the two men were talking secretly in the prisoner’s cell) complained that he was in an intellectual prison-house. He recognised, had recognised for years, that he never had a thought, or an emotion, that didn’t instantly fall into pigeon-holes, one marked “Marx”and one marked “Freud.”His thoughts and emotions were like marbles rolling into predetermined slots, he complained. The young Algerian soldier found this interesting, he didn’t find that at all, he said, what troubled him—though of course it didn’t really trouble him, and he felt it should—was that nothing he thought or felt was what was expected of him. The Algerian soldier said he envied the Frenchman—or rather, he felt he ought to be envying him. While the French student said he envied the Algerian from the bottom of his heart: he wished that just once, just once in his life, he felt or thought something that was his own, spontaneous, undirected, not willed on him by Grandfathers Freud and Marx. The voices of the two young men had risen more than was wise, particularly that of the French student, crying out against his situation.
Doris Lessing (The Golden Notebook)
He said, cold: “If you say so, I’ve got to believe you.”Then he leaped over at me, and grabbed my shoulders and shook me: “I hate you for being normal, I hate you for it. You’re a normal human being. What right have you to that? I suddenly understood that you remember everything, you probably remember everything I’ve ever said. You remember everything that’s happened to you, it’s intolerable.”His fingers dug into my shoulders and his face was alive with hatred. I said: “Yes, I do remember everything.”But not in triumph. I was aware of myself as he saw me, a woman inexplicably in command of events, because she could look back and see a smile, a movement, gestures; hear words, explanations—a woman inside time. I disliked the solemnity, the pompousness of that upright little custodian of the truth. When he said: “It’s like being a prisoner, living with someone who knows what you said last week, or can say: three days ago you did so and so,”I could feel a prisoner with him, because I longed to be free of my own ordering, commenting memory. I felt my sense of identity fade. My stomach clenched and my back began to hurt.
Doris Lessing (The Golden Notebook)
It is from these considerations that one must start in order to establish what is meant by "regularity", "law", "automatism" in historical facts. It is not a question of "discovering" a metaphysical law of "determinism", or even of establishing a "general" law of causality. It is a question of bringing out how in historical evolution relatively permanent forces are constituted which operate with a certain regularity and automatism.
Antonio Gramsci (Selections from the Prison Notebooks)