Practical Magic Book Quotes

Oh, are you doing magic? Let’s see it, then.” She sat down. Ron looked taken aback. “Er — all right.” He cleared his throat. “Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.” He waved his wand, but nothing happened. Scabbers stayed gray and fast asleep. “Are you sure that’s a real spell?” said the girl. “Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. I’ve learned all our course books by heart, of course.

This is how you begin in this world. These are the lessons to be learned. Drink chamomile tea to calm the spirit. Feed a cold and starve a fever. Read as many books as you can. Always choose courage. Never watch another woman burn. Know that love is the only answer.

Some stories begin at the beginning and others begin at the end, but all the best stories begin in a library.

Read as many books as you can. Choose courage over caution. Take time to visit libraries. Look for light in the darkness. Have faith in yourself. Know that love is what matters most.

Her one salvation was the novels she read. On nights when she thought it might be better not to be alive without Levi in the world, she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell.

Read as many books as you can. Always choose courage,

... she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell.

Although she was a logical, practical person, she believed that in books there existed a kind of magic. Between the aging covers on these shelves, contained in tiny, abstract black marks on sheets of paper, were voices from the past. Voices that reached into the future, into Claire's own heart and mind, to tell her what they knew, what they'd learned, what they'd seen, what they'd felt. Wasn't that magic?

Words were everything, stories were more powerful than any weapon, books changed lives.

Once, a long time ago, before we knew who we were, we thought we wanted to be like everyone else. How lucky to be exactly who we were.

Choose courage over caution. Take time to visit libraries. Look for light in the darkness. Have faith in yourself. Know that love is what matters

He is quiet and small, he is black From his ears to the tip of his tail; He can creep through the tiniest crack He can walk on the narrowest rail. He can pick any card from a pack, He is equally cunning with dice; He is always deceiving you into believing That he's only hunting for mice. He can play any trick with a cork Or a spoon and a bit of fish-paste; If you look for a knife or a fork And you think it is merely misplaced - You have seen it one moment, and then it is gawn! But you'll find it next week lying out on the lawn. And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees!

What you wind up regretting aren’t the things you do, it’s what you don’t do that you will never forgive yourself for.

Are you sure that’s a real spell?’ said the girl. ‘Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and its all worked for me. Nobody in my family’s magic at all. It was ever such a surprise when I got my letter, but I was ever so pleased, of course, I mean, it’s the very best school of witchcraft there is, I’ve heard – I’ve learnt all our set books off by heart, of course, I just hope it will be enough – I’m Hermione Granger, by the way, who are you?’ She said all this very fast. Harry looked at Ron, and was relieved to see by his stunned face that he hadn’t learned all the course books by heart either. ‘I’m Ron Weasley,’ Ron muttered. ‘Harry Potter,’ said Harry. ‘Are you really?’ said Hermione. ‘I know all about you, of course – I got a few extra books for background reading, and you’re in Modern Magical History and The Rise and Fall of the Dark Arts and Great Wizarding Events of the Twentieth Century.’ ‘Am I?’ said Harry, feeling dazed. ‘Goodness, didn’t you know, I’d have found out everything I could if it was me,’ said Hermione.

They believed all books should be read, for as long as the reader liked.

This is what love was, you stayed when you wanted to run away. You held on when you knew you had no choice but to let go.

When you have a sister, someone knows the story of who you were and who you would always be.

Seeing has little to do with opening your eyes; it’s what you feel inside that counts, it’s what you know without anyone telling you.

Life all happened so quickly; people tell you it will, but you won’t believe it until it happens to you. Cry all you want, being young will slip through your hands and you will be left standing there, you who were once so young, not recognizing yourself or your life.

These are the lessons to be learned. Drink chamomile tea to calm the spirit. Feed a cold and starve a fever. Read as many books as you can. Always choose courage. Never watch another woman burn. Know that love is the only answer.

You could live a little or you could live a lot.

Read as many books as you can. Choose courage over caution. Take time to visit libraries. Look for light in the darkness.

Time is out there. Everything that ever happened is still happening. For instance, if I took your hand in mine.” Which he did as he was speaking. “It would be happening for hundreds of years.

you must be yourself no matter what; anything else was a lie, and a denial of who you were would always cause grief. What you put out into the world came back to you threefold. If you could not accept yourself, you would be reviled and cast out, adrift in the world.

I'll let you in on a little secret: This book is magic. All books are. So much so that they are picky about who picks them up and reads them.

Everything worthwhile is dangerous.

Wizards! They talked too much and pinned spells down in books like butterflies but, worst of all, they thought theirs was the only magic worth practicing.

How lucky they’d been to be raised by women who taught them what was most important in this world. Read as many books as you can. Choose courage over caution. Take time to visit libraries. Look for light in the darkness. Have faith in yourself. Know that love is what matters most.

Who can you trust if not your sister? Who knows your story better than she? If you saw one Owens sister at the grocery, the other would be right beside her. If one was working in the garden, making certain the rows of herbs were weeded, her sister would be there as well, carrying a basket to collect the dandelion greens.

Women here in Massachusetts had been drowned and beaten and hanged, especially if they were found to have access to books other than the Bible, for the Puritans had been convinced that they alone had the ear of God.

Our own God Soul, our Holy Guardian Angel, whispers to us, “Be not afraid.” Can we breathe in some courage and breathe out some compassion, and take up the task at hand? Can we live fully, despite our fears? Can we use the energy of fear to propel us forward instead of using it as an excuse to keep us in place? Can we move ever toward the Work of This God?

It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles." “We’re doing all right.” “We’re sitting in this huge moldy room. It’s like we’re flung back.” “We have heat, we have light.” “These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?” “‘Boil your water,’ I’d tell them.” “Sure. What about ‘Wash behind your ears.’ That’s about as good.” “I still think we’re doing fairly well. There was no warning. We have food, we have radios.” “What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.” “There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.” “They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.

Count Ambrosius was out of practice at chess. The usual game was dice, and he was not risking that against an infant soothsayer. Chess, being a matter of mathematics rather than magic, was less susceptible to the black arts.' --twelve-year-old Merlin, The Crystal Cave, p. 131 of 384

So it's important to remember that our job isn't to solve other people's problems for them, but to help them to discover the ways that are most effective and most practical for them to deal with their own problems. We can't wave a magic wand or open a self-help book to a certain page and say, "There--you're no longer an alcoholic," but we can listen to them and talk to them and help them to find ways to deal with the issues that are driving them to use alcohol. And when they're facing the hardest times in dealing with the problems, we can be there as someone to lean on when they need to lean.

Those who abdicate the empire of reason and permit their wills to wander in pursuit of reflections in the Astral Light, are subject to alternations of mania and melancholy which have originated all the marvels of demoniacal possession, though it is true, at the same time, that by means of these reflections impure spirits can act upon such souls, make use of them as docile instruments and even habitually torment their organism, wherein they enter and reside by obsession, or embryonically. These kabalistic terms are explained in the Hebrew book of the Revolution of Souls, of which our thirteenth chapter will contain a succinct analysis. It is therefore extremely dangerous to make sport of the Mysteries of Magic; it is above all excessively rash to practice its rites from curiosity, by way of experiment and as if to exploit higher forces. The inquisitive who, without being adepts, busy themselves with evocations or occult magnetism, are like children playing with fire in the neighborhood of a cask of gunpowder; sooner or later they will fall victims to some terrible explosion.

You may have read or heard about the so-called positive thinkers of the West. They say just the opposite -- they don't know what they are saying. They say, "When you breathe out, throw out all your misery and negativity; and when you breathe in, breathe in joy, positivity, happiness, cheerfulness." Atisha's method is just the opposite: when you breathe in, breathe in all the misery and suffering of all the beings of the world -- past, present and future. And when you breathe out, breathe out all the joy that you have, all the blissfulness that you have, all the benediction that you have. Breathe out, pour yourself into existence. This is the method of compassion: drink in all the suffering and pour out all the blessings. And you will be surprised if you do it. The moment you take all the sufferings of the world inside you, they are no longer sufferings. The heart immediately transforms the energy. The heart is a transforming force: drink in misery, and it is transformed into blissfulness... then pour it out. Once you have learned that your heart can do this magic, this miracle, you would like to do it again and again. Try it. It is one of the most practical methods -- simple, and it brings immediate results. Do it today, and see. That is one of the approaches of Buddha and all his disciples. Atisha is one of his disciples, in the same tradition, in the same line. Buddha says again and again to his disciples, "IHI PASSIKO: come and see!" They are very scientific people. Buddhism is the most scientific religion on the earth; hence, Buddhism is gaining more and more ground in the world every day. As the world becomes more intelligent, Buddha will become more and more important. It is bound to be so. As more and more people come to know about science, Buddha will have great appeal, because he will convince the scientific mind -- because he says, "Whatsoever I am saying can be practiced." And I don't say to you, "Believe it," I say, "Experiment with it, experience it, and only then if you feel it yourself, trust it. Otherwise there is no need to believe.

No matter what, the past would follow around. A sorry soul that only grew heavier in each town. She couldn't run away.

Black cats can do that to some people: They make them go all shivery and scared and remind them of dark.

Real love was dangerous. It got you from inside and held on tight. And if you didn't let go fast enough you might be willing to do anything for its sake.

There are some things you have only once in a lifetime, and then only if you’re lucky.

I liken a life without daily spiritual practice to a house built on sand.

Yeah, right. Instead of watching TV, we'll practice our weird magical powers. Great. What's next? Zooming around on flying carpets?

Jet gave the blessing from the book of poems she had given her aunt.

First they burned the books, then the people who wrote them, then those who read them.

You didn't have to be cursed in love to know that when you loved someone you were open to great loss.

Language was everything. Trust was for fools. Love came and went. Words could be stolen.

Where there were lilacs there would be luck.

Sally had returned to school for her degree in library science at Simmons University, and now, at the age of forty-four, she was the director of the Owens Library.

Drink chamomile tea to calm the spirit. Feed a cold and starve a fever. Read as many books as you can. Always choose courage. Never watch another woman burn. Know that love is the only answer.

He felt like an addict, out of control, unable to stop himself from taking what he imagined he was entitled to, not yet understanding that no one is entitled to anything other than his freedom and the choices he makes.

Her salvation was the novels she read. On nights she thought it might br better not to be alive w/o Levi in the world, she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell.

a quotation that had been her favorite, written by the poet she most admired. Unable are the Loved to die For Love is Immortality. Unbeknownst to Jet, Franny had added another line beneath her sister’s name. Beloved by all.

What a vapid job title our culture gives to those honorable laborers the ancient Egyptians and Sumerians variously called Learned Men of the Magic Library, Scribes of the Double House of Life, Mistresses of the House of Books, or Ordainers of the Universe. 'Librarian' - that mouth-contorting, graceless grind of a word, that dry gulch in the dictionary between 'libido' and 'licentious' - it practically begs you to envision a stoop-shouldered loser, socks mismatched, eyes locked in a permanent squint from reading too much microfiche. If it were up to me, I would abolish the word entirely and turn back to the lexicological wisdom of the ancients, who saw librarians not as feeble sorters and shelvers but as heroic guardians. In Assyrian, Babylonian, and Egyptian cultures alike, those who toiled at the shelves were often bestowed with a proud, even soldierly, title: Keeper of the Books. - p.113

...on a number of occasions this book has made reference to magic, and each time you've shaken your head, muttering such criticisms as "What does he mean by 'magic' anyhow? It's embarrassing to find a grown man talking about magic in such a manner. How can anybody take him seriously?" Or, as slightly more gracious readers have objected, "Doesn't the author realize that one can't write about magic? One can create it but not discuss it. It's much too gossamer for that. Magic can be neither described nor defined. Using words to describe magic is like using a screwdriver to slice roast beef." To which the author now replies, Sorry, freeloaders, you're clever but you're not quite correct. Magic isn't the fuzzy, fragile, abstract and ephemeral quality you think it is. In fact, magic is distinguished from mysticism by its very concreteness and practicality. Whereas mysticism is manifest only in spiritual essence, in the transcendental state, magic demands a steady naturalistic base. Mysticism reveals the ethereal in the tangible. Magic makes something permanent out of the transitory, coaxes drama from the colloquial.

When it comes to mastering a skill, time is the magic ingredient. Assuming your practice proceeds at a steady level, over days and weeks certain elements of the skill become hardwired. Slowly, the entire skill becomes internalized, part of your nervous system. The mind is no longer mired in the details, but can see the larger picture. It is a miraculous sensation and practice will lead you to that point, no matter the talent level you are born with. The only real impediment to this is yourself and your emotions—boredom, panic, frustration, insecurity. You cannot suppress such emotions—they are normal to the process and are experienced by everyone, including Masters. What you can do is have faith in the process. The boredom will go away once you enter the cycle. The panic disappears after repeated exposure. The frustration is a sign of progress—a signal that your mind is processing complexity and requires more practice. The insecurities will transform into their opposites when you gain mastery. Trusting this will all happen, you will allow the natural learning process to move forward, and everything else will fall into place.

Life was like a book, Jet thought, but one you would never finish. You would never know how people would wind up; the good often suffered and the wicked prospered and there was no explanation for the way in which fate was meted out as there was in novels.

In every single town I traveled to, I’d go out of my way to find a local bookstore or gift shop and pick up a book on local tall tales and legends. Some of these books are ghost stories. Some are about monsters. Other are about local characters who did horrible things or miraculous things or were just so weird people can’t stop talking about them. I remember doing an interview during those MTV years and explaining this practice. I told the reporter that I wanted to be able to drive cross-country with my kids and have a story for every single stop we made.

Aziza,” she corrected. “And my name is Yara.” “Aziza,” Hillary read from her book of mythology. “Fairies that provide magic for hunters. They also provide spiritual and practical knowledge. When you come across an aziza; take heed, befriend, and learn. They can be very resourceful.

Now Franny understood that you must be yourself no matter what; anything else was a lie, and a denial of who you were would always cause grief. What you put out into the world came back to you threefold. If you could not accept yourself, you would be reviled and cast out, adrift in the world.

They were mantras to be memorized and correctly chanted with careful pronunciation, enunciation, and intonation. Their magic was in the sound, not in the meaning. To learn the Vedas, I must find a competent guru and spend years at his feet practicing the art of Vedic chanting, while performing

I have since learned that although the festival of Imbolc was far less romantic and far more practical to our Celtic ancestors than the initial image portrayed to me by Mrs Darley, it was no less magical, for it marked the beginning of the lambing season which to the Celts meant the difference between survival and extinction.

The Bible tells the great, true story of redemption, of a God who created a good world, watched as that world was corrupted by sin and rebellion, and is at work redeeming it on the trajectory to a new heaven and a new earth. The Bible is not a set of rules, a love letter, a book of magic words, or a science or history textbook.

Why did you decide to become an architect?’ ‘What could be more wonderful than designing and building houses? Except for giving birth, perhaps, but I can’t do that, unfortunately!’ It is a joke and we both laugh, but his words leave a magical imprint on my heart. Too bad that this imprint completely ignored my overly practical brain.

(This sect (the Encyclopaedists) propagate with much zeal the doctrine of materialism, which prevails among the great and the wits; we owe to it partly that kind of practical philosophy which, reducing Egotism to a system, looks upon society as a war of cunning; success the rule of right and wrong, honesty as an affair of taste or decency: and the world as the patrimony of clever scoundrels.))

It’s our turf,” the younger woman barked. “Actually it’s my turf.” The thugs spun to me. “Let’s see . . . You’re hassling people in my territory, so you owe me a fee. A couple of fingers ought to do it. Do we have a volunteer?” The small thug pulled a bowie knife from a sheath on his waist. I kept coming. “That’s a mistake.” The thug crouched down. He clenched his knife, like he was drowning and it was a straw that would pull him out. A little crazy light danced in his eyes. “Come on, whore. Come on.” The oldest bluff in the book: get a crazy glimmer in your eyes, look like you’re ready to fight, and the other guy might back off. Heh. “That might work better for you if you held the knife properly. You were doing okay until you pulled the blade. Now I know that you have no clue how to use it and I’ll have to chop your hand off and shove that knife up your ass just to teach you a lesson. Nothing personal. I have a reputation to uphold.” I pulled Slayer out. I had years of practice to back me up and I made the draw fast. The two bravos behind the knife-wielding thug backed away. I looked at Slayer’s blade. “Well, check this out. Mine is bigger. Let’s go, knife-master. I don’t have all day.

But to play in an international tournament of the caliber announced, he had to spend much more time at careful, precise study, analysis, and memorization. He stopped answering his phone, because he didn’t want to be interrupted or tempted to socialize—even for a chess party—and at one point, to be alone with the chessboard, he just threw some clothes in a suitcase, didn’t tell anyone where he was going, and checked into the Brooklyn YMCA. During his stay there, he sometimes studied more than sixteen hours per day. Malcolm Gladwell, in his book Outliers, describes how people in all fields reach success. He quotes neurologist Daniel Levitin: “In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chessplayers, criminals and what have you, the number comes up again and again [the magic number for true expertise: ten thousand hours of practice].” Gladwell then refers to Bobby: “To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fischer got to that elite level in less than that amount of time: it took him nine years.) Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.

What without imagination is life? What without adventure is living? What without boredom is genius? What without practice is perfect? What without experiment is discovery? What without a heart is love? What without freedom is the USA? What without books is living? What without a soul is humanity? What without a friend is life? What without children is a family? What without magic are we? What without you am I?

Yes, I see you. I recognize that you’re a thinking, feeling person, and I’m here to listen.” That’s the essence and magic of meditation—the gift of telling yourself that you matter and that you’re worth time and attention. No pomp. No circumstance. No rules. Just showing up for yourself with compassion and without judgment. When this is your practice, meditation can serve as a mirror and the lighthouse that leads you home.

I’m spending until dawn with you,” I said firmly. “Don’t bother to argue.” “God forbid,” said Jesse, solemn. I pushed past him into the cottage. He’d been waiting up for me, I could tell. There was a book spread facedown upon the table, a pair of lamps lit beside it. “I thought you said you were resting tonight. “Aye. I was. But then it occurred to me that the bed wasn’t nearly so comfortable without you. So I got up and hoped.” I crossed my arms over my chest and dug my toes into the soft nap of the rug. The cottage had been built within a protective circle of birches; even during the heat of the day, it was never very warm. “You hoped for me?” I asked, uncertain. Jesse came close, put his arms around me, and buried his face in my hair. “As always. As ever.” “And I came,” I whispered, closing my eyes, breathing him. The ache behind my forehead began to unbind. “And you came,” he agreed. And he summoned the magic that was all his own, beyond stars and starfire. A magic of mortal lips and hands, of bristly new whiskers scraping my chin, of melting kisses that made the whiskers unimportant. Our bodies entwined, or hearts. Our lives. I think that was the night a very quiet, very powerful part of me began to comprehend how it was going to be. I think the part of me that was magic, that had broken away from the practical earth to slip along Jesse’s celestial family of stars, to allow them to bind me in their spell… That part of me knew.

A combination of materials that resonate at certain frequencies combined with a large amount of magical energy and a prism as a means to infuse them. It is pretty simple in practice. I infused this weapon during the smelting process; a technique many don't think to do… Or simply are unable to execute… as you can see with the crystal above and the lenses. This is not common in Eriand. Also, white flame born from pure arcane combustion is the primary means of heating as opposed to traditional coal or wood fires.

A big practice in chaos magic is the use of sigils, which are abstract words or symbols you create and embed with your wishes. To create a sigil, start by writing out your desire in a single word, a couple of words, or a short sentence. Then remove all the duplicate letters, then all the vowels—basically, you can do whatever you want here—until you’re left with a bunch of lines that you can combine into one symbol. Then you put the piece of paper in a book, in your wallet, or some other place where it won’t get lost, and just forget about it.

Yes, it was,’ said Ginny. ‘It was appalling. Angelina was nearly in tears by the end of it.’ Ron and Ginny went off for baths after dinner; Harry and Hermione returned to the busy Gryffindor common room and their usual pile of homework. Harry had been struggling with a new star-chart for Astronomy for half an hour when Fred and George turned up. ‘Ron and Ginny not here?’ asked Fred, looking around as he pulled up a chair, and when Harry shook his head, he said, ‘Good. We were watching their practice. They’re going to be slaughtered. They’re complete rubbish without us.’ ‘Come on, Ginny’s not bad,’ said George fairly, sitting down next to Fred. ‘Actually, I dunno how she got so good, seeing how we never let her play with us.’ ‘She’s been breaking into your broom shed in the garden since the age of six and taking each of your brooms out in turn when you weren’t looking,’ said Hermione from behind her tottering pile of Ancient Rune books. ‘Oh,’ said George, looking mildly impressed. ‘Well – that’d explain it.’ ‘Has Ron saved a goal yet?’ asked Hermione, peering over the top of Magical Hieroglyphs and Logograms. ‘Well, he can do it if he doesn’t think anyone’s watching him,’ said Fred, rolling his eyes. ‘So all we have to do is ask the crowd to turn their backs and talk among themselves every time the Quaffle goes up his end on Saturday.’ He got up again and moved restlessly to the window, staring out across the dark grounds.

I dream of Morocco and Paris, and a koi pond in the backyard. Making art, supporting art, learning art. Late-night talks with soul sisters who make me feel crazy blessed and motivated. Stage presence. Books and more books. Film. Belly laughs. I dream about communion. My man. Our son. Always. I dream of sitting around a fire with leaders and lovers of progress. Being able to give yeses that open doors and new dimensions for people. I dream of tenderness and innovation. I dream of invitations that humble me, and magical connections with people I recognize on a cellular level. I dream that we band together to leverage change. I dream of feeling more electric and sweet every single day. Mostly, I dream of being amazed. How ’bout you?

The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The

Oh, are you doing magic? Let’s see it, then.’ She sat down. Ron looked taken aback. ‘Er – all right.’ He cleared his throat. ‘Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.’ He waved his wand, but nothing happened. Scabbers stayed grey and fast asleep. ‘Are you sure that’s a real spell?’ said the girl. ‘Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. Nobody in my family’s magic at all, it was ever such a surprise when I got my letter, but I was ever so pleased, of course, I mean, it’s the very best school of witchcraft there is, I’ve heard – I’ve learnt all our set books off by heart, of course, I just hope it will be enough – I’m Hermione Granger, by the way, who are you?’ She said all this very fast. Harry looked at Ron and was relieved to see by his stunned face that he hadn’t learnt all the set books off by heart either.

So which theory did Lagos believe in? The relativist or the universalist?" "He did not seem to think there was much of a difference. In the end, they are both somewhat mystical. Lagos believed that both schools of thought had essentially arrived at the same place by different lines of reasoning." "But it seems to me there is a key difference," Hiro says. "The universalists think that we are determined by the prepatterned structure of our brains -- the pathways in the cortex. The relativists don't believe that we have any limits." "Lagos modified the strict Chomskyan theory by supposing that learning a language is like blowing code into PROMs -- an analogy that I cannot interpret." "The analogy is clear. PROMs are Programmable Read-Only Memory chips," Hiro says. "When they come from the factory, they have no content. Once and only once, you can place information into those chips and then freeze it -- the information, the software, becomes frozen into the chip -- it transmutes into hardware. After you have blown the code into the PROMs, you can read it out, but you can't write to them anymore. So Lagos was trying to say that the newborn human brain has no structure -- as the relativists would have it -- and that as the child learns a language, the developing brain structures itself accordingly, the language gets 'blown into the hardware and becomes a permanent part of the brain's deep structure -- as the universalists would have it." "Yes. This was his interpretation." "Okay. So when he talked about Enki being a real person with magical powers, what he meant was that Enki somehow understood the connection between language and the brain, knew how to manipulate it. The same way that a hacker, knowing the secrets of a computer system, can write code to control it -- digital namshubs?" "Lagos said that Enki had the ability to ascend into the universe of language and see it before his eyes. Much as humans go into the Metaverse. That gave him power to create nam-shubs. And nam-shubs had the power to alter the functioning of the brain and of the body." "Why isn't anyone doing this kind of thing nowadays? Why aren't there any namshubs in English?" "Not all languages are the same, as Steiner points out. Some languages are better at metaphor than others. Hebrew, Aramaic, Greek, and Chinese lend themselves to word play and have achieved a lasting grip on reality: Palestine had Qiryat Sefer, the 'City of the Letter,' and Syria had Byblos, the 'Town of the Book.' By contrast other civilizations seem 'speechless' or at least, as may have been the case in Egypt, not entirely cognizant of the creative and transformational powers of language. Lagos believed that Sumerian was an extraordinarily powerful language -- at least it was in Sumer five thousand years ago." "A language that lent itself to Enki's neurolinguistic hacking." "Early linguists, as well as the Kabbalists, believed in a fictional language called the tongue of Eden, the language of Adam. It enabled all men to understand each other, to communicate without misunderstanding. It was the language of the Logos, the moment when God created the world by speaking a word. In the tongue of Eden, naming a thing was the same as creating it. To quote Steiner again, 'Our speech interposes itself between apprehension and truth like a dusty pane or warped mirror. The tongue of Eden was like a flawless glass; a light of total understanding streamed through it. Thus Babel was a second Fall.' And Isaac the Blind, an early Kabbalist, said that, to quote Gershom Scholem's translation, 'The speech of men is connected with divine speech and all language whether heavenly or human derives from one source: the Divine Name.' The practical Kabbalists, the sorcerers, bore the title Ba'al Shem, meaning 'master of the divine name.'" "The machine language of the world," Hiro says.

And then there was my magic. A wicked smile played across my lips as I thought about it. I couldn't do much yet, but I was rapidly learning the one thing I had taken to like a duck to water: spell circles. I'd gotten enough of a crash course with Max during the battle, and since my blood was practically made to charge spells, I was doing quite well with them. Our mountainside was filled with them now. It had taken me two solid months, but I'd finally encircled the area so that Ryker could freely transform and fly in his dragon shape without seeing him. Well, most anyone; I'm still learning after all. I found if I applied myself I could learn the runes on my own. No Book of Sisters needed, just like Max had said. And apply myself I did. I will never be helpless again. I spent a lot of days practicing while Ryker went hunting. I may not be able to conjure anything, or transform things or curse things. But I could put a set of rules in a spell circle, and with my blood as the active component, my circles were pretty near indestructible now.

Elsa walked to her desk and looked down at the small porcelain jar and candlestick. She had been using them as stand-ins for the orb and scepter she would have to hold, like her father did during his coronation. As she had many times before, Elsa closed her eyes and tried to imagine herself inside the chapel where the ceremony would take place. She thought of the choir that would be singing in the balcony, and she could see the pulpit she would be standing at in front of the priest and all her people, as well as nobles and visiting dignitaries. With no family, she'd be up there alone. Elsa tried not to think about that as she imagined the priest placing the jeweled tiara on her head. Then he'd hold out the pillow with the orb and scepter for her to take. She couldn't wear her teal gloves during that portion of the ceremony, so she removed them for practice. She wore gloves all the time these days. Perhaps it was silly, but she thought the gloves helped her conceal her magic. This was her battle cry: Conceal it. Don't feel it. Don't let it show.

If it appears that the black mass developed from a literary invention of the church, to a depraved commercial actuality, to a psychodrama for dilettantes and iconoclasts, to an ace in the hold for popular media... then where does it fit into the true nature of Satanism - and who was practicing Satanic magic in those years beyond 1666? The answer to this riddle lies in another. Is the person generally considered to be a Satanist really practicing Satanism in its true sense, or rather from the point of view taken by opinion makers of heavenly persuasion? It has often been said, and rightly so, that all of the books about the Devil have been written by the agents of God. It is, therefore, quite easy to understand how a certain breed of devil worshippers was created through the inventions of theologians. This erstwhile "evil" character is not necessarily practicing true Satanism. Nor is he a living embodiment of the element of untrammeled pride or majesty of self which gave the post-Pagan world the church-man's definition of evil. He is instead the by-product of later and more elaborate propaganda.

The Golden Bough captured the imagination of many artists in the early twentieth century. Eliot, certainly, was immersed in it, discussing it familiarly in his graduate school papers and book reviews and constantly alluding to it in his art. The most straightforward advice he offers to readers of The Waste Land (given in the notes to the poem) is, in paraphrase, that any serious reader of the poem must take into consideration modern scholarship in myth and anthropology, especially Frazer Golden Bough and Jessie Weston From Ritual to Romance. The poet says that he is indebted to this scholarship for his title, his plan, his symbolism, and many of his references to ancient religion and society. His claim about the title, taken from the monomyth of Frazer and Weston, his claim about the symbolism, associated with the birth-death-rebirth cycles of the myths, and his claim about the miscellaneous undergirding references have been discussed by Grover Smith and other scholars. We wish to focus more on Eliot's claim about being indebted to Frazer for the plan of the poem. We believe it refers, at least in part, to Frazer's use of the comparative method and to his practice of assembling many perspectives and allowing these perspectives to make his point. It must be noted at once that Eliot was quite selective in his admiration of Frazer. For example, he did not admire Frazer's positivism. Frazer put his faith in science and celebrated what he called the evolution from magic to religion to science. Nor did Eliot share Frazer's conclusions. In his 1913 paper on the interpretation of primitive ritual, he says that Frazer's interpretations of specific myths (the myth of the dying god is his example) are almost certainly mistaken. But Eliot did admire Frazer's erudition and his increasingly nontheoretical presentation of many angles of vision which in themselves tend to generate an overarching abstract primitive vision. In 1924, on the occasion of the publication of a condensed edition of The Golden Bough, Eliot wrote a review in which he lauded Frazer for having "extended the consciousness of the human mind into as dark a backward and abysm of time as has yet been explored." Eliot argues that Frazer's importance for artists is in his exemplary withdrawal from speculation, his adoption of the absence of interpretation as a positive modus operandi.

Others praise ceremonial Magic, and are supposed to suffer much Ecstasy! Our asylums are crowded, the stage is over-run! Is it by symbolizing we become the symbolized? Were I to crown myself King, should I be King? Rather should I be an object of disgust or pity. These Magicians, whose insincerity is their safety, are but the unemployed dandies of the Brothels. Magic is but one's natural ability to attract without asking; ceremony what is unaffected, its doctrine the negation of theirs. I know them well and their creed of learning that teaches the fear of their own light. Vampires, they are as the very lice in attraction. Their practices prove their incapacity, they have no magic to intensify the normal, the joy of a child or healthy person, none to evoke their pleasure or wisdom from themselves. Their methods depending on a morass of the imagination and a chaos of conditions, their knowledge obtained with less decency than the hyena his food, I say they are less free and do not obtain the satisfaction of the meanest among animals. Self condemned in their disgusting fatness, their emptiness of power, without even the magic of personal charm or beauty, they are offensive in their bad taste and mongering for advertisement. The freedom of energy is not obtained by its bondage, great power not by disintegration. Is it not because our energy (or mind stuff) is already over bound and divided, that we are not capable, let alone magical? 

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

My job is to paint visionary pictures, from my own vision quest as well as from the interpretation of the visions of others. The art I produce is a practical form of magic that provides physical access to the imaginary realm. This book would have formed the basis for my own vision quest had it only been written earlier, but it shines with fascination to minds of all ages. It is a signpost to avenues by which the mind can see into the magical workings of creation in ways beyond the everyday human experience.

I chose to... Float in contentment and forgive all the deep pains Accept the shadows of my queer past … Encounter faith and that magic love from within Enrich my spirit with graceful emotions of who I am … Listen to the essence of life and collect its charm Cultivate the fascinating practice of spiritual well-being (Excerpted from Mindfulness, chapter Resilience)

She could almost feel each woman's intention through the paper. Ellie Penhaligan, who was so in tune with the earth and the elements that she could disappear into them. Stella Darling, whose suitability was a real no-brainer, especially now that she had opened her own natural healing practice. Stella was the only other person in Avening with formal magic training, and once time had mellowed her, she would be a true mistress of the elements. Nina Bruno, one of the most powerful candidates on her list, a real Charm Sister whose hypnotic personal energy would turn anyone her way. Eve Pruitt, who had no particular powers to speak of, but whose loving and giving energy radiated from her, putting everyone at ease- people magic. Maggie Moreau, who passed so effortlessly between worlds, and she hadn't even hit puberty yet. Her mother Mave- who would have thought Mave would have been interested? But she'd applied all on her own, and sure enough, Autumn had been forced to recognize her great untapped potential. Ana Beckwith, whom Autumn loved like a daughter born of her own womb, and who, whether she realized it or not, had already begun to tap into her ability to move through time. Ginny Emmerling, the lonely warrior who wanted to fight for a new piece of herself. Dottie Davis, the only applicant to understand the Book as a vehicle of spirituality. Charlie Solomon, that budding psychic reporter whom Autumn had all but coerced into settling down in Avening. Sylvie Shigeru, who was only just eighteen and had already made peace with her magic, and done so much to harness it. And last, her sister, Siobhan, who would be a prophet the likes of whom Autumn hadn't seen in many generations. Age wasn't a concern; Maggie and Siobhan wouldn't initiate for another ten years at least, and as for the older women, Dottie and Eve, initiation would change them the way it had changed Autumn so many centuries ago.

He was sitting in moonlight and candlelight, scratching the head of some beast that looked to Vevay a cross between a lion and a bear. It had black pelt, a flat, broad, fanged face, a powerful bulky body. It seemed to be purring. It cast a smoldering red glance at Vevay than closed it eyes again, leading heavy against Felan's knee. "what on earth is that?" Vavey asked. "I've no idea," Felon said. "It came out of an old book I was reading once and it never went back in again. It seems harmless and is very obliging: it let the students practice transformation spells on it. It eats strawberries when it can get them.

The child proud of learning its alphabet will soon master reading a verse or a saying, and then its first little story, and its first fairy tale, and while those who are not destined to be readers soon content themselves to practicing their ability to read on the news and financial sections of their newspapers, the select few remain forever bewitched by the strange miracle of letters and the words (each of which was once a charm, a magic formula).

Eventually I was ready to learn how to perform routine life tasks again. 'Enabling occupation'—that’s what the learning process was called when it was presented to me. Enabling occupation involved the mastery of skills that I didn’t even know could properly be called 'skills.' How to pick up and carry and manipulate a set of common objects: a handbag, a stoneware saucer, a mobile phone, a paperback book. I was told that my new limbs were capable of hefting an automobile, of bending an iron bar, but I couldn’t make them do any of these magical things—not anything remotely close. Instead, I spent my days trying to pick up a thumbtack from a hard surface using my feeble pincer grasp, to activate a light switch with a single articulated finger, and to fasten a long line of shirt buttons, each of which was around the size of a half-dollar coin. During this period, I worked to improve my gross motor skills in parallel. I relearned how to reach for distant objects without collapsing under my own weight, how to twist a standard brass doorknob, and how to pour liquid from a plastic pitcher into a paper cup without spilling everything everywhere or crushing the handle itself in my grip. Eventually I used these newfound skills to practice clothing myself in simple blouses with velcro fasteners and pants with elastic waistbands, struggling to take it all off again when it was time. At some point during this phase, a team of nameless staff members helped me stand upright in front of a full-length mirror so I could stare at my newly-made body, fully exposed, and with my sharpened vision I was able to see the true extent of my transformation, the exquisite atrocity I’d chosen to perpetrate.

In April 2012, The New York Times published a heart-wrenching essay by Claire Needell Hollander, a middle school English teacher in the New York City public schools. Under the headline “Teach the Books, Touch the Heart,” she began with an anecdote about teaching John Steinbeck’s Of Mice and Men. As her class read the end together out loud in class, her “toughest boy,” she wrote, “wept a little, and so did I.” A girl in the class edged out of her chair to get a closer look and asked Hollander if she was crying. “I am,” she said, “and the funny thing is I’ve read it many times.” Hollander, a reading enrichment teacher, shaped her lessons around robust literature—her classes met in small groups and talked informally about what they had read. Her students did not “read from the expected perspective,” as she described it. They concluded (not unreasonably) that Holden Caulfield “was a punk, unfairly dismissive of parents who had given him every advantage.” One student read Lady Macbeth’s soliloquies as raps. Another, having been inspired by Of Mice and Men, went on to read The Grapes of Wrath on his own and told Hollander how amazed he was that “all these people hate each other, and they’re all white.” She knew that these classes were enhancing her students’ reading levels, their understanding of the world, their souls. But she had to stop offering them to all but her highest-achieving eighth-graders. Everyone else had to take instruction specifically targeted to boost their standardized test scores. Hollander felt she had no choice. Reading scores on standardized tests in her school had gone up in the years she maintained her reading group, but not consistently enough. “Until recently, given the students’ enthusiasm for the reading groups, I was able to play down that data,” she wrote. “But last year, for the first time since I can remember, our test scores declined in relation to comparable schools in the city. Because I play a leadership role in the English department, I felt increased pressure to bring this year’s scores up. All the teachers are increasing their number of test-preparation sessions and practice tests, so I have done the same, cutting two of my three classic book groups and replacing them with a test preparation tutorial program.” Instead of Steinbeck and Shakespeare, her students read “watered-down news articles or biographies, bastardized novels, memos or brochures.” They studied vocabulary words, drilled on how to write sentences, and practiced taking multiple-choice tests. The overall impact of such instruction, Hollander said, is to “bleed our English classes dry.” So

Aaron Leitch's Secrets of the Magical Grimoires provides a tremendous amount of new insight into the world of the medieval mage. By clarifying the objectives and procedures covered in these texts and spell-books, Leitch sheds light upon a subject which has been greatly misunderstood for far too long. In addition, he provides a valuable comparison between many of the magical practices described in the grimoires and various shamanic methods of working with the spirit world.

Regaining control of your mind is not a skill you are born with. We need to practice it and master it over time. The more we do it, the better we get and the more control we regain back about our thoughts. There is no magic pill the doctor could prescribe for you. If you do not practice, you will not gain control back. If you want to break the loop of negative or self-defeating thoughts, you must commit to the techniques within this book.

These world-class performers don’t have superpowers. The rules they’ve crafted for themselves allow the bending of reality to such an extent that it may seem that way, but they’ve learned how to do this, and so can you. These “rules” are often uncommon habits and bigger questions. In a surprising number of cases, the power is in the absurd. The more absurd, the more “impossible” the question, the more profound the answers. Take, for instance, a question that serial billionaire Peter Thiel likes to ask himself and others: “If you have a 10-year plan of how to get [somewhere], you should ask: Why can’t you do this in 6 months?” For purposes of illustration here, I might reword that to: “What might you do to accomplish your 10-year goals in the next 6 months, if you had a gun against your head?” Now, let’s pause. Do I expect you to take 10 seconds to ponder this and then magically accomplish 10 years’ worth of dreams in the next few months? No, I don’t. But I do expect that the question will productively break your mind, like a butterfly shattering a chrysalis to emerge with new capabilities. The “normal” systems you have in place, the social rules you’ve forced upon yourself, the standard frameworks—they don’t work when answering a question like this. You are forced to shed artificial constraints, like shedding a skin, to realize that you had the ability to renegotiate your reality all along. It just takes practice. My suggestion is that you spend real time with the questions you find most ridiculous in this book. Thirty minutes of stream-of-consciousness journaling (page 224) could change your life. On top of that, while the world is a gold mine, you need to go digging in other people’s heads to unearth riches. Questions are your pickaxes and competitive advantage. This book will give you an arsenal to choose from.

One reason why fundamentalists have such high ACR scores may be due to church doctrine. Many of the fundamentalist theologians who espouse supernatural interpretations of scripture are often the same ones who advocate strict child-rearing practices.20 For example, Rev. James Dobson’s best-selling book, Dare to Discipline, explicitly links its fundamentalist beliefs to having obedient and well-mannered children. And upon reflection, this connection between strict child rearing and fundamentalism is not at all surprising. Many fundamentalist sects demand submission and obedience to the strict will of God. It’s no surprise, then, that obedience and respect are regarded as desirable traits among people who see them as pathways to salvation. That noted, it’s also important to recognize that not all authoritarians are fundamentalists. Indeed, 45 percent of strong authoritarians do not hold fundamentalist beliefs. And some of this difference may have to do with another factor emphasized by the original authors of The Authoritarian Personality: childhood experience. By their account, being raised in an overly harsh or punitive social environment contributes to authoritarianism. These same factors might also contribute to magical thinking. Our research suggests that this is plausible. In our surveys, we asked respondents to describe their childhood in very general terms. Did they grow up in a •  very strict house where all rules had to be followed (31 percent); •  moderate house where only some rules were strictly enforced (59 percent); •  relaxed house where my parents largely let me alone (10 percent). Not surprisingly, these items are correlated with ACR scores. Authoritarians are far more likely to report being raised in strict homes; for example, 42 percent of people raised in strict homes are strong authoritarians, compared with only 23 percent of people from relaxed homes. More important, however, is that the type of home you were raised in is also a big predictor of your Intuitionism score. People from strict homes score four points higher on our Intuitionism scale than people from either moderate or relaxed homes, even when we take their ACR scores into account.

I ask my clients to divide them into four broad categories: General (books you read for pleasure) Practical (references, cookbooks, etc.) Visual (photograph collections, etc.) Magazines Once you have piled your books, take them in your hand one by one and decide whether you want to keep or discard each one. The criterion is, of course, whether or not it gives you a thrill of pleasure when you touch it.

In Walked Jim September 2013: Entering his first morning staff meeting as FBI director, Jim Comey loped to the head of the table, put down his briefing books, and lowered his six-foot-eight-inch, shirtsleeved self into a huge leather chair. He leaned the chair so far back on its hind legs that he lay practically flat, testing gravity. Then he sat up, stretched like a big cat, pushed the briefing books to the side, and said, as if he were talking to a friend, I don’t want to talk about these today. I’d rather talk about some other things first. He talked about how effective leaders immediately make their expectations clear and proceeded to do just that for us. Said he would expect us to love our jobs, expect us to take care of ourselves … I remember less of what he said than the easygoing way he spoke and the absolute clarity of his day-one priority: building relationships with each member of his senior team. Comey continually reminded the FBI leadership that strong relationships with one another were critical to the institution’s functioning. One day, after we reviewed the briefing books, he said, Okay, now I want to go around the room, and I want you all to say one thing about yourselves that no one else here knows about you. One hard-ass from the criminal division stunned the room to silence when he said, My wife and I, we really love Disney characters, and all our vacation time we spend in the Magic Kingdom. Another guy, formerly a member of the hostage-rescue team, who carefully tended his persona as a dead-eyed meathead—I thought his aesthetic tastes ran the gamut from YouTube videos of snipers in Afghanistan to YouTube videos of Bigfoot sightings—turned out to be an art lover. I really like the old masters, he said, but my favorite is abstract expressionism. This hokey parlor game had the effect Comey intended. It gave people an opportunity to be interesting and funny with colleagues in a way that most had rarely been before. Years later, I remember it like yesterday. That was Jim’s effect on almost everyone he worked with. I observed how he treated people. Tell me your story, he would say, then listen as if there were only the two of you in the whole world. You were, of course, being carefully assessed at the same time that you were being appreciated and accepted. He once told me that people’s responses to that opening helped him gauge their ability to communicate. Over the next few years I would sit in on hundreds of meetings with him. All kinds of individuals and organizations would come to Comey with their issues. No matter how hostile they were when they walked in the door, they would always walk out on a cloud of Comey goodness. Sometimes, after the door had closed, he would look at me and say, That was a mess. Jim has the same judgmental impulse that everyone has. He is complicated, with many different sides, and he is so good at showing his best side—which is better than most people’s—that his bad side, which is not as bad as most people’s, can seem more shocking on the rare moments when it flashes to the surface.

... Magic predates Art. In fact, Art may have been invented as a tool to express Magic, to give Magic a practical means of execution—to make it work. So that if you go back far enough, artist and sorcerer are indistinguishable, on and the same—a claim that can still be made with a good deal of validity to this very day.

Faith is the result of an agreement. When you agree to believe in something without a doubt, you invest your faith. If you have no doubt about what you believe, then for you it is truth, even though it may really be a lie. Your faith is so powerful that if you believe you are not good enough, you are not good enough! If you believe you will fail, you will fail, because that is the power and magic of your faith.

Before you get your hopes up, Doctor Doom’s suit is both enchanted and powered by magic, and thus sadly beyond the scope of this book. It’s too bad though. It’s a flying suit that fires energy blasts out of its hands, and it has a cape built in.

Magic is the natural energy that flows through the world, whereas power is the practical art of channeling that energy. Power is within you, waiting to be tapped into, and magic can be found in natural objects.

Who can you trust if not your sister? Who knows your story better than she?