“
You backbiting, poisonous, treacherous, deceitful, wicked, clever girl. If this works I'll buy you a pony.
”
”
Jim Butcher (Summer Knight (The Dresden Files, #4))
“
The horse grunted softly. He had huge teeth, Clary noticed uneasily; each one the size of a Pez dispenser. She imagined those teeth sinking into her leg and thought of all the girls she'd known in middle school who'd wanted ponies of their own. She wondered if they were insane.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
There's a boy who they call Pony! He's always acting gross and horny! He thinks he's got a lot down there, but he sure wears tiny underwear!
”
”
Cecily von Ziegesar (The It Girl (It Girl, #1))
“
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
”
”
Francesca Lia Block (Violet & Claire)
“
You’re a magician or some kind of weird, witchy woman. I don’t know how you do it. You never lose,” he said one night, exasperated after I pummeled him game after game. “You’re like Wonder Woman or some backgammon superhero. Hey, I’ve got it—you’re Backgammon Girl.
”
”
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
“
There is nothing special about the mare, nothing at all. A fine enough head, good enough bone. As a pony, she is a beauty. As a capall uisce, she is nothing. The girl too, is nothing special - slight, with a ginger ponytail. She looks less afraid than her mare, but she's in more danger.
”
”
Maggie Stiefvater (The Scorpio Races)
“
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid.
Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge.
Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year?
It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to.
Now that part, more than ever.
It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year.
It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one.
Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
”
”
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
“
Going to college don't make you from somewhere, any more than a cat born in an over can call itself a biscuit.
”
”
Laura Lippman (Pony Girl)
“
A Blessing
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
”
”
James Wright (Above the River: The Complete Poems)
“
He shut the door behind him and set about locking many dead bolts before finally sliding the chain across.
"Tough neighborhood ?" I asked. "I saw a girl on a My Little Pony bike outside ; she looked kind of nasty.
”
”
Karina Halle (Shooting Scars (The Artists Trilogy, #2))
“
if he were a pony I would offer him food, stroke his ears and scratch his neck; but he curls his lip at the idea of cake and I am seriously not going to stroke him. That would be just gross.
”
”
Cathy Cassidy (Coco Caramel (Chocolate Box Girls, #4))
“
this is not a Quote it's a poem.
"A Thousand Kisses Deep"
The ponies run, the girls are young,
The odds are there to beat.
You win a while, and then it’s done –
Your little winning streak.
And summoned now to deal
With your invincible defeat,
You live your life as if it’s real,
A Thousand Kisses Deep.
I’m turning tricks, I’m getting fixed,
I’m back on Boogie Street.
You lose your grip, and then you slip
Into the Masterpiece.
And maybe I had miles to drive,
And promises to keep:
You ditch it all to stay alive,
A Thousand Kisses Deep.
And sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
Confined to sex, we pressed against
The limits of the sea:
I saw there were no oceans left
For scavengers like me.
I made it to the forward deck.
I blessed our remnant fleet –
And then consented to be wrecked,
A Thousand Kisses Deep.
I’m turning tricks, I’m getting fixed,
I’m back on Boogie Street.
I guess they won’t exchange the gifts
That you were meant to keep.
And quiet is the thought of you,
The file on you complete,
Except what we forgot to do,
A Thousand Kisses Deep.
And sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
The ponies run, the girls are young,
The odds are there to beat . . .
”
”
Leonard Cohen
“
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute."
"Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue."
"More cling than Saran Wrap," Lala added.
"More hold than Final Net." Cleo giggled.
"More possession than The Exorcist," Lala managed.
"More clench than butt cheeks," Blue chimed in.
"More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll.
The girls burst out laughing.
"Nice!" Blue lifted her purple gloved hand.
Frankie slapped it without a single spark.
"I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett."
"I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
Why can't you give me a straight answer?"
"Why can't you ride me like a pony?" He scowled straight back at her, unrepentant. "Don't pretty girls like ponies? I thought they did.
”
”
Kylie Scott (Flesh (Flesh, #1))
“
I have a soft spot for kids. She started whisper-singing along with me. Her words against my chest. To the pony, I was guessing. She was melting me. I would kill every man on the compound to be able to hand this little girl to her mother tonight. To end this nightmare for her.
”
”
Debra Anastasia (Mercy (Mercy #1))
“
I'm going to die. I'm going to die. I'm going to die-
No.
Heather took a deep breath and tried to think about something else. Anything else.
Like ponies.
Ponies were a happy thought. They were nice and gentle and they never kidnapped people or strapped them to cold warehouse pillars.
Ponies, ponies, ponies-
"Tie him up by the girl and for God's sake don't kill him!" Clare's - er, Raven's - voice was like nails on a chalkboard as it floated into Heather's ears.
Any attempts to think of ponies came to an abrupt halt.
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
I swim with all my strength. No superhuman surge, or pony heroics; it's just me at my most desperate.
”
”
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
“
I may have jumped up and down and clapped like a five-year-old girl who had just gotten a pony. (What did I say about not judging?)
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
For her next birthday she'd asked for a telescope. Her mother had been alive then, and had suggested a pony, but her father had laughed and bought her a beautiful telescope, saying: "Of course she should watch the stars! Any girl who cannot identify the constellation of Orion just isn't paying attention!" And when she started asking him complicated questions, he took her along to lectures at the Royal Society, where it turned out that a nine-year-old girl who had blond hair and knew what the precession of the equinoxes was could ask hugely bearded famous scientists anything she liked. Who'd want a pony when you could have the whole universe?
”
”
Terry Pratchett
“
Harwin's eyes went from her face to the flayed man on her doublet. "How do you know me?" he said, frowning suspiciously. "The flayed man . . . who are you, some serving boy to Lord Leech?"
For a moment she did not know how to answer. She'd had so many names. Had she only dreamed Arya Stark? "I'm a girl," she sniffed. "I was Lord Bolton's cupbearer but he was going to leave me for the goat, so I ran off with Gendry and Hot Pie. You have to know me! You used to lead my pony, when I was little."
His eyes went wide. "Gods be good," he said in a choked voice. "Arya Underfoot? Lem, let go of her."
"She broke my nose." Lem dumped her unceremoniously to the floor. "Who in seven hells is she supposed to be?"
"The Hand's daughter." Harwin went to one knee before her. "Arya Stark, of Winterfell.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Sierra was a little girl who loved ponies more than anything in the world. She dreamed that one day she would have a pony of her very own.
”
”
Cherise Arthur (Sierra and Star)
“
Just like old times,” I wheezed. “Yeah, just like old times, Elaine. You backbiting, poisonous, treacherous . . .” And then a thought hit me. Just like old times. “. . . deceitful, wicked, clever girl. If this works I’ll buy you a pony.
”
”
Jim Butcher (Summer Knight (The Dresden Files, #4))
“
When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.
In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.
Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway
for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still
believe you’re there.
I still masturbate to you.
When we got really bad,
I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing
I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me
is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.
Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.
I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,
I would not have said no.
It would never mean yes.
”
”
Jon Sands
“
you will find at least one or two pairs of bronzed baby shoes and a picture of some child on top of the same brown and white Indian pony as the kid next
”
”
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs #1))
“
pony, mashed potato, alligator, watusi, twist, jerk.
”
”
A.V. Club (Inventory: 16 Films Featuring Manic Pixie Dream Girls, 10 Great Songs Nearly Ruined by Saxophone, and 100 More Obsessively Specific Pop-Culture Lists)
“
You looked like My Little Ponies auditioning at a glue factory.
”
”
Brittany Cavallaro (Hello Girls)
“
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.”
Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me.
Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?”
“I don’t know. That’s all that Mr. Kadam told me.”
He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.”
He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren.
Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?”
I just smiled back stupidly. He quirked an eyebrow at me.
“What were you thinking about just now?”
“Nothing important.”
He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.”
Gads. His smile was brilliant, even in the fog. I laughed nervously.
“If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.”
He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.”
The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.”
He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.”
He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head.
Disappointed that he’d stopped, I asked, “What does rajkumari mean?”
He laughed quietly, carefully set me down, and said, “It means princess.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
With the fate of Roe v. Wade now hanging in the balance, I'm calling for a special 'pro-life tax.' If the fervent prayers of the religious right are answered and abortion is banned, let's take it a step further. All good Christians should legally be required to pony up; share the financial burden of raising an unwanted child. That's right: put your money where your Bible is. I'm not just talking about paying for food and shelter or even a college education. All those who advocate for driving a stake through the heart of a woman's right to choose must help bear the financial burden of that child's upbringing. They must be legally as well as morally bound to provide the child brought into this world at their insistence with decent clothes to wear; a toy to play with; a bicycle to ride -- even if they don't consider these things 'necessities.' Pro-lifers must be required to provide each child with all those things they would consider 'necessary' for their own children. Once the kid is out of the womb, don't wash your hands and declare 'Mission Accomplished!' It doesn't end there. If you insist that every pregnancy be carried to term, then you'd better be willing to pay the freight for the biological parents who can't afford to. And -- like the good Christians that you are -- should do so without complaint.
”
”
Quentin R. Bufogle (SILO GIRL)
“
The boy was engrossed, his face in shadow, and he looked like he was playing with small toy horses that could have easily been wooden toys, military or Trojan. Shuggie knew what they really were, that they were the scented dolls, bright and cheerful and for little girls. They were the pretty ponies, and Leek had known. Leek had always known.
”
”
Douglas Stuart (Shuggie Bain)
“
That’s your map of the past. What’s in the map of your future?” I stared at her. “What do you want?” she persisted. I had no idea. When I’d first been evacuated I’d wanted to be like the girl riding the pony, racing the train. Now I was. Parts of me were still jumbled—but maybe that girl had been jumbled too. I’d only seen her from the outside.
”
”
Kimberly Brubaker Bradley (The War I Finally Won (The War That Saved My Life, #2))
“
It was not a bridle-path—merely a pedestrian's track, and the boughs spread horizontally at a height not greater than seven feet above the ground, which made it impossible to ride erect beneath them. The girl, who wore no riding-habit, looked around for a moment, as if to assure herself that all humanity was out of view, then dexterously dropped backwards flat upon the pony's back, her head over its tail, her feet against its shoulders, and her eyes to the sky. The rapidity of her glide into this position was that of a kingfisher—its noiselessness that of a hawk. Gabriel's eyes had scarcely been able to follow her. The tall lank pony seemed used to such doings, and ambled along unconcerned. Thus she passed under
”
”
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
“
Arbole, Arbole . . ."
Tree, tree
dry and green.
The girl with the pretty face
is out picking olives.
The wind, playboy of towers,
grabs her around the waist.
Four riders passed by
on Andalusian ponies,
with blue and green jackets
and big, dark capes.
“Come to Cordoba, muchacha.”
The girl won’t listen to them.
Three young bullfighters passed,
slender in the waist,
with jackets the color of oranges
and swords of ancient silver.
“Come to Sevilla, muchacha.”
The girl won’t listen to them.
When the afternoon had turned
dark brown, with scattered light,
a young man passed by, wearing
roses and myrtle of the moon.
“Come to Granada, muchacha.”
And the girl won’t listen to him.
The girl with the pretty face
keeps on picking olives
with the grey arm of the wind
wrapped around her waist.
Tree, tree
dry and green.
”
”
Federico García Lorca (The Selected Poems)
“
It was Jaime, [Tyrion] thought, despairing. He was my own blood, my big strong brother. When I was small he brought me toys, barrel hoops and blocks and a carved wooden lion. He gave me my first pony and taught me how to ride him. When he said that he had bought you for me, I never doubted him. Why would I? He was Jaime, and you were just some girl who'd played a part. I had feared it from the start, from the moment you first smiled at me and let me touch your hand. My own father could not love me. Why would you if not for gold?
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
I am a person of binges. I have never understood the phrase “too much of a good thing.” Look: it’s irrational, impossible. See fig. 1: when I was a child, I became obsessed with horses. I know, I know, all little girls are obsessed with horses. But I lived for them. I gorged on them. I begged for them in any incarnation: films, toys, patterns, photographs, posters. Once, I cut the hair off a Barbie and superglued it to the base of my spine. I thrilled to wear my pony tail under my clothes, in secret, my parents knowing nothing, thinking me merely human, but it rubbed off after two days, leaving long blond doll hairs clotting in the corners of the house. My birthday came, and my parents, who were still together then, splurged on an afternoon of horseback riding lessons. When it was time to leave, they found that I had knotted my hair into the horse’s mane so elaborately that they had to cut me away from it with a pair of rusted barn shears. I still have the clump of matted girl-and-horse hair hidden in a drawer, though after all the times I put it in my mouth, I admit that it is somewhat the worse for wear.
”
”
Emily Temple
“
She's selling CDs on the corner,
fifty cents to any stoner,
any homeboy with a boner.
Sleet and worse - the weather's awful.
Will she live? It's very doubtful.
Life out here is never healthful.
She puts a CD in her Sony.
It's the about the pony
and a pie with pepperoni
and a mom with warm, clean hands
who doesn't bring home guys from bands
or make some sickening demands.
The cold wind bites like icy snakes.
She tries to move but merely shakes.
Some thief leans down and simply takes.
Her next CD's called Land Of Food.
No one there can be tattooed
or mumble things that might be crude
and everything to eat is free,
there's always a big Christmas tree
and crystal bowls of potpourri.
She's weak but still she play one more:
She's on a beach with friends galore.
They scamper down the sandy shore
to watch the towering waves cascade
and marvel at the cute mermaids
who call to her and serenade.
She can't resist. the water's fine.
The rocks are like a kind of shrine.
The foam goes down like scarlet wine.
One cop stands up and says, "She's gone."
The other shakes his head and yawns.
It's barely 10:00, and life goes on.
”
”
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
“
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power.
The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds.
The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue.
A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold.
A room of ivory: bone, teeth, skulls, and velvet.
A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears.
A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns.
Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond.
Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
Song"
The girl with the lovely face,
goes, gathering olives.
The wind, that towering lover,
takes her by the waist.
Four riders go by
on Andalusian ponies,
in azure and emerald suits,
in long cloaks of shadow.
‘Come to Cordoba, sweetheart!’
The girl does not listen.
Three young bullfighters go by,
slim-waisted in suits of orange,
with swords of antique silver.
‘Come to Sevilla, sweetheart!’
The girl does not listen.
When the twilight purples,
with the daylight’s dying,
a young man goes by, holding
roses, and myrtle of moonlight.
‘Come to Granada, my sweetheart!’
But the girl does not listen.
The girl, with the lovely face,
goes on gathering olives,
while the wind’s grey arms
are embracing her waist.
”
”
Federico García Lorca (Collected Poems)
“
God bless her, but the child is wild. It’s not her fault. But she’ll never be normal. At least let her enjoy her childhood. You read the report, didn’t you? There was rotten food in the fridge, clothes all over the floor. She came here wearing one of her father’s T-shirts and his baseball cap. You just wanted to throw out all the things that she had in her suitcase and give her a chance to start all over again. And the child’s fingernails were long. Who ever heard of long fingernails on a twelve-year-old? And she smelled!’ ‘Is she worse than Rodney?’ ‘Rodney? No, God no. She doesn’t need psychiatric help. I’m just saying that she needs a couple extra things like a sweater or some new toys of her own.’ Later that afternoon, Isabelle came into my room with a box filled with girls’ toys. I pulled out a blue pony with long yellow hair and pink seashells on its butt. ‘Who was Rodney?’ I asked her. A little boy who lived here and used to wear swimming goggles all the time. Who’s been talking to you about Rodney?’ ‘You mentioned him to the social worker.’ ‘Lord! Don’t worry what I say to the social worker. I have to make you sound like a real sorrowful case to be able to get you more things. See, I got you a pretty pony, didn’t I?’ I guess it was worth having your self-esteem destroyed if there was a free toy involved. Isabelle told me that she was trying to get us a subscription to Ranger Rick magazine. I didn’t want to hear what she was going to say about me to get it.
”
”
Heather O'Neill (Lullabies for Little Criminals)
“
It was during the years at Hope End that Elizabeth Barrett was first attacked by serious illness. ‘At fifteen,’ she says in her autobiographical letter, already quoted in part, ‘I nearly died;’ and this may be connected with a statement by Mrs. Richmond Ritchie, to the effect that ‘one day, when Elizabeth was about fifteen, the young girl, impatient for her ride, tried to saddle her pony alone, in a field, and fell with the saddle upon her, in some way injuring her spine so seriously that she was for years upon her back.’ The latter part of this statement cannot indeed be quite accurate; for her period of long confinement to a sick-room was of later date, and began, according to her own statement, from a different cause. Mr. R. Barrett Browning states that the injury to the spine was not discovered for some time, but was afterwards attributed, not to a fall, but to a strain whilst tightening her pony’s girths. No doubt this injury contributed towards the general weakness of health to which she was always subject.
”
”
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
“
They don't have the time to take on animals with dietary restrictions and missing legs."
"Do you think I don't know that? That's precisely why they're all here with me. No one else would take them. Angus, for example." She moved toward the Highland steer. "Some foolish merchant traveled to Scotland on holiday and decided to bring his wife a pet calf from the Highlands. Never stopped to think about the fact that he would grow."
"Surely people aren't that stupid."
"Oh, it happens all the time. But usually they make that mistake with pups or ponies. Not cattle." She shook her head. "They dehorned him in the worst, most painful way. When he came to me, the poor dear's wounds were infected. Infested, too. He could have perished from the fly-strike alone. That man was stupid, indeed. The only thing he got right was his choice of calf. Angus is exceedingly adorable."
Adorable?
Gabe eyed the beast. The animal stood as tall as Gabe's shoulder, and it smelled... the way cattle smell. Shaggy red fur covered its eyes like a blindfold, and its black, spongy nose glistened.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
I don’t particularly care what they say,” I admitted to him one afternoon in late Fructis as we walked in the garden. “I have the chance to go abroad and see dragons; I do not think anything they say could steal that happiness from me.”
Jacob sighed. “Isabella, my dear—I am sure it feels that way now, when you are to go see dragons, but do remember that we will be returning to Scirland when the expedition is done. If you snub society ladies now, you will have to face them again later.”
“Perhaps I could bring back a dragon to frighten them with. Just a small one, nothing extravagant; Lord Hilford has caught them before.”
“Isabella—”
I laughed and twirled a few steps down the path, arms wide in the sunlight. “Of course I’m not serious, dear. Where would we keep a dragon? In my sparkling shed? It would make a dreadful mess, and undo all my careful work.”
Despite himself, Jacob laughed. “You’re like a little girl who’s been told for the first time that she may have a pony.”
“Ponies!” I dismissed these with a snort. “Can ponies fly, or breathe particles of ice upon those who vex them? I think not. Ponies, indeed.”
“Perhaps I shall tell the society gossips that you have become deranged,” Jacob mused, “and that I am installing you in a sanatorium for your own safety. I’m sure they would believe that.”
“Tell them I am deranged; tell them I am dead; tell them I have run off to be a dancing girl in Chiavora. I don’t care.
”
”
Marie Brennan (A Natural History of Dragons (The Memoirs of Lady Trent, #1))
“
Ever since the 1960s, upon the urging of Dr. T. Berry Brazelton and the all-knowing Dr. Spock,* mothers have been encouraged to read to their children at a very early age. For toddlers and preschoolers who relish this early diet of literacy, libraries become a second home, story hour is never long enough, and parents can’t finish a book without hearing a little voice beg, “Again… again.” For most literary geek girls, it’s at this age that they discover their passion for reading. Whether it’s Harold and the Purple Crayon or Strega Nona, books provide the budding literary she-geek with a glimpse into an all-new world of magic and make-believe—and once she visits, she immediately wants to apply for full-time citizenship. “We tell ourselves stories in order to live.” —author Joan Didion, in The White Album While some children spend their summers sweating on community sports teams or learning Indigo Girls songs at sleep-away camp, our beloved bookworms are more interested in joining their local library’s summer reading program, completing twenty-five books during vacation, and earning a certificate of recognition signed by their city’s mayor. (Plus, that Sony Bloggie Touch the library is giving away to the person who logs the most hours reading isn’t the worst incentive, either. It’ll come in handy for that book review YouTube channel she’s been thinking about starting!) When school starts back up again, her friends will inevitably show off their tan lines and pony bead friendship bracelets, and our geek girl will politely oblige by oohing and aahing accordingly. But secretly she’s bursting with pride over her summer’s battle scars—the numerous paper cuts she got while feverishly turning the pages of all seven Harry Potter books.
”
”
Leslie Simon (Geek Girls Unite: Why Fangirls, Bookworms, Indie Chicks, and Other Misfits Will Inherit the Earth)
“
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers.
One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible.
Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
”
”
Virginia Woolf (The Waves)
“
Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.
”
”
Philip Roth (I Married a Communist (The American Trilogy, #2))
“
You break her heart, and you’ll have to deal with me and her three brothers, and if you survive that, Her Grace will ensure your social ruin unto the nineteenth generation. I remind you, all of my boys are crack shots and more than competent with a sword.” “It is not my intention to break her heart.” “Oh, it’s never our intention.” His Grace’s brows drew down in thought, and he was once again the affable paterfamilias. “Maggie is different. I hope that’s from being the oldest daughter, but her unfortunate origins are too obvious a factor to be dismissed. She’s in want of… dreams, I think. My other girls have dreams. Sophie dreamed of her own family, Jenny loves to paint, Louisa has her literary scribbling, and Evie must racket about the property as her brothers used to, but Maggie has never been a dreamer. Not about her first pony nor her first waltz nor her first… beau.” Nor her first lover. The words hung unspoken in the air while the fire crackled and hissed and a log fell amid a shower of sparks. It wasn’t what Ben would have expected any papa to say of his daughter, but then, marrying into a family meant details like this would be shared—Esther Windham misplaced her everyday jewels, and Percy thought his daughters should be entitled to dream. In a different way, it felt as if Ben were still lurking in doorways and climbing through windows, but this window was called marriage, and Maggie was trying to lock it shut with Ben on the outside. “I’m not sure Maggie wants to marry me.” It was as close as he’d come to touching on the circumstances of the betrothal. His Grace regarded him for a long moment. “I’m her papa, but I was a young man once, Hazelton. Maggie is only a bit younger than Devlin and a few months older than Bart would have been. When I married, I had no idea either of my two oldest progeny existed. I’d no sooner started filling my nursery when—before my heir was out of dresses—both women came forward, hurling accusations and threats. If my marriage can survive that onslaught, surely you can overcome a little stubbornness in my daughter?” It was, again, an insight into the Windham family Ben gained only because he was engaged to marry Maggie. Such confidences prompted a rare inclination toward direct speech. “I think Maggie’s dream is to be left alone. If she jilts me, she’ll have one more excuse to retire from life, to hide and tell herself she’s content.” “Content.” His Grace spat the word. “Bother content. Content is milk toast and pap when life is supposed to be a banquet. Make Maggie’s dreams come true, young Hazelton, and show her contentment is shoddy goods compared to happiness.” “You make it sound simple.” “We’re speaking of women and that particular subspecies of the genre referred to as wives. It is simple—devote yourself to her happiness, and you will be rewarded tenfold. I do not, however, say the undertaking will ever be easy.
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
We’d get through this little arrangement of ours better if you didn’t lie to me, Nash.”
“Christ, Dani. I needed to get out of town for a few hours today, okay? Quinn’s got me running so many chores in her mom-wagon, I can feel my balls shrinking in daily increments. So I went to get a little girlie-action. So what? That was never verboten in our agreement. Unless you want to amend your anti-sex-with-me stance?”
I glared at him, not appreciating his suggestion, or the fact that he used Mick as an excuse for girlie-action-getting. “Fine!” He held up his hands in surrender. “I went with Sindy, if you must know.”
“To pick up girls in Atlantic City?”
“No.” He hung his head in shame. “It was a little pony-action. She likes the horse races, okay? It’s just a little embarrassing to say I drove an old lady down there.” I planted my hands on my hips. “Okay, so she drove! I hate the traffic on the turnpike.
”
”
Jessica Topper (Courtship of the Cake (Much "I Do" About Nothing, #2))
“
off a different lane entirely.” “Oh, right. Well, maybe we’ll get to see that another day,” Mia smiled, her heart rate rising. “Thanks!” The old lady nodded, then watched as the girls turned their ponies. Mia, Rosie and Charlie couldn’t keep the smiles from their faces as they headed through the trees and back across the brook onto the Dovecote estate. “So, there are hoof prints in the brook right opposite the most remote corner of Chestnut Grove,” Charlie said in a rush. “Which means that Freddie could easily have led Foxy from his paddock,” Mia figured, “across this brook, then hidden him in Dovecote Hall!” “We’d better hurry up, then,” Rosie said, starting to get excited. “We haven’t got long to check out the rest of the estate and find Foxy!
”
”
Belinda Rapley (Foxy: Rivalry at Summer Camp (The Pony Detectives, #5))
“
He had driven a few metres down the driveway when he stopped the car and wound down the passenger window and spoke again. “She’ll always be your horse, Isadora. The question is—do you have enough faith to still be her girl?” And with that, Avery floored the accelerator on the Range Rover, leaving Issie standing in the driveway in floods of tears as he drove away.
”
”
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
“
He was polite; he was cool; he was enigmatic. He was every bit what they expected and wanted the storied Duke of Falconbridge to be, because it amused him to be so.
In truth, his eyes were on the stairs. He waited with the patience of a cat near a mouse hole for Genevieve Eversea to arrive.
He almost didn't recognize her when she did appear.
Her dress was a glossy silk of midnight blue, cut very low, and the "sleeves"- really scraps of net- clung to her pale, flawless shoulders, as though she'd tumbled down through clouds to get here and brought a few sheds of sky with her.
Her neck was long. Her collarbone had that smooth pristine temptation of a bank of new-fallen snow. It was interrupted only by a drop of a blue stone on a chain that pointed directly at quite confident cleavage, as if the owner knew full well it was splendid and was accustomed to exposing it. Her sleek dark hair was dressed up high and away from her face, and tiny diamanté sparks were scattered through it. Her face beneath it was revealed in delicate simplicity. A smooth, pale, high forehead, etched cheekbones. Elegant as Wedgwood, set off by that dark, dark hair and those vivid eyes.
He stared.
He wasn't precisely... nonplussed. Still, this particular vision of Genevieve Eversea required reconciling with the quiet girl in the morning dress, the moor pony with the determined gait. As though they were not quite the same thing, or were perhaps 'variations' of the same thing, like verb tenses. He felt a bit like a boy who needed to erase his morning lessons and begin again.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
“
It was as if a silent form of communication was going on between them.
”
”
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
“
just thinking about it! I’m so excited!!!
”
”
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
Perdita Finn (My Little Pony: Equestria Girls: Sunset Shimmer's Time to Shine)
“
Tashi, look at me."
"I am."
"But I can't see you through that veil."
"Then you'll just have to trust me."
Ramil smiled. "I wanted to give you the flower just as a boy would give a girl a present--not because you are a princess, or an ally, or for any of those reasons. It came with no conditions, no schemes, except perhaps the hope that you might like me just a little better."
"Then I accept it and thank you." Tashi felt a burst of happiness. She'd got it al wrong: he did like her.
"So what's next?" asked Ramil, feeling very pleased with himself.
"How do you mean?"
"What should a boy do now?"
"On the Islands, you'd write a poem in praise of my eyebrow," Tashi said teasingly. "Around here, you'd kiss me." She spurred her pony forward, leaving him wondering.
”
”
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
“
What did the Great Ones expect of him? Would the girl die if he pressed onward? And if he took her home to her people, what then? What of the prophecy? What of his people?
As if he heard Hunter’s thoughts, Warrior moved his pony closer and said, “You must trust the Great Ones, tah-mah. If you are certain she is the woman of the prophecy, then all will be well. The song cannot come to pass if she dies.”
Hunter tucked in his chin to study the girl’s mud-streaked face and found himself wondering how he ever could have thought her ugly. Could a shaft of sunlight be ugly? A sparkle of moonlight upon water? “I’m certain, Warrior. She is the woman. Already, part of the prophecy has come to pass, eh? Her voice has been returned to her.”
“And she has stolen your Comanche heart, has she not?”
“She has great courage for one so small, but my heart is my own. As it will always be.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again.
Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home.
With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past.
“Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?”
Loretta had no idea what the child had asked until Blackbird steepled her fingers.
“Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.”
Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers.
A deep voice came from behind her. “She asks how long you will eat and keep warm with us.”
Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless.
“You will tell her, ‘Pihet tabbe.’”
Trust didn’t come easily to Loretta. “What does that mean?”
A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.”
Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.”
“Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.”
Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Hunter found Warrior down by the river, teaching Pony Girl to swim. Sitting beneath a cottonwood, Hunter pressed his back to the trunk and rested his forearm on his upraised knee. “Warrior, I must make a short trip,” he began. “Will you watch my woman and her sister while I’m gone?”
Distracted by the question, Warrior forgot to watch his niece and turned. “Another trip? You’ve only just returned.”
Hunter’s gaze dropped to Pony Girl, and his eyes widened in alarm. Shooting to his feet, he yelled, “Warrior, she’s going under!”
Warrior snatched a handful of the child’s dripping hair and pulled her up for air. Giving his head a shake, he moved toward shore. “I don’t know. Maybe she’s too young. Maiden insists she isn’t, but I don’t recall the other two being this hard to teach.”
“I taught Turtle, and Maiden taught Blackbird,” Hunter reminded him.
Warrior squatted in front of the whining, coughing child, trying to comfort her with body-shaking pats on her lower back. Hunter thanked the Great Ones that Pony Girl’s burns had healed. “Maybe that’s what the problem is, eh?” Warrior mused. “I’m a lousy teacher. Hunter, why don’t you teach her?”
“I’m leaving on a journey.”
“Ah, yes, a journey. Where are you going?”
Hunter ignored the question. It was one thing to surrender to his woman, but quite another to admit it to his brother. “Maybe I’ll teach her when I return. A swap, yes?”
Warrior looked relieved. “That sounds like a fair trade. I’ll gladly watch your woman if I can get out of this swimming chore Maiden has pressed upon me. At the rate I’m going, I’ll have to change this one’s name to Pebble. She sure enough sinks like one.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
His people or Loretta? His mother’s and father’s faces flashed in his mind. Then others crowded in, Blackbird, Pony Girl, Turtle, Warrior, Maiden of the Tall Grass, and Red Buffalo. As much as he loved them, he had come to love Loretta more. When had it happened?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Warrior beckoned to her. “Loh-rhett-ah, you come, eh?”
Loretta glanced uneasily at Red Buffalo. To her surprise, he moved closer to Maiden of the Tall Grass to make room for her. Blackbird dashed across the room and seized Loretta’s hand.
“Keemah!” she cried.
Loretta rose and let the child lead her to the circle. She shot a glance at Red Buffalo. He caught the look and smiled. She had the uneasy feeling he did so only for the benefit of Warrior and Maiden of the Tall Grass, and that he had a motive for this sudden turnabout. Oh, God. Did he hope that Warrior might leave him alone with her?
“This Comanche will not eat you,” he said. “Be easy.”
Not sure what to make of his mood, Loretta arranged her skirt around her and sat down, folding her hands in her lap. With Warrior sitting so close, she felt fairly safe. These last five days he had proven himself to be an even-tempered and kind man. Maiden of the Tall Grass, in her sweet, quiet way, ruled the roost. Loretta felt confident no one would harm her with Warrior close at hand.
After the corn finished popping, Maiden removed the kettle from over the flames and set it in the center of their circle. When she whisked away the lid, the smell itself was almost good enough to eat. Once everyone else had helped themselves, Loretta shyly scooped a small handful, trying not to think about Amy and failing miserably. Red Buffalo snorted and dipped his hands into the fluffed kernels, his palms forming a sizable bowl. The next instant he dumped the mountain of corn onto Loretta’s skirt where it stretched across her lap.
“Oh, my! I--” Loretta was about to say she couldn’t possibly eat so much. She swallowed the words and forced a smile. These people didn’t know Amy. She couldn’t expect them to understand her somber mood--or even to care. “Thank you.”
Blackbird snitched a piece of popcorn from Loretta’s mound, and everyone laughed. Not to be outdone, Pony Girl, always on the move, toddled over and helped herself as well.
“You see? It is good you have so much,” Red Buffalo said.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The Comanche rode in a wide circle around the frightened, riderless horses and tossed Amy into the arms of a fellow Indian who waited in the ranks. The little girl’s indignant screeching filled the air. Loretta lifted the Spencer carbine to her shoulder, leveling the sights on the Comanche as he circled back to her. The bells on his moccasins tinkled merrily with each movement of his horse.
“Let me go!” Amy screamed. “You stinkin’ savage.”
Loretta glanced toward the child. A young brave struggled to keep Amy atop his pony. He laughed uproariously when she tried to scratch him. The girl caught a handful of his black hair and pulled with all her might.
“Ai-ee!” the boy exclaimed. “She tries to take my scalp.”
Whoops of laughter spiraled among the men.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
His people or Loretta? His mother’s and father’s faces flashed in his mind. Then others crowded in, Blackbird, Pony Girl, Turtle, Warrior, Maiden of the Tall Grass, and Red Buffalo. As much as he loved them, he had come to love Loretta more. When had it happened?
He had once told Loretta that he would be as nothing without his people, and that was true. He would be giving up all that he was to be with her. Yet how could he live without her? The prophecy had come to pass. Without her, he had no tomorrows. How could a man live without them?
He sighed and closed his eyes. From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
We looked down every driveway, and Mom was becoming very stressed.
”
”
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
If you see it, you can believe it. And if you believe it, you can achieve it!
”
”
Katrina Kahler (Pony Pals (Diary of a Horse Mad Girl #4))
“
useless human beings, who formerly vegetated upon a soil that seemed barren of everything else.” The sheep were brought in by hundreds of thousands, and to some of the retreating population they became known as “the lairds’ four-footed clansmen.” Meanwhile, the clansmen themselves had three principal choices. They could move to the edge of the sea, which they hated, and live on fish, which most of them also hated. They could move to the Lowlands. Or they could emigrate to other continents. Into the middle of this tide went many of the original clansmen of Colonsay, some early, some later on, some after long stays on the mainland, others more directly from the island, some settling in the Lowlands, notably in Renfrewshire, others going to Australia, Canada, or the United States. Of those who left the Highlands as a result of the clearances, my own particular forebears were among the last. When my great-grandfather married a Lowland girl, in West Lothian, in 1858, he was in the middle of what proved to be a brief stopover between the bens and the glens and Ohio. He worked in a West Lothian coal mine, and the life underground apparently inspired him to keep moving. Serfdom in Scottish coal mines had been abolished in 1799, but Scottish miners of the mid-nineteenth century might as well have been serfs. They worked regular shifts of fifteen hours and sometimes finished their week with a twenty-four-hour day. Six-year-old girls in the mines did work that later, in times of relative enlightenment, was turned over to ponies. Wages were higher and hours a little shorter for mine work in the Mahoning Valley of Ohio, and my great-
”
”
John McPhee (The Crofter and the Laird)
“
Great Dane the size of a pony, and a girl with a rat terrier the size of the Great Dane’s head. Overall I preferred the rat terrier. Small dog, big personality. The little guy thought he was boss of the world.
”
”
Lee Child (Gone Tomorrow (Jack Reacher, #13))
“
Perita is the dog,” Gracie said, in a tone which implied Rosalind was a dimwit for having not immediately understood this.
“You packed for a dog. Yes, I see.” The young dog was a lovely chocolate brown with the typical black mastiff mask. “She has quite a big head,” Rosalind observed.
“Of course, she does.” Gracie sounded affronted by her sister’s ignorance. “That’s the breed. Her mother, Medea, was even bigger than Hercules, you know.”
Rosalind was impressed. Hercules was the size of a small pony. At least, that’s how it seemed when he was flying through the halls of Sweetbriar and came barreling unexpectedly around a corner.
“Why Perita? Don’t you mean Perdita?”
“Not Shakespeare, silly. Alexander the Great.” Gracie was looking disgusted once more. “Well, his was Peritas as it was male. I’ve feminized it. Did you know Peritas bit off an elephant’s face when it tried to charge Alexander once?”
“Bit it off?”
“Probably not completely off. At least, I hope not. But I suppose it would have been justified if Peritas was protecting his master from being trampled to death,” Gracie said, looking thoughtful. “I’m sure Perita would do the very same for me. Or you.” She rubbed the pup’s head affectionately.
“Yes. How lovely.” Rosalind decided not to imagine what a faceless elephant would look like.
”
”
Fenna Edgewood (The Seafaring Lady's Guide to Love (The Gardner Girls, #3))
“
If nothing is10/10 beautiful to you then it shows you are afraid to ever truly engage from the bottom of your heart. Enjoying something at 100% is exponentially more important than enjoying something at 90%. 90% is not enough to become a magical girl or my little pony.
”
”
devi mccallion
“
kissed Misty's cheek,
”
”
Elaine Heney (The Riding School Connemara Pony - The Coral Cove Horses Series (Coral Cove Horse Adventures for Girls and Boys Book 1))
“
Indeed, things started out slowly. ‘When users first came, nobody was in the chat room. I had to keep them company and talk with them,’ Pony recalled years later. ‘Sometimes I had to change my profile picture and pretend to be a girl.
”
”
Lulu Yilun Chen (Influence Empire: The Story of Tencent and China's Tech Ambition)
“
Alvaro Guillen Martin,” said Martin, formal, bowing slightly. Another girl was out, the same beautiful face; Martin stared at her and his eye rolled like a nervous pony’s. Evidently he had never given any thought to cloning and was suffering technological shock. “Steady,” Pugh said in the Argentine dialect, “it’s only excess twins.” He stood close by Martin’s elbow. He was glad himself of the contact.
”
”
Ursula K. Le Guin (The Wind's Twelve Quarters)
“
True. I didn’t think of it like that. Still, my dad’s so careful with money. His favorite saying is ‘it’s not in the budget.
”
”
Susan Count (Preach It, Grace: A Girl's Testimony of Faith (Dream Pony Riders Book 5))
“
But even before Hez the shine had gone off the showing world for me. Your pony's way of going often wasn't taken into consideration, and with the irregularities in the judging I was starting to wonder why I bothered: you'd travel round the country and ride well only to lose out to people who really didn't deserve to win.
”
”
Charlotte Dujardin (The Girl on the Dancing Horse: Charlotte Dujardin and Valegro)
“
I’d looked around my room at the ribbons and sashes and rosettes hanging from the walls, at the photos of my ponies clearing the highest fences with me crouched in the saddle, a look of utter determination on my face. I’d made myself look hard at the pictures, at my legs swinging backwards over the fences, at my body lying low over my pony’s neck, my hands grasping at the reins as I turned them in mid-air. At the way that Teddy’s eyes were bulging as I pulled him around a tight turn, at the way the veins popped out on Buck’s lathered neck, at Springbok’s open mouth, dripping with foam.
I’d looked hard at them all, and I hadn’t liked what I’d seen.
”
”
Kate Lattey (Triple Bar (Pony Jumpers, #3))
“
windows with long pink drapes. A large pink crystal chandelier hung
”
”
Nona J. Fairfax (Little Girl and The Ponies 4)
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
It was the BEST BIRTHDAY EVER!!!!! My party was amazing! Everyone arrived yesterday afternoon and the first thing they wanted to do was see Sparkle – they think she’s so pretty and they all wanted to pat and brush her. I think she loved the attention. They all loved riding her as well. Mom and I led them around on the lead rope. Of course we made sure that the girth
”
”
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
Is there anything else we should do?" said Poppy. Scarlett clapped her hands. "I know! We could set some booby traps." Sam looked at her as if she was mad, but Poppy's mind was whirring. "You're right. You know that roll of electric fence wire in the hay barn?" The other two nodded. "Why don't we lay it along the front gate so when he goes to open it he gets an electric shock?" Scarlett grinned evilly. "Oh yes, I'm loving that idea. And we could arrange those bits of barbed wire he so kindly left on the driveway so he gets a puncture." "Neat," Poppy said. "What about tying together baler twine to make a trip wire? We could fix it just inside the gate." Scarlett nodded vigorously. "And I could do the old Tom and Jerry classic and leave a couple of rakes on the ground. With any luck he'll stand on one and whack himself on the head." Sam's eyebrows were raised as he looked from one girl to the other. "Remind me never to get on the wrong side of you two. You're reprobates." "He won't be getting anything more than he deserves," said Poppy grimly. Half
”
”
Amanda Wills (Redhall Riders (The Riverdale Pony Stories, #4))
“
When I was in my early twenties, it seemed like everyone I knew – every male, I should say – read Bukowski. These men of my acquaintance listened to the Go-Betweens, drank Guinness from a straight glass and loved Bukowski like little girls love ponies.
”
”
Andy Miller (The Year of Reading Dangerously: How Fifty Great Books (and Two Not-So-Great Ones) Saved My Life)
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
Nona J. Fairfax (Little Girl and The Ponies 4)
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
“
Friday 8 August Last night, Mom called one of the parents from pony club. A little while ago, he told her about a man who is not only a very experienced horse trainer but also a horse healer. Apparently he worked wonders with their daughter’s pony, Rocco who was behaving really badly and wasn’t able to be ridden. So Mom decided to get his details so she could ask him about Tara. Now he’s coming over on Sunday afternoon to have a look at her. I’m so glad he can come and I hope he can help!!!
”
”
Katrina Kahler (Pony Pals (Diary of a Horse Mad Girl #4))
“
backpack and began searching through it for something that might help her lure the hamsters back to their Habitat. She found a can of cat food and set it aside. She pulled out some dog treats that were bigger than the hamsters themselves. She found an old tambourine from when she was little and turned it over
”
”
Perdita Finn (My Little Pony: Equestria Girls: Rainbow Rocks)
Perdita Finn (My Little Pony: Equestria Girls: Rainbow Rocks)
“
I hope you do too! Hi, my name is Abbie and this diary is all about me and my very first pony, Sparkle who is a beautiful 13 hand Palomino. She is the best first pony anyone could wish for and we’ve had so many great adventures together. Luckily, I live on a rural property with lots of land and also other neighborhood girls to ride with. We have our very own “Saddle Club” and it’s such a great way to grow up. I have many fun times to share with you and if you’re anywhere near as horse mad as me, I’m sure you’ll enjoy reading this book. Now, from the beginning…
”
”
Katrina Kahler (Julia Jones' Diary / Horse Mad Girl / Diary of an Almost Cool Girl / Diary of Mr TDH)
“
Momma was with the pony last night. Lily and me have him in the mornings, and we give him a wash with the shammy cloths and a soapy bucket so he's ready for Jade to look after him the next night. I think Momma must ride him too rough because he's always sweating and white-eyed when we get him, pulling tight at his rope and spreading his wide beige lips. He won't settle forever and ever, he just turns circles around the stake. Me and Lily get nervy watching him paw scoops out of the backyard soil.
”
”
Kirsty Logan (The Rental Heart and Other Fairytales)
“
Pony Cakes 1 cup rolled oats 1 cup flour 1 tsp salt 2 tsp sugar 2 tsp corn oil ¼ cup molasses 1 cup shredded carrots 1 cup diced apple 1. Preheat the oven to 350°F (177°C).* 2. Mix the oats, flour, salt, sugar, oil, and molasses in a bowl. 3. Stir in the carrots and apple. 4. Lightly flour your hands to keep the batter from sticking to them. Then form balls of batter no bigger than a golf ball. 5. Grease a cookie sheet (rub it with butter or margarine or spritz it with a spray-on cooking oil). 6. Place the balls of batter on the cookie sheet. 7. Bake for about 12 minutes or until the cookies turn gold. 8. Let cool. 9. Serve to your favorite horse. *
”
”
Christina Wilsdon (For Horse-Crazy Girls Only: Everything You Want to Know About Horses)
“
horsey shampoo that made her coat look really shiny
”
”
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
So you'd let me do whatever I wanted?"
I shrugged.
"Like, literally anything? You'd let me pee on you?"
"You wouldn't, but no."
"You'd let me parade you around downtown naked? Force-feed you into Type II Diabetes? Give you a bit gag and a pony-tail plug and make you pull me around in a rickshaw?"
"No. No. None of those things." I shook my head. "Your brain is a weird place."
"Real people do that stuff, Talia. Just because their kinks aren't your kinks doesn't mean they're weird or gross or wrong.
”
”
Sara Taylor Woods (Hold Me Down (Carolina Girls #1))
“
Loretta couldn’t concentrate on the game long enough to figure out its rules. She had eyes only for Red Buffalo. He had joined Warrior’s family for the evening and was displaying a jovial, gentle side that Loretta could not believe. Pony Girl, Warrior’s two-year-old orphaned niece, climbed all over Red Buffalo, using his braids for handholds, squeezing his neck from behind until his face turned red, tickling him when he ignored her to concentrate on the game. The warrior put up with her antics, his hands always gentle when he disengaged his hair from her clutches. Loretta could scarcely believe her eyes.
When Maiden of the Tall Grass picked up the dice, Red Buffalo said something to her, and she gave an outraged squeal, elbowing him in the ribs. Red Buffalo laughed and grabbed her braids, looping them into a knot beneath her chin. She rolled her beautiful eyes and shook the dice, tossing them with a flourish. Red Buffalo leaned forward to see what she had thrown, then groaned and thumped his brow with the heel of his hand. Warrior threw back his head and roared with laughter. Turtle, who at the advanced age of five had been allowed to play, began to pout.
The game was over, and Maiden of the Tall Grass had clearly trounced the men. She unlooped her braids and swept them over her shoulders, a smug expression on her face. The gesture reminded Loretta of Amy, but then, these days, everything did. As she watched this family interact, the only differences she could detect between them and white people were their dress and language. Indeed, they seemed happier and more content.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The Comanche rode in a wide circle around the frightened, riderless horses and tossed Amy into the arms of a fellow Indian who waited in the ranks. The little girl’s indignant screeching filled the air. Loretta lifted the Spencer carbine to her shoulder, leveling the sights on the Comanche as he circled back to her. The bells on his moccasins tinkled merrily with each movement of his horse.
“Let me go!” Amy screamed. “You stinkin’ savage.”
Loretta glanced toward the child. A young brave struggled to keep Amy atop his pony. He laughed uproariously when she tried to scratch him. The girl caught a handful of his black hair and pulled with all her might.
“Ai-ee!” the boy exclaimed. “She tries to take my scalp.”
Whoops of laughter spiraled among the men. Loretta dragged her gaze back to Hunter. He had halted his mount some fifteen feet from her.
“Where will you spend your cartridge?” he asked. “If you love her, shoot her. It is wisdom.”
Amy’s screaming turned to pitiful sobbing. Loretta’s aim wavered, and she glanced toward the other Indians, trying to see her cousin. What was Henry doing? Why didn’t he back her up? How long could it take to load a rifle? The miserable coward.
“You have time for one shot,” Hunter went on. “If you waste it on me, my friend will take your sister and avenge me. Your father hides behind his wooden walls. You stand alone.”
Sweat ran into Loretta’s eyes. She turned slightly and leveled the barrel of her gun at Amy. Blinking, she snugged her finger around the trigger. Tears sprang to her eyes as she recalled Amy’s queries about blessed release. It’s something bad, isn’t it? It’s killing yourself, isn’t it? Not always, Loretta thought. Sometimes it was death by a loved one’s hand.
“Think long on this, Yellow Hair,” Hunter cautioned. “I came in peace to buy a woman, not steal a child. She is too skinny to bring this Comanche pleasure. You are not.” He leaned forward, stretching an arm along his horse’s neck, his hand open to her. “Come to me, and I will send your sister back to her mother unharmed.”
Loretta stared at him. Did he mean it? His eyes pierced hers. The scar on the side of his face flickered as his jaw muscle tightened. If the tales about him were true, he might spare Amy. On the other hand, he might take them both captive if given half a chance. She remembered how gently he had touched her last night, and her confusion mounted.
“Drop the weapon and come,” he urged. “It is a fair trade, no? She goes free. I have spoken it.”
In the background, Loretta heard laughter ringing. Already the braves made sport of Amy. The child screeched again.
“You will do this, no? You have courage. It shines in your eyes. If you fight the big fight, you cannot win. It is best to hold the head high and surrender with dignity. Put down the gun.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
This juicy, little punk ass ducky shoes nigger wants to be our girls' tattoo artist."
Lamar starts flipping out. "OH, HELL NO!"
They slammed the door on Yuan; he was left speechless. Just when he was leaving, they opened the door again.
"Hey, pony white Kevin Hart midget. Get your ass over here. We tryna see what you can do. You fill me,
”
”
Juan Zamora (Sensiti)
“
It must be awful, Issie thought, being the new girl and not knowing anyone—even if you are the daughter of a famous rider like Araminta Chatswood-Smith.
”
”
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
Elaine Heney (The Storm and the Connemara Pony - The Coral Cove Horses Series (Coral Cove Horse Adventures for Girls and Boys Book 2))
“
They were standing in the middle of the arena, with Stardust tacked up and ready to go. Issie watched as Aunt Hester walked over to the mare and attached a long webbing lunge rein, clipping it on to the bit and running it over the mare’s poll and down the other side. “Before you get on her, let’s try putting Stardust through her paces on the lunge rein,” Hester said. “Run the stirrups up the leathers, will you, dear?” Issie slid the irons up on their leathers so that they didn’t bounce against the mare’s sides and then she stood back as Aunt Hester led Stardust into the centre of the arena. “Tsk tsk, walk on!” Hester clucked at the palomino to get her moving, and Stardust obeyed her commands, stepping out on the lunge at a brisk walk. The lunge rein was about three metres long. Hester held the end of the rein and her eyes followed the mare as she circled around her. “Trot on!” Hester called out and again Stardust immediately obliged, breaking into a trot on command. “She’s got the most lovely trot!” Issie called out to her aunt. “That’s nothing, wait until you see her canter,” Hester grinned. “Come on, Stardust, canter on!” Hester was right. Stardust had a canter that almost seemed to float above the ground–she was as graceful as a ballerina. Issie could see why Rupert had cast this mare in his movie. With her silver mane and tail flowing out behind her, she looked exactly like the sort of pony that belongs to a princess. Stardust shook her mane and arched her neck, as if she knew that she was the centre of attention as she circled round and round the arena. “And steady…walk on! And…halt!” Hester instructed. Stardust did just as she was asked, pulling up on the lunge and stopping in front of Hester in a perfect square halt. “Good girl, Stardust!
”
”
Stacy Gregg (Stardust and the Daredevil Ponies (Pony Club Secrets, Book 4))
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
Be careful, Mark. You’ve never seen anything like a teenage crush. Those girls will eat you alive.” “They’re just children, tiny beacons of innocence who want popstar boyfriends and pony club.
”
”
Jade West (Teach Me Dirty)