Cuban Love Quotes

Investors don’t care about your dreams and goals. They love that you have them. They love that you are motivated by them. Investors care about how they are going to get their money back and then some. Family cares about your dreams. Investors care about money.

In the nuclear age, superpowers make war like porcupines make love—carefully.

You love that boy like you love the kitchen. . .but you add yourself like too much sugar sometimes.

Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.

What do you do when you’ve already torn down the world to make a better one and the better one turns out to be just as rotten as the one you shattered?

We left the way one leaves a cherished but impossible love: our hearts heavy with regret but beating with great hope.

We speak in Spanish when we make love. English seems an impossible language for intimacy.

Don't start a company unless it's an obsession and something you love. If you have an exit strategy, it's not an obsession. Mark Cuban

When fate and love come into conflict, the former must always win; for love will fade if it rests upon indignity or abdication.

I know what it feels like to fall in love. But I’m not sure what falling out of love feels like.

I still love you, Gustavo, but it's a habitual love, a wound in the knee that predicts rain.

My love is like a powder keg My love is like a powder keg in the corner of an empty warehouse Somewhere just outside of town About to burn down My love is like a Cuban plane My love is like a Cuban plane flying from Havana Up the Florida coast to the 'Glades Soviet made Our love is like the border between Greece and Albania Our love is like the border between Greece and Albania Trucks loaded down with weapons Crossing over every night Moon yellow and bright There is a shortage in the blood supply But there is no shortage of blood The way I feel about you baby can't explain it You got the best of my love

I’ve started dreaming in Spanish, which has never happened before. I wake up feeling different, like something inside me is changing, something chemical and irreversible. There’s a magic here working its way through my veins. There’s something about the vegetation, too, that I respond to instinctively - the stunning bougainvillea, the flamboyants and jacarandas, the orchids growing from the trunks of the mysterious ceiba trees. And I love Havana, its noise and decay and painted ladyness. I could happily sit on one of those wrought-iron balconies for days, or keep my grandmother company on her porch, with its ringside view of the sea. I’m afraid to lose all this, to lose Abuela Celia again. But sooner or later I’d have to return to New York. I know now it’s where I belong - not instead of here, but more than here. How can I tell my grandmother this?

they dance so fast, good and evil, these two polar opposites. So tightly and furiously. You can’t dance with just one of these partners. If you cut into their dance, you end up with both, as a threesome. And if you fear cutting into the dance and taking a spin with good and evil, you end up dancing with the cross-eyed, ugly chaperone. Even the deepest, most wondrous love can sometimes bring you to that dismal dance, and then every single tune is a tango. A bad tango composed by an angry, drunken Argentine just for you and your loved one. A tango that never ends. But back to those Cuban parties: no dancing there. None at all. Furious

Papi, I don't know what to do anymore." Lourdes begins to cry. "No matter what I do, Pilar hates me." "Pilar doesn't hate you, hija. She just hasn't learned to love you yet.

Love makes the world go around, but so does a gallon of vodka and a box of Cuban cigars.

You shatter the world all over again, I suppose. And keep breaking it until you get one you can name Freedom.

But what matters is: I have a place, a place that knows me and I know it. It has a rhythm, a people. A we beyond that impossible ethereal mass.

We don't speak at night anymore, but she's left me her legacy nonetheless--a love for the sea and the smoothness of pearls, an appreciation of music and words, sympathy for the underdog, and a disregard for boundaries.

Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.

Lou loved watching Al savor every bite. She mentally vowed to make him an amazing meal just to see him enjoy it. Maybe her Cuban pork with black beans and cilantro rice. That was a great summer feast- complete with mojitos and mojo sauce. If he savored a burger with such fervor, she he'd swoon over her cooking.

You think your life is unfurling in a certain way, and you let yourself grow happy about it, a smile rising at the slightest thing. A boy in short pants eating a pastelito makes you grin like a lunatic at the vision of your own hoped‐for children, their dark shiny heads rising, year by year, from the Cuban earth, your wife towering behind them, kind and wise. Then you find yourself in a midnight cemetery guarding your mustache from the covetous ghost of an American woman you once loved. Who wouldn’t laugh?

There is somewhat of a divide between the Cubans who left and the Cubans who stayed. There is affection and worry for family members and friends who remained behind, the intrinsic need to help anyone leave Cuba, but there is also a schism, Some believe those who stayed contributed to Cuba becoming what it is now, and in doing so, bolstered Fidel's power and legitimized it. People like my grandmother saw that as another betrayal-One that hurt especially because it came from her fellow Cubans. It is much easier to forgive a stranger than it is one you love.

That something I cannot yet define completely but the feeling comes when you write well and truly of something and know impersonally you have written in that way and those who are paid to read it and report on it do not like the subject so they say it is all a fake, yet you know its value absolutely; or when you do something which people do not consider a serious occupation and yet you know, truly, that it is as important and has always been as important as all th things that are in fashion, and when, on the sea, you are alone with it and know that this Gulf Stream you are living with, knowing, learning about, and loving, has moved, as it moves, since before man and that it has gone by the shoreline of that long, beautiful, unhappy island since before Columbus sighted it and that the things you find out about it, and those that have always lived in it are permanent and of value because that stream will flow, as it has flowed, after the Indians, after the Spaniards, after the British, after the Americans and after all the Cubans and all the systems of governments, the richness, the poverty, the martyrdom, the sacrifice and the venality and the cruelty are all gone as the high-piled scow of garbage, bright-colored, white-flecked, ill-smelling, now tilted on its side, spills off its load into the blue water, turning it a pale green to a depth of four or five fathoms as the load spreads across the surface, the sinkable part going down and the flotsam of palm fronds, corks, bottles, and used electric light globes, seasoned with an occasional condom or a deep floating corset, the torn leaves of a student's exercise book, a well-inflated dog, the occasional rat, the no-longer-distinguished cat; well shepherded by the boats of the garbage pickers who pluck their prizes with long poles, as interested, as intelligent, and as accurate as historians; they have the viewpoint; the stream, with no visible flow, takes five loads of this a day when things are going well in La Habana and in ten miles along the coast it is as clear and blue and unimpressed as it was ever before the tug hauled out the scow; and the palm fronds of our victories, the worn light bulbs of our discoveries and the empty condoms of our great loves float with no significance against one single, lasting thing - the stream.

July 11. She had always liked those numbers, seven and eleven. In charada, the mystical significance of dream images. There were charadas all around the world. In the santería charada, Angayú was eleven and Yemayá was seven. In the Cuban charada, matchbox was eleven and excrement was seven. In the American one, mechanic shop was eleven and socks was seven. In the Chinese one, rooster was eleven and seashell, seven. In the Texas charada, horse was eleven and hog, seven. In the Indian charada, rain was eleven and sleep was seven. In the Aztec charada, factory was eleven and mariachis, seven.

Recipe for a Funeral From the Kitchen of Lila Reyes Ingredients: One grieving family. One coffin (it must be white like flour and sugar). One cathedral. One white apron. One abuela, gone, dressed in her favorite blue vestido. Preparation: Sit between your boyfriend and best friend as they try to hold you upright in the pew. Clutch a white apron tightly on your lap. Watch your parents weeping one row ahead, and your sister leaning on your mother’s shoulder. Look back once over the massive cathedral, marveling at the crowd that came for her. *Leave out actually seeing your abuela laid out so lovingly in the white coffin. She is not there. Instead, cry, kneeling during the private viewing with your eyes secretly pressed closed. Cooking temp: 100 degrees Fahrenheit. The coldest your oven goes.

The boxers were banging away at each other. Go on, go on, go on, keep punching, Antonio, keep punching. I'm blasting away at the Cuban guy. He can't hurt me. I'm made of iron. His fists feel like friendly pats when he manages to land a punch, which he doesn't do too often, 'cause I'm fast on my feet, and I duck and weave. Jack be nimble, Jack be quick. But I'm punching the hell out of him. I'm creaming the bastard, creaming the Cuban, creaming my old man... What?!... Creaming my boss,I mean. That son-of-a-bitch Mr. Hanson. For an instant he saw Janey at the receiving end of his fists. Again. He pushed the image from his mind. It was Mr. Hanson. It was the Cuban champion. And the crowd was cheering. They were on their feet and screaming. They love me. Yes, they love me. Yes they do. They really do.

With the motto “do what you will,” Rabelais gave himself permission to do anything he damn well pleased with the language and the form of the novel; as a result, every author of an innovative novel mixing literary forms and genres in an extravagant style is indebted to Rabelais, directly or indirectly. Out of his codpiece came Aneau’s Alector, Nashe’s Unfortunate Traveller, López de Úbeda’s Justina, Cervantes’ Don Quixote, Béroalde de Verville’s Fantastic Tales, Sorel’s Francion, Burton’s Anatomy, Swift’s Tale of a Tub and Gulliver’s Travels, Fielding’s Tom Jones, Amory’s John Buncle, Sterne’s Tristram Shandy, the novels of Diderot and maybe Voltaire (a late convert), Smollett’s Adventures of an Atom, Hoffmann’s Tomcat Murr, Hugo’s Hunchback of Notre-Dame, Southey’s Doctor, Melville’s Moby-Dick, Flaubert’s Temptation of Saint Anthony and Bouvard and Pecuchet, Twain’s Adventures of Huckleberry Finn, Frederick Rolfe’s ornate novels, Bely’s Petersburg, Joyce’s Ulysses, Witkiewicz’s Polish jokes, Flann O’Brien’s Irish farces, Philip Wylie’s Finnley Wren, Patchen’s tender novels, Burroughs’s and Kerouac’s mad ones, Nabokov’s later works, Schmidt’s fiction, the novels of Durrell, Burgess (especially A Clockwork Orange and Earthly Powers), Gaddis and Pynchon, Barth, Coover, Sorrentino, Reed’s Mumbo Jumbo, Brossard’s later works, the masterpieces of Latin American magic realism (Paradiso, The Autumn of the Patriarch, Three Trapped Tigers, I the Supreme, Avalovara, Terra Nostra, Palinuro of Mexico), the fabulous creations of those gay Cubans Severo Sarduy and Reinaldo Arenas, Markson’s Springer’s Progress, Mano’s Take Five, Ríos’s Larva and otros libros, the novels of Paul West, Tom Robbins, Stanley Elkin, Alexander Theroux, W. M. Spackman, Alasdair Gray, Gaétan Soucy, and Rikki Ducornet (“Lady Rabelais,” as one critic called her), Mark Leyner’s hyperbolic novels, the writings of Magiser Gass, Greer Gilman’s folkloric fictions and Roger Boylan’s Celtic comedies, Vollmann’s voluminous volumes, Wallace’s brainy fictions, Siegel’s Love in a Dead Language, Danielewski’s novels, Jackson’s Half Life, Field’s Ululu, De La Pava’s Naked Singularity, and James McCourt’s ongoing Mawrdew Czgowchwz saga. (p. 331)

During this time my father was in a labor camp, for the crime of wanting to leave the country, and my mother struggled to care for us, alone and with few provisions. One day she went out to the back patio to do the wash and saw a cute little frog sitting by the door to the kitchen. My mother has always liked frogs, and this frog by the kitchen door gave her an idea. She began to spin wonderful stories about a crazy, adventurous frog named Antonica who would overcome great odds with her daring and creativity. Antonica helped us dream of freedom and possibilities. These exciting tales were reserved for mealtime. We ate until our bowls were empty, distracted from the bland food by the flavor of Antonica’s world. Mamina knew her children were well nourished, comforted, and prepared for the challenges and adventures to come. In 2007, I was preparing to host a TV show on a local station and was struggling with self-doubt. With encouragement and coaching from a friend, I finally realized that I had been preparing for this opportunity most of my life. All I needed was confidence in myself, the kind of confidence Antonica had taught me about, way back in Cuba. Through this process of self-discovery, the idea came to me to start cooking with my mother. We all loved my Mamina’s cooking, but I had never been interested in learning to cook like her. I began to write down her recipes and take pictures of her delicious food. I also started to write down the stories I had heard from my parents, of our lives in Cuba and coming to the United States. At some point I realized I had ninety recipes. This is a significant number to Cuban exiles, as there are ninety miles between Cuba and Key West, Florida. A relatively short distance, but oh, so far! My effort to grow closer to my mother through cooking became another dream waiting to be fulfilled, through a book called 90 Miles 90 Recipes: My Journey to Understanding. My mother now seemed as significant as our journey to the United States. While learning how she orchestrated these flavors, I began to understand my mother as a woman with many gifts. Through cooking together, my appreciation for her has grown. I’ve come to realize why feeding everyone was so important to her. Nourishing the body is part of nurturing the soul. My mother is doing very poorly now. Most of my time in the last few months has been dedicated to caring for her. Though our book has not yet been published, it has already proven valuable. It has taught me about dreams from a different perspective—helping me recognize that the lives my sisters and I enjoy are the realization of my parents’ dream of freedom and opportunity for them, and especially for us.

WE ARE ALL HUMAN It should not matter - That we grew up On opposite banks, Opposite streets, The opposite Side of the tracks, Or opposite ends of The social ranks. It should not matter What your father did Or what was his blood, As long as you are good And full of love. It should not matter That you have more than me Or that I know more than you, Or what my job is, Or where I went to school For we are all equal -- And it's only our polarities that Make us each so unique, Individually resourceful, And every human useful. It should not matter That the media wants to Keep dividing us By reminding us that We are from different sects, With labeled and Typecasted Racial and stereotypical Defects, And that there are rules Set for every age, Religion, class and sex. "Sign over here. Put an X in the box, Then step to the left So I can see Whose next?" Nobody should ever feel Like just another statistic, And nobody Should ever feel Above or below the rest. Remember to Stand up for yourself Before you stand up to Rip the test. Stand up for all that's unfair And speak out for what's Always right and best. It should not matter If you are Chinese, Black, white or Cuban. If you seriously do realize That we are all just human. WE ARE ALL HUMAN by Suzy Kassem

She'd heard once that what made you a real New Yorker was when you could remember back three layers - the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup of old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.

Many people believed that it was Julio Antonio Mella’s oversized ego that motivated him, but others said that he really was sincere and believed that he could bring about significant changes by his demands. There were also a number of female students known for being political radicals, who played an important part in shaping Julio’s life at that time. Rosario Guillauma (Charito) and Sarah Pascual were both close friends of Julio, as well as being fellow travelers. The overt communist cell at the University of Havana continued to grow dramatically under his leadership and many of the university students became active members of the party. Although, during the time he was at the university he was linked to women radicals and was married to Oliva Zaldivar Freyre. However, following his marriage, it was Tina Modotti, a movie star, model, notorious spy and renowned photographer who became the love of his life!

Now I know I use the term “revolution” cavalierly and I do not mean to diminish true revolutions like the American, Cuban, or Chinese revolutions. After all our leaders were Timothy Leary, Ken Kesey and Wavy Gravy, not exactly in the same league as George Washington, Che Guevara and Mao Tse Tung. Our revolution was not against oppression and poverty but rather for paradise. Also to ask a revolutionary to put everything at risk and fight, perhaps to their death, for freedom is quite different than the sacrifices we were asked to make. We were asked to drop out of the work world, travel around unfettered, take consciousness-altering drugs, and make love to a lot of people. This was not a hard revolution to join.

That evening, Desi took her to El Zerape, a Mexican-Cuban nightspot close to downtown Los Angeles and the current rage for slumming Hollywood celebrities. It turned out to be a group excursion organized by George Abbott, a fanatic ballroom dancer. Nearly the entire cast of Too Many Girls was there, including the fourteen singing and dancing choristers that RKO had hired from the New York production at a weekly salary of forty dollars each.

For some time now, Germany has had cruise ships visiting Cuba, such as the MS Deutschland, which can accommodate 513 passengers and has a crew of 260 members. She is known as das Traumschiff or the Dream Ship and is Germany’s television answer to the Love boat. With a displacement of 22,400 GT, the ship brought European tourists with their Euros as stimulus money to Cuba. However, on Monday, February 23, 2015, it was announced, that the operating company had declared bankruptcy. It was expected that finding new investors, and restructuring under the German debtor-in-possession management act, known as Eigenverwaltung, would allow the MS Deutschland to continue her scheduled visits. However, on July 27, 2015 with new owners it was announced that the ship would sail using two distinct names. For one part of the year the ship would be the MS World Odyssey having “Semesters at Sea” for students and for the other part of the year it would sail for the travel company Phoenix Reisen, using its regular name, the MS Deutschland.

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

Cubans tend to have personal and complex relationships with Fidel Castro, often combining feelings of veneration, respect, or love with frustration or even hate.

Batista was a harsh president. He loved sugar, loved the money that flowed into the country from overseas, but he didn’t love the Cuban people. He wanted to be king over a people who didn’t want to be ruled.

direction, and you really know how to get things done. The American people are fortunate that you’ve chosen to serve us in your current capacity. Gator speaks incessantly about seeking employment elsewhere, but I think it’s just talk. He loves this line of work, and we have a lot of fun together at DIA. We share a common view of our world. But remember, Gator: You can’t expect to find a spy under every rock or behind every tree. You simply have to believe that a spy is there, somewhere, and that if you look under every rock and behind every tree, you will eventually find him. I expect Gator to remain welded to my hip for another decade or so. Ana Montes will serve her time productively, I am sure. Knowing Ana, she’ll be running the place before too long. I understand that she remains unrepentant about providing information to the Cubans. She still believes that she did the right, just, and moral thing in supporting them, and I suspect that she will hold that view for the rest of her life. That’s fine. At least she’s no longer in a position to cause the rest of us any harm. Ana Montes is now incarcerated near Fort Worth, Texas. Ana’s boyfriend, Bill, has had a rough time of it. He requested and received permission to remain in contact with Ana after her arrest, up until she was convicted. He sensed, understandably, that she needed his support during an emotional time in her life. But he made clear to me, during one of several meetings on the subject, that his support for Ana would end if and when she was convicted of the crime. Bill was as good as his word. Part of him feels sorry for Ana, but he can never understand or condone what she did. He is torn, but Bill is moving forward with his life without her. As for me, I continue to march. There are some among my peers in this business who take exception to my having published a book about my experience on the job. It goes against their grain. Some may even avoid working with me in the future, for fear that their actions and words will end up in a book somewhere or because they feel that I’ve crossed an ethical line by publishing this story. I understand. So be it. I remain firmly focused on my mission. I am not a writer. I am a counterintelligence investigator. And my job is to detect and investigate espionage and suspected espionage within the Defense Intelligence Agency. I’ve performed that job for almost two decades now, and I expect to continue

He had been waiting a long time for a chance to come to this place. Years earlier he had spent a good bit of time in Florida on a serial case and the only good that had come out of it was his love of Cuban food. When he later transferred to the Los Angeles field office it was hard to find a Cuban restaurant that compared with the places where he had eaten in Ybor City outside of Tampa. Once on an L.A. case he’d come across a patrol cop who he learned was of Cuban descent. McCaleb asked him where he went to eat when he wanted real home cooking. The cop’s answer was El Cochinito. And McCaleb quickly became a regular. McCaleb decided that studying the menu was a waste of time because he had known all along what he wanted. Lechon asada with black beans and rice, fried bananas and yucca on the side and don’t bother telling the doctor.

Just about this time, Julio Mella suddenly got married to his primary girlfriend, Olivia Zandiver. Perhaps the fact that she became pregnant by him influenced this decision and soon after the wedding, they had a daughter whom they named Natasha. Marriage did not stop Julio from having other affairs. With his wife taking care of Natasha, he was still out seeing others. There was Sylvia Masvidal, Edith Margarita, Lucitta and lastly Tina Modotti. He had what the Cubans like to call machismo or, loosely translated, male chauvinistic virility. There was no doubt but that he was interested in the ladies, and they in him… Beautiful Tina loved photography and frequently posed nude for the lens. Now that she was Jullio’s girlfriend, life for them was more than exciting…. For him it would prove to be deadly!

As a story writer, I love that sleight of hand. It takes a graceful touch to parse out research to the reader–not too much, not too little–so that the result is effective and yet not generally noticed.

When he returned to Florida in the early part of 1939, Hemingway took his boat the Pilar across the Straits of Florida to Havana, where he checked into the Hotel Ambos Mundos. Shortly thereafter, Martha joined him in Cuba and they first rented, and later in 1940, purchased their home for $12,500. Located 10 miles to the east of Havana, in the small town of San Francisco de Paula, they settled into what they called Finca Vigía, the Lookout Farm. On November 20, 1940, after a difficult divorce from Pauline, Ernest and Martha got married. Even though Cuba had become their home, they still took editorial assignments overseas, including one in China that Martha had for Collier’s magazine. Returning to Cuba just prior to the outbreak of World War II, he convinced the Cuban government to outfit his boat with armaments, with which he intended to ambush German submarines. As the war progressed, Hemingway went to London as a war correspondent, where he met Mary Welsh. His infatuation prompted him to propose to her, which of course did not sit well with Martha. Hemingway was present at the liberation of Paris and attended a party hosted by Sylvia Beach. He, incidentally, also renewed a friendship with Gertrude Stein. Becoming a famous war correspondence he covered the Battle of the Bulge, however he then spent the rest of the war on the sidelines hospitalized with pneumonia. Even so, Ernest was awarded the Bronze Star for bravery. Once again, Hemingway fell in lust, this time with a 19-year-old girl, Adriana Ivancich. This so-called platonic, wink, wink, love affair was the essence of his novel Across the River and Into the Trees, which he wrote in Cuba.

Habana Eva" released in 2010, Habana Eva is a funny Romantic comedy. Eva works as a seamstress in a sweatshop where she dreams of becoming a fashion designer with her own a room. Her love is her longtime partner Angel, a charming yet lazy islander. Her dream of marrying Angel fades when she meets Jorge, a handsome and wealthy Cuban raised in Venezuela who returns to Cuba, with a more ambitious project than taking photos of Eva for a book. Eva who has been living with her aunts falls for him and has to decide which of the two men she will want to marry. Directed by Fina Torres, starring Prakriti Maduro as Eva and Juan Carlos García as Jorge and Carlos Enrique Almirante as Angel. Venezuelan produced and filmed in La Habana, Cuba. Habana Eva film won the Best Picture award at the New York International Latino Film Festival on August 2, 2010.

History professor. Musician. Waiter. The legacy of the Cuban revolution - donning many hats to stay afloat. For some, the love we cannot have is the most powerful one of all.

In "The Devil's Presence," Goldsborough brilliantly captures the Zeitgeist of our troubled times, writing with an honesty and passion that will stir your soul and rekindle your belief that a better world is within our grasp. Richard Feinberg, former White House and State Department official, official book reviewer for "Foreign Affairs." Put "Blood and Oranges" on the L.A. shelf next to Mike Davis' "City of Quartz," a Raymond Chandler or two and a DVD of "Chinatown." Just dive in. And hold on. Arthur Salm, former book editor, "San Diego Union Tribune." The Paris Herald'" is a witty, tender and evocative portrait of Americans in Paris that vividly brings to life the city they loved and made their own. Ronald Steel, author of "Walter Lippmann and the American Century." "Waiting for Uncle John" is a wonderful story that should be read and reread, told and retold. The Cuban people will never support an invader." Alejandro Orfila, former Secretary General of the Organization of American States. "Misfortunes of Wealth" is wonderfully structured and written, a gripping work of social history. I was utterly absorbed while reading it and have been haunted by it ever since. Beth Gutcheon, author of eleven novels including "Still Missing" and "Leeway Cottage." "Rebel Europe" is the most important book I have read in years. Charles Champlain, "The Los Angeles Times.

A Story of Love and Faith/La Milagrosa Near-prayer and not. Pink, red flowers, orange and yellow flowers and white. In this very moment, for different reasons, this is as specific as I can be in both languages. Day of the Holy Cross-she dies, feminely, on Dia de la Cruz. Exactly who performs the miracle? The dead and buried son shimmers to his mother's dead and buried breast to suckle. Miracle. Thinking of Archimedes's bathwater, the Cuban sculptor gives her density, porelessness, in 20th-century Carrara. Exactly. It is true statues are cruel when they're not. On the edge of my cowardice, reason. Who exactly could call me by name in that cemetery? Gladiolus, ginger, lilies. Young women are a series of images. We are regimes.

I see she's placed some coffee down there for them and I half consider taking a sip just to mess with everybody.

You crack slightly in the face of a world not built for you, and they load you up with medications til you can't feel anything, then they act surprised when your body and mind rebel and the rebellion is an explosion outward instead of another suicide attempt.

I am still here, somehow, by the grace of something bigger than me.

So if you ever wonder what we, the disappeared, dream of in our darkest hours, know that it is you: those who remain.

Doral used to be swampland, but now Carnival Cruise Lines and one of the major Miami papers makes it their home. Everyone who knows Florida well enough calls it Doralzula because so many Venezuelans live there. Rich Venezuelans, the beneficiaries of the old “re-distribute the wealth” scam of socialism, which fails repeatedly and consistently — though this fact is rarely ever mentioned in the media — around the globe. Once they had theirs, of course, they were off to the land of plenty, leaving the masses to wallow in poverty, under corrupt iron rule, while they golfed and ate at fine restaurants and bought exotic cars and slept with beautiful women who could be bought with luxury. Perhaps there was love sometimes, too, but I was always skeptical of any woman under forty wearing designer clothes. The far left loves countries like Cuba, and Venezuela, never taking note of the conditions, the poverty, or the people trying to get out and have a better life; most of whom will never make it to those golden shores of Florida. They are the first to cry over the oppressed, the victimized, the impoverished, as though they are their champion. Unless, of course, those unfortunate folks live in a country in line with their hard-left-leaning ideology, then they are willing to ignore their plight completely. There is no hypocrisy so bald as that of the liberal do-gooder. Talk to a real Venezuelan, or better yet, a Cuban refugee who’d made it to Miami, and ask them how it is there. After you do you will roll your eyes at the next liberal trying to convince you the time has come to embrace these countries.

Now she felt good. She felt great. She loved her swelling body, loved how everyone gave way before her, paid her tribute, wanted to touch her arm or shoulder. In the mirror, her face glowed. Her days of nausea were forgotten. Pregnancy was easy, it was a breeze on a summer day.

I am a thing beyond the petty politics of hopes and fear.

While still in prison, Castro continued corresponding with his wife Mirta. At the same time, he wrote affectionate letters to an attractive Cuban socialite, “Naty” Natalia Revuelta. For whatever reason, his letters became switched with both Mirta and “Naty” receiving the wrong letters. This little mistake, most likely brought about by the Prison Warden, led to both Mirta and Fidel filing for divorce. On May 15, 1955, Batista made a mistake that would cost him his presidency and change the course of Cuban history. Thinking that Fidel and his rebels were no longer a threat, Batista released Castro and the other political prisoners from jail. Castro’s marriage to Mirta failed primarily because her entire family opposed his political views, however his promiscuous ways certainly did not help. Mirta remained married to Fidel for a total of seven years. In 1955 after he was released from prison for attacking the Moncada Barracks, Fidel fled to Mexico. It was there, while in exile, that his divorce was finalized and Mirta was awarded custody of their son Fidelito.