Poking The Bear Quotes

We've searched our database for all the quotes and captions related to Poking The Bear. Here they are! All 80 of them:

it. “I don’t mean to poke the bear, but I’ve got one nerve left, and Maddox is dry-humping it. So, could you all move it along?
Jamie McGuire (Beautiful Redemption (The Maddox Brothers, #2))
If we are known mostly for our ability to poke holes in every human project, we will probably not be known as people who bear the hope and mercy of God.
Andy Crouch (Culture Making: Recovering Our Creative Calling)
I must learn to be as the bear in a cage with the stick that pokes it always, through the bars. The bear acts as if the stick is made of air, and takes no notice of it, even when it is sharpened and draws blood. I must do the same.
Ned Hayes (Sinful Folk)
If you poke a bear just to hear it to roar, why keep poking it if it doesn’t have the energy to roar
Dean Mackin
The Lesson You've Got to learn is the someday you'll someday stagger to, blinking in cold light, all tears shed, ready to poke your bovine head in the yoke they've shaped. Everyone learns this. Born, everyone breathes, pays tax, plants dead and hurts galore. There's grief enough for each. My mother learned by moving man to man, outlived them all. The parched earth's bare (once she leaves it) of any who watched the instants I trod it. Other than myself, of course. I've made a study of bearing and forbearance. Everyone does, it turns out, and note those faces passing by: Not one's a god.
Mary Karr (Sinners Welcome)
You poked the bear, Tink, so you better hope someone can put him in a cage.
Jay Crownover (Rome (Marked Men, #3))
Be not fickle with your riddles, Alasír,” she said. “You and I both suspect the same thing. Someone has been out here poking the bear, if you’ll excuse me crude analogy.
Jacob D. Lochner (The Twenty-Seven Swords - Part One)
Hamlet's Cat's Soliloquy "To go outside, and there perchance to stay Or to remain within: that is the question: Whether 'tis better for a cat to suffer The cuffs and buffets of inclement weather That Nature rains on those who roam abroad, Or take a nap upon a scrap of carpet, And so by dozing melt the solid hours That clog the clock's bright gears with sullen time And stall the dinner bell. To sit, to stare Outdoors, and by a stare to seem to state A wish to venture forth without delay, Then when the portal's opened up, to stand As if transfixed by doubt. To prowl; to sleep; To choose not knowing when we may once more Our readmittance gain: aye, there's the hairball; For if a paw were shaped to turn a knob, Or work a lock or slip a window-catch, And going out and coming in were made As simple as the breaking of a bowl, What cat would bear the houselhold's petty plagues, The cook's well-practiced kicks, the butler's broom, The infant's careless pokes, the tickled ears, The trampled tail, and all the daily shocks That fur is heir to, when, of his own will, He might his exodus or entrance make With a mere mitten? Who would spaniels fear, Or strays trespassing from a neighbor's yard, But that the dread of our unheeded cries And scraches at a barricaded door No claw can open up, dispels our nerve And makes us rather bear our humans' faults Than run away to unguessed miseries? Thus caution doth make house cats of us all; And thus the bristling hair of resolution Is softened up with the pale brush of thought, And since our choices hinge on weighty things, We pause upon the threshold of decision.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
The wise man doesn't poke a sleeping bear with a stick.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
The monsters of fantasy and horror are actually symbolism for the condition of the human spirit. Soul can not be killed, nor exorcized. To try is to poke the bear.
Sun Moon
Poking the bear might be dangerous, but it sure can be fun.
Ann Jensen (Undercover in the Dark (Dark Sons MC, #4))
When it comes to ‘poking the bear,’ the length of my stick will never be long enough to outrun the consequences of either the bear or my stupidity.
Craig D. Lounsbrough
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
What are you doing? First you poke the bear, now you’re trying to get the bear to poke you? And when I say poke…
M.L. Briers (Defending His Mate (His Mate, #3))
Teasing the emperor was a bit like poking a bear—a rabid, alien bear with permanent anger management issues, a bit like Cam’s Aunt Maud but with better hair
Mina Carter (Rescued by her Alien Protector (Warriors of the Lathar #9))
She’s not the kind to piss off is all I’m saying. You can poke a bear all you want, but be careful poking at the mama bear. That shit usually doesn’t end well.
Roxie Ray (Daddy Biker Bear (Bears of Forest Heights, #1))
My grandpa once told me never to provoke an injured bear, especially one nursing its wounds, but sometimes the bear needs to be poked.
Katie McGarry (Crossing the Line (Pushing the Limits, #1.1))
Oh, honey. You picked the wrong bear to poke.
Codi Gary (I Want Crazy (Loco, Texas, #3))
I was in and out of the hospital almost daily from then on. They X-rayed, poked, and prodded me, and then they did it again for good measure.
Bear Grylls (Mud, Sweat and Tears)
I’m crazy about the bear, and I don’t like it when he doesn’t want to be around me, so I have to chase after him with a stick and poke him until he pays attention to me again.
J.T. Geissinger (Ache for You (Slow Burn, #3))
I didn't notice I was crying until a stewardess came by and gave me a tissue to blow my nose in. Her arm and wrist were slender and they formed a pretty arch, like the limb of a fruit tree, as she poked the tissue into my clenched fist. She didn't look at my eyes. It was a perfect gesture, an expression of indifference and concern, which is the most a drunk can ask for.
John Straley (The Woman Who Married a Bear (Cecil Younger, #1))
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
A big, powerful man chained, made helpless. She’d seen boys poke at a chained bear—a beast they’d run screaming from were it free to do as it would. Little boys—and weak men—fancied themselves brave in the face of such helplessness. It made them giddy with false power. And they were apt to wield that power in terrible and cruel ways. Had such a thing been done to her Caliban?
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
Of course I am bland, she thought. You too would be bland if you grew up with one gas pump in front of the house and nothing else except a view that stretched over half the world. Landscape made me bland, bears poking in the garbage can stunted my individuality, as did plagues of horseflies, permafrost, wild-fire, and the sun setting like a bomb. So much sky makes one bewildered - which is the proper way to be.
Anne Enright (The Portable Virgin)
There was a beat of silence in which I digested what he’d said. He wasn’t mean or menacing this time. There was no edge to his voice. “What?” I gasped. “I’m trying really hard not to hurt you, but I’m struggling. You need to take a step back before I do something I’ll regret,” he explained. “Who said I can leave you alone?” I asked breathlessly, not really deciphering my own words. “You think I haven’t tried?” “Try harder, Luna. I know you can, because for about eight years, you did. Three unreciprocated kisses. You sleeping with someone else. You did a pretty darn good job, so just keep doing it, okay?” I remembered what he’d said about my presence feeling like a metal chain. A heavy burden he wanted to shake off. Guess it had always been easy for me to choose Knight, because I didn’t have any options. Because Knight always chose me. But his choice came with a bigger sacrifice. He was the one getting me out of trouble, shooing off the bullies, making sure I had someone to sit with at recess. He was the one who constantly gave up the opportunity to actually date the hottest girls. “Moonshine,” he pushed through the fog in my head, pulling me back to reality. “Give it a rest. You’re poking the bear.” “You didn’t even say anything about my talking,” I sulked, feeling the anger clogging my throat. I didn’t know why it was so important to address it right this second. I could hear the smile in his voice. “I always knew you’d talk, and not just to me. To everyone. I watched you crawl out of your shell, and it was slow, but by fucking God, it was beautiful. Have you spoken to anyone else?” He sounded warm, conversational now—the Knight I was used to, who looked at me with admiration and delight.
L.J. Shen (Broken Knight (All Saints High, #2))
If I might suggest a course of action?” “Not necessary,” I called, poking my head back out. “Do you mean to say this concatenation of events—“ “Totally planned,” I fibbed. “Scaring off any wild animals and such.” “As one does,” Harry said agreeably. “Like Bear Grylls does,” I said. “You bet your ass.” “What do you see?” Scarrow asked. “A whole lot of fucking dark, since I'm inside a walled-off tunnel, at night, in a snowstorm, you cross-stroking wankbasket.
A.J. Aalto (Last Impressions (The Marnie Baranuik Files #3))
Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away. Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief—"Never mind; be so good as to hold this till I finish." I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round.
Louisa May Alcott (Hospital Sketches)
I could have warned her. If we were back home, and Mirabella had come under attack by territorial beavers or snow-blind bears, I would have warned her. But the truth is that by Stage 3 I wanted her gone. Mirabella's inability to adapt was taking a visible toll. Her teeth were ground down to nubbins; her hair was falling out. ... her ribs were poking through her uniform. Her bright eyes had dulled to a sour whiskey color. But you couldn't show Mirabella the slightest kindness anymore-she'd never leave you alone!
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
how you get used to a life with someone, and you just assume they’ll be there when you wake up or go to sleep. Sometimes you have a picnic together and sometimes you bring your bear, and sometimes you’re both too busy doin’ other things to spend much time together, but you’re both a shout away, so you’re still together. Sometimes things are great and sometimes they ain’t, but you know even durin’ the bad times you can walk a few steps and make things better, or they can walk a few steps and do the same. Or you can both be pig-headed about some silly somethin’ and keep your distance, but you’re even doin’ that together.
John Locke (Don't Poke the Bear! (Emmett Love, #2))
Boys seem to think that girls hold the keys to all happiness, because the female is supposed to have the right of consent and/or dissent. I've heard older men reflect on their youth, and an edge of hostile envy drags across their voices as they conjure up the girls who whetted but didn't satisfy their sexual appetites. It's interesting that they didn't realize in those yearning days past, nor even in the present days of understanding, that if the female had the right to decide, she suffered from her inability to instigate. That is, she could only say yer or no if she was asked. She spends half her time making herself attractive to men, and the other half trying to divine which of the attracted are serious enough to marry her, and which wish to ram her against the nearest wall and jab into her recklessly, then leave her leaning, legs trembling, cold wet evidence running down her inner thigh. Which one will come to her again, proud to take her to his friends, and which will have friends who only know of her as the easy girl with good (or even bad) poontang? The crushing insecurity of youth, and the built-in suspicion between the sexes, militate against the survival of the species, and yet, men do legalize their poking, and women do get revenge their whole lives through for the desperate days of insecurity and bear children so that the whole process remains in process. Alas.
Maya Angelou (Gather Together in My Name)
The ocean is like a warm bath. I mount his back and ride him. My thighs squeeze him and pulse with a tingling light. We are lovers. We are married. He swims with incredible strength and we travel quickly. He keeps me safe and I am drunk on his dignity. The smaller bears shrink, only to be eaten by engorged shrimp. The ocean grows hot with life after the offering of food. My skin melts where there is contact with my lover. The ocean and our love fuse the polar bear and me. He is I, his skin is my skin. Our flesh grows together. His face is my pussy and she is hungry. My legs sprout white fur that spreads all over me. I can feel every hair form inside of me and poke through tough bearskin. My whole body absorbs him and we become a new being. I am invincible. Bear mother, rabbit daughter, seal eater. Bear lover, human lover, ice pleaser. I will live another year.
Tanya Tagaq (Split Tooth)
He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.
Orson Scott Card
Since we were on Everest, many other climbers have succeeded on the “big one” as well. She has now been scaled by a blind man, a guy with prosthetic legs, and even by a young Nepalese teenager. Don’t be fooled, though. I never belittle the mountain. She is still just as high and just as dangerous. Instead, I admire those mountaineers--however they have climbed her. I know what it is really like up there. Humans learn how to dominate and conquer. It is what we do. But the mountain remains the same--and sometimes she turns and bites so damn hard that we all recoil in terror. For a while. Then we return. Like vultures. But we are never in charge. It is why, within Nepal, Everest is known as the mother goddess of the sky--lest we forget. This name reflects the respect the Nepalese have for the mountain, and this respect is the greatest lesson you can learn as a climber. You climb only because the mountain allows it. If the peak hints at you to wait, then you must wait; and when she begins to beckon you to go then you must struggle and strain in the thin air with all your might. The weather can change in minutes, as storm clouds envelop the peak--and the summit itself stubbornly pokes into the fierce band of jet-stream winds that circle the earth above twenty-five thousand feet. These 150+ mph winds cause the majestic plume of snow that pours off Everest’s peak. A constant reminder that you have got to respect the mountain. Or you die.
Bear Grylls (Mud, Sweat and Tears)
When I woke up a man in a green beret with a big feather poking out of it was leaning over me. I must be hallucinating, I thought. I blinked again but he didn’t go away. Then this immaculate, clipped British accent addressed me. “How are you feeling, soldier?” It was the colonel in charge of British Military Advisory Team (BMAT) in southern Africa. He was here to check on my progress. “We’ll be flying you back to the UK soon,” he said, smiling. “Hang on in there, trooper.” The colonel was exceptionally kind, and I have never forgotten that. He went beyond the call of duty to look out for me and get me repatriated as soon as possible--after all, we were in a country not known for its hospital niceties. The flight to the UK was a bit of a blur, spent sprawled across three seats in the back of a plane. I had been stretchered across the tarmac in the heat of the African sun, feeling desperate and alone. I couldn’t stop crying whenever no one was looking. Look at yourself, Bear. Look at yourself. Yep, you are screwed. And then I zonked out. An ambulance met me at Heathrow, and eventually, at my parents’ insistence, I was driven home. I had nowhere else to go. Both my mum and dad looked exhausted from worry; and on top of my physical pain I also felt gut-wrenchingly guilty for causing such grief to them. None of this was in the game plan for my life. I had been hit hard, broadside and from left field, in a way I could never have imagined. Things like this just didn’t happen to me. I was always the lucky kid. But rogue balls from left field can often be the making of us.
Bear Grylls (Mud, Sweat and Tears)
A cheerful heart is good medicine, but a crushed spirit dries up the bones. PROVERBS 17:22 SEPTEMBER 18 I visited my old hometown and thought about my boyhood days. I remembered the time I’d been eating unripe apples, and I suffered for it. I called a doctor. He came and poked around at me and asked me what I had been doing. He gave me some peppermint and said, “You just take that and quit eating unripe apples. You will be all right.” Then he put his hand on my head and said, “Son, I can cure your stomach. That is easy. But if you get bad thoughts in your mind, it will take a greater doctor than I am to cure you. So don’t let bad or sick thoughts get in that head of yours.” How you think can even change the impact of sickness, physical deterioration, and aging. Christianity is life, friends. Jesus said, “I have come that they may have life, and have it to the full” (John 10:10). And if you are going to have life, you have to cope with illness and deterioration and aging. And how you think has an important bearing on the aging process.
Norman Vincent Peale (Positive Living Day by Day)
all I could do was look from her to his chest. Thick tufts of dark hair poked through the holes like fishnets on a Grizzly bear.
Marita Fowler (Fat Bodyguards)
As I trod down the hall, I made and discarded plausible excuses. When I reached the tapestry I decided against speaking at all. I’d just take a quick peek, and if the livery was Merindar, then I’d have to hire someone to ride back and warn the Renselaeuses. I pulled my soggy cloak up around my eyes, stuck out my gloved finger, and poked gently at the edge of the tapestry. Remember the surmise I recorded on my arrival at the Residence that day in early spring--that if anyone were to know everyone’s business, it would be the servants? I glanced inside in time to see a pale, familiar face jerk up. And for a long, amazing moment, there we were, Meliara and Shevraeth, mud-spattered and wet, just like last year, looking at one another in silence. Then I snatched my hand back, now thoroughly embarrassed, and spun around intending retreat. But I moved too fast for my tired head and fell against the wall, as once again the world lurched around me. I heard the faint metallic ching of chain mail, and suddenly he was there, his hand gripping my arm. Without speaking, he drew me inside the bare little parlor and pointed silently at a straw-stuffed cushion. My legs folded abruptly, and I plopped down. “Azmus--” I croaked. “How could you--I sent him--” “Drink.” Shevraeth put a mug into my hands. “Then we can talk.” Obediently I took a sip, felt sweet coffee burn its way pleasantly down my throat and push back the fog threatening to enfold my brain. I took a longer draught, then sighed. The Marquis looked back at me, his face tense and tired, his eyes dark with an intensity that sent a complexity of emotions chasing through me like darting starlings. “How did you get ahead of me so fast?” I said. “I don’t understand.” His eyes widened in surprise, as if he’d expected to hear anything but that. “How,” he asked slowly, “did you know I was here? We told no one when I was leaving, or my route, outside of two servants.” “I didn’t know you were here,” I said. “I sent Azmus to you. With the news. About the Merindars. You mean you already knew?” “Let us backtrack a little,” he said, “if you will bear with my lamentable slowness. I take it, then, that you were not riding thus speedily to join me?” With his old sardonic tone he added, “Because if you were, your retreat just now is somewhat puzzling, you’ll have to admit.” I said indignantly, “I peeked in because I thought you might be one of the Merindars, and if so, I’d send a warning back to you. I mean, you if you were there. Does that make sense?” I frowned, shook my head, then gulped down the rest of the coffee. He smiled just slightly, but the intensity had not left his eyes. The serving maid came in, carrying a bowl of food and some fresh bread. “Will you have some as well?” she said to me. “Please,” Shevraeth said before I could speak. “And more coffee.” He waited until she went out, then said, “Now, begin again, please. What is it you’re trying to tell me, and where are you going?” “I’m going to Orbanith,” I said, and forced myself to look away from the steam curling up from the stew at his elbow. My mouth watered. I swallowed and turned my attention to pulling off my sodden gloves. “I guess I am trying to tell you what you already seem to know--that the Merindars are going on the attack, with hired mercenaries from Denlieff. But--why do you want me to tell you when you do already know all this?” I looked up from wringing out my gloves. “I am trying,” he said with great care, “to ascertain what your place is in the events about to transpire, and to act accordingly. From whom did you get your information?” The world seemed to lurch again, but this time it was not my vision. A terrible sense of certainty pulled at my heart and mind as I realized what he was striving so heroically not to say--nevertheless, what he meant. He thought I was on the other side.
Sherwood Smith (Court Duel (Crown & Court, #2))
This is the Presley and Zachary of old times. Two hot-headed and emotional people. Yes, he’s sweet and loving, but he has an angry side. When you poke the bear, he roars loud. Funny thing is that I’m the same. He’s pissed me off by coming here yelling at me.
Corinne Michaels (Say You'll Stay (The Hennington Brothers, #1))
A bunch of the boys were whooping it up in the Malamute saloon; The kid that handles the music-box was hitting a jag-time tune; Back of the bar, in a solo game, sat Dangerous Dan McGrew, And watching his luck was his light-o'-love, the lady that's known as Lou. When out of the night, which was fifty below, and into the din and the glare, There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear. He looked like a man with a foot in the grave and scarcely the strength of a louse, Yet he tilted a poke of dust on the bar, and he called for drinks for the house. There was none could place the stranger's face, though we searched ourselves for a clue; But we drank his health, and the last to drink was Dangerous Dan McGrew.
Robert W. Service (The Shooting of Dan McGrew and Other Poems)
Stop running from me and listen. I do want you. I want you even knowing if I marry you, I’ve got an instant family, complete with a suicidal brother-in-law and a Gypsy houseboy with the temperament of a poked bear.” “Merripen is not a houseboy.” “Call him what you like. He comes with the Hathaways. I accept that.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The cold not only bears down on human bodies, but also bends sound. The forest sits under an inversion, chilled air pooling under a warmer cap. The colder air is like molasses for sound waves, slowing them as they pass, causing them to lag sound travelling in higher, warmer air. The difference in speed turns the temperature gradient into a sound lens. Waves curve down. Sound energy , instead of dissipating in a three dimensional dome, is forced to spread in two dimensions, spilling across the ground, focusing its vigor on the surface. What would have been muffled, distant sounds leap closer, magnified by the jeweler’s icy loupe. The aggressive whine of the snowmobile mingles with the churr and chip of red squirrels and chickadees. Here are modern and ancient sunlight, manifest in the boreal soundscape. Squirrels nipping the buds of fir trees, chickadee poking for hidden seeds and insects, all powered by last summer’s photosynthesis; diesel and gasoline, sunlight squeezed and fermented for tens or hundreds of millions of years, now finally freed in an exultant engine roar. Nuclear fusion pounds its energy into my eardrums, courtesy of life’s irrepressible urge to turn sunlight into song.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
Amelia sent him a sideways glare. "You don't want this. You don't want me. One night can't change the entire course of someone's life." "Of course it can." He reached for her, and Amelia skittered away, passing a mermaid fountain surrounded by stone benches. Cam caught her from behind and jerked her back against him. "Stop running from me and listen. I do want you. I want you even knowing if I marry you, I've got an instant family, complete with a suicidal brother-in-law and a Gypsy houseboy with the temperament of a poked bear." "Merripen is not a houseboy." "Call him what you like. He comes with the Hathaways. I accept that." "They won't accept you," she said desperately. "There's no place for you in our family." "Yes there is. Right by your side.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
You do love to poke the bear, especially if said bear is wearing Armani and twice your age.
Sara Dobie Bauer (Abstract Love)
If you poke a bear once, you may as well keep poking.
Tom Wood (No Tomorrow (Victor the Assassin, #4))
Her eyes widened as he stalked her from across the kitchen. “There is no way I can ignore you – it’s impossible. Just like it would be impossible to stop breathing.” And then, because he figured they were already fighting, he might as well poke the bear a little more. So he grabbed her and kissed her. Hard. Wet. And wild.
Samantha Chase (This Is Our Song (The Shaughnessy Brothers, #4))
That’s when they saw-- SPOOK NUMBER THREE! WH-O-O-O WH-O-O-O-O As the campers and Pa shivered and shook, Sis opened an eye and took a good look. She saw something strange: a yellow hat on a pumpkin head, Pa’s red pajamas and a polka-dot dress that looked exactly like…MAMA’S! “Just having fun!” The voice--it was Mama’s. Then her head poked out of Papa’s pajamas. “Teaching Papa a lesson like this was just too good a chance to miss!” “It’s a double ghost lesson,” said Jane with a grin. “There are no such things! There never have been! “But just as sure as night follows day-- it’s fun to be scared of them anyway!
Stan Berenstain (The Berenstain Bears and the Ghost of the Forest)
Many Horses was putting the finishing touches on a bow he had been making when Hunter entered the tepee. Setting the weapon aside, he fastened his wizened old eyes on his eldest son and pursed his crinkled lips. “You look like you’ve been eating She Who Shakes’s plum pudding and bit into a plum pit.” Hunter was in no mood for jokes. “My woman has my hackles raised.” Sitting cross-legged, he picked up the iron poker next to him and began prodding the charred wood and ashes in his father’s firepit. “One unto the other, with no horizon, that is what she wants! Imagine her setting up a lodge, tanning hides, sewing, cooking, gathering wood, all by herself. And what if she became ill while I was away? Who would tend her? Who would keep her company? The way she believes, if I was gone for a long while, she couldn’t even go to Warrior to seek solace.” “Would you wish for her to?” Hunter gave the ashes a vicious poke, sending up a cloud of gray that made Many Horses cough. The truth was, he couldn’t bear the thought of Loretta with another man. “Right now, I’d give her away to the first man stupid enough to take her.” Many Horses kept silent. “All my children would be--” Hunter rolled his eyes. “Can you see me, surrounded by White Eyes?” “Ah, that is the trouble. She is a White Eyes.” Many Horses nodded and, in a teasing voice, said, “I don’t blame you there. No man could be proud of a son with white blood. He’d be weak and cowardly, a shame to any who claimed him.” Hunter froze and glanced up. The white blood in his own veins was an unspoken truth between him and his father. Never before had Many Horses alluded to it. Many Horses sniffed and rubbed the ash from his nose. “Of course, there are the rare exceptions. I suppose a man could raise a child of mixed blood and teach him to be one of the true People. It would take work, though.
Catherine Anderson (Comanche Moon (Comanche, #1))
One unto the other, with no horizon, that is what she wants! Imagine her setting up a lodge, tanning hides, sewing, cooking, gathering wood, all by herself. And what if she became ill while I was away? Who would tend her? Who would keep her company? The way she believes, if I was gone for a long while, she couldn’t even go to Warrior to seek solace.” “Would you wish for her to?” Hunter gave the ashes a vicious poke, sending up a cloud of gray that made Many Horses cough. The truth was, he couldn’t bear the thought of Loretta with another man. “Right now, I’d give her away to the first man stupid enough to take her.
Catherine Anderson (Comanche Moon (Comanche, #1))
THINGS I DON'T LIKE TO SEE. I'm a modest young man, I'd have you all know, And I can't bear to hear or to see anything low; From a child all my friends could not fail to detect, That my notions were moral and strictly correct. Now some of you, doubtless, may think me an ass, And declare my confession is naught for a farce; Still, to what I have said I'll religiously stick, And, to use a low phrase, stand my ground like a brick. Stop, a few minutes you are able to spare, A bit of my mind I intend to lay bare; Tho' with my way of thinking you'll p'raps not agree, I'll tell you a few things I don't like to see. I don't like to see vulgar girls in the town Pull their clothes up, and stand to be goosed for a crown; Nor a man with light trousers, of decency shorn, Stop and talk to young ladies while having the horn. I don't like to see women wear dirty smocks, Nor a boy of fifteen laid' up with the pox; And I don't like to see, it's a fact by my life— A married man grinding another man's wife. Nor I don't like to see - you'll not doubt it, I beg, A large linseed poultice slip down a man's leg; Nor a gray-headed sinner that's fond of a find. When a girl under twelve he is able to grind. In church, too, believe me, I don't like to see A chap grope a girl while she sits on his knee; Nor a lady whose visage is allover scabs, Nor a young married lady troubled with crabs. Nor I don't like to see, through it's really a lark, A clergyman poking a girl in the park; Nor a young lady, wishing to be thought discreet, Looking in print-shops in Holywell Street. I don't like to see, coming out of Cremorne, A girl with her muslin much crumpled and torn;
Anonymous (The Pearl)
You shouldn’t change your plans for me. For this. You’re a nice person, Sarah. You deserve a good guy who wants a relationship, not a player like me.” Braden had no way of knowing it, but he’d just poked the bear. Being called nice was a slap in the face. I wasn’t just a nice girl who studied hard and baked brownies. I was a multifaceted woman who could make plans and change them when she felt like it. I wasn’t the workaholic, responsible drone my family expected me to be. I had cravings and desires, and one of them was standing in front of me, acting like he knew everything. I wanted to punch him. Then kiss him for a long, long time.
Stacy Travis (The Spark Between Us (Berkeley Hills, #3))
The bear is sleeping. Why poke it with a stick?
Mick Herron (Dead Lions (Slough House, #2))
She knew she had poked a bear and that bear had retaliated last night at the traffic lights. But she also knew she wouldn’t be bullied into backing off.
Angela Marsons (Twisted Lies (DI Kim Stone, #14))
Jake ignored my question. “Who was that first guy you were talkin’ to?” “James. You met him at my house before.” “Why were you talkin’ to him?” “He stopped me to say hi. Why?” “He touched you.” “He tucked my hair behind my ear. It isn’t like it was obscene.” “Not like what Green wanted to do to you. Why the fuck were you talkin’ to him?” His jaw clenched as his body tensed further. “He stopped me. I was politely excusing myself and trying to get away from him.” “That didn’t seem to be workin’, did it? You like what he was sayin’ to you, babe? Like hearin’ him talk about your sweet cunt? Were you thinkin’ about how it would be?” Jake asked crudely, his voice low and rough. “No, what? How what would be?” “Fuckin’ a rock star. Slummin’ it with the lowly mechanic not doin’ it for you anymore?” I stared up at him in wide-eyed disbelief. Fuck it. Poke the bear. I glared at him, my temper rising. “Why are you being a jerk? I’m here with you.” “Oh, so if I wasn’t around? I could leave if that’d make it easier for you to work the room.” He lowered his hands and stepped back. His shoulders were tight as his fists clenched by his sides. “You’re being an ass. Come find me when you calm down.” I shifted to leave but Jake moved back into my space. “James,” he sneered, “tucked your hair behind your ear. Do you know how intimate that is? How it felt to watch that? And Blake? I can’t even go there again. You stood there and let them touch you, Piper. Why?” His hands slammed back on the wall, punctuating the word as his body pressed close to mine. “Jake, I didn’t—” “You don’t care when we don’t see each other. I called you yesterday, fuckin’ hatin’ that I had to cancel, but you were totally fine with it. Christ, you couldn’t even call yourself my woman on the way here. Obviously, you’re still free and available to do what you want.
Layla Frost (Hyde and Seek (Hyde #1))
Poked a juggling bear in the belly. Tried to toggle Tiny Tim’s crutch sideways.
Chris Grabenstein (The Island of Dr. Libris)
Seeker saw something sorrowful in the line of the Queen’s neck and shoulders, but she poked her old rotten hatred up hot and burned whatever scrap of pity might have followed the thought.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
You’re on a roll with bad ideas, so should we stop by the zoo so you can poke a bear?
McKenzie Hunter (Shadowmark (Raven Cursed #4))
Only the newest and stupidest boys would go to Pat with a problem. Or, worse, a cut. She wouldn’t bandage it: she’d poke it with a finger or squirt something into it that hurt twice as much. She wasn’t a sadist, she just seemed “empathy-challenged”. Odd, because she knew about suffering. Pat had many crosses to bear.
Prince Harry (Spare)
Did you have fun tonight?” he asks in a menacing tone as his hand travels up my back until it reaches the nape of my neck. “Fucking around with my cock, trying to make me hard?” “I didn’t have to try,” I say. Not sure why I decide to poke the bear, but I do.
Meghan Quinn (Right Man, Right Time (The Vancouver Agitators, #3))
The story really is short. Nine pages, about a boy who was born with a pair of wings. All his life, people tell him that this means he should try to fly. He’s afraid to. When he finally does, jumps off a two-story roof, he falls. He breaks his legs and wings. He never gets them reset. As he recovers, the bone heals in its misshapen form. Finally, people stop telling him that he must’ve been born to fly. Finally, he’s happy. When Alex comes back out, I’m crying. He asks me what’s wrong. I say, “I don’t know. It just speaks to me.” He thinks I’m making a joke and chuckles along, but for once, I wasn’t referencing the gallery girl who tried to sell us a twenty-one-thousand-dollar bear sculpture. I was thinking about what Julian used to say about art. How it either makes you feel something or it doesn’t. When I read his story, I started crying for a reason I can’t totally explain, not even to Alex. When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn’t be my mom or my dad, and for my whole life, I’d have to walk around inside a body that kept me from ever truly knowing anyone else. It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn’t. “That doesn’t mean there’s anything wrong with feeling that way, though, sweetie!” Mom insisted. “Who else do you think about being?” my dad said with his particular blunt fascination. The fear lessened, but the feeling never went away. Every once in a while, I’d roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else’s brain and see it all. And now I’m crying because reading this story makes me feel for the first time that I’m not in my body. Like there’s some bubble that stretches around me and Alex and makes it so we’re just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered. I’m crying because I’m relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
Emily Henry (People We Meet on Vacation)
Leave it to me to poke the fucking bear.
K.M. Moronova (A God of Death & Rest (Pine Hollow, #2))
He was like the sun. I felt warmer when I was around him, something that spiked into a bittersweet heat every time he looked at me. And he did, over and over.
Sam Hall (Poke the Bear: An Ursa Shifters prequel)
Fuck it. I’m poking this bear. I lean in closer, lowering my voice. “Imagine your cock buried to the hilt inside my cunt, Mars. Then Caleb slides in with his pierced dick, edging you to the point of euphoria. That’s when my pussy will strangle you both, and we all come together in a shaking, sweating pile of arms and legs and dripping cum. That’s DVP.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language... “Feeling a certain kind of way Aoleon?” She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?” Shades of anger and annoyance. The old Aoleon coming out. “I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.” As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair. A very common nervous reaction. “No…I mean…well I was…uh...” “Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing. She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers. “My sight is Dįvįnë, lest we forget. I knew you were growing close.” “Yes. Well…she’s…something else.” “Indeed?” he responded. Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift. “I heard her say something very much the same about you once Aoleon.” “Really?” Aoleon perked up right away. “Did she?” “Yes. After she first met you in fact. Nearly exactly.” Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.” “She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.” “Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness. Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.” Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.” Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.” “So I’ve noticed.” “Why would you hide it? Why not tell me?” “I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.” “Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?” She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not." -Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate
S.H. Robinson
I figure, why poke a sleeping bear when you can kick it in the balls instead? It’s like my grand-father always says: Commit to something for once, you useless sack of shit.
Kiersten White (Mister Magic)
We’re not going to poke the bear. We’re going to fucking bitch slap him.
Kate Stewart (The Finish Line (The Ravenhood, #3))
So, what will you do now?” “We’re going back in.” I sip my wine. “Seriously?” “With the protection and aid of the government, we’re going after them—all of them.. Any we can get to while Monroe is still in office. We’re not going to poke the bear. We’re going to fucking bitch slap him.
Kate Stewart (The Finish Line (The Ravenhood, #3))
To recover an intuitive sense of what will be in season throughout the year, picture a season of foods unfolding as if from one single plant. Take a minute to study this creation—an imaginary plant that bears over the course of one growing season a cornucopia of all the different vegetable products we can harvest. We’ll call it a vegetannual. Picture its life passing before your eyes like a time-lapse film: first, in the cool early spring, shoots poke up out of the ground. Small leaves appear, then bigger leaves. As the plant grows up into the sunshine and the days grow longer, flower buds will appear, followed by small green fruits. Under midsummer’s warm sun, the fruits grow larger, riper, and more colorful. As days shorten into the autumn, these mature into hard-shelled fruits with appreciable seeds inside. Finally, as the days grow cool, the vegetannual may hoard the sugars its leaves have made, pulling them down into a storage unit of some kind: a tuber, bulb, or root. So goes the year. First the leaves: spinach, kale, lettuce, and chard (here, that’s April and May). Then more mature heads of leaves and flower heads cabbage, romaine, broccoli, and cauliflower (May–June). Then tender young fruit-set: snow peas, baby squash, cucumbers (June), followed by green beans, green peppers, and small tomatoes (July). Then more mature, colorfully ripened fruits: beefsteak tomatoes, eggplants, red and yellow peppers (late July–August). Then the large, hard-shelled fruits with developed seeds inside: cantaloupes, honeydews, watermelons, pumpkins, winter squash (August–September). Last come the root crops, and so ends the produce parade. Plainly these don’t all come from the same plant, but each comes from a plant, that’s the point—a plant predestined to begin its life in the spring and die in the fall. (A few, like onions and carrots, are attempting to be biennials, but we’ll ignore that for now.) Each plant part we eat must come in its turn—leaves, buds, flowers, green fruits, ripe fruits, hard fruits—because that is the necessary order of things for an annual plant. For the life of them, they can’t do it differently. Some minor deviations and a bit of overlap are allowed, but in general, picturing an imaginary vegetannual plant is a pretty reliable guide to what will be in season, wherever you live. If you find yourself eating a watermelon in April, you can count back three months and imagine a place warm enough in January for this plant to have launched its destiny.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
Her heart stilled as she looked down and realized she was still naked beneath her cloak. This wouldn’t do! Adara placed her hands over Christian’s on the reins. “Can we stop for a moment?” “Why?” “If we are to enter a village, then I wish to dress.” Christian’s breath caught as an image of Adara’s bare body whipped unbidden through his mind. During their argument, he’d forgotten her state of undress, though how he’d managed that, he couldn’t imagine. Lutian made a cry of surprise as he covered his eyes with one hand. “My queen is naked beneath her clothes? I should go blind should I glimpse her fair beauty.” He split his fingers apart over his eyes to look at her. “Or will I? Mayhap we should test this theory.” “Lutian,” Christian said solemnly. “All people are naked beneath their clothes, and if you glimpse Adara’s flesh, then it is quite possible that you will become blind when I poke out both of your eyes for the affront.” Lutian gave a devilish grin at that as he dropped his hand from his face. “No matter what he says, your prince is jealous of you, my queen. ’Tis a good sign.” Christian scoffed. “I’m not jealous.” “He sounded jealous to me,” Lutian said loudly from behind his hand. “Very jealous.” Christian let out a growl that reminded her of a ferocious bear as he glared at Lutian, who took his surly mood in stride. -Adara, Christian, & Lutian
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
I want trees that are three hundred feet tall, black bear that poke around my stuff, deer that eat out of my hand, and a view that almost brings me to my knees every morning. I want to work just hard enough to afford my life.
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
The stoic says the universe Is leagued to try the sage's virtue. If evil smites you, look for worse, And if it hurts you, let it hurt you. Let Nature, with its crowd of woes, In vain endeavour to defeat us; Impassive, let us bear its blows Like Seneca and Epictetus. I met a stoic in a bar Who argued much for resignation. He pushed the stoic faith so far That he proposed a demonstration. "I'm tough," he said, "and I defy Fate's angry effort to provoke me. I'll take a breath, and any guy Can hit me. Step right up and poke me!" But no one present wanted much A demonstration so heroic. Fell circumstance refused to clutch. I never saw a madder stoic.
Morris Bishop
What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.
Bob Pflugfelder (Nick and Tesla and the High-Voltage Danger Lab: A Mystery with Gadgets You Can Build Yourself ourself)
I honestly wanted to barf. Multiple times. "I wanted to savor every tidbit with Rafael. It was like a good book, one I'd been waiting for and anticipating, and once I'd gotten it in my hands, I couldn't bear to read one single page because that would be one fewer page I would get to read. My dad knocked on my door and poked his head in. "Breakfast, Pipe," he said, and then, looking at my face, he frowned. "What's wrong?" "I don't want to turn his pages!" "Whose pages?" "Never mind. Sorry. I'm fine." Because Raf was a person. Not a book. He didn't have a beginning and an end. It wasn't like I had a set amount of minutes with him, and every minute spent together was a minute gone that I wouldn't get back.
Brodi Ashton (Diplomatic Immunity)
Poking at the memories, at the guilt she felt over her sister, was like prodding a bear that could wake and consume her at any moment.
Shane Arbuthnott (Terra Nova (The Molly Stout Adventures, #2))
Even drunk, I knew better than to poke the bear I was riding on.
Rachel Aaron (Part-Time Gods (DFZ, #2))
Husband?” “I told them we were betrothed.” Cam took her arm in a gentle but adamant grip and guided her around to the other side of the yew, where they could not be observed from the house. “Why?” “Because we are.” “What?” They stopped in the concealment of the hedge. Aghast, Amelia looked up into his warm hazel eyes. “Are you mad?” Taking her hand, Cam lifted it until the ring gleamed in the daylight. “You’re wearing my ring. You slept with me. You made promises. Many in the Rom would say that constitutes full-blown marriage. But just to make certain it’s legal, we’ll do it the way of the gadjos as well.” “We’ll do no such thing!” Amelia snatched her hand from his and backed away. “I’m only wearing this ring because I can’t get the blasted thing off. And what do you mean, I made promises? Were those Romany words you asked me to repeat some kind of vow? You tricked me! I didn’t mean what I said.” “But you did sleep with me.” She flushed in shame and outrage, and dragged a sleeve across her sweating brow. Whirling away from him, she strode rapidly along a graveled path that led deeper into the garden. “That didn’t mean anything, either,” she said over her shoulder. He kept pace with her easily. “It meant something to me. The sexual act is sacred to a Roma.” She made a scornful sound. “What about all the ladies you seduced in London? Was it sacred when you slept with them, too?” “For a while I fell into the impure ways of the gadjo,” he said innocently. “Now I’ve reformed.” Amelia sent him a sideways glare. “You don’t want this. You don’t want me. One night can’t change the entire course of someone’s life.” “Of course it can.” He reached for her, and Amelia skittered away, passing a mermaid fountain surrounded by stone benches. Cam caught her from behind and jerked her back against him. “Stop running from me and listen. I do want you. I want you even knowing if I marry you, I’ve got an instant family, complete with a suicidal brother-in-law and a Gypsy houseboy with the temperament of a poked bear.” “Merripen is not a houseboy.” “Call him what you like. He comes with the Hathaways. I accept that.” “They won’t accept you,” she said desperately. “There’s no place for you in our family.” “Yes there is. Right by your side.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
At the moment, he had the bearing of a drill sergeant. He was channeling his inner grizzly, and we’d poked the bear.
Mary Kate Kopec (Damn, Girl. That Sucks.)
My dear, I have never been able to finish a Russian novel. They are so tiresome. I think there are thousands of characters, and in the end it turns out there are only four or five. Isn't it maddening just when you begin to recognize a man called Alexandre, he's called Sacha, and then Satchka, and later Sachenka, and suddenly something pretentious like Alexandre Alexandrovitch Bunine, and later simply Alexandre Alexandrovitch. The minute you get your bearings, they throw you off the track again. There's no end to it; each character is a whole family in himself.
Ernesto Sabato (El túnel)
Cade: If I pay you more, will you stop texting me about this? Willa: Probably not. I don’t need the money. I’m just easily bored, and poking the bear is fun.
Elsie Silver (Heartless (Chestnut Springs, #2))
Don’t poke the bear, Rachel. Don’t poke the desperately attractive, sexual magnet of a man-bear.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
Natalie, I'm scared. His teeth are showing." Eyes still stuck on Liam, I whispered back, "Well, you poked the bear. Whatever happens next, you're on your own.
Siena Trap (Scoring the Princess (The Remington Royals #1))