Monk Good Morning Quotes

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I have it so good. So absurdly, improbably good. I didn't do anything to deserve it, but I have it. I'm healthy. I've never gone hungry. And yes, to answer your question, I'm- I'm loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it's- it's nothing like what your originals left. It's a good world, a beautiful world. It's not perfect, but we've fixed it so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and... and just... tired, y'know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I'll feel okay. And guess what? I do do it well. I'm good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like... like something's missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I stopped talking to them altogether, because I couldn't explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn't sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
I found Monk at the kitchen table, where he was carefully folding in half a letter that was covered with his typewriter-perfect handwriting. He stuck it in his inside coat pocket. “Good morning, Natalie. Did you sleep well?” “Like I was hibernating,” I said. “You?” “I wrote a letter,” Monk said. It took him twenty minutes to sign his name on a credit card receipt, so I had no doubt it took him most of the night to write an entire letter. “To whom?” “Captain Stottlemeyer,” Monk said. “That’s nice,” I said. “I’m sure he’ll appreciate it.” “I’d like to stop and get it notarized on our way to breakfast,” he said. “You think they have a notary on staff?” “I don’t know,” I said. “But I’m sure a stamp
Lee Goldberg (Mr. Monk Goes to Hawaii (Mr Monk, #2))
I woke up hollow, and … and just … tired, y’know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I’ll feel okay. And guess what? I do do it well. I’m good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like … like something’s missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I just stopped talking to them altogether, because I couldn’t explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn’t sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
I have it so good. So absurdly, improbably good. I didn’t do anything to deserve it, but I have it. I’m healthy. I’ve never gone hungry. And yes, to answer your question, I’m—I’m loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it’s—it’s nothing like what your originals left. It’s a good world, a beautiful world. It’s not perfect, but we’ve fixed so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and … and just … tired, y’know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I’ll feel okay. And guess what? I do do it well. I’m good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like … like something’s missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I just stopped talking to them altogether, because I couldn’t explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn’t sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
You eat one meal a day, only what is given. Through these practices of surrender there grows a ripening of trust as the heart learns to face the mystery of life with patience, faith, and compassion. Monks must go out each morning with a bowl for alms rounds. This is not like street-corner begging. For me, it was one of the most beautiful experiences of my life. Just as the sun rises, you walk across the green rice paddies to small villages with packed earthen lanes. Those who wish to offer alms wait for the monks to come and bow before they offer their food. Even the poorest villages will offer part of their food to make merit and as if to say, “Even though we are poor, we so value what you represent that we give of what little we have so that your spirit may be here in our village, in our community, and in our society.” Alms rounds are done completely in silence. When you receive the food, you can’t say, “Thank you; I appreciate the mango you gave me,” or “Thanks for the fish this morning; it looks really good.” The only response you can make is the sincerity of your heart. After you receive this food, you take it back to support and inspire your practice. When the villagers value the monk’s life and give of the little they have, you must take that. The extraordinary generosity of the village brings a powerful motivation in a monastery. The rules about alms food govern monastic life. Monks are not allowed to keep food overnight or eat anything that’s not put into their hands each morning by a layperson. This means that monks can’t live as hermits up in the mountains far from the world. They must live where people can feed them. This immediately establishes a powerful relationship. You must do something of enough value that they want to feed you. Your presence, your meditation, your dignity, has to be vivid enough so that when you bring your bowl, people want to offer food because that’s the only way you can eat! This creates an ongoing dynamic of offering that goes both ways, from those who are in the process of being initiated in the monastery, and those of the community whom it benefits.
Jack Kornfield (Bringing Home the Dharma: Awakening Right Where You Are)
One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.
Paulo Coelho (The Zahir)
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
I don’t trust mercenaries,” Adara said. “Too often they can be bought by your enemies.” Thomas, Christian, and Phantom laughed at that. “Trust me, my lady,” Christian said, “no one could ever buy their loyalty.” “Many a dead man has made the same claim,” Lutian said from his end of the table. Thomas made a tsking noise. “He’s right about that. I trust Ioan, but some of his men—” “Will die if they betray us,” Phantom said menacingly. He pulled his knife out of the table from where he had embedded it and tested the edge against his fingers. “I’ve sent many a man to his grave for lesser things.” His eerie gaze became intense, almost mad-looking. “Death to any who betray our kinship.” “Aye,” Christian agreed. Suddenly he grimaced, then gasped as if his shoulder were paining him again. Adara went to him immediately. “You should return to bed.” He nodded. “I’ll rest tonight, but we have much to do come morning.” She couldn’t believe he would even suggest such a thing. “Why not stay here a few days so that you can recover?” Christian rubbed his shoulder. “The assassins sent after us won’t wait and I’ve no wish to see the monks here endangered in my fight. Not to mention they wouldn’t think kindly on an army being amassed on holy property.” Her husband did have a point. The Church did tend to frown on warfare. “I still think you need to rest.” He smiled at that as if it amused him. “Good night,” Christian said before he turned and left. Adara followed him. She didn’t speak until he was back in his room, getting into bed. “I’m sorry that I caused your wounds, Christian.” “You didn’t cause my wounds, Adara,” he said as he lay down. “The men wielding swords did that.” -Adara, Christian, Lutian, Thomas, & Phantom
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Wanting to thank him for his gifts, she left the tent to find her husband. He was in the middle of the camp, with knights all around him. She paused as she saw him there. He was again garbed as a black-robed monk, but he had taken time to shave this morning. There was no sign of the sword she knew he had strapped to his hips and she could barely catch a glimpse of his mail-covered leggings beneath it. He was handsome, her prince. More so than any man in the group. He, Phantom, Ioan, Lutian, and three men she knew not at all were standing in a circle as they discussed some matter. Her heart light, she approached her husband from behind. Ioan was speaking. “You know, Abbot, I hear wormwood helps with that problem.” He held his hand up and crooked his finger down as if it were suddenly limp. All the men save Christian laughed, while Christian glared murderously at Lutian. “Look to the good of it,” Phantom said as he sobered. He appeared to be imparting grave advice to her husband. “I hear all men have trouble from time to time with their sexual performance. Mind you, I have no personal experience with that, but…” His voice trailed off as he looked past Christian to see Adara glowering at him. Struggling not to strangle the men who mocked him, Christian turned to see what had disturbed Phantom to find Adara standing behind him. His groin jerked awake at the vision she made in her finery. She was beautiful. The gown fit even better than he had hoped. Unlike her peasant garb, this one laced in the front and at the sides, pulling the cloth into a perfect fit that showed every lush curve of her body. The only thing that sparkled more than her jewels were her brown eyes. “Thank you,” she said softly before she kissed his cheek. “I had a most wondrous night.” Christian was too dumbstruck by his lust to even respond. Lutian bristled at her actions and if she didn’t know better, she’d swear he was jealous. “Nay. Tell me this isn’t so. Why are you kissing him, my queen? It was me. Me. I’m the one who told him what to do. He had no idea how to please you. None. He was lost and confused when he sought me out. He didn’t even know how to do the most basic thing. It was me, all me.” Every man there gaped at Lutian’s words. “Christ’s toes, Christian,” Ioan said in disbelief. “Are you a monk in truth? Don’t tell me you had to take advice from the fool on how to please a woman? You should have come to me. At least I know what I’m doing.” “You can’t be a virgin,” Phantom said. “What about that Norman tart in Hexham? Surely you did more than talk to her when the two of you vanished to her room?” “Nay,” another knight said. “I saw him drunk in Calais with two women.” “Aye,” another knight began. “I was with him in London when he vanished for three days with a widowed countess.” Christian ground his teeth as this conversation quickly degenerated, while Lutian continued to take credit for instructing him on how to please Adara. Lutian still held Adara’s attention. “I’m the one who got him—” Enraged, Christian lunged for the source of his current humiliation. “Christian!” Adara snapped as he seized her fool. “Don’t hurt Lutian.” He wanted to do much more than hurt the fool. He wanted to tear the man’s head from his shoulders. Growling in frustration, he let the fool go. “Thank you, my queen.” “’Tis my place to hurt him.” She glared at her fool and smacked him on his arm. “I fully intend to take this up with you later.” She walked over to Ioan. “And for your information, my lord…” She lifted his hand and put his index and middle finger upright. “I assure you that there is nothing wrong with Christian’s technique or prowess.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
If I had been a Chinese student, Cheng Hao would have shouted all these failings at me, while occasionally whacking me with a wooden staff to emphasize his criticisms. Shaolin’s pedagogical style was profoundly corporal. China has a saying parents often use with their children when they punish them, da shi teng, ma shi ai (smacking is fondness; scolding is love). But I was a foreigner. More important, because he was only nineteen, I was two years older than he was. So he only said, “Good…very good…better…you’re getting better” as I stumbled through the morning.
Matthew Polly (American Shaolin: Flying Kicks, Buddhist Monks, and the Legend of Iron Crotch: An Odyssey in theNe w China)
Your mother will die some day, and you and I will have to die some day, too. Yet My God has never died. Perhaps you haven’t heard clearly the story that tells how He goes on living for ever and ever. In appearance only did He die. But three days after He had died He came to life again and with great pomp He rose up to heaven.” “How often?” the chief asked in a dry tone. Astonished at this unexpected question, the monk answered, “Why . . . why . . . eh . . . once only, quite naturally once only.” “Once only? And has he, your great god, ever returned to earth?” “No, of course not,” Padre Balmojado answered, his voice burdened with irritation. “He has not returned yet, but He has promised mankind that He will return to earth in His own good time, so as to judge and to . . .” “. . . and to condemn poor mankind,” the chief finished the sentence. “Yes, and to condemn!” the monk said in a loud and threatening tone. Confronted with such inhuman stubbornness he lost control of himself. Louder still he continued: “Yes, to judge and to condemn all those who deny Him and refuse to believe in Him, and who criticize His sacred words, and who ignore Him, and who maliciously refuse to accept the true and only God even if He is brought to them with brotherly love and a heart overflowing with compassion for the poor ignorant brethren living in sin and utter darkness, and who can obtain salvation for nothing more than having belief in Him and having the true faith.” Not in the least was the chieftain affected by this sudden outburst of the monk, who had been thrown off routine by these true sons of America who had learned to think long and carefully before speaking. The chieftain remained very calm and serene. With a quiet, soft voice he said: “Here, my holy white father, is what our god had put into our hearts and souls, and it will be the last word I have to say to you before we return to our beautiful and tranquil tierra: Our god dies every evening for us who are his children. He dies every evening to bring us cool winds and freshness of nature, to bring us peace and quiet for the night so that we may rest well, man and animal. Our god dies every evening in a deep golden glory, not insulted, not spat upon, not spattered with stinking mud. He dies beautifully and glori¬ously, as every real god will die. Yet he does not die forever. In the morning he returns to life, refreshed and more beautiful than ever, his body still trailing the veils and wrappings of the dead. But soon his golden spears dart across the blue firmament as a sign that he is ready to fight the gods of darkness who threaten the peoples on earth. And before you have time to realize what happens, there he stands before wondering human eyes, and there he stays, great, mighty, powerful, golden, and in ever-growing beauty, dominating the universe. “He, our god, is a spendthrift in light, warmth, beauty, and fertility, enriching the flowers with perfumes and colors, teaching the birds to sing, filling the corn with strength and health, playing with the clouds in an ocean of gold and blue. As my beloved mother does, so does he give and give and never cease giving; never does he ask for prayers, not expect¬ing adoration or worship, not commanding obedience or faith, and never, never condemning anybody or thing on earth. And when evening comes, again he passes away in beauty and glory, a smile all over his face, and with his last glimmer blesses his Indian children. Again the next morning he is the eternal giver; he is the eternally young, the eternally beautiful, the eternally new-born, the ever and ever returning great and golden god of the Indians. “And this is what our god has put into our hearts and souls and what I am bound to tell you, holy white father: ‘Do not, not ever, beloved Indian sons of these your beautiful lands, give away your own great god for any other god.’ ” ("Conversion Of Some Indians")
B. Traven (The Night Visitor and Other Stories)
A monk's day begins with cleaning. We don't do this because the temple is dirty or messy. We do it to eliminate the suffering in our hearts. We sweep dust to remove our worldly desires. We scrub dirt to free ourselves of attachments. The Zen sect of Buddhism is renowned for the cleaning practices of its monks, but cleaning is greatly valued in Japanese Buddhism in general as a way to "cultivate the mind". Daily housework is an opportunity to contemplate the self. The Japanese idea of not being wasteful is not just about avoiding waste - it also embodies a spirit of gratitude toward objects. People who don't respect objects don't respect people. Cleaning should be done in the morning. Cleaning quietly while the silence envelops you - before other people and plants awaken - refreshes and clears your mind. In the world of Buddhism, reusing items is a standard that guides our day-to-day lives. To remove impurities from your heart, be sure to keep the bathroom sparkling clean. Cleaning is training for staying in the now. Therein lies the reason for being particular about cleanliness. It is important to express gratitude at the changing of the seasons. Only those who do this truly know how to achieve closure in their feelings. In order to remove impurities from the heart, you must reduce wastefulness in your heart. People who endlessly chase after new things have lost their freedom to earthly desires. Only those who can enjoy using their imaginations when working with limited resources know true freedom. It is vital that you get rid of anything that you do not need. Hospitality starts with cleanliness. There is an old Zen teaching that says that if you haven't washed your face, everything you do throughout the day will be impolite and hasty. Succumbing to sleep gluttony is giving in to your wordly desires. Idly sleeping your days away is no way to live. Quite honestly, a life free of possessions is very comfortable. There are some things you start to realize when living the Zen life of simplicity, namely, that you only keep things of good quality. Conversely, if you are surrounded only by poor-quality objects that you don't care about, it is impossible to understand what it is to truly value something. There is an old Zen saying that goes: "Where there is nothing, there is everything." By letting go of everything, you can open up a universe of unlimited possibilities.
Shoukei Matsumoto (A Monk’s Guide to A Clean House & Mind)
the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all."   "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective
R.O. Lane (Johnny Hayes)
Good morning” in Japanese is Ohayo gozaimasu, which literally means “It is early.” Implicit in this expression is, “It is early in the day, and having made it safely thus far, let’s continue to strive for the best.
Shunmyō Masuno (The Art of Simple Living: 100 Daily Practices from a Zen Buddhist Monk for a Lifetime of Calm and Joy)