Elegance Is Refusal Quotes

Elegance is refusal.

I'm not short," Daisy muttered. "Short women are never mysterious, or elegant, or pursued by handsome men. And they're always treated like children. I refuse to be short.

I don’t run for trains.” Snub your destiny. I have taught myself to resist running to keep on schedule. This may seem a very small piece of advice, but it registered. In refusing to run to catch trains, I have felt the true value of elegance and aesthetics in behavior, a sense of being in control of my time, my schedule, and my life. Missing a train is only painful if you run after it! Likewise, not matching the idea of success others expect from you is only painful if that’s what you are seeking. You stand above the rat race and the pecking order, not outside of it, if you do so by choice.

You must give me leave to flatter myself, my dear cousin, that your refusal of my addresses is merely words of course. My reasons for believing it are briefly these: -- It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you. Your portion is unhappily so small that it will in all likelihood undo the effects of your loveliness and amiable qualifications. As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females. (Mr. Collins, after proposing to Elizabeth Bennet and being refused, in Pride and Prejudice.)

We ate, we slept, we formed our kaleidoscopic relationships and marched ever forward. We licked chocolate from our fingers. We arranged flowers in vases. We inspected our backsides when we tried on new clothes. We gave ourselves over to art. We elected officials and complained. We stood up for home runs. We marked life passages in ceremonies we attended with impatience and pride. We reached out for new love when what we had died, confessing our unworthiness, confessing our great need. We felt at times that perhaps we really were visitors from another planet. We occasionally wondered if it was true that each of us was making everything up. But this was a wobbly saucer; this was thinking we could not endure; we went back to our elegant denial of unbreachable isolation, to refusing the lesson of being born alone and dying that way, too. We went back to loving, to eating, to sleeping, to marching and marching and marching along.

I refuse to consider Art a drain-pipe for passion, a kind of chamberpot, a slightly more elegant substitute for gossip and confidences. No, no! Genuine poetry is not the scum of the heart.

Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity. Luxury is the opposite of status. It is the ability to make a living by being oneself. It is the freedom to refuse to live by habit. Luxury is liberty. Luxury is elegance.

I don't want to be looked at and grab attention, that's exhibitionism.. I would rather be seen more for my intelligence, for my elegance, for not being just another girl seeking attention. I don't want to catch someone's eyes because those kind of attention spans are short and easily shifted to the next exhibitionist, I would rather stay in the memory as someone who refused to be a performer yet made an impact.

Hours before his death in 1955 from a ruptured abdominal aortic ayeurysm, Albert Einstein's doctors proposed trying a new and unproven surgery as a final option for extending his life. Einstein refused. "I have done my share," he said. "It is time to go. I will do it elegantly.

Most, I loved James Baldwin's essays. There was to a Baldwin essay a metropolitan elegance I envied, a refusal of the livid. In Baldwin I found a readiness to rise to prophetic wrath, something like those ministers, and yet, once more, to bend down in tenderness, to call grown men and women "baby" (a whiff of the theater). Watching Baldwin on television—I will always consider the fifties to have been a sophisticated time—fixed for me what being a writer must mean. Arching eyebrows intercepted ironies, parenthetically declared fouls; mouthfuls of cigarette smoke shot forth ribbons of exactitude.

In the late Middle Ages the stupefying simplicity of the heliocentric model was used as an argument to discredit the new astronomy. Its elegance was interpreted as naivete...Just as the legendary inquisitor refused to look through Galileo's telescope, so most modern economists refuse to look at an analysis that might displace the conventional centre of their economic system.

To such perseverance in willful self-deception Elizabeth would make no reply, and immediately and in silence withdrew; determined, that if he persisted in considering her repeated refusals as flattering encouragement, to apply to her father, whose negative might be uttered in such a manner as must be decisive, and whose behavior at least could not be mistaken for the affectation and coquetry of an elegant female.

Firewyrms (I refuse to dignify those things by calling them dragons; real dragons should be elegant reptilian predators, not sea slugs with wings that vomit acid).

I don't want to be looked at and grab attention, that's exhibitionism. I would rather be seen more for my intelligence, for my elegance, for not being just another girl seeking attention. I don't want to catch someone's eyes because those kind of attention spans are short and easily shifted to the next exhibitionist, I would rather stay in the memory as someone who refused to be a performer yet made an impact.

determined, if he persisted in considering her repeated refusals as flattering encouragement, to apply to her father, whose negative might be uttered in such a manner as to be decisive, and whose behavior at least could not be mistaken for the affectation and coquetry of an elegant female.

Furthermore, I refuse to be affected by these cheap theatrics!" She gestured to the boiling sky. "Gor!" Shelton covered his eyes with one hand. Dougal instantly went from mad to furious, and the clouds rumbled to life. Yet in that instant, he realized that this tiny little bit of a woman had just reduced centuries of a dramatic and secretive curse to "cheap theatrics." He didn't know whether to rage or laugh, but somehow, looking up into her amazing blue eyes, laughter was beginning to win. "Furthermore," she continued in high dudgeon, "I won't be cowed by a few damned drops of rain!" Shelton groaned loudly. "Law,here it comes now." But it didn't. Instead, a chuckle rippled through Dougal. Sophia appeared outraged. "Are you laughing at me?" "No,sweetheart. I'm laughing at us. We cannot even ride from the field to the house without racing. We're doomed to challenge each other forever,and if we don't have a care, my temper will try the two of us like sausages over a spit." Her lips quivered in response. "I don't particularly care for that image." "I haven't time for elegance, my love. It is getting ready to rain, so sausages are all you'll get.

Dear Francesca, tell me, is this a succesful party, in your view? Is this the best we can do? I know that you have always wanted to meet Kong; now that you have met him and he has said whatever he has said to you (I saw you smiling), can we go home? I mean you to your home, me to my home, all these others to their own homes, cells, cages? I am feeling a little ragged. What made us think that we could escape things like bankruptcy, alcoholism, being dissapointed, having children? Say 'No,' refuse me once and for all, let me try something else. Of course we did everything right, insofar as we were able to imagine what 'right' was. Is it really important to know that this movie is fine, and that one terrible, and to talk intelligently about the difference? Wonderful elegance! No good at all!

Я не знаю, зачем упрекают меня, Что в созданьях моих слишком много огня, Что стремлюсь я навстречу живому лучу И наветам унынья внимать не хочу. Что блещу я царицей в нарядных стихах, С диадемой на пышных моих волосах, Что из рифм я себе ожерелье плету, Что пою я любовь, что пою красоту. Но бессмертья я смертью своей не куплю, И для песен я звонкие песни люблю. И безумью ничтожных мечтаний моих Не изменит мой жгучий, мой женственный стих. I do not know why they reproach me for having too much fire in my poems, for striving to meet the lively sunbeam and refusing to heed the accusations of gloom. For shining like a tsarina in my elegant verses, with a diadem on my opulent hair, for weaving myself a necklace of rhymes, for singing of love, for singing of beauty. I will not buy immortality with my death. And as for songs, I love melodious ones. And the insanity of my petty dreams will be voiced in my passionate, feminine verse. 1898

You already know what you know, after all—and, unless your life is perfect, what you know is not enough. You remain threatened by disease, and self-deception, and unhappiness, and malevolence, and betrayal, and corruption, and pain, and limitation. You are subject to all these things, in the final analysis, because you are just too ignorant to protect yourself. If you just knew enough, you could be healthier and more honest. You would suffer less. You could recognize, resist and even triumph over malevolence and evil. You would neither betray a friend, nor deal falsely and deceitfully in business, politics or love. However, your current knowledge has neither made you perfect nor kept you safe. So, it is insufficient, by definition—radically, fatally insufficient. You must accept this before you can converse philosophically, instead of convincing, oppressing, dominating or even amusing. You must accept this before you can tolerate a conversation where the Word that eternally mediates between order and chaos is operating, psychologically speaking. To have this kind of conversation, it is necessary to respect the personal experience of your conversational partners. You must assume that they have reached careful, thoughtful, genuine conclusions (and, perhaps, they must have done the work tha justifies this assumption). You must believe that if they shared their conclusions with you, you could bypass at least some of the pain of personally learning the same things (as learning from the experience of others can be quicker and much less dangerous). You must meditate, too, instead of strategizing towards victory. If you fail, or refuse, to do so, then you merely and automatically repeat what you already believe, seeking its validation and insisting on its rightness. But if you are meditating as you converse, then you listen to the other person, and say the new and original things that can rise from deep within of their own accord. It’s as if you are listening to yourself during such a conversation, just as you are listening to the other person. You are describing how you are responding to the new information imparted by the speaker. You are reporting what that information has done to you—what new things it made appear within you, how it has changed your presuppositions, how it has made you think of new questions. You tell the speaker these things, directly. Then they have the same effect on him. In this manner, you both move towards somewhere newer and broader and better. You both change, as you let your old presuppositions die—as you shed your skins and emerge renewed. A conversation such as this is one where it is the desire for truth itself—on the part of both participants—that is truly listening and speaking. That’s why it’s engaging, vital, interesting and meaningful. That sense of meaning is a signal from the deep, ancient parts of your Being. You’re where you should be, with one foot in order, and the other tentatively extended into chaos and the unknown. You’re immersed in the Tao, following the great Way of Life. There, you’re stable enough to be secure, but flexible enough to transform. There, you’re allowing new information to inform you—to permeate your stability, to repair and improve its structure, and expand its domain. There the constituent elements of your Being can find their more elegant formation. A conversation like that places you in the same place that listening to great music places you, and for much the same reason. A conversation like that puts you in the realm where souls connect, and that’s a real place. It leaves you thinking, “That was really worthwhile. We really got to know each other.” The masks came off, and the searchers were revealed. So, listen, to yourself and to those with whom you are speaking. Your wisdom then consists not of the knowledge you already have, but the continual search for knowledge, which is the highest form of wisdom.

One of the required courses in school on this new world was the study of creation; the creation of the universe. This was unlike planet earth where many societies refused to teach religion in schools where it was considered a conflict between church and state. Hudson learned about the Divine Creator, as God was referred to in this society. Because students could visit other planets; even other galaxies, they had a much broader insight into the evolution of the universe, and how in fact all things either, animal, vegetable, or mineral were constantly in flux and change; evolving into something new and different over millions of years. All of this; they learned was the plan of the Divine Creator. His elegant universe unfolded exactly as He intended that it should. Hudson knew that he was a part of this evolution and he harbored an intense spiritual belief in the existence of the Creator.

I think you’ve taught him his lesson, Oren.” The young lady pushed the barrel away from Connell’s face. “I don’t think he’ll manhandle me again.” When she gave him a “so-there” look and then raised her chin, a spark of self-pride flamed to life in his gut. His mam had always made sure he knew how to treat a girl, but this was obviously no ordinary girl. “If anyone was doing the manhandling, it was you.” Connell rubbed the sore spot on his forehead. “I didn’t ask you to sit on my lap.” Her eyes widened, revealing a woodsy brown that was as dark and rich as fine-grained walnut. The color matched the thick curls that had come loose from the knitted hat covering her head. Oren stood back, tucked his gun under his arm, and tapped his black derby up. His eyebrows followed suit. The girl opened her mouth to speak but then clamped it shut, apparently at a loss for words. A wisp of satisfaction curled through Connell. After the way she’d let the old man humiliate him, he didn’t mind letting her squirm for a minute. But only for a minute. Mam’s training was ingrained too deeply to wish the girl ill will for more than that. He shoved himself out of the chair and straightened his aching back. “Look,” he said, plucking a last dirty sock from his shoulder. “Can we start over? I’m Connell McCormick.” She hesitated and then tilted her head at him. “And I’m Miss Young.” “I sure hope you’ll forgive me if I’ve caused you any . . . discomfort.” Surprise flitted across her elegant, doelike features. “Well now. With that polite apology, how could I refuse to forgive you?” He gave her a smile and waited. The polite thing for her to do was offer her own apology and perhaps even a thank-you for his attempts to save her from Jimmy Neil. But she only returned the smile, one that curved her lovely full lips in perfect symmetry but didn’t make it into the depths of her eyes.

Dès le premier film, [...] j'avais été fascinée par l'espace de vie japonais et par ces portes coulissantes refusant de pourfendre l'espace et glissant en douceur sur des rails invisibles. Car, lorsque nous ouvrons une porte, nous transformons les lieux de bien mesquine façon. Nous heurtons leur pleine extension et introduisons une brèche malavisée à force de mauvaises proportions. Si on y réfléchit bien, il n'y a rien de plus laid qu'une porte ouverte. Dans la pièce où elle se trouve, elle introduit comme une rupture, un parasitage provincial qui brise l'unité de l'espace. Dans la pièce contiguë, elle engendre une dépression, une fissure béante et néanmoins stupide, perdue sur un bout de mur qui eût préféré être entier. Dans les deux cas, elle perturbe l'étendue sans autre contrepartie que la licence de circuler, laquelle peut pourtant être assurée par bien d'autres procédés. La porte coulissante, elle, évite les écueils et magnifie l'espace. Sans en modifier l'équilibre, elle en permet la métamorphose. Lorsqu'elle s'ouvre, deux lieux communiquent sans s'offenser. Lorsqu'elle se ferme, elle redonne à chacun son intégrité. Le partage et la réunion se font sans intrusion. La vie y est une calme promenade, lors qu'elle s'apparente chez nous à une longue suite d'effractions.

So Einstein refused the surgery, saying, “I want to go when I want. It is tasteless to prolong life artificially. I have done my share, it is time to go. I will do it elegantly.

A short time later, Haganah officers came to take the village from the Irgun. One officer remarked, “All of the killed, with very few exceptions, were old men, women, or children.” He noted, “The dead we found were all unjust victims and none of them had died with a weapon in their hands.” Another Haganah commander sneered, “You are swine,” and ordered his men to surround the militiamen. A tense standoff ensued as the Haganah commanders debated about forcibly disarming the dissidents and shooting them if they refused. At last, the Haganah commander ordered the Irgun to clean the village and bury the dead. They carried the bodies to a rock quarry and set them ablaze. “It was a lovely spring day,” the Haganah commander recorded. “The almond trees were in bloom, the flowers were out, and everywhere there was the stench of the dead, the thick smell of blood, and the terrible odor of the corpses burning in the quarry.”8 The next day, the Haganah commander issued a communiqué: “For a full day Etzel [Irgun] and Lechi [Stern] soldiers stood and slaughtered men, women, and children—not in the course of the operation, but in a premeditated act which had as its intention slaughter and murder only. They also took spoils, and when they finished their work, they fled.” Irgun and Stern leaders denied that any deliberate killings of civilians occurred at Deir Yassin. Menachem Begin noted that they had set up a loudspeaker at the entrance of the village, warning civilians to leave: “By giving this humane warning, our fighters threw away the element of complete surprise, and thus increased their own risk in the ensuing battle. A substantial number of the inhabitants obeyed the warning and they were unhurt. A few did not leave their stone houses—perhaps because of the confusion. The fire of the enemy was murderous—to which the number of our casualties bears elegant testimony. Our men were compelled to fight for every house; to overcome the enemy they used large numbers of hand grenades. And the civilians who had disregarded our warnings suffered inevitable casualties.”9 The Jewish Agency did not accept Begin’s explanation and immediately condemned the killings. Regardless of which view was correct, the events at Deir Yassin would have a more far-reaching impact than anyone could have imagined.

dismantled wombman society says that I am not beautiful because not only is my skin dark but I am black I am black, therefore, I am not smart or elegant or magnificent society says I am nothing anyone wants to be not even other people who share my color but refuse to be black society believes even before I speak I am disregarded abandoned ruined incapable low society thinks I should never speak because if so I am aggressive masculine intimidating society says I should hate myself and those who are like me because they are of no value because only one of us can succeed only one of us can be beautiful society has

You do seem to get on well with her, but I have an advantage, my lord. One you will never be able to compete with.” “An advantage?” “Yes.” Emmie said, feeling a little sorry for him, because he really would not be able to argue the point much further. “I am a female, you see. A girl. Well, a grown woman, but I was a girl, as Bronwyn is.” “You are a female?” The earl looked her up and down, and Emmie felt herself blushing. It was a thorough and thoroughly dispassionate perusal. “Why so you are, but how does this make yours the better guidance?” “There are certain things, my lord…” Emmie felt her blush deepening but refused to capitulate to embarrassment. “Things a lady knows a gentleman will not, things somebody must pass along to a little girl in due course if she’s to manage in this life.” “Things.” The earl’s brow knit. “Things like childbirth, perhaps?” Emmie swallowed, resenting his bluntness even while she admired him for it. “Well, yes. I doubt you’ve given birth, my lord.” “Have you?” he countered, peering down at her. “That is not the point.” “So no advantage to you there, particularly as I have attended a birth or two in my time, and I doubt you’ve managed that either.” “Why on earth would…?” Emmie’s mouth snapped shut before she could ask the obvious, rude, burning question. “I was a soldier,” he said gently. “And war is very hard on soldiers, but even harder on women and children, Miss Farnum. A woman giving birth in a war zone is generally willing to accept the assistance of whomever is to hand, regardless of standing, gender, or even what uniform he wears.” “So you’ve a little experience, but you aren’t going to tell me you’re familiar with the details of a lady’s bodily… well, that is to say. Well.” “Her menses?” The earl looked amused again. “You might have some greater degree of familiarity than I. I will grant that much, but as a man with five sisters, I am far more knowledgeable and sympathetic regarding female lunation than I had ever aspired to be. And surely, these matters you raise—childbirth and courses—they are a ways off for Miss Winnie?” “Bronwyn,” Emmie muttered. Standing so close to him, she could catch the earl’s scent, and it managed to combine both elegance and barbarism. It was spicy rather than floral, but also fresh, like meadows and breezes and cold, fast-running streams. “She answers to Winnie,” he said, “and she got away from you.” “She did.

Lottie left the room, her gown swishing and rustling as she moved. As she descended the grand staircase, she saw Nick waiting in the entrance hall, his body as tense as that of a panther about to strike. His broad-shouldered form was dressed to perfection in the formal scheme of a dark coat, silver waistcoat, and a charcoal silk necktie. With his dark brown hair neatly brushed and his face gleaming from a close shave, he was both virile and elegant. His head turned toward her, and suddenly his narrow-eyed impatience was replaced by an arrested expression. Lottie felt a rush of elation at the look in his eyes. She deliberately took her time about reaching him. “Do I look like a viscountess?” she asked. His lips quirked wryly. “No viscountess I’ve ever seen looks like you, Lottie.” She smiled. “Is that a compliment?” “Oh, yes. In fact…” Nick took her gloved hand and assisted her down the last step. He held her gaze compulsively, his fingers tightening around hers, and he answered her light question with a gravity that stunned her. “You are the most beautiful woman in the world,” he said huskily. “The world?” she repeated with a laugh. “When I say you’re beautiful,” he murmured, “I refuse to qualify the statement in any way. Except to add that the only way you could be more so is if you were naked.” She laughed at his audacity. “I am afraid that you will have to reconcile yourself to the fact that I’m going to remain fully clothed tonight.” “Until after the ball,” he countered. -Lottie & Nick

In my view, Euler's tranquil temperament, fairness, and generosity were integral to his greatness as a mathematician and scientist- he was never inclined to waste time and energy engaging in petty one-upmanship (like his mentor, Johann Bernoulli, who was known for getting into the eighteenth-century version of flame wars with his older brother, mathematician Jakob Bernoulli, and even with his own son, Daniel, over technical disputes), brooding about challenges to his authority (like Newton), or refusing to publish important findings because of the fear that they might be disputed (like Gauss).

From the very first film I saw, Flavour of Green Tea over Rice, I was fascinated by the way the Japanese use space in their lives, and by these doors that slide and move quietly along invisible rails, refusing to offend space. For when we push open a door, we transform a place in a very insidious way. We offend its full extension, and introduce a disruptive and poorly proportioned obstacle. If you think about it carefully, there is nothing uglier than an open door. An open door introduces a break in the room, a sort of provincial interference, destroying the unity of a space. In the adjoining room it creates a depression, an absolutely pointless gaping hole adrift in a section of wall that would have preferred to remain whole. In either case a door disrupts continuity, without offering anything in exchange other than freedom of movement, which could easily be ensured by another means. Sliding doors avoid such pitfalls and enhance space. Without affecting the balance of the room, they allow it to be transformed. When a sliding door is open, two areas communicate without offending each other. When it is closed, each regains its integrity. Sharing and reunion can occur without intrusion. Life becomes a quiet stroll - whereas our life, in the home we have, seems like nothing so much as a long series of intrusions.

As people started to leave, Sherrena and Lora found a quiet spot in the hallway. “I got drama,” Sherrena began. “Drama for your momma! Me and Lamar Richards are going at it again—the man with no legs. He shorted me on my rent this month.” “How much?” Lora’s voice, with soft traces of the island accent, belonged to a librarian. She was older than Sherrena and that night was elegantly dressed in dark slacks, gold earrings, and a layered red blouse. She folded her fur-lined coat on her lap. “Thirty dollars.” Sherrena shrugged. “But that’s not it. It’s the principle….He already owes me two sixty for that bad job for the painting.” When Lamar and the boys had finished painting, he called Sherrena, and she came over. She noticed that the boys had not filled in the holes; had dripped white paint on the brown trim; had ignored the pantry. Lamar said Quentin had not dropped off hole-filler or brown paint. “You’re supposed to go and ask for it, then,” Sherrena snapped back. She refused to credit Lamar a cent toward his debt. “And then,” Sherrena continued, “he did his bathroom floor over without my knowledge and deducted thirty dollars out of the rent.” When painting, Lamar had found a box of tile in Patrice’s old place and had used it to retile his bathroom floor, securing each piece with leftover paint. “I told him, ‘Do not—do not ever deduct any more rent from me ever again!’ Plus, how can you deduct when you owe me?” Lora recrossed her legs. “He’s a player, that’s all he is. Time for him to go….They just try to take, take, take, take, take.” “The thing is”—Sherrena circled back to Lamar’s painting job—“I would have never paid anybody two sixty to do that.” “I can get painting done in five rooms, thirty bucks a room, a hundred and fifty dollars.” “No, no, no. Our people do it for twenty dollars a room, twenty-five at the most.” “Exactly.” “As far as I’m concerned, he still owes the two sixty. Excuse me, now it’s two ninety.” The old friends laughed. It was just what Sherrena needed.

I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.

Sarah wrote to the president himself, Zachary Taylor. He refused. Did that stop Sarah? No! She waited for the next election and wrote to the new president, Millard Fillmore. He said no, too. Did that stop Sarah? No! She was bold, brave, stubborn, and smart. Sarah wrote to the next president, Franklin Pierce. Wouldn’t a national day of thanksgiving be wonderful? No, Pierce grumped. Sarah penned an elegant letter to President James Buchanan. She gave all the reasons why America would be better off if everyone gathered on the fourth Thursday in November to give thanks. President Buchanan disagreed. He had other things on his mind. Sarah felt like the stuffing had been kicked out of her. Everything was going wrong. America was at war, the North against the South. States that had promised to celebrate Thanksgiving changed their mind. The country was falling apart. It was a bleak and scary time. Did that stop Sarah? No way! Nothing stopped Sarah! Superheroes work the hardest when things get tough. She picked up her mighty pen and wrote another letter, this time to President Abraham Lincoln. America needed Thanksgiving, now more than ever. A holiday wouldn’t stop the war, but it could help bring the country together. She signed the letter, folded it, and slid it into an envelope. She wrote Mr. Lincoln’s name and address on the envelope and stuck on a stamp. She mailed the letter. She waited. And she waited. And then… LINCOLN SAID YES! LINCOLN SAID YES!

Another variation of the layer cake we see commonly is one where layers refuse to share input and output types in the name of higher isolation and looser coupling.

It seemed strange to me, to suddenly be so protective of the rights of refusal of a girl I was dying to sink my teeth into, a girl who would probably love to see me crawl and beg and suffer. But I decided on the spot that if I was going to be a monster, I was going to be an elegant one, like my beloved De Lafontaine. There was no sense descending into an animalistic frenzy without the full agreement of my blood donor; there was no art in it, no beauty. And I would die before I sacrificed art and beauty. Life simply wasn't worth living if it wasn't by those principles.