β
I often carry things to read
so that I will not have to look at
the people.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
some moments are nice, some are
nicer, some are even worth
writing
about.
β
β
Charles Bukowski (War All the Time: Poems 1981 - 1984)
β
I want so much that is not here and do not know
where to go.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
people run from rain but
sit
in bathtubs full of
water.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
so it's always a process of letting go, one way or another
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I often stood in front of the mirror alone, wondering how ugly a person could get.
β
β
Charles Bukowski (Ham on Rye)
β
regret is mostly caused by not having
done anything.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
animals never worry about Heaven or Hell. neither do I. maybe that's why we get along
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
The Laughing Heart
your life is your life
donβt let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is a light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you canβt beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
Beware
Those Who
Are ALWAYS
READING
BOOKS
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
Our disappointment sits between us.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I
think that the
world should be full of cats and full of rain, that's all, just
cats and
rain, rain and cats, very nice, good
night.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
when I am feeling
low
all i have to do is
watch my cats
and my
courage
returns
β
β
Charles Bukowski
β
you've got to burn
straight up and down
and then maybe sidewise
for a while
and have your guts
scrambled by a
bully
and the demonic
ladies,
you've got to run
along the edge of
madness
teetering,
you've got to starve
like a winter
alleycat,
you've go to live
with the imbecility
of at least a dozen
cities,
then maybe
maybe
maybe
you might know
where you are
for a tiny
blinking
moment.
β
β
Charles Bukowski (Bone Palace Ballet: New Poems)
β
having nothing to struggle
against
they have nothing to struggle
for.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
Dying should come easy:
like a freight train you
don't hear when
your back is
turned.
β
β
Charles Bukowski (The Flash of Lightning Behind the Mountain: New Poems β Gritty and Inspiring Unpublished Verse by Charles Bukowski)
β
people diminish me;
the longer I sit and listen to them
the more empty I feel but I don't get
the idea that they feel empty, I feel
that they enjoy the sound from their
mouths.
β
β
Charles Bukowski (Bone Palace Ballet: New Poems)
β
the worst thing," he told me,
"is bitterness, people end up so
bitter.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
be it peace or happiness
let it enfold you
β
β
Charles Bukowski
β
and I laugh, I can still laugh, who can't laugh when the whole thing
is so ridiculous
that only the insane, the clowns, the half-wits, the cheaters, the whores, the horseplayers, the bankrobbers, the poets ... are interesting?
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
and love is a word used
too much and
much
too soon.
β
β
Charles Bukowski (The Night Torn Mad With Footsteps)
β
a good book
can make an almost
impossible
existence,
liveable
( from 'the luck of the word' )
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
I tell you such fine music waits in the shadows of hell.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
writing about a writer's block is better than not writing at all
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
when we were kids
laying around the lawn
on our
bellies
we often talked
about
how
we'd like to
die
and
we all
agreed on the
same
thing;
we'd all
like to die
fucking
(although
none of us
had
done any
fucking)
and now
that
we are hardly
kids
any longer
we think more
about
how
not to
die
and
although
we're
ready
most of
us
would
prefer to
do it
alone
under the
sheets
now
that
most of
us
have fucked
our lives
away.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
girls
please give your
bodies and your
lives
to
the young men
who
deserve them
besides
there is
no way
I would welcome
the
intolerable
dull
senseless hell
you would bring
me
and
I wish you
luck
in bed
and
out
but not
in
mine
thank
you.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
she wasn't very
interesting
but few people
are.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
there's no clarity.
there was never meant to be clarity.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
and love was lightning and remembrance
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I could read the great books but the great books don't interest me.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
people see so many movies that when they finally see one not so bad as the others, they think it's great. an Academy Award means that you don't stink quite as much as your cousin.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
the gods seldom
give
but so quickly
take.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
I paid, got up, walked
to the door, opened
it.
I heard the man
say, "that guy's
nuts."
out on the street I
walked north
feeling
curiously
honored.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
she slammed the door and
was gone.
I looked at the closed door
and at the doorknob
and strangely
I didn't feel
alone.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
it does seem
the more we drink
the better the words
go.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
the price of creation
is never
too high.
the price of living
with other people
always
is.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
young or old, good or bad, I don't think anything dies as slow and as hard as a writer.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
It is possible to be truly mad and to still exist upon scraps of life.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
Most people are much better at saying things in letters than in conversation, and some people can write artistic, inventive letters, but when they try a poem or story or novel they become pretentious.
β
β
Charles Bukowski (Women)
β
There is no hurry. Time means nothing
to you.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I was only photographing in words the reality of it all.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
but isn't there always
one good thing
to look back on?
think of
how many cups of coffee we
drank together.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
sometimes it's hard to know
what to
do.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
we
sat there
smoking
cigarettes
at
5
in the morning.
β
β
Charles Bukowski (The Pleasures of the Damned)
β
sometimes when everything seems at
its worst
when all conspires
and gnaws
and the hours, days, weeks
years
seem wasted β
stretched there upon my bed
in the dark
looking upward at the ceiling
i get what many will consider an
obnoxious thought:
itβs still nice to be
Bukowski.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
I feel no grief for being called something
which
I am not;
in fact, it's enthralling, somehow, like a good
back rub
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
great books are the ones we need
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
And it seems people should not build houses anymore
it seems people should stop working and sit in small rooms on second floors
under electric lights
without shades;
it seems there is a lot to forget
and a lot not to do
and in drugstores, markets, bars,
the people are tired, they do not want to move, and I stand there at night
and look through this house and the house does not want to be built
β
β
Charles Bukowski (Love Is a Dog from Hell)
β
I held her
wrists and then I got it through the eyes: hatred,
centuries deep and true. I was wrong and graceless and
sick. all the things I had learned had been wasted.
there was no creature living as foul as I
and all my poems were
false.
β
β
Charles Bukowski
β
the gods play no
favorites.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
now itβs computers and more computers
and soon everybody will have one,
3-year-olds will have computers
and everybody will know everything
about everybody else
long before they meet them.
nobody will want to meet anybody
else ever again
and everybody will be
a recluse
like I am now.
β
β
Charles Bukowski (The Continual Condition: Poems)
β
you are alone, Chinaski, and below the stage the seats are empty. the theatre is dark. why do you keep acting? what a bad habit.
β
β
Charles Bukowski (Come On In!: New Poems)
β
Tell him to seek the stars and he will kill himself with climbing.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
well, death says, as he walks by, I'm going to get you anyhow no matter what you've been: writer, cab-driver, pimp, butcher, sky-diver, I'm going to get you
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
not writing is not good but trying to write when you can't is worse.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
i am with the roots
of flowers
entwined, entombed
sending up my passionate blossoms
as a flight of rockets
and argument;
wine churls my throat,
above me
feet walk upon my brain, monkies fall from the sky
clutching photographs
of the planets,
but i seek only music
and the leisure
of my pain
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
darkness falls upon Humanity
and faces become terrible
things
that wanted more than there
was.
all our days are marked with
unexpected
affronts - some
disastrous, others
less so
but the process is
wearing and
continuous.
attrition rules.
most give
way
leaving
empty spaces
where people should
be.
and now
as we ready to self-destruct
there is very little left to
kill
which makes the tragedy
less and more
much much
more.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
I was fairly poor
but most of my money went
for wine and
classical music.
I loved to mix the two
together.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
I was so thin I could slice bread with my shoulderblades, only I seldom had bread
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
Angels,
we have grown apart.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I found the best thing
I could do
was just to type away
at my own work
and let the dying
die
as they always have.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
you are
yesterday's
bouquet so sadly
raided
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
Ya got cigarettes?β she asks. βYes,β I say,
βI got cigarettes.β βMatches?β she asks.
βEnough to burn Rome.β βWhiskey?β
βEnough whiskey for a Mississippi River
of pain.β βYou drunk?β βNot yet.
β
β
Charles Bukowski
β
all theories
like cliches
shot to hell,
all these small faces
looking up
beautiful and believing;
I wish to weep
but sorrow is
stupid.
I wish to believe but believe is a
graveyard.
we have narrowed it down to
the butcherknife and the
mockingbird
wish us
luck.
β
β
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
β
Those who preach god, need god
Those who preach peace do not have peace
Those who preach love do not have love
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I don't know if this is true to you but for me
sometimes it gets so bad
that anything else
say like
looking at a bird on an overhead
power line
seems as great as a Beethoven symphony.
then you forget it and you're back
again.
β
β
Charles Bukowski (Bone Palace Ballet: New Poems)
β
Love is not a candle burning down. Life is. And love and life are not the same or else Love, having choice, nobody would ever die.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I will put on my shoes and shirt
and get out of here - it'll
be better for
all of us.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I knew that I was dying.
Something in me said,
Go ahead, die, sleep, become as them, accept.
Then something else in me said, no,
save the tiniest bit.
It needn't be much, just a spark.
A spark can set a whole forest on fire.
Just a spark.
Save it.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
I see a bright
portion
under the overhead light
that shades into
darkness
and then into darker
darkness
and I can't see beyond that.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
as long as there are
human beings about
there is never going to be
any peace
for any individual
upon this earth (or
anywhere else
they might
escape to).
all you can do
is maybe grab
ten lucky minutes
here
or maybe an hour
there.
something
is working toward you
right now, and
I mean you
and nobody but
you.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
how can you be true and
kind at the same
time?
how?
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
the world is better without
them.
only the plants and the animals are
true comrades.
I drink to them and with
them.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
I'm only interested in poetry.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
How are his poems?"
"He's not as good as he thinks he is, but then most of us feel that way.
β
β
Charles Bukowski (Hollywood)
β
most days go
nowhere
but the avoidance
of pain and
dissolution are
lovely.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
all people start to
come apart finally
and there it is:
just empty ashtrays in a room
or wisps of hair on a comb
in the dissolving moonlight.
β
β
Charles Bukowski
β
it is so dark now with the sadness of
people
they were tricked, they were taught to expect the
ultimate when nothing is
promised
now young girls weep alone in small rooms
old men angrily swing their canes at
visions as
ladies comb their hair as
ants search for survival
history surrounds us
and our lives
slink away
in
shame.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
when I was a boy I used to dream of becoming
the village idiot.
I used to lie in bed and imagine myself the
happy idiot
able to get food easily
...and easy sympathy,
a planned confusion of not too much love or effort.
some would claim that I have succeeded.
β
β
Charles Bukowski (The Continual Condition: Poems)
β
from the beginning, through the
middle years and up to the
end:
too bad, too bad, too bad.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
when you're young
a pair of
female
high-heeled shoes
just sitting
alone
in the closet
can fire your
bones;
when you're old
it's just
a pair of shoes
without
anybody
in them
and
just as
well.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
That moment - to this ...
may be years in the way they measure,
but it's only one sentence back in my mind -
there are so many days
when living stops and pulls up and sits
and waits like a train on the rails.
I pass the hotel at 8
and at 5; there are cats in the alleys
and bottles and bums,
and I look up at the window and think,
I no longer know where you are,
and I walk on and wonder where
the living goes
when it stops.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
in the cupboard sits my bottle
like a dwarf waiting to scratch out my prayers.
I drink and cough like some idiot at a symphony,
sunlight and maddened birds are everywhere,
the phone rings gamboling its sound
against the odds of the crooked sea;
I drink deeply and evenly now,
I drink to paradise
and death
and the lie of love.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
when Whitman wrote, βI sing the body electricβ
I know what he
meant
I know what he
wanted:
to be completely alive every moment
in spite of the inevitable.
we canβt cheat death but we can make it
work so hard
that when it does take
us
it will have known a victory just as
perfect as
ours
β
β
Charles Bukowski
β
the last cigarettes are smoked, the loaves are sliced,
and lest this be taken for wry sorrow,
drown the spider in wine.
you are much more than simply dead:
I am a dish for your ashes,
I am a fist for your vanished air.
the most terrible thing about life
is finding it gone.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
the people are the biggest
horror show on earth,
have been for
centuries.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
I'll use the knives for spreading
jam, and the gas to warm
my greying love.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
You were destroyed by what you befriended.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
Don't you go to the movies?"
"Mostly just to eat popcorn in the dark.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
one doesn't even think of
the liver
and if the liver
doesn't think of
us, that's
fine.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
about
our argument tonight
whatever it was
about
and
no matter
how unhappy
it made us
feel
remember that
there is a
cat
somewhere
adjusting to the
space of itself
with a delightful
wonderment of
easiness.
in other words
magic persists
without us
no matter what
we do
against it.
β
β
Charles Bukowski (On Cats)
β
then sit down and write
or stand up and
write
but write
no matter what
the other people are
doing,
no matter what
they will do to
you.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
a life can change in a tenth of
a second.
or sometimes it can take
70
years.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
I could never accept
life as it was,
I could never gobble
down all its
poisons
bu there were parts,
tenuous magic parts
open for the
asking.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
when I drive the freeways I see the soul of humanity of
my city and it's ugly, ugly, ugly: the living have choked the
heart
away.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
that your power of command
with simple language was
one of the magnificent things of
our century.
(from the poem: result)
β
β
Charles Bukowski
β
unaccountably we are alone
forever alone
and it was meant to be
that way,
it was never meant
to be any other wayβ
and when the death struggle
begins
the last thing I wish to see
is
a ring of human faces
hovering over meβ
better just my old friends,
the walls of my self,
let only them be there.
I have been alone but seldom
lonely.
I have satisfied my thirst
at the well
of my self
and that wine was good,
the best I ever had,
and tonight
sitting
staring into the dark
I now finally understand
the dark and the
light and everything
in between.
peace of mind and heart
arrives
when we accept what
is:
having been
born into this
strange life
we must accept
the wasted gamble of our
days
and take some satisfaction in
the pleasure of
leaving it all
behind.
cry not for me.
grieve not for me.
read
what Iβve written
then
forget it
all.
drink from the well
of your self
and begin
again.
Mind and Heart
β
β
Charles Bukowski (Come On In!: New Poems)
β
I can see where
creation often
stops while the
body still lives
and often
does not care
to.
the death of life
before life
dies.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
sometimes all we need to be able to continue alone
are the dead
rattling the walls
that close us in.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
the sea is made of blood
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
Sweet Christ, you must know that a man will go further for any poem than for any woman ever born.
β
β
Charles Bukowski
β
I knew exactly what I
was doing: I was
doing nothing.
because I knew there
was nothing
to do.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
nothing's news.
it's the same old thing in
disguise.
only one thing comes without a
disguise and you only see it
once, or
maybe never.
like getting hit by a freight
train.
makes us realize that all our
moaning about long lost girls
in gingham dresses
is not so important
after
all.
β
β
Charles Bukowski (Bone Palace Ballet: New Poems)
β
death is walking
up and down
this room
smoking my cigars
taking hits of my
wine
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
you've got to know when to let a woman go if you want to keep her,and if you don't want to keep her you let her go anyhow so it's always a process of letting go, one way or the other.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
your best men are
drunks and your worst men are
locking them
up,
your best men are killers and
your worst men are
selling them
bullets
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
I didn't know who to
believe
but
one thing I do
know: when a man is
living
many claim relationships
that are hardly
so
and after he dies, well,
then it's everybody's
party.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
I no longer know where you are, and I walk on and wonder where the living goes
when it stops.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
Christmas poem to a man in jail
hello Bill Abbott:
I appreciate your passing around my books in
jail there, my poems and stories.
if I can lighten the load for some of those guys with
my books, fine.
but literature, you know, is difficult for the
average man to assimilate (and for the unaverage man too);
I don't like most poetry, for example,
so I write mine the way I like to read it.
β
β
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
β
there was a soldier in the next room living with his wife and he would soon be going over there to protect me from Hitler so I snapped the radio off and then heard his wife say, "you shouldn't have done that." and the soldier said, "FUCK THAT GUY!" which I thought was a very nice thing for him to tell his wife to do. of course, she never did.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
a bird no one wants. heβs mine. my bird of pain. he doesnβt sing. that bird swaying on the bough.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
I am a joke told
again.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
if I had a book or a drink then I didnβt think too much of other thingsβfools create their own paradise.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
humanity you sick motherfucker.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
of one hundred movies there's one that is fair, one that's good and ninety eight that are very bad. most movies start badly and steadily get worse
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
The dead do not need
aspirin or
sorrow,
I suppose.
but they might need
rain.
not shoes
but a place to
walk.
not cigarettes,
they tell us,
but a place to
burn.
or we're told:
space and a place to
fly
might be the
same.
the dead don't need
me.
nor do the
living.
but the dead might need
each
other.
in fact, the dead might need
everything we
need
and
we need so much
if we only knew
what it
was.
it is
probably
everything
and we will all
probably die
trying to get
it
or die
because we
don't get
it.
I hope
you will understand
when I am dead
I got
as much
as
possible.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I care for you, darling, I love you,
the only reason I fucked L. is because you fucked
Z. and then I fucked R. and you fucked N.
and because you fucked N. I had to fuck
Y. But I think of you constantly, I feel you
here in my belly like a baby, love I'd call it,
no matter what happens I'd call it love, and so
you fucked C. and then before I could move
you fucked W., so I had to fuck D. But
I want you to know that I love you, I think of you
constantly, I don't think I've ever loved anybody
like I love you.
β
β
Charles Bukowski (Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit)
β
Writing is its own intoxication.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned.)
I welcomed shots of
peace, tattered shards of
happiness.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
we are burning like a chicken wing left on the grill of an outdoor barbecue
we are unwanted and burning we are burning and unwanted
we are
an unwanted
burning
as we sizzle and fry
to the bone
the coals of Dante's 'Inferno' spit and sputter beneath
us
and
above the sky is an open hand
and
the words of wise men are useless
it's not a nice world, a nice world it's
not ...
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
donβt be like so many writers,
donβt be like so many thousands of
people who call themselves writers,
donβt be dull and boring and
pretentious, donβt be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
donβt add to that.
donβt do it.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
being alone you decided, was a
magnificent miracle.
nothing else made any
sense at all.
βescape
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
alone tonight in this house, alone with 6 cats who tell me without effort all that there is to know.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
restless days and sleepless nights
always fighting
with all your heart and soul
so as not to fail at living
β
β
Charles Bukowski (Come On In!: New Poems)
β
Poetry is what happens when nothing else can.
("Writing," New Poems Book Three)
β
β
Charles Bukowski
β
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.
β
β
Charles Bukowski
β
What is your advice to young writers?"
"Drink, fuck and smoke plenty of cigarettes."
"What is your advice to older writers?"
"If you're still alive, you don't need any advice."
"What is the impulse that makes you create a poem?"
"What makes you take a shit?
β
β
Charles Bukowski (Hot Water Music)
β
anything,
compared to the people,
is a foundation worth
searching for.
anything.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
When can I see you
again?β
βIn 2 hours or
tomorrow.β
I walked to the door.
You walk like a
poem,β she said.
βSee you in 2
hours,β I told
her.
β
β
Charles Bukowski (The People Look Like Flowers at Last)
β
sleeping in the rain helps me forget things like I am going to
die and you are going to die and the cats are going to die
but it's still good to stretch out and know you have arms
and
feet and a head, hands, all the parts, even eyes to close
once
more, it really helps to know these things, to know your
advantages
and your limitations, but why do the cats have to die, I
think that the
world should be full of cats and full of rain, that's all, just
cats and
rain, rain and cats, very nice, good
night.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
gratuitous masturbation
of the
psyche.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
I often carry things to read so that I will not have to look at the people.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
Living too long takes more than time
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
who put this brain inside of me?
it cries
it demands
it says that there is a chance.
it will not say
"no.
β
β
Charles Bukowski
β
no concept of danger,
reality, flow or
compassion.
you can feel the despair
escaping from their
machines,
their lives as hopeless and
as numbed as yours.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
The Blue Bird
from The Last Night of the Earth Poems
thereβs a bluebird in my heart that
wants to get out
but Iβm too tough for him,
I say, stay in there, Iβm not going
to let anybody see
you.
thereβs a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the whores and the bartenders
and the grocery clerks
never know that
heβs
in there.
thereβs a bluebird in my heart that
wants to get out
but Iβm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to screw up the
works?
you want to blow my book sales in
Europe?
thereβs a bluebird in my heart that
wants to get out
but Iβm too clever, I only let him out
at night sometimes
when everybodyβs asleep.
I say, I know that youβre there,
so donβt be sad.
then I put him back,
but heβs still singing a little
in there, I havenβt quite let him
die
and we sleep together like
that
with our
secret pact
and itβs nice enough to
make a man
weep, but I donβt
weep, do
you?
β
β
Charles Bukowski
β
itβs not the large things that send a man to the madhouse. death heβs ready for, or murder, incest, robbery, fire, flood β¦ no, itβs the continuing series of small tragedies that send a man to the madhouse β¦
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
people are worn away with striving, they hide in common habits. their concerns are herd concerns. few have the ability to stare at an old shoe for ten minutes or to think of odd things like who invented the doorknob? they become unalive because they are unable to pause undo themselves unkink unsee unlearn roll clear. listen to their untrue laughter, then walk away.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
fuck everybody.
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
if it doesnβt come bursting out of you
in spite of everything,
donβt do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
donβt do it.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
We must bring our own light to the darkness. Nobody is going to do it for us.
β
β
Charles Bukowski (Septuagenarian Stew: Stories & Poems)
β
I know a woman
who keeps buying puzzles
chinese
puzzles
blocks
wires
pieces that finally fit
into some order.
she works it out
mathmatically
she solves all her
puzzles
lives down by the sea
puts sugar out for the ants
and believes
ultimately
in a better world.
her hair is white
she seldom combs it
her teeth are snaggled
and she wears loose shapeless
coveralls over a body most
women would wish they had.
for many years she irritated me
with what I considered her
eccentricities-
like soaking eggshells in water
(to feed the plants so that
they'd get calcium).
but finally when I think of her
life
and compare it to other lives
more dazzling, original
and beautiful
I realize that she has hurt fewer
people than anybody I know
(and by hurt I simply mean hurt).
she has had some terrible times,
times when maybe I should have
helped her more
for she is the mother of my only
child
and we were once great lovers,
but she has come through
like I said
she has hurt fewer people than
anybody I know,
and if you look at it like that,
well,
she has created a better world.
she has won.
Frances, this poem is for
you.
β
β
Charles Bukowski (Love Is a Dog from Hell)
β
you are good but you are too emotional
the way to whip life is to quietly frame the agony,study it and put it to sleep in the abstract.
is there anything less abstract
than dying everyday and
on the last day?
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
But you know, my former life as a bibliophile, it possibly kept me from murdering somebody, myself included. it kept me from being an industrialist. it allowed me to endure some women that most men would never be able to live with. it gave me space, a pause. it helped me to write this.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
my poems are only bits of scratching
on the floor of a
cage.
β
β
Charles Bukowski (The Pleasures of the Damned)
β
age is no crime but the shame of a deliberately wasted life among so many deliberately wasted lives is.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
There is a blue bird in my heart that wants to get out.
β
β
Charles Bukowski
β
mainly thinking, well,
I'm still alive
and have the ability to expel wastes from my body
and poems.
and as long as that's happening
I have the ability to handle
betrayal
loneliness
hangnail
clap
and the economic reports in the
financial section.
β
β
Charles Bukowski (Love Is a Dog from Hell)
β
I get the blues for him, for me, for all of us: for want of something to do we keep slaying our small dragons as the big one waits.
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
You women have more holes than swiss cheese.
β
β
Charles Bukowski (Poems and Insults)
β
I walked about naked and barefoot
stepping onto shards of glass
sometimes feeling it
sometimes not.
β
β
Charles Bukowski (War All the Time: Poems 1981 - 1984)
β
you have to accept this reality as the madhouse walls bulge break and the terrified insane flood our ugly streets. you have to accept terrible reality.
β
β
Charles Bukowski (The Flash of Lightning Behind the Mountain: New Poems β Gritty and Inspiring Unpublished Verse by Charles Bukowski)
β
Truth changes as men change, and when truth becomes stable men will become dead, and the insect and the fire and the flood will become truth.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
Although looked down upon, the idiots seemed to have the more peaceful lives: nothing was expected of them.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
beware women grown
old
who were never
anything but
young
β
β
Charles Bukowski (The People Look Like Flowers at Last)
β
I always had this certain
contentment-
I wouldn't call it
happiness-
it was more of an inner
balance
that settled for
whatever was occurring
β
β
Charles Bukowski
β
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
little sun little moon little dog
and a little to eat and a little to love
and a little to live for
in a little room
filled with little
mice
who gnaw and dance and run while I sleep
waiting for a little death
in the middle of a little morning
in a little city
in a little state
my little mother dead
my little father dead
in a little cemetery somewhere.
I have only
a little time
to tell you this:
watch out for
little death when he comes running
but like all the billions of little deaths
it will finally mean nothing and everything:
all your little tears burning like the dove,
wasted.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
they thought that writing had
something to do with
the politics of the
thing.
they were simply not
crazy enough
in the head
to sit down to a
typer
and let the words bang
out.
they didn't want to
write
they wanted to
succeed at
writing.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
I look like a man in a death camp.
I
am.
still, I'm lucky: I feat on solitude, I
will never miss the crowd.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
take a writer away from his typewriter and all you have left is the sickness which started him typing in the beginning.
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
itβs half-past nowhere everywhere.
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
it is a fine sunny day and great matters loom across the horizon of history. Carthage in my rearview mirror, I blend into Time.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
itβs as if he were hiding in there and I want to console him, say: βI am sorry, poor fellow, but creation has its limits.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
then I was a young man a thousand years old, and now I am an old man waiting to be born.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
she wants me to write a love poem but I think if people canβt love each otherβs assholes and farts and shits and terrible parts just like they love the good parts, that ainβt complete love.
β
β
Charles Bukowski (On Love)
β
Early evening traffic was beginning to clog the avenue with cars. The sun slanted down behind him. Harry glanced at the drivers of the cars. They seemed unhappy. The world was unhappy. People were in the dark. People were terrified and disappointed. People were caught in traps. People were defensive and frantic. They felt as if their lives were being wasted. And they were right.
β
β
Charles Bukowski (Septuagenarian Stew: Stories & Poems)
β
Iβll think nice things about my
wife, she looks so small there
under the blanket, a little
lump, thatβs all
(death, you take me first, please)
this lady needs a gentle space of
peace
without me).
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
the bar was the best place to hide in. time came under your control, time to wade in, time to do nothing in. no guru was needed, no god. nothing expected but yourself and nothing lost to the unexpected.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
dear J:
I feel lucky that I didnβt fuck you the first time we met in Houston, but luckier that I didnβt fuck you the last time we met in San Francisco. this is the answer to your letter even though I donβt know if youβll ever read it. the words are yours but Iβll get credit for the poem. you see, it could never have worked, the way I am.
B.
β
β
Charles Bukowski
β
as a very young man I divided an equal amount of time between the bars and the libraries; how I managed to provide for my other ordinary needs is the puzzle; well, I simply didnβt bother too much with thatβ if I had a book or a drink then I didnβt think too much of other thingsβfools create their own paradise.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
invent yourself and then reinvent yourself, change your tone and shape so often that they can never categorize you. reinvigorate
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
Sometimes you make a mistake, taking the wrong poem more often I make the mistake, writing it.
β
β
Charles Bukowski (Love is a Dog from Hell)
β
is there any wonder why the world is where itβs at now? just notice the creature sitting near you in a movie house or standing ahead of you in a supermarket line. or giving a State of the Union Address. that the gods have let us go on this long this badly.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
another hot summer night as I sit here and play at being a writer again. and the worst thing of course is that the words will never truly break through for any of us. some nights I have taken the sheet out of the typer and held it over the cigarette lighter, flicked it and waited for the result.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
Yawn...
I believe that I love sleep
much more than anybody Iβve ever
met.
I have the ability to sleep for
2 or 3 days and
nights.
I will go to bed at any given
moment.
I often confused my girlfriends
this wayβ
say it would be about onethirty
in the afternoon:
βwell, Iβm going to bed now, Iβm
going to sleepβ¦β
most of them wouldnβt mind, they
would go to bed with me
thinking I was hinting for
sex
but I would just turn my back
and snore off.
this, of course, could explain
why so many of my girlfriends
left me.
as for doctors, they were never
any help:
βlisten, I have this desire to
go to bed and sleep, almost all
the time.
what is wrong with
me?β
βdo you get enough exercise?β
βyesβ¦β
βare you getting enough
nourishment?β
βyesβ¦β
they always handed me a
prescription
which I threw away
between the office and the
parking lot.
itβs a curious malady
because I canβt sleep between
6 p.m. and midnight.
it must occur after
midnight
and when I arise
it can never be
before noon.
and should the phone ring
say at 10:30 a.m.
I go into a mad rage
donβt even ask who the caller
is
scream into the
phone: βWHAT ARE YOU
CALLING ME FOR AT THIS
HOUR!β
hang
upβ¦
every person, I suppose, has
their eccentricities
but in an effort to be
normal
in the worldβs
eye
they overcome them
and therefore
destroy their
special calling.
Iβve kept mine
and do believe that
they have lent generously to
my existence.
I think itβs the main reason I
decided to become a
writer: I can type
anytime and
sleep
when I damn well
please.
β
β
Charles Bukowski
β
often it takes a lifetime to learn how to
react to certain critical situations.
it's worth waiting for the arrival of maturity
and confidence.
try it sometime and see how delightful it is to feel powerful and
alive.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
Still afraid of pain behind my four-day beard.
β
β
Charles Bukowski (Poems: Charles Bukowski (a collection of poems))
β
people who believe in politics are like people who believe in god: they are sucking wind through bent straws. there
β
β
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
β
They had been afraid of the man with the beautifil eyes. And we were afraid then that all troughout our lives things like that would happen, that nobody wanted anybody to be strong and beautiful like that, that others will never allow it, and that many people will have to die.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
donβt do it.
unless the sun inside you is
burning your gut,
donβt do it.
when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.
there is no other way.
and there never was.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
burning in hell
this piece of me fits in nowhere as other people find things
to do
with their time
places to go
with one another
things to say
to each other.
Iam
burning in hell
some place north of Mexico. flowers donβt grow here.
I am not like
other people
other people are like other people.
they are all alike: joining grouping huddling
they are both gleeful and content andIam
burning in hell.
my heart is a thousand years old.
I am not like other people.
Iβd die on their picnic grounds smothered by their flags slugged by their songs unloved by their soldiers gored by their humor murdered by their concern.
I am not like other people. Iam
burning in hell.
the hell of myself.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
I went into the men's room and stared in the mirror at my face in disgust. I looked like I knew something, but it was a lie, I was a fake and there's nothing worse in the world than when a man suddenly realizes and admits to himself that he's a phoney, after spending all his time up to then trying to convince himself that he wasn't. I stared at all the sinks and pipes and bowls and I felt like them, worse than them: I'd rather be them.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
What is your advice to young writers?β βDrink, fuck and smoke plenty of cigarettes.β βWhat is your advice to older writers?β βIf youβre still alive, you donβt need any advice.β βWhat is the impulse that makes you create a poem?β βWhat makes you take a shit?β βWhat do you think of Reagan and unemployment?β βI donβt think of Reagan or unemployment.
β
β
Charles Bukowski (Hot Water Music: Charles Bukowski's Classic Dirty Realism β Raw Beat Generation Stories of Working-Class Life)
β
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, itβ all right,
go ahead, enter their lives, Iβ not jealous
because weβ never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame ββ not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, theyβ told
us, but listening to you I wasnβ sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, β her, print her, sheβ mad but sheβ
magic. thereβ no lie in her fire.β I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didnβ happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didnβ help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.
β
β
Charles Bukowski
β
you know, Iβve either had a family, a job,
something has always been in the
way
but now
Iβve sold my house, Iβve found this
place, a large studio, you should see the space and
the light.
for the first time in my life Iβm going to have
a place and the time to
create.β
no baby, if youβre going to create
youβre going to create whether you work
16 hours a day in a coal mine
or
youβre going to create in a small room with 3 children
while youβre on
welfare,
youβre going to create with part of your mind and your body blown
away,
youβre going to create blind
crippled
demented,
youβre going to create with a cat crawling up your
back while
the whole city trembles in earthquake, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and donβt create anything
except maybe a longer life to find
new excuses
for.
β
β
Charles Bukowski (The Last Night of the Earth Poems)
β
shot in the eye
shot in the brain
shot in the ass
shot like a flower in the dance
amazing how death wins hands down
amazing how much credence is given to idiot forms of
life
amazing how laughter has been drowned out
amazing how viciousness is such a constant
I must soon declare my own war on their war
I must hold to my last piece of ground
I must protect the small space I have made that has
allowed me life
my life not their death
my death not their death
this place, this time, now
I vow to the sun
that I will laugh the good laugh once again
in the perfect place of me
forever.
their death not my life.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
THE ALIENS
from The Last Night Of The Earth Poems
you may not believe it
but there are people
who go through life with
very little
friction of distress.
they dress well, sleep well.
they are contented with
their family
life.
they are undisturbed
and often feel
very good.
and when they die
it is an easy death, usually in their
sleep.
you may not believe
it
but such people do
exist.
but i am not one of
them.
oh no, I am not one of them,
I am not even near
to being
one of
them.
but they
are there
and I am
here.
β
β
Charles Bukowski (The People Look Like Flowers at Last)
β
downers some people grind away making their unhappiness the ultimate factor of their existence until finally they are just automatically unhappy, their suspicious upset snarling selves grinding on and at and for and through their only relief being to meet another unhappy person or to create one.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
A. Huxley died at 69, much too early for such a fierce talent, and I read all his works but actually Point Counter Point did help a bit in carrying me through the factories and the drunk tanks and the unsavory ladies. that book along with Hamsunβs Hunger they helped a bit. great books are the ones we need.
β
β
Charles Bukowski (The Last Night of the Earth Poems: A Poetry Collection on Writing, Death, and City Life)
β
she died of alcoholism
wrapped in a blanket
on a deck chair
on an ocean
steamer.
all her books of
terrified loneliness
all her books about
the cruelty
of loveless love
were all that was left
of her
as the strolling vacationer
discovered her body
notified the captain
and she was quickly dispatched
to somewhere else
on the ship
as everything
continued just
as
she had written it.
β
β
Charles Bukowski (The Pleasures of the Damned)
β
his is the last poem of any number of poems
tonight, thereβs
one drink of wine left
and both of those guys
they are asleep across the top of my feet.
I can feel the gentle weight of them
the touch of fur
I am aware of their breathing:
good things happen often, remember that
as the Bombs trundle out in their magnificent
dumbness
these
at my feet
know more,
are
more,
and instants of the moments explode
larger
and a lucky past
can never be
killed.
β
β
Charles Bukowski (On Cats)
β
You think of killing him
on the spot
but discard that thought and
leave,
down into the urine-stinking
elevator,
they have you crucified too,
America at work,
where they rip out your intestines
and your brain and your
will and your spirit.
They suck you dry, then throw
you away.
The capitalist system.
The work ethic.
The profit motive.
The memory of your fatherβs words,
βwork hard and youβll be
appreciated.β
of course, only if you make
much more for them than they pay
you.
β
β
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
β
Coming in from the factory or warehouse, tired enough, there seemed little use for the night except to eat, sleep and then return to the menial job. But there was the typewriter waiting for me in those many old rooms with torn shades and worn rugs, the tub and toilet down the hall, and the feeling in the air of all the losers who had proceeded me. Sometimes the typewriter was there when the job wasn't and the food wasn't and the rent wasn't. Sometimes the typer was in hock. Sometimes there was only the park bench. But at the best of times there was the small room and the machine and the bottle. The sound of the keys, on and on, and shouts: 'HEY! KNOCK THAT OFF, FOR CHRIST'S SAKE! WE'RE WORKING PEOPLE HERE AND WE'VE GOT TO GET UP IN THE MORNING!' With broom sticks knocking on the floor, pounding coming from the ceiling, I would work in a last few lines...
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
What kind of shit was I? I could certainly play some nasty, unreal games. What was my motive? Was I trying to get even for something? Could I keep on telling myself that it was merely a matter of research, a simple study of the female? I was simply letting things happen without thinking about them. I wasn't considering anything but my own selfish, cheap pleasure. I was like a spoiled high school kid. I was worse than any whore; a whore took your money and nothing more. I tinkered with lives and souls as if they were playthings. How could I call myself a man? How could I write poems? What did I consist of? I was a bush-league de Sade, without his intellect. A murderer was more straightforward and honest than I was. Or a rapist. I didn't want my soul played with, mocked, pissed on; I knew that much at any rate. I was truly no good. I could feel it as I walked up and down on the rug. No good. The worst part of it was that I passed myself off for exactly what I wasn't - a good man. I was able to enter people's lives because of their trust in me. I was doing my dirty work the easy way. I was writing The Love Tale of the Hyena.
β
β
Charles Bukowski (Women)
β
The Genius Of The Crowd
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day
and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace
those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love
beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock
their finest art
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
love poem to a stripper 50 years ago I watched the girls shake it and strip at The Burbank and The Follies and it was very sad and very dramatic as the light turned from green to purple to pink and the music was loud and vibrant, now I sit here tonight smoking and listening to classical music but I still remember some of their names: Darlene, Candy, Jeanette and Rosalie. Rosalie was the best, she knew how, and we twisted in our seats and made sounds as Rosalie brought magic to the lonely so long ago. now Rosalie either so very old or so quiet under the earth, this is the pimple-faced kid who lied about his age just to watch you. you were good, Rosalie in 1935, good enough to remember now when the light is yellow and the nights are slow.
β
β
Charles Bukowski (Run With The Hunted: A Charles Bukowski Reader β The Best Novels, Stories, and Poems from a Harrowing and Exhilarating Life)
β
And when you write a poem within the accepted poem-form, making it sound like a poem because a poem is a poem is a poem, you are saying βgood morningβ in that poem, and well, your morals are straight and you have not said SHIT, but wouldnβt it be wonderful if you couldβ¦instead of sweating out the correct image, the precise phrase, the turn of a thoughtβ¦simply sit down and write the god damned thing, throwing on the color and sound, shaking us alive with the force, the blackbirds, the wheat fields, the ear in the hand of the whore, sun, sun, sun, SUN!; letβs make poetry the way we make love; letβs make poetry and leave the laws and the rules and the morals to the churches and the politicians; letβs make poetry the way we tilt the head back for the good liquor; let a drunken bum make his flame, and some day, Robert, Iβll think of you, pretty and difficult, measuring vowels and adverbs, making rules instead of poetry.
β
β
Charles Bukowski (Living on Luck)
β
Yes, I know what you mean about writing and writers. We seem to have lost the target. Writers seem to write to be known as writers. They donβt write because something is driving them toward the edge. I look back at when Pound, T. S. Eliot, e. e. Cummings, Jeffers, Auden, Spender were about. Their work cracked right through the paper, set it on fire. Poems became events, explosions. There was a high excitement. Now, for decades there has seemed to be this lull, almost a practiced lull, as if dullness indicated genius. And if a new talent came along it was only a flash, a few poems, a thin book and then he or she was sanded down, ingested into the quiet nothingness. Talent without durability is a god damned crime. It means they went to the soft trap, it means they believed the praise, it means they settled short. A writer is not a writer because he has written some books. A writer is not a writer because he teaches literature. A writer is only a writer if he can write now, tonight, this minute. We have too many x-writers who type. Books fall from my hand to the floor. They are total crap. I think we have just blown away half a century to the stinking winds. Yes,
β
β
Charles Bukowski (On Writing)
β
not much chance,
completely cut loose from
purpose,
he was a young man
riding a bus
through North Carolina
on the way to somewhere
and it began to snow
and the bus stopped
at a little cafe
in the hills
and the passengers
entered.
he sat at the counter
with the others,
he ordered and the
food arrived.
the meal was
particularly
good
and the
coffee.
the waitress was
unlike the women
he had
known.
she was unaffected,
there was a natural
humor which came
from her.
the fry cook said
crazy things.
the dishwasher.
in back,
laughed, a good
clean
pleasant
laugh.
the young man watched
the snow through the
windows.
he wanted to stay
in that cafe
forever.
the curious feeling
swam through him
that everything
was
beautiful
there,
that it would always
stay beautiful
there.
then the bus driver
told the passengers
that it was time
to board.
the young man
thought, I'll just sit
here, I'll just stay
here.
but then
he rose and followed
the others into the
bus.
he found his seat
and looked at the cafe
through the bus
window.
then the bus moved
off, down a curve,
downward, out of
the hills.
the young man
looked straight
forward.
he heard the other
passengers
speaking
of other things,
or they were
reading
or
attempting to
sleep.
they had not
noticed
the
magic.
the young man
put his head to
one side,
closed his
eyes,
pretended to
sleep.
there was nothing
else to do -
just to listen to the
sound of the
engine,
the sound of the
tires
in the
snow."
- Charles Bukowski, "Nirvana
β
β
Charles Bukowski (The Last Night of the Earth Poems)