“
Life, a good life, a great life is about "Why not?" May we never forget it.
”
”
Danielle Steel (Happy Birthday)
“
Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly.
"Fo' shiz," he replies in his polite English accent.
I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly.
Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much."
"You oughtn't to have said that. Now I shall have to save it for special occasions."
"My birthday is in February." Cough choke wheeze. "Please don't forget.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Love is like the little red toy wagon you get for your Christmas or your sixth birthday. It makes you deliriously happy and you just can't leave it alone. But sooner or later the wheels come off. Then you leave it in a corner and forget it. Falling in love is great. Being in love is a disaster
”
”
Mario Puzo (Fools Die)
“
We Woosters do not lightly forget. At least, we do - some things - appointments, and people's birthdays, and letters to post, and all that - but not an absolutely bally insult like the above.
”
”
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
“
When's your birthday?"
I was taken aback by the question. "I don't like presents,"I said quickly, in case he got any ideas. "Who said anything about presents? I'm just asking for your date of birth."
"Thirtieth of February," I said, throwing out the first date that came to mind.
Xavier raised an eyebrow.
"Are you sure about that?"
I panicked. What had I said wrong? I ran through the months in my head and realised my mistake. OOPS--there were only twenty-eight days in February! "I mean thirtieth of April," I corrected and grinned sheepishly.
Xavier laughed. "You're the first person I've ever known to forget her own birthday.
”
”
Alexandra Adornetto (Halo (Halo, #1))
“
And now," he continued, speaking to Milo, "where were you on the night of July 27?"
"What does that have to do with it?" asked Milo.
"It's my birthday, that's what," said the policeman as he entered "Forgot my birthday" in his little book. "Boys always forget other people's birthdays.
”
”
Norton Juster (The Phantom Tollbooth)
“
Treat your career like a bad boyfriend. Here's the thing. Your career won't take care of you. It won't call you back or introduce you to its parents.Your career will openly flirt with other people while you are around. It will forget you birthday and wreck your car. Your career will blow you off if you call it too much. It's never going to leave its wife.Your career is fucking other people and everyone knows but you. Your career will never marry you. (...) If your career is a bad boyfriend, it is healthy to remember you can always leave and go sleep with somebody else
”
”
Amy Poehler (Yes Please)
“
I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.
”
”
Donna Tartt (The Goldfinch)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
”
”
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
“
Christmas Amnesty. You can fall out of contact with a friend, fail to return calls, ignore e-mails, avoid eye contact at the Thrifty-Mart, forget birthdays, anniversaries, and reunions, and if you show up at their house during the holidays (with a gift) they are socially bound to forgive you—act like nothing happened. Decorum dictates that the friendship move forward from that point, without guilt or recrimination. If you started a chess game ten years ago in October, you need only remember whose move it is—or why you sold the chessboard and bought an Xbox in the interim. (Look, Christmas Amnesty is a wonderful thing, but it’s not a dimensional shift. The laws of time and space continue to apply, even if you have been avoiding your friends. But don’t try using the expansion of the universe an as excuse—like you kept meaning to stop by, but their house kept getting farther away. That crap won’t wash. Just say, “Sorry I haven’t called. Merry Christmas” Then show the present. Christmas Amnesty protocol dictates that your friend say, “That’s okay,” and let you in without further comment. This is the way it has always been done.)
”
”
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
“
This is..."
"You completely forgot what day it is, didn't you?"
"Eh?"
"It's your birthday!!"
"Huh... It is? Oh!"
"Idiot!
”
”
Shizuru Seino (Love Attack, Volume 1)
“
Oh, Kendra, before I forget, Gavin asked me to give you this letter." He held out a gray, speckled envelope.
"Happy birthday to you!" Seth exclaimed, his voice full of implications.
Kendra tried not to blush as she tucked the envelope away.
"Dear Kendra," Seth improvised, "you're the only girl who really gets me, you know, and I think you're very mature for your age--"
"What about some cake?" Grandma interrupted, holding the first piece out to Kendra and glaring at Seth.
”
”
Brandon Mull
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
”
”
Nina LaCour (We Are Okay)
“
Marriage is the alliance of two people, one of whom never remembers birthdays and the other who never forgets them.
”
”
Ogden Nash
“
Listen, I don’t give a fuck if you forget my birthday. I don’t need people reminding me I’m closer to death.
”
”
Justin Halpern
“
I merely called for my hat and stick in a marked manner and legged it. But the memory rankled, if you know what I mean. We Woosters do not lightly forget. At least, we do - some things - appointments, and people's birthdays, and letters to post, and all that - but not an absolute bally insult like the above. I brooded like the dickens.
”
”
P.G. Wodehouse
“
You won't always spoil her .or treat her like a princess.You won't tell her she's beautiful everyday.You won't make her smile every night and you won't always want her the way you do now.That fades.Those giddy little stomach flutters fade and you're then left with reality.There will be day's you will forget to tell her she's beautiful,even though she needs to hear it.There will be days you'll to say i love you.There will be days you'll forget a birthday or an anniversary.There will be a time when she will walk past you and you won;t want to ravish her, the way you do now.Those things fade, and when they do, what's left is what's truly worth fighting for Love isn't always beautiful, heck,it's not even close to being perfect half the time,feelings change, the spark dies down and what you're left with is something you either chose to fight for you don't When you know that even through those things are gone,you're still willing to fight for every breath ,then you know the love is real.
”
”
Bec Botefuhr (Racing for Freedom)
“
I have found in most relationships with women it is best to remember their birthdays but forget their age.
”
”
Craig Johnson (Divorce Horse (Walt Longmire, #7.1))
“
You can forget ya keys or ya wallet, the first girl ya kissed, hell- even my birthday, but you'll never forget me.
”
”
Brian Azzarello (100 Bullets, Vol. 4: A Foregone Tomorrow)
“
You can’t be selfish. But we men-it’s a wonder we forget ourselves long enough to buy a birthday card. As for love... we can love, but we’re always forgetting.
”
”
Tobias Wolff (Our Story Begins: New and Selected Stories)
“
Ok, fine,” he says. But then he adds, “Just tell her not to forget to pick up all her clothes off the floor when she gets out of the shower with you, okay?” My eyes go wide, my mouth falls open, and I bury my face in Pike’s body just in time to stifle my laughter. Oh, shit.
”
”
Penelope Douglas (Birthday Girl)
“
In a way, watching an attractive, potentially dangerous guy play guitar is a little like watching a tiger agree to do tricks for his trainer. You know that they could just turn and kill you. But you're so flattered and pleased that instead they agreed to stand on a decorative box and wave and count for the crowd that for a while you forget how big the scary part of them really is.
”
”
Merrill Markoe (It's My F---ing Birthday)
“
In a world of seven billion people, where every inch of land has been mapped, much of it developed, and too much of it destroyed, the sea remains the final unseen, untouched, and undiscovered wilderness, the planet’s last great frontier. There are no mobile phones down there, no e-mails, no tweeting, no twerking, no car keys to lose, no terrorist threats, no birthdays to forget, no penalties for late credit card payments, and no dog shit to step in before a job interview. All the stress, noise, and distractions of life are left at the surface. The ocean is the last truly quiet place on Earth.
”
”
James Nestor (Deep: Freediving, Renegade Science, and What the Ocean Tells Us about Ourselves)
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
I imagine lives that feel distant from mine monolithically. I oversimplify. I forget that everyone has birthdays.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
I’m not trying to take Jamie’s place or erase his memory or make you forget that you loved him. I’m just trying to explore this thing between us.
”
”
Devney Perry (The Birthday List (Maysen Jar, #1))
“
They forget that human beings, while whining after the simple life, thrive on complexity.
”
”
Ursula K. Le Guin (The Birthday of the World and Other Stories (Hainish Cycle, #9))
“
I read it twice, then I said, "Well, why don't you?"
"Why don't I what?"
"Why don't you wish her many happy returns? It doesn't seem much to ask."
"But she says on her birthday."
"Well, when is her birthday?"
"Can't you understand?" said Bobbie. "I've forgotten."
"Forgotten!" I said.
"Yes," said Bobbie. "Forgotten."
"How do you mean, forgotten?" I said. "Forgotten whether it's the twentieth or the twenty-first, or what? How near do you get to it?"
"I know it came somewhere between the first of January and the thirty-first of December. That's how near I get to it.
”
”
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
“
That was before I learned that life won't give you reasons for none of it, that sometimes fathers disappear and little girls don't make it to another birthday and mothers forget to be mothers.
”
”
Leila Mottley
“
That was before I learned that life won’t give you reasons for none of it, that sometimes fathers disappear and little girls don’t make it to another birthday and mothers forget to be mothers.
”
”
Leila Mottley (Nightcrawling)
“
Since you've been gone, Piper, I've become as bad with the sighing as Mom. Sometimes it's the part of a sob that I jsut can't hold back. Sometimes the sigh's more like blowing out birthday candles to make a wish. And sometimes I do it hoping that it'll make you appear—even for just one instant—to laugh at me and tell me to stop.
”
”
Kate Karyus Quinn ((Don't You) Forget About Me)
“
The worst part is, you know they're not going to be together forever. I mean, come on, she's fifteen. Okay, sixteen. Still. It's not like they're going to get married or anything. Even if they last a couple of years which they won't she'll go to one college and he'll go to another, and pretty soon they'll forget all about each other. That's what always happens. That's why teenage dating is so dumb, because it's doomed to fail. You'd think people would have learned that by now, but I guess they haven't. They go right on falling in love and thinking it's going to survive high school. Allie and Burke, true love always. Whatever.
Anyway, happy birthday, Allie. I hope it was a good one.
”
”
Michael Thomas Ford (Suicide Notes)
“
Real people have trouble with long division if they don’t have a calculator, sometimes forget their spouse’s birthday, and have a hangover on New Year’s Day.
”
”
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
“
Lying awake, I tried to recall all my best memories of her – to freeze her in my mind so I wouldn’t forget her – but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket.
”
”
Donna Tartt (The Goldfinch)
“
You won’t manage, you’ll forget me; but if after a year, alas, more perhaps, a sad text, a death, or a rainy evening reminds you of me, you can offer me some altruism! I will never, never be able see you again . . . except in my soul, and this would require that we think about each other simultaneously. I’ll think about you forever so that my soul remains open to you endlessly in case you feel like entering it. But the visitor will keep me waiting for a long time! The November rains will have rotted the flowers on my grave, June will have burned them, and my soul will always be weeping impatiently. Ah! I hope that someday the sight of a keepsake, the recurrence of a birthday, the bent of your thoughts will guide your memory within the circle of my tenderness. It will then be as if I’ve heard you, perceived you, a magic spell will cover everything with flowers for your arrival. Think about the dead man. But, alas! Can I hope that death and your gravity will accomplish what life with its ardors, and our tears, and our merry times, and our lips were unable to achieve?
”
”
Marcel Proust (Pleasures and Days)
“
I think it is a sad tragedy that in this world, we so many times forget a person when they are alive and only remember them when they are gone. Far better to remember them when you can see their face and hear their voice and cherish the person rather than just cherish a memory.
”
”
Heather Wolf (Kipnuk Visits Sea Isle)
“
She was looking at him steadily; he however, found it difficult to look back at her; it was like gazing into a brilliant light.
Nice view, he said feebly, pointing toward with window.
She ignored this. He could not blame her.
I couldn't think what to get you, she said.
You didn't have to get me anything.
She disregarded this too.
I didn't know what would be useful. Nothing too big, because you wouldn't be able to take it with you.
He chanced a glance at her. She was not tearful; that was one of the many wonderful things about Ginny, she was rarely weepy. He had sometimes thought that having six brothers must have toughened her up.
She took a step closer to him.
So then I thought, I'd like you to have something to remember me by, you know, if you meet some Veela when you're off doing whatever you're doing.
I think dating opportunities are going to be pretty thin on the ground, to be honest.
There's the silver lining I've been looking for, she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair-
The door banged open behind them and they jumped apart.
Oh, said Ron pointedly. Sorry.
Ron! Hermione was just behind him, slight out of breath. There was a strained silence, then Ginny had said in a flat little voice,
Well, happy birthday anyway, Harry.
Ron's ears were scarlet; Hermione looked nervous. Harry wanted to slam the door in their faces, but it felt as though a cold draft had entered the room when the door opened, and his shining moment had popped like a soap bubble. All the reasons for ending his relationship with Ginny, for staying well away from her, seemed to have slunk inside the room with Ron, and all happy forgetfulness was gone.
He looked at Ginny, wanting to say something, though he hardly knew what, but she had turned her back on him. He thought that she might have succumbed, for once, to tears. He could not do anything to comfort her in front of Ron.
I'll see you later, he said, and followed the other two out of the bedroom.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I back away. “See you at home. I’ll have dinner ready by five.”
He just nods and turns back to his work.
Home. Not the house? It’s not my home, after all.
I walk back to the car and climb in, feeling more out of sorts than when I came here.
Dinner by five? Cole doesn’t get off until six. Did I suddenly just forget he exists?
”
”
Penelope Douglas (Birthday Girl)
“
Conversely, there are places I bid farewell to long before knowing I must leave, places and people whose disappearance I rehearse not just to learn how to live without them when the time comes but to put off their loss by foreseeing ita bit at a time beforehand. I live in the dark so as not to be blinded when darkness comes. I do the same with life, making it more conditional and provisional than it already is, so as to forget that one day my birthday will come around and I won't be there to celebrate it.
It is still unthinkable that those who cause us the greatest pain and turned us inside out could at some point in time have been totally unknown, unborn to us.
”
”
André Aciman (Alibis: Essays on Elsewhere)
“
You don’t know,” Ava interrupts, but her voice has lost its bite. “No one really does. At first, people say that all the time—that they’re sorry for your loss. Then a few weeks go by, and only a handful of people check in to make sure you’re still functioning. Then you only hear from them on birthdays, holidays, all the things you won’t be celebrating. Or they forget, completely.
”
”
Jodi Picoult (Mad Honey)
“
I can't promise you that I won't hurt you," he said softly after it became clear I wasn't going to speak. Sincerity flowed from him like water in a river and it nearly broke my heart. "I can't say that I won't ever do something stupid, or forget your birthday or our anniversary or your favorite flavor of ice cream. I'm fallible; I'm gonna make mistakes. But I can promise you that I won't lie to you, and I'll never cheat on you. Your Cat is a part of you. She makes you who you are. I can't ignore that, and even if I could, I wouldn't want to. All you need to do is trust me, Riley. That's all I'm asking.
”
”
Fiona Skye (Faerie Tales (Revelations #1))
“
The best example of this is our own helpers, who have managed to pull us through so far and will hopefully bring us safely to shore, because otherwise they’ll find themselves sharing the fate of those they’re trying to protect. Never have they uttered a single word about the burden we must be, never have they complained that we’re too much trouble. They come upstairs every day and talk to the men about business and politics, to the women about food and wartime difficulties and to the children about books and newspapers. They put on their most cheerful expressions, bring flowers and gifts for birthdays and holidays and are always ready to do what they can. That’s something we should never forget; while others display their heroism in battle or against the Germans, our helpers prove theirs every day by their good spirits and affection.
”
”
Anne Frank (The Diary of a Young Girl)
“
Dutch speaks up again. “So, uh…where did
Jordan go? I didn’t see her down there.”
“How am I supposed to know?” Pike fires back, losing patience. “Would you get out of here?”
“Ok, fine,” he says. But then he adds, “Just tell her not to forget to pick up all her clothes off the floor when she gets out of the shower with you, okay?”
My eyes go wide, my falls open, and I bury my face in Pike’s body just in time to stifle my laughter. Oh, shit.
”
”
Penelope Douglas (Birthday Girl)
“
If you look at economics textbooks, you will learn that homo economicus can think like Albert Einstein, store as much memory as IBM’s Big Blue, and exercise the willpower of Mahatma Gandhi. Really. But the folks that we know are not like that. Real people have trouble with long division if they don’t have a calculator, sometimes forget their spouse’s birthday, and have a hangover on New Year’s Day. They are not homo economicus; they are homo sapiens.
”
”
Richard H. Thaler (Nudge: The Final Edition)
“
I have another scan this week," I say lightly, hoping to reassure my loved ones that it is safe to rejoin my orbit. There is always another scan, because this is my reality. But the people I know are often busy contending with mildly painful ambition and the possibility of reward. I try to begrudge them nothing, except I'm not alongside them anymore.
In the meantime, I have been hunkering down with old medical supplies and swelling resentment. I tried— haven't I tried? — to avoid fights and remember birthdays. I showed up for dance recitals and listened to weight-loss dreams and kept the granularity of my medical treatments in soft focus. A person like that would be easier to love, I reasoned.
I try a small experiment and stop calling my regular rotation of friends and family, hoping that they will call me back on their own. _This is not a test. This is not a test._ The phone goes quiet, except for a handful of calls. I feel heavy with strange new grief. Is it bitter or unkind to want everyone to remember what I can't forget? Who wants to be confronted with the reality that we are all a breath away from a problem that could alter our lives completely? A friend with a very sick child said it best: I'm everyone's inspiration and and no one's friend.
I am asked all the time to say that, given what I've gained in perspective, I would never go back. Who would want to know the truth? Before was better.
”
”
Kate Bowler (No Cure for Being Human: And Other Truths I Need to Hear)
“
Blessed is that family where there are old people, says an ancient proverb, and happy the children who heed the counsel of the old, for it's as if they had already enjoyed a long life. Love your grandparents, children, for they love you as the sons and daughters of their sons and daughters, and hence with a double tenderness. If you see they love your company, don't leave them alone, and when it's their birthday, never forget to with them many happy returns, 'A hundred more happy returns, Granny and Granddad!
”
”
Tim Parks (An Italian Education)
“
YOU’RE FORGETTING SOMETHING, Horus told me. A little busy here! I thought back. You might think it’s easy steering a magic boat through the sky. You’d be wrong. I didn’t have Amos’s animated coat, so I stood in the back trying to shift the tiller myself, which was like stirring cement. I couldn’t see where we were going. We kept tilting back and forth while Sadie tried her best to keep an unconscious Zia from flopping over the side. It’s my birthday, Horus insisted. Wish me happy birthday! “Happy birthday!” I yelled. “Now, shut up!
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
Dude, what're you waiting for?" Carlos calls. "Plant one on her."
I lift my eyes and am shocked to see Brandon is staring at my mouth. He swallows audibly and flicks his gaze to mine. the emotions darkening the soft green color are too confusing to name.
Does he want to back out?
An exhale of breath leaves Brandon's lips, almost like a laugh, and he scoots closer to me on the blanket. I twist my legs under myself, sitting tall as I face him. He cups my chin and tilts it toward him, drowning me in the now dark-green depths of his eyes, the cologne I gave him for his birthday filling my head. It's woodsy and yummy and I always loved how it smelled on the store testers, but on Brandon, it's even sexier. My eyes flutter closed, and I inhale again, this time slowly. Goose bumps prickle my arms, and my head gets fuzzy.
Brandon slides his hand down the column of my neck and brings the other up, threading his fingers through the hair at my nape. His breath fans across my cheek, and everything south of my bellybutton squeezes tight.
When his mouth first meets mine, it's hesitant, questioning. But as I move my lips with his, he quickly grows bolder, coaxing them apart.
Desire, pure and raw, electrifies my veins as his tongue sweeps my mouth. A whimpering sound springs from my chest, and instinctively, I wrap my arms around his neck, tugging him closer. Needing more. My teeth graze his full bottom lip, and I pull it, sucking on it gently.
He moans and knots his fingers in my hair, and a thrill dances down my back.
Brandon is an amazing kisser, just as I knew he would be. I have no control over my body's reactions. I lose myself in his lips, his tongue, and his strong arms, forgetting time and space and even my surroundings...
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
It’s not about over-the-top gestures to me,” he finally says almost shyly.
“It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.
”
”
Lily Morton (Best Man (Close Proximity, #1))
“
Isn't that the tie Lily bought for your birthday?"
Evan looked down to examine it. It was paisley, a kaleidoscope of color. "Yes it is, as a matter of fact. Good memory. What do you think? Too much?"
"It doesn't matter what I think."
"But you don't like it."
"I think that if you want to wear it, you should wear it."
Evan seemed momentarily undecided. "Why do you do that?"
"Do what?"
"Refuse to answer a simple question."
"Because my opinion is irrelevant. You should wear what you want."
"Just tell me, okay?"
"I don't like your tie."
"Really? Why not?"
"Because it's ugly."
"It's not ugly."
Colin nodded. "Okay."
"You don't know what you're talking about."
"Probably."
"You don't even wear ties."
"You're right."
"So why do I care what you think?"
"I don't know."
Evan scowled. "Talking to you can be infuriating, you know."
"I know. You've said that before."
"Of course I've said it before! Because it's true! Didn't we just talk about this the other night? You don't have to say whatever pops into your head."
"But you asked."
"Just ... Oh, forget it." He turned and started back toward the house. "I'll talk to you later, okay?"
"Where are you going?"
Evan walked a couple of steps before answering without turning around. "To change my damn tie. And by the way Margolis was right. Your face still looks like it was run through a meat grinder."
Colin smiled. "Hey, Evan!"
Evan stopped and turned. "What?"
"Thanks."
"For what?"
"For everything."
"Yeah, yeah. You're just lucky I won't tell Lily what you said."
"You can if you'd like. I already told her."
Evan starred. "Of course you did.
”
”
Nicholas Sparks (See Me)
“
SELF-HELP FOR FELLOW REFUGEES
If your name suggests a country where bells
might have been used for entertainment,
or to announce the entrances and exits of the seasons
and the birthdays of gods and demons,
it's probably best to dress in plain clothes
when you arrive in the United States.
And try not to talk too loud.
If you happen to have watched armed men
beat and drag your father
out the front door of your house
and into the back of an idling truck,
before your mother jerked you from the threshold
and buried your face in her skirt folds,
try not to judge your mother too harshly.
Don't ask her what she thought she was doing,
turning a child's eyes
away from history
and toward that place all human aching starts.
And if you meet someone
in your adopted country
and think you see in the other's face
an open sky, some promise of a new beginning,
it probably means you're standing too far.
Or if you think you read in the other, as in a book
whose first and last pages are missing,
the story of your own birthplace,
a country twice erased,
once by fire, once by forgetfulness,
it probably means you're standing too close.
In any case, try not to let another carry
the burden of your own nostalgia or hope.
And if you're one of those
whose left side of the face doesn't match
the right, it might be a clue
looking the other way was a habit
your predecessors found useful for survival.
Don't lament not being beautiful.
Get used to seeing while not seeing.
Get busy remembering while forgetting.
Dying to live while not wanting to go on.
Very likely, your ancestors decorated
their bells of every shape and size
with elaborate calendars
and diagrams of distant star systems,
but with no maps for scattered descendants.
And I bet you can't say what language
your father spoke when he shouted to your mother
from the back of the truck, "Let the boy see!"
Maybe it wasn't the language you used at home.
Maybe it was a forbidden language.
Or maybe there was too much screaming
and weeping and the noise of guns in the streets.
It doesn't matter. What matters is this:
The kingdom of heaven is good.
But heaven on earth is better.
Thinking is good.
But living is better.
Alone in your favorite chair
with a book you enjoy
is fine. But spooning
is even better.
”
”
Li-Young Lee (Behind My Eyes: Poems)
“
How I picture it: A scar is a story about pain, injury, healing. Years, too, are scars we wear. I remember their stories. The year everything changed. Kindergarten, fourth grade. The year of the pinecone, the postcard, the notebook. The year of waking in the night, sweating, heart racing. The year of being the only adult in the house, one baseball bat by the front door and another one under the bed. Or the year the divorce was finalized. First grade, fifth grade. Two houses, two beds, two Christmases, two birthdays. The year of where are your rain boots, they must be at Dad’s house. The year of who signed the permission slip? The year of learning to mow the lawn. The year of fixing the lawn mower, unclogging the toilets. The year I was tattooed with lemons. The year of sleeping with the dog instead of a husband. (The dog snores more quietly. The dog takes up less space.) The year of tweeting a note-to-self every day to keep myself moving. The year I kept moving. The year of sitting up at night, forgetting whether the kids were asleep in their beds or not. The year of waking in the morning and having to remember whether they were with me. The year I feared I would lose the house, and the year I did not lose the house. The year I wanted to cut a hole in the air and climb inside, and the year I didn’t want that at all. The year I decided not to disappear. The year I decided not to be small. The year I lived.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
You’re wrong Lucas,” Slade says, his voice low. “You won't always spoil her, or treat her like a princess. You won't tell her she's beautiful every day. You won't make her smile every night and you won't always want her the way you do now. That fades. Those giddy little stomach flutters fade and you're then left with reality. There will be days you will forget to tell her she's beautiful, even though she needs to hear it. There will be days you'll forget to say I love you. There will be days when you forget a birthday or an anniversary. There will be a time when she will walk past you, and you won't want to ravish her, the way you do now. Those “things fade, and when they do, what's left is what's truly worth fighting for. Love isn't always beautiful, heck, it's not even close to being perfect half the time. Feelings change, the spark dies down and what you're left with is something you either chose to fight for or you don't. When you know that even though those things are gone, you're still willing to fight for her every breath, then you know the love is real.”
Excerpt From: Botefuhr, Bec. “Racing For Freedom.” iBooks.
This material may be protected by copyright.
”
”
Bec Botefuhr (Racing for Freedom)
“
You haven’t gotten to the point of leaving a glass for her, too.” He covered his eyes but said nothing. She pulled away his hands, and then, looking straight at him, asked, “She’s alive, isn’t she?” He nodded and sat up. “Rong, I used to think that a character in a novel was controlled by her creator, that she would be whatever the author wanted her to be, and do whatever the author wanted her to do, like God does for us.” “Wrong!” she said, standing up and beginning to pace the room. “Now you realize you were wrong. This is the difference between an ordinary scribe and a literary writer. The highest level of literary creation is when the characters in a novel possess life in the mind of the writer. The writer is unable to control them, and might not even be able to predict the next action they will take. We can only follow them in wonder to observe and record the minute details of their lives like a voyeur. That’s how a classic is made.” “So literature, it turns out, is a perverted endeavor.” “It was like that for Shakespeare and Balzac and Tolstoy, at least. The classic images they created were born from their mental wombs. But today’s practitioners of literature have lost that creativity. Their minds give birth only to shattered fragments and freaks, whose brief lives are nothing but cryptic spasms devoid of reason. Then they sweep up these fragments into a bag they peddle under the label ‘postmodern’ or ‘deconstructionist’ or ‘symbolism’ or ‘irrational.’” “So you mean that I’ve become a writer of classic literature?” “Hardly. Your mind is only gestating an image, and it’s the easiest one of all. The minds of those classic authors gave birth to hundreds and thousands of figures. They formed the picture of an era, and that’s something that only a superhuman can accomplish. But what you’ve done isn’t easy. I didn’t think you’d be able to do it.” “Have you ever done it?” “Just once,” she said simply, and dropped the subject. She grabbed his neck, and said, “Forget it. I don’t want that birthday present anymore. Come back to a normal life, okay?” “And if all this continues—what then?” She studied him for a few seconds, then let go of him and shook her head with a smile. “I knew it was too late.” Picking up her bag from the bed, she left. Then
”
”
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
“
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts.
Up, down. Happy, sad. Shock, awe. Before, after.
In that single moment, Matt, formerly known as friend, became something else entirely.
I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too.
I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
”
”
Sarah Ockler (Twenty Boy Summer)
“
Megan Meade’s Guide to the McGowan Boys
Entry One
Observation #1: When they’re beautiful, they know they’re beautiful.
Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.)
Observation #2: They like skin.
Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband.
Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed.
Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it.
Observation #4: They gossip.
Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked.
Observation #5: The older ones are so cute with the younger ones.
They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.**
Observation #6: They’re cliquey.
I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out.
Observation #7: They have no sense of personal space.
I need a lock on my door. STAT.
Observation #8: Boys are icky.
Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously.
Observation #9: They have really freaky things going on down there.
Yeah, I don’t think I’m ready to elaborate on that one yet.
Observation #10: They know how to make enemies.
Big time.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
At some point in life-sometimes in youth, sometimes late-each of us is due to awaken to our mortality. There are so many triggers: a glance in a mirror at your sagging jowls, graying hair, stooping shoulders; the march of birthdays, especially those round decades-fifty, sixty, seventy; meeting a friend you have not seen in a long while and being shocked at how he or she has aged; seeing old photographs of yourself and those long dead who peopled your childhood; encountering Mister Death in a dream.
What do you feel when you have such experiences? What do you do with them? Do you plunge into frenetic activity to burn off the anxiety and avoid the subject? Try to remove wrinkles with cosmetic surgery or dye your hair? Decide to stay thirty-nine for a few more years? Distract yourself quickly with work and everyday life routine? Forget all such experiences? Ignore your dreams?
I urge you not to distract yourself. Instead, savor awakening. Take advantage of it. Pause as you stare
into the photograph of the younger you. Let the poignant moment sweep over you and linger a bit; taste the sweetness of it as well as the bitterness.
Keep in mind the advantage of remaining aware of death, of hugging its shadow to you. Such awareness can integrate the darkness with your spark of life and enhance your life while you still have it. The way to value life, the way to feel compassion for others, the way to love anything with greatest depth is to be aware that these experiences are destined to be lost.
”
”
Irvin D. Yalom (Staring at the Sun: Overcoming the Terror of Death)
“
Anna: Right. I can only imagine.
Etienne: And what, exactly, ist hat supposed to mean?
Anna: Forget it.
Etienne: No. Let’s not forget it. I’m sick and tired of forgetting it, Anna.
Anna: You’re tired of forgetting it? I’ve had to do nothing BUT forget it. Do you think it’s easy sitting in my room every night, thinking about you and Ellie? Do you think any of this has been easy for me?
Etienne: I’m sorry.
Anna: You tell me I’m beautiful, and that you like my hair and you like my smile. You rest your leg against mine in darkened theatres, and then you acta s if nothing happened when the lights go up. You slept in my bed for three nights straight, and then you jsut … blew me off for the next month. What am I supposed to do with that, St. Clair? You said on my birthday that you were afraid of being alone, but I’ve been here this whole time. This whole time.
Etienne: Anna. I am so sorry that I’ve hur you. I’ve made terrible decisions. And I realize it’s possible that I don’t deserve your forgiveness, because it’s taken me this long to get here. But I don’t understand why you’re not giving me the chance. You didn’t even let me explain myself lad weekend. You just tore into me, expected the worst of me. But the only truth I know is what i feel when we’re together. I thought you trusted those feelings, too. I thought you trusted me, I thought you knew me …
Anna: But that’s just it! I don’t know you. I tell you everything, St. Clair. About my dad, about Bridgette and Toph, about Matt and Cherrie. I told you about being a virgin. And what have you told me? Nothing! I know nothing about you. Not about your father, not about Ellie …
Etienne: You know me better than anyone. Andi f you ever bothered to pay attention, you’d understand that things with my father are beyond shite right now. And I can’t believe you think so poorly of me that you’d assume I’d wait the entire year to kiss you, and then the moment it happened, I’d … I’d be done with you. OF COURSE I was with Ellie that night. I WAS BLODDY BREAKING UP WITH HER! You say that I’m afraid of being alone, and it’s true. I am And I’m not proud o fit. But you need to take a good look at yourself, Anna, because I am not the only one in this room who suffers this problem.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))