Playing Favourites Quotes

He thrust his shoulders back and spoke in a whisper that sounded like the hiss of a snake. ‘Yes, the very battle between good and evil, played out even in the lowliest of lives like yours. Witches killing dogs because they did not get their favourite drink.

What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.

Things that I Hope Are True about Heaven That the radio always plays what would have been your favourite songs. That there's always coffee if you want it. That you're there. That it's real.

I wanted to tell her not to entertain despair like this. Despair wasn't a guest, you didn't play its favourite music, find it a comfortable chair. Despair was the enemy.

What’s your favourite position?” “I usually play winger.” “Zach, I adore you, but you can’t make soccer jokes during phone sex. It just isn’t done.

when i was a boy a god often rescued me from the shouts and the rods of men and i played among trees and flowers secure in their kindness and the breezes of heaven were playing there too. and as you delight the hearts of plants when they stretch towards you with little strength so you delighted the heart in me father Helios, and like Endymion i was your favourite, Moon. o all you friendly and faithful gods i wish you could know how my soul has loved you. even though when i called to you then it was not yet with names, and you never named me as people do as though they knew one another i knew you better than i have ever known them. i understood the stillness above the sky but never the words of men. trees were my teachers melodious trees and i learned to love among flowers. i grew up in the arms of the gods.

I tried to explain again. 'Perhaps it would have been easier if I said that not being able to find something is like suddenly not remembering the words to your favourite song that you knew off by heart. It's like suddenly forgetting the name of someone you know really well and see every day, or the name of a group who sang a famous song. It's something so frustrating that it plays on your mind over and over again because you know there's an answer but no one can tell you it. It niggles and niggles at me and I can't rest until I know the answer.' 'I Understand,' he said softly.

At night, when we were little, we tented Bailey's covers, crawled underneath with our flashlights and played cards: Hearts, Whist, Crazy Eights, and our favourite: Bloody Knuckles. The competition was vicious, All day, every day, we were the Walker Girls - two peas in a pod thick as thieves - but when Gram closed the door for the night, we bared our teeth. We played for chores, for slave duty, for truths and dares and money. We played to be better, brighter, to be more beautiful, more, just more. But it was all a ruse - we played so we could fall asleep in the same bed without having to ask, so we could wrap together like a braid, so while we slept our dreams could switch bodies. (Found written on the inside cover of Wuthering Heights, Lennie's room)

But certain favourite roles are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten.

Nature does not play favourites, it regards its creations without sentimentality. Therefore the wise person also acts in this way.

Go ahead, blame the victim! The villain is my favourite role to play.

Mostly I read at this hour, perusing the pile of books that live by my favourite chair, waiting to offer up fragments of learning, rather than inviting cover-to-cover pursuits. I browse a chapter here, a segment there, or hunt through an index for a matter that’s on my mind. I love such loose, exploratory reading. For once, I am not reading to escape; instead, having already made my getaway, I am able to roam through the extra space I’ve found, as restless and impatient as I like, revelling in the play of my own absorption. They say that we should dance like no one is watching. I think that applies to reading, too.

I used a new mixture. The ingredients are a bit harder to find, but for my favourite patients I like to make sure the healing process is as painless as possible.” “I’m on that list?” Valkyrie asked, her smile growing wider. Kenspeckle snorted. “You are the list.

War is not a polite recreation but the vilest thing in life, and we ought to understand that and not play at war. Our attitude towards the fearful necessity of war ought to be stern. It boils down to this: we should have done with humbug, and let war be war and not a game. Otherwise, war is a favourite pastime of the idle and frivolous...

My favourite chess saying is very simple: You can play without a plan, but you’ll probably lose.’ - Rutherford Gravesdown

My favourite thing about music- when you played it loud enough through good headphones - was that it softened the edges of the world.

We must have several word-signs," said Syme seriously -- "words that we are likely to want, fine shades of meaning. My favourite word is 'coeval.' What's yours?" "Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is." "'Lush,' too, " said Syme, shaking his head sagaciously, "we must have ' lush' -- word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, ' Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer--"' "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed -- " "Syme," said his friend with a stern simplicity, "go to bed!

Bronagh,” I said, grinning at my sister. “What is your favourite position in bed?” Dominic looked at his lady, a smirk playing on his lips. Bronagh mulled my question over in her mind then after some serious consideration she said, “Near the wall, so I’m closest to me phone when it’s chargin’.” I tittered at her answer, then looked to Dominic and burst into laughter. The look of hurt and betrayal was plastered all over his sculpted face. “Kicking me in the nuts would have been less painful, Bronagh,” he muttered as he stood up and practically dragged himself, and his wounded ego, out of the room

looking enraptured while Orion murmured to me that their kind could step right into the pages of a story. They didn’t just see it in their head, they lived every word, the whole thing playing out in their minds as if they were the main character, and that sounded pretty awesome. It must have been incredible to experience your favourite books first hand, to fall so deeply between the pages that it seemed as if those worlds really existed. “Which book would you go into?” I asked Orion, brushing my fingers over the thick stubble on his jaw. “There is no story I would choose to live in but ours,” he answered simply, and damn this man to hell for his silver tongue. My heart all but packed up its bags and moved out of my chest to go and live in his instead. He already owned it that completely anyway.

Someone was playing the piano and, as she concentrated, Olivia realised she recognised Chopin's 'Grande Polonaise'. She stood up and left the library, following the direction of the music, letting her auditory senses lead her eventually to the doorway of the drawing room. She stood where she was, listening to the exquisite rendition of one of her favourite pieces, closing her eyes as the sound emanated from the piano at the other end of the room. (...) Olivia gasped in astonishment when she saw it was Harry.

My humble...I don't drink...' 'A shame! What about a game of dice, then? Or do have some other favourite game? Dominoes? Cards? 'I don't play games,' the already weary barman responded. 'Altogether bad,' the host concluded. 'As you will, but there's something noce nice hidden in men who avoid wine, games, the society of charming women, table talk. Such people are either gravely ill or secretly hate everybody around them. True, there may be exceptions. Among persons sitting down with me at the banqueting table, there have been on occasion some extraordinary scoundrels! Chapter 18

The minute you begin to feel yourself ‘working hard’ as opposed to ‘playing a challenging game’ it’s time to take a break or get around some new people. Disappear for a week, get some sun, read up on your favourite role models, explore fresh ideas and spend time with people who are ‘in their zone’. Attend a new event, read a new book and have a few new conversations.

I am deeply sensitive to the spell of nationalism. I can play about thirty Bohemian folk songs ... on my mouth-organ. My oldest friend, who is Czech and a patriot, cannot bear to hear me play them because he says I do it in such a schmalzy way, 'crying into the mouth organ'. I do not think I could have written the book on nationalism which I did write, were I not capable of crying, with the help of a little alcohol, over folk songs, which happen to be my favourite form of music.

On a distant battlefield, somewhere in the Middle East, Sergeant Jackson is sick of this fucking war and stands up from behind the trench he’s hiding in, ignores the pleas of his squad mates to get down and starts to play the electric guitar he’s insisted he bring into battle with him. He plays a song: his father’s favourite. He’s spent years learning it and he thinks it’s beautiful. The first bullet kills him. Someone takes a picture as he falls. A dying soldier clutching his electric guitar.

He’s a paradox but so am I, and two paradoxes trying to solve the other is the Devil’s favourite game to play.

He should take a different bank card to replace one that was out of date. Cars no longer had CD players, so he should look one out if he was to play her favourite disc.

I groaned my good humor beginning to fade. Nothing good could come from such a wager. If I lost I’d have to drive for the entire five-and-a-half-hour trip home. But if I won Marc would drive which was much much worse. With him in the driver’s seat I’d be afraid to blink much less sleep. Marc’s favourite travel game was highway tag which he played by getting just close enough to passing semi trucks to reach out his window and touch their rear bumpers. Seriously. The man thought the inevitability of death didn’t apply to him simply because it hadn’t happened yet. Marc laughed at my horrified expression and sank his shovel into the earth at the end of the black plastic cocoon. With a sigh I joined him trying to decide whether I’d rather risk falling asleep at the wheel or falling asleep with Marc at the wheel. It was a tough call. Thankfully I had three solid hours of digging during which to decide. Lucky me.

But if we are all God’s children, why does God spend so much time in history ordering one branch of his universal family to wipe out another branch? Why did his love for his Jewish children have to be expressed by the extermination of his Palestinian children? Why did he later abandon his Jewish children in favour of his Christian children and encourage his new favourites to torment their older siblings? Why did he order his Muslim children who worship him as One to persecute his pagan children who worship him as Many? Why is there so much violence in religious history, all done by groups who claim God is on their side? Unless you are prepared to believe that God actually plays favourites like some kind of demented tyrant, then there are only two ways out of this dilemma. The obvious one is to decide that there is no God. What is called God is a human invention used, among other things, to justify humankind’s love of violence and hatred of strangers. Getting rid of God won’t solve the problem of human violence but it will remove one of its pretexts.

But certain favourite parts are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten.

Practical, versatile, universally esteemed and provided with its own edible, easily decorated gift-box of pastry - small wonder that pie still plays a feature role at many of our favourite celebrations, so much so that it is often symbolic of the very event itself.

How amazing to go to a gig thinking of nothing but how loud you will shout; how hard you will dance; how much you will sweat; how tightly you will hug your friends, as your favourite song plays. How amazing to react to music in the way music wants you - to become an ecstatic animal.

Work hard. Work dirty. Choose your favourite spade and dig a small, deep hole; located deep in the forest or a desolate area of the desert or tundra. Then bury your cellphone and then find a hobby. Actually, 'hobby' is not a weighty enough word to represent what I am trying to get across. Let's use 'discipline' instead. If you engage in a discipline or do something with your hands, instead of kill time on your phone device, then you have something to show for your time when you're done. Cook, play music, sew, carve, shit - bedazzle! Or, maybe not bedazzle... The arrhythmic is quite simple, instead of playing draw something, fucking draw something! Take the cleverness you apply to words with friends and utilise it to make some kick ass cornbread, corn with friends - try that game. I'm here to tell you that we've been duped on a societal level. My favourite writer, Wendell Berry writes on this topic with great eloquence, he posits that we've been sold a bill of goods claiming that work is bad. That sweating and working especially if soil or saw dust is involved are beneath us. Our population especially the urbanites, has largely forgotten that working at a labour that one loves is actually a privilege.

We go in and sit on the sofa by the fire to dry out, and she plays her favourite records, lots of Rickie Lee Jones and Led Zeppelin and Donovan and Bob Dylan - even though she was sixteen in 1982, there's definitely something very 1971 about Alice. I watch as she jumps around the room to 'Crosstown Traffic' by Jimi Hendrix, then when she's out of breath and tired of changing records every three minutes she puts a crackly old Ella Fitzgerald LP on, and we lie on the sofa and read our books, and steal glances at each other every now and then, like that bit between Michael York and Liza Minnelli in Cabaret, and talk only when we feel like it.

This is a time in which very few activities seem right. Mostly I read at this hour, perusing the pile of books that live by my favourite chair, waiting to offer up fragments of learning, rather than inviting cover-to-cover pursuits. I browse a chapter here, a segment there, or hunt through an index for a matter that’s on my mind. I love such loose, exploratory reading. For once, I am not reading to escape; instead, having already made my getaway, I am able to roam through the extra space I’ve found, as restless and impatient as I like, revelling in the play of my own absorption. They say that we should dance like no one is watching. I think that applies to reading, too.

Do we ever stop dreaming? I know I haven't. I must have been at least twenty-five when the Spice Girls happened, and I distinctly remember imagining my way into the group. I was going to be the sixth Spice, 'Massive Spice', who, against all the odds, would become the most popular and lusted-after Spice. The Spice who sang the vast majority of solo numbers in the up-tempo tracks. The Spice who really went the distance. And I still haven't quite given up on the Wimbledon Ladies' Singles Championship. I mean, it can't be too late, can it? I've got a lovely clean T-shirt, and I've figured out exactly how I'd respond to winning the final point (lie on floor wailing, get up, do triumphant lap of the ring slapping crowd members' box). It can't be just me who does this. I'm convinced that most adults, when travelling alone in a car, have a favourite driving CD of choice and sing along to it quite seriously, giving it as much attitude and effort as they can, due to believing – in that instant – that they're the latest rock or pop god playing to a packed Wembley stadium. And there must be at least one man, one poor beleaguered City worker, who likes to pop into a phone box then come out pretending he's Superman. Is there someone who does this? Anyone? If so, I'd like to meet you and we shall marry in the spring (unless you're really, really weird and the Superman thing is all you do, in which case BACK OFF).

He knew better. He had done all that he would ever do. He had played his little part. He had had his say. There was nothing more degrading than the popular favourite who clings to his pedestal, and with anxious eyes watches the faces of his friends. Thank God he had the sense to know when his time had come. A few more years, and then oblivion. But in the meantime he had to live.

Well, I thought you might want to listen to this. I mean, I thought you might be . . . ready for it. "I don't know if you remember, but just before . . . just before Malcolm died, he took me to see a concert in the town. We went to Barbarella's, and we heard all these weird bands. You remember the kind of music he used to like? Well, the people who made this record were playing that night, and they were his favourite. He liked them more than anyone. And I thought that if you heard it, it might remind you . . . might help you to think a bit about the kind of person he was. "And there's another reason too. You see the title of the record? It's called The Rotters' Club. "The Rotters' Club: that's us, Lois, isn't it? Do you see? That's what they used to call us, at school. Bent Rotter, and Lowest Rotter. We're The Rotters' Club. You and me. Not Paul. Just you and me. "I think this record was meant for us, you see. Malcolm never got to hear it, but I think he . . . knows about it, if that doesn't sound too silly. And now it's his gift, to you and me. From - wherever he is. "I don't know if that makes any sense. "Anyway. "I'll just leave it on the table here. "Have a listen, if you feel like it. "I've got to go now. "I've got to go, Lois. "I've got to go.

The strident chimes of prayer bells from the distant temple resonated in the night air with ritual insistence, and nudged Kamala from her repose. What had once sounded to her like a sharp and persistent call to prayer now, with ceaseless repetition, mellowed to become plaintive and wistful, like one's favourite recording playing in the background to the syncopated percussion of lovemaking. (From the novel Blood & Nemesis by Ben Antao).

Fearing death, I wanted to reclaim control over it. I figured it had to play favourites; I just needed to make sure I was one of those favourites. To limit my anxiety I developed a whole bouquet of obsessive compulsive behaviours and rituals. My parents could die at any moment. I could die at any moment. It was my job to do everything right—counting, tapping, touching, checking—to retain balance in the universe and avoid further death.

Alongside the development of theatres came the growth of an acting culture; in essence it was the birth of the acting profession. Plays had generally been performed by amateurs - often men from craft guilds. Towards the end of the sixteenth century there developed companies of actors usually under the patronage of a powerful or wealthy individual. These companies offered some protection against the threat of Puritan intervention, censorship, or closure on account of the plague. They encouraged playwrights to write drama which relied on ensemble playing rather than the more static set pieces associated with the classical tradition. They employed boys to play the parts of women and contributed to the development of individual performers. Audiences began to attend the theatre to see favourite actors, such as Richard Burbage or Will Kempe, as much as to see a particular play. Although the companies brought some stability and professionalism to the business of acting - for instance, Shakespeare's company, the Lord Chamberlain's, subsequently the King's, Men, continued until the theatres closed (1642) - they offered little security for the playwright. Shakespeare was in this respect, as in others, the exception to the rule that even the best-known and most successful dramatists of the period often remained financially insecure.

From this time Elizabeth Lavenza became my playfellow, and, as we grew older, my friend. She was docile and good tempered, yet gay and playful as a summer insect. Although she was lively and animated, her feelings were strong and deep, and her disposition uncommonly affectionate. No one could better enjoy liberty, yet no one could submit with more grace than she did to constraint and caprice. Her imagination was luxuriant, yet her capability of application was great. Her person was the image of her mind; her hazel eyes, although as lively as a bird's, possessed an attractive softness. Her figure was light and airy; and, though capable of enduring great fatigue, she appeared the most fragile creature in the world. While I admired her understanding and fancy, I loved to tend on her, as I should on a favourite animal; and I never saw so much grace both of person and mind united to so little pretension.

This was why he had become a master thief, to achieve this theft of thefts, this masterpiece of larceny. All the time, fascinating and terrible Caverna had been his goal. Whilst other Cartographers had sighed in vain after the beauty of her treacherous geography, he had decided to win her with cunning and threats. All along Caverna had been his opponent and his prize, and she had never suspected it for a moment. He had fooled her, fought her and defeated her. She would be furious, no doubt, would hate him, rail against him and look for ways to destroy him, but he had outmanoeuvred her and now she had no choice but to play things his way. Unlike her earlier favourites, he was her lord, not a plaything to be tossed aside when she was bored. And yet, for the first time in ten years, he found himself at something of a loss. I have succeeded. I have won. I rule the city. I wonder what I was planning to do with it?

A group of Sphinxes plucked books off of the shelves and lay down in the grass, looking enraptured while Orion murmured to me that their kind could step right into the pages of a story. They didn't just see it in their head, they lived every word, the whole thing playing out in their minds as if they were the main character, and that sounded pretty awesome. It must have been incredible to experience your favourite books first hand, to fall so deeply between the pages that it seemed as if those worlds really existed.

The playing was remarkable. I could not imagine a finer Pathétique further South. When he finished he said: ‘Now I play Chopin. Yes?’ and he replaced the bust of Beethoven with one of Chopin. ‘Do you wish waltzes or mazurkas?’ ‘Mazurkas.’ ‘I shall play my best favourite. It is the last music Chopin is writing.’ And he played the mazurka that Chopin dictated on his deathbed. The wind whistled in the street and the music ghosted from the piano as leaves over a headstone and you could imagine you were in the presence of genius.

Dear You, You’re so beautiful. Your smile, your eyes, your lips, your hands, everything. Did you know that you play in my mind like one of my favourite song lyrics, you sting my heart like after eating a bowl of hot soup. You know me but I don’t think you see me, I see you for one, I see you like no other, I see you so often your image never leaves the remains of my brain. I wish you see me, I wish you remembered me. I wish that you could see me the way I see you. I see you for you and that is the you that I love, but please can you see me too.

Much as Joanne disliked needlework, she was quite good at it, for she had been well taught. But hearing the remark from her governess's lips was almost more than the child could bear. And as for childish games - "Cousin Ambrose has been teaching me to play chess," she said in her curiously deep voice. "And we sometimes play cribbage and ecarte." "Still, at your age, there is so much to learn that I think we must dedicate this hour to sewing each night. And now, tell me, what is your favourite lesson?" Joanne eyed the lady for a moment. Then, "Latin and 'cello," she said sweetly. She was not disappointed. Miss Mercier's face fell. "Latin? Oh my dear, I am very sorry to hear that. Latin is essential for boys, of course; but I cannot think it necessary for a girl in your position. But you cannot have gone very far in it yet?" "We were doing the Aenid at school when I left," said Joanne briskly. "Fourth book. And Caesar, of course. I've learnt Latin for years." "My dear child, you mustn't exaggerate. That is most unladylike. I suppose you began two years ago? You cannot call two years "years" in the sense you did." "I didn't. I began Latin when I was seven. My father taught me." This was worse than Miss Mercier had expected.

So it was that Mister Povondra started his collection of newspaper cuttings about the newts. Without his passion as a collector much of the material we now have would otherwise have been lost. He cut out and saved everything written about the newts that he could find; it should even be said that after some initial fumblings he learned to plunder the newspapers in his favourite café wherever there was mention of the newts and even developed an unusual, almost magical, virtuosity in tearing the appropriate article out of the paper and putting it in his pocket right under the nose of the head waiter. It is well known that all collectors are willing to steal and murder if that is what's needed to add a certain item to their collection, but that is not in any way a stain on their moral character. His life was now the life of a collector, and that gave it meaning. Evening after evening he would count and arrange his cuttings under the indulgent eyes of Mrs. Povondra who knew that every man is partly mad and partly a little child; it was better for him to play with his cuttings than to go out drinking and playing cards. She even made some space in the scullery for all the boxes he had made himself for his collection; could anything more be asked of a wife?

My brothers were considerably younger than myself; but I had a friend in one of my schoolfellows, who compensated for this deficiency. Henry Clerval was the son of a merchant of Geneva, an intimate friend of my father. He was a boy of singular talent and fancy. I remember, when he was nine years old, he wrote a fairy tale, which was the delight and amazement of all his companions. His favourite study consisted in books of chivalry and romance; and when very young, I can remember, that we used to act plays composed by him out of these favourite books, the principal characters of which were Orlando, Robin Hood, Amadis, and St. George.

We were playing our favourite game: Avoid Death. "So a poisonous snake has just bitten your left arm -- what do you do?" Joni asked. "I try to suck the poison out." "But that doesn't work. It's spreading up your arm..." "So I take my axe and chop off my arm." "But once you chop off your arm, you're bleeding to death." "So I pull of my shirt and tie it around the stump to stop the blood." "But a vulture smells the blood and comes swooping down at you." "So I use my right arm to pick up the left arm that I cut off, and I use it ti beat the vulture away!" [...] "But the vulture pulls youe arm out of your hand and begins to hit you with it...

We were playing our favourite game: Avoid Death. "So a poisonous snake has just bitten your left arm -- what do you do?" Joni asked. "I try to suck the poison out." "But that doesn't work. It's spreading up your arm..." "So I take my axe and chop off my arm." "But once you chop off your arm, you're bleeding to death." "So I pull of my shirt and tie it around the stump to stop the blood." "But a vulture smells the blood and comes swooping down at you." "So I use my right arm to pick up the left arm that I cut off, and I use it ti beat the vulture away!" [...] "But the vulture pulls your arm out of your hand and begins to hit you with it...

Homophobia and the closet are allies. Like an unhealthy co-dependent relationship they need each other to survive. One plays the victim living in fear and shame while the other plays the persecutor policing what is ‘normal’. The only way to dismantle homophobia is for every gay man and lesbian in the world to come out and live authentic lives. Once they realise how normal we are and see themselves in us….the controversy is over. It is interesting to think what would happen though....on a particularly pre-determined day that every single gay man and lesbian came out. Imagine the impact when, on that day, people all around the world suddenly discovered their bosses, mums, dads, daughters, sons, aunts, uncles, cousins, teachers, doctors, neighbours, colleagues, politicians, their favourite actors, celebrities and sports heroes, the people they loved and respected......were indeed gay. All stereotypes would immediately be broken.....just by the same single act of millions of people…..and at last there would no longer be need for secrecy. The closet would become the lounge room. How much healthier would we be emotionally and psychologically when we could all be ourselves doing life without the internal and societal negatives that have been attached to our sexual orientation.

She played over every favourite song that she had been used to play with Willoughby, every air in which their voices had been oftenest joined, and sat at the instrument gazing on every line of music that he had written out for her, till her heart was so heavy that no further sadness could be gained; and this nourishment was every day applied. She spent whole hours at the pianoforte alternately singing and crying; her voice often totally suspended by her tears. In books too, as well as in music, she courted misery which a contrast between the past and present was certain of giving. She read nothing but what they have been used to read together.

As for Alan, his face grew dark and hot, and he sat and gnawed his fingers, like a man under some deep affront. “Enough!” he cried. “Ye can blow the pipes—make the most of that.” And he made as if to rise. But Robin only held out his hand as if to ask for silence, and struck into the slow measure of a pibroch. It was a fine piece of music in itself, and nobly played; but it seems, besides, it was a piece peculiar to the Appin Stewarts and a chief favourite with Alan. The first notes were scarce out, before there came a change in his face; when the time quickened, he seemed to grow restless in his seat; and long before that piece was at an end, the last signs of his anger died from him, and he had no thought but for the music.

His reading habit was so varied that in his early teens, he was reading both Maxim Gorky’s Mother and the detective thrillers (Jasoosi Duniya) of Ibn-e-Safi. The detective thrillers—be it Indian or American pulp fiction—were a big favourite for their fast action, tight plots and economies of expression. He remembers the novels of Ibn-e-Safi for their fascinating characters with memorable names. ‘Ibn-e-Safi was a master at naming his characters. All of us who read him remember those names . . . There was a Chinese villain, his name was Sing Hi. There was a Portuguese villain called Garson . . . an Englishman who had come to India and was into yoga . . . was called Gerald Shastri.’ This technique of giving catchy names to characters would stay with him. The wide range of reading not only gave him the sensitivity with which progressive writers approached their subjects but also a very good sense of plot and speaking styles. Here, it would be apt to quote a paragraph from Ibn-e-Safi’s detective novel, House of Fear—featuring his eccentric detective, Imran. The conversation takes place just outside a nightclub: ‘So, young man. So now you have also starred frequenting these places?’ ‘Yes. I often come by to pay Flush,’ Imran said respectfully. ‘Flush! Oh, so now you play Flush . . .’ ‘Yes, yes. I feel like it when I am a bit drunk . . .’ ‘Oh! So you have also started drinking?’ ‘What can I say? I swear I’ve never drunk alone. Frequently I find hookers who do not agree to anything without a drink . . .’ This scene would find a real-life parallel as well as a fictional one in Javed’s life later. Javed

with a sophistication that is startling at such an early stage in the history of Roman literature, Plautus exploits even further the hybrid character of his work, and of his world. One of his favourite gags, which he repeats in the prologue to a number of plays, is some version of ‘Demophilus wrote this, Plautus barbarised it’, referring to his Latin (‘barbaric’) translation of a comedy by the Greek playwright Demophilus. This apparently throwaway line was, in fact, a clever challenge to the audience. For those of Greek origin, it no doubt gave the opportunity for a quiet snigger at the expense of the new, barbaric rulers of the world. For the others, it demanded the conceptual leap of imagining what they might look like from the outside. To enjoy the laugh, they had to understand, even if only as a joke, that to Greek eyes, Romans might appear to be barbarians.

One of his favourite gags, which he repeats in the prologue to a number of plays, is some version of ‘Demophilus wrote this, Plautus barbarised it’, referring to his Latin (‘barbaric’) translation of a comedy by the Greek playwright Demophilus. This apparently throwaway line was, in fact, a clever challenge to the audience. For those of Greek origin, it no doubt gave the opportunity for a quiet snigger at the expense of the new, barbaric rulers of the world. For the others, it demanded the conceptual leap of imagining what they might look like from the outside. To enjoy the laugh, they had to understand, even if only as a joke, that to Greek eyes, Romans might appear to be barbarians. The widening horizons of empire, in other words, disturbed the simple hierarchy of ‘us over them’, the ‘civilised over the barbarous’, which had underpinned classical Greek culture.

And then, as slowly as the light fades on a calm winter evening, something went out of our relationship. I say that selfishly. Perhaps I started to look for something which had never been there in the first place: passion, romance. I aresay that as I entered my forties I had a sense that somehow life was going past me. I had hardly experienced those emotions which for me have mostly come from reading books or watching television. I suppose that if there was anything unsatisfactory in our marriage, it was in my perception of it—the reality was unchanged. Perhaps I grew up from childhood to manhood too quickly. One minute I was cutting up frogs in the science lab at school, the next I was working for the National Centre for Fisheries Excellence and counting freshwater mussel populations on riverbeds. Somewhere in between, something had passed me by: adolescence, perhaps? Something immature, foolish yet intensely emotive, like those favourite songs I had recalled dimly as if being played on a distant radio, almost too far away to make out the words. I had doubts, yearnings, but I did not know why or what for. Whenever I tried to analyse our lives, and talk about it with Mary, she would say, ‘Darling, you are on the way to becoming one of the leading authorities in the world on caddis fly larvae. Don’t allow anything to deflect you from that. You may be rather inadequately paid, certainly compared with me you are, but excellence in any field is an achievement beyond value.’ I don’t know when we started drifting apart. When I told Mary about the project—I mean about researching the possibility of a salmon fishery in the Yemen—something changed. If there was a defining moment in our marriage, then that was it. It was ironical, in a sense. For the first time in my life I was doing something which might bring me international recognition and certainly would make me considerably better off—I could live for years off the lecture circuit alone, if the project was even half successful. Mary didn’t like it. I don’t know what part she didn’t like: the fact I might become more famous than her, the fact I might even become better paid than her. That makes her sound carping.

Take care, ye philosophers and friends of knowledge, and beware of martyrdom! Of suffering "for the truth's sake"! even in your own defense! It spoils all the innocence and fine neutrality of your conscience; it makes you headstrong against objections and red rags; it stupefies, animalizes, and brutalizes, when in the struggle with danger, slander, suspicion, expulsion, and even worse consequences of enmity, ye have at last to play your last card as protectors of truth upon earth—as though "the Truth" were such an innocent and incompetent creature as to require protectors! and you of all people, ye knights of the sorrowful countenance, Messrs Loafers and Cobweb-spinners of the spirit! Finally, ye know sufficiently well that it cannot be of any consequence if YE just carry your point; ye know that hitherto no philosopher has carried his point, and that there might be a more laudable truthfulness in every little interrogative mark which you place after your special words and favourite doctrines (and occasionally after yourselves) than in all the solemn pantomime and trumping games before accusers and law-courts!

You never asked about your present.' 'I assumed I wasn't getting one from you.' He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?' She shrugged. 'I just did.' He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him. Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.' He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring. 'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.' Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?' 'Touch the top. Just a tap.' Throwing a puzzled glance at him, she did so. Music exploded into the room. Nesta leaped back, a hand at her chest as he laughed. But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again. 'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.' 'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled. His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...' He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room. He had done all of this for her. Had found a way for her to have music- always. 'Nesta,' he breathed.

So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.

I now principally allude to Rousseau, for his character of Sophia is, undoubtedly, a captivating one, though it appears to me grossly unnatural; however, it is not the superstructure, but the foundation of her character, the principles on which her education was built, that I mean to attack; nay, warmly as I admire the genius of that able writer, whose opinions I shall often have occasion to cite, indignation always takes place of admiration, and the rigid frown of insulted virtue effaces the smile of complacency, which his eloquent periods are wont to raise, when I read his voluptuous reveries. Is this the man, who, in his ardour for virtue, would banish all the soft arts of peace, and almost carry us back to Spartan discipline? Is this the man who delights to paint the useful struggles of passion, the triumphs of good dispositions, and the heroic flights which carry the glowing soul out of itself? How are these mighty sentiments lowered when he describes the prettyfoot and enticing airs of his little favourite! But, for the present, I waive the subject, and, instead of severely reprehending the transient effusions of overweening sensibility, I shall only observe, that whoever has cast a benevolent eye on society, must often have been gratified by the sight of humble mutual love, not dignified by sentiment, nor strengthened by a union in intellectual pursuits. The domestic trifles of the day have afforded matter for cheerful converse, and innocent caresses have softened toils which did not require great exercise of mind, or stretch of thought: yet, has not the sight of this moderate felicity excited more tenderness than respect? An emotion similar to what we feel when children are playing, or animals sporting, whilst the contemplation of the noble struggles of suffering merit has raised admiration, and carried our thoughts to that world where sensation will give place to reason. Women are, therefore, to be considered either as moral beings, or so weak that they must be entirely subjected to the superior faculties of men.

What do you call an evil leader digging a hole? Darth Spader   What do you call Obi Wan eating crunchy toast? Obi Crumb   What do call a padawan who likes to play computer games? i'Pad' me   What do you call a starship pilot who likes to drink cocoa? Han Coco   What starship is always happy to have people aboard? The Millennium Welcome   What did Yoda say to Luke while eating dinner? Use the fork Luke.   What do you call a Sith who won't fight? A Sithy.   Which Star Wars character uses meat for a weapon instead of a Lightsaber? Obi Wan Baloney.   What do call a smelly droid? R2DPOO   What do call a droid that has wet its pants? C3PEE0   What do you call a Jedi who loves pies? Luke PieWalker?   What do call captain Rex when he emailing on a phone? Captain Text   What evil leader doesn’t need help reaching? Ladder the Hutt   What kind of evil lord will always say goodbye? Darth Later   Which rebel will always win the limbo? Han LowLow   What do you call R2D2 when he’s older? R2D3   What do you call R2D2 when he’s busting to go to the toilet? R2DLoo   What do call Padme’s father? Dadme   What’s do you call the Death Star when its wet? The Death Spa   What do call R2D2 when he climbs a tree? R2Tree2   What do you say a Jedi adding ketchup to his dinner? Use the sauce Luke.   What star wars baddy is most likely to go crazy? Count KooKoo   What do call Count Dooku when he’s really sad? Count Boohoo   Which Jedi is most likely to trick someone? Luke Liewalker   Which evil lord is most likely to be a dad? Dadda the Hutt   Which rebel likes to drink through straws? Chew Sucker   Which space station can you eat from? The Death bar   What do call a moody rebel? Luke Sighwalker   What do you call an even older droid R2D4   What do call Darth Vader with lots of scrapes? Dearth Grazer   What call an evil lord on eBay? Darth Trader   What do call it when an evil lord pays his mum? Darth Paid-her   What do call an evil insect Darth Cicada   What sith always teases? General Teasers   Who's the scariest sith? Count Spooko   Which sith always uses his spoon to eat his lunch Count Spoonu   What evil lord has lots of people living next door? Darth Neighbour   What Jedi always looks well dressed? Luke TieWalker   Which evil lord works in a restaurant? Darth waiter   What do you call a smelly storm trooper? A storm pooper   What do you call Darth Vader digging a hole? Darth Spader   What do you C3PO wetting his pants? C3PEE0   What do you call Asoka’s pet frog? Acroaka   What do you call a Jedi that loves pies? Luke Piewalker   What rebel loves hot drinks? Han Coco   What did Leia say to Luke at the dinner table? Use the fork Luke.   What do call Obi Wan eating fruit? Obi plum   What do you call Obi in a band? Obi Drum   What doe Luke take out at night? A Night Sabre   What is the favourite cooking pot on Endor? The e Wok

Take care, ye philosophers and friends of knowledge, and beware of martyrdom! Of suffering "for the truth's sake"! even in your own defense! It spoils all the innocence and fine neutrality of your conscience; it makes you headstrong against objections and red rags; it stupefies, animalizes, and brutalizes, when in the struggle with danger, slander, suspicion, expulsion, and even worse consequences of enmity, ye have at last to play your last card as protectors of truth upon earth—as though "the Truth" were such an innocent and incompetent creature as to require protectors! and you of all people, ye knights of the sorrowful countenance, Messrs Loafers and Cobweb-spinners of the spirit! Finally, ye know sufficiently well that it cannot be of any consequence if YE just carry your point; ye know that hitherto no philosopher has carried his point, and that there might be a more laudable truthfulness in every little interrogative mark which you place after your special words and favourite doctrines (and occasionally after yourselves) than in all the solemn pantomime and trumping games before accusers and law-courts! Rather go out of the way! Flee into concealment! And have your masks and your ruses, that ye may be mistaken for what you are, or somewhat feared! And pray, don't forget the garden, the garden with golden trellis-work! And have people around you who are as a garden—or as music on the waters at eventide, when already the day becomes a memory. Choose the GOOD solitude, the free, wanton, lightsome solitude, which also gives you the right still to remain good in any sense whatsoever! How poisonous, how crafty, how bad, does every long war make one, which cannot be waged openly by means of force! How PERSONAL does a long fear make one, a long watching of enemies, of possible enemies! These pariahs of society, these long-pursued, badly-persecuted ones—also the compulsory recluses, the Spinozas or Giordano Brunos—always become in the end, even under the most intellectual masquerade, and perhaps without being themselves aware of it, refined vengeance-seekers and poison-Brewers (just lay bare the foundation of Spinoza's ethics and theology!), not to speak of the stupidity of moral indignation, which is the unfailing sign in a philosopher that the sense of philosophical humour has left him. The martyrdom of the philosopher, his "sacrifice for the sake of truth," forces into the light whatever of the agitator and actor lurks in him; and if one has hitherto contemplated him only with artistic curiosity, with regard to many a philosopher it is easy to understand the dangerous desire to see him also in his deterioration (deteriorated into a "martyr," into a stage-and-tribune-bawler). Only, that it is necessary with such a desire to be clear WHAT spectacle one will see in any case—merely a satyric play, merely an epilogue farce, merely the continued proof that the long, real tragedy IS AT AN END, supposing that every philosophy has been a long tragedy in its origin.

with this line of reasoning. If it makes you feel better, you are free to go on calling Communism an ideology rather than a religion. It makes no difference. We can divide creeds into god-centred religions and godless ideologies that claim to be based on natural laws. But then, to be consistent, we would need to catalogue at least some Buddhist, Daoist and Stoic sects as ideologies rather than religions. Conversely, we should note that belief in gods persists within many modern ideologies, and that some of them, most notably liberalism, make little sense without this belief. It would be impossible to survey here the history of all the new modern creeds, especially because there are no clear boundaries between them. They are no less syncretic than monotheism and popular Buddhism. Just as a Buddhist could worship Hindu deities, and just as a monotheist could believe in the existence of Satan, so the typical American nowadays is simultaneously a nationalist (she believes in the existence of an American nation with a special role to play in history), a free-market capitalist (she believes that open competition and the pursuit of self-interest are the best ways to create a prosperous society), and a liberal humanist (she believes that humans have been endowed by their creator with certain inalienable rights). Nationalism will be discussed in Chapter 18. Capitalism – the most successful of the modern religions – gets a whole chapter, Chapter 16, which expounds its principal beliefs and rituals. In the remaining pages of this chapter I will address the humanist religions. Theist religions focus on the worship of gods. Humanist religions worship humanity, or more correctly, Homo sapiens. Humanism is a belief that Homo sapiens has a unique and sacred nature, which is fundamentally different from the nature of all other animals and of all other phenomena. Humanists believe that the unique nature of Homo sapiens is the most important thing in the world, and it determines the meaning of everything that happens in the universe. The supreme good is the good of Homo sapiens. The rest of the world and all other beings exist solely for the benefit of this species. All humanists worship humanity, but they do not agree on its definition. Humanism has split into three rival sects that fight over the exact definition of ‘humanity’, just as rival Christian sects fought over the exact definition of God. Today, the most important humanist sect is liberal humanism, which believes that ‘humanity’ is a quality of individual humans, and that the liberty of individuals is therefore sacrosanct. According to liberals, the sacred nature of humanity resides within each and every individual Homo sapiens. The inner core of individual humans gives meaning to the world, and is the source for all ethical and political authority. If we encounter an ethical or political dilemma, we should look inside and listen to our inner voice – the voice of humanity. The chief commandments of liberal humanism are meant to protect the liberty of this inner voice against intrusion or harm. These commandments are collectively known as ‘human rights’. This, for example, is why liberals object to torture and the death penalty. In early modern Europe, murderers were thought to violate and destabilise the cosmic order. To bring the cosmos back to balance, it was necessary to torture and publicly execute the criminal, so that everyone could see the order re-established. Attending gruesome executions was a favourite pastime for Londoners and Parisians in the era of Shakespeare and Molière. In today’s Europe, murder is seen as a violation of the sacred nature of humanity. In order to restore order, present-day Europeans do not torture and execute criminals. Instead, they punish a murderer in what they see as the most ‘humane

a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is. It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating. Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page. Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien. There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages. If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real

Emma Stone clearly emerges as a favourite of the studio, and when Pascal emails to ask what she would like to do following the end of the Spiderman franchise, she makes it clear that she is tired of playing quirky, charming love interests, and replies: 'I want to play a crazy person or a bitch or something extreme really different and fun.

The biggest miscalculation the tyrants and despots had made was to convince themselves that their citizens scorned the Western way of life, when in fact the opposite was true: Western ways were the envy of the world. Not only did people want to be able to choose their own leaders, enjoy a free press, and speak their minds freely and openly without fear of reprisal, but they yearned to look and live and love as they pleased. They wanted to wear the current trendy styles and fashions from the US and Europe, follow the exploits of their favourite celebrities, play the newest video games, watch the latest Hollywood blockbusters, binge on television box sets, view pornography, and download the hot new pop songs and videos.

Don't get your drawers in a twist,' was one of her favourite phrases, 'or you'll find yourself bum-bare in the market-place . . . .

In this Choose Your Own Story book, you make the decisions, and you get to go to Wendigo’s Academy for young witches and wizards. If you have always dreamed of receiving an invitation for a mysterious school of witchcraft and wizardry, this book is your dream come true. Your decisions will influence the house that you are sorted into and the friends you make. If you’re smart enough and brave enough, you can save the school, and maybe the world. Or maybe you’ll decide to join the other side and rise to power in the shadow of evil. Or forget all that serious stuff and prove your skills on a broom. The important thing is that in this book, it’s all up to you. There are 53 endings to choose from and hundreds of stories to tell! Wendigo’s Wizarding Academy is the premiere school of wizardry in North America. Nestled in the Rocky Mountains, the crooked, old castle is only accessible by airship. The ancient school has three houses named after the mythological creatures that live in and around the castle: the free-spirited Satyrs, the loving Unicorns, and the prodigious Jackalopes. It’s magic-soaked halls are full of adventure and treasures to find. Students can always be seen on the fields outside, playing Zithur, the school’s favourite game. To play it, one needs three teams, a full set of broomsticks, a winged toad, four flying ferrets and one mysterious golden box, called the Zithur. READ IT NOW! Get a free Choose Your Own Story book by signing up here! To get the latest news about when my next book comes out, free stories, and

And are you not afraid that I shall become a modern fine Lady? As  to the latter fear, I will tell you when you shall suspect me — If you find that I prefer the highest of these entertainments, or the Opera itself, well as I love music, to a good Play of our favourite Shakespeare, then, my Lucy, let your heart ake for your Harriet: Then, be apprehensive that she is laid hold on by levity; that she is captivated by the Eye and the Ear; that her heart is infected by the modern taste; and that she will carry down with her an appetite to pernicious gaming; and, in order to support her extravagance, will think of punishing some honest man in marriage.

My favourite letter, of all the ones I have received. "Hello. I cried in a museum in front of a Gaugin painting - because somehow he had managed to paint a transparent pink dress. I could almost see the dress wafting in the hot breeze. I cried at the Louvre in front of Victory. She had no arms, but she was so tall. I cried (so hard I had to leave) at a little concern where a young man played solo cello Bach suites. It was in a weird little Methodist church and there were only about fifteen of us in the audience, the cellist alone on the stage. It was midday. I cried because (I guess) I was overcome with love. It was impossible for me to shake the sensation (mental, physical) that J.S. Bach was in the room with me, and I loved him. These three instances (and the others I am now recollecting) I think have something to do with loneliness… a kind of craving for the company of beauty. Others, I suppose, might say God. But this feels too simple a response. Robin Parks

Sometimes I feel compelled to do something, but I can only guess later why it needed to done, and I question whether I am drawing connections where none really exist. Other times I see an event – in a dream or in a flash of “knowing” – and I feel compelled to work toward changing the outcome (if it’s a negative event) or ensuring it (when the event is positive). At the times I am able to work toward changing or ensuring the predicted event, sometimes this seems to make a difference, and sometimes it doesn’t seem to matter. Finally, and most often, throughout my life I have known mundane information before I should have known it. For example, one of my favourite games in school was to guess what numbers my math teacher would use to demonstrate a concept, or to guess the words on a vocabulary test before the test was given. I noticed I was not correct all the time, but I was correct enough to keep playing the game. Perhaps partially because of the usefulness of this mundane skill, I was an outstanding student, getting straight As and graduating from college with highest honours in neuroscience and a minor in computer science. I was a modest drinker even in college, but I found I could ace tests when I was hungover after a night of indulgence. Sometimes I think I even did better the less I paid attention to the test and the more I felt sick or spacey. It was like my unconscious mind could take over and put the correct information onto the page without interruption from my overly analytical conscious mind. At graduate school in neuroscience, I focused on trying to understand human experience by studying how the brain processes pain and stress. I wanted to know the answer to the question: what’s going on inside people’s heads when we suffer? Later, as I finished my PhD in psychoacoustics, which is all about the psychology of sound, I became fascinated with timing. How do we figure out the order of sounds, even when some sounds take longer to process than others? How can drummers learn to decode time differences of 1/1,000 of a second, when most people just can’t hear those kinds of subtle time differences? At this point, I was using my premonitions as just one of the tools in my day-to-day toolkit, but I wasn’t thinking about them scientifically. At least not consciously. Sure, every so often I’d dream of the slides that would be used by one of my professors the next day in class. Or I’d realize that the data I was recording in my experiments followed the curve of an equation I’d dreamed about a year before. But I thought that was just my quirky way of doing things – it was just my good student’s intuition and it didn’t have anything to do with my research interests or my life’s work. What was my life’s work again?

Spring’s imminence was a comfort akin to a favourite piece of music playing quietly in the background, all of the time.

If anything's to happen to you, the whole world will end up in flames and I will be the one holding the fucking match stick.

A group of Sphinxes plucked books off of the shelves and lay down in the grass, looking enraptured while Orion murmured to me that their kind could step right into the pages of a story. They didn’t just see it in their head, they lived every word, the whole thing playing out in their minds as if they were the main character, and that sounded pretty awesome. It must have been incredible to experience your favourite books first hand, to fall so deeply between the pages that it seemed as if those worlds really existed.

I know I like to play games and dance and do stupid shit, but I’m an adult. A killer. I hold onto the magic in the world because there’s so little of it that’s truly there. So I create it for myself instead. I run and play and skip and do whatever the fuck I like because I don’t have to do what society expects me to do. I’m free of those binds, unlike every other adult on this planet. I didn’t conform. I don’t school my features, or tuck my head down when someone looks at me weird. I don’t correct my behaviour, I don’t try to fit in. Because fitting in is so very fucking boring. It’s a cage that everyone walks so willingly into just so they don’t stand out. Teenagers put their dolls down, hide their favourite toys and cringe if their friends ever find them. But why do we have to put the dolls down, Hellfire? Why can’t I like glitter and fairies and jumping on trampolines just because society decided I’m not allowed to play anymore? It’s crab shit.

No,” I snarled before he could make the call official. “My father came to watch me play.” My gaze slid to the stands where my dad’s eyes were on me, filled with concern. Behind him, my step mother watched too and though she hid it from the world, I could see the pleasure she was taking in seeing me fail. I couldn’t let that stand. “If you’re going to keep playing then you need to suck it up,” Orion demanded. “Head in the game, work through the pain.” His favourite catch phrase had never seemed so literal. “I’m in,” I growled, forcing my thoughts away from the constant burn. I looked back at the pitch just in time to see an inflatable Pegasus sex toy floating over the Starlight crowd with Caleb’s name scrawled along its side and an arrow pointing at its open ass. Cal noticed it too and he fumbled his throw, his aim way off as he passed the ball to Darius who dove forward to try and save it. His fingertips brushed it but the Starlight Airsentry threw a gust of wind at the ball and it fell to the ground with a wet thump. My lips parted with horror as the scoreboard lit up with a -5 score to Zodiac and the Starlight crowd went wild. Darius snatched the ball back up and managed to hook it to Seth who slammed it into the Pit but that only brought us up to -4. “What the fuck is happening?” Orion murmured in disbelief. My time out of the game was up so I raced back onto the pitch to await the next ball without another word. I moved from foot to foot, trying to ignore the burning agony which had now firmly found its way between my ass cheeks. The whistle sounded, a flaming ball burst from the Fire Hole and once again the game was on. I just had to force my way through it until the end. (Max POV)

Then he said quietly, 'You've lost weight.' 'You're prone to digging through my head whenever you please,' I said, stabbing a piece of melon with my fork. 'I don't see why you're surprised by it.' His gaze didn't lighten, though that smile again played about his sensuous mouth, no doubt his favourite mask. 'Only occasionally will I do that. And I can't help it if you send things down the bond.' ... I scowled, clenching my fork harder. 'And how often do you just rifle through my mind when my shields are down?' All amusement faded from his face. 'When I can't tell if your nightmares are real threats or imagined. When you're about to be married and you silently beg anyone to help you. Only when you drop your mental shields and unknowingly blast those things down the bridge. And to answer your question before you ask, yes. Even with your shields up, I could get through them if I wished. You could train, though- learn how to shield against someone like me, even with the bond bridging our minds and my own abilities.

I played your favourite tunes on the old piano I sang mindlessly the song you loved the most I wished for you to walk in and sing with me Then I realized your favourite song has changed

Am I single? I don’t feel like it when I’m with you.” He smiled sweetly. “What’s your favourite colour?” he asked suddenly. “Blue. Yours?” “I can’t decide. It changes every time I see you,” his voice was quiet as he kept his eyes focused on the leaves. “When we first met, you were wearing the white apron from Arlene’s. Afterwards, I thought white was angelic. Then I saw you in a golden dress, and suddenly white seemed so dull compared to gold. Gold became common compared to the blue you wore to the play. Blue rusted when you wore white again. The last time we spoke, you wore a green shirt and I thought it was the most beautiful colour, so lively and vivid, but tonight…you’re wearing maroon. So tonight, that’s my favourite colour.

She wants to play? About fucking time. I’ll find her, and just like she said, she will be mine. I’ll have her screaming for more, even as I carve open her skin. My favourite fucking game—her.

One of the favourite books from the lending library is The Velveteen Rabbit, written by Margery Williams in 1922. Rabbit asks his friend the Skin Horse, ‘What is real?’ ‘Real isn’t how you are made,’ the Skin Horse replies. ‘It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.’ I have read this book many times and this one sentence reminds me of the times in my life when I really came to understand the meaning of the word real.

Little Bird, you knew what I would do when I caught you. Torturing you is my favourite hobby. You wanted this, so be a good girl and let me play.

Peter didn’t need to know the reason he called Lucinda pumpkin, his favourite type of pie. Her hatred of the fruit only played in his favour. He loved how her irritation caused her to blush, highlighting the cluster of freckles across her nose.

One of Michael’s favourite pastimes was hauling books down from his shelves and reading to me, or pointing out comments he had made on the flyleaves. The astringent Brigid Brophy never failed to amuse him. Her invective, he claimed, “would put anybody in a good temper. It’s my favourite cure for any kind of depression.” Michael read out a newspaper clipping reporting an apology concerning something Brophy had written that the press council deemed pornographic. A reader had complained about her article on Lucretius, the newspaper report noted: “Referring to the Latin language Ms. Brophy wrote, ‘yet, though non-colloquial Latin is rhetorical and declamatory because its sounds ooze forth, though its meaning has to be teased out, tension and internal contradiction are inherent in the language. I can’t believe it didn’t create in its users a psychological predisposition to tension like masturbating with one hand while playing chess with the other.” We roared. “It’s hard to beat. It makes me laugh like anything,” Michael said. He spoke of Brigid Brophy constantly. “It’s wonderful,” he chortled.

Soon I learned how to play the piano everywhere, whether on the streetcar or during gym class. I practised my fingerings on the pavement and on window panes, on the desks at school or in Father’s favourite bars. But was I playing or was the music playing within me? That too was something I could never say with certainty.

Talk of Vanessa reminded Michael of the terrible 1963 accident. Vanessa and Jason (in the backseat) had escaped harm. “We were saved by the Health Service,” Michael believed. Taken to the Hereford hospital, Michael regained consciousness and gave the staff there the name of their doctor and friend, Jerry Slattery, “a great supporter of the Health Service.” Slattery knew how to work the system and called on specialist consultants. When Michael awoke the first morning after the accident, he heard the words of his favourite childhood hymn, “Look away across the sea where mountains are prepared for me.” For a moment Michael thought he had arrived in the hereafter, but it was the Salvation Army playing the hymn outside the hospital.

BENJAMIN Age: 10 Height: 5’1 Favourite animal: His dog, Spooky   Of all the Cluefinders, Benjamin is the most interested in sports. He is very physically active, playing football and cricket at the weekends, and often going for a morning jog with Jake, his next-door neighbour, and their Dads. Ben took some karate lessons until he decided that he never wanted to fight another person if he could help it. Like Chris, he loves to read comic books, and his favourite super-hero is Spider-Man, who is also very athletic. He says, “I love to exercise because it means I can eat whatever I want without getting fat!” Ben especially loves spaghetti Bolognese and pizza.   Ben has a dog, Spooky, who he plays with all the time. Ben has a soft spot for all animals, and supports the World Wildlife Fund, which aims to protect endangered wild animals which are at risk of going extinct. His goals for the future include travelling around the world, an ambition he shares with Clara. He would like to visit the countries of South America, where there is an abundance of wildlife.

On the way to the tiny Los Pajaritos stadium (capacity just 9,025), Coldplay’s ‘Viva la Vida’ blared from the speakers on the team bus. That song, a favourite of Pep’s, would become the soundtrack to the rest of the season – the anthem for Guardiola’s era, even. When that song played, the players knew the moment had arrived. It was a warning. The call to action.

I like bets... my favourite ones are those in which food plays big role.

AM: You know [my mother] could read a novel in an afternoon. She was the fastest reader I’ve ever met in my life. Not only that she’d remember it for the rest of her life. JM: She was a very complicated woman. Very complex… AM: She had the energy of a dynamo. KM: she could sing, she could play the piano… JC: She could be quite flamboyant. AM: She used to dance on the table on New Year’s Eve. KM: … she could draw, she could… she was a helluva bridge player. JC: She was funny. JM: … very bitchy. KM: She had an attitude about most things. AM: Oh well, yeah [we kept kosher]… until she started making bacon. Loved bacon. JM: I think she tried to rule and divide the kids. JC: Yeah, you see I always consider myself the favourite. AM: Yeah, I think I was [the favourite]. … AM: See I would, for example if I didn’t want to go to school, I would start limping around. My mother immediately caught on and she said ‘You don’t want to have to go to school today, you’re limping.’ And we’d both go to some place and have oysters. RM: You said that she saw portents in a lot of things, she saw signs. AM: She saw… mysterious things in the air from time to time. She’d have feelings from people. She once sat up in bed in the middle of the night, she suddenly said ‘My mother died’. And indeed at that moment her mother had died. RM: How d’you think that translated into you though? AM: Well, I used to think that the way… that a play was not about what was spoken but what was between the spoken lines. That the world is essentially is not what we call real. And these arts are attempting to approach that world. And it all comes from my mother. Y’know, its always coming from somewhere. She was that way. She idiolised artists, pianists, writers and so on. My father had no knowledge of any of that.

.... I didn't recognise the million little ways they expressed their love for reach other. Like how my mom always bought my dad's favourite kind of cheese, Swiss, even though hers was Havarti. Like the way my dad forgot their wedding anniversary but remembered the songs that played on the radio the first time they kissed... My parents didn't buy each other fancy gifts or take expensive vacations or plan elaborate surprises. They were simple people who showed their love in minute ways every second of every day.

.... I didn't recognise the million little ways they expressed their love for each other. Like how my mom always bought my dad's favourite kind of cheese, Swiss, even though hers was Havarti. Like the way my dad forgot their wedding anniversary but remembered the songs that played on the radio the first time they kissed... My parents didn't buy each other fancy gifts or take expensive vacations or plan elaborate surprises. They were simple people who showed their love in minute ways every second of every day.

We were just getting bored enough to consider playing ‘how much do you reckon that house is worth?’—a favourite game amongst Londoners

According to Kezban Özcan, Leonard Cohen's assistant one of his favourite sayings was: ‘In this world, you have to be a bit too kind just to be kind enough.’ KO: I heard those words from him the first time but I think they belong to Pierre Carlet de Chamblain de Marivaux, a dramatist and novelist. [The quote comes from the 1730 Marivaux play, “Le Jeu de l’Amour et du Hasard.”] KO: After knowing him, kindness has a whole new meaning to me, and witnessing him perform kindnesses every single day is a very rare and beautiful thing. Also, I learned that it’s OK to take as long as you need to complete a task or anything else in the interest of excellence, even if that means missing deadlines, etc. He doesn’t rush anything or anyone. This is something I’m still learning this because I tend to move very fast because this kind of job requires you to be that way. But I’m unlearning this one.

Advent Season by Stewart Stafford A house bedecked in verdant wonderment, With lights that mirror the starry firmament, Where the Christmas Star did once shine, To guide worshippers to the Divine. The wreath on the door is a welcome portal, For any passing cheerful mortal, Wishing to enjoy warm company, And mountains of gravy-drowned turkey. Nostrils fill with cooking scents, That waft through the house with excitement A feast to consume on the 25th, After the Man in Red has paid a visit. Children orchestrate great noise, And sit and play with gifted toys, While adults watch and reminisce, On childhoods past and favourite gifts. The Wheel of Time turns, Festivities End, And the year itself begins again. In Time's juvenile crawl, Or adult speed, Life zips forward, and history repeats. © Stewart Stafford, 2020. All rights reserved.

and plays on your vulnerabilities — you are not smart or strong or tall enough. Does it claim to be rich in a nutrient or have extra doses of a nutrient? Iron, fibre, protein, vitamin D? Textbook nutritionism (read previous chapter or ask your parents about it once they have read it). Is it giving you a free toy for buying the product or a chance to win an iPhone or an all-expenses paid foreign trip? Illegal in a lot of countries where governments are active in protecting children from the cheap and unethical marketing practices of food companies. Does your favourite movie star or cricketer endorse the product? Truth be told, you are only engaged as a brand ambassador of junk food when you have a fit and agile body. Essentially, it means that you have had the mental and physical discipline to stay away from the very food that you are endorsing. And to tell you a secret, the celebs won’t even consume it on the day of the shoot; they

I grinned down at him. “69 is my favourite number, but we can play later. For now, my wolf needs her mate.

IT’S THE LITTLE THINGS We’ve been taught from such a young age that happiness is meant to be this big.Most of us are led to believe that happiness is the only final destination. We are taught that ,once we finally finally find it ,we’ll be forever satisfied in our lives so we live feeling overwhelmed and inadequate. BUT,the reality is that it is flawed “Happiness” is not the destination. I don’t think happiness is only big!! I think real happiness exists in the small things. Someone once said, “live for the little things in your life.” Live for the hot cup of coffee in the morning , Live for the days when you are surrounded by your loved ones or the sound of your parents voice. Live for those mornings and nights when you are happiest of all times. Live for the prettiest colours of skies with your favourite music playing nearby. Live for the moments when you laughed so hard that your stomach hurted and the every other thing, that made you feel electrified, and for the sudden realisation in your body that gives you comfort. It is these things in your life that makes you feel grateful and takes up the most room in your heart. The real happiness exists in finding the human beings who truly see youu ,who takes care of your soul! It exists in finding things that makes is feel known,special and at peace in this cold,harsh world,Who makes us realise that what is life and gives you the will to live . The little things?! The little moments?! And yes these are the only tiniest moments of our life that makes us feel loved and makes our heart smile:) Thus makes our life worth living -Zubia Ayman

Tom didn’t mind the tunes, with the exception of Cliff fucking Richards. Whenever he heard “Mistletoe and Wine” or “Saviour’s Day” he wanted to smash whatever was playing it. Mercifully, he managed to quell such wants and simply turn the music down or, better yet, off entirely. Currently, his favourite song was playing by The Pogues.