Picnic Status Quotes

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Human beings are walking bundles of cravings. Cravings for food, water, shelter, warmth; sex and companionship; status, a tribe to belong to; kicks, control, purpose; and so on, all the way down toe chocolate-brown bathroom suites. Love is one way to satisfy some of these cravings. But love's not just the drug; it's also the dealer. Love wants love in return. Like drugs, the highs look divine, and I envy the users. But when the side effects kick in - jealousy, the rages, grief, I think: Count me out. Elizabethans equated romantic love with insanity, Buddhists view it as a brat throwing a tantrum at the picnic of the calm mind.
David Mitchell (The Bone Clocks)
Science fiction lends itself readily to imaginative subversion of any status quo. Bureaucrats and politicians, who can’t afford to cultivate their imaginations, tend to assume it’s all ray-guns and nonsense, good for children. A writer may have to be as blatantly critical of utopia as Zamyatin in We to bring the censor down upon him. The Strugatsky brothers were not blatant, and never (to my limited knowledge) directly critical of their government’s policies. What they did, which I found most admirable then and still do now, was to write as if they were indifferent to ideology—something many of us writers in the Western democracies had a hard time doing. They wrote as free men write.
Arkady Strugatsky (Roadside Picnic)
Science fiction lends itself readily to imaginative subversion of any status quo. Bureaucrats and politicians, who can’t afford to cultivate their imaginations, tend to assume it’s all ray-guns and nonsense, good for children.
Arkady Strugatsky (Roadside Picnic)
Science fiction lends itself readily to imaginative subversion of any status quo.
Arkady Strugatsky (Roadside Picnic)
Olives are people's social status and what they're good at. The season of their harvest, in the magical autumn, transforms the men, women, and children of the village into bards, singers, and lyric poets whose rhythms turn the tiring work into a picnic and a collective joy.
Mourid Barghouti (ولدت هناك .. ولدت هنا)
The Monterey Pop Festival, held June 16 through 18 at the seaside town’s fairgrounds, proved to be a seminal event in rock history. Considering the hoopla it generated, especially after the release of filmmaker D. A. Pennebaker’s marvelous documentary, it should have boosted Nyro to celebrity status. It certainly did so for Jefferson Airplane, Big Brother and the Holding Company, and Jimi Hendrix. But instead, not only was Nyro absent from the film Monterey Pop—at her own request, according to Pennebaker—but the festival proved more a setback than a launch.
Michele Kort (Soul Picnic: The Music and Passion of Laura Nyro)