Bad Spelling Quotes

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The difference between my darkness and your darkness is that I can look at my own badness in the face and accept its existence while you are busy covering your mirror with a white linen sheet. The difference between my sins and your sins is that when I sin I know I'm sinning while you have actually fallen prey to your own fabricated illusions. I am a siren, a mermaid; I know that I am beautiful while basking on the ocean's waves and I know that I can eat flesh and bones at the bottom of the sea. You are a white witch, a wizard; your spells are manipulations and your cauldron from hell yet you wrap yourself in white and wear a silver wig.
C. JoyBell C.
So, you're the man who can't spell 'fuck.'" Dorothy Parker to Norman Mailer after publishers had convinced Mailer to replace the word with a euphemism, 'fug,' in his 1948 book, "The Naked and the Dead.
Dorothy Parker
I heard the man and woman cry a warning as I frantically racked my brain for some sort of throat-repairing spell, which I was clearly about to need. Of course the only words that I actually managed to yell at the werewolf as he ran at me were, 'BAD DOG!' Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me.... "You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Was it weird having a witch grandma? Scary? Was she always, like, threatening to cast spells if you were bad?" "Most of the time she just threatened to send me to my room." "That doesn't sound so scary to me." "That's because you haven't met her.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Beware of the man who denounces woman writers; his penis is tiny and he cannot spell.
Erica Jong
There's a link between bigotry and bad spelling.
David Mitchell (The Bone Clocks)
With friends, if you keep making an effort to reach out and you keep getting hurt, you eventually stop trying. But it's much harder to give up on family. Somewhere deep down you want it to work so badly that you keep making the same mistake over and over again.
Tori Spelling
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.
L.M. Montgomery
I'm skipping, but Cam doesn't have a class until this afternoon, so he's a good boy." "And your a bad boy?" "Oh, I'm a bad, bad boy." "Yeah, as in bad at spelling, math, english, cleaning up after yourself, talking to people, and I could go on.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
You pile of stones, you waste, you desolation, I'll stuff you with misery till it comes out of your eyes. I'll change your heart into green grass, and all you love into a sheep. I'll turn you into a bad poet with dreams.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Stripping the protection wards off the ship was bad enough—it's a strong, strong enchantment, demon-based—but when you fell, I had to put a fast spell on the truck so it wouldn't sink when I lost consciousness. And I will lose consciousness, Alec.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
What were you thinking?" I demanded once we were moving to the music. I was trying to ignore his hands. "Do you know how much trouble you may have gotten me in?" Adrian grinned. "Nah. They all feel bad for you. You'll achieve martyrdom after dancing with a mean, wicked vampire. Job security with the Alchemists.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Normal is over rated, and so is spelling.You want perfection? Go out and buy a spell check, but know this: Spellcheck won't keep you warm at night or love you unconditionaly. I will stick to being abnormal and a bad speller. Makes life more interesting. After all, what fun is there in being normal or perfect?
Kent Marrero
The fairy tale was back on. Prince returned, bad spell broken. I wasn't sure exactly what to do about the leftover, unresolved character. Where was his happily ever after?
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Bad spelling can be lethal.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
I glanced around at everyone. “It’s going to be bad. Worse than bad, probably.” “We’ll manage it,” Cal said. “Yeah,” Jenna said, smiling shakily. “We’re kind of badass in our own right.” I gripped her hand. “Damn straight.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
The true function of art is to criticize, embellish and edit nature… the artist is a sort of impassioned proof-reader, blue penciling the bad spelling of God.
H.L. Mencken
And you're a bad boy?" I asked. Ollie's grin was contagious. "Oh, I'm a bad, bad boy." Cam shot his friend a look. "Yeah, as in bad at spelling, math, english, cleaning up after yourself, talking to people, and I could go on.
J. Lynn (Wait for You (Wait for You, #1))
You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Callistanas aren’t so bad either,” I said, looking down at my satchel. “That ‘pain in the ass’ screeching saved me from a face full of acid.” Adrian put his hand to his heart in mock horror. “Sage, did you just swear?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Your Royal Bloody Pain in My Back, We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen. So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important. --Mat p.s. Salutation means greeting. p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done. p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
Robert Jordan
Thou shalt not use the 140 characters limit as an excuse for bad grammar and/or incorrect spelling.
Mokokoma Mokhonoana
For a second, I wanted very badly to know a spell that would let me melt through the floor in a quivering puddle of please-don't-kill-me.
Jim Butcher (Skin Game (The Dresden Files, #15))
but what I have realized over time is that in many ways, money spells freedom. If you learn to control your finances, you won’t find yourself stuck in jobs, places, or relationships that you hate just because you can’t afford to go elsewhere. Learning how to manage your money is one of the most important things you’ll ever do. Being in a good spot financially can open up so many doors. Being in a bad spot can slam them in your face.
Sophia Amoruso (#GIRLBOSS)
Her bedroom window overlooked the garden, and now and then, usually when she was "having a bad spell," Mr. Helm had seen her stand long hours gazing into the garden, as though what she saw bewitched her. ("When I was a girl," she had once told a friend, "I was terribly sure trees and flowers were the same as birds or people. That they thought things, and talked among themselves. And we could hear them if we really tried. It was just a matter of emptying your head of all other sounds. Being very quiet and listening very hard. Sometimes I still believe that. But one can never get quiet enough...")
Truman Capote (In Cold Blood)
They say I should stay away from you,” I said. “They said you’re not good for me.” “I’m not,” he said with a wicked smile, “But doesn’t that make it even more fun?
Kassandra Cross (Black Magic)
I SEE THE GIRL WRITES IN GREEN CRAYON ON PINK PAPER WITH A MOUSE IN THE CORNER. THE MOUSE IS WEARING A DRESS. 'I ought to point out that she decided to do that so the Hogfather would think she was sweet,' said Susan. 'Including the deliberate bad spelling. But look, why are you ...' SHE SAYS SHE IS FIVE YEARS OLD. 'In years, yes. In cynicism, she's about thirty-five. Why are you doing the...' BUT SHE BELIEVES IN THE HOGFATHER? 'She'd believe in anything if there was a dolly in it for her.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
There’s a link between bigotry and bad spelling. I’ve met it before.
David Mitchell (The Bone Clocks)
Our nights are different. She falls asleep like someone yielding to the gentle tug of a warm tide, and floats with confidence till morning. I fall asleep more grudgingly, thrashing at the waves, either reluctant to let a good day depart or still bitching about a bad one. Different currents run through our spells of unconsciousness.
Julian Barnes (A History of the World in 10½ Chapters)
The floor of ice cream parlor bothered me. It was black-and-white checkboard tile, bigger than supermarket checkboard. If I looked only at a white square, I would be all right, but it was hard to ignore the black squares that surrounded the white ones. The contrast got under my skin. The floor meant yes, no, this, that, up, down, day, night -all the indecisions and opposites that were bad enough in life without having them spelled out for you on the floor.
Susanna Kaysen (Girl, Interrupted)
Good people will do good things, and bad people will do bad things. But for good people to do bad things—that takes religion. —Steven Weinberg, 1999
Daniel C. Dennett (Breaking the Spell: Religion as a Natural Phenomenon)
We can't pray that God make our lives free of problems; this won't happen, and it is probably just as well. We can't ask Him to make us and those we love immune to diseases, because He can't do that. We can't ask Him to weave a magic spell around us so that bad things will only happen to other people, and never to us. People who pray for miracles usually don't get miracles, any more than children who pray for bicycles, good grades, or good boyfriends get them as a result of praying. But people who pray for courage, for strength to bear the unbearable, for the grace to remember what they have left instead of they have lost, very often find their prayer answered.
Harold S. Kushner (When Bad Things Happen to Good People)
...he seems to be on the brink of one of his bad spells again, one of the fits of lugubrious self-pity that turn into black gloom. He likes to think that they comes from elsewhere, episodes of bad weather that cross the sky and pass on. He prefers not to think they come from inside him and are his, part of him.
J.M. Coetzee (Slow Man)
Incompatible religious doctrines have balkanized our world into separate moral communities, and these divisions have become a continuous source of bloodshed. Indeed, religion is as much a living spring of violence today as it has been at any time in the past. The recent conflicts in Palestine (Jews vs. Muslims), the Balkans (Orthodox Serbians vs. Catholic Croatians; Orthodox Serbians vs. Bosnian and Albanian Muslims), Northern Ireland (Protestants vs. Catholics), Kashmir (Muslims vs. Hindus), Sudan (Muslims vs. Christians and animists), Nigeria (Muslims vs. Christians), Ethiopia and Eritrea (Muslims vs. Christians), Sri Lanka (Sinhalese Buddhists vs. Tamil Hindus), Indonesia (Muslims vs. Timorese Christians), Iran and Iraq (Shiite vs. Sunni Muslims), and the Caucasus (Orthodox Russians vs. Chechen Muslims; Muslim Azerbaijanis vs. Catholic and Orthodox Armenians) are merely a few cases in point. These are places where religion has been the explicit cause of literally millions of deaths in recent decades. Why is religion such a potent source of violence? There is no other sphere of discourse in which human beings so fully articulate their differences from one another, or cast these differences in terms of everlasting rewards and punishments. Religion is the one endeavor in which us–them thinking achieves a transcendent significance. If you really believe that calling God by the right name can spell the difference between eternal happiness and eternal suffering, then it becomes quite reasonable to treat heretics and unbelievers rather badly. The stakes of our religious differences are immeasurably higher than those born of mere tribalism, racism, or politics.
Sam Harris
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her. "The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt. "But I can't do none of that stuff. That wouldn't be Right." She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
You know, for a big, bad werewolf, you sure are sweet.
Juliette Cross (Wolf Gone Wild (Stay A Spell #1))
Je suis ce que je suis.” – Death “Is that a spell?” – Nick “It’s French, Nick. Means ‘I am what I am.’ Sheez, kid. Get educated. Read a book. I promise you it’s not painful.” – Death “I would definitely argue that. Have you seen my summer reading list? It’s nothing but girl books about them getting body parts and girl things I don’t want to discuss in class with my female English teacher. Maybe in the boys’ locker room and maybe with a coach, but not with a woman teacher in front of other girls who already won’t go out with me. Or worse, they’re about how bad all of us men reek and how we need to be taken out and shot ‘cause we’re an affront to all social and natural orders. Again – thanks, Teach. Give the girls even more reason to kick us down when we talk to one. Not like it’s not hard enough to get up the nerve to ask one out. Can you say inappropriate content? And then they tell me my manga’s bad. Riiight…Is it too much to ask that we have one book, just one, on the required reading list that says, ‘Hey, girls. Guys are fun and we’re okay. Really. We’re not all mean psycho-killing, bloodsucking animals. Most of us are pretty darn decent, and if you’ll just give us a chance, you’ll find out we’re not so bad.’” – Nick
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
I sat down and got out my current project, an extremely bad villanelle in which I was carefully avoiding the word pestilence, which was trying so hard to shove its way into every stanza that I was sure that if I actually wrote it down, the whole thing would turn into a tidy evocation of a new plague. I’m probably the only student who tries to prevent my writing assignments from turning into new spells.
Naomi Novik (A Deadly Education (The Scholomance, #1))
Harry: "Have you…" he began. "I mean, who … has anyone you known ever died?" "Yes," said Luna simply, "my mother. She was a quite extraordinary witch, you know, but she did like to experiment and one of her spells went rather badly wrong one day. I was nine." "I’m sorry," Harry mumbled. "Yes, it was rather horrible," said Luna conversationally. "I still feel very sad about it sometimes. But I’ve still got Dad. And anyway, it’s not as though I’ll never see Mum again, is it?" "Er – isn’t it?" said Harry uncertainly. She shook her head in disbelief. "Oh, come on. You heard them, just behind the veil, didn’t you?" " You mean…" "In that room in the archway. They were just lurking out of sight, that’s all, you heard them.
J.K. Rowling
You wear knee socks every day?” Izzy asked, scowling. “That’s reason enough to take this place down.” Even though I was scared and worried, I chuckled. “Just wait until we get there and you experience the torture that is wool in humid weather. You’ll wanna sink the whole island.” “It’s not so bad,” Cal said, and Jenna hooted with laughter. “Yeah, says the guy who wears flannel in August.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
What do you suppose ‘Jack and the Beanstalk’ is about?” she asked. Conner contemplated a moment and slyly grinned. “Bad beans can cause more than indigestion,” he answered, laughing hysterically to himself. Alex pursed her lips to hide a smile. “What do you think the lesson of ‘Little Red Riding Hood’ is?” she asked him. “Do you think she should have just mailed her grandmother the gift basket?” “Now you’re thinking!” he said. “Although, I’ve always felt sorry for Little Red Riding Hood. It’s obvious her parents didn’t like her very much.” “Why do you say that?” Alex asked, wondering how he could have possibly construed that from the story. “Who sends their young daughter into a dark and wolf-occupied forest carrying freshly baked food and wearing a bright jacket?” Conner asked. “They were practically asking for a wolf to eat her! She must have annoyed the heck out of them!” Alex held back laughter with all her might but, to Conner’s delight, she let a quiet chuckle slip. “I
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
After the exciting word lesson, he started telling me all the possible Q words one can spell without a U. I wondered, Is there a Q in “motherfucker”?
Roxane Gay (Bad Feminist: Essays)
Hmph. A big, bad werewolf just blew me a kiss. That was the sexiest and cutest thing I’d ever seen.
Juliette Cross (Wolf Gone Wild (Stay a Spell, #1))
Every tragedy that happens in the world happens to my mother, and this more than anything about her turns my stomach. She worries over people she’s never met who have a spell of bad chance. She cries over news from across the globe. It’s all too much for her, the cruelty of human beings.
Gillian Flynn (Sharp Objects)
Arms wrapped around him, she kissed him, halting the flow of his words. He decided he would allow the kiss, but since he couldn’t make her naked here, he had to stop it. “Why did you change your face, Lily?” Liliana lifted her hands to her face at that quizzical question, terrified her father had cast a final vengeful spell. “Is it very bad?” she whispered to the man who held her in arms of steel. “I suppose I’ll get used to it,” he muttered, then kissed her again using his tongue and squeezing her bottom—as if his brothers and sister, and other people, weren’t standing right there. An instant later, she decided she didn’t care.
Nalini Singh (Lord of the Abyss (Royal House of Shadows, #4))
Esmeralda?” Scarlett turned to the witch next. “Don’t you want to do magic, again?” “Of course I do! It’s the only thing I dream of. Casting spells… Turning people into frogs… Genetically engineering my gingerbread army…
Cassandra Gannon (Wicked Ugly Bad (A Kinda Fairytale, #1))
Rituals were funny things. People thought of them as either elaborate formulas, magic spells, or compulsions drilled into the subconscious by months or years of repetition. But really, ritual was just a fancy word for habit. A thing that became easier to do than not do. And habits were simple—especially bad ones, like letting people in.
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
There will be a time when love is beautiful and passionate and nothing else will exist but you and the person you love, and a time when love hurts so badly that you will wish you wouldn't wake up. I say this. Always, always, always approach love with the heart of the angel you were born with.
Julieanne O'Connor (Spelling It Out for Your Man)
She’s keeping people down here in storage,” I said, my voice echoing. “Like they’re things. Archer. This is…Look, I knew whatever was down here would be bad. It’s not like Lara Casnoff would use a powerful blood spell to guard her chocolate chip cookie recipe. But this?” “Yeah,” Archer said softly. “This goes beyond bad, and straight into nightmarish.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
There were some things that were a part of you, no matter how badly they hurt.
Adrienne Young (Spells for Forgetting)
I told you I know what broken is. That is broken—staring at the wall and weeping, while creditors hammer on the door and your troupe slowly slips away, stealing the best costumes in lieu of wages. When your friends leave you and you still cannot move, and nothing your daughter says can break you out of the spell. No man is broken because bad things happen to him. He’s broken because he doesn’t keep going after those things happen. When you told me about your mother, and how it made you resolve to be the person you are… What I thought was, ‘Yes, please, I’ll take him.’ Because you didn’t break.
Courtney Milan (Unraveled (Turner, #3))
Susan . . . it wasn't a good name, was it? It wasn't a truly bad name, it wasn't like poor Iodine in the fourth form, or Nigella, a name which meant "oops, we wanted a boy." But it was dull. Susan. Sue. Good old Sue. It was a name that made sandwiches, kept its head in difficult circumstances, and could reliably look after other people's children. It was a name used by no queens or goddesses anywhere. And you couldn't do much even with the spelling. You could turn it into Suzi, and it sounded as though you danced on tables for a living. You could put in a Z and a couple of Ns and an E, but it still looked like a name with extensions built on. It was as bad as Sara, a name that cried out for a prosthetic H.
Terry Pratchett (Soul Music (Discworld, #16; Death, #3))
There are good checklists and bad, Boorman explained. Bad checklists are vague and imprecise. They are too long; they are hard to use; they are impractical. They are made by desk jockeys with no awareness of the situations in which they are to be deployed. They treat the people using the tools as dumb and try to spell out every single step. They turn people’s brains off rather than turn them on. Good checklists, on the other hand, are precise. They are efficient, to the point, and easy to use even in the most difficult situations. They do not try to spell out everything—a checklist cannot fly a plane. Instead, they provide reminders of only the most critical and important steps—the ones that even the highly skilled professionals using them could miss. Good checklists are, above all, practical. The power of
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time." "Ceri, I'm sorry," I fumbled, but she wasn't listening. "You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?" "No..." I wedged in. "That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?" "No. Ceri -" I took a step forward. "My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
She felt their envy and this broke her. The story ended, she couldn’t tell the rest, they’d hate her, she had to stop, she wasn’t any good, shut up you bad, bad, bad ugly girl and you don’t deserve any of this and so the spell was broken and she ran home through a tangle of words where the letters jumbled and made no sense and meant nothing, and the words were ugly and she was not to be heard or seen, she was blemished and too fat, too thin, not smart, too smart, not good, not a storyteller, not a creator, not a woman, not, not, not. All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
As I looked around the room at all these people-my family-excitement thrummed through me. Yes, this might go down in history as the stupidest thing I’d ever done, but it felt so good to have a plan that I didn’t care if it was a bad one.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
You look so beautiful No one but me knows you're insane I feel so damn pathetic My friends just don't get it Cause you've got me under oath Before you I was in a fucking rut One day you are in the past That night I ask you back It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing You've got me feeling strange Cause I love to hate you so damn much But I can't think of leaving Cause you're what keeps me breathing It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing
Calum Hood
As she put it, she knew of nothing so ravishing as having a child whom she could whip whenever she was in a bad mood. ("The Queen Fantasque")
Jean-Jacques Rousseau (Spells of Enchantment: The Wondrous Fairy Tales of Western Culture)
I hope I don’t have to kiss anyone to wake them up. Bad things always seem to happen when I kiss someone to break a spell.
Shanna Swendson (No Quest For The Wicked (Enchanted, Inc., #6))
The truth is that trying to classify something as purely good or purely bad lacks empathy and complex thought. In witchcraft there are no absolutes—nothing is inherently good or bad.
Tonya A. Brown (The Door to Witchcraft: A New Witch's Guide to History, Traditions, and Modern-Day Spells)
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
Gillian Flynn (Sharp Objects)
My apologies, see, I forgot my manners. I get on the mic ’cause it’s my life. You show off for girls and cameras. You a pop star, not a rapper. A Vanilla Ice or a Hammer. Y’all hear this crap he dumping out? Somebody get him a Pamper. And a crown for me. The best have heard about me. You can only spell “brilliant” by first spelling Bri. You see, naturally, I do my shit with perfection. Better call a bodyguard ’cause you gon’ need some protection, And on this here election, the people crown a new leader. You didn’t see this coming, and your ghostwriters didn’t either. I came here to ether. I’m sorry to do this to you. This is no longer a battle, it’s your funeral, boo. I’m murdering you. On my corner they call me coroner, I’m warning ya. Tell the truth, this dude is borin’ ya. You confused like a foreigner. I’ll explain with ease: You’re just a casualty in the reality of the madness of Bri. No fallacies, I spit maladies, causin’ fatalities, And do it casually, damaging rappers without bandaging. Imagining managing my own label, my own salary. And actually, factually, there’s no MC that’s as bad as me. Milez? That’s cute. But it don’t make me cower. I move at light speed, you stuck at per hour. You spit like a lisp. I spit like a high power. Bri’s the future, and you Today like Matt Lauer. You coward. But you’re a G? It ain’t convincing to me. You talk about your clothes, about your shopping sprees. You talk about your Glock, about your i-c-e. But in this here ring, they all talking ’bout me, Bri!
Angie Thomas (On the Come Up)
Judge Knight: Here's a word of advice. Our Sun Knight has the nerve to PLOT THE DOWNFALL OF A KING. DO NOT get on his bad side if you don't have a status higher than that. Storm Knight: In addition he has mastered the Resurrection Spell, which even the Pope has a hard time with. And he's an expert of divine magic, sorcery, and necromancy. Then he's got a teacher who's known as 'the strongest Sun Knight in history' as his supporter, not to mention his other teacher who's no doubt a necromancer... Oh, and while we're at it he's probably also buddies with a Death Lord. Everyone's Thoughts: His extraordinarily bad swordsmanship really is a stroke of good fortune. Earth Knight: Dammit! Is he the Sun Knight or the devil himself?! Leaf Knight: Have you forgotten what our teachers taught us all throughout our childhood, Earth? Teacher: 'Child, when you accidentlly discover the imperfections of the Sun Knight, unless you want to have a first hand experience of his imperfections, you'd better dutifully admit he is perfect. Remember, no matter what the Sun Knight is always perfect!
Yu Wo (The Legend of Sun Knight, Vol. 3 (The Legend of Sun Knight - Manhua, #3))
There will be a time when love is beautiful and passionate and nothing else will exist but you and the person you love, and a time when love hurts so badly that you will wish you wouldn't wake up. I say this. Always, always, always approach love with the heart of the angel you were born with. Never become bitter and always know that pain goes away. Marry for love. But also choose to marry a man or woman who you love that treats you with the ultimate respect for your expression of who you are at your very core. Always see the good, appreciate every moment and remember that love lives on forever.
Julieanne O'Connor (Spelling It Out for Your Man)
Oh, there are little rhymes a mage might use to remember the sequence of what must be done, but the words themselves don't do a thing. You could write every 'spell' as high as a man on the barn wall, but if you don't have the power to start with, all you'd have is a strange rhyme. And a bad one at that".
Gail Z. Martin (The Blood King (Chronicles of the Necromancer, #2))
I’m such a terrible speller that sometimes I misspell words so bad that they become unreadably readable. For example, I might misspell a simple word like “Love” and have it come out as the properly spelled “Hate.”

Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Whenever he told the story, Rat had a tendency to stop now and then, interrupting the flow, inserting little clarifications or bits of analysis and personal opinion. It was a bad habit, Mitchell Sanders said, because all that matters is the raw material, the stuff itself, and you can’t clutter it up with your own half-baked commentary. That just breaks the spell. It destroys the magic. What you have to do, Sanders said, is trust your own story. Get the hell out of the way and let it tell itself.
Tim O'Brien (The Things They Carried)
So yeah, you were part of the job. Don't get me wrong, Mercer, I like you. You're smart, fluent in sarcasm, and, Bad Dog incident aside, pretty kick-ass at magic. And it's not like you're hard to look at." "Be still my beating heart." "But to answer your question, no part of the Archer Cross you knew at Hecate exists. That day in the cellar, I kissed you back because it was my job to stay close to you. If that's where you wanted to take things, then that's where I was going to go. I kissed you because I had to. Not exactly the hardest assignment I've ever had, but an assignment nonetheless." I stood there absorbing his words like blows, my heart aching. But it wasn't what he said that made me feel like I'd been punched in the chest. It's that I knew he was lying. That speech came out way too quickly and way too smooth, almost like he'd been practicing it in his head. The same way I'd been practing what I'd say to him if I ever saw him again. I couldn't even begin to handle that right now, so instead I just said, "Okay,then. Yay for honesty. Now that we're done with the confessional part of the evening, why don't you tell me why we're here." There was another pause, then he started walking again. I followed, leaves crunching under my feet. "Like I said, Hacte Hall has always made The Eye nervous." "Why? Are they allergic to plaid?" I thought he might laugh, but instead, he said, "Think about it,Mercer.One place where Prodigium round up their most powerful members? Don't tell me that's not suspicious." That had never occurred to me. I'd always just thought of all us at Hecate as giant screwups, but in a way, Archer was right. We'd all been sentenced to Hex Hall because of spells that were powerful and dangerous. I thought of Cal saying I created "too big." Wasn't that what just about everyone at Hecate had done? Still, the idea that the place I'd called home for nearly a year was actually some evil farm for powerful Prodigium was unsettling to say the least.
Rachel Hawkins (Demonglass (Hex Hall, #2))
the Japanese ministry of Education acted with inappropriate haste and unforgivable cavalierness, implementing drastic change before anyone realized what was happening. . . . In English it would be almost ad bad as enforcing a new spelling of philosophy as filosofee.
Minae Mizumura (The Fall of Language in the Age of English)
Style still matters, for at least three reasons. First, it ensures that writers will get their message across, sparing readers from squandering their precious moments on earth deciphering opaque prose. When the effort fails, the result can be calamitous-as Strunk and White put it, "death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram." Governments and corporations have found that small improvements in clarity can prevent vast amounts of error, frustration, and waste, and many countries have recently made clear language the law of the land. Second, style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily. Here is how one technology executive explains why he rejects job applications filled with errors of grammar and punctuation: "If it takes someone more than 20 years to notice how to properly use it's, then that's not a learning curve I'm comfortable with." And if that isn't enough to get you to brush up your prose, consider the discovery of the dating site OkCupid that sloppy grammar and spelling in a profile are "huge turn-offs." As one client said, "If you're trying to date a woman, I don't expect flowery Jane Austen prose. But aren't you trying to put your best foot forward?" Style, not least, adds beauty to the world. To a literate reader, a crisp sentence, an arresting metaphor, a witty aside, an elegant turn of phrase are among life's greatest pleasures. And as we shall see in the first chapter, this thoroughly impractical virtue of good writing is where the practical effort of mastering good writing must begin.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
It struck me that this was the second time in a couple of days that just yelling someone's name on the street could have spelled disaster. Then it struck me how wrong that was. To have to keep your life sectioned off like that. A signal that you'd fallen into a bad way to live.
Catherine Ryan Hyde (Chasing Windmills)
Currently, it was leading him through a neighborhood that was on the downside of whatever curve you hoped you'd bought your property on the upside of. Graffiti and garbage were everywhere here. They were everywhere in the city, if it came to that, but elsewhere the garbage was better quality, and the graffiti was close to being correctly spelled. The whole area was waiting for something to happen, like a really bad fire.
Terry Pratchett
The sad truth is, S—, most people are not writers. This has nothing to do with literacy—or intelligence, or general culture. There are people who can correct the grammar, spelling, diction, and style of a college English paper with the best of them—who are still not writers. Indeed, most of what gets published in books, magazines, and newspapers is not written by real writers—which is one reason why so much of it is so bad.
Samuel R. Delany (About Writing: Seven Essays, Four Letters, & Five Interviews)
But I also know of yet another life. I know and want it and devour it ferociously. It's a life of magical violence. It's mysterious and bewitching. In it snakes entwine while the stars tremble. Drops of water drip in the phosphorescent darkness of the cave. In that dark the flowers intertwine in a humid fairy garden. And I am the sorceress of that silent bacchanal. I feel defeated by my own corruptibility. And I see that I am intrinsically bad. It's only out of pure kindness that I am good. Defeated by myself. Who lead me along the paths of the salamander, the spirit who rules the fire and lives within it. And I give myself as an offering to the dead. I weave spells on the solstice, spectre of an exorcised dragon.
Clarice Lispector
I was able to do an invisibility spell and get in. There must have been hundreds of Prodigium there. Anyway, that’s where Lara made the big announcement that your dad had been murdered by The Eye.” He nodded toward Aislinn. “With the help of the Brannicks.” Aislinn swore under her breath, and Mom lowered her head. “Okay,” I said slowly. “Look, I get that that’s bad, but can’t you just pop up and be like, ‘Hey, here I am! Totally not dead!” “I could,” said Dad, “but if it suits the Casnoffs’ purposes for me to be deceased, something tells me I wouldn’t stay ‘totally not dead’ for long.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I'm Susanne,' she said to me on our first meeting, 'but call me Suzi,' which wasn't too bad until I discovered she spelled it with an i . A y would have been too cozy for Suzi, too normal, too close to who she usually is. And you should never trust people who yearn to be something other than who they are.
Araminta Hall (Our Kind of Cruelty)
My parents were told by the principal of West Barnstable Elementary School and my teacher that I was a bright boy whose spelling was in the retarded range and whose handwriting was the worst they’d ever seen. I find it embarrassing that I spell so badly. I will do almost anything to avoid being embarrassed, but no effort either on my part or on the part of any teacher has ever dented my utter bafflement when it comes to choosing which letters to put down, how many, and in what order.
Mark Vonnegut (Just Like Someone Without Mental Illness Only More So: A Memoir)
I think we’ve met our quota for tearful reunions,” she chuckled against the top of my head. “When this is done, I promise I’m never going to leave the house ever again. We’ll just stay in and order pizza and watch bad television.” Mom pulled away and looked over my shoulder. “Oh, I think you might want to get out every now and then,” she said. I felt the warm weight of Archer’s hand on my waist. “Hey, I like pizza and bad TV.” I turned to him, surprised. “Your chest-“ “Cal,” he said by way of explanation. “I owe that guy, like, a mountain of burgers. It’s getting embarrassing.” Mom flashed me a little smile before saying, “You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I will say that meeting him was like walking out of a dark wood. He's not perfect and I'm not perfect and we have our hard times but I remember moving towards him through Terminal 4 and it was like emerging from the cold and into the sun. Like waking up from the bad dream that was my life before him. And all the confusion and fear and self-hatred that I'd always felt in the presence of other people... I was shedding it like a skin. The spell had ended. And I remember thinking: everything is possible. If this is possible, anything is possible.
Annie Baker (John)
Is that true?” I asked Dad. “Are they gone for good?” Dad shifted in his seat, uneasy. “Not necessarily. But Sophie, the risk involved in bringing them back…It’s almost too great to fathom.” “I can fathom all kinds of things,” I told him. “Try me.” I think I might have seen pride in Dad’s eyes. Or maybe it was just a gleam of Why is my offspring so insane? Still, he answered me. “If you destroy both the ritual and the witch or warlock who used it, the spell itself can be reversed.” I shrugged. “That doesn’t sound so hard.” “I wasn’t finished. They must be destroyed simultaneously.” Swallowing, I tried to sound cheerful. “Again, not so bad. Get Lara to hold the piece of paper, zap them both with, um, some fire or something, and bam! Instant demon reversal.” “And they must be destroyed in the pit where the demons were raised,” Dad continued, as if I hadn’t said anything. Seriously, he had to stop doing that. “Oh, and as the piece de resistance, you’ll need to do a spell to close the pit itself, with both the ritual and the witch inside it. And that’s such an intense ritual that it could actually pull whatever’s around the pit into it as well.” “Like, the person doing the spell?” “Like, the whole damn island the put is on.” “Oh. Okay. Well, that is definitely…challenging. But not impossible. And we have the grimoire, that’s one bonus, right? Even if the demon-raising ritual isn’t in it.” “Sophie Alice Mercer,” Mom said warningly, just as Dad said, “Atherton,” and Aislinn said, “Brannick.” I threw my hands up. “Look, it doesn’t matter what you call me. I’ll hyphenate, how about that?
Rachel Hawkins (Spell Bound (Hex Hall, #3))
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight. “Okay, we need to look up that word,” I say in aggravation. “I think it’s important.” Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks. We get the spelling wrong three times before we finally land on a translation that makes sense: heir. “Oh!” she exclaims. “They’re talking about the father’s will.” “Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.” We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become. With a growl, I snatch the remote control and hit stop. “Hey, it’s not over yet,” she objects. “Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.” One blond eyebrow flicks up. “Who has the power to revoke it?” “I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.” “So you’re too much of a manly man to watch a French soap opera?” “Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.” “Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.” She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.” “Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
Elle Kennedy (The Score (Off-Campus, #3))
Wow,” I said as we came to a stop. “These aren’t really tents. They’re more like cabins. Or like a tent and a cabin had a baby. A ‘tenbin.’” It was a bad joke. A stupid one, and my heart wasn’t even a little bit in it. Archer would’ve laughed at it anyway, I thought, and once again, pain slammed into my chest, nearly leaving me breathless. Cal didn’t say anything, so I just swung my arm out, gesturing to the tents. “Pick any of them. They’re all empty.” Still not looking at me, Cal moved toward the tent directly in front of us, and pushed back the flap. It occurred to me that I probably should have just given him the lantern instead of following him inside, but by the time I’d had that thought, he was already in the tent. I climbed the steps and ducked through the canvas doorway. “Wow,” I said to his back. “Not exactly the digs we had at Thorne, huh?
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Ethan’s parents constantly told him how brainy he was. “You’re so smart! You can do anything, Ethan. We are so proud of you, they would say every time he sailed through a math test. Or a spelling test. Or any test. With the best of intentions, they consistently tethered Ethan’s accomplishment to some innate characteristic of his intellectual prowess. Researchers call this “appealing to fixed mindsets.” The parents had no idea that this form of praise was toxic.   Little Ethan quickly learned that any academic achievement that required no effort was the behavior that defined his gift. When he hit junior high school, he ran into subjects that did require effort. He could no longer sail through, and, for the first time, he started making mistakes. But he did not see these errors as opportunities for improvement. After all, he was smart because he could mysteriously grasp things quickly. And if he could no longer grasp things quickly, what did that imply? That he was no longer smart. Since he didn’t know the ingredients making him successful, he didn’t know what to do when he failed. You don’t have to hit that brick wall very often before you get discouraged, then depressed. Quite simply, Ethan quit trying. His grades collapsed. What happens when you say, ‘You’re so smart’   Research shows that Ethan’s unfortunate story is typical of kids regularly praised for some fixed characteristic. If you praise your child this way, three things are statistically likely to happen:   First, your child will begin to perceive mistakes as failures. Because you told her that success was due to some static ability over which she had no control, she will start to think of failure (such as a bad grade) as a static thing, too—now perceived as a lack of ability. Successes are thought of as gifts rather than the governable product of effort.   Second, perhaps as a reaction to the first, she will become more concerned with looking smart than with actually learning something. (Though Ethan was intelligent, he was more preoccupied with breezing through and appearing smart to the people who mattered to him. He developed little regard for learning.)   Third, she will be less willing to confront the reasons behind any deficiencies, less willing to make an effort. Such kids have a difficult time admitting errors. There is simply too much at stake for failure.       What to say instead: ‘You really worked hard’   What should Ethan’s parents have done? Research shows a simple solution. Rather than praising him for being smart, they should have praised him for working hard. On the successful completion of a test, they should not have said,“I’m so proud of you. You’re so smart. They should have said, “I’m so proud of you. You must have really studied hard”. This appeals to controllable effort rather than to unchangeable talent. It’s called “growth mindset” praise.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
Granny Weatherwax was in trouble. First of all, she decided, she should never have allowed Hilta to talk her into borrowing her broomstick. It was elderly, erratic, would fly only at night and even then couldn't manage a speed much above a trot. Its lifting spells had worn so thin that it wouldn't even begin to operate until it was already moving at a fair lick. It was, in fact, the only broomstick ever to need bump-starting. And it was while Granny Weatherwax, sweating and cursing, was running along a forest path holding the damn thing at shoulder height for the tenth time that she had found the bear trap. The second problem was that a bear had found it first. In fact this hadn’t been too much of a problem because Granny, already in a bad temper, hit it right between the eyes with the broomstick and it was now sitting as far away from her as it was possible to get in a pit, and trying to think happy thoughts.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
It is interesting to see how the judgmental mind extends itself. It may begin by complaining, “What a lousy serve,” then extend to, “I’m serving badly today.” After a few more “bad” serves, the judgment may become further extended to “I have a terrible serve.” Then, “I’m a lousy tennis player,” and finally, “I’m no good.” First the mind judges the event, then groups events, then identifies with the combined event and finally judges itself. As a result, what usually happens is that these self-judgments become self-fulfilling prophecies. That is, they are communications from Self 1 about Self 2 which, after being repeated often enough, become rigidified into expectations or even convictions about Self 2. Then Self 2 begins to live up to these expectations. If you tell yourself often enough that you are a poor server, a kind of hypnotic process takes place. It’s as if Self 2 is being given a role to play—the role of bad server—and plays it to the hilt, suppressing for the time being its true capabilities. Once the judgmental mind establishes a self-identity based on its negative judgments, the role-playing continues to hide the true potential of Self 2 until the hypnotic spell is broken. In short, you start to become what you think.
W. Timothy Gallwey (The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance)
Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused. There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man? Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Do you think Archer is right about everyone here being de-magicked? Or maybe the fog, like, made his and Evan’s magic…de-magic.” Crossing over to the closet, I sighed and said, “I’m betting the kids here are de-magicked, but it doesn’t really matter.” I flung open the closet. Just as I’d thought, the only things hung up inside where Hex Hall uniforms. “I’m pretty much de-magicked myself these days,” I said to Jenna over my shoulder. “Also, maybe we should stop saying de-magicked. It’s starting to sound weird.” She sat up straighter. “What?” “You know, when you say things too much, and-“ “Sophie,” Jenna said, tilting her head and frowning at me. Sighing, I sat down on my own bed, facing her. “Thanks to some mojo from the Council, I’m currently powerless.” Her expression softening, Jenna breathed, “Oh, Soph. I’m so sorry.” “It’s not as bad as it sounds,” I told her. “My powers aren’t gone gone. They’re still bumping around in here, but I can’t use them unless I touch this particular-whoa.” “What?” I crossed the room to grip the footboard of Jenna’s bed. “There’s this spell in the Throne family grimoire. If I touch it, my powers will be restored. And Dad was sure the Casnoffs had the grimoire. It might be here, Jenna.” I let go of her bed to pace as my magic pounded inside me. “If we find it, I could be demoning up the place by dinnertime.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Her sister, Miss Watson, a tolerable slim old maid, with goggles on, had just come to live with her, and took a set at me now with a spelling- book. She worked me middling hard for about an hour, and then the widow made her ease up. I couldn't stood it much longer. Then for an hour it was deadly dull, and I was fidgety. Miss Watson would say, "Don't put your feet up there, Huckleberry;" and "Don't scrunch up like that, Huckleberry—set up straight;" and pretty soon she would say, "Don't gap and stretch like that, Huckleberry—why don't you try to behave?" Then she told me all about the bad place, and I said I wished I was there. She got mad then, but I didn't mean no harm. All I wanted was to go somewheres; all I wanted was a change, I warn't particular. She said it was wicked to say what I said; said she wouldn't say it for the whole world; she was going to live so as to go to the good place. Well, I couldn't see no advantage in going where she was going, so I made up my mind I wouldn't try for it. But I never said so, because it would only make trouble, and wouldn't do no good.
Mark Twain (Adventures of Huckleberry Finn)
You Kongori do not believe in magic and spirits.” “I am not Kongori, but you speak true, I do not believe. Some people believe the goddess speaks to leaves so they grow, and whisper in a spell to coax a flower to open wide. Others believe that if they just feed it sun and water, both will make them grow. There are only two things, Tracker: that which men of wisdom can explain, and that which they will explain. Of course you do not agree.” “Just like all you men of learning. Everything in the world cooks down to two. Either-or, if-then, yes-no, night-day, good-bad. You all believe in twos so much I wonder if any of you can count to three.” “Harsh. But you are no believer either.” “Maybe I have no love for sides.” “Maybe you have no love for commitment.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy #1))
It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
There’s no dignity in this place, thinks Seda. No privacy either. Some fool is always poking his or her head into your doorway. And as if the residents and nurses aren’t bad enough, lately all kinds of people keep showing up, waving their tape recorders in her face, asking her questions about the past. Everyone is an amateur historian. They use words like witness and genocide, trying to bridge the gap between her past and their own present with words. She wants nothing to do with it. But the other residents have fallen under a confessional spell. They’re like ancient tea bags steeping in the murky waters of the past, repeating their stories over and over again to anyone who will listen. Who can blame them? Driven from their homes not by soldiers this time, but by their own loved ones, to this place so cleverly labeled “home,” a second exile. In some ways, Seda thinks it’s worse than the first: to the lexicon of horrific memories is added the immense shame of surviving, of living when so many others did not. Yet they all bask in their rediscovered relevance. But all the words in every human language on earth would not be enough to describe what
Aline Ohanesian (Orhan's Inheritance)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Why did you break in Mrs. Casnoff’s desk for?” Information on Archer. After he left. “Ah. You’re welcome, by the way?” For what? She jiggled the nail harder. “For putting him in his place the other night. Working with The Eye,” she scoffed. “Yeah, that’s a brilliant plan.” He’s just trying to think of something,” I said automatically. I wasn’t sure why I was defending him when I’d basically said that idea was the stupidest thing ever to have stupided, but I didn’t like the scorn in her voice. Well, my voice, her words. Elodie paused in trying to open the desk drawer and shoved my hair back with both hands. “What’s it going to take for you to realize that Archer Cross is bad news? He’s an Eye. He’s a liar and a jerk, and he’s not nearly as funny as he thinks he is. And you’re betrothed to Cal. Boys who can heal all wounds and are super hot, to boot? Don’t exactly come around every day.” I don’t think about Cal like that. Pressing the point of the nail back into the lock, Elodie snorted. “Um, hi, I’ve been in your head. You totally think about him like that.” Look,, this isn’t a slumber party, I snapped. Can you please get back to work? “Fine,” she muttered. “Don’t listen to me. But I’m telling you, Cal is the way to go. Heck, if I had a body, I wouldn’t mind-“ I’m going to need you to stop right there. I’m ninety-nine percent sure she wasn’t going to stop right there, but before she could say anything else, the lock on the drawer gave way.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.
Judith McNaught (Almost Heaven (Sequels, #3))
I spent another sleepless night in my apartment and in the early hours of the morning I snuck once more into my little kitchen, to prepare a huge torta di ricotta. I needed a cheesecake: it was the only thing that could give me the peace of mind I craved. Had I been too hasty in offering to give l'Inglese lessons? I asked myself, as I ground green almonds with my pestle. The power of my wrist quickly turned the almonds to powder. If only I could grind my worries away as easily. I beat the ricotta, egg yolks, honey, sugar, lemon juice, and rind into the almonds. I beat and beat and beat the mixture until a sweat formed on my brow and my body began to glow with warmth. Even then I did not stop beating. I welcomed the exhaustion that began to creep up on me: I could feel the healing power of my cooking. Really I knew nothing about l'Inglese. Nothing at all. Except that everything about him spelled danger to an inexperienced woman like me. I was afraid of him, yet could not bear the thought of not seeing him again. I was always thinking of him, imagining our next meeting: amusing myself with every possible scenario. I whisked the egg whites into peaks in a matter of seconds. I reasoned that I had been right to speak out to him when I did. I knew how I would have hated myself if I had let the moment slip by. I knew how wretched and foolish I would have felt at my impotence, and yet this turbulence inside me was almost as bad. Acrobatic butterflies fluttered in my stomach, however much I tried to feed them into submission. When the torta had baked to a golden, angel-scented crust, and after waiting impatiently for it to cool, I helped myself to a large slice with a thick dollop of cream. Ooh, it was good. I mopped up every crumb from the plate with my finger. Then I switched out the lights and climbed back into bed. I resigned myself to the thought that what was done could not be undone and drifted into a lemon-flavored sleep.
Lily Prior (La Cucina)
Why are you doing this? I don’t want you. Is that the problem? Is your ego so big you can’t handle a woman rejecting you?” “Oh, you want me alright, my sexy little witch. Want me so bad it scares you. Well, I’ve got news for you. It scares the fuck out of me, too. But I don’t care. When the options are settling down with you for life and popping out little demonlings or watching you walk away, I know what I choose.” For a moment, she couldn’t answer, could only gape at him as his words penetrated. Surely, she misunderstood. “What did you say?” “I want you as my mate.” No misunderstanding that time. She tamped down her elation by slapping it with the cold, hard truth. “You’ll hurt me.” “Trust me.” He asked too much. “I’m not the right woman.” “You’re all I want.” She shook her head lest his words weave a spell around her and make her believe. Yet despite all the warnings in her head, hope blossomed and love warmed her. How nice it would be to allow herself to love him. To trust him. Sadness entered his expression at her rejection. “I know it’s hard for you, little witch, but I promise you’ve nothing to fear. Unless the thought of too many orgasms in a row freaks you out.” And that quickly, he changed from pensive male to the one she’d grown to love with the mischievous smile. He lunged. She squealed like a little girl and ran. Not far though. With his ridiculously long stride, he quickly caught her and tossed her over his shoulder. He laughed as she beat at his broad back with her fists. “Save some of that energy for the bedroom because you are not leaving until you admit you care for me.” “I’ll kill you first.” “I like a girl who’s kinky.” “You’re impossible.” “No, but I am horny.” “How are we supposed to catch those souls if we’re fooling around here?” “Some things are more important.” “How can having sex with me be more important than ensuring you don’t burst into flame tomorrow?” “I would let someone beat me with a cat-o-nine too, if you’d just admit you like me.” “I hate you.” “Close. I see we’ll need to work on that.” -Ysabel & Remy
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
I was certainly not the best mother. That goes without saying. I didn’t set out to be a bad mother, however. It just happened. As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul. Why did I allow Grace to make Mia cry? Why did I snap at Mia to stop just to silence the noise? Why did I sneak to a quiet place, whenever I could? Why did I rush the days—will them to hurry by—so I could be alone? Other mothers took their children to museums, the gardens, the beach. I kept mine indoors, as much as I could, so we wouldn’t cause a scene. I lie awake at night wondering: what if I never have a chance to make it up to Mia? What if I’m never able to show her the kind of mother I always longed to be? The kind who played endless hours of hide-and-seek, who gossiped side by side on their daughters’ beds about which boys in the junior high were cute. I always envisioned a friendship between my daughters and me. I imagined shopping together and sharing secrets, rather than the formal, obligatory relationship that now exists between myself and Grace and Mia. I list in my head all the things that I would tell Mia if I could. That I chose the name Mia for my great-grandmother, Amelia, vetoing James’s alternative: Abigail. That the Christmas she turned four, James stayed up until 3:00 a.m. assembling the dollhouse of her dreams. That even though her memories of her father are filled with nothing but malaise, there were split seconds of goodness: James teaching her how to swim, James helping her prepare for a fourth-grade spelling test. That I mourn each and every time I turned down an extra book before bed, desperate now for just five more minutes of laughing at Harry the Dirty Dog. That I go to the bookstore and purchase a copy after unsuccessfully ransacking the basement for the one that used to be hers. That I sit on the floor of her old bedroom and read it again and again and again. That I love her. That I’m sorry. Colin
Mary Kubica (The Good Girl)
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.
Michelle M. Pillow (Spellbound (Warlocks MacGregor, #2))