Perry Mason Quotes

We've searched our database for all the quotes and captions related to Perry Mason. Here they are! All 100 of them:

Okay... My name is Ellie Mason and I have a feeling you don't like me." Kylie stopped and swerved around... "Okay, let's get something out in the open. I know you had sex with Derek." "Damn!" Perry said, and grinned. "This is gonna be better than I thought.
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
I like what I like and not what I'm supposed to like because of mass rating. And I very much dislike the things I don't like.
Erle Stanley Gardner (The Case Of The Careless Cupid (Perry Mason, #79))
Courage is the antidote to danger.
Erle Stanley Gardner (The Case of the Grinning Gorilla (Perry Mason, #40))
The fact is I am a compulsive reader. Thirty-five cents’ worth of Gold Medal Original will put me right to sleep. Or Perry Mason. But I’ll read the ads in an old Paris-Match that has been used to wrap herring before I’ll do without.
Robert A. Heinlein (Glory Road)
Just because people are liars is no reason for us to be fools.
Erle Stanley Gardner (The Case of the Grinning Gorilla (Perry Mason, #40))
I cannot tell you how many quiet mornings I have spent sitting around hotel rooms and furnished apartments in the United States and Mexico, smoking cigarettes, plunking the guitar, and watching Perry Mason--telling myself, "Well, at least I don't have a day job. And there is nothing wrong with that. I am not guilty of anything. Perry would see that in a minute.
Dave Hickey (Air Guitar: Essays on Art & Democracy)
We’re a dramatic people,” Perry Mason said slowly. “We’re not like the English. The English want dignity and order. We want the dramatic and the spectacular. It’s a national craving. We’re geared to a rapid rate of thought. We want to have things move in a spectacular manner.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
To reach your goal, remember that courage is the only antidote for danger.
Erle Stanley Gardner (The Case of the Grinning Gorilla (Perry Mason #40))
it takes a powerful motivation to lead to murder. That’s why people don’t usually murder comparative strangers.
Erle Stanley Gardner (The Case of the Silent Partner (Perry Mason #17))
Then I’ll have more fun searching in vain then marrying one of the wrong sort.
Erle Stanley Gardner (The Case Of The Vagabond Virgin (Perry Mason, #32))
When a man starts running away from things in life he builds up a whole chain of complexes and fear.
Erle Stanley Gardner (The Case of the Grinning Gorilla (Perry Mason #40))
But I didn’t go to sleep. The truth is, I’ve got a monkey on my back, a habit worse than marijuana though not as expensive as heroin. I can stiff it out and get to sleep anyway—but it wasn’t helping that I could see light in Star’s tent and a silhouette that was no longer troubled by a dress. The fact is I am a compulsive reader. Thirty-five cents’ worth of Gold Medal Original will put me right to sleep. Or Perry Mason. But I’ll read the ads in an old Paris-Match that has been used to wrap herring before I’ll do without.
Robert A. Heinlein (Glory Road)
Life is like that. We can only see from birth to death. The rest of it is cut from our vision." Drake
Erle Stanley Gardner (The Case of the Haunted Husband (Perry Mason #18))
I told you just what she was—all velvet and claws!
Erle Stanley Gardner (The Case of the Velvet Claws (Perry Mason, #1))
just hope it’s still living then. The trees don’t know your race or your gender identity or your sexuality. The trees don’t expel you
Imani Perry (South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation)
Acting like you know everything and acting like you don't know how to be respectful will keep you ignorant. Be humble.
Imani Perry (South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation)
A great believer in precedent,' Della Street said. 'I think if he were ever confronted with a really novel situation he'd faint. He runs to his law books, digs around like a mole and finally comes up with case that's what he calls on all fours and was decided seventy-five or a hundred years ago.
Erle Stanley Gardner (The Case of the Negligent Nymph (Perry Mason, #35))
You might be interested in his economic philosophy, Mr. Mason. He believed men attached too much importance to money as such. He believed a dollar represented a token of work performed, that men were given these tokens to hold until they needed the product of work performed by some other man, that anyone who tried to get a token without giving his best work in return was an economic counterfeiter. He felt that most of our depression troubles had been caused by a universal desire to get as many tokens as possible in return for as little work as possibly - that too many men were trying to get lost of tokens without doing any work. He said men should cease to think in terms of tokens and think, instead, only in terms of work performed as conscientiously as possible.
Erle Stanley Gardner (The Case of the Perjured Parrot (Perry Mason, #14))
The truth is, I’ve got a monkey on my back, a habit worse than marijuana though not as expensive as heroin. [...] The fact is I am a compulsive reader. Thirty-five cents’ worth of Gold Medal Original will put me right to sleep. Or Perry Mason. But I’ll read the ads in an old Paris-Match that has been used to wrap herring before I’ll do without.
null
reason I am telling you all of this is that, according to Harrod, Fern Driscoll
Erle Stanley Gardner (The Case of the Foot-Loose Doll (Perry Mason Series Book 55))
There was that about her which indicated she was warily watchful.
Erle Stanley Gardner (The Case of the Sulky Girl (Perry Mason #2))
The best fighters don’t worry about what the other man may do. And if they keep things moving fast enough, the other man is too busy to do much thinking.
Erle Stanley Gardner (The Case of the Baited Hook (Perry Mason #16))
will-have a tendency to
Erle Stanley Gardner (The Case of the Reluctant Model (Perry Mason Series Book 66))
And yes, slavery was abolished, Jim Crow is over, but the prisons, the persistence of poverty, are constant reminders of how the past made the present.
Imani Perry (South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation)
overboard,
Erle Stanley Gardner (The Case of the Amorous Aunt (Perry Mason #69))
I take it," the lawyer remarked musingly, "patience isn't one of your virtues." "I didn't know," she said, "that patience WAS a virtue.
Erle Stanley Gardner (The Case of the Lame Canary (Perry Mason, #11))
Events are like telephone poles, streaming back past the observation platform of a speeding train.
Erle Stanley Gardner (The Case of the Perjured Parrot (Perry Mason #14))
Objected to as incompetent, irrelevant, and immaterial,
Erle Stanley Gardner (The Case of the Rolling Bones (Perry Mason #15))
There are no historic firsts, no grand gestures, no monuments or museums that undo generations of exclusions under law, policy, and practice, or that stop the expulsion. It makes me want to holler. Tell the truth. What is this symbolic republic?
Imani Perry (South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation)
The whole structure of the law has to be a dignified, imposing edifice and built on firm foundations, if it is going to stand. Whenever you violate the law, you are tearing down a part of that structure, regardless of what goal you may want to achieve.
Erle Stanley Gardner (The Case of the Haunted Husband (Perry Mason #18))
Ed McBain (as Evan Hunter and Richard Marsten), Raymond Chandler, Cornell Woolrich, Andrew Vachss, Loren D. Estleman, Carroll John Daly, Brett Halliday, Raoul Whitfield, Mark Timlin, Richard Prather, Leigh Brackett, Erle Stanley Gardner (pre Perry Mason), James Ellroy, Clark Howard, Max Brand. In addition, rising paper costs prevented me from making this volume even heavier, as I had to withdraw material by Ed Gorman, James Reasoner, Ed Lacy, Frank Gruber, Loren D. Estleman, Derek Raymond, Robert Edmond Alter, Frederick C. Davis and Jonathan Craig – so look out for these names elsewhere. They are certainly worth a detour. But the
Maxim Jakubowski (The New Mammoth Book Of Pulp Fiction (Mammoth Books 319))
But don’t they have more sunshine here than they do in San Francisco? Don’t you have lots of fog?” “Fog!” the man exclaimed. “Why that’s the thing that makes San Francisco. When that fog comes rolling in from the ocean, it peps you up. It’s bracing, stimulating. There’s a lot of rush and bustle in connection with San Francisco. Down here, people seem to have the hookworm. You girls really don’t live here, do you?” “What makes you think we don’t?” Della said. “Too much class—too much pep.
Erle Stanley Gardner (The Case of the Crooked Candle (Perry Mason #24))
The Weasel Cafferty’s lieutenant Aly the Weasel’s son Ellen Dempsey owner of MG Cabs in Edinburgh DI Bobby Hogan Leith-based detective WPC Antonia “Toni” Jackson experienced uniformed officer at St. Leonard’s PC John “Perry” Mason latest recruit to the uniformed branch at St. Leonard’s Laura Stafford a prostitute Donny Dow father of Laura’s child DS Liz Hetherington Dundee-based detective Ricky manager of the Sauna Paradiso Other Characters Claverhouse detective in the Scottish Drug Enforcement Agency Ormiston Claverhouse’s
Ian Rankin (Resurrection Men (Inspector Rebus, #13))
While the South lost the Civil War technically, White Southerners did not in fact lose the war substantively. After all, Jim Crow, convict labor, and lynching happened with near total impunity, and African Americans experienced decades of pernicious neglect from the federal courts and government. Exploitation ran amok. Inequality persists. And the nation turning a refusing eye, allowing the Southerners to work out their own business over the lives of Black people on the land of the Indigenous all across the region, gave the South their victory lap.
Imani Perry (South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation)
El tercer sofista más famoso, Antifonte, era una especie de precursor de los psicoterapeutas estratégicos contemporáneos: obtuvo, en efecto, un enorme éxito en la curación de los males físicos a través de la palabra. Cansado de esta actividad estresante, se dedicó a pronunciar discursos en los tribunales, convirtiéndose así en una especie de Perry Mason de la Antigüedad. Fue precisamente su capacidad de influir en los juicios ante el tribunal lo que provocó su persecución y condena a muerte.
Giorgio Nardone (El arte de la estratagema: Cómo resolver problemas difíciles mediante soluciones simples)
No other supporting player won three Academy Awards, and you would be hard-pressed to name another character actor whose performances frequently overwhelmed those of ostensible leads like Joel McCrea and Barbara Stanwyck in Banjo on My Knee. “We’re supporting you. Be nice to us,” McCrea and Stanwyck joked with Brennan. Those stars had the fights of their lives trying to stay on equal terms with old Walter. Sure, other character actors have had their star turns—especially in television, which gave Ward Bond in Wagon Train, Raymond Burr in Perry Mason, and Harry Morgan in M.A.S.H. their respective moments of fame—but no character actor other than Brennan dominated the Hollywood century of popular entertainment, or attained the iconic status he achieved. To follow Brennan—beginning with his career as a seven-dollar-a-day extra—is to learn all you need to know about Hollywood and its mythologizing of the American dream. Walter Brennan became an archetype, not a stereotype.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
you
Erle Stanley Gardner (The Case of the Velvet Claws (Perry Mason #1))
Mason.” Mauvis
Erle Stanley Gardner (The Case of the Mythical Monkeys (Perry Mason #59))
In college, I wanted to be Perry Mason, the hottest defense lawyer around. Then I realized that defense lawyers represented the scum of the earth, and most of their clients were guilty. Kinda blew the image for me. In my sophomore year, I took a journalism course and was hooked. I discovered investigative reporting, and soon realized I could be judge, jury, and prosecutor. So who needed to be a lawyer
Rick Pullen (Naked Ambition (The NAKED City Series Book 1))
You Can Die Laughing (1957) Some
Erle Stanley Gardner (The Case of the Singing Skirt: A Perry Mason novel)
The heroine is Susanna, a beautiful and happily married Jewish woman living in Babylonian exile. Two Jewish elders are infatuated with her, and they concoct a scheme to force her to submit to their perverted wills. While she is bathing, they threaten to bring false charges of adultery against her unless she lies with them both. Preferring civil shame and even the death penalty over sinning before God, Susanna refuses their request even though the two men’s false testimonies convict her to death at her trial. Susanna is not allowed to speak at the trial and simply puts her fate in God’s hands. Right before she is executed, God sends Daniel to save the day. In a cross examination that would put Perry Mason to shame, Daniel separates the two self-appointed witnesses and asks them under which tree Susanna embraced her fellow adulterer. They give conflicting testimonies, and the two elders are executed while Susanna is cleared of all charges. Talk
Jeffrey Geoghegan (The Bible For Dummies (For Dummies (Lifestyle)))
When a book, any sort of book, reaches a certain intensity of artistic performance, it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball. That is to me what you have more than anything else and more than anyone else. . . . The character that lasts is an ordinary guy with some extraordi-nary qualities. Perry Mason is the perfect detective because he has the intellectual approach of the juridical mind and at the same time the restless quality of the adventurer who won’t stay put. I think he is just about perfect. So let’s not have any more of that phooey about “as literature my stuff still stinks.” Who says so—William Dean Howells? Raymond Chandler to Erle Stanley Gardner, 1946
Richard B. Schwartz (Nice and Noir: Contemporary American Crime Fiction (Volume 1))
accident.
Erle Stanley Gardner (The Case of the Haunted Husband (Perry Mason #18))
Believe me, Paul, when you’re in a jam the truth is the only thing solid enough and substantial enough to rely on.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
of the murder and whether he could possibly have been out there at the country club at the time the murder was committed. “There’s not a chance. At the time the murder must have been committed, Hedley was in a drugstore having
Erle Stanley Gardner (The Case of the Troubled Trustee (Perry Mason #75))
Della Street, Perry Mason’s confidential secretary, said, “A couple of lovebirds have strayed into the office without an appointment. They insist it’s a matter of life and death.” “Everything is,” Mason said. “If you start with the idea of perpetuating life, you must accept the inevitable corollary of death—but I presume these people aren’t interested in my philosophical ideas.” “These people,” Della Street announced, “are interested in each other, in the singing of the birds, the blue of the sky, the moonlight on water, the sound of the night wind in the trees.” Mason laughed. “It’s infectious. You are getting positively romantic, poetic, and show evidence of having been exposed to a highly contagious disease . . . . Now, what the devil would two lovebirds want with the services of a lawyer who specializes in murder cases?
Erle Stanley Gardner
Perry Mason’s hand dropped to her shoulder, patted it reassuringly. It was the impersonal gesture of the protective male.
Erle Stanley Gardner (The Case of the Curious Bride (Perry Mason #5))
famed attorney Earl Rogers, a dandy, drunk, and spectacularly brilliant defense attorney, who also kept an office there. Rogers’s courtroom antics drew packed crowds and provided the inspiration for Perry Mason.
Liz Brown (Twilight Man: Love and Ruin in the Shadows of Hollywood and the Clark Empire)
My advisor in graduate school, Henry Louis Gates Jr., known as Skip, wrote about coming of age in a West Virginia mountain town in his memoir, Colored People. Like Albert Murray, he
Imani Perry (South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation)
out,
Erle Stanley Gardner (The Case of the Drowning Duck (Perry Mason #20))
You took him up to the Snug-Rest Auto Court, didn’t you?
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
The only thing we’re supposed to do is get Mrs. Allred off.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
the
Erle Stanley Gardner (The Case of the Irate Witness (Perry Mason Series Book 85))
In man there is implanted a sporting instinct to side with the underdog, but this is in man, the individual. Mob psychology is different from individual psychology, and the psychology of the pack is to tear down the weaker and devour the wounded. Man may sympathize with the underdog, but he wants to side with the winner.
Erle Stanley Gardner (The Case of the Sulky Girl (Perry Mason #2))
Loftus clenched his right fist, extended it in front of him, and gently lowered it to the desk. There was something more impressive in the gesture than would have been the case had he banged the top of the desk with explosive violence. “I don’t like criminal lawyers,” he said. “Neither do I,” Mason admitted, seating himself in what appeared to be the most comfortable chair in the office. “But you’re a criminal lawyer.” “It depends upon what you mean,” Mason observed. “I’m a lawyer. I’m not a criminal.” “You defend criminals.” “What is your definition of a criminal?” Mason asked. “A man who has committed a crime.” “And who decides that he has committed a crime?” “Why, a jury, I suppose.” “Exactly,” Mason said, with a smile. “So far, I have been very fortunate in having juries agree with me that the persons I represented were not criminals.” Loftus said, “That isn’t conclusive.” “Judges think it is,” Mason said, still smiling.
Erle Stanley Gardner (The Case of the Baited Hook (Perry Mason #16))
The driver's gentility, despite the fact that he could have, could still, string me up without the world flinching? That toothless smile that could easily accompany either mirth or murderousness, depending on the eyes? This is what Black folks mean when we say we prefer the Southern White person's honest racism to the Northern liberal's subterfuge. It is not physically more benign, or more dependable. But it is transparent in the way it terrorizes. You never forget to have your shoulders hitched up a little and taut, even (and especially) when they call you 'sweetheart.' Cold comfort.
Imani Perry (South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation)
people,” he said, “try to put on a poker face when they are in a panic and when they try to put on a poker face they look sulky.
Erle Stanley Gardner (The Case of the Sulky Girl (Perry Mason #2))
pool our information,” Dimmick said, “to work out a joint plan of campaign.” “Thank you, I don’t think I’d care to do that,” Mason told him. “I want to be free to represent my client in whatever way seems best as the situation develops.” “Can’t you see, Mr. Dimmick,” Rodney Cuff said impatiently, “he’s going to pin the whole thing on Driscoll if he has a
Erle Stanley Gardner (The Case of the Lame Canary (Perry Mason #11))
His face didn’t change expression, but his eyes glinted. “That’s one of the chances I have to take,” he told her. “I can’t expect my clients to be loyal to me. They pay me money. That’s all.” She stared at him with a speculative look that held something of a wistful tenderness. “But you insist on being loyal to your clients, no matter how rotten they are.” “Of course,” he told her. “That’s my duty.” “To your profession?” “No,” he said slowly, “to myself. I’m a paid gladiator. I fight for my clients. Most clients aren’t square shooters. That’s why they’re clients. They’ve got themselves into trouble. It’s up to me to get them out. I have to shoot square with them. I can’t always expect them to shoot square with me.
Erle Stanley Gardner (The Case of the Velvet Claws (Perry Mason #1))
prayed against the cruel violence of dominion and diminishment. And armed with the belief in things unseen and miracles alike, I prayed she might be swayed to love the God of slaves. That God is far more tender than the one she praises, even to women like her.
Imani Perry (South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation)
I prayed against the cruel violence of dominion and diminishment. And armed with the belief in things unseen and miracles alike, I prayed she might be swayed to love the God of slaves. That God is far more tender than the one she praises, even to women like her.
Imani Perry (South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation)
By 'Perry Mason moment,' I mean that climactic instant during a trial when you have just done something fantastic and everyone in the courtroom knows it. Your brilliant question or some stunning admission you coerced from a witness has left the opposing lawyer reeling, his mouth agape, and jurors amazed and entertained. The case is won; the rest of the trial is a formality. Your friends and colleagues are itching to congratulate you as soon as a recess is called. Only a supreme effort of will on your part, coupled with the knowledge that the judge and jurors are watching, keeps you from high-fiving everyone in sight.
Morley Swingle (Scoundrels to the Hoosegow: Perry Mason Moments and Entertaining Cases from the Files of a Prosecuting Attorney (Volume 1))
A lawyer,” said Perry Mason slowly, “who wouldn’t skate on thin ice for a client ain’t worth a damn.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
And remember this, Frank: whenever you get to the trial of a case, never try to arouse one single emotion in the minds of a jury and bear down steadily on that emotion. “Pick some dominant emotion if you want, but touch on it only for a few moments. Then swing your argument to something else. Then come back to it. The human mind is like a pendulum: you can start it swinging a little at a time and gradually come back with added force, until finally you can close in a burst of dramatic oratory, with the jury inflamed to white rage against the other side. But if you try to talk to a jury for as much as fifteen minutes, and harp continually upon one line, you will find that the jurors have quit listening to you before you finish.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
I knew that by the time the authorities got done with him, he’d make a positive identification. That’s a slick way they have of taking a witness over a period of time, and letting him become more and more positive. They showed him Bessie Forbes, on at least a dozen different occasions. They did it casually, so that he didn’t know he was being hypnotized. First, they showed him the woman, and told him that was the one who had been in his cab. Then they brought him in and confronted her with him, and told her that he had identified her. She didn’t say anything, but refused to answer questions.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
Do you know anything at all about how they hang people?” Perry Mason asked abruptly. “What do you mean?” she demanded. “For murder,” he went on. “It usually happens along in the morning. They come down to the death cell and read the death warrant. Then they strap your hands behind your back, and strap a board along your back, so that you can’t cave in. They start a march down the corridor to the scaffold. There are thirteen steps that you have to climb, and then you walk over and stand on a trap. There are prison officials standing by the side of the trap, who look things over, and, in a little cubby-hole back of the trap, are three convicts with sharp knives. There are three strings that run across a board. The hangman puts a noose over your head, and a black bag, and then puts straps around your legs …
Erle Stanley Gardner (The Case of the Velvet Claws (Perry Mason #1))
The diet is composed for a lightly Cracker.
Petra Hermans (Voor een betere wereld)
I’m going to tell you something about myself. I pay my own way as I go through the world, and I want the privilege of living my own life. I left North Mesa because I couldn’t do just that. I have my own code, my own creed, and my own ideas. I try to be true to them, all of them. I hate hypocrisy. I like fair play. I want to live my own life in my own way, and I’m willing to let other people live their lives in their way.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
He can’t get along without having someone pat him on the back and tell him he’s doing all right, that he’s a wonderful young man, and all that stuff.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
He had to have someone else give him advice. That’s the trouble with him. He’s never learned to stand on his own two feet and take things as they come.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
I’m perfectly capable of living my own life. If I get into something, I want to get out of it through my own efforts. If I can’t, I want to stay there. I don’t want to have Hal Anders rushing into the city to lift me up out of the gutter, brush the mud off my clothes, smile sweetly down at me, and say, ‘Won’t you come home now, Mae, marry me, settle down, and live happily ever after?
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
lot of men try caveman tactics because a lot of girls fall for them. I don’t. The minute a man starts pushing me around, I want to hit him with anything I can get my hands on. I think I have more trouble that way than most girls because I’m inclined to be independent, and men resent that. A lot of girls make a habit of saying ‘no’ in such a way they make the man like it. When I say ‘no,’ I say ‘NO.’ I don’t give a hang whether he likes it or doesn’t like it.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
Sometimes you’re on top and things are easy. Sometimes you’re on the bottom. There’s no need to let it worry you.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
Be like the clam,” Mason said. “At high tide?” “What’s the difference?” he asked. “You gather clams at low tide.” “Right,” Mason said. “Be like a clam at high tide.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
Charity may begin at home, but it ends up in the poorhouse.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
I suppose I could have used the same amount of mental effort in some commercial activity and made money. I work like the devil thinking up wisecracks, games, stunts, and how to drink a lot without getting too awfully drunk. If you’ve never tried it, eating a lot of butter before the drinking starts is a swell stunt.” “I have a recipe which beats that,” Mason said. “You have?” “Yes.” “Be a good sport and give it to me. That butter stunt is the best I’ve ever found.” Mason said, “Mine is more simple. I don’t drink much after the drinking starts.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
I’m listening. I listen with my ears and look with my eyes. I can’t do two things at once and really concentrate on them. Right now, I’m listening to your voice.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
People really should cultivate the art of talking to themselves. They’d learn a lot about voices if they did.
Erle Stanley Gardner (The Case of the Postponed Murder (Perry Mason #82))
You see, amnesia is usually the result of mental unbalance. It’s an attempt on the part of the mind to escape from something that the mind either can’t cope with or doesn’t want to cope with. It’s a refuge. It’s the means a man uses to close the door of his mind on something that may lead to insanity.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
a man who was tall in a gangling, loose-jointed way, with a static, vacuous grin seeming to betoken a continuous attempt to placate and mollify a world which somehow kept him on the defensive.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
frequent spells of “ailing,” during which there seemed to be nothing particularly wrong save a psychic maladjustment seeking a physical manifestation.
Erle Stanley Gardner (The Case of the Empty Tin (Perry Mason #19))
The checkerboarded fields of the Imperial Valley were refreshingly green with irrigated crops. Then the highline canal stretched like a huge snake below the plane and immediately the desert took over. It was as abrupt as that. Below the highline canal irrigation had turned the desert into a rich, fertile area. On the other side of the canal there was nothing but sand and a long straight ribbon of paved highway.
Erle Stanley Gardner (The Case of the Amorous Aunt (Perry Mason #69))
A few hundred feet below the car, jumping from foam-flecked rocks to dark, cool pools, a mountain stream churned over boulders, laughed back the sunlight in sparkling reflections, filled the canyon with the sound of tumbling water.
Erle Stanley Gardner (The Case of the Buried Clock (Perry Mason #22))
Virtually every man has enemies. Sometimes they’re business enemies. More often they’re personal enemies, people who hate him, people who will look down their noses and say it’s too bad when they hear he’s bumped off, but who will be tickled to death just the same; but it takes a peculiar psychological build-up to perpetrate a murder. A man must have a certain innate ferocity, a certain lack of consideration, and, usually, a lack of imagination.” “Why a lack of imagination?” “I don’t know,” he said, “except that it’s nearly always true. I think imaginative people sympathize with the sufferings of others because they’re able to visualize those sufferings more keenly in their own minds. An unimaginative person, on the other hand, can’t visualize himself in the shoes of another. Therefore, he sees life only from his own selfish angle. Killers are frequently cunning, but they’re rarely original. They’re selfish, and usually determined. Of course, I’m not talking now about a murder which is the result of some sudden overpowering emotion.
Erle Stanley Gardner (The Case of the Lame Canary (Perry Mason #11))
a colorless chap who’s never found himself because there isn’t anything to find.
Erle Stanley Gardner (The Case of the Rolling Bones (Perry Mason #15))
Abruptly, she settled down against his shoulder with a little wriggling motion. “I’m getting my wires crossed,” she admitted. “In order to get anywhere in this world, a woman is supposed to be feminine and leave the thinking to the males. They like it better that way.
Erle Stanley Gardner (The Case of the Empty Tin (Perry Mason #19))
Nowadays, we’re suffering from hardening of the economic arteries. The country is old. Our outlook is old. People have quit trying. You could comb through this whole damn city today and not get a half a dozen men with the guts to take what the Yukon dished out in those days. I don’t mind getting old and dying. I hate to see the whole damned country dying along with me. There ain’t any youth to take our place. Just a bunch of whining little snivelers who want the government to support’em.
Erle Stanley Gardner (The Case of the Rolling Bones (Perry Mason #15))
He’s a guy with a one-track mind. When he starts for one objective he can’t think of anything else.
Erle Stanley Gardner (The Case of the Angry Mourner (Perry Mason #38))
Lots of lawyers don't like circumstantial evidence. I do. I've never had any quarrel with the evidence of circumstances. My quarrel is with the habit of giving events the obvious, careless interpretation. I dislike sloppy thinking.
Erle Stanley Gardner (The Case of the Crooked Candle (Perry Mason, #24))
I'm not naturally tough. I've learned to be tough through rubbing elbows with the police.
Erle Stanley Gardner (The Case of the Crooked Candle (Perry Mason, #24))
The deuce, it is!” Mason ejaculated.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
I’m satisfied now,” Mason said.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
Okay,” Drake said, “I’ll get my man on the job and have him up there. Anything else?” “That’s all for now,” Mason said. “Well, wait a minute! This rancher, Overbrook, looks like a big, good-natured, rugged individual, but I’d like to find out something about him.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
Could I look at the car?” Mason asked. “Got anything for me to look at?
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
Within reasonable limits, we gals all look alike nowadays, except for details.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
You on duty at ten this morning?” he asked the attendant. The man hesitated before answering. Mason said, “You’re eligible for a five dollar reward, if you were.
Erle Stanley Gardner (The Case of the Lazy Lover (The Perry Mason Mysteries Book 1))
The only reason I collect good money for what I do, is because I’ve demonstrated my ability to do it. If the taxpayers didn’t give you your salary check every month until you’d delivered results, you might have to go hungry a few months,—unless you showed more intelligence than you’re showing on this case.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
Don’t ever fool yourself that facts don’t fit, if you get the right explanation. They’re just like jigsaw puzzles—when you get them right, they’re all going to fit together.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
The courtroom atmosphere was stale with that psychic stench which comes from packed humans whose emotions are roused to a high pitch of excitement.
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
There are no ethics when you’re dealing with the police. Or I should say when the police are dealing with you. You’re supposed to be bound by ethics. The police don’t have ethics. They act on the assumption that they’re ‘getting the truth,’ whereas you are ‘protecting a criminal
Erle Stanley Gardner (The Case of the Buried Clock (Perry Mason #22))