Lonely Corridor Quotes

There never can be a man so lost as one who is lost in the vast and intricate corridors of his own lonely mind, where none may reach and none may save.

When the moon was high over the moors, Rhineholt became a dark place with long, lonely corridors whose shadows gave breath to many secrets.

In any case, there was only one tunnel, dark and lonely, mine, the tunnel in which I had spent my childhood, my youth, my whole life. And in one of those transparent lengths of the stone wall I had seen this girl and had gullibly believed that she was traveling another tunnel parallel to mine, when in reality she belonged to the broad world, to the world without confines of those who do not live in tunnels; and perhaps she had peeped into one of my strange windows out of curiosity and had caught a glimpse of my doomed loneliness, or her fancy had been intrigued by the mute language, the clue of my painting. And then, while I advanced always along my corridor, she lived her normal life outside, the exciting life of those people who live outside, that strange, absurd life in which there are dances and parties and gaiety and frivolity. And it happened at times that when I walked by one of my windows she was waiting for me, silent and longing (why was she waiting for me? why silent and longing?); but other times she did not get there on time, or she forgot about this poor creature hemmed in, and then I, with my face pressed against the glass wall, could see her in the distance, smiling or dancing carefree, or, what was worse, I could not see her at all and I imagined her in inaccessible or vile places. And then I felt my destiny a far lonelier one than I had imagined.

Stranger, think long before you enter, For these corridors amuse not passing travellers. But if you enter, keep your voice to yourself. Nor should you tinkle and toll your tongue. These columns rose not, for the such as you. But for those urgent pilgrim feet that wander On lonely ways, seeking the roots of rootless trees. The earth has many flowery roads; choose one That pleases your whim, and gods be with you. But now leave! - leave me to my dark green solitude Which like the deep dream world of the sea Has its moving shapes; corals; ancient coins; Carved urns and ruins of ancient ships and gods; And mermaids, with flowing golden hair That charm a patch of silent darkness Into singing sunlight.

Mr. Crepsley was every bit as composed as he'd sworn he would be. He didn't even shed a tear when the funeral litter was set alight. It was only later, when he was alone in his cell, that he wept loudly, and his cries echoed through the corridors and the tunnels of Vampire Mountain, far in the cold, lonely dawn.

I remember a man, a very lonely man, coming up to me at the end of a reading and looking into my face and saying, 'I feel as if I have looked down a corridor and seen into your soul.' And I looked at him and said, 'You haven't.' You know, Here's the good news and the bad news: you haven't! I made something, and you and I could look at it together, but it's not me; you don’t live with me; you're not intimate with me. You're not the man I live with or my friend. You will never know me in that way. I'm making something, like Joseph Cornell makes his boxes and everyone looks into them, but it's the box you look into; it's not the man or the woman. It's alchemy of language and memory and imagination and time and music and sounds that gets made, and that's different from 'Here is what happened to me when I was ten.

He waited, listening with deep enjoyment, for the end of the sonata. In the still, twilit corridor it sounded so lonely and unworldly, and so brave and innocent also, both childlike and superior, as all good music must in the midst of the unredeemed muteness of the world.

The fears of man are many. He fears the shadow of death and the closed doors of the future. He is afraid for his friends and for his sons and of the specter of tomorrow. All his life’s journey he walks in the lonely corridors of his controlled fears, if he is a man. For only fools will strut, and only cowards dare cringe.

she had wandered the corridors during the break times, lonely and restless as a ghost – gravitating towards the library, where she felt comfortable, finding refuge.

To other cities, other machines, other forests of buildings of concrete where other men and women missed the stars at night and tended small plants on windowsills and kept tiny dogs and took them for walks along corridors in the endless procession of boxes and intersections and lights; where they rented space in other peoples's property so they had somewhere to sleep so they could get up and perform profit-related tasks they neither understood nor cared about, simply so they would be given the tokens of exchange they needed in order to rent the space in which they slept and snarled and watched television until finally some of them slipped out of the window and ran howling down the dark streeets, throwing off a numbness handed down from a society that was itself trapped in fracture and betrayal and despair; the lonely insane in a culture turning into a Christmas bauble, gaudy beauty wrapped around an emptiness coalescing faster and faster into parking lots and malls and waiting areas and virtual chat rooms--non places where nobody knew anything about anybody anymore.

There were so many beautiful, dark, and lonely ways in the sunken corridors of adolescence - how did everyone else manage to make it through without a map? Were they not tempted, as I was, to linger?

friendship nostalgia i miss the days when my friends knew every mundane detail about my life and i knew every ordinary detail about theirs adulthood has starved me of that consistency​ ​that us those walks around the block those long conversations when we were too lost in the moment to care what time it was when we won-and celebrated when we failed and celebrated even harder when we were just kids now we have our very important jobs that fill up our very busy schedules we have to compare calendars just to plan coffee dates that one of us will eventually cancel because adulthood is being too exhausted to leave our apartments most days i miss belonging to a group of people bigger than myself it was that belonging that made life easier to live how come no one warned us about how we'd graduate and grow apart after everything we'd been through how come no one said one of life's biggest challenges would be trying to stay connected to the people that make us feel alive no one talks about the hole a friend can leave inside you when they go off to make their dreams come true in college we used to stay up till 4 in the morning dreaming of what we'd do the moment we started earning real paychecks now we finally have the money to cross everything off our bucket lists but those lists are collecting dust in some lost corridor of our minds sometimes when i get lonely ​i​ still search for them i'd give anything to go back and do the foolish things we used to do i feel the most present in your presence when we're laughing so hard the past slides off our shoulders and worries of the future slip away the truth is​ ​i couldn't survive without my friends they know exactly what i need before i even know that i need the way we hold each other is just different so forget grabbing coffee i don't want to have another dinner where we sit across from each other at a table reminiscing about old times when we have so much time left to make new memories with how about you go pack your bags and i'll pack mine you take a week off work i'll grab my keys and let's go for ride we've got years of catching up to do

He loved the energy of the place, though he barely ever visited without getting shoved around or having his pockets picked. The slam of the city, the assault of neon and electric light, the roiling mass of people, made up of mixed elements: sailors, tourists, cops, hookers, hustlers and dealers. He wandered through the crowds, fascinated; a skinny boy with big teeth and glasses, his ribs sticking out. At the same time he was drawn to quieter, more inward pursuits. He liked to draw, liked going to the movies on his own or wandering round the dioramas in the Natural History Museum; the dusty smell, the long unpopulated corridors.

The music surged down the stairs like a flashing stream—it gathered in the corridor and burst like a waterfall through the wide entry doors. It splashed over a small, lonely figure crouching on the lowest step, dark and colorless like an un-moving lump of black, a little hillock with mad, unresting eyes. It was the old man who had freed himself with such difficulty from the unrelenting window. He crouched in the corner, lost and done for, with bowed shoulders and knees drawn high, as though he would never rise again—and over him, and away in gay and flashing cascades, the music splashed and danced, strong, pitiless, unceasing as life itself.

They rode up switchbacks through a lonely aspen wood where the fallen leaves lay like golden disclets in the damp black trail. The leaves shifted in a million spangles down the pale corridors and Glanton took one and turned it like a tiny fan by its stem and held it and let it fall and its perfection was not lost on him. They rode through a narrow draw where the leaves were shingled up in ice and they crossed a high saddle at sunset where wild doves were rocketing down the wind and passing through the gap a few feet off the ground, veering wildly among the ponies and dropping off down into the blue gulf below.

MICHAEL ROBARTES REMEMBERS FORGOTTEN BEAUTY When my arms wrap you round I press My heart upon the loveliness That has long faded from the world; The jewelled crowns that kings have hurled In shadowy pools, when armies fled; The love-tales wove with silken thread By dreaming ladies upon cloth That has made fat the murderous moth; The roses that of old time were Woven by ladies in their hair, The dew-cold lilies ladies bore Through many a sacred corridor Where such gray clouds of incense rose That only the gods’ eyes did not close: For that pale breast and lingering hand Come from a more dream-heavy land, A more dream-heavy hour than this; And when you sigh from kiss to kiss I hear white Beauty sighing, too, For hours when all must fade like dew But flame on flame, deep under deep, Throne over throne, where in half sleep Their swords upon their iron knees Brood her high lonely mysteries.

Then a thought hit me like a ton of slag. Arlene wouldn’t bother taking time in this hellhole to scribble her mark unless she had a damned good reason. Not just to point out the sphere—if she knew it was there, she’d have used it herself like a good soldier. The only logical conclusion was that the arrow pointed the way out of the nuclear plant—the way Arlene Sanders had already gone. Like Arne Saknussen, she marked her own trail for all who followed. So why hadn’t I found it? Same way Arlene missed the patio door: there had to be another hidden door nearby that I had missed. Third time’s the charm. The damned door couldn’t have been more than five feet from the one I had found. One good push and it was open, leading to a beautiful piece of straight, well-lit corridor that reached its end with a clean, massive metal door that had printed on it the welcome letters EXIT—obviously a holdover from the plant’s mundane days as a hangout for humans. Feeling bold and unstoppable, I walked right up to that door and discovered that it required a computer key card before it would bless the lonely traveler with an open sesame. Great. Now I could be miserable again.

When I was growing up in the late 1950s and early ’60s, there was very little in the way of literate adventure writing. Periodicals that catered to our adolescent dreams of travel and adventure clearly held us in contempt. Feature articles in magazines that might be called Man’s Testicle carried illustrations of tough, unshaven guys dragging terrified women in artfully torn blouses through jungles, caves, or submarine corridors; through hordes of menacing bikers, lions, and hippopotami. The stories bore the same relation to the truth that professional wrestling bears to sport, which is to say, they were larger-than-life contrivances of an artfully absurd nature aimed, it seemed, at lonely bachelor lip-readers, drinkers of cheap beer, violence-prone psychotics, and semiliterate Walter Mitty types whose vision of true love involved the rescue of some distressed damsel about to be ravaged by bikers, lions, or hippopotami.

Whispers of the Sou In the quiet realm where shadows play, A restless mind lost in the endless fray. No respite was found in the arms of sleep, Just wandering thoughts, in silence, deep. No words exist to capture the ache, The soul's turmoil, a relentless quake. In this vast expanse of unspoken pain, A heart's echo, a lone refrain. I walk the corridors of my own mind, A ceaseless journey, no rest to find. Words falter to describe the unknown, A symphony of thoughts in a world of their own. If emotion had language, would it speak of woe? Of dreams deferred and seeds that never grow. A paradox unfolds, reality's bitter twist, In the paradox of existence, a mystery persist. I am, yet why not, a question unanswered, In the tapestry of life, a thread unmastered. The universe weaves its cosmic design, Yet, in waiting, I linger, in the labyrinth of time. Thoughts dance like shadows, elusive, untamed, Yet consciousness binds, a truth unclaimed. A grand plan unfolds in the cosmic scheme, Yet, in the unfolding, reality may seem. I ponder the grandeur of the universe's art, Yet reality echoes, tearing worlds apart. For in the waiting, a patience wears thin, A relentless yearning for a destiny to begin. In the symphony of silence, a poet's plea, To articulate the ineffable, set emotions free. No language coined, no verse complete, In the corridors of thought, where echoes repeat. And as the stars bow to the night's embrace, A revelation dawns, a celestial grace. For in the quiet realm where shadows play, A serenade of hope whispers, lighting the way. In the tapestry of silence, a new verse is spun, A symphony of resilience, a battle not yet won. As the echoes fade, a metamorphosis takes flight, In the dance of shadows, emerges the eternal light.

Mr. Crepsley was every bit as composed as he’d sworn he would be. He didn’t even shed a tear when the funeral litter was set alight. It was only later, when he was alone in his cell, that he wept loudly, and his cries echoed through the corridors and tunnels of Vampire Mountain, far into the cold, lonely dawn.

I know Ada is flying in bliss, but I am lonely walking in the corridors without her. If you know how, please help me learn not to grieve her joy.

There are corridors between us. All of us. All those things we leave unsaid. All those things that we assume of each other -- about each other. Sometimes it feels like all the tragedies of being human exist in those lonely spaces.

In the palm tree courtyard of the Villa Vinea, Nubia finished telling Aristo about her adventures in North Africa and Egypt. ‘Amazing,’ he kept saying. ‘That’s amazing.’ The jasmine-scented courtyard was dimly lit by bronze hanging lamps, some of them were reflected in the mirror smooth pool beside them. The silver light of the rising moon illuminated the tops of the four palm trees. ‘Tomorrow,’ said Aristo softly, ‘I am going to gather all the children together and begin to teach them. It’s what I know how to do, and it will keep them busy and occupied. Do you think that’s a good idea?’ ‘Yes,’ said Nubia. ‘That is a very good idea. You are a wonderful teacher, Aristo.’ The air was filled with the scent of jasmine, but as he moved a little closer she caught a subtle whiff of his musky lavender scent. It made her dizzy. ‘Nubia,’ he said softly. ‘I want to tell you something.’ The tone of his voice made her heart begin to pound. ‘Something you said a few days ago . . . about being old enough for love . . . For a long time I thought . . . But then Flavia said . . . and I couldn’t bear to think . . . I’ve been such a fool . . .’ Nubia couldn’t understand what he was saying. So she willed the pulsing roar in her ears to be quiet and when it was, she heard him say: ‘I loved Miriam so much!’ Nubia felt sick. How could she compete with the most beautiful girl in the Roman Empire? A girl whose beauty would never fade or grow wrinkled? She had been right not to tell Aristo her feelings. He would laugh at her. Or despise her. Or worst of all: pity her. In the darkness she felt him take her hand in his. The shock of his touch was so powerful that she almost cried out. ‘You’re trembling again,’ he said. ‘Are you cold?’ ‘No,’ she whispered. She wanted to cry out: Why do you still love Miriam? She never loved you. But I do. I will always love you. But she knew it would be the worst thing she could do. So instead she snatched her hand from his and ran upstairs and groped her way along the dim corridor to the bedroom and threw herself onto the bed. And in the lonely darkness, she wept.

If it isn’t my favorite little gardener,” Nick Haddonfield pronounced. “Give a lonely fellow a kiss, my lady, and I won’t complain when you pinch me.” “Nick…” She smiled up at him, not realizing how much she’d missed him too, until that moment. When he wrapped his arms around her, there in the theatre corridor with half of polite society looking on, Ellen felt tears welling. “I’ve missed you.” “As well you should.” Nick nodded approvingly. “Women of discernment always miss me, though I’ve missed you, as well, lovey. You did not answer my letters.” “A lady does not correspond with a gentleman, your lordship,” Ellen chided him, though her smile was still radiant. Westhaven cast an assessing glance at Nick. “He’s no gentleman. He writes a very charming letter, nonetheless. Next time, Bellefonte, you do as David and Letty do with Val. Val writes a two-sentence letter to David and then a four-page postscript to Letty.” “Strategy is always so tedious.

Turning on my heel, I ran back down the corridor as fast as my jellied legs would carry me. My breath came in heaving gasps, and for a long time all I could hear was my sneakers slapping against the hard stone floor and the sound of my lone, frightened panting.

Sixty-five trays. It takes an hour to do. Thirteen pieces on each tray. Thirteen times sixty-five...eight hundred and forty-five things to collect, lay, square up symmetrically. I make little absurd reflections and arrangements - taking a dislike to the knives because they will not lie still on the polished metal of the tray, but pivot on their shafts, and swing out at angles after my fingers have left them. I love the long, the dim and lonely, corridor; the light centred in the gleam of the trays, salt-cellars, yellow butters, cylinders of glass...

As I stalk down the damp stone corridor in a perfectly foul mood, still unlaid and raging with testosterone, fully aware that I probably just made a deal with some kind of devil or someone controlled by some kind of devil, Ryodan appears around the corner, stalking toward me, and I’m beyond offended because my perimeter alarms didn’t go off, and I specifically warded against the Nine. He looks furious, which for him means a muscle twitches beneath his eye. He’s the bloody reason I have another of my problems: Thanks to him, Uncle Dageus is immortal and a beast while his wife is mortal and not a beast, which really crapped in all the Keltar Wheaties. We Keltar druids bond for life and beyond. Which means, for both my aunt and uncle, the “beyond” part is going to be—figuratively, at least—a long and lonely hell.

Sleeping Alone" Listening to the neighbor's dog bark and bark. He must be very big, his mouth as big as my head, his head as big as a Macy's Day float, his corridor throat commanding me to hear: I am one dog in the lonely bowl of night and there is so much dark.

As I walk across the lobby, I hear a scream coming from below, coming from the Pit. It’s not a good-natured Dauntless shout, or the shriek of someone who is scared but delighted, or anything but the particular tone, the particular pitch of terror. Small rocks scatter behind us as I run down to the bottom of the Pit, my breathing fast and heavy, but even. Three tall, dark-clothed people stand near the railing below. They are crowded around a fourth, smaller target, and even though I can’t see much about them, I know a fight when I see one. Or, I would call it a fight, if it wasn’t three against one. One of the attackers wheels around, sees me, and sprints in the other direction. When I get closer I see one of the remaining attackers holding the target up, over the chasm, and I shout, “Hey!” I see her hair, blond, and I can hardly see anything else. I collide with one of the attackers--Drew, I can tell by the color of his hair, orange-red--and slam him into the chasm barrier. I hit him once, twice, three times in the face, and he collapses to the ground, and then I’m kicking him and I can’t think, can’t think at all. “Four.” Her voice is quiet, ragged, and it’s the only thing that could possibly reach me in this place. She’s hanging from the railing, dangling over the chasm like a piece of bait from a fishing hook. The other one, the last attacker, is gone. I run toward her, grabbing her under her shoulders, and pull her over the edge of the railing. I hold her against me. She pressed her face to my shoulder, twisting her fingers into my shirt. Drew is on the ground, collapsed. I hear him groan as I carry her away--not to the infirmary, where the others who went after her would think to look for her, but to my apartment, in its lonely, removed corridor. I shove my way through the apartment door and lay her down on my bed. I run my fingers over her nose and cheekbones to check for breaks, then I feel for her pulse, and lean in close to listen to her breathing. Everything seems normal, steady. Even the bump on the back of her head, though swollen and scraped, doesn’t seem serious. She isn’t badly injured, but she could have been. My hands shake when I pull away from her. She isn’t badly injured, but Drew might be. I don’t even know how many times I hit him before she finally said my name and woke me up. The rest of my body starts to shake, too, and I make sure there’s a pillow supporting her head, then leave the apartment to go back to the railing next to the Pit.

NCE upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn’t go, there lived a cold, aggressive Duke, and his niece, the Princess Saralinda. She was warm in every wind and weather, but he was always cold. His hands were as cold as his smile and almost as cold as his heart. He wore gloves when he was asleep, and he wore gloves when he was awake, which made it difficult for him to pick up pins or coins or the kernels of nuts, or to tear the wings from nightingales. He was six feet four, and forty-six, and even colder than he thought he was. One eye wore a velvet patch; the other glittered through a monocle, which made half his body seem closer to you than the other half. He had lost one eye when he was twelve, for he was fond of peering into nests and lairs in search of birds and animals to maul. One afternoon, a mother shrike had mauled him first. His nights were spent in evil dreams, and his days were given to wicked schemes. Wickedly scheming, he would limp and cackle through the cold corridors of the castle, planning new impossible feats for the suitors of Saralinda to perform. He did not wish to give her hand in marriage, since her hand was the only warm hand in the castle. Even the hands of his watch and the hands of all the thirteen clocks were frozen. They had all frozen at the same time, on a snowy night, seven years before, and after that it was always ten minutes to five in the castle. Travelers and mariners would look up at the gloomy castle on the lonely hill and say, “Time lies frozen there. It’s always Then. It’s never Now.