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The elegance under pressure is the result of fearlessness.
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Ashish Patel
“
There is no simple explanation for anything important any of us do, and the human tragedy, or the human irony, consists in the necessity of living with the consequences of actions performed under the pressure of compulsions so obscure we do not and cannot understand them.
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Hugh MacLennan (The Watch that Ends the Night)
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For life today in America is based on the premise of ever-widening circles of contact and communication. It involves not only family demands, but community demands, national demands, international demands on the good citizen, through social and cultural pressures, through newspapers, magazines, radio programs, political drives, charitable appeals, and so on. My mind reels in it, What a circus act we women perform every day of our lives. It puts the trapeze artist to shame. Look at us. We run a tight rope daily, balancing a pile of books on the head. Baby-carriage, parasol, kitchen chair, still under control. Steady now!
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Anne Morrow Lindbergh (Gift from the Sea)
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The secret is that everything is always on the line. The more present we are at practice, the more present we will be in competition, in the boardroom, at the exam, the operating table, the big stage. If we have any hope of attaining excellence, let alone of showing what we’ve got under pressure, we have to be prepared by a lifestyle of reinforcement. Presence must be like breathing.
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Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
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When efforts that are wisely executed, the situation and condition don't affect the performance.
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Ashish Patel
“
we cannot calculate our important contests, adventures, and great loves to the end. The only thing we can really count on is getting surprised. No matter how much preparation we do, in the real tests of our lives, we’ll be in unfamiliar terrain. Conditions might not be calm or reasonable. It may feel as though the whole world is stacked against us. This is when we have to perform better than we ever conceived of performing. I believe the key is to have prepared in a manner that allows for inspiration, to have laid the foundation for us to create under the wildest pressures we ever imagined.
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Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
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Her mouth was on his with such ferocity, it knocked him back a step. He managed to haul her back so he could gasp for air and answers. "Not that I'm complaining." "Then don't. Shut up and put out Savoie." "You are so romantic, detective." She chained rough kisses about his neck. "What if I can't perform under this unexpected pressure?" Her hand dropped below his belt for an assessing fondle. "Just my luck. Appears to be high performance all the way." He chuckled and began to nuzzle and nip at her rather roughly, his attention supercharged by her aggression. "And what kind of handling are you looking for?" "Fast and reckless
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Nancy Gideon (Chased by Moonlight (By Moonlight, #2))
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I’ve done it before. I can do it again” is the mantra of this pressure solution.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Under pressure people can perform fifteen percent better or fifteen percent worse.
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Gary Mack (Mind Gym: An Athlete's Guide to Inner Excellence)
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At this point, I can no longer avoid setting out, in an initial, provisional statement, my own hypothesis about the origin of “bad conscience.” It is not easy to get people to attend to it, and it requires them to consider it at length, to guard it, and to sleep on it. I consider bad conscience the profound illness which human beings had to come down with, under the pressure of the most fundamental of all the changes which they experienced—that change when they finally found themselves locked within the confines of society and peace. Just like the things water animals must have gone though when they were forced either to become land animals or to die off, so events must have played themselves out with this half-beast so happily adapted to the wilderness, war, wandering around, adventure—suddenly all its instincts were devalued and “disengaged.”
From this point on, these animals were to go on foot and “carry themselves”; whereas previously they had been supported by the water. A terrible heaviness weighed them down. In performing the simplest things they felt ungainly. In dealing with this new unknown world, they no longer had their old leader, the ruling unconscious drives which guided them safely. These unfortunate creatures were reduced to thinking, inferring, calculating, bringing together cause and effect, reduced to their “consciousness,” their most impoverished and error-prone organ! I believe that on earth there has never been such a feeling of misery, such a leaden discomfort—while at the same time those old instincts had not all at once stopped imposing their demands! Only it was difficult and seldom possible to do their bidding. For the most part, they had to find new and, as it were, underground satisfactions for them.
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Friedrich Nietzsche (On the Genealogy of Morals)
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Cheryl was aided in her search by the Internet. Each time she remembered a name that seemed to be important in her life, she tried to look up that person on the World Wide Web.
The names and pictures Cheryl found were at once familiar and yet not part of her conscious memory: Dr. Sidney Gottlieb, Dr. Louis 'Jolly' West, Dr. Ewen Cameron, Dr. Martin Orne and others had information by and about them on the Web. Soon, she began looking up sites related to childhood incest and found that some of the survivor sites mentioned the same names, though in the context of experiments performed on small children. Again, some names were familiar. Then Cheryl began remembering what turned out to be triggers from old programmes. 'The song, "The Green, Green Grass of home" kept running through my mind. I remembered that my father sang it as well. It all made no sense until I remembered that the last line of the song tells of being buried six feet under that green, green grass. Suddenly, it came to me that this was a suicide programme of the government. 'I went crazy. I felt that my body would explode unless I released some of the pressure I felt within, so I grabbed a [pair ofl scissors and cut myself with the blade so I bled. In my distracted state, I was certain that the bleeding would let the pressure out. I didn't know Lynn had felt the same way years earlier. I just knew I had to do it Cheryl says. She had some barbiturates and other medicine in the house. 'One particularly despondent night, I took several pills. It wasn't exactly a suicide try, though the pills could have killed me. Instead, I kept thinking that I would give myself a fifty-fifty chance of waking up the next morning. Maybe the pills would kill me. Maybe the dose would not be lethal. It was all up to God. I began taking pills each night. Each-morning I kept awakening.
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Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
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I remember a conversation which we had once about translating. Hugo knew nothing about translating, but when he learnt that I was a translator he wanted to know what it was like. I remember him going on and on, asking questions such as: What do you mean when you say that you think the meaning in French? How do you know you’re thinking it in French? If you see a picture in your mind how do you know it’s a French picture? Or is it that you say the French word to yourself? What do you see when you see that the translation is exactly right? Are you imagining what someone else would think, seeing it for the first time? Or is it a kind of feeling? What kind of feeling? Can’t you describe it more closely? And so on and so on, with a fantastic patience. This sometimes became very exasperating. What seemed to me to be the simplest utterance soon became, under the repeated pressure of Hugo’s ‘You mean’, a dark and confused saying of which I no longer myself knew the meaning. The activity of translating, which had seemed the plainest thing in the world, turned out to be an act so complex and extraordinary that it was puzzling to see how any human being could perform it.
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Iris Murdoch (Under the Net)
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Introverts are not smarter than extroverts. According to IQ scores, the two types are equally intelligent. And on many kinds of tasks, particularly those performed under time or social pressure or involving multitasking, extroverts do better. Extroverts are better than introverts at handling information overload.
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Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
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There’s a pulse in my body, vibrating every pressure point. “I like kissing you.”
His hand lowers to my waist. “I could kiss you forever.”
I lazily glance at him from under my eyelashes. “Just kissing.” Because I think I’ll combust if we do more.
The right side of his mouth quirks. “Just kissing. And some touching.” To prove his point Isaiah’s hands caress my back, weave into my hair and slide against the dip of my waist.
Yes, definitely some touching. I inhale deeply, reminding myself that breathing is still a requirement. “I agree. Some touching. No new clothes off.”
Because I’d probably pass out at the thought of his jeans off. They already hang low on his hips. Too low. Very low. Low enough that I start to imagine what more there is to him.
Isaiah wraps his hand around the back of my neck and performs this deep massage that makes my eyes roll into my head in ecstasy. “I’ll put my shirt back on if you want.”
“No,” I breathe out. “I’m fine with it off.” More than fine.
”
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Katie McGarry (Crash into You (Pushing the Limits, #3))
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Next, think about likely questions or interruptions, and rehearse your responses. Then think of additional questions or interruptions, and how you would handle them.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
“
There’s no pressure. It is going to be fun, a great game, and I look forward to meeting the challenge.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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The philosopher Epictetus said more than two thousand years ago, “Man is not troubled by events but rather how he interprets them.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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If you want to be able to perform under pressure, you need to learn to play tired.
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Marcus Aurelius
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In light of our results, managers who say—or secretly believe—that employees work better under pressure, uncertainty, unhappiness, or fear are just plain wrong. Negative inner work life has a negative effect on the four dimensions of performance: people are less creative, less productive, less deeply committed to their work, and less collegial to each other when their inner work lives darken.
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Teresa Amabile (The Progress Principle: Using Small Wins to Ignite Joy, Engagement, and Creativity at Work)
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Many kinds of tasks, particularly those performed under time or social pressure or involving multitasking, extroverts do better. Extroverts are better than introverts at handling information overload.
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Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
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It was the very essence of the bean, extracted within forty-five seconds under relentless pressure. Unlike human beings, coffee beans don’t cave into unabating stress. When pressed to perform, they give their very best.
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Harish Bhat (An Extreme Love of Coffee: A Novel)
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common to every one of these top performers: complete and total confidence (“I will win no matter what”), combined with rigorous, consistent, meticulous mental rehearsal (“and this is exactly what it will look like and feel like”).
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Brandon Webb (Total Focus)
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Testosterone has another important effect: It increases levels of dopamine, the feel-good chemical in the brain that mediates the reward network. Pay raises, compliments, sex, experiencing any kind of success—all result in increased levels of dopamine in the brain.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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some seem to get trapped in the compulsion to succeed, others take a rebellious stance. Pointing to the blatant cruelties and limitations involved in a cultural pattern which tends to value only the winner and ignore even the positive qualities of the mediocre, they vehemently criticize competition. Among the most vocal are youth who have suffered under competitive pressures imposed on them by parents or society. Teaching these young people, I often observe in them a desire to fail. They seem to seek failure by making no effort to win
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W. Timothy Gallwey (The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance)
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that there is no simple explanation for anything important any of us do, and that the human tragedy, or the human irony, consists in the necessity of living with the consequences of actions performed under the pressure of compulsions so obscure we do not and cannot understand them.
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Hugh MacLennan (The Watch that Ends the Night)
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The Bolsheviks argued that only socialism could resolve the contradiction between work and family. Under socialism, household labor would be transferred to the public sphere: The tasks performed by millions of individual unpaid women in their homes would be taken over by paid workers in communal dining rooms, laundries, and childcare centers. Women would be freed to enter the public sphere on an equal basis with men, unhampered by the duties of the home. At last women would be equally educated, waged, and able to pursue their own individual goals and development. Under such circumstances, marriage would become superfluous. Men and women would come together and separate as they wished, apart from the deforming pressures of economic dependency and need. Free union would gradually replace marriage as the state ceased to interfere in the union between the sexes. Parents, regardless of their marital status, would care for their children with the help of the state; the very concept of illegitimacy would become obsolete. The family, stripped of its previous social functions, would gradually wither away, leaving in its place fully autonomous, equal individuals free to choose their partners on the basis of love and mutual respect.
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Wendy Z. Goldman (Women, the State and Revolution: Soviet Family Policy and Social Life, 1917-1936)
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The big mental shift in performance under pressure comes when we can feel fear but accept deep inside that we will mentally survive the moment. Once the mental threat in a situation is contained, it loses its power to overwhelm us emotionally and shut us down, allowing us to re-energise and face the challenge.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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But we now know that even small victories, or micro-successes—a productive conversation with your boss, or a positive phone call with a client, a compliment from a colleague or friend—can have the same impact. They stimulate the winner effect, causing the release of testosterone and dopamine, which in turn build confidence.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Feeling challenged is an inherent performance steroid—your body releases more adrenaline than noradrenaline, which means the smooth muscle in your blood vessels dilate, as do your your lungs, and now you have more oxygenated blood going to the tissues that need it. Your body has more energy and your brain can think more clearly.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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If I have learned anything over my first twenty-nine years, it is that we cannot calculate our important contests, adventures, and great loves to the end. The only thing we can really count on is getting surprised. No matter how much preparation we do, in the real tests of our lives, we’ll be in unfamiliar terrain. Conditions might not be calm or reasonable. It may feel as though the whole world is stacked against us. This is when we have to perform better than we ever conceived of performing. I believe the key is to have prepared in a manner that allows for inspiration, to have laid the foundation for us to create under the wildest pressures we ever imagined. It
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Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
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Conditions might not be calm or reasonable. It may feel as though the whole world is stacked against us. This is when we have to perform better than we ever conceived of performing. I believe the key is to have prepared in a manner that allows for inspiration, to have laid the foundation for us to create under the wildest pressures we ever imagined. It
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Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
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These small wins matter more because they are so much more likely to occur compared to the big break-throughs in the world. If we only waited for the big wins, we would be waiting a long time. And we would probably quit long before we saw anything tangible come to fruition. What you need instead of big wins is simply the forward momentum that small wins bring.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Our emotions play a vital role in how we face challenges and setbacks. Our ability to function effectively when everything around us is going awry is closely linked to how we process our emotions. If we’re unable to control them, our capability to perform under pressure suffers. If we are able to exert control, handling mistakes and distress becomes much easier. This is referred to as our emotional intelligence.
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Damon Zahariades (The Mental Toughness Handbook: A Step-By-Step Guide to Facing Life's Challenges, Managing Negative Emotions, and Overcoming Adversity with Courage and Poise)
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My Standard of Performance—the values and beliefs within it—guided everything I did in my work at San Francisco and are defined as follows: Exhibit a ferocious and intelligently applied work ethic directed at continual improvement; demonstrate respect for each person in the organization and the work he or she does; be deeply committed to learning and teaching, which means increasing my own expertise; be fair; demonstrate character; honor the direct connection between details and improvement, and relentlessly seek the latter; show self-control, especially where it counts most—under pressure; demonstrate and prize loyalty; use positive language and have a positive attitude; take pride in my effort as an entity separate from the result of that effort; be willing to go the extra distance for the organization; deal appropriately with victory and defeat, adulation and humiliation (don’t get crazy with victory nor dysfunctional with loss); promote internal communication that is both open and substantive (especially under stress); seek poise in myself and those I lead; put the team’s welfare and priorities ahead of my own; maintain an ongoing level of concentration and focus that is abnormally high; and make sacrifice and commitment the organization’s trademark.
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Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
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Great performers share a way of thinking, a set of attitudes and attributes like optimism, confidence, persistence, and strong will. They all want to push themselves to see how great they can become. These attributes and attitudes cause champions to work harder and smarter than other people as they prepare for competition. They help them stay focused under pressure and to produce their best performances when the stakes are highest.
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Bob Rotella (How Champions Think: In Sports and in Life)
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On the back of her gratitude for the opportunity to talk and connect with her children, a powerful new insight presents itself. Although she can’t provide as much as some parents materially, there’s is no reason why she can’t develop their inner strength in a way that others will struggle to match. Dealing with pressure and having to think clearly in emotional situations have helped her today, both at work and at home, and passing this gift on to her children will help them face adversity too.
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Ceri Evans (Perform Under Pressure)
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I believe in making society more equal for our kids, she ploughing on, ignoring pointed coughs telling her to get on with it or shut up
our kids, she emphasizes (the possibility of shared ownership), have been told they’re failures, thick, as you put it, before they’ve proven otherwise
Exams are all well and good but not everyone performs well under pressure or manifests their intelligence at a young age, it can be acquired later, you know, nurtured by us, we have to be more than teachers, we have to look after them, believe in them
If we don’t help then, who will?
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Bernardine Evaristo (Girl, Woman, Other)
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Which philosophers would Alain suggest for practical living? Alain’s list overlaps nearly 100% with my own: Epicurus, Seneca, Marcus Aurelius, Plato, Michel de Montaigne, Arthur Schopenhauer, Friedrich Nietzsche, and Bertrand Russell. * Most-gifted or recommended books? The Unbearable Lightness of Being by Milan Kundera, Essays of Michel de Montaigne. * Favorite documentary The Up series: This ongoing series is filmed in the UK, and revisits the same group of people every 7 years. It started with their 7th birthdays (Seven Up!) and continues up to present day, when they are in their 50s. Subjects were picked from a wide variety of social backgrounds. Alain calls these very undramatic and quietly powerful films “probably the best documentary that exists.” TF: This is also the favorite of Stephen Dubner on page 574. Stephen says, “If you are at all interested in any kind of science or sociology, or human decision-making, or nurture versus nature, it is the best thing ever.” * Advice to your 30-year-old self? “I would have said, ‘Appreciate what’s good about this moment. Don’t always think that you’re on a permanent journey. Stop and enjoy the view.’ . . . I always had this assumption that if you appreciate the moment, you’re weakening your resolve to improve your circumstances. That’s not true, but I think when you’re young, it’s sort of associated with that. . . . I had people around me who’d say things like, ‘Oh, a flower, nice.’ A little part of me was thinking, ‘You absolute loser. You’ve taken time to appreciate a flower? Do you not have bigger plans? I mean, this the limit of your ambition?’ and when life’s knocked you around a bit and when you’ve seen a few things, and time has happened and you’ve got some years under your belt, you start to think more highly of modest things like flowers and a pretty sky, or just a morning where nothing’s wrong and everyone’s been pretty nice to everyone else. . . . Fortune can do anything with us. We are very fragile creatures. You only need to tap us or hit us in slightly the wrong place. . . . You only have to push us a little bit, and we crack very easily, whether that’s the pressure of disgrace or physical illness, financial pressure, etc. It doesn’t take very much. So, we do have to appreciate every day that goes by without a major disaster.
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Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
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astonishing number of senior leaders are systemically incapable of identifying their organization’s most glaring and dangerous shortcomings. This is not a function of stupidity, but rather stems from two routine pressures that constrain everybody’s thinking and behavior. The first is comprised of cognitive biases, such as mirror imaging, anchoring, and confirmation bias. These unconscious motivations on decision-making under uncertain conditions make it inherently difficult to evaluate one’s own judgments and actions. As David Dunning, a professor of psychology at Cornell University, has shown in countless environments, people who are highly incompetent in terms of their skills or knowledge are also terrible judges of their own performance. For example, people who perform the worst on pop quizzes also have the widest variance between how they thought they performed and the actual score that they earned.22
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Micah Zenko (Red Team: How to Succeed By Thinking Like the Enemy)
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Look at your “hobophobia.”
If there is one group of people our majority population fear and despise it is rootless, nomadic individuals with no stake in society. They offend simply by “opting out”—of property, commitments, beliefs, relationships, expectations. Many such people have turned their backs on a society they don’t understand or can’t cope with. They have absconded from the pressures to compete, to perform, to sell out, to join in the dance of bureaucracy, money worries, cohabitation, housekeeping, procreation, you-name-it. Society is right to fear such people because they embody the sane rejection of many insanely onerous “civilized” values that would collapse under scrutiny. Strangely, though, society also makes an idol of Jesus, apparently a nomad who had no possessions or family ties, who walked away from a promising career in carpentry, a hobo if ever there was one. (We haven’t, however, made a popular hero out of Diogenes, the ultimate dirty Greek hobo.)
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Colin Feltham (Keeping Ourselves in the Dark)
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Besides increasing or decreasing the stimulation level of the environment, you can also achieve an optimal level of arousal by drinking beverages that have a direct impact on neocortical arousal.38 Alcohol, at least initially, has the effect of lowering arousal. After a couple of glasses of wine the extraverts are more likely to dip below the optimal arousal level, whereas their introverted friends, nudged closer to optimal arousal, may appear unexpectedly garrulous. Coffee, being a stimulant, has the opposite effect. After ingesting about two cups of coffee, extraverts carry out tasks more efficiently, whereas introverts perform less well. This deficit is magnified if the task they are engaged in is quantitative and if it is done under time pressure. For an introvert, an innocent couple of cups of coffee before a meeting may prove challenging, particularly if the purpose of the meeting is a rapid-fire discussion of budget projections, data analysis, or similar quantitative concerns. In the same meeting an extraverted colleague is likely to benefit from a caffeine kick that creates, in the eyes of the introverts, the illusion of competency.
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Brian Little (Me, Myself, and Us: The Science of Personality and the Art of Well-Being)
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Rebecca Wallace-Segall, who teaches creative-writing workshops for kids and teens as director of Writopia Lab in New York City, says that the students who sign up for her classes “are often not the kids who are willing to talk for hours about fashion and celebrity. Those kids are less likely to come, perhaps because they’re less inclined to analyze and dig deep—that’s not their comfort zone. The so-called shy kids are often hungry to brainstorm ideas, deconstruct them, and act on them, and, paradoxically, when they’re allowed to interact this way, they’re not shy at all. They’re connecting with each other, but in a deeper zone, in a place that’s considered boring or tiresome by some of their peers.” And these kids do “come out” when they’re ready; most of the Writopia kids read their works at local bookstores, and a staggering number win prestigious national writing competitions.
If your child is prone to overstimulation, then it’s also a good idea for her to pick activities like art or long-distance running, that depend less on performing under pressure. If she’s drawn to activities that require performance, though, you can help her thrive.
When I was a kid, I loved figure skating. I could spend hours on the rink, tracing figure eights, spinning happily, or flying through the air. But on the day of my competitions, I was a wreck. I hadn’t slept the night before and would often fall during moves that I had sailed through in practice. At first I believed what people told me—that I had the jitters, just like everybody else. But then I saw a TV interview with the Olympic gold medalist Katarina Witt. She said that pre-competition nerves gave her the adrenaline she needed to win the gold.
I knew then that Katarina and I were utterly different creatures, but it took me decades to figure out why. Her nerves were so mild that they simply energized her, while mine were constricting enough to make me choke. At the time, my very supportive mother quizzed the other skating moms about how their own daughters handled pre-competition anxiety, and came back with insights that she hoped would make me feel better. Kristen’s nervous too, she reported. Renée’s mom says she’s scared the night before a competition. But I knew Kristen and Renée well, and I was certain that they weren’t as frightened as I was
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Susan Cain
“
When the Bible speaks of following Jesus, it is proclaiming a discipleship which will liberate mankind from all man-made dogmas, from every burden and oppression, from every anxiety and torture which afflicts the conscience. If they follow Jesus, men escape from the hard yoke of their own laws, and submit to the kindly yoke of Jesus Christ. But does this mean that we ignore the seriousness of his commands? Far from it. We can only achieve perfect liberty and enjoy fellowship with Jesus when his command, his call to absolute discipleship, is appreciated in its entirety. Only the man who follows the command of Jesus single-mindedly, and unresistingly lets his yoke rest upon him, finds his burden easy, and under its gentle pressure receives the power to persevere in the right way. The command of Jesus is hard, unutterably hard, for those who try to resist it. But for those who willingly submit, the yoke is easy, and the burden is light. “His commandments are not grievous” (I John 5.3). The commandment of Jesus is not a sort of spiritual shock treatment. Jesus asks nothing of us without giving us the strength to perform it. His commandment never seeks to destroy life, but to foster, strengthen and heal it.
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Dietrich Bonhoeffer (The Cost of Discipleship)
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The third serious problem the culture of customer service as we know it creates is turning every profession into a customer service tool to generate profits. In doing so, we risk the loss of creativity, quality, and critical thinking in many walks of life. Nowhere is this risk clearer and more damaging than viewing students at different educational institutions as customers, and nowhere this trend has been happening more rapidly than at schools, colleges, and universities, especially at private institutions. There is severe damage done to creativity and critical thinking when all students want is an A, and in fact feel entitled to get it since they (or their parents) are paying hundreds of thousands of dollars to attend elite schools. Many educators are under enormous pressure to give students grades they do not deserve in order to avoid receiving bad student evaluations (or to ensure getting good ones). This pressure is intensifying as academic jobs become increasingly contingent and precarious, where teaching staff are hired under short contracts only renewed based on so-called ‘performance,’ which is often measured by student evaluations and enrollment. When this happens, academic and intellectual compromises and corruption increase. Colleagues at elite American universities have been pressured to give students grades no lower than a B, with the explanation that this is what is ‘expected.’ Rampant grade inflation is unethical and unacceptable. Unfortunately, when graduate instructors resist professors’ instructions to fix grades by grading according to independent criteria of intellectual merit, they may be verbally chastised or worse, fired. This humiliation not only reinforces the norm of inflating grades, it also bolsters the power of the tenured professors who instruct their teaching assistants to do it.
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Louis Yako
“
Finally, you need to also refine or cultivate those traits that go into a strong character—resilience under pressure, attention to detail, the ability to complete things, to work with a team, to be tolerant of people’s differences. The only way to do so is to work on your habits, which go into the slow formation of your character. For instance, you train yourself to not react in the moment by repeatedly placing yourself in stressful or adverse situations in order to get used to them. In boring everyday tasks, you cultivate greater patience and attention to detail. You deliberately take on tasks slightly above your level. In completing them, you have to work harder, helping you establish more discipline and better work habits. You train yourself to continually think of what is best for the team. You also search out others who display a strong character and associate with them as much as possible. In this way you can assimilate their energy and their habits. And to develop some flexibility in your character, always a sign of strength, you occasionally shake yourself up, trying out some new strategy or way of thinking, doing the opposite of what you would normally do. With such work you will no longer be a slave to the character created by your earliest years and the compulsive behavior it leads to. Even further, you can now actively shape your very character and the fate that goes with it. In anything, it is a mistake to think one can perform an action or behave in a certain way once and no more. (The mistake of those who say: “Let us slave away and save every penny till we are thirty, then we will enjoy ourselves.” At thirty they will have a bent for avarice and hard work, and will never enjoy themselves any more . . . .) What one does, one will do again, indeed has probably already done in the distant past. The agonizing thing in life is that it is our own decisions that throw us into this rut, under the wheels that crush us. (The truth is that, even before making those decisions, we were going in that direction.) A decision, an action, are infallible omens of what we shall do another time, not for any vague, mystic, astrological reason but because they result from an automatic reaction that will repeat itself. —Cesare Pavese
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Robert Greene (The Laws of Human Nature)
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The key to preventing this is balance. I see the give and take between different constituencies in a business as central to its success. So when I talk about taming the Beast, what I really mean is that keeping its needs balanced with the needs of other, more creative facets of your company will make you stronger. Let me give you an example of what I mean, drawn from the business I know best. In animation, we have many constituencies: story, art, budget, technology, finance, production, marketing, and consumer products. The people within each constituency have priorities that are important—and often opposing. The writer and director want to tell the most affecting story possible; the production designer wants the film to look beautiful; the technical directors want flawless effects; finance wants to keep the budgets within limits; marketing wants a hook that is easily sold to potential viewers; the consumer products people want appealing characters to turn into plush toys and to plaster on lunchboxes and T-shirts; the production managers try to keep everyone happy—and to keep the whole enterprise from spiraling out of control. And so on. Each group is focused on its own needs, which means that no one has a clear view of how their decisions impact other groups; each group is under pressure to perform well, which means achieving stated goals. Particularly in the early months of a project, these goals—which are subgoals, really, in the making of a film—are often easier to articulate and explain than the film itself. But if the director is able to get everything he or she wants, we will likely end up with a film that’s too long. If the marketing people get their way, we will only make a film that mimics those that have already been “proven” to succeed—in other words, familiar to viewers but in all likelihood a creative failure. Each group, then, is trying to do the right thing, but they’re pulling in different directions. If any one of those groups “wins,” we lose. In an unhealthy culture, each group believes that if their objectives trump the goals of the other groups, the company will be better off. In a healthy culture, all constituencies recognize the importance of balancing competing desires—they want to be heard, but they don’t have to win. Their interaction with one another—the push and pull that occurs naturally when talented people are given clear goals—yields the balance we seek. But that only happens if they understand that achieving balance is a central goal of the company.
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Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
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In essence, Ian is flooding his brain (and his body) with chemicals; as Cuddy’s research at Harvard found, he is increasing his level of testosterone and decreasing his level of cortisol.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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One is that they allow the individual to create a mental model of perfect performance that shows what ideal execution looks like. The individual can then use this covert model to guide performance. Another is that visualization reduces performance anxiety, allowing the individual to successfully deal with unexpected or troublesome situations.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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But it is our perception of success that has the biggest hit on this part of our brain. When dopamine levels are high, they engage our frontal cortex, where are our “executive function” exists.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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The important takeaway is to know that you don’t have to wait until you win something to access the winner effect: You can do it in any moment by engaging and getting proficient at mental rehearsal or visualization.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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By achieving these small goals you can use the winner effect to gain momentum on achieving bigger goals. Essentially you feel more confident.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Practice the basics. Run through your presentation again and again. Make sure you know it cold, so you can perform it on autopilot; that way you can turn some of your focus to reading the room instead of having to think about every word you are saying.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Rework the basics. Your initial presentation will result in a sequence or series of steps: To really know your stuff, change the order. Start with step 5 and work backward. Skip a couple of steps. Rehearsing the material in a different order helps to reinforce your knowledge of the material.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Like a beta-blocker, confidence acts as a neurochemical antidote that allows them—allows each of us—to move forward even when we are feeling the physical and psychological manifestations of pressure.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Such defensiveness may just seem to be a refusal to take responsibility for engaging in something essential to healthy relationship, but underlying it is one hell of a double bind: (1) the pressure to cultivate and make central the qualities that make great relationship possible (like vulnerability, emotional openness, and integrity); and (2) the coexisting pressure to cultivate and make central the qualities that supposedly make us real men, especially at work (like aggression, emotional stoicism, and driven performance). Trying to do both, trying to please both sets of standards, simply divides and, therefore, disempowers us.
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Robert Agustus Masters (To Be a Man: A Guide to True Masculine Power)
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THINK OF PRESSURE MOMENTS AS A CHALLENGE OR OPPORTUNITY/FUN
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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individuals who perceive a task or situation not as a threat but instead as a challenge, an opportunity, or fun are far more likely to perform up to the level of their ability, increasing their chances for success.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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The fact is we each get multiple chances over and over again in life. Keep this in mind, and you will find your life less pressured.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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SHRINK THE IMPORTANCE OF THE PRESSURE MOMENT
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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To counter and prevent primal pressure thinking, you need to underexaggerate or generate thoughts that minimize the significance of the pressure moment.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Acknowledging the experience, skills, and other positive qualities you possess is an effective way to buffer yourself from the pressure you face.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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The goal: for Ax to become familiar with feeling pressure so that he could learn to ignore it and do his job, no matter how stressful it got.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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The logic of this pressure solution is the opposite. Since high-pressure situations are inevitable, you might as well get used to the feelings of pressure, so that you are able to perform at a high level in spite of pressure.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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If you’re preparing for a presentation, challenge yourself to make your points coherently in a shorter-than-expected time frame. Add more pressure to your practice by handicapping yourself—no notes and a blaring television.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Think of the high-pressure situations you’ve been in, and the times you’ve performed well. You were probably enjoying the moment despite the pressure,
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Magnification often comes into our thinking when we become too attached to the outcome. While emphasizing the importance of a test or task might increase our effort, the extra pressure we put on ourselves typically downgrades our performance.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Individuals with a higher degree of confidence work harder, persist longer, are more optimistic and enthusiastic, show more grit and determination, and choose more difficult and higher goals than those with less confidence.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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In effect, higher testosterone and lower cortisol allow them to be the “calm person in the boat.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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When we engage in what she terms a “high-power pose” where our bodies are more open and expansive—arms open as opposed to closed across our chest, standing straight with shoulders back as opposed to hunched with shoulders folded forward, occupying more space versus less—our brain and body respond by increasing testosterone and decreasing cortisol. Testosterone levels go up by 20 to 25 percent, and cortisol goes down by 20 to 25 percent.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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when teams face significant performance pressure, they tend to defer to high-status members, at the expense of using expert team members.
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Hendrie Weisinger (Performing Under Pressure: The Science of Doing Your Best When It Matters Most)
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Ricardo’s other necessary condition for comparative advantage is that a country’s capital seeks its comparative advantage in its home country and does not seek more productive use abroad. Ricardo confronts the possibility that English capital might migrate to Portugal to take advantage of the lower costs of production, thus leaving the English workforce unemployed, or employed in less productive ways. He is able to dismiss this undermining of comparative advantage because of “the difficulty with which capital moves from one country to another” and because capital is insecure “when not under the immediate control of its owner.” This insecurity, “fancied or real,” together “with the natural disinclination which every man has to quit the country of his birth and connections, and entrust himself, with all his habits fixed, to a strange government and new laws, check the emigration of capital. These feelings, which I should be sorry to see weakened, induce most men of property to be satisfied with a low rate of profits in their own country, rather than seek a more advantageous employment for their wealth in foreign lands.” Today, these feelings have been weakened. Men of property have been replaced by corporations. Once the large excess supplies of Asian labor were available to American corporations, once Congress limited the tax deductibility of CEO pay that was not “performance related,” once Wall Street pressured corporations for higher shareholder returns, once Wal-Mart ordered its suppliers to meet “the Chinese price,” once hostile takeovers could be justified as improving shareholder returns by offshoring production, capital and jobs departed the country. Capital has become as mobile as traded goods.
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Paul Craig Roberts (The Failure of Laissez Faire Capitalism and Economic Dissolution of the West)
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The drama of the unsocialized black has become the commanding motif of American culture. Driven to the wall, threatened with emasculation, surrounded everywhere by formidable women, the black male has summoned from his own body and spirit the masculine testament on which much of American manhood now subsists. Black jazz is the most important serious American music, acknowledged around the world if not in our own universities. Our rock culture finds its musical and rhythmic inspiration and its erotic energy and idiom in the jazz, gospel, dance, and soul performances of blacks. The black stage provides dramatic imagery and acting charisma for both our theaters and our films. Black vernacular pervades our speech. The black athlete increasingly dominates our sports, not only in his performance but in his expressive styles, as even white stars adopt black idioms of talk, handshakes, dress, and manner. From the home-plate celebration to the touchdown romp, American athletes are now dancing to soul music. Black men increasingly star in the American dream.
This achievement is an art of the battlefield-exhibiting all that grace under pressure that is the glory of the cornered male. Ordinarily we could marvel and celebrate without any deeper pang of fear. But as the most vital expression of the culture-widely embraced by a whole generation of American youth-this black testament should be taken as a warning. For much of it lacks the signs of that submission to femininity that is the theme of enduring social order. It suggests a bitter failure of male socialization. By its very strength, it bespeaks a broader vulnerability and sexual imbalance. Thus it points to the ghetto as the exemplary crisis of our society.
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George Gilder (Men and Marriage)
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My call to action goes well beyond asking you to pressure your recruiting team to hire a couple of token employees. That's easy and you've been doing that for years.
My call to action is that you dig deeper and place focus on making the work environment sustainable for the minorities you introduce to your team. I'm challenging you to refrain from the habitual practice of listening only to the jaded opinions of people that you are more familiar with.
Consider that, although you may be under the impression that your employees have strong ethics, morals and values, there is a possibility that they mat not be telling you the entire truth when speaking about the performance or demeanor of minorities.
Furthermore, I challenge you to accept that racism, ageism, ableism, classism, sizeism, homophobia, etc., are real and shaping the semblance of your organization.
Accepting that fact does not mean that people you work with and trust are bad people. It simply means that many of them are naïve, fearful, and more comfortable with pointing fingers at the innocent than they are with facing and addressing their own unconscious and damaging biases.
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Talisa Lavarry (Confessions From Your Token Black Colleague: True Stories & Candid Conversations About Equity & Inclusion In The Workplace)
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By nature, we humans shrink from anything that seems possibly painful or overtly difficult. We bring this natural tendency to our practice of any skill. Once we grow adept at some aspect of this skill, generally one that comes more easily to us, we prefer to practice this element over and over. Our skill becomes lopsided as we avoid our weaknesses. Knowing that in our practice we can let down our guard, since we are not being watched or under pressure to perform, we bring to this a kind of dispersed attention. We tend to also be quite conventional in our practice routines. We generally follow what others have done, performing the accepted exercises for these skills.
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Robert Greene (Mastery)
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The things that are really worth chasing involve pressure and that’s what makes them rewarding.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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Pressure is perilous. The knife-edge, risk–reward seesaw explains why many people do everything they can to avoid or escape from stressful situations. But a minority of people do the opposite. They walk towards these moments of truth, seeking the things they also fear.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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Our mirror neurons – specialised nerve cells that allow us to pick up on how other people are feeling – allow us to feel the fear in others. And when we see people feel the fear but take on the challenge anyway, we are inspired. It is a signature moment for performance under pressure.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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Paying attention to tension in a different way – going towards it, feeling it, activating it, then releasing it – reverses this process. As the fear and emotion are felt, they naturally diminish and the tension dissolves.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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Instead of being distracted by doubt, we need to trust our ability to handle what is in front of us. This self-trust forms the RED backbone to support our BLUE focused attention. Banishing doubt and worry avoids overthinking – that busy mind that arises from an internal debate about what we’re doing.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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Rico completes the whole process, silently saying to himself, ‘Trust.’ He enjoys doing the Intensity Clarity Execution routine because it is short, simple and structured, and it makes him feel light, bright and clear. He uses it three times a day leading into a match, which seems to settle his body and mind down, reducing doubt and overthinking.
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Ceri Evans (Perform Under Pressure)
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Elite athletes often refer to their internal battle to overcome their doubts and anxieties – their dark side. Addressing this side of us will always be uncomfortable, but this is the only way of pushing beyond our current limits.
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Ceri Evans (Perform Under Pressure)
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When we are ‘in the RED’ we can lose emotional control, overthink and get diverted. When we are ‘in the BLUE’, we can hold our nerve, maintain our focus and stay on task.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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It’s not a time to overthink the situation, it’s a time to take emotional control.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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She realises that she is overthinking things. She follows her three-breath routine to settle her nerves, calm her body and clear her mind.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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She notices that she’s tense and has gone over to the RED side – lost in ‘What if?’s, overthinking. To get a grip on her emotions, she quietly runs through her basic three breaths routine while she drives. She imagines breathing energy and calm deep into her belly – and breathing out tension and stress.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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The quality of the parent–child interaction is more important than the circumstances in which a child grows up. People can be emotionally resilient despite a difficult early family life.
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Ceri Evans (Perform Under Pressure)
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Instead of someone else’s expectations, we’re driven by our own intention. Instead of being affected by someone else’s scrutiny, we have a clear sense of where we are right now, in this moment. And instead of someone else’s consequences, we are focused on our current priority. The mental recipe for internally driven people is intention, moment, priority, or IMP.
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Ceri Evans (Perform Under Pressure)
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Being internally driven also feels different. Instead of feeling the weight of expectation coming down on us from the outside, we feel power flowing up from within. External pressure breaks us down, makes us shrink, and burdens us; internal drive builds us up, makes us grow, and energises us.
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Ceri Evans (Perform Under Pressure)
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Other people can impose expectations from without, but only we can set our intent from within.
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Ceri Evans (Perform Under Pressure)
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He breathes in and visualises a piece of play where his team get the ball and break forward on the counter-attack.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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To keep the strategy simple for the players, he’ll ask them to adopt a system of counter-attacking when they gain possession of the ball.
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Ceri Evans (Perform Under Pressure)
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We always start with what worked well, then consider where we fell short of our intent. This protects us from looking more at the negative more than the positive.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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The place to start is with ourselves, because if we are vulnerable to judgment from others, the chances are we are even harder on ourselves. It’s easy to underestimate how much disapproval, criticism and scolding we put ourselves through.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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To identify our internal obstacles we can look for inconvenient facts, those uncomfortable truths about our performance that we don’t usually admit to. The word ‘inconvenient’ seems to strike the right chord – not too strong but not too weak. And calling them ‘facts’ means we can’t deny them.
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Ceri Evans (Perform Under Pressure)
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Typically we try to avoid paying attention to mental and physical discomfort, which is the surest way to make sure they persist! Trying to deny them only gives them power. It feeds them through fear and gives them energy through emotion. Paying attention to tension in a different way – going towards it, feeling it, activating it, then releasing it – reverses this process. As the fear and emotion are felt, they naturally diminish and the tension dissolves.
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Ceri Evans (Perform Under Pressure)
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Ngaire notices how the anxiety of a big match affects her teammates differently: some go silent, some get chatty; some laugh a lot.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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If you restrict yourself to performing only in comfortable situations, your life will miss the fulfilment available to those who don’t restrict themselves. But if you embrace them, those challenging, high-pressure moments can be especially powerful and rewarding.
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Ceri Evans (Perform Under Pressure: Change the Way You Feel, Think and Act Under Pressure)
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If you restrict yourself to performing only in comfortable situations, your life will miss the fulfilment available to those who don’t restrict themselves. But if you embrace them, those challenging, high-pressure moments can be especially powerful and rewarding.
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Ceri Evans (Perform Under Pressure)
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Matt is one of the people I most try to emulate. He is exceptionally calm and logical under pressure. I’ve seen him face multiple data-center collapses with near-indifference, calmly sipping beer before another billiards shot. What should I tell a hugely influential journalist asking about it? “Tell him we’re on it.” Then he sunk another ball. He’s the epitome of “getting upset won’t help things.” I frequently ask myself “What would Matt do?” or “What would Matt say to me?
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Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
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fear could crash our mood; trigger memories of past failures; rob our attention and focus; or undermine our performance (i.e., cause us to choke under pressure) OR it could make us more careful about our decisions; deepen our reflection; create opportunities for changing direction;
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Wendy Suzuki (Good Anxiety: Harnessing the Power of the Most Misunderstood Emotion)