Iso Photography Quotes

We've searched our database for all the quotes and captions related to Iso Photography. Here they are! All 6 of them:

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Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.
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Al Judge (Mastering Aperture, Shutter Speed, ISO and Exposure)
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As a beginner, the first thing to understand when taking pictures is exposure. Exposure is a term used to refer to the darkness and lightness of an image. It usually involves three elements: ISO, aperture, and shutter speed.
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Robert Clyde (DSLR Photography: The Ultimate DSLR Photography Guide To Help You Become A Master Photographer (DSLR, Photography for Beginners, Photography Business, ... for Beginners, Photography Lighting))
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Exposure value is a way to express the combination of aperture and shutter speed. A camera setting with an aperture of f16 and a shutter speed of 1/125s represents a given Exposure Value (EV). ISO is not a part of the EV equation. Other combinations of aperture and shutter speed will give the same EV. An aperture of f11 and a shutter speed of 1/250s will result in the same EV as an aperture of f22 and a shutter speed of 1/60s.
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Kim Rormark (Digital Landscape Photography: A guide to better landscape photos)
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Cuando quieres ser un buen fotógrafo, la fotografía no es un hobby, sino un medio de vida. Las cámaras y los viajes combinan perfectamente, pero no hace falta ir a París para hacer buenas fotografías. Admira a los buenos fotógrafos, pero nunca trates de copiarlos, porque te saldrá mal. Sé original y cuenta tus historias, las que hagan que tu público quiera saber más. Averigua cuál es el momento decisivo y captúralo. Los buenos retratos siempre son difíciles; muchos mejoran cuando el retratado sonríe con los ojos y no con la boca. Conclusión: hazle sonreír. No temas fotografiar la lluvia. Cuanto más equipo lleves menos disfrutarás de fotografíar. No fotografíes nunca con el estómago vacío, distrae muchísimo, a mí sobre todo. Si nos fijamos en la composición, no hay mucha diferencia entre la fotografía y la pintura.Si la foto es mala no Photoshop la arregla. Siempre es mejor subexponer que sobrexponer. La cámara no es un juguete, es tu instrumento para contarle al mundo lo que piensas. 35 mm es la distancia focal todoterreno. No necesitas trípode. No temas elevar el ISO. No temas conocerte a ti mismo a través de las fotografías que haces. No te guardes las fotos para ti mismo. Y lo más importante: nunca dejes de hacer fotos.
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Rebeca Rus (Todas las bodas necesitan un plan B)
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Sometimes knowing what to shoot is a big relief. Other times, being extemporaneous is the way to go. I love to go out and see what the universe is presenting to me on any given day. Learning to be sensitive to what is out there with no preconceived idea is a wonderful way to discover new subject matter. But only looking for the shot that presents itself in the moment seldom creates new technical skills. In order to master the camera, I give myself special assignments. Giving yourself an assignment helps you to learn about photography and your equipment. By knowing what you want to achieve, you can plan things out. This way you can slow things down. Shoot and confirm. Take notes. Concentrate on getting the shot just right! You will learn to master Aperture Priority, shutter speed, ISO, manual settings, and more. Digital Camera, 2018
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James Stanford
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Guide for your ISO settings • 50-200 ISO For very bright sunny days or when you want the ultimate in smooth, sharp images. • 400 ISO A good all-round setting, suitable for overcast skies or when you need a fast shutter speed. • 800 ISO For interiors, low-light outdoor subjects or action photography when you don’t want to use flash. • 1600 ISO For night shooting or indoor low available light, or with very long lenses. Grain/noise may be a problem. Try using your noise reduction setting. • 3200 ISO Much the same as 1600 but with more grain/noise. The grainy effect of fast film can look great with black and white subjects.
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John Garrett (Collins Complete Photography Course)