Mirror Shot Quotes

We've searched our database for all the quotes and captions related to Mirror Shot. Here they are! All 100 of them:

And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotuslands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of the wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn't die...
Jack Kerouac (On the Road (The Viking Critical Library))
These better be my size,” Nina said grumpily. She was tempted to strip down in the middle of the tomb, but she thought Matthias might keel over from the sheer impropriety of it all. She grabbed a lantern and marched into one of the side catacombs to change. She didn’t have a mirror, but she could tell the dress was spectacularly dowdy, and she had no words for the little knitted vest. When she emerged from the passage, Jesper doubled over laughing, Kaz’s brows shot up, and even Inej’s lips twitched. “Saints,” Nina said sourly. “How bad is it?” Inej cleared her throat. “You do look a bit …” “Enchanting,” said Matthias. Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Mirrors did not lie. They could boost an ego, but they could just as easily be cruel and punishing.
Belle Aurora (Lev (Shot Callers, #1))
Ever see a hot shot hit, kid? I saw the Gimp catch one in Philly. We rigged his room with a one-way whorehouse mirror and charged a sawski to watch it. He never got the needle out of his arm. They don't if the shot is right. That's the way they find them, dropper full of clotted blood hanging out of a blue arm. The look in his eyes when it hit --- Kid, it was tasty.
William S. Burroughs (Naked Lunch)
Barrons stood inside the front door, dripping cool old-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “ ‘One eye is taken for an eye . . .’ ” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body.
E.M. Forster (The Machine Stops)
The first shot causes warm rain to fall on Diana's arms from the sky. The second plants a mirrored jewel in the left temporal lobe of her brain…a place she could have named on a quiz but which now seems to be the place where the future is imagined, the place where what would have been is.
Laura Kasischke (The Life Before Her Eyes)
We have one shot at this,” Zezili said, “so don’t fuck it up.” Looking at the filthy, scar-faced girl next to her, Zezili suspected all the girl ever did was fuck up.
Kameron Hurley (The Mirror Empire (Worldbreaker Saga, #1))
They wept for humanity, those two, not for themselves. They could not bear that this should be the end. Ere silence was completed their hearts were opened, and they knew what had been important on the earth. Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body. The sin against the body - it was for that they wept in chief; the centuries of wrong against the muscles and the nerves, and those five portals by which we can alone apprehend - glozing it over with talk of evolution, until the body was white pap, the home of ideas as colourless, last sloshy stirrings of a spirit that had grasped the stars.
E.M. Forster
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Kaldar picked up a rock and tossed it into the clearing. It landed between two wards. A green stem shot out of the ground, and a hail of needle-thin thorns peppered the soil, striking sparks off the rock. "You got any money on you?" "No." Kaldar grimaced. "What do you have?" William made a mental inventory of some twenty-odd items he'd pulled out of the Mirror's bag of tricks and hid in his clothes this morning. Not much he could part with. "A knife," he said. "Fine. I'll bet my knife against your knife that I can walk through there unharmed.
Ilona Andrews (Bayou Moon (The Edge, #2))
Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.
Stephen King (Song of Susannah (The Dark Tower, #6))
The back of his hand slams into my mouth, shoving any other words down my throat. I stumble. My back hits the mirror, sending spikes of pain through my shoulder. I’ve never been hit in the face. My mother didn’t bother disciplining me. Though I saw men hit her and my aunt from time to time, no man has ever hit me, so I didn’t know. I couldn’t have known that the first hit, that baptism into violence, doesn’t just sting the flesh. It startles the soul.
Kennedy Ryan (Long Shot (Hoops, #1))
I could hear and indescribable seething roar which wasn't which wasn't in my ear but everywhere and had nothing to do with sounds. I realised that I had died and reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly eas, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realised it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein, like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment.
Jack Kerouac (On the Road)
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
Nikolai cleared his throat. “With all due respect, Oretsev, you don’t quite seem at your best.” “I’m fine.” “Have you looked in a mirror lately?” “I think you do that enough for the both of us,” Mal shot back.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
What well-to-do and once-young, once-beautiful woman or man, cranked up on hormonal supplements and shot full of vitamins but hampered by the unforgiving mirror, wouldn’t sell their house, their gated retirement villa, their kids, and their soul to get a second kick at the sexual can?
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
The moon rose up that evening and shot her silver arrows at the house under the artu tree. The house was empty. Then the moon came across the sea and across the reef. She lit the lagoon to it's dark, dim heart. She lit the coral brains and sand spaces, and the fish casting their shadows on the sand and the coral. The keeper of the lagoon rose to greet her, and the fin of him broke her reflection on the mirror-like surface into a thousand glittering ripples. She saw the white staring ribs of the form on the reef. Then, peeping over the trees, she looked down into the valley, where the great stone idol had kept it's solitary vigil for five thousand years, perhaps, and more. At this base, in his shadow, looking as if under his protection, lay two human beings, naked, clasped in each other's arms and fast asleep. One could scarcely pity his vigil, had it been marked sometimes through the years by such an incident as this. The thing had been conducted just as the birds conduct their love affairs. An affair absolutely natural, absolutely blameless and without sin. A marriage according to Nature, without feasts or guests, consummated with accidental cynicism under the shadow of a religion a thousand years dead.
Henry de Vere Stacpoole (The Blue Lagoon)
With a sudden flash of anger, she blurted, "Lash wasn't impotent, all right? He wasn't ... impotent-" The temperature in the room plummeted so fast and so far, her breath came out in clouds. And what she saw in the mirror made her swing around and take a step back from John: His blue eyes glowed with an unholy light and his upper lip curled up to reveal fangs that were sharp and so long they looked like daggers. Objects all around the room began to vibrate: the lamps on the bed stands, the clothes on their hangers, the mirror on the wall. The collective rattling crescendoed to a dull roar and she had to steady herself on the bureau or run the risk of being knocked on her ass. The air was alive. Supercharged. Electric. Dangerous. And John was the center of the raging energy, his hands cranking into fists so tight his forearms trembled, his thighs grabbing onto his bones as he sank down into fighting stance. John's mouth stretched wide as his head shot forward on his spine... and he let out a war cry- Sound exploded all around her, so loud she had to cover her ears, so powerful she felt the blast against her face. For a moment, she thought he'd found his voice- except it wasn't vocal cords making that bellowing noise. The glass in the sliders blew out behind him, the sheets shattering into thousands of shards that blasted free of the house, the fragments bouncing on the slate and catching the light like raindrops... Or like tears.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Not soon, as late as the approach of my ninetieth year, I felt a door opening in me and I entered the clarity of early morning. One after another my former lives were departing, like ships, together with their sorrow. And the countries, cities, gardens, the bays of seas assigned to my brush came closer, ready now to be described better than they were before. I was not separated from people, grief and pity joined us. We forget—I kept saying—that we are all children of the King. For where we come from there is no division into Yes and No, into is, was, and will be. We were miserable, we used no more than a hundredth part of the gift we received for our long journey. Moments from yesterday and from centuries ago— a sword blow, the painting of eyelashes before a mirror of polished metal, a lethal musket shot, a caravel staving its hull against a reef—they dwell in us, waiting for a fulfillment. I knew, always, that I would be a worker in the vineyard, as are all men and women living at the same time, whether they are aware of it or not.
Czesław Miłosz
It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here. "Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT. "That car looks like a moving Benton ad." "Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out.
Lisi Harrison (Monster High (Monster High, #1))
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules, only outcomes. What precipitates outcomes? Vicious acts & virtuous acts. What precipitates acts? Belief. Belief is both prize & battlefield, within the mind & in the mind's mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the 'natural' (oh, weaselly word!) order of things? Why? Because of this: -- one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction. Is this the entropy written in our nature? If we believe that humanity may transcend tooth & claw, if we believe divers [sic] races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Tortuous advances won over generations can be lost by a single stroke of a myopic president's pen or a vainglorious general's sword. A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living. Upon my return to San Francisco, I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere. I hear my father-in-law's response. 'Oho, fine, Whiggish sentiments, Adam. But don't tell me about justice! Ride to Tennessee on an ass & convince the red-necks that they are merely white-washed negroes & their negroes are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & grey in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!' Yet what is any ocean but a multitude of drops?
David Mitchell (Cloud Atlas)
They dressed her and she laced tightly so that her breasts were pressed into two tantalizing curves of creamy flesh at the neck of her gown. Her glossy black hair was exposed by her pushed-back hood, her long fingers were loaded with rings, she wore her favorite pearl choker with the “B” for Boleyn at her throat, and she paused before she left the room to look at herself in the mirror, and shot her reflection that knowing, seductive little half-smile.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels #9))
March 9: With Schenck’s help, Marilyn obtains a contract with Columbia Pictures for $125 a week. The studio puts her up at the Hotel Bel-Air. Ed Cronenwerth shoots her in various exercise positions, toning and stretching her body. She is also shown seated on steps, her right elbow on her raised right thigh and her right hand on her chin next to the sign “Los Angeles City Limits.” He also photographs makeup sessions. Marilyn applies lipstick, looking into a hand-held mirror, and is shot sitting while Helen Hunt styles her hair.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Tears sprang to my eyes. I blinked them back, grabbed some tissue, and started awkwardly trying to daub leftover dye into my pale eyebrows, praying it would make a difference. Through the mirror, I saw Tori walk in. She stopped. "Oh. My. God." It would have been better if she'd laughed. Her look of horror, then something like sympathy, meant it was as bad as I thought. "I told Derek to let me pick the color," she said. "I told him." "Hey," Simon called in. "Everyone decent?" He pushed open the door, saw me and blinked. "It's Derek's fault," Tori said. "He—" "Don't, please," I said. "No more fighting." Simon still shot a glare over his shoulder as Derek pushed open the door. "What?" Derek said. He looked at me. "Huh." Tori hustled me out the door, brushing past the guys with a whispered "jerk" for Derek. "At least now you know never to go dark again," she said as we walked. "A couple years ago, I let a friend dye mine blond. It was almost as bad. My hair felt like straw and..." And so, Tori and I bonded over hair horror stories.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
Daniel had been inside the Bethel police station only once, when he'd chaperoned Trixie's second-grade class there on a field trip. He remembered the quilt that hung in the lobby, stars sewn to spell out "PROTECT AND SERVE" and the booking room where the whole class had taken a collective grinning mug shot. He had not seen the conference room until this morning-a small, gray cubicle with a reverse mirrored window that some idiot contractor had put in backward so that from inside, Daniel could see the traffic of cops in the hallway checking their reflections.
Jodi Picoult (The Tenth Circle)
He found Rhy standing in the middle of his room, his back to Kell as he considered himself in a full-length mirror. From this angle, Kell couldn’t see Rhy’s face, and for a moment, a memory surged into his mind, of Rhy waiting for him to wake—only it hadn’t been Rhy, of course, but Astrid wearing his skin, and they were in Rhy’s chambers then, not his. But for an instant the details blurred and he found himself searching Rhy for any pendants or charms, searching his floor for blood, before the past crumbled back into memory. “About time,” said Rhy, and Kell was secretly relieved when the voice that came from Rhy’s lips was undoubtedly his brother’s. “What brings you to my room?” he asked, relief bleeding into annoyance. “Adventure. Intrigue. Brotherly concern. Or,” continued the prince lazily, “perhaps I’m just giving your mirror something to look at besides your constant pout.” Kell frowned, and Rhy smiled. “Ah, there it is! That famous scowl.” “I don’t scowl,” grumbled Kell. Rhy shot a conspiratorial look at his own reflection. Kell sighed and tossed his coat onto the nearest couch before heading for the alcove off his chamber.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
Prior to the beginning of the Shōwa period (1926–1989), few people visited the rock garden at Ryōanji, and within Japan itself, aside from a few professionals, there were not very many people who said it was particularly beautiful. Moreover, praise from foreigners did not come to be dominant until after the Zen boom in Europe and the United States started in the 1950s. As a Japanese, it is somewhat gratifying to know that Japan has a garden that foreigners praise and travel all the way across the ocean to visit. But this, again, is just a magic mirror that reflects a beautiful image of me.
Shoji Yamada (Shots in the Dark: Japan, Zen, and the West (Buddhism and Modernity))
Its [Narnia's] fabric is shot through with glory. There is no peak, no valley, no sea or forest, but bears the weight of this glory, no law of the land that does not mirror the exact pattern of this glory, no spell or incantation or taboo that does not reach through the veil that protects the mundane and the obvious from the great glories and mysteries that press upon them. No creature - no faun, dryad, star, or winged horse - that does not bear about and exhibit in its own form some bit of the shape of that glory. And, alas, there is no evil that does not turn out to be fraud, parody, or counterfeit of that glory.
Thomas Howard (Narnia And Beyond: A Guide to the Fiction of C. S. Lewis)
I think a marvelous stunt would be to have your best friend (or the most critical acquaintance) take some candid color snapshots of you from all angles, dressed just as you usually appear at, say, six in the evening. The same hairdo, the same makeup, and if possible the same expression on your face. Be honest! Be sure to have her take the rear views, too. There ought to be some other shots of you wearing your best going-out-to-dinner dress, or your favorite bridge-with-the-girls costume — hat, gloves, bag, and costume jewelry. Everything. Then have that roll of film developed and BLOWN UP. You can’t see much in a tiny snapshot. An eight-by-ten will show you the works — and you probably won’t be very happy with it. Sit down and take a long look at that strange woman. Is she today’s with-it person — elegant, poised, groomed, glowing with health? Or is she a plump copy of Miss 1950? Is she sleek, or bumpy in the wrong places? How is her posture? Does she look better from the front than from the back? Does she stand gracefully? […] Feet together or one slightly in front of the other, is the most graceful stance. […] I always pin my bad notices on my mirror. How about keeping those eight-by-ten candid shots around your dressing room for a while as you dress?
Joan Crawford (My Way of Life)
Why don’t you take a turn now,” she suggested. “I want to see an expert in action.” A flush climbed his cheeks, but he took the Colt from her, reloaded, and stepped over to the steer. With an effortless lift of his arm, he rapidly shot five rounds dead center into the heart area. He lowered the gun, turned, and, lifting an eyebrow, waited for her reaction. Impressed by his quiet confidence, Elizabeth mirrored his raised eyebrow. “You make it look so easy.” Nick laughed. “Been shootin’ since I was Mark’s age.” She teased back. “That’s not so long ago.” “A man grows up fast in these parts. When you need to survive,” he spun the words into a drawl, “you learn to hit what ya aim for.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
When she asked him why he'd shot her daddy, he just shrugged and said that he'd been planning on shooting six people when he rode into town. She looked up at him, eyes wide, batting her eyelashes, feigning awe, looking on him the way that Joshua must have looked on the walls of Jericho, and asked him why six; and he said back to her: because his pistol had six bullets in it. With another shrug, as though that answered everything. And then he turned to face her, with his livid scar and gap teeth and breath that stank like the devil and hell, and the words flashed sudden through her mind, clear as if they'd been laid out on parchment: this is what the face of a free man looks like.
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
If we are lucky enough, as I am, to be from time to time in quite close contact with young people, they can sometimes make it easier to hang on to this notion when they function, as every person does vis-a-vis every other person they come up against, as a mirror. Always we are being reflected in the eyes of others. Are we silly or sensible, stupid or clever, bad or good, unattractive or sexy...? We never stop being at least slightly aware of, if not actively searching for, answers to such questions, and are either deflated or elated, in extreme cases ruined or saved, by what we get. So if when you are old a beloved child happens to look at you as if he or she thinks (even if mistakenly!) that you are wise and kind: what a blessing! It's not that such a fleeting glimpse of yourself can convert you into wiseness and kindness in any enduring way; more like a good session of reflexology which, although it can cure nothing, does make you feel like a better person while it's going on and for an hour or two afterwards, and even that is well worth having. The more frequent such shots of self-esteem are, the more valuable they become, so there is a risk - remote, but possible - of their becoming addictive. An old person who doesn't enjoy having young people in her life must be a curmudgeon, but it is extremely important that she should remember that risk and watch her step. Or he, his.
Diana Athill
Until now. You and I are a mis-Match, Ellie, because I hacked into your servers to manipulate our results.” “Rubbish,” Ellie said, secretly balking at the notion. She folded her arms indignantly. “Our servers are more secure than almost every major international company across the world. We receive so many hacking attempts, yet no one gets in. We have the best software and team money can buy to protect us against people like you.” “You’re right about some of that. But what your system didn’t take into account was your own vanity. Do you remember receiving an email some time ago with the subject ‘Businesswoman of the Year Award’? You couldn’t help but open it.” Ellie vaguely remembered reading the email as it had been sent to her private account, which only a few people had knowledge of. “Attached to it was a link you clicked on and that opened to nothing, didn’t it?” Matthew continued. “Well, it wasn’t nothing to me, because your click released a tiny, undetectable piece of tailor-made malware that allowed me to remotely access your network and work my way around your files. Everything you had access to, I had access to. Then I simply replicated my strand of DNA to mirror image yours, sat back and waited for you to get in touch. That’s why I came for a job interview, to learn a little more about the programming and systems you use. Please thank your head of personnel for leaving me alone in the room for a few moments with her laptop while she searched for a working camera to take my head shot. That was a huge help in accessing your network. Oh, and tell her to frisk interviewees for lens deflectors next time—they’re pocket-sized gadgets that render digital cameras useless.
John Marrs (The One)
She was confusing me. This was my tragedy. Why were we talking about her? “I’d get there and people would stare at me,” I said. “Look at me!” “Look at me!” she shot back. She pointed accusingly at herself in the full-length mirror. Her hair looked wilty. Her bottom lip sagged. “I’m thirty-eight years old and still living with my mother. I’ve wanted to get away from that woman all my life. And here it is, ten-thirty at night. I’m tired, Dolores. I just want to go to bed. But instead, I’m on my way to work, dressed up like . . . one of the goddamned Andrews sisters.” In the mirror, we shared a smile. I wanted to reach over and rub her back, tell her I loved her. I opened my mouth to say it, but something else came out. “What if I get so depressed down there that I slit my wrists? They could call here and say they found me in a pool of blood.” “Oh for Christ’s sweet sake!” Her hairbrush flew past me and hit the wall. She slammed into the bathroom, banging the medicine-cabinet door once, twice, three times. Tap water ran for several minutes. When she came back, her eyes were red. She bent over and picked up the brush, picked strands of hair from the bristles. “You don’t want to go to college? Don’t go. I can’t keep this up. I thought I could, but I can’t.” “I’ll get a job,” I said. “Maybe I’ll go on a diet. I’m sorry.” “You’re sorry, I’m sorry, everybody’s sorry,” she sighed. “Write that girl a letter. Don’t let her get stuck with those bedspreads.” I stopped her as she headed for the stairs. “Ma?” I said. She turned and faced me and I saw, in her eyes, the dazed woman she’d been those first days when she’d returned from the mental hospital years before. “Goddamnit, Dolores,” she said. “You’ve made me so goddamned tired.” Then she was down the stairs and out the door.
Wally Lamb (She's Come Undone)
Instinctively, my eyes clasped on Amar’s. He was shocked, his face pale. He grabbed me; his hands entangled in my hair even as my fingers were wrapped around the hilt that destroyed him. “I love you, jaani. My soul could never forget you. It would retrace every step until it found you.” He looked at me, his dark eyes dulling, as if all the love that had once lit them to black mirrors was slowly disappearing. “Save me.” The glow of the candles cast pools of light onto the ground, illuminating his profile. I knew, now, why Nritti begged me not to look at him. His gaze unlocked something in me. It was both visceral and ephemeral, like heavy light. The eyes of death revealed every recess of the soul and every locked-away memory of my past and present life converged into one gaze… I was weightless, my vison unfocused and hazy until the memory of the woman in the glass garden engulfed me. Slowly, the woman turned and a wave of shock shot through me--I was staring at myself.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
So what do you guys want to do first?” Claire asked excitedly from the backseat. “Oh my God, Claire. I don’t know, but maybe you should ask us again in five minutes. We haven’t had enough time to think about it since the last time you asked.” Chelsea’s mood had gone downhill quickly during the car ride into the mountains, and she had lost her patience for everyone-including Claire-who was usually safe from her temper. “Effin’-A, Chels, I was just asking.” Claire’s lips drew together tightly as she crossed her arms in front of her. It was as close to swearing as Claire ever got. Claire must have really been tired of Chelsea’s snippy tone. Chelsea didn’t apologize; instead she closed her eyes and took another deep breath, leaning her head back against her seat. “Do you want me to pull over again?” Jay asked, glancing anxiously at Chelsea in his rearview mirror. He shot a nervous look at Violet, and Violet knew exactly what he was thinking. He didn’t want Chelsea to puke…in his car. Chelsea sighed with annoyance. “Why, Jay? So I can walk around in the cold again, talking about how fucking-yeah, that’s right, Claire, I said fucking-sick I feel? No, thank you. Just keep driving. The sooner we get there, the sooner I get out of this hellhole.” “No offense taken. Right, Jay?” Mike laughed, hitting Jay’s headrest playfully. Apparently he thought he was safe from Chelsea’s caustic remarks. He wasn’t. “That’s too bad,” Chelsea shot back without opening her eyes. “Maybe someone should take offense. Maybe it’s not the car making me sick, maybe it’s the driving.” Violet started to laugh but caught herself, just barely, in time to stop the sound from actually escaping her lips. She covered her mouth with her hand so that only those with their eyes open could see her. Ha-ha, Jay mouthed, when she glanced sideways in his direction, making it even harder to contain herself. Sorry, she mouthed back to him, when she finally felt like she had enough control not to laugh.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
The statist Left’s first move was to alter the meaning of liberalism so as to keep the free Left and the public in a constant state of confusion. They diluted the original principles of liberalism while firing cheap polemical shots, arguing that John Locke’s liberalism had nothing to offer, that it contradicted itself. After all, if the statist Left could not win a fair fight on the philosophical battlefield, it had to resort to chicanery to gain an advantage. One way to accomplish this was to adulterate or falsify the liberal message to render it meaningless while advancing a new, redefined liberalism to replace the old. The deception was successful. The free-Left liberals and their allies had lost the semantic ammunition to defend liberty, and therefore became neutered, defanged, almost defenseless, deprived of the cognitive capability to defend the autonomy of the individual. As for the statist Left, they had to work diligently to ‘defascistize’ historical Fascism, because to do otherwise would force them to face an ugly image in the mirror.
L.K. Samuels (Killing History: The False Left-Right Political Spectrum and the Battle between the 'Free Left' and the 'Statist Left')
For five years, I have been sick and I have been trying to will myself to be better. To think harder about being better, to improve more. To become a better breather, reactor, meditator, hoping that if I just try hard enough, the symptoms will go away and I’ll feel like myself again, like a self I remember as if out of a rearview mirror except with this one, the objects are smaller than they appear. I have tried to force myself to be more clearheaded, energetic, grounded. Tried yoga, acupuncture, cognitive behavioral therapy, talk therapy, and long walks in the woods. And every few months, when I finally felt I’d reached a zenith of my abilities with yoga, CBT, or talk therapy, I would give it another shot: go to another doctor, a Western doctor, one with an M.D. and a white coat, and I would tell him or her my symptoms (for the gender of the doctor does not matter only, it would seem, my gender), and hope that once again, the doctor would pay attention, would take my case, would try to help me so that I didn’t have to so deeply and fervently try to help myself.
Eva Hagberg
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Wow,” he says, looking around. “You’ve redecorated.” “When was the last time you were in here?” I search my memory, browsing through images of a much smaller, shaggy-haired Ryder in my room. Eight, maybe nine? “It’s been a while, I guess.” He moves over to my mirror, framed with photos that I’ve tacked up haphazardly on the white wicker frame. Mostly me, Morgan, and Lucy in various posed and candid shots. One of Morgan, just after being crowned Miss Teen Lafayette Country. A couple of the entire cheerleading squad at cheer camp. I see his gaze linger on one picture in the top right corner. Curious, I move closer, till I can see the photo in question. It was taken on vacation--Fort Walton Beach, at the Goofy Golf--several years ago. Nan and I are standing under the green T-Rex with our arms thrown around each other. Ryder is beside us, leaning on a golf club. He’s clearly in the middle of a growth spurt, because he looks all skinny and stretched out. I’d guess we’re about twelve. If you look through our family photo albums, you’ll probably find a million pictures that include Ryder. But this is the only one of him in my room. I’d kind of forgotten about it. But now…I’m glad it’s here. “Look how skinny I was,” he says. “Look how chubby I was,” I shoot back, noting my round face. “You were not chubby. You were cute. In that, you know, awkward years kind of way.” “Thanks. I think.
Kristi Cook (Magnolia (Magnolia Branch, #1))
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment.
Jack Kerouac (On the Road)
He hated it so very much I almost felt sorry for him. He finally resorted to standing over me while I cast the final spell, noting down every small thing I did, even the sneeze from breathing in too deep over the cinnamon, and when I was finished he tried it again himself. It was very strange watching him, like a delayed and flattering mirror: he did everything exactly the way I had done, but more gracefully, with perfect precision, enunciating every syllable I had slurred, but he wasn’t halfway through before I could tell it wasn’t working. I twitched to interrupt him. He shot me a furious look, so I gave up and let him finish working himself into a thicket, as I thought of it, and when he was done and nothing whatsoever had happened, I said, “You shouldn’t have said miko there.” “You did!” he snapped. I shrugged helplessly: I didn’t doubt that I had, though to be perfectly honest I didn’t remember. But it hadn’t been an important thing to remember. “It was all right when I did it,” I said, “but when you did it, it was wrong. As though—you were following a trail, but a tree had fallen down in the meantime, or some hedge grew up, and you insisted on continuing on anyway, instead of going around it—” “There are no hedges!” he roared. “It comes, I suppose,” I said thoughtfully, speaking to the air, “of spending too much time alone indoors, and forgetting that living things don’t always stay where you put them.
Naomi Novik (Uprooted)
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn’t die, and walked four miles and picked up ten long butts and took them back to Marylou’s hotel room and poured their tobacco in my old pipe and lit up. I was too young to know what had happened.
Jack Kerouac (On the Road)
On the table was a closed book. Oh how my heart beat! Never but then have I known the feeling of utter preciousness in a thing possessed. What doubts and fears would not this one lovely, oh unutterably beloved volume, lay at rest for ever! How my eyes would dwell upon every stroke of every letter the hand of the dearest disciple had formed! Nearly eighteen hundred years—and there it lay!—and there WAS a man who DID hear the Master say the words, and did set them down! I stood motionless, and my soul seemed to wind itself among the leaves, while my body stood like a pillar of salt, lost in its own gaze. At last, with sudden daring, I made a step towards the table, and, bending with awe, stretched out my hand to lay it upon the book. But ere my hand reached it, another hand, from the opposite side of the table, appeared upon it—an old, blue-veined, but powerful hand. I looked up. There stood the beloved disciple! His countenance was as a mirror which shone back the face of the Master. Slowly he lifted the book, and turned away. Then first I saw behind him as it were an altar whereon a fire of wood was burning, and a pang of dismay shot to my heart, for I knew what he was about to do. He laid the book on the burning wood, and regarded it with a smile as it shrunk and shrivelled and smouldered to ashes. Then he turned to me and said, while a perfect heaven of peace shone in his eyes: 'Son of man, the Word of God liveth and abideth for ever, not in the volume of the book, but in the heart of the man that in love obeyeth him. And therewith I awoke weeping, but with the lesson of my dream.
George MacDonald (Thomas Wingfold, Curate)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk, just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ’roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke loves Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the mafioso loves, too—eating and money and Paulie and omertà—the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
Jane felt limp and sated and thoroughly wicked as she snuggled against Dom. They were still joined below, though he’d begun to soften inside her. Still, how naughty it was to be here like this, how deliciously carnal to have made love while they were both half-dressed. Why, Dom still even wore his cravat! She didn’t know why that excited her, though it did. But not as much as Dom saying “please” over and over. Letting her take control of their lovemaking. Even encouraging her to do it. And not nearly as much as Dom asking her to marry him. Well, he didn’t really ask, exactly. He demanded it yet again. But he’d said “please,” and that made all the difference. Especially since he’d then asked her to love him. Silly man. As if she had any choice in the matter. “I do love you, you know,” she whispered. “I can’t help myself. I fell in love with you practically from the moment we met, and I never stopped.” “I love you, too, sweeting,” he murmured into her shoulder. “Always have, always will.” Her heart thundered in her chest. She’d waited so long to hear those words again, she could scarcely believe them. She pulled back to search his face. “Truly?” “Truly.” With infinite tenderness, he brushed her fringe of curls from her eyes. “I tried so hard to forget you after we parted. But I couldn’t. Not for one day.” That earned him a long kiss…that, and the prospect of him as hers. Her very own husband. Oh, yes. She could let herself think it now. They could marry at once, or at least as soon as this business with Nancy was over. Nancy! Oh, Lord, she’d forgotten all about her cousin. Sliding off him, she frantically sought to put her clothing to rights. “You don’t think that Meredith returned while we were…you know…” “No.” A faint amusement lightened his tone as he tucked himself back into his drawers and buttoned them. “The man I spoke to said she and her family return at seven every night.” He pulled out his pocket watch. “It’s only six now.” “Thank heaven.” She tugged her skirts and petticoats into place and patted her hair. “I do wish that hackney coaches came with mirrors.” Dom’s eyes gleamed at her. “Be glad I didn’t take your hair down completely, while I was mauling you with all the self-control of some half-grown lad.” She shot him a teasing glance. “I didn’t mind. You maul very well. And making love in a carriage, with the world passing by unsuspecting, was rather…well…thrilling.” “I can do without that kind of thrill, frankly. If anyone had discovered us…” He shuddered. “Next time we make love, it will be in a bed, and I will treat you with the tenderness you deserve.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.
Neal Stephenson (Snow Crash)
Then it was this tribe of cops themselves who shot out the surveillance cameras and aisle mirrors before snorting crushed pills off the floor and chugging cough syrups.
Kenneth Calhoun (Black Moon)
I don't understand," she said. "I have no clue what you were trying to say this morning." "Yeah. I'm sorry. I'm not firing on all eight cylinders right now." He self-consciously attempted to rub away the purpling sags beneath his eyes. After the white spots dissipated she had impossibly grown even more beautiful. She was magical like that; even if he only looked away for a moment, when he returned his gaze upon her, those cheeks, those eyes, those lips were somehow even more enticing. Somehow even more irresistible. Jesus, could she make him thump. "I didn't really sleep last night. After reading your comments and seeing your handwriting again after such a long time...my head shot into a kind of hyperdrive." "What do you mean?" Her eyes fluttered as she looked up at him. Not flirtatiously, but with inquisitiveness. Oh, the way she fluttered those lids. His chest expanded; he was beyond enamored of her intellect and the way she always needed to get the clearest picture possible. "I just couldn't stop thinking how great everything was between us, and how fantastic everything is going to be once we work out the personal shit we're both dealing with," he said. "I had goosebumps trilling up my arms and the back of my neck because I have already done three or four rewrites, and like eighty percent of the changes I made mirrored your suggestions." He took a deep breath. He would inhale her entirety if he could, make her a permanent part of himself- absorb her being. "It was kind of eerie." He placed a clumsy hand on her cheek and caressed her eyebrow with his thumb, wishing to god it were his bottom lip. "And so not surprising.
A. Moron
stopped after the sirens blared past him. Milo raised his head. Seeing no one, he darted from the garbage heap and raced down the road to his car. As he drove away from the abandoned building, he held tight to the steering wheel to keep his hands from shaking. Lyra had barely escaped being shot by her attackers, and he felt an overwhelming sense of guilt. He had put his love in terrible danger. This was all his fault. He never should have told Mr. Merriam about her. Tears flooded his eyes. Letting her go was the only way Milo could save her. TWENTY-THREE The good news was that the two men trying to kill Sam and Lyra were now in handcuffs. The bad news was that they weren’t the two men who had broken into her apartment. Sam drove her to the police station where the men were being processed. She stood in a tiny room behind a one-way mirror and waited while Sam stepped out into the hall to talk to two other agents. Ed, the man who had delivered the car, saw her and came in. “I looked at the car, and not a single bullet touched it. The perps were either lousy shots or Agent Kincaid was too fast for them.” Shaking his head, he repeated, “Not a single bullet.” Sam walked up behind Lyra and put his hands on her shoulders. “They’re bringing them up. Ready?” “Yes,” she answered. “Have they said anything?” “Yes. They want lawyers.” Two men were led into the interrogation room. They hadn’t even taken their seats when Lyra said, “They aren’t
Julie Garwood (Sizzle (Buchanan-Renard, #8))
In the privacy of my room, armed with a mirror, shaving cream, razor, and bowl of water, I sat on my floor with a towel propped under my bare ass. Leaning back against my bed with my legs wide open as if I were about to give birth, I shaved everything off. My lady parts looked like a barren desert after a massive forest fire. I saw parts of myself that had long vanished beneath pubescent growth. Suddenly, I felt sexy. There was something about going bare that made me feel sensual and touchable. But that was short lived. I was ill prepared for my skin’s reaction to the change. I completely broke out. My pussy flushed as razor bumps shot across my flesh as if I’d had an allergic reaction to my underwear. It took weeks of applying antibiotic ointment to calm my skin.
Maggie Georgiana Young (Just Another Number)
It’s not fair that she can undo me with a simple kiss at a mirror when she doesn’t even see me as a real, live, flesh-and-blood man. She still sees me as the boy who grew up next door to her. She seems to forget that I’m the one who held her hair back as she threw up her first few shots of tequila. She forgets that I’m the one who carried her luggage up three fucking flights of stairs when I moved her into her dorm room. I’m the one who hugged her when Dusty Forbes dumped her at the homecoming dance. I’m the one who left my own date—who was a sure thing, by the way—standing alone by the wall while I retrieved Lacey from the ladies’ room and stroked her hair until she could breathe. She
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
His gait is feline, or viverrine, not quite human. He walks with bent knees, on the balls of his feet; his small deep-set eyes scour the room with raw contempt. Crivano recalls a torch-bearing dervish in Tiflis who made a run at their powder store; the janissary archers shot him so full of arrows that when he finally died their shafts kept his limp corpse off the dirt. The dervish’s face as he charged bore an expression identical to the one the Nolan wears now. The world, Crivano thinks, is a poor container for such men.
Martin Seay (The Mirror Thief)
Suicide hotline. Coleman speaking . . . How much did you take? . . . When? . . . What color were the microdots . . . Oooo, purple, not good . . . Do you have a trip chaperone? . . . No? That’s still cool. I’ll walk you through it . . . First, nothing’s melting. Yes, I’m sure. Believe me, I’ve been there . . . Right, and whatever you do, don’t look in any mirrors . . . Because you might start pulling your face off. Any CDs around? . . . Great, do you have The White Album? . . .” Rrrrrrring! “Suicide hotline. Serge is on the case. Have you done anything crazy yet? . . . Ha! You call that crazy? . . . Yes, I can top that . . .” “. . . You’re doing fine,” said Coleman. “Now open the CD booklet . . . That’s right, the Beatles are with you . . . It really is an excellent tune . . . Okay, this next part is very important: Make sure you skip over ‘Helter Skelter’ . . .” “. . . Stop!” said Serge. “Life is a fabulous gift from the universe that we don’t deserve, and you’re talking about just throwing it all away? You must be a fun-riot on long plane flights—” Bang. “Hello? . . .” said Serge. “Hellllloooo? You still there? . . . Good, because I’m beginning to think there’s something wrong with my phone. What was the loud noise? . . . You’re shitting me . . . Because that’s the most retarded thing anyone’s ever said . . . Yes it is. Whoever heard of a warning shot during a suicide? . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
She will always be a white girl who acted black. And try as she might—and she is trying, mightily—to have us forget the athletic exploits and superstardom of Bruce, Caitlyn isn’t ever going to be just Caitlyn. She’ll always be Formerly Bruce. That’s the price she pays for Bruce’s fame. There isn’t, in the end, much you can really do about your true self. That fleeting glimpse we get in the mirror or in a candid shot on Facebook, the one that looks too fat or old or white or male, the one that makes us say, “That isn’t me! That can’t be me!”—well, it is. It’s you. It’s me. It’s us. And though we wish it were not so, there is no app for that. Adventures in National Socialism Notes from a weekend with Bernie ANDREW HARRER/BLOOMBERG VIA GETTY IMAGES BY KEVIN D.
Anonymous
Alice of course used the camera to document anything the remotest bit mysterious. She spent her days on what she called "photo walks": looking for objects and people that hinted at a hidden, fey, or wild side, which she would try to coax out with her camera. Once she found a potential subject she worked long and hard composing the shot, sometimes with additional mirrors or a lantern if it was in a dimly lit alley. She developed these images in her aunt's darkroom and then laid them out around her own room, studying them and trying to conjure a world out of what she saw there. Sparkling dew on spiderwebs, gloomy attics, a pile of bright refuse that might have hidden a monster or poem. The elfin qualities of a child, her eyes innocent and old at the same time.
Liz Braswell (Unbirthday)
If someone asks you a question that’s too personal, say, “Once, in college.” Try to live a life worth impersonating by a drag queen. Name your Starbucks self Rihanna. Flash yourself in your mirror. Take as many bikini pool shots as you possibly can because Sarong City is closer than you think.
Helen Ellis (Southern Lady Code)
know something happens between the time our mothers and fathers and teachers and mentors send us out into the world telling us, “The world is yours,” and “You are beautiful,” and “You can do anything” and the time we return to them. Something happens when people tell me I have a pretty face, ignoring me from the neck down. When I watch the news and see unarmed black men and women shot dead over and over, it’s kind of hard to believe this world is mine. Sometimes it feels like I leave home a whole person, sent off with kisses from Mom, who is hanging her every hope on my future. By the time I get home I feel like my soul has been shattered into a million pieces. Whenever Mom’s cooking is simmering on the stove …and I am making my art, I believe everything these women are saying about being worthy of good things. Those are the times I feel secure, feel just fine. I look in the mirror and see my dad’s eyes looking back at me, my mom’s thick hair, thick everything. And that’s when I believe my dark skin isn’t a curse, that my lips and hips, hair and nose don’t need fixing. That my dream of being an artist and traveling the world isn’t foolish. I feel like I can prove the negative stereotypes about girls like me wrong. That I can and will do more, be more. But when I leave? It happens again. The shattering. And this makes me wonder if a black girl’s life is only about being stitched together and coming undone, being stitched together and coming undone. I wonder if there’s ever a way for a girl like me to feel whole.
Renée Watson (Piecing Me Together)
I mentioned to her that doing shots alone might be a bad sign, and the next thing I knew, she’d ordered some for me. So I joined her.” “You joined her.” Wiley repeated with an incredulous smirk. “As in got happy and then joined her, joined her?” His astonished curiosity was mirrored on the other two guy’s faces. “Umm.
L.J. Vickery (S.O.S. Del (S.O.S., #1))
So, what time do you get off work? Would you like to grab something to eat afterward?” She released a soft exhale. “Derrick, you seem like a really nice guy, but didn’t you notice that I’m a lot older than you? How are you even in medical school? I know what you are ... you’re one of those young princes from overseas, aren’t you? From Romania maybe? You have such dark hair and eyes, like a gypsy.” He laughed. “I’m not so sure if that was a compliment or if I should be offended, but you’re not even close.” He continued to chuckle as he pulled out his wallet. “I was born in Massachusetts, I assure you, and I’m older than you think.” He was also ten years older than his driver’s license indicated, but he couldn’t share that with her. She peeked at his date of birth. “Twenty-five? I’m twenty-five! You barely look eighteen, while I probably look thirty,” she groaned. He furrowed his brow. “Most people say I look at least nineteen, so I’m above the legal age to date. That’s why I showed you my license, though. No one ever believes me,” he said through a laugh, attempting to set her at ease. “And you don’t look thirty. Twenty-nine tops,” he said, grinning. She smacked his arm. “Hey, that’s just mean to kick a girl when she’s already feeling inferior.” “Maybe that’s why I can’t get a pretty young woman to have dinner with me.” “I’m sure you get turned down all the time. Not!” He chuckled softly. “Actually, you’re the first woman I’ve asked out in a year.” She released a non-believing puff of air. “I’m flattered. But honestly, I really don’t have time to date. And ...” She paused, reaching into her backpack and pulling out her wallet too. She flipped it open and held it out for his inspection. “I have an eight-year-old daughter.” He stole a peek into the rearview mirror, then glanced at the picture of Janelle and her daughter. It appeared to be one of those shots taken at a cheap photo box booth in the mall. Her daughter had the same color hair, identical features, same smile. Even with the seventeen-year difference, they looked more like sisters than mother and daughter. “Nice try, but you failed to deter me. How about we study together at a coffee shop.” She released a long sigh. “You’re sweet —” “Oh, no ...” He laughed harder than before. He felt so natural with her. “Not sweet, anything but sweet.” She
Carmen DeSousa (Creatus (Creatus, #1))
I know, I know!” shouted Sanjay. His eyes darted back and forth from the road ahead to the rearview displays. He’d have preferred the ancient but reliable technological wonder of rearview mirrors, but those had already been shot away. “Might wanna throw on seat belts back there!” “Shit,
Elliott Kay (Rich Man's War (Poor Man's Fight, #2))
A light brown eyebrow rose, followed by a deep, easy chuckle. “You like what you see?” “Yes. I’m not blind. But I prefer a stronger jaw, someone a little darker.” Furi smirked right back. Where the hell had he gotten all this bravado from? He usually wasn’t so blunt, but it felt good. He was finally coming into his own. The way his dad had urged him to before he’d passed. “Stronger and darker, huh? No shit.” The man looked behind him into the one-way mirror, smiling broadly, making Furi wonder who was behind it. “I’m Detective Ronowski. I’m the First Officer of a narcotics task force based in this precinct. Thank you for coming down tonight.” “Well it wasn’t by choice. I will say your errand boys could use a refresher course in charm and courtesy,” Furi said with little venom. “Errand boys? Oh, you mean Green and Ruxs.” Ronowski laughed again. It was a melodic sound that had Furi leaning back and enjoying it. “Those errand boys are very skilled men, maybe not in charm, but definitely in hand-to-hand combat. Just in case someone doesn’t want to come willingly. But I’m sure you didn’t give them any trouble.” “No, I didn’t. Anyway, how long is this going to take?” Furi asked, checking his watch again. Damnit. “Got a hot date?” Ronowski smiled, looking at the window again. “Something like that. Who’s behind that glass?” “My boss.” Ronowski shot him that sexy grin again. “Well this is fun, but can we move it along?” “Of course.
A.E. Via
one morning in my early twenties when feeling quite suicidal I got into my locked car and someone had done a reversal the Hawaiian necklace that hung on the rearview mirror had been turned around backwards in an event so queer in that moment I knew I was not alone in my struggles and that all would be okay if I simply forgot my troubles let it be known that you’ve got watchful guardian angels I’ll tell you of yet another way that they make me so grateful their presence and assistance is often noticed as such: a shot of high frequency energy is felt as they touch receiving a ringing in an ear while my mind goes meditative spiritually put back on track with a reminder of my objective because of the prayers I practice this is how I’m aided your experiences may vary out of not caring to be persuaded how often do you call out for help from on high? it’s their pleasure to assist if you’d just ask them to come by I can tell you straight away, they know your thoughts and exactly how you’re feeling when you’re distraught seeing you scanning this sentence as they’re in your presence do you feel their love or have you taken a rigid stance?
Jarett Sabirsh (Love All-Knowing: An Epic Spiritual Poem)
Are you in love with Kate, Drew?” My eyes meet Alexandra’s. “Yes.” “Is there a chance that she feels the same way?” “I think so.” The more I thought about Kate’s words and actions that weekend, the more certain I became that Kate felt something for me. Something real and deep. At least she did before I shot it all to hell. “Do you want to be with her?” “God, yes.” “Then whether she’s back with her ex or not is irrelevant. The question you need to ask yourself is what are you willing to do—willing to risk—to make this right? To get her back.” And my answer to that is simple: Anything. Everything. My throat is tight as I confess, “I’d give anything to have Kate back.” “Then, for God’s sake, fight for her! Tell her.” As her words sink in, Matthew grips my shoulder. “In times like this, I always ask myself, ‘What would William Wallace do?’” His eyes are serious. Stirring. Then his voice takes on a Scottish accent he doesn’t have. “Aye…run, and you won’t get rejected…but years from now, would you be willin’ to trade all the days from now to then for a chance—just one chance—to go back and tell Kate she can take your balls and hang them from the rearview mirror of her car, but she can never take…your freedom!
Emma Chase (Tangled (Tangled, #1))
You really should pull over and eat yours before it completely melts, Anders. It will only take a couple minutes.” “I don’t have a sundae,” Anders said grimly. “That’s Leigh’s. She said she wanted two, so she has two.” “And I told you I lied so you could have one because I knew you were too annoyed to order one for yourself,” Leigh said patiently. “Pull over and eat it, Anders. I promise you it’s the best thing you’ve ever tasted.” When he didn’t respond, Marguerite said, “Why don’t you feed him, Valerie. That way he doesn’t have to stop, but can still enjoy it.” Valerie’s eyes widened. “Oh, I don’t think—” “Just pretend he’s a sick and cranky child you have to feed,” Marguerite said with amusement. Valerie’s eyes shot to Anders in time to catch him casting a dirty look into the rearview mirror, no doubt at Marguerite. Since the woman suddenly chuckled, she supposed Marguerite caught the look. Valerie glanced down at the melting sundae. It did seem a shame for it to go to waste. It was good ice cream. And it hadn’t been cheap. “Just give him a taste, Valerie, so he’ll stop and eat it,” Leigh suggested. Valerie hesitated, but they were pulling up to a red light and it wouldn’t interfere with his driving, so she scooped up a healthy selection of her own ice cream and topping and leaned over to offer her spoon to him. Anders eyed the offering, but didn’t at first open his mouth. She was just about to give up, sit back and eat it herself when he suddenly did. Valerie moved the spoon between his open lips, watching silently as he closed his mouth around the spoon and ice cream. She could have sworn the gold flecks in his eyes flashed bigger and brighter in the black irises and then he closed his eyes on a long moan that sounded almost sexual. Valerie stared wide-eyed as he savored the food, then withdrew the now clean spoon and sank back in her seat uncertainly. “Told you you’d like it,” Leigh said with amusement from the backseat. When Anders didn’t respond, but remained still, eyes closed, Bricker said, “Yo, A-man. The light’s changed.” Anders blinked his eyes open, saw that Bricker was telling the truth, and urged the car forward again. He only drove half a block though, before pulling into a mall parking lot to finish his sundae.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
American's unwillingness to prioritize how we deal with the dead (or the supposition that the story, or the parts of it that matter, stop with the heartbeat) may constitute a failure of moral imagination, but it absolutely fails to imagine the way the living and the dead remain connected, no matter how the living feel about it. The dead tell us how we're dying, how we're living, who among us gets a better shot than others at a whole and healthy life, and how we remain vulnerable to one another and to the vicissitudes of an unpredictable world. Our epidemics, the commonality of our despair, our continual mistakes, the progress we have yet to make, the wrongs we have yet to correct - all these things are mirrored back to us by the dead. No one likes to be reminded of these things, but they don't go away just because the bodies do.
Jordan Kisner (Thin Places: Essays from In Between)
He had us sit on a bench, then he posed us in front of a wall shaded by a row of trees, on Avenue Denfert-Rochereau. I've kept one of those shots. My girlfriend and I are sitting on the bench. To me it's as if they were other people, not us, because of the years that have passed, or maybe because of what Jansen saw through his lens, which we wouldn't have seen in a mirror at the time: two anonymous teenagers lost in Paris.
Patrick Modiano (Suspended Sentences: Three Novellas (The Margellos World Republic of Letters))
A pool game mixes ritual with geometry. The slow spaciousness of the green felt mirrors some internal state you get to after a few beers. Back at school, I’d been trying to read the philosophy of art, which I was grotesquely unequipped to do but nonetheless stuck on. I loved the idea that looking at a painting or listening to a concerto could make you somehow “transcend” the day-in, day-out bullshit that grinds you down; how in one instant of pure attention you could draw something inside that made you forever larger. In those days the drug culture was pimping “expanded consciousness,” a lie that partly descended from the old postindustrial lie of progress: any change in how your head normally worked must count as an improvement. Maybe my faith in that lie slid me toward an altered state that day. Or maybe it was just the beer, which I rarely drank. In any case, walking around the pool table, I felt borne forward by some internal force or fire. My first shot sank a ball. Then I made the most unlikely bank shot in history to drop two balls at once after a wild V trajectory. Daddy whistled. The sky through the window had gone the exact blue of the chalk I was digging my cue stick in, a shade solid and luminous at once, like the sheer turquoise used for the Madonna’s robe in Renaissance paintings. Slides from art history class flashed through my head. For a second, I lent that color some credit, as if it meant something that made my mind more buoyant. But that was crazy.
Mary Karr (The Liars' Club)
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn’t die, and walked four miles and picked up ten long butts and took them back to Marylou’s hotel room and poured their tobacco in my old pipe and lit up. I was too young to know what had happened.
Kerouac, Jack
The hotel had been transformed into a whimsical version of an Elizabethan court, the walls hung with light gray fabric shot with stripes of pink and red and overlaid with numerous heralds of ancient families. Mirrors painted to look like a garden disappearing into the distance were arranged beyond the magnificent tent constructed to house this fantasy, and real boxwood hedges were arranged before them to continue the illusions.
Georgie Blalock (The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel)
…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open… …Two shots rang out simultaneously during the fifth and the longest second. They were executed synchronously, creating a single, stinging, deadly sound. The bullet from the sixth floor of the book depository went straight up into the sky, as planned. The second bullet shot out of a sniper rifle, held confidently in the arms of a woman behind the hedge, on the grassy knoll. It was her bullet that struck the head of the 35th US president, John Fitzgerald Kennedy. The woman walked quickly down the grassy knoll. Stepping only about five meters away, she put her rifle into a baby pram waiting there, with a real six-month-old baby boy whimpering inside it. She put on thick glasses and started walking away, exhibiting no haste. Only thirty seconds after the second shot, the woman was gone, nowhere to be seen… After the second or, rather, the third shot, the one from the knoll, President Kennedy’s head was tossed back. Jackie somehow managed to crawl onto the back hood of the car. A security agent from the escort car had already reached them. The motorcade picked up speed and disappeared under the overpass. Zapruder’s camera kept whirring for some seconds. He must have filmed the whole operation – that is, the assassination of an acting US president. But now he simply stood there without saying a word, completely dumbfounded...
Oleg Lurye
Even at a casual glance, it was clear that the vehicle had been in the thick of some action. Both wing mirrors were shot away, the one on the left dangling upside down from its broken strut. Bullets had pocked, gouged and spattered both flanks. the top cover sentries were up, but there was no trace of banter as they came through the gates. Their faces were bathed in sweat and grime, eyes fixed in the 'thousand-yard stare' so often seen in those emerging from close combat.
Steve Smith (Better To Die)
While Pirlo’s New York sojourn was mostly memorable off the field, who could not adore a man who says about his free kicks, “Each shot bears my name and they’re all my children.” But his greatest comments may be about his own humanity. On his looks, he once wrote, “If I glimpse the mirror when I get up, or before going to bed at night, I see a man of average ugliness. With stubble, an unruly mane of hair, a squint nose, slightly protruding ears, and bags under my eyes. But I also see a man who’s completely happy with the figure staring back at him.
Men in Blazers (Men in Blazers Present Encyclopedia Blazertannica: A Suboptimal Guide to Soccer, America's "Sport of the Future" Since 1972)
Julia believed in the Fates (let’s face it, Julia believed in everything and anything). She believed they had “their eye on you,” and if they didn’t, then they were certainly looking for you, so it was best not to draw attention to yourself. They had been in the car once, stuck in traffic and running late to catch a ferry, and Jackson said, “It’s fine, I’m sure we’re going to make it,” and Julia had ducked down dramatically in the passenger seat as if she were being shot at and hissed, “Shush, they’ll hear us.” “Who will hear us?” Jackson puzzled. “The Fates.” Jackson had actually glanced in his rearview mirror as if they might be traveling in the car behind. “Don’t tempt them,” Julia said. And once on a plane that had been bucking with turbulence, he had held her hand and said, “It won’t last long,” and had been subjected to the same histrionic performance, as if the Fates were riding on the wing of the 747. “Don’t put your head above the parapet,” Julia said. Jackson had innocently inquired whether the Fates were the same thing as the Furies, and Julia said darkly, “Don’t even go there.
Kate Atkinson (When Will There Be Good News? (Jackson Brodie, #3))
Shards seldom radiate the beauty of fullness as a mirror does Even after you go, The splendour of the coffin I carry shall match the splendour of your near maternal love; And in its splendour shall I seek an atonement for all that I couldn't.
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
I cherished my body’s reflection in a mirror, and desired a sharp intellect to go with it, In my reflections I saw a beautiful self beyond both I kept waiting for words eloquent, I was moved by silence more profound I yearned for the surety of a river's flow in my life's journeys, I was granted the freedom of wandering clouds…
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
she was going straight into Hollywood Station. 9 Ballard kept all her work suits in her locker at the station and dressed for her shifts after arriving each night. She had four different suits that followed the same cut and style but differed in color and pattern. She dry-cleaned them two at a time so that she always had a suit and a backup available. After arriving nearly eight hours early for her shift, Ballard changed into the gray suit that was her favorite. She accompanied it with a white blouse. She kept four white blouses and one navy in her locker as well. It was Friday and that meant Ballard was scheduled to work solo. She and Jenkins had to cover seven shifts a week, so Ballard took Tuesday to Saturday and Jenkins covered Sunday to Thursday, giving them three overlap days. When they took vacation time, their slots usually went unfilled. If a detective in the division was needed during the early-morning hours, then someone had to be called in from home. Working solo suited Ballard because she didn’t have to run decisions by her partner. On this day, if he had known what Ballard’s plan was, Jenkins would have put the kibosh on it. But because it was Friday, they would not be working together again until the following Tuesday, and she was clear to make her own moves. After suiting up, Ballard checked herself in the mirror over the locker room sinks. She combed her sun-streaked hair with her fingers. That was all she usually had to do. Constant immersion in salt water and exposure to the sun over years had left her with broken, flyaway hair that she kept no longer than chin length out of necessity. It went well with her tan and gave off a slightly butch look that reduced advances from other officers. Olivas had been an exception. Ballard squeezed some Visine drops into her eyes, which were red from the salt water. After that she was good to go. She went into the break room to brew a double-shot espresso on the Keurig. She would be operating now and through the night on less than three hours of sleep. She needed to start stacking caffeine. She kept her eye on the wall clock because she wanted to time her arrival in the detective bureau at shortly before four p.m., when she knew the lead detective in the CAPs unit would also be watching the clock, getting ready to split for the weekend. She had at least fifteen minutes to kill, so she went upstairs to the offices of the buy-bust team next to the vice unit. Major Narcotics was located downtown but each division operated
Michael Connelly (The Late Show (Renée Ballard, #1; Harry Bosch Universe, #30))
I look at my image in the mirror again, and all I see is the struggle to survive that is etched on my skin.
Caz Luan (Whiskey Art & Heart: A Romcom of a whiskey drinking artist who experiences a little more suspense than expected. (Whiskey Shots Series Book 1))
Everyone knows this fairy tale: "Mirror, mirror on the wall, who is the fairest of them all?" "Why, you are, of course." In the corner of their hearts, everyone is looking for a magic mirror. If there was a mirror that would reflect the image of them as they fervently wished to be, surely everyone would treasure such a mirror for as long as they lived. On the other hand, there are mirrors that don't do that, such as concave mirrors and convex mirrors. For a long time there have been two full-length fun-house mirrors on the observation deck of the Tsūtenkaku tower in Osaka. For people from other parts of Japan who are not familiar with Osaka's fun-loving and idiosyncratic culture, why such things are in that particular place is a complete mystery; but in any case, it is amusing to play with them. When you stand in front of the concave mirror, you appear stretched out as though you are being pulled up and down by your head and your toes—as though you have been transformed into a toothpick. In front of the convex mirror it is the reverse: you look short and fat as though you have been squashed in a mechanical press. Unsightly and with short legs, you look like a comic book character. Tourists look at their distorted appearances and laugh. But how can they laugh at such warped reflections? Is it because they can relax knowing that they could not possibly look like the twisted images in the mirror? People do not believe they really look like the grossly distorted images in fun-house mirrors, so they laugh them off. However, when a magic mirror reflects an image distorted in a beautiful way, people want to think: yes indeed, this is how I really look. All of you astute readers should understand by now. The image reflected in the mirror that I am talking about in this book is the image of Japan drawn by foreigners. However, this brings up a question. What kind of a distorted image would a Japanese accept as being him or herself? What sort of a distorted image would he or she laugh off? Where exactly is the boundary between the two?
Shoji Yamada (Shots in the Dark: Japan, Zen, and the West (Buddhism and Modernity))
Zen in the Art of Archery was translated into more than five languages and became a worldwide bestseller. The Japanese version was published in 1946. Hand in hand with the Zen and New Age booms in Europe and the United States, it was very fashionable as a trendy kind of "wisdom" from the 1950s through the 1970s. There is a surprisingly large number of foreigners who have said they formed their image not only of Japanese archery, but of Japanese culture itself, from reading Zen in the Art of Archery. The book became a widely discussed topic among the Japanese cultural elite as well. It is no exaggeration to say that it was accepted as a central text in the discussion of "Japaneseness" which took place form the 1960s through the 1970s. Proclaiming that the book presented the ideal image of Japanese culture and believing in Herrigel's writings 100 percent, countless numbers of people took it as the starting point for the development of their theories of Japaneseness. I do not know of any other document on the theory of Japaneseness that has been accepted this uncritically. Zen in the Art of Archery was a magic mirror that, for Japanese people, reflected the ideal image they had of themselves.
Shoji Yamada (Shots in the Dark: Japan, Zen, and the West (Buddhism and Modernity))
Just exactly how many magic mirrors do we have? What kind of an image must a mirror reflect for us to love it?
Shoji Yamada (Shots in the Dark: Japan, Zen, and the West (Buddhism and Modernity))
In 1887, the Michelson-Morley Experiment, which has been repeated as recently as 2009, uncovered something very embarrassing for the scientific community.  Michelson and Morley attempted to prove the existence of an ether-wind (an invisible current that carries light rays in different directions). They attempted this by firing different color lights through assorted right-angle paths using mirrors and measuring the dilation or difference in arrival time between the two beams back at the source.  The fact that there was no dilation between the two beams proves two things.  One, there was no ether wind at earth’s surface and two, the earth was not moving.  If the earth was spinning and light beams were firing and bouncing around in perpendicular directions, the direction in which the beam was shot should have affected the arrival time in a positive or negative way.  It did not.  Thus, the earth is motionless.
Matt Long (The House that Jesus Built: The Biblical Shape of the Earth)
Again she shot a quick surreptitious glance at Jason Rudd. He was not scowling now. Instead he was smiling, a sudden very sweet and unexpected smile, but it was a sad smile.
Agatha Christie (The Mirror Crack'd from Side to Side (Miss Marple, #9))
Click. The front door shut behind his dad, and immediately, Rory shot out of bed. He dressed in a flash and, holding his breath, sped towards the kitchen, knowing he had a short window of time before Ranger Adia arrived. Guzzling down his breakfast, Rory bristled nervously as he walked through his secret plan for the day in his mind. 5.45 a.m. Wake up! - tick. 6.01 a.m. Wait for Dad to leave - tick. 6.05 a.m. Get dressed - er, tick. Rory chuckled to himself as he caught his reflection in the mirror. His favourite T-shirt was on back to front! 6.07 a.m. Breakfast – tick. 6.10 a.m. Bathroom. 6.15 a.m. Get supplies and put in backpack. 6.20 a.m. Put on coat and exit cabin for secret adventure. Leaving a trail of destruction (and breakfast cereal) in his wake, he rushed to the bathroom and proceeded to brush his teeth like he was scrubbing the
Philip Laslett (The Cheetah Cub Running Club (Exciting Chapter Book Series 1))
meme: “I didn’t get my flu shot! Because I’m smart enough to realize that the medical industry prefers a chronically-ill population over a healthy one.” (There is some truth to the second claim, but it has nothing to do with whether or not to get a free flu shot.) These statements sum up a pervasive logic in the more entrepreneurial parts of the wellness sector: doctors and drug companies want you to be sick so they can sell you Band-Aids, while fitness and wellness professionals want you to be well—but first you have to buy whatever they are selling instead. The larger and more profitable the wellness industry grows, the fiercer this competitive perspective becomes, to the point where even going to the doctor or getting a prescription filled can seem like a failure of wellness—clear evidence that you did not juice or train hard enough. Lining up with all of those regular (i.e., toxic, unfit) people to get injected with something that requires no special knowledge or virtue to access and, most suspicious of all in a market system, doesn’t cost any money, can be enough to cause a full-blown identity crisis.
Naomi Klein (Doppelganger: A Trip into the Mirror World)
I take one last look in the mirror and awkwardly give myself a thumbs up. I’m such a dork.
Kayla Grosse (Trick Shot)
…Two shots rang out simultaneously during the fifth and the longest second. They were executed synchronously, creating a single, stinging, deadly sound. The bullet from the sixth floor of the book depository went straight up into the sky, as planned. The second bullet shot out of a sniper rifle, held confidently in the arms of a woman behind the hedge, on the grassy knoll. It was her bullet that struck the head of the 35th US president, John Fitzgerald Kennedy. The woman walked quickly down the grassy knoll. Stepping only about five meters away, she put her rifle into a baby pram waiting there, with a real six-month-old baby boy whimpering inside it. She put on thick glasses and started walking away, exhibiting no haste. Only thirty seconds after the second shot, the woman was gone, nowhere to be seen… After the second or, rather, the third shot, the one from the knoll, President Kennedy’s head was tossed back. Jackie somehow managed to crawl onto the back hood of the car. A security agent from the escort car had already reached them. The motorcade picked up speed and disappeared under the overpass. Zapruder’s camera kept whirring for some seconds. He must have filmed the whole operation – that is, the assassination of an acting US president. But now he simply stood there without saying a word, completely dumbfounded..
Oleg Lurye
Wow. Please tell me you haven't come up with a way to blame me for what happened that night." Heat flushed across her skin. Suddenly her office was too small, and she leaned back in her chair, which only brought into focus the fact that he was leaning into her. "Sorry, I forgot. Nothing is ever your fault." The smile in his eyes singed away, he straightened up again. "You're serious? You're suggesting that it is somehow my fault that you rage-fucked me? Actually, rage-fucked my thigh." The temperature in the room shot up so fast, Naina thought she was experiencing her first hot flash. Did those happen at thirty-eight? She groaned, because that thought made her feel ancient as she stared into his stupid dewy young face. She was sure her own face had gone some mortified shade. The only good news was that for once Vansh's color rose too, just as fast and fierce. Wait, had he just accused her of rage-fucking his thigh? "You are the world's most infuriating person, you know that?" For a moment Naina thought she might choke on her own incredulousness and the fact that he was not lying. "What kind of person brings that sort of thing up when someone's life's work is at stake?" "I was not the one who brought it up." He mirrored her finger-spinning action and made a circle around her face. "And don't make that face. You didn't say the words but you were thinking them. Never mind. I am actually not here to discuss our night together." "There was no night together." She pressed her hands into her face and tried to breathe into an imaginary bag. If she didn't calm down she was not going to be able to get this conversation back on track, to say nothing of the fact that she was going to pass out from the heat in here. "You were gone before the morning and I am very grateful that you brought me home and helped me when I----" "Got horny." "Threw up." They spoke simultaneously. Because the universe had decided to test how much humiliation it could stuff into one situation. Great, now he was smiling again, and she wanted to shake him even more. "Come on, Naina. Loosen up. It really wasn't that big of a deal." Relief flooded through her. Thank God. Yes, it was not. She was so glad he thought so. "You're right, people drink too much and throw up all the time.
Sonali Dev (The Emma Project (The Rajes, #4))
Heath studied the other soldiers on the mountain and some other Mexican civilians, who all seemed to be searching the mountainside doggedly.  That told Heath that Milo and the woman were hiding, probably sleeping the day away.  Which was exactly what Heath would expect.  Even though Milo probably knew help was on its way, he would still try to escape from his enemies and save himself and the woman.  Heath was fairly confident the three shots that came after his mirror signal the day before indicated that Milo had gotten the message. Having nothing to do until possibly the afternoon, Heath rode back
R.O. Lane (Milo's War)
I studied the wings, the arm around my waist. 'Please don't drop me. And please don't-' We shot into the sky, fast as a shooting star. Before my yelp finished echoing, the city had yawned wide beneath us. Rhys's hand slid under my knees while the other wrapped around my back and ribs, and we flapped up, up, up into the star-freckled night, into the liquid dark and singing wind. The city lights dropped away until Velaris was a rippling velvet blanket littered with jewels, until the music no longer reached even our pointed ears. The air was chill, but no wind other than a gentle breeze brushed my face- even as we soared with magnificent precision for the House of Wind. Rhys' body was hard and warm against mine, a solid force of nature crafted and honed for this. Even the smell of him reminded me of the wind- rain and salt and something citrus-y I couldn't name. We swerved into an updraft, rising so fast it was instinct to clutch his black tunic as my stomach clenched. I scowled at the soft laugh that ticked my ear. 'I expected more screaming from you. I must not be trying hard enough.' 'Do not,' I hissed, focusing on the approaching tiara of lights in the eternal wall of the mountain. With the sky wheeling overhead and the lights shooting past below, up and down became mirrors- until we were sailing through a sea of stars. Something tight in my chest eased a fraction of its grip.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.
Annie Dillard (Pilgrim at Tinker Creek)
one way to find out. I drew my Colt and spurred my horse forward, my guiding Cisco and the mare between the wagons, buckboards and riders blocking my path to the saloon. Bryce didn’t see me coming. He took a long pull on the cigar and then contentedly exhaled the smoke through pursed lips. I was close now and could have shot him easily. But I knew that wouldn’t satisfy me. I wanted to look into his eyes, to see the shock and the pain in them as he felt my slug rip through him, so I held my fire.  It was a costly mistake. For in the next moment Bryce must have heard my horse coming and turned toward me. He instantly recognized me and in one continuous move whirled around and dived through the saloon swing-doors. I didn’t bother to dismount. Dropping the mare’s reins, so I wasn’t hampered by her, I spurred my horse onto the red-brick sidewalk and without stopping, ducked my head and rode into the saloon. A dozen shots greeted me. I heard Cisco grunt and knew he’d been hit. By then I had spotted the Guthrie brothers firing around the sides of upturned tables, and opened fire on them. I saw the oldest brother, Doke, grab his arm up by his shoulder and spin around, while my other shots forced Gibby and Bryce to pull back behind their tables. By now the panicked customers had scattered in different directions and both barkeeps had ducked below the bar. But they weren’t safe there. A wild shot smashed the mirror above the back-bar and shards of glass showered over them.
Steve Hayes (Shootout in Canyon Diablo (A Steve Hayes Western))
Now I was alone with Louie. It wasn’t two sorcerers against one sorcerer anymore. If I were free, I might have a shot. I couldn’t make the necessary motions, but I could chant. It’d make a spell a longshot. It’d have to be fairly simple. I decided to try and make the ropes rot away.
Absalom Milton (The Inquiries Of Timothy Ashe: Book One: The Black Mirror)
The panning shot of the soldiers as they ready themselves for the onslaught and now I finally see that I’m the one with the scar running down half her face and that these eyes . . . ohhhh, these eyes have seen some horrors. And that that’s a good thing. Age. Wisdom. Being forty. I like it here.
Liza Palmer (Girl Before a Mirror)
You might have all night, but some of us don’t,” Barrons growled over his shoulder. I stuffed the paper in my pocket and hurried to catch up. We’d parked the Viper a block away. The queen wore a hooded cloak and was wrapped in blankets. “You have all night tonight and tomorrow night and all eternity for that matter. So how long were you dead this time?” I asked, needling him. The rattle moved in his throat. I took a perverse pleasure in irritating him. “A day? Three? Five? What does it depend on? How badly you’re injured?” “If I were you, Ms. Lane, I’d never bring that up again. You think you’re suddenly a major player because you went through that Silver—” “I left Christian at the mirror. I found him in the prison,” I cut him off. His mouth snapped shut, then, “Why the fuck does it always take you so long to tell me the important things?” “Because there are always so many important things,” I said defensively. “Her hair’s dragging again.” “Pick it up. My hands are full.” “I’m not touching her.” He shot me a look. “Issues much, Ms. Concubine?” “She’s not even the real queen,” I said irritably. “Not the one that ruined the concubine’s life. I just don’t like Fae. I’m a sidhe-seer, remember?” “Are you?” “Why are you so pissed at me? It’s not my fault who I am. The only thing that’s my fault is what I choose to do with it.” He gave me a sidelong glance that said, That might be the only intelligent thing you’ve said tonight.
Karen Marie Moning (Shadowfever (Fever, #5))