Peacock Quotes

We've searched our database for all the quotes and captions related to Peacock. Here they are! All 100 of them:

β€œ
Remember that the most beautiful things in the world are the most useless; peacocks and lilies for instance.
”
”
John Steinbeck
β€œ
You're different. And I'm different too. Different is good. But different is hard. Believe me, I know.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Not letting the world destroy you. That’s a daily battle.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I'm trying to let him know what I'm about to do. I'm hoping he can save me, even though I realize he can't.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
My father was a vulture. My mother was a magpie. My oldest brother is a crow. My sister, a sparrow. I have never really been a bird." Lila resisted the urge to say he might have been a peacock. It didn't seem the time.
”
”
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
β€œ
So, let me get this straight," Winston says. "Our plan is basically seduce the soldiers and civilians of Sector 45 into fighting with us?" Kenji crossed his arms. "Yeah, it sounds like we're going to go all peacock and hope they find us attractive enough to mate with." "Gross," Brendan frowns.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β€œ
She is a peacock in everything but beauty!
”
”
Oscar Wilde (The Picture of Dorian Gray)
β€œ
I feel like I’m brokenβ€”like I don’t fit together anymore. Like there’s no more room for me in the world or something. Like I’ve overstayed my welcome here on Earth, and everyone’s trying to give me hints about that constantly. Like I should just check out.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Be a good animal,true to your instincts.
”
”
D.H. Lawrence (The White Peacock)
β€œ
People should be nice to you, Leonard. You're a human being. You should expect people to be nice.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I'm sorry I couldn't be more than I was
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
You think someone is really important and different, but then you get to know them and it ruins everything
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Tell me about this Wizard Howl of yours." "He's the best wizard in Ingary or anywhere else. If he'd only had time, he would have defeated that djinn. And he's sly and selfish and vain as a peacock and cowardly, and you can't pin him down to anything." "Indeed? Strange that you should speak so proudly such a list of vices, most loving of ladies." "What do you mean, vices? I was just describing Howl. He comes from another world entirely, you know, called Wales, and I refuse to believe he's dead!
”
”
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
β€œ
Only you could love such a vile, selfish peacock, Evie.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
β€œ
I got to thinking that the world would be a better place if they gave medals to great teachers rather than just soldiers who kill their enemies in wars.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
DO ANYTHING! SOMETHING! Because you start a revolution one decision at a time, with every breath you take.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Did you ever think about all of the nights you lived through and can't remember The ones that were so mundane your brain just didn't bother to record them. Hundreds, maybe thousands of nights come and go without being preserved by our memory. Does that ever freak you out? Like maybe your mind recorded all of the wrong nights?
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Remember that the most beautiful things in life are often the most useless; peacocks and lilies for instance.
”
”
John Ruskin
β€œ
Be motivated like the falcon, hunt gloriously. Be magnificent as the leopard, fight to win. Spend less time with nightingales and peacocks. One is all talk, the other only color.
”
”
Jalal ad-Din Muhammad ar-Rumi
β€œ
And that's how the Peacock saved the Chameleon
”
”
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
β€œ
we can simultaneously be human and monsterβ€”that both of those possibilities are in all of us.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
That's basically the mantra of Herr Silverman's teaching - think for yourself and do what's right for you, but let others do the same.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John.
”
”
Ray Bradbury (Fahrenheit 451)
β€œ
Why does your weak king send a filthy pirate to do his bidding?” sneered the Fjerdan ambassador, his words echoing across the cathedral. β€œPrivateer,” corrected Sturmhond. β€œI suppose he thought my good looks would give me the advantage. Not a concern where you’re from, I take it?” β€œPreening, ridiculous peacock. You stink of Grisha foulness.” Sturmhond sniffed the air. β€œI’m amazed you can detect anything over the reek of ice and inbreeding.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β€œ
Maggie threw her head back and laughed. 'So you're going to try...what? Birds of a Feather?' she quested. 'Of course not,' Kat said. 'Everyone knows the French government banned the importation of peacocks in 1987.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
β€œ
Dream tonight of peacock tails, Diamond fields and spouter whales. Ills are many, blessings few, But dreams tonight will shelter you. Let the vampire's creaking wing Hide the stars while banshees sing; Let the ghouls gorge all night long; Dreams will keep you safe and strong. Skeletons with poison teeth, Risen from the world beneath, Ogre, troll, and loup-garou, Bloody wraith who looks like you, Shadow on the window shade, Harpies in a midnight raid, Goblins seeking tender prey, Dreams will chase them all away. Dreams are like a magic cloak Woven by the fairy folk, Covering from top to toe, Keeping you from winds and woe. And should the Angel come this night To fetch your soul away from light, Cross yourself, and face the wall: Dreams will help you not at all.
”
”
Thomas Pynchon
β€œ
I'm going to kill you later today," I say to that guy in the mirror, and he just smiles back at me like he can't wait.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
This is all quite fascinating," Grimalkin said, his voice slurring in my ears, "but instead of posing and scratching the ground like rutting peacocks, perhaps you should look to the girl.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
β€œ
The bullies are always popular. Why? People love power.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I want to believe that happiness might at least be possible later on in life for people prone to sadness.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
The sparrow is sorry for the peacock at the burden of its tail.
”
”
Rabindranath Tagore (Stray Birds)
β€œ
People are crying up the rich and variegated plumage of the peacock, and he is himself blushing at the sight of his ugly feet.
”
”
Saadi
β€œ
So the key is doing something that sets you apart forever in the minds of regular people. Something that matters.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I fear I must agree," Magnus murmured. He pressed a hand over his heart and his new peacock-blue waistcoast. "I strive to find some respect in my heart for you, but alas! It seems an impossible quest.
”
”
Cassandra Clare (Vampires, Scones, and Edmund Herondale (The Bane Chronicles, #3))
β€œ
How come it can’t fly no better than a chicken?’ Milkman asked. Too much tail. All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that [stuff]. Wanna fly, you got to give up the [stuff] that weighs you down.’ The peacock jumped onto the hood of the Buick and once more spread its tail, sending the flashy Buick into oblivion.
”
”
Toni Morrison (Song of Solomon)
β€œ
You can't lose what you never had.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
You believe in the future now. It's easy for you, because you love the present.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
There's a lot for you to live for. Good things are definitely in your future, Leonard. I'm sure of it. You have no idea how many interesting people you'll meet after high school's over. Your life partner, your best friend, the most wonderful person you'll ever know is sitting in some high school right now waiting to graduate and walk into your life - maybe even feeling all the same things you are, maybe even wondering about you, hoping that you're strong enough to make it to the future where you'll meet.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
My life will get better? You really believe that?" I ask. β€œIt can. If you’re willing to do the work.” β€œWhat work?” β€œNot letting the world destroy you. That’s a daily battle.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Tell me of this Wizard Howl of yours". Sophie's teeth chattered but she said proudly, "He's the best wizard in Ingary or anywhere else. If he'd only had time, he would have defeated that djinn. And he's sly and selfish and vain as a peacock and cowardly, and you can't pin him down to anything.
”
”
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
β€œ
When people have awful ideas about your identity, that's just the way it will stay no matter what you do.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Peacocks have the bright feathers. Fish have the long tails. Women have the mall.
”
”
Janette Rallison (My Double Life)
β€œ
A sparrow is beautiful in its own way," KΓ€the said severely. "Don't force yourself to be a peacock, Liesl. Embrace your sparrow self.
”
”
S. Jae-Jones (Wintersong (Wintersong, #1))
β€œ
Only you weren't regular at all -- you were full of magic.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Maybe that's why adults drink, gamble, and do drugs - because they can't get naturally lit anymore. Maybe we lose that ability as we get older.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
At 20 a man is a peacock, at 30 a lion, at 40 a camel, at 50 a serpent, at 60 a dog, at 70 an ape, and at 80 nothing
”
”
Baltasar GraciΓ‘n
β€œ
He loved three things in this life: Vespers, white peacocks, And old maps of America, Didn't love children crying, Raspberries with tea, Or feminine hysteria ...And I was his wife.
”
”
Anna Akhmatova (Poem Without a Hero & Selected Poems)
β€œ
Only human males are able to find partners so easily. Well, most of them. In the animal kingdom, you have to be the best to get the girl. I once saw a peacock doing its mating dance. So beautiful and full of vitality he was. Yet it wasn’t enough for the peahen. There were better peacocks in the queue. The power of choice is always with the females.
”
”
Abhaidev (The World's Most Frustrated Man)
β€œ
Somewhere there are gardens where peacocks sing like nightingales, somewhere there are caravans of separated lovers traveling to meet each other; there are ruby fires on distant mountains, and blue comets that come in spring like sapphires in the black sky. If this is not so, meet me in the shameful yard, and we will plant a gallows tree, and swing like sad pendulums, never once touching.
”
”
K.J. Bishop (The Etched City)
β€œ
Be like a peacock and dance with all of your beauty.
”
”
Debasish Mridha
β€œ
He said that people who loved [animals] to excess were capable of the worst cruelties toward human beings. He said that dogs were not loyal but servile, that cats were opportunists and traitors, that peacocks were heralds of death, that macaws were simply decorative annoyances, that rabbits fomented greed, that monkeys carried the fever of lust, and that roosters were damned because they had been complicit in the three denials of Christ.
”
”
Gabriel GarcΓ­a MΓ‘rquez (Love in the Time of Cholera)
β€œ
People lied. That's just what they did.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
And I understood why he didn’t need friends or to be accepted at our shitty racist high school, because he had his music, and that was so much better than anything we had to offer.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
”
”
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
β€œ
For all the feminist jabber about women being victimized by fashion, it is men who most suffer from conventions of dress. Every day, a woman can choose from an army of personae, femme to butch, and can cut or curl her hair or adorn herself with a staggering variety of artistic aids. But despite the Sixties experiments in peacock dress, no man can rise in the corporate world today, outside the entertainment industry, with long hair or makeup or purple velvet suits.
”
”
Camille Paglia
β€œ
I was right; just as soon as you take the first step toward getting to know someone your own age, everything you thought was magical about that person turns to shit right in front of your face
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
If he's dead, I'll never forgive you." I suddenly felt cold and frail and horrible numb. Jason's reply was so soft that I almost missed it." I wont forgive myself, either.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
You were right. When your head says one thing and your whole life says another, your head always loses.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Tell me of this wizard Howl of yours." Sophie's teeth chattered, but she said proudly, "He's the best wizard in Ingary or anywhere else. If he'd only had time, he would have defeated that djinn. And he's sly and selfish and vain as a peacock and cowardly, and you can't pin him down to do anything." "Indded?" asked Abdullah. "Strange that you should speak so proudly such a list of vices, most loving of ladies." "What do you mean, vices?" Sophie asked angrily. "I was just describing Howl!
”
”
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
β€œ
A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β€œ
Jason straightened his shirt. β€œWhat’s β€˜chauvinistic’ mean?” β€œIt’s in the dictionary next to a picture of your father,” muttered Kyle.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
Keep weeding, Dad. Weed your mind. And man the great light. Even when no one is looking
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Is ours a government of the people, by the people, for the people, or a kakistocracy rather, for the benefit of knaves at the cost of fools?
”
”
Thomas Love Peacock
β€œ
Although once when we were talking after class, Herr Silverman told me that when someone rises up and holds himself to a higher standard, even when doing so benefits others, average people resent it, mostly because they’re not strong enough to do the same.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Think for yourself and do what's right for you, but let others do the same.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I can tell you get it -- you're different. And I know how hard being different can be. But I also know how powerful a weapon being different can be. How the world needs such weapons. Gandhi was different. All great people are. And unique people such as you and me need to seek out other unique people who understand -- so we don't get too lonely and end up where you did tonight
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
The thing you fail to grasp is that people are not basically good. We are basically selfish. We shove and clamour and cry for adoration, and beat down everyone else to get it. Life is a competition of prattling peacocks enraptured in inane mating rituals. But for all our effacing and self-importance, we are all slaves to what we fear most. You have so very much to learn. Here. Let me teach you.
”
”
Christopher Nolan
β€œ
How nice for you. Now I want you to promise me that if I move, you won't do something stupid." Macey was just starting to protest when Hale stopped and brought his hand to his ear. "Besides, there's someone who wants to talk to you." He held out the extra earbud, whispering softly in the too quiet room. "It goes in your ear and---" But before he could finish, Macey rolled her eyes and placed the bud in her ear. "This is peacock," she whispered. She watched Hale's eyes go wide as she heard a very familiar voice say, "You're not getting extra credit for this. Now"---Macey's teacher took a long, easy breath---"whats going on in there?
”
”
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β€œ
In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins." And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.
”
”
David Sedaris (When You Are Engulfed in Flames)
β€œ
Different is good. But different is hard.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I was too scared to open my eyes. It was the logic of a child; if you don't open your eyes, the monster won't see you.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
You ever feel like you're sending out a light but no one sees it?
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these, Because my love is come to me. Raise me a daΓ―s of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.
”
”
Christina Rossetti (Poems of Christina Rossetti)
β€œ
Sounds like the start of a beautiful friendship, Leonard. It really does.” β€œHere’s looking at you, kid.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I like the immaterial world. I like to live among thoughts and images of the past and the possible, and even of the impossible, now and then.
”
”
Thomas Love Peacock (Gryll Grange)
β€œ
Mark this one thing my boy: never, never, never can a man make himself ridiculous in the eyes of a woman by anything he may do on her account. Not even by the most childish performances. Do anything you like, stand on your head, talk the most utter twaddle, swank like a peacock, sing under her window - anything at all but one thing: don't be matter of fact, don't be sensible.
”
”
Erich Maria Remarque (Three Comrades)
β€œ
The juice of the grape is the liquid quintessence of concentrated sunbeams.
”
”
Thomas Love Peacock (Melincourt; Or Sir Oran Hautton)
β€œ
A poor old Widow in her weeds Sowed her garden with wild-flower seeds; Not too shallow, and not too deep, And down came April -- drip -- drip -- drip. Up shone May, like gold, and soon Green as an arbour grew leafy June. And now all summer she sits and sews Where willow herb, comfrey, bugloss blows, Teasle and pansy, meadowsweet, Campion, toadflax, and rough hawksbit; Brown bee orchis, and Peals of Bells; Clover, burnet, and thyme she smells; Like Oberon's meadows her garden is Drowsy from dawn to dusk with bees. Weeps she never, but sometimes sighs, And peeps at her garden with bright brown eyes; And all she has is all she needs -- A poor Old Widow in her weeds.
”
”
Walter de la Mare (Peacock Pie)
β€œ
Because you start a revolution one decision at a time, with each breath you take.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Like maybe he really, truly believes I'm worth listening to, worth saving.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
”
”
AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
β€œ
He shook his head. "You didn't do anything. It'd be like blaming a tornado for ripping through a trailer park. The tornado's just minding its own business. It can't help what it is." A tornado. Something that destroyed everything in its path. A natural disaster. Me.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
Tell me again about the girl whose hands have no color. Whose hands are completely white. This time make them damned, or untouched, or have her open a red umbrella or point at some maple leaves and damned near cry. Those hands. As freakish goes, I wish I had a tail. Maybe then you’d know how much I like you. It shakes me through, damn through. It shakes me. When she carries a peacock feather. When she touches her neck or thighs. You’re a person. It’s not so bad. You have hands. You are a person with hands to hold things. Things you like. Tremendous things. Tell me what you will hold today. I know there is room for everything. There is no need to be ceremonious. Tell what gets let go.
”
”
Rebecca Wadlinger
β€œ
Maybe if we would just picture our enemies jerking off once in a while, the world would be a better place. I don't know.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Why are you being so nice to me?" I say. "People should be nice to you, Leonard. You're a human being. You should expect people to be nice.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
But unlike this book, the dictionary also discusses words that are far more pleasant to contemplate. The word 'bubble' is in the dictionary, for instance, as is the word 'peacock,' the word 'vacation,' and the words 'the' 'author's' 'execution' 'has' 'been' 'canceled,' which makes a sentence that is always pleasant to hear.
”
”
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
β€œ
No, I like it ... a lot ... but that's a helluva tattoo for a virgin." He popped the pen back in, freeing up his hand to move the mouse. I smirked. "If I'm going to lose it, I want to be broken in right." The pen fell from Trenton's mount to the floor.
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
β€œ
These people we call Mom and Dad, they bring us into the world and then they don't follow through with what we need, or provide any answers at all really--it's a fend-for-yourself free-for-all in the end, and I'm just not cut out for that sort of living.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
You can’t expect kids to save themselves, can you?
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say β€” or think? β€” to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your noseβ€”allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand β€” if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose β€” allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
Kyle took a deep breath, like he had picked up on the question I hadn't asked. That was one of the differences between him and Jason: Kyle always gave just as much weight and consideration to the things I didn't say as to the things I did.
”
”
Kathleen Peacock (Hemlock (Hemlock, #1))
β€œ
Can't it just exist without an explanation? Why do we have to assign meaning to art? Do we need to understand everything? Maybe it exists to evoke feelings and emotions -- period. Not to mean something.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
You're jealous of a bird?" she asks. "What? No!" I snap. I just don’t think I like peacocks very much. "You're jealous of a bird," she says, a glint of amusement coming into her eyes. She glances back at her phone. "He IS gorgeous. Goddddd, soooo gorgeous," she moans out the words, throwing her head back. "Hilarious," I say, trying not to smile now at my own ridiculousness. "That bird was trying to move in on my territory. I know a brazen male threat when I see one.
”
”
Mia Sheridan (Leo's Chance)
β€œ
Huxley: "Tell me something Bryce, do you know the difference between a Jersey, a Guernsey, a Holstein, and an Ayershire?" Bryce: "No." Huxley: "Seabags Brown does." Bryce: "I don't see what that has to do..." Huxley: "What do you know about Gaelic history?" Bryce: "Not much." Huxley: "Then why don't you sit down one day with Gunner McQuade. He is an expert. Speaks the language, too." Bryce: "I don't..." Huxley: " What do you know about astronomy?" Bryce: "A little." Huxley: "Discuss it with Wellman, he held a fellowship." Bryce: "This is most puzzling." Huxley: "What about Homer, ever read Homer?" Bryce: "Of course I've read Homer." Huxley: "In the original Greek?" Bryce: "No" Huxley: "Then chat with Pfc. Hodgkiss. Loves to read the ancient Greek." Bryce: "Would you kindly get to the point?" Huxley: "The point is this, Bryce. What makes you think you are so goddam superior? Who gave you the bright idea that you had a corner on the world's knowledge? There are privates in this battalion who can piss more brains down a slit trench then you'll ever have. You're the most pretentious, egotistical individual I've ever encountered. Your superiority complex reeks. I've seen the way you treat men, like a big strutting peacock. Why, you've had them do everything but wipe your ass.
”
”
Leon Uris (Battle Cry)
β€œ
I remember walking in art galleries, through the nineteenth century: the obsession they had then with harems. Dozens of paintings of harems, fat women lolling on divans, turbans on their heads or velvet caps, being fanned with peacock tails, a eunuch in the background standing guard. Studies of sedentary flesh, painted by men who'd never been there. These pictures were supposed to be erotic, and I thought they were, at the time; but I see now what they were really about. They were paintings about suspended animation; about waiting, about objects not in use. They were paintings about boredom. But maybe boredom is erotic, when women do it, for men.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
β€œ
The whole concept of 'wild' was decidedly European, one not shared by the original inhabitants of this continent. What we called 'wilderness' was to the Indian a homeland, 'abiding loveliness' in Salish or Piegan. The land was not something to be feared or conquered, and 'wildlife' were neither wild nor alien; they were relatives.
”
”
Doug Peacock (Grizzly Years: In Search of the American Wilderness)
β€œ
Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy handβ€”if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
It worries me that I can be so explosive one day -- volatile enough to commit a murder-suicide -- and then the next day I'm watching Bogart save the day with Walt, like nothing happened at all, and nothing is urgent, and I really don't have to do anything to set the world right or escape my own mind. I'd like to feel okay all the time -- to have the ability to sit and function without feeling so much pressure, without feeling as though blood is going to spurt from my eyes and fingers and toes if I don't do something.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
β€œ
I found posts about how to slit your wrists the "right way", so you will actually die, and that depressed me, because people actually post stuff like that, and even though I wanted to know the answer, so I could weigh my options, that info maybe shouldn't be on the internet... But really - why do some people post the correct ways to commit suicide on the internet? Do they want weird, sad people like me to go away permanently? Do they think it's a good idea for some people to off themselves? How can you tell when you are one of those people who should slash his wrists the right way with a razor blade? Is there an answer for that too? I Googled but nothing concrete came up. Just ways to complete the mission. Not justification.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)