Chinua Achebe Quotes

If you don't like someone's story, write your own.

The world is like a Mask dancing. If you want to see it well, you do not stand in one place.

While we do our good works let us not forget that the real solution lies in a world in which charity will have become unnecessary.

Nobody can teach me who I am. You can describe parts of me, but who I am - and what I need - is something I have to find out myself.

There is no story that is not true, [...] The world has no end, and what is good among one people is an abomination with others.

The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.

Until the lions have their own historians, the history of the hunt will always glorify the hunter.

To me, being an intellectual doesn't mean knowing about intellectual issues; it means taking pleasure in them.

There is no story that is not true.

Charity . . . is the opium of the privileged.

If you don't like my story,write your own

My weapon is literature

When suffering knocks at your door and you say there is no seat for him, he tells you not to worry because he has brought his own stool.

If I hold her hand she says, ‘Don’t touch!’ If I hold her foot she says ‘Don’t touch!’ But when I hold her waist-beads she pretends not to know.

We cannot trample upon the humanity of others without devaluing our own. The Igbo, always practical, put it concretely in their proverb Onye ji onye n'ani ji onwe ya: "He who will hold another down in the mud must stay in the mud to keep him down.

When the moon is shining the cripple becomes hungry for a walk

One of the truest tests of integrity is its blunt refusal to be compromised.

A man who calls his kinsmen to a feast does not do so to save them from starving. They all have food in their own homes. When we gather together in the moonlit village ground it is not because of the moon. Every man can see it in his own compound. We come together because it is good for kinsmen to do so.

Among the Ibo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten.

Age was respected among his people, but achievement was revered. As the elders said, if a child washed his hands he could eat with kings.

The world has no end, and what is good among one people is an abomination with others.

Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.

A child cannot pay for its mother’s milk.

Nobody can teach me who I am.

People create stories create people; or rather stories create people create stories.

You do not know me,’ said Tortoise. ‘I am a changed man. I have learned that a man who makes trouble for others makes trouble for himself.

Privilege, you see, is one of the great adversaries of the imagination; it spreads a thick layer of adipose tissue over our sensitivity.

Do not despair. I know you will not despair. You have a manly and a proud heart. A proud heart can survive a general failure because such a failure does not prick its pride. It is more difficult and more bitter when a man fails alone.

It always surprised him when he thought of it later that he did not sink under the load of despair.

...when we are comfortable and inattentive, we run the risk of committing grave injustices absentmindedly.

Writers don't give prescriptions. They give headaches!

Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate that the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo’s fear was greater than these. It was not external but lay deep within himself.

When Suffering knocks at your door and you say there is no seat left for him, he tells you not to worry because he has brought his own stool.

Eneke the bird says that since men have learned to shoot without missing, he has learned to fly without perching.

The impatient idealist says: 'Give me a place to stand and I shall move the earth.' But such a place does not exist. We all have to stand on the earth itself and go with her at her pace.

There was a saying in Umuofia that as a man danced so the drums were beaten for him.

At the most one could say that his chi or ... personal god was good. But the Ibo people have a proverb that when a man says yes his chi says yes also. Okonkwo said yes very strongly; so his chi agreed.

It is the storyteller who makes us what we are, who creates history. The storyteller creates the memory that the survivors must have - otherwise their surviving would have no meaning.

He has put a knife on the things that held us together and we have fallen apart.

Mosquito [...] had asked Ear to marry him, whereupon Ear fell on the floor in uncontrollable laughter. "How much longer do you think you will live?" she asked. "You are already a skeleton." Mosquito went away humiliated, and any time he passed her way he told Ear that he was still alive.

Procrastination is a lazy man's apology.

When a man is at peace with his gods and ancestors, his harvest will be good or bad according to the strength of his arm.

Then listen to me,' he said and cleared his throat. 'It's true that a child belongs to its father. But when a father beats his child, it seeks sympathy in its mother's hut. A man belongs to his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland. Your mother is there to protect you. She is buried there. And that is why we say that mother is supreme. Is it right that you, Okonkwo, should bring your mother a heavy face and refuse to be comforted? Be careful or you may displease the dead. Your duty is to comfort your wives and children and take them back to your fatherland after seven years. But if you allow sorrow to weigh you down and kill you, they will all die in exile.

There is a moral obligation, I think, not to ally oneself with power against the powerless.

Mr. Brown had thought of nothing but numbers. He should have known that the kingdom of God did not depend on large crowds. Our Lord Himself stressed the importance of fewness. Narrow is the way and few the number. To fill the Lord's holy temple with an idolatrous crowd clamoring for signs was a folly of everlasting consequence. Our Lord used the whip only once in His life - to drive the crowd away from His church.

A man who pays respect to the great paves the way for his own greatness

The world is large,” said Okonkwo. “I have even heard that in some tribes a man’s children belong to his wife and her family.” “That cannot be,” said Machi. “You might as well say that the woman lies on top of the man when they are making the babies.

When mother-cow is chewing grass its young ones watch its mouth

People from different parts of the world can respond to the same story if it says something to them about their own history and their own experience.

Every generation must recognize and embrace the task it is peculiarly designed by history and by providence to perform.

How does the saying go? When two locusts fight, it is always the crow that feasts.' Is that a Luo expression?' I asked. Sayid's face broke into a bashful smile. We have a similar expression in Luo,' he said, 'but actually I must admit that I read this particular expression in a book by Chinua Achebe. The Nigerian writer. I like his books very much. He speaks the truth about Africa's predicament. the Nigerian, the Kenya - it is the same. We share more than divides us.

Women and music should not be dated.

When a coward sees a man he can beat he becomes hungry for a fight.

He saw himself and his fathers crowding round their ancestral shrine waiting in vain for worship and sacrifice and finding nothing but ashes of bygone days..

Oh, the most important thing about myself is that my life has been full of changes. Therefore, when I observe the world, I don’t expect to see it just like I was seeing the fellow who lives in the next room. There is this complexity which seems to me to be part of the meaning of existence and everything we value.

...Nothing puzzles God

If you had been poor in your last life I would have asked you to be rich when you come again. But you were rich. If you had been a coward, I would have asked you to bring courage. But you were a fearless warrior. If you had died young, I would have asked you to get life. But you lived long. So I shall ask you to come again the way you came before.

An old woman is always uneasy when dry bones are mentioned in a proverb

That we are surrounded by deep mysteries is known to all but the incurably ignorant.

You think you are the greatest sufferer in the world? Do you know that men are sometimes banished for life? Do you know that men sometimes lose all their yams and even their children? I had six wives once. I have none now except that young girl who knows not her right from her left. Do you know how many children I have buried—children I begot in my youth and strength? Twenty-two. I did not hang myself, and I am still alive.

In my definition I am a protest writer, with restraint.

Let no one be fooled by the fact that we may write in English, for we intend to do unheard of things with it.

We do not ask for wealth because he that has health and children will also have wealth. We do not pray to have money but to have more kinsmen. We are better than animals because we have kinsmen. An animal rubs its itching flank against a tree, a man asks his kinsman to scratch him.

For whom is it well, for whom is it well? There is no one for whom it is well.

Those whose kernels were cracked by benevolent spirit should not forget to be humble.

It is only the story...that saves our progeny from blundering like blind beggars into the spikes of the cactus fence.The story is our escort;without it,we are blind.Does the blind man own his escort?No,neither do we the story;rather,it is the story that owns us.

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.

It is the story that owns and directs us. It is the thing that makes us different from cattle; it is the mark on the face that sets one people apart from their neighbors.

Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world.

What I can say is that it was clear to many of us that an indigenous African literary renaissance was overdue. A major objective was to challenge stereotypes, myths, and the image of ourselves and our continent, and to recast them through stories- prose, poetry, essays, and books for our children. That was my overall goal.

To show affection was a sign of weakness; the only thing worth demonstrating was strength.

The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.

In the end I began to understand. There is such a thing as absolute power over narrative. Those who secure this privilege for themselves can arrange stories about others pretty much where, and as, they like. Just as in corrupt, totalitarian regimes, those who exercise power over others can do anything.

ما هو خير عند شعب هو شر مقيت عند شعوب أخرى

Fortunately, among these people a man was judged according to his worth and not according to the worth of his father.

The sun will shine on those who stand, before it shines on those who kneel under them.

And theories are no more than fictions which help us to make sense of experience and which are subject to disconfirmation when their explanations are no longer adequate.

I believe in the complexity of the human story and that there’s no way you can tell that story in one way and say, This is it. Always there will be someone who can tell it differently depending on where they are standing; the same person telling the story will tell it differently. I think of that masquerade in Igbo festivals that dances in the public arena. The Igbo people say, If you want to see it well, you must not stand in one place. The masquerade is moving through this big arena. Dancing. If you’re rooted to a spot, you miss a lot of the grace. So you keep moving, and this is the way I think the world’s stories should be told—from many different perspectives.

Ogbuef Ezedudu,who was the oldest man in the village, was telling two other men when they came to visit him that the punishment for breaking the Peace of Ani had become very mild in their clan. "It has not always been so," he said. "My father told me that he had been told that in the past a man who broke the peace was dragged on the ground through the village until he died. but after a while this custom was stopped because it spoiled the peace which it was meant to preserve.

The English major is, first of all, a reader. She's got a book pup-tented in front of her nose many hours a day; her Kindle glows softly late into the night. But there are readers and there are readers. There are people who read to anesthetize themselves—they read to induce a vivid, continuous, and risk-free daydream. They read for the same reason that people grab a glass of chardonnay—to put a light buzz on. The English major reads because, as rich as the one life he has may be, one life is not enough. He reads not to see the world through the eyes of other people but effectively to become other people. What is it like to be John Milton, Jane Austen, Chinua Achebe? What is it like to be them at their best, at the top of their games?

Charity … is the opium of the privileged; from the good citizen who habitually drops ten kobo from his loose change and from a safe height above the bowl of the leper outside the supermarket; to the group of good citizens (like youselfs) who donate water so that some Lazarus in the slums can have a syringe boiled clean as a whistle for his jab and his sores dressed more hygienically than the rest of him; to the Band Aid stars that lit up so dramatically the dark Christmas skies of Ethiopia. While we do our good works let us not forget that the real solution lies in a world in which charity will have become unnecessary.

...stories are not always innocent;...they can be used to put you in the wrong crowd, in the party of the man who has come to dispossess you.

A toad does not run in the daytime for nothing

I would be quite satisfied if my novels (especially the ones I set in the past) did no more than teach my readers that their past - with all its imperfections - was not one long night of savagery from which the first Europeans acting on God's behalf delivered them

There is that great proverb—that until the lions have their own historians, the history of the hunt will always glorify the hunter.

As our fathers said, you can tell a ripe corn by its look.

The price a world language must be prepared to pay is submission to many different kinds of use. The African writer should aim to use English in a way that brings out his message best without altering the language to the extent that its value as a medium of international exchange will be lost. He should aim at fashioning out an English which is at once universal and able to carry his peculiar experience.

Africa is people" may seem too simple and too obvious to some of us. But I have found in the course of my travels through the world that the most simple things can still givwe us a lot of trouble, even the brightest among us: this is particularly so in matters concerning Africa.

Dear Delphine, When you are older I want you to find Chinua Achebe. I want you to read Things Fall Apart. Don't be hardheaded and try to read this book now. Don't be hardheaded, Delphine. You are the smart one, but you are not ready. You can read all its words. Even the African words. But you will not know what Achebe is saying. It is a bad thing to bite into a hard fruit with little teeth. You will say bad things about the fruit when the problem is your teeth. I want you to read this book. I want you to know Things Fall Apart. Fourteen is a good age to find Chinua Achebe. Nzila. Your Mother. P.S. For now you are eleven. Be eleven.

Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. "I have kola," he announced when he sat down, and passed the disc over to his guest. "Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. "No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe.

What kind of power was it if everybody knew that it would never be used? Better to say that it was not there, that it was no more than the power in the anus of the proud dog who tried to put out a furnace with his puny fart.... He turned the yam with a stick.

If we have any role at all, I think it’s the role of optimism, not blind or stupid optimism, but the kind which is meaningful, one that is rather close to that notion of the world which is not perfect, but which can be improved. In other words, we don’t just sit and hope that things will work out; we have a role to play to make that come about.

...Let me say that I do think decency and civilization would insist that the writer take sides with the powerless. Clearly, there's no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects.

It’s true that a child belongs to its father. But when a father beats his child, it seeks sympathy in its mother’s hut. A man belongs to his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland. Your mother is there to protect you. She is buried there. And that is why we say that mother is supreme.

When we gather together in the moonlit village ground it is not because of the moon. Every man can see it in his own compound. We come together because it is good for kinsmen to do so. [...] But I fear for you young people because you do not understand how strong is the bond of kinship. You do not know what it is to speak with one voice. And what is the result? An abominable religion has settled among you. A man can now leave his father and his brothers. He can curse the gods of his fathers and his ancestors, like a hunter's dog that suddenly goes mad and turns on his master. I fear for you; I fear for the clan.

...she was sensitive enough and intelligent enough to understand, and her literary education could not but have sharpened her perception of the evidence before her eyes: that in the absurd raffle-draw that apportioned the destinies of post-colonial African societies two people starting off even as identical twins in the morning might quiet easily find themselves in the evening one as President shitting on the heads of the people and the other a nightman carrying the people's shit in buckets on his head.

The foreign correspondent is frequently the only means of getting an important story told, or of drawing the world's attention to disasters in the making or being covered up. Such an important role is risky in more ways than one. It can expose the correspondent to actual physical danger; but there is also the moral danger of indulging in sensationalism and dehumanizing the sufferer. This danger immediately raises the question of the character and attitude of the correspondent, because the same qualities of mind which in the past separated a Conrad from a Livingstone, or a Gainsborough from the anonymous painter of Francis Williams, are still present and active in the world today. Perhaps this difference can best be put in one phrase: the presence or absence of respect for the human person.

Unfortunately, oppression does not automatically produce only meaningful struggle. It has the ability to call into being a wide range of responses between partial acceptance and violent rebellion. In between you can have, for instance, a vague, unfocused dissatisfaction; or, worst of all, savage infighting among the oppressed, a fierce love-hate entanglement with one another like crabs inside the fisherman's bucket, which ensures that no crab gets away. This is a serious issue for African-American deliberation. To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume!

The Commissioner went away, taking three or four of the soldiers with him. In the many years in which he had toiled to bring civilization to different parts of Africa he had learned a number of things. One of them was that a District Commissioner must never attend to such undignified details s cutting a hanged man from a tree. Such attention would give the natives a poor opinion of him. In the book which he planned to write he would stress that point. As he walked back to the court he thought about that book. Every day brought him some new material. The story of the man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter ob him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger.

Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft not the audience, that should be the greatest motivating factor. For me, at least, I can declare that when I wrote THINGS FALL APART I couldn't have told anyone the day before it was accepted for publication that anybody was going to read it. There was no guarantee; nobody ever said to me, Go and write this, we will publish it and we will read it; it was just there. But my brother-in-law who was not a particularly voracious reader, told me that he read the novel through the night and it gave him a terrible headache the next morning. And I took that as an encouraging endorsement! The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures and situations.