β
It was a mistake to believe that other people were not living as deeply as you were. Besides, you were not even living that deeply.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Part of what you have to figure out in this life is, Who would I be if I hadnβt been frightened? What hurt me, and what would I be if it hadnβt?
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
I was just thinking that you and I...have seen very different memes in our lives.
β
β
Patricia Lockwood (No One Is Talking About This)
β
All my life I have overheard, all my life I have listened to what people will let slip when they think you are part of their we. A we is so powerful. It is the most corrupt and formidable institution on earth. Its hands are full of the crispest and most persuasive currency. Its mouth is full of received, repeating language. The we closes its ranks to protect the space inside it, where the air is different. It does not protect people. It protects its own shape.
β
β
Patricia Lockwood (Priestdaddy)
β
Sometimes I have thought I was lonely and it turned out I was in reality wanting a snack, just like sometimes I have thought I was mad and it turned out I was actually wearing too many sweaters.
β
β
Patricia Lockwood
β
The future of intelligence must be about search, while the future of ignorance must be about the inability to evaluate information.
β
β
Patricia Lockwood (No One Is Talking About This)
β
There is still a real life to be lived, there are still real things to be done.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Capitalism! It was important to hate it, even though it was how you got money. Slowly, slowly, she found herself moving toward a position so philosophical even Jesus couldnβt have held it: that she must hate capitalism while at the same time loving film montages set in department stores.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Previously these communities were imposed on us, along with their mental weather. Now we chose themβor believed that we did. A person might join a site to look at pictures of her nephew and five years later believe in a flat earth.
β
β
Patricia Lockwood (No One Is Talking About This)
β
The people who lived in the portal were often compared to those legendary experiment rats who kept hitting a button over and over to get a pellet. But at least the rats were getting a pellet, or the hope of a pellet, or the memory of a pellet. When we hit the button, all we were getting was to be more of a rat.
β
β
Patricia Lockwood (No One Is Talking About This)
β
The question for someone who was raised in a closed circle and then leaves it, is what is the us, and what is the them, and how do you ever move from one to the other?
β
β
Patricia Lockwood (Priestdaddy)
β
to live in a country where someone can say βthe massacreβ and you donβt have to ask which one.
β
β
Patricia Lockwood (No One Is Talking About This)
β
What do you mean you've been spying on me, with this thing in my hand that is an eye?
β
β
Patricia Lockwood (No One Is Talking About This)
β
Back in 1999, she had watched five episodes of The Sopranos and immediately wanted to be involved in organized crime. Not the shooting part, the part where they all sat around in restaurants.
β
β
Patricia Lockwood (No One Is Talking About This)
β
He did not want to live in the world he had made, but when it came right down to it, did any of us?
β
β
Patricia Lockwood (No One Is Talking About This)
β
Modern womanhood was more about rubbing snail mucus on your face than she had thought it would be. But it had always been something, hadnβt it? Taking drops of arsenic. Winding bandages around the feet. Polishing your teeth with lead. It was so easy to believe you freely chose the paints, polishes, and waist-trainers of your own time, while looking back with tremendous pity to women of the past in their whalebones; that you took the longest strides your body was capable of, while women of the past limped forward on broken arches.
β
β
Patricia Lockwood (No One Is Talking About This)
β
My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive system, and generally plotting the downfall of all men.
β
β
Patricia Lockwood (Priestdaddy)
β
White people, who had the political educations of potatoes - lumpy, unseasoned, and biased towards the Irish - were suddenly feeling compelled to speak out about injustice. This happened once every forty years on average, usually after a period when folk music became popular again. When folk music became popular again, it reminded people that they had ancestors, and then, after a considerable delay, that their ancestors had done bad things.
β
β
Patricia Lockwood (No One Is Talking About This)
β
I'm not interested in heaven unless my anger gets to go there too. I'm not interested in a happy eternity unless I get to spend an eternity on anger first. Let me speak for the meek and say that we don't want the earth, if that's where all the bodies are buried. If we are resurrected at the end of the world, I want us to assemble with a military click, I want us to come together as an army against what happened to us here. I want us to bring down the enemy of our suffering once and for all, and I want us to loot the pockets, and I want us to take baths in the blood.
β
β
Patricia Lockwood (Priestdaddy)
β
I know all women are supposed to be strong enough now to strangle presidents and patriarchies between their powerful thighs, but it doesn't work that way. Many of us were actually affected, by male systems and male anger, in ways we cannot always articulate or overcome. Sometimes, when the ceiling seems especially low and the past especially close, I think to myself, I did not make it out. I am still there in that place of diminishment, where that voice an octave deeper than mine is telling me what I am.
β
β
Patricia Lockwood (Priestdaddy)
β
But how strange, she had thought, biting into a slice of bread-and-butter that tasted like sunshine in green fields, to live in a country where someone can say βthe massacreβ and you donβt have to ask which one.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Every day their attention must turn, like the shine on a school of fish, all at once, toward a new person to hate. Sometimes the subject was a war criminal, but other times it was someone who made a heinous substitution in guacamole.
β
β
Patricia Lockwood (No One Is Talking About This)
β
The moon fell into her window and woke her.
β
β
Patricia Lockwood (No One Is Talking About This)
β
They kept raising their hands excitedly to high-five, for they had discovered something even better than being soulmates: that they were exactly, and happily, and hopelessly, the same amount of online.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Most letters were love letters until they were not.
β
β
Patricia Lockwood (Motherland Fatherland Homelandsexuals)
β
The desire to describe voice, gesture, skin color, is a desire to eat, take over, make into part of the pattern. I am happy every time to see a writer fail at this. I am happy every time to see real personhood resist our tricks. I am happy to see bodies insist that they are not shut up in this book, they are elsewhere. The tomb is empty, rejoice, he is not here. β’
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
It is probably the last conversation like this the seminarian and I will have. After his ordination, particular friendships with women will be discouraged. I understand why, but in a wider sense, it is frightening. If you are not friends with women, they are theoretical to you.
β
β
Patricia Lockwood (Priestdaddy)
β
Every day we were seeing new evidence that suggested it was the portal that had allowed the dictator to rise to power. This was humiliating. It would be like discovering that the Vietnam War was secretly caused by ham radios, or that Napoleon was operating exclusively on the advice of a parrot named Brian.
β
β
Patricia Lockwood (No One Is Talking About This)
β
To future historians, nothing will explain our behavior, except, and hear me out,
a mass outbreak of ergotism caused by contaminated rye stores?
β
β
Patricia Lockwood (No One Is Talking About This)
β
The story of a family is always a story of complicity. It's about not being able to choose the secrets you've been let in on.
β
β
Patricia Lockwood (Priestdaddy)
β
If you are not friends with women, they are theoretical to you.
β
β
Patricia Lockwood (Priestdaddy)
β
When she set the portal down, the Thread tugged her back toward it. She could not help following it. This might be the one that connected everything, that would knit her to an indestructible coherence.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Back in her childhood she used to have holy feelings, knifelike flashes that laid the earth open like a blue watermelon, when the sun came down to her like an elevator she was sure she could step inside and be lifted up, up, past all bad luck, past every skipped thirteenth floor in every building human beings had ever built. She would have these holy days and walk home from school and think, After this I will be able to be nice to my mother, but she never ever was. After this I will be able to talk only about what matters, life and death and what comes after, but she still went on about the weather.
β
β
Patricia Lockwood (No One Is Talking About This)
β
This is the secret: when I encounter myself on the page, I am shocked at how forceful I seem. On the page I am strong, because that is where I put my strength. On the page I am everything that I am not, because that is where I put myself. I am no longer whispering through the small skirted shape of a keyhole: the door is knocked down and the roof is blown off and I am aimed once more at the entire wide night.
β
β
Patricia Lockwood (Priestdaddy)
β
When you cannot pinpoint a pain in your body, the whole world seems to throb with it. Trees in pain, lit windows in pain, Wednesday nights in pain. Pianos flaming with pain, and the scale sliding up into a cry.
β
β
Patricia Lockwood (Priestdaddy)
β
As they perform this ritual, I almost have to turn away, thinking again what a boomeranging, out-of-body experience it is to watch a religious childhood from the outside, when before I was in the very marrow of it.
β
β
Patricia Lockwood (Priestdaddy)
β
In contrast with her generation, which had spent most of its time online learning to code so that it could add crude butterfly animations to the backgrounds of its weblogs, the generation immediately following had spent most of its time online making incredibly bigoted jokes in order to laugh at the idiots who were stupid enough to think they meant it. Except after a while they did mean it, and then somehow at the end of it they were Nazis. Was this always how it happened?
β
β
Patricia Lockwood (No One Is Talking About This)
β
Every day their attention must turn, like the shine on a school of fish, all at once, toward a new person to hate.
β
β
Patricia Lockwood (No One Is Talking About This)
β
NOT my america, a perfectly nice woman posted, and for some reason she responded, damn, I agreeΒ .Β .Β . we didnβt trap george washingtonβs head in a quarter for this
β
β
Patricia Lockwood (No One Is Talking About This)
β
The more closely we could associate a diet with cavemen, the more we loved it. Cavemen were not famous for living a long time, but they were famous for being exactly what the fuck they were supposed to be, something we could no longer say about ourselves. A caveman knew what he was; the adjective was a sheltering stone curve over his head. A man alone under the sky had no idea.
β
β
Patricia Lockwood (No One Is Talking About This)
β
A trick I often use, when I feel overwhelming shame or regret, or brokenness beyond repair, is to think of a line I especially love, or a poem that arrived like lightning, and remember that it wouldn't have come to me if anything in my life had happened differently. Not that way. Not in those words.
β
β
Patricia Lockwood (Priestdaddy)
β
It had also been the place where you sounded like yourself. Gradually it had become the place where we sounded like each other, through some erosion of wind or water on a self not nearly as firm as stone.
β
β
Patricia Lockwood (No One Is Talking About This)
β
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friendβs wedding; Thursday; October; βSheβs Like the Windβ in a dentistβs office; driverβs license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crΓ©tin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
β
β
Patricia Lockwood (No One Is Talking About This)
β
One day they had the idea to hold a toy piano up to her bare feet, and at the first note she struck she uttered a sound of wild outrage - that they had been letting her kick against air and nothingness when she could have been kicking against music this whole time.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Whenever someone says the word "month" to me, I call up an empty square filled with other empty squares, days, and hours and minutes, bricks on bricks spiraling inward, pinwheel and diamond, and herringbone patterns marching smaller and smaller to some vanishing point.
β
β
Patricia Lockwood (Priestdaddy)
β
Previously these communities were imposed on us, along with their mental weather. Now we chose them - or believed that we did. A person might join a site to look at pictures of her nephew and five years later believe in a flat earth.
β
β
Patricia Lockwood (No One Is Talking About This)
β
I just don't want people to be scared of her," her sister had said when they first received the diagnosis, but now that the baby was here the whole family had turned to a huge blue defiant stare that moved as a part through the waves, with the fear of the world curling tall on either side of them. They wanted - what? - to take the sun by the face and force it down: Look at her! Look! Shine on her! Shine! Shine!
β
β
Patricia Lockwood (No One Is Talking About This)
β
Part of what you have to figure out in this life is, Who would I be if I hadnβt been frightened? What hurt me, and what would I be if it hadnβt? Next
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
love is the only argument you can win by saying yes.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
This is how you became someone who put the whole sky into finger quotes.
β
β
Patricia Lockwood (No One Is Talking About This)
β
If all she was was funny, and none of this was funny, where did that leave her?
β
β
Patricia Lockwood (No One Is Talking About This)
β
Tomorrow is the most important thing in life. Comes into us at midnight very clean.
β
β
Patricia Lockwood (No One Is Talking About This)
β
There were only two questions at three in the morning, and they were Am I dying and Does anybody really love me.
β
β
Patricia Lockwood (No One Is Talking About This)
β
When something of hers sparked and spread in the portal, it blazed away the morning and afternoon, it blazed like the new California, which we had come to accept as being always on fire. She ran back and forth in the flames, not eating or drinking, emitting a high-pitched sound most humans couldnβt hear. After a while her husband might burst through that wall of swimming red to rescue her, but she would twist away and kick him in the nuts, screaming, βMy whole life is in there!β as the day she was standing on broke away and fell into the sea.
β
β
Patricia Lockwood (No One Is Talking About This)
β
There was a new toy. Everyone was making fun of it, but then it was said to be designed for autistic people, and then no one made fun of it anymore, but made fun of the people who were making fun of it previously.
β
β
Patricia Lockwood (No One Is Talking About This)
β
When we came home later, my father was wearing his most transparent pair of boxer shorts, to show us he was angry, and drinking Baileys Irish Cream liqueur out of a miniature crystal glass, to show us his heart was broken.
β
β
Patricia Lockwood (Priestdaddy)
β
I thought a voice had to be about your fluency, your dexterity, your virtuosity. But in fact your voice could be about your failings, your falterings, your physical limits. The voices that ring hardest in our heads are not the perfect voices. They are the voices with an additional dimension, which is pain.
β
β
Patricia Lockwood (Priestdaddy)
β
I don't think you're a pervert at all, Sam. If you were a member of my generation you could cum in a special jar over a period of months and then post pictures of the jar online. A foot fetish..." She took a deep breath. "A foot fetish is like a beautiful meadow in comparison. A foot fetish is Pachelbel's Canon.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Dads didn't care about lightning, because lightning was on the cover of all their favorite albums. Sometimes it was painted on their trucks as well. You could tell that if their kids were killed by lightning, they would be sad, but they would also feel superior about it for the rest of their lives, because it was without question the most hard-as way for a child to die. "My son Randy . . ." they would say, their voices trailing, "taken from us by pure electricity in the year Nineteen Hundred and Ninety . . .
β
β
Patricia Lockwood (Priestdaddy)
β
I did not make it out, but this does. Art goes outside, even if we don't; it fills the whole air, though we cannot raise our voices.
β
β
Patricia Lockwood (Priestdaddy)
β
He clenched his small fist, bellowed his rage to the heavens, and resolved to never again recognize the authority of any man on earth.
β
β
Patricia Lockwood (Priestdaddy)
β
I fuckin eat silence of crickets for fun. I got life after
life and a name like Baby. Every time I try to cry a tear
a new kittenhead grows out of me.
β
β
Patricia Lockwood (Motherland Fatherland Homelandsexuals)
β
Something in the back of her head hurt. It was her new class consciousness.
β
β
Patricia Lockwood (No One Is Talking About This)
β
On a fast news day, it was like we had swallowed all of NASCAR and were about to crash into the wall. Either way, it felt like something a dude named Randy was in charge of.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Forking it with such violence that a cucumber skidded off and landed in her lap, where it sat looking up at her like a fresh green clock.
β
β
Patricia Lockwood (No One Is Talking About This)
β
He entertained himself by slipping increasingly outrageous puns into the copy, which culminated in a headline about a dachshund race that read, βAll Wieners in the Long Run.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
I lacked the courage or the knowledge to invent a self,
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
β β β Callout culture! Were things rapidly approaching the point where even you would be seen as bad?
β
β
Patricia Lockwood (No One Is Talking About This)
β
The Flat Earth Society announced it had members all over the globe.
β
β
Patricia Lockwood (No One Is Talking About This)
β
Couldn't he see her arms all full of the sapphires of the instant?
β
β
Patricia Lockwood (No One Is Talking About This)
β
you would see a little pie chart that told you how much of your life had been spent in the shower arguing with people you had never met.
β
β
Patricia Lockwood (No One Is Talking About This)
β
IβM NOT INTERESTED in heaven unless my anger gets to go there too. Iβm not interested in a happy eternity unless I get to spend an eternity on anger first. Let me speak for the meek and say that we donβt want the earth, if thatβs where all the bodies are buried. If we are resurrected at the end of the world, I want us to assemble with a military click, I want us to come together as an army against what happened to us here. I want us to bring down the enemy of our suffering once and for all, and I want us to loot the pockets, and I want us to take baths in the blood.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
See men for miles around give nature what she needs,
rivers and rivers and rivers of it. You exhale with perfect
happiness. Nature turned you down in high school.
Now you can come in her eye.
β
β
Patricia Lockwood
β
Above all else, he loves trilogies. There has never been a trilogy he didn't like, and if you don't understand why, I have three words for you: father, son, and Holy Spirit. Foremost among his favorites is the original Star Wars trilogy, which he fervently believes is about priests in space, and the first three Alien films, which he believes are about how all women are destined to be mothers. Currently he is obsessed with the Transformers movies, because the greatest Transformer of all . . . is Jesus Christ. He even sat me down one day to have a serious discussion about "moral choices the Transformers are forced to make." At no point did I interrupt him to say, "But Dad, they're cars." This means I am becoming an adult. Because truly, the Transformers are more than cars. Some of them are trucks.
β
β
Patricia Lockwood (Priestdaddy)
β
words that dumb things depend on us to sayβbecause when a dog runs to you and nudges against your hand for love and you say automatically, I know, I know, what else are you talking about except the world?
β
β
Patricia Lockwood (No One Is Talking About This)
β
At nineteen, I ought to have been in college along with the rest of my high school class, gaining fifteen pounds of knowledge and bursting the sweatpants of my ignorance. What else did people do there? Changed their names to Patchouli, became vegetarians, grew out their leg hair for the first time, got so caught up in their studies of ancient Greece that they murdered a farmer while worshipping the grape-god in the countryside.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
A woman's body always stands on the outskirts of the town, verging on uncivilization. A think paper gown is all that separates it from the wilderness. Half of its whole being is devoted to remembering how to live in the woods. This is why Witch, this is why whore, this is why Unlucky, and this is why Unclean. This is why attempts to govern the female body always have the feeling of a last resort, because the female body is fundamentally ungovernable. Barbie, the neatest, tannest, blondest tall who ever existed. Barbie, from the Greek, meaning foreign or strange.
β
β
Patricia Lockwood (Priestdaddy)
β
You must always believe that life is as extraordinary as music says it is.β Rebecca West said that. You must also believe that it is as high, and as low, as strained to the breaking, and that the silence before and after it is as sweet.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother's body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.
β
β
Patricia Lockwood (Priestdaddy)
β
Was the baby American? If she was, was it because this was the dust that had raised her particles, was it because she was impossibly ambitious in a land of impossible ambition, or was it because this was the country that so steadfastly refused to care for her?
β
β
Patricia Lockwood (No One Is Talking About This)
β
Start small and work your way up,β her therapist suggested. βStart by hating Officer Big Mac, a class traitor who is keeping the other residents of McDonaldland from getting the sandwiches that they need, and who when the revolution comes will have the burger of his head eaten for his crimes.β But this insight produced in her only a fresh wave of discouragement. Her therapist was more radical than her?
β
β
Patricia Lockwood (No One Is Talking About This)
β
The words Merry Christmas were now hurled like a challenge.
They no longer meant newborn kings, or the dangling silver notes of a sleigh ride, or high childish hopes for snow. They meant "Do you accept Herr Santa as the all-powerfull leader of the new white ethnostate?
β
β
Patricia Lockwood (No One Is Talking About This)
β
Of course it was always the people who called themselves enlightened who stole the most. Who picked up the slang the earliest. To show β what? That they were not like the others? That they knew what was worth stealing? They were the guiltiest too. But guilt was not worth anything.
β
β
Patricia Lockwood (No One Is Talking About This)
β
The word toxic had been anointed, and now could not go back to being a regular word. It was like a person becoming famous. They would never have a normal lunch again, would never eat a Cobb salad outdoors without tasting the full awareness of what they were. Toxic. Labor. Discourse. Normalize.
β
β
Patricia Lockwood (No One Is Talking About This)
β
It was so easy to believe you freely chose the paints, polishes, and waist trainers of your own time, while looking back with tremendous pity to women of the past and their whale bones that you took the longest strides your body was capable of while women of the past limped forward on broken arches.
β
β
Patricia Lockwood (No One Is Talking About This)
β
A trick I often use, when I feel overwhelming shame or regret, or brokenness beyond repair, is to think of a line I especially love, or a poem that arrived like lightning, and remember that it wouldnβt have come to me if anything in my life had happened differently. Not that way. Not in those words.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
Cavemen were not famous for living a long time, but they were famous for being exactly what the fuck they were supposed to be, something we could no longer say about ourselves. A caveman knew what he was; the adjective was a sheltering stone curve over his head. A man alone under the sky had no idea.
β
β
Patricia Lockwood (No One Is Talking About This)
β
But then, almost as a serious laugh, a strength entered her voice and she stood like a tree with a spirit in it, and she opened a portal where her mouth was and spoke better than she ever had before, and as she rushed like blood back and forth in the real artery she saw that ancestors werenβt just behind, they were the ones who were to come.
β
β
Patricia Lockwood (No One Is Talking About This)
β
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friendβs wedding; Thursday; October; βSheβs Like the Windβ in a dentistβs office; driverβs license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and
β
β
Patricia Lockwood (No One Is Talking About This)
β
The desire to describe voice, gesture, skin color, is a desire to eat, take over, make into part of the pattern. I am happy every time to see a writer fail at this. I am happy every time to see real personhood resist our tricks. I am happy to see bodies insist that they are not shut up in this book, they are elsewhere. The tomb is empty, rejoice, he is not here.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
Modern womanhood was more about rubbing snail mucus on your face than she had thought it would be. But it had always been something, hadnβt it? Taking drops of arsenic. Winding bandages around the feet. Polishing your teeth with lead. It was so easy to believe you freely chose the paints, polishes, and waist-trainers of your own time, while looking back with tremendous pity to women of the past in their whalebones;
β
β
Patricia Lockwood (No One Is Talking About This)
β
My mother understood the fundamental facts about me. She knew that I would always prefer to eat with a tiny spoon rather than a regular one, that I was an excellent Thing Finder because I was always looking down at the sidewalk, that I wanted to recite spells, live in a nutshell, play a gold harp. That I had a house in my head that was far away. But it did not seem plausible, yet, that she and her pain had actually produced me.
β
β
Patricia Lockwood (Priestdaddy: A Memoir)
β
What did those people teach you?" he asked me one night, mystified. "What exactly do Catholics believe?"
I'd been preparing my whole life for this question. "First of all, blood. BLOOD. Second of all, thorns. Third of all, put dirt on your forehead. Do it right now. Fourth of all, Martin Luther was a pig in a cloak. Fifth of all, Jesus is alive, but he's also dead, and he's also immortal, but he's also made of clouds, and his face is a picture of infinite peace, but he also always looks like one of those men in a headache commercial, because you'rec causing him so much suffering whenever you cuss. He is so gentle that sheep seem like demented murderers in his presence, but also rays of sunlight shoot out of his face so hard they can kill people. In fact, they do kill people, and one day they will kill you. He has a tattoo of a daisy on his lower back and he gets his hair permed every eight weeks. He's wearing a flowing white dress, but only because people didn't know about jeans back then. He's holding up two fingers because his dad won't let him have a gun. If he lived on earth, he would have a white truck, plastered with bumper stickers of Calvin peeing on a smaller Calvin who is not a Catholic."
Jason was aghast. "Thorns?" he whispered. "But that's the most dangerous part of the rose.
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Patricia Lockwood (Priestdaddy)
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A reporter had once asked the unabomber if he was afraid of losing his mind in prison. βNo, what worries me is that I might in a sense adapt to this environment and come to be comfortable here and not resent it anymore. And I am afraid that as the years go by that I may forget, I may begin to lose my memories of the mountains and the woods and thatβs what really worries me, that I might lose those memories, and lose that sense of contact with wild nature in general.
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Patricia Lockwood (No One Is Talking About This)
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My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive options, and generally plotting the downfall of all men.
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Patricia Lockwood (Priestdaddy: A Memoir)
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I thought a voice had to be about what you could do. It wasnβt until I heard Billie Holiday that I realized a voice could be a collection of compensations for things you couldnβt do. It could be an ingenuity β in the same way some writers wrote books that coursed between the boulders of what they couldnβt do, and went faster, and tumbled over, fell in rills and rushed breathlessly over the stones.
The great singers were also the great interpreters. She had just a single octave, and she made it her lifelong subject.
I thought a voice had to be about your fluency, your dexterity, your virtuosity. But in fact your voice could be about your failings, your faltering, your physical limits. The voices that ring hardest in our heads are not the perfect voices. They are the voices with an additional dimension, which is pain.
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Patricia Lockwood
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As I walk behind her down the halls, it happens. I shrink inch by inch until I am no longer an adult, but a baby toddling along in a comically oversized business suit. I have been pretending to be a grown-up this whole time. My briefcase is full of milk: I have been found out.
'This, then, is home. What is home? Is it a sort of lap of location, that exists only if certain conditions are in place? Is it the intersection of rigidity and comfort--a junction of familiartiy that you curl into? Is it a feeling? I don't know, but I'm being hugged hard against it, and I can't tell when I'll be let go.
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Patricia Lockwood (Priestdaddy)
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And for you, I think, a religious life,' she said, a calm certainty all over her crisscrossed face. She didn't even bother with a question mark. My calling was so obvious; it was written all over me. Two years later, I would be living in my own convent as an order of one, typing poetry in the deep glowing hours to a stranger. Four close walls and cathedral space within, arriving with a rush to myself every moment.
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Patricia Lockwood (Priestdaddy)
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There is a love for structure in them that I recognize, and a desire to worship correctness that I know and I share. When I look at them, I think: to prize traditionalism above all else in a church that began in revolution is to do a great violence to it. But I feel that same ache for the past in myself: to uphold the columns of literature, grammar, the Western tradition. The English language began as an upheaval; I am not protecting it when I try to guard it against change. The Jesus Christ of it, Chaucer, walked across the water telling dirty jokes, made twenty stories stretch to feed a million people, spelled the word "cunt" five ways, performed miracles. Any innovation I put down on paper is an attempt to remind myself of this. I am not modern. I was not born to blaze new paths or bring down walls. I break form against my nature to tell myself that revolution, too, is a tradition that must be upheld.
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Patricia Lockwood (Priestdaddy)
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When I was a child, I always hated being used in my father's sermons, shrunk to a symbol to illustrate some larger lesson, flattened out to give other people comfort or instruction or even a laugh. It did some violence to my third dimension; it made it difficult for me to breathe. 'That's not me,' I would think, listening to some fable where a stick figure of myself moved automatically toward a punishing moral. 'That has nothing to do with me at all.' If I had a soul, I thought, it was that resistance, which would never let another human being have the last word on me.
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Patricia Lockwood (Priestdaddy)