Paranoid Woman Quotes

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In my paranoid world every storekeeper thinks I’m stealing, every man thinks I’m a prostitute or a lesbian, every woman thinks I’m a lesbian or arrogant, and every child and animal sees the real me and it is evil.
Miranda July (It Chooses You)
That better not be what I think it is," Joe mumbled in the dark. It was. "It's not. Jeez, woman, someone's paranoid. It's my pocket light," he said, wincing. Ah, he was only human after all. It wasn't the first time she got him hard nor would it be the last time. The physical discomfort was a small price to pay to have her in his arms. "Well, then your flashlight is growing. Jeez, Eric, put a leash on that thing before it stabs me!" she teased. "But it likes you," he pouted. She giggled. "I seem to remember a certain tenth grade math class where it liked standing up in front of the entire class." He sucked in a breath. "Hey, that traumatized me!
R.L. Mathewson (Sudden Response (EMS, #1))
You get what you give," we will tell his sorry, selfish ass." The Betty Lady has spoken. I detect a Bronx accent. "But," I demur, "it will make the other woman say, ´See? She IS a jealous and paranoid and pushy wife.´" The Betty Lady rips open a cell phone statement with a nail file and, without looking up at me, says, "Let me tell you something, honey. In my experience? The only thing they care about is what they see in the mirror each morning and WINNING...or their perception of winning.
Suzanne Finnamore (Split: A Memoir of Divorce)
Why did people circle one another, consumed with either fear or envy, when all the they were fearing or envying was illusion? Why did they build psychological fortresses and barriers around themselves that would take a Ph.D. in safe-cracking to get through, which even they could not penetrate from the inside? And once again I compared European society with Aboriginal. The one so archetypally paranoid, grasping, destructive, the other so sane. I didn't want ever to leave this desert. I knew that I would forget.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
I imagine this conversation after a stranger is told No by a woman he has approached: MAN: What a bitch. What’s your problem, lady? I was just trying to offer a little help to a pretty woman. What are you so paranoid about? WOMAN: You’re right. I shouldn’t be wary. I’m overreacting about nothing. I mean, just because a man makes an unsolicited and persistent approach in an underground parking lot in a society where crimes against women have risen four times faster than the general crime rate, and three out of four women will suffer a violent crime; and just because I’ve personally heard horror stories from every female friend I’ve ever had; and just because I have to consider where I park, where I walk, whom I talk to, and whom I date in the context of whether someone will kill me or rape me or scare me half to death; and just because several times a week someone makes an inappropriate remark, stares at me, harasses me, follows me, or drives alongside my car pacing me; and just because I have to deal with the apartment manager who gives me the creeps for reasons I haven’t figured out, yet I can tell by the way he looks at me that given an opportunity he’d do something that would get us both on the evening news; and just because these are life-and-death issues most men know nothing about so that I’m made to feel foolish for being cautious even though I live at the center of a swirl of possible hazards DOESN’T MEAN A WOMAN SHOULD BE WARY OF A STRANGER WHO IGNORES THE WORD ‘NO’.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
The Decision ...I wiped my hands on my pinafore now sullied and stained not crisp or pressed as it had been before...
Muse (Enigmatic Evolution)
Well, she kinda sorta has a few dozen plans on getting out of the city.” Quiet descended. The Protectors had something similar. Only they limited escape routes to five. Apparently little Victoria was hugely paranoid. “Fine,” Wren huffed. “She has fifty-two and a half.” Liam had to bust in then. This was getting too good not to participate. “Fifty-two and a half?” He pushed away from the wall and flopped into a chair across from the irate woman. “Well, fifty-two complete routes and the half is more of a ‘run around in a circle and scream because she’s totally fucked in a bad way’ plan. Somehow it involves the Goodyear blimp and Jolly Ranchers.” The woman grimaced, and he couldn’t restrain his wide smile.
Celia Kyle (Big Bad Vamp (Knight Protectors, #2))
Monotheism exhibits what is essentially a pathological personality pattern projected onto the ideal of God: the pattern of the paranoid, possessive, power-obsessed male ego. This God is not someone you would care to invite to a garden party. Also interesting is that the Western ideal is the only formulation of deity that has no relationship with woman at any point in the theological myth. In ancient Babylon Anu was paired with his consort Inanna; Grecian religion assigned Zeus a wife, many consorts, and daughters. These heavenly pairings are typical. Only the god of Western civilization has no mother, no sister, no female consort, and no daughter.
Terence McKenna (Food of the Gods: The Search for the Original Tree of Knowledge)
Cryptographers are professional paranoids
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
What chance has a lonely surfer boy For the love of a surfer chick, With all these Humbert Humbert cats Coming on so big and sick? For me, my baby was a woman. For him she’s just another nymphet.
Thomas Pynchon (The Crying of Lot 49)
For one hit he’d done a version of Victor/Victoria, pretending to be a man pretending to be a woman pretending to be a man when he’d been hired to kill a paranoid and heavily guarded government official.
Pauline Baird Jones (Lonesome Lawmen: The Complete Bundle (1-4) (The Lonesome Lawmen))
You're caught." She said. "No better off than I am, but you don't deserve to watch me fail. You showed up uninvited and you took everything from us. You stole our sisters, our parents, our kids. You took the sky, the view, you took day and night. A look across the street. A glance out a window. You've taken a view, every view, and with that, perspective. Who do you think you are, coming here, taking, then siting silent, watching me go mad? I hope you're hurt. I hope you're stuck in here. I hope you get taken from you what you've taken from us. How can I be a mother in this world, your world? How am I supposed to feel, ever, in a world where my kids are allowed to look. They don't know me. My kids. They know a weathered, paranoid woman who cringes at every suggestion they make. They know a woman who says no so many more times than she says yes. A thousand times no. A hundred thousand times no. They know a woman who tells them what they're doing is wrong, every day, all night. I was different before you. My kids will never know that person. I'll never know that person again.
Josh Malerman (Malorie (Bird Box, #2))
It was not as if he did not know what living in Lagos could do to a woman married to a young and wealthy man, how easy it was to slip into paranoid about 'Lagos girls,' those sophisticated monsters of glamour who swallowed husbands whole, slithering them down their throats.
Chimamanda Ngozi Adichie (Americanah)
Contemporary feminism cut itself off from history and bankrupted itself when it spun its puerile, paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex. Woman’s sexual glamour has bewitched and destroyed men since Delilah and Helen of Troy.
Camille Paglia (Sex, Art, and American Culture: Essays)
But men like this one, men who will run you off the road because they have cast you in their paranoid fantasies, are far more common. And the tyranny of their appetites is so woven through every woman’s world that imagining life without it is the same as imagining life without ground underfoot.
Christopher Rice (Bone Music (Burning Girl, #1))
We walked down a narrow alley that opened up to one of the main thoroughfares of Voa. My body clenched, for a moment, as a man’s eyes lingered on my face. And a woman’s. And a child’s. Everywhere eyes caught mine and then shifted away. I grabbed Akos’s arm, and pulled him in to whisper, “They’re staring. They know who I am.” “No,” he said. “They’re staring because you’ve got bright blue paint all over your face.” I touched my cheek, lightly, where the paint had dried. My skin felt rough and scaly. It hadn’t occurred to me that today it meant nothing if people stared at me. “You’re kind of paranoid, you know that?” he said to me. “And you’re starting to sound kind of cocky, for someone I routinely beat up.” He laughed.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
In my series, five percent presented self-diagnosed. In most cases, this was not believed by the initial clinician. I had the following unnerving experience. Prior to my first multiple personality disorder case, I did not think the condition existed. I saw a young woman who claimed to have multiple personality disorder, and dismissed her claim. She never mentioned it again. Seven years later, while doing research in multiple personality disorder, I asked her to be a control subject for a new multiple personality disorder screening protocol, since I believed she was a medication-controlled paranoid schizophrenic. A protector personality rapidly took over, cursed at me for disbelieving the patient in the first place, introduced me to other personalities, resumed control, and chastized me vehemently at great length. Thereafter, she left, never to return.
Richard P. Kluft (Childhood Antecedents of Multiple Personality Disorders (Clinical Insights))
Originally, the word power meant able to be. In time, it was contracted to mean to be able. We suffer the difference. Iwas waiting for a plane when I overheard two businessmen. One was sharing the good news that he had been promoted, and the other, in congratulation, said, “More power to you.” I've heard this expression before, but for some reason, I heard it differently this time and thought, what a curious sentiment. As a good wish, the assumption is that power is the goal. Of course, it makes a huge difference if we are wishing others worldly power or inner power. By worldly power, I mean power over things, people, and situations—controlling power. By inner power, I mean power that comes from being a part of something larger—connective power. I can't be certain, but I'm fairly sure the wish here was for worldly power, for more control. This is commonplace and disturbing, as the wish for more always issues from a sense of lack. So the wish for more power really issues from a sense of powerlessness. It is painfully ironic that in the land of the free, we so often walk about with an unspoken and enervating lack of personal freedom. Yet the wish for more controlling power will not set us free, anymore than another drink will quench the emptiness of an alcoholic in the grip of his disease. It makes me think of a game we played when I was nine called King of the Hill, in which seven or eight of us found a mound of dirt, the higher the better, and the goal was to stand alone on top of the hill. Once there, everyone else tried to throw you off, installing themselves as King of the Hill. It strikes me now as a training ground for worldly power. Clearly, the worst position of all is being King of the Hill. You are completely alone and paranoid, never able to trust anyone, constantly forced to spin and guard every direction. The hills may change from a job to a woman to a prized piece of real estate, but those on top can be so enslaved by guarding their position that they rarely enjoy the view. I always hated King of the Hill—always felt tense in my gut when king, sad when not, and ostracized if I didn't want to play. That pattern has followed me through life. But now, as a tired adult, when I feel alone and powerless atop whatever small hill I've managed to climb, I secretly long for anyone to join me. Now, I'm ready to believe there's more power here together.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Anyone reading or rereading Infinite Jest will notice an interesting pertinence: throughout the book, Wallace’s flat, minor, one-note characters walk as tall as anyone, peacocks of diverse idiosyncrasy. Wallace doesn’t simply set a scene and novelize his characters into facile life; rather, he makes an almost metaphysical commitment to see reality through their eyes. A fine example of this occurs early in Infinite Jest, during its “Where was the woman who said she’d come” interlude. In it we encounter the paranoid weed addict Ken Erdedy, whose terror of being considered a too-eager drug buyer has engendered an unwelcome situation: he is unsure whether or not he actually managed to make an appointment with a woman able to access two hundred grams of “unusually good” marijuana, which he very much wants to spend the weekend smoking. For eleven pages, Erdedy does nothing but sweat and anticipate this woman’s increasingly conjectural arrival with his desired two hundred grams. I suspect no one who has struggled with substance addiction can read this passage without squirming, gasping, or weeping. I know of nothing else in the entirety of literature that so convincingly inhabits a drug-smashed consciousness while remaining a model of empathetic clarity. The literary craftsman’s term for what Wallace is doing within the Erdedy interlude is free indirect style, but while reading Wallace you get the feeling that bloodless matters of craftsmanship rather bored him. Instead, he had to somehow psychically become his characters, which is surely why he wrote so often, and so well, in a microscopically close third person. In this very specific sense, Wallace may be the closest thing to a method actor in American literature, which I cannot imagine was without its subtle traumas. And Erdedy is merely one of Infinite Jest’s hundreds of differently damaged walk-on characters! Sometimes I wonder: What did it cost Wallace to create him?
David Foster Wallace (Infinite Jest)
I want you to be happy. Eat it.” A wry smile curved Rose’s lips. “Am I to find happiness in a piece of chocolate cake?” Eve already had a forkful en route to her mouth. “I stake my reputation on it.” “Oh,” she replied dryly. “Surely heaven is just a bite away.” “Speaking of heaven,” Eve said a few minutes later when Rose thought she might expire from the bliss the dessert inspired, “tell me about your evening at Saint’s Row.” “Shh!” Her paranoid gaze darted around to see if anyone had overheard, but there was no one standing close enough to their whitewashed bench. “Don’t shush me, Rose Danvers. I’m your best friend and you’ve kept me waiting four whole days! I demand details.” Cheeks flushed, Rose stared at the half-eaten cake on her plate. Eve’s timing might leave something to be desired, but at least she’d stopped Rose from eating the entire slice. “What do you want to know?” Eve’s expression was incredulous. “Everything, of course.” Then, as though realizing who she was talking to, she sighed. “Did you find him?” Rose nodded. “I did.” The fire in her cheeks burned hotter, and she looked away. “Oh, Eve!” Her friend grabbed her wrist, clattering fork against plate. “That arse didn’t hurt you did he?” “No!” Then lowering her voice, “And he’s not an arse.” Using such rough language made her feel daring and bold. The scowl on Eve’s face eased. “Then…he was good to you?” Rose nodded, leaning closer. “It was the most amazing experience of my life.” The blonde giggled, bringing her head nearer to Rose’s. “Tell me everything.” So Rose did, within reason, looking up every once in awhile to make sure no one could hear. Afterward, when she was finished, Eve looked at her with a peculiar expression. “It sounds wonderful.” “It was.” Eve’s ivory brow tightened. “So, why do you sound so…disappointed?” Rose sighed. “It’s going to sound so pathetic, but when I saw Grey the next day he didn’t recognize me.” “But I thought you didn’t want him to know it was you.” Rose laughed darkly. “I don’t. That’s the rub of it.” She turned to more fully face her friend. “But part of me wanted him to realize it was me, Eve. I wanted him to see me as a woman, not as his responsibility or burden.” “I’m sure he doesn’t view you as any such thing.” Shaking her head Rose set the plate of cake aside, her appetite gone for good. "I thought this scheme would make everything better, and it's only made things worse." Worse because her feelings for Grey hadn't lessened as she'd hoped they might, they'd only deepened. Eve worried her upper lip with her bottom teeth. "Are you going to meet him again?" Another shake of her head, vehement this time. "No." "But. Rose, he wants to see you." "Not me, her." This was said with a bit more bitterness than Rose was willing to admit. He might have whispered her name, but it wasn't her he wanted to meet. Eve chuckled. "But you are her." She squeezed her wrist again. "Rose, don't you see? You're who he wants to see again, whether he knows it was you or not." Rose hadn't looked at it that way. She wasn't quite convinced her friend was right, but it was enough to make her doubt her own conclusions. She shook her head again. Blast, but she was making herself lightheaded. "I just don't know." "You'll figure it out," Eve allowed. "You always do.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...
Zoe Rosi
And stay the night if you want. My bed is on the other side of the house. You won't hear shit. And," I added, leaning forward slightly, watching as her pupils dilated when I was closer. She wanted me alright. "They won't hear anything either," I added with a smirk that made her cheeks heat up again. "You know," I added, wanting to see how red I could make a self-proclaimed 'cool, mature, experienced, metropolitan woman', "you could really get her back with a blowjob story of your own." "Sh!" she said, looking around herself, all paranoid about being overheard. "And I can't do that." "Why not?" "Because we haven't..." she said, waving a hand, eyes big. "Well," I said, feeling my cock twitch at the very idea. "We will have to see what we can do about that, won't we?" I asked, watching her eyes get even more heated. Was there anything fucking hotter than a woman who got off on the idea of going down on you? Wasn't sure there was. I watched as she took a breath, seeming to pull herself together, and gave me a saucy smile, her eyes wicked. "I don't know. Maybe. If you're lucky," she added, walking away. I waited until she was about halfway across the room before I called to her. "I'll make dinner. You bring dessert. Something with some... whipped cream," I said, voice heavy with innuendo, loving watching the confident mask fall again as her eyes went big and she rushed out toward the back while a chorus of chuckles broke out across the space. As she moved into the doorway toward the kitchen, she looked over at me, giving me a 'you're gonna pay for that' look. Quite frankly, I was looking forward to it.
Jessica Gadziala (Peace, Love, & Macarons)
It was only then he learned that his mother escaped from Vietnam on a boat. The trip was harrowing; a woman was raped in front of her as she lay still, pretending she was asleep. Once his family settled in America, her two brothers attempted to join them by braving the same journey. But their boat didn’t make it. Until that point, K. hadn’t even known he’d had two uncles. The memory of them had vanished with their bodies in the sea. Maybe this explained his mother’s paranoid episodes? Her tendency to hide anything remotely valuable in absurd places around the house?
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
are you paranoid?” he asks. “of course. what sane man is not?
Charles Bukowski (The Most Beautiful Woman in Town & Other Stories)
When someone ignores that word, ask yourself: Why is this person seeking to control me? What does he want? It is best to get away from the person altogether, but if that’s not practical, the response that serves safety is to dramatically raise your insistence, skipping several levels of politeness. “I said NO!” When I encounter people hung up on the seeming rudeness of this response (and there are many), I imagine this conversation after a stranger is told No by a woman he has approached: MAN: What a bitch. What’s your problem, lady? I was just trying to offer a little help to a pretty woman. What are you so paranoid about? WOMAN: You’re right. I shouldn’t be wary. I’m overreacting about nothing. I mean, just because a man makes an unsolicited and persistent approach in an underground parking lot in a society where crimes against women have risen four times faster than the general crime rate, and three out of four women will suffer a violent crime; and just because I’ve personally heard horror stories from every female friend I’ve ever had; and just because I have to consider where I park, where I walk, whom I talk to, and whom I date in the context of whether someone will kill me or rape me or scare me half to death; and just because several times a week someone makes an inappropriate remark, stares at me, harasses me, follows me, or drives alongside my car pacing me; and just because I have to deal with the apartment manager who gives me the creeps for reasons I haven’t figured out, yet I can tell by the way he looks at me that given an opportunity he’d do something that would get us both on the evening news; and just because these are life-and-death issues most men know nothing about so that I’m made to feel foolish for being cautious even though I live at the center of a swirl of possible hazards DOESN’T MEAN A WOMAN SHOULD BE WARY OF A STRANGER WHO IGNORES THE WORD ‘NO’.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
The Anxiety of Influene...came out at the same time that a lot of us were energetically rejoicing in the rediscovery and reprinting of earlier woman writers, the rich inheritance that had been withheld from all writers by the macho literary canon. While these guys were over there being paranoid about influence, we were over here celebrating it.
Ursula K. Le Guin (Cheek by Jowl: Talks and Essays on How and Why Fantasy Matters)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. I mentioned I’d been in contact with her mother. “Oh crikey, that sounds dangerous!” “She’s a feisty woman, isn’t she?” William giggled. “Granny’s great fun after a few gin and tonics.” “Sh, William,” Diana said, giggling too. “My mother’s been a tremendous source of support to me. She never talks publicly; she’s just there for me.” “And what about William’s other granny?” “I have enormous respect for the Queen; she has been so supportive, you know. People don’t see that side of her, but I do all the time. She’s an amazing person.” “Has she been good over the divorce?” “Yes, very. I just want it over now so I can get on with my life. I’m worried about the attacks I will get afterward.” “What attacks?” “I just worry that people will try and knock me down once I am out on my own.” This seemed unduly paranoid. People adored her. I asked William how he was enjoying Eton. “Oh, it’s great, thanks.” “Do you think the press bother you much?” “Not the British press, actually. Though the European media can be quite annoying. They sit on the riverbank watching me rowing with their cameras, waiting for me to fall in! There are photographers everywhere if I go out. Normally loads of Japanese tourists taking pictures. All saying “Where’s Prince William?’ when I’m standing right next to them.” “How are the other boys with you?” “Very nice. Though a boy was expelled this week for taking ecstasy and snuff. Drugs are everywhere, and I think they’re stupid. I never get tempted.” “Does matron take any?” laughed Diana. “No, Mummy, it gives her hallucinations.” “What, like imagining you’re going to be king?” I said. They both giggled again. “Is it true you’ve got Pamela Anderson posters on your bedroom wall?” “No! And not Cindy Crawford, either. They did both come to tea at the palace, though, and were very nice.” William had been photographed the previous week at a party at the Hammersmith Palais, where he was mobbed by young girls. I asked him if he’d had fun. “Everyone in the press said I was snogging these girls, but I wasn’t,” he insisted. Diana laughed. “One said you stuck your tongue down her throat, William. Did you?” “No, I did not. Stop it, Mummy, please. It’s embarrassing.” He’d gone puce. It was a very funny exchange, with a flushed William finally insisting: “I won’t go to any more public parties; it was crazy. People wouldn’t leave me alone.” Diana laughed again. “All the girls love a nice prince.” I turned to more serious matters. “Do you think Charles will become king one day?” “I think he thinks he will,” replied Diana, “but I think he would be happier living in Tuscany or Provence, to be honest.” “And how are you these days--someone told me you’ve stopped seeing therapists?” “I have, yes. I stopped when I realized they needed more therapy than I did. I feel stronger now, but I am under so much pressure all the time. People don’t know what it’s like to be in the public eye, they really don’t.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Over the years I've done everything from small organization units in condo closets with sliding doors, to one massive one-thousand-square-foot duplex closet for a pamper socialite that included a wall of climate-controlled storage for her substantial fur collection, and no lie, a CIA-level fingerprint lock on the door. The only thing that was ever more fun was doing a panic room for a paranoid woman who had recently lost her husband. She wanted to be sure that if someone broke into her Gold Coast brownstone she could survive in comfort for at least a week. We referred to her as the Preppy Prepper, giving her a large panic room with en suite bathroom, which included a mini kitchen stocked with canned caviar and smoked oysters and splits of vintage champagne, completely upholstered in a huge-scale blowsy floral chintz.
Stacey Ballis (Recipe for Disaster)
legit, a convertible that will take me anywhere—it’s almost overwhelming. But I am jolted back to life when a tall, tanned brunette strolls through the lobby. Her top is what’s left of a string bikini and covers almost nothing. Her bottom is a sheer skirt that covers even less. I hand over a Visa card for the charges. I could also use either cash or a prepaid credit card, but since the Fibbies know where I’m staying, there’s no need to be deceptive. I’m sure the Miami office has been notified, and there’s probably a set of eyes not too far away. If I were really paranoid, I could believe that the FBI has already been in my room and perhaps hidden a bug or two. I get to my room, see no bugs or spooks, take a quick shower, and change into shorts and sandals. I go to the bar to check out the talent. I eat alone in the hotel café and catch the eye of a fortyish woman who is dining with what appears to be a female friend. Later, back in the bar, I see her again and we introduce ourselves. Eva, from Puerto Rico. We’re having a drink when the band starts. Eva wants to dance, and though it’s been years, I hit the floor with all the energy I have. Around midnight, Eva and I make it to my room, where we immediately undress and hop into bed. I almost pray the FBI has the room wired
John Grisham (The Racketeer)
When it comes to generating writing material, teenagers are gold. Their world is a narcissistic, anarchic, paranoid hell of anxieties and stresses about how they look; how popular they are or aren’t; and how fast or slowly, big or small their private parts are growing. As an observer, it’s fantastic. Hilarious, at times. Poignant and heartbreaking. It is all the stuff of great human drama because, before your eyes, you get to witness character transformation. Boy grows into man. Girl grows into woman. Writers strain to make this shit up. But – and here’s the catch – we dare not discuss any of this if we want our kids to trust us or ever talk to us again. And that’s because, lifts and pocket money aside, teenagers crave privacy – the need for which hatches both swiftly and silently while we’re sorting out the laundry. It’s as if they suddenly wake up one day creeped out by the thought of all those years we wiped their butts and helped them put on their undies and they go into lock- down. They smoke us out, put up walls, close their doors, shut down their stories, and waft, earphoned, through our homes in a shroud of hormones and appetite. Their lives – in which, until recently, we participated with Too Much Information and gross oversharing – suddenly become ‘none of our business.
JOANNE FEDLER
In other words, I mean the formal aspect of a work that has made it possible for critics of all affiliations (Marxist, feminist, postcolonial, historicist) to describe a work or class of works as “paranoid” (Mary Ann Doane on the Hollywood “woman’s film” of the 1940s), “euphoric” (Fredric Jameson on postmodern art and architecture), or “melancholic” (Anne Cheng on Asian-American literature); and, much more importantly, the formal aspect that enables these affective values to become significant with regard to how each critic understands the work as a totality within an equally holistic matrix of social relations.
Sianne Ngai (Ugly Feelings)
MAN: What a bitch. What’s your problem, lady? I was just trying to offer a little help to a pretty woman. What are you so paranoid about? WOMAN: You’re right. I shouldn’t be wary. I’m overreacting about nothing. I mean, just because a man makes an unsolicited and persistent approach in an underground parking lot in a society where crimes against women have risen four times faster than the general crime rate, and three out of four women will suffer a violent crime; and just because I’ve personally heard horror stories from every female friend I’ve ever had; and just because I have to consider where I park, where I walk, whom I talk to, and whom I date in the context of whether someone will kill me or rape me or scare me half to death; and just because several times a week someone makes an inappropriate remark, stares at me, harasses me, follows me, or drives alongside my car pacing me; and just because I have to deal with the apartment manager who gives me the creeps for reasons I haven’t figured out, yet I can tell by the way he looks at me that given an opportunity he’d do something that would get us both on the evening news; and just because these are life-and-death issues most men know nothing about so that I’m made to feel foolish for being cautious even though I live at the center of a swirl of possible hazards DOESN’T MEAN A WOMAN SHOULD BE WARY OF A STRANGER WHO IGNORES THE WORD ‘NO’.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
I found myself paranoid most days, looking around every corner, wondering when the minx of a woman I’d married would appear, tempting me with her body to the point of insanity.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
so frightened.’ ‘Ooh, Dave!’ Grinning spitefully, Darren sat bolt upright. ‘You’re done for now! She probably thought you were onto her. You’d best be careful, mate. Sounds to me like she’s bewitched you already.’ ‘Oh, do shut up!’ Like everyone else, Abigail had long been curious about the old woman, but she had no time for Darren’s silliness. ‘I can’t help feeling sorry for her. I mean, what went wrong in her life, do you think?’ She looked around at her friends. ‘What could have happened to make her like she is, so terrified of people, and so paranoid about going out in daylight?’ For a while, they discussed their neighbour, until Robin suddenly remembered he had promised to call his father. ‘I’d best get down to the phone in the hall and give my dad a quick ring.’ ‘Make him wait, why don’t you?’ Having fallen out with his own family long ago, Darren bitterly resented those who stayed together. ‘He’s always giving you grief over wanting to be a doctor, instead of going into his poxy veterinary business. He made his choice and it’s time he let you make yours. For Chrissake, Rob! When will you stop running after him, like some frightened little kid!’ In the ensuing silence, all eyes were on Robin. A quiet guy, he was not easily roused into temper. But Darren’s words were harsh, and the tension almost palpable. Getting up, his
Josephine Cox (Songbird)
To work in this field, you have to become devious yourself. You have to think like a malicious attacker to find weaknesses in your own work. . . . Cryptographers are professional paranoids. It is important to separate your professional paranoia from your real-world life so as not to go completely crazy.
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
Elena actually put up a calming hand, which of course made no sense when you’re on the phone. “Okay, sure, I see.” “They’re watching you. They’re watching us.” The woman sounded more than a little paranoid, but then again, at least three people were dead.
Harlan Coben (Run Away)
The Catholic Church’s policy of blaming women and sex for the ills of the world came to full fruition in the late Middle Ages and on into the Renaissance. At minimum, hundreds of thousands of innocent women and men were hunted down, tortured horribly, reduced to physical, social, and economic wreckage, or burnt at the stake for being “witches”. The Catholic Church, so obsessed with it’s paranoid, irrational, illogical, and superstitious fantasies, deliberately tortured and executed human beings for a period of three hundred years. All this carnage, due to the Church's fear of learning, kept Europe in the throws of abysmal ignorance for a thousand years. What has been lacking in the world since the fall of the ancient world is a logical view of the godhead. To the Greek and Roman mind the gods were utilitarian; that is they offered convenient place to appreciate human archetypes. Sin and redemption from sin had nothing to do with the gods. The classic Greek and Roman gods did not offer recompense in life nor a heavenly afterlife as reward. Rather morality was determined by your service to humanity whether it was in the form of philosophy, science, art, architecture, engineering, leadership, or conquest. In this way humanity could live up to great potential instead of wasting their energy on worship, and false promises For almost a thousand years after the fall of Rome the Catholic Church’s control of society and law guaranteed that woman’s position was degraded to that of a second class citizen, far below the ancient Roman standard. Every literary reference depicts women as inferior, unworthy of inheritance, foolish, lustful and sinful. The Church ordained wife beating and encouraged total obedience to fathers and husbands. Women generally could not own land, join a guild, nor earn money like a man. Despite all this, a series of events unfolded; the crusades, rebirth of classical ideas, the printing press, the Reformation, and the Renaissance, all of which began to move womankind forward. VALENTINES DAY CARDS The Lupercalia festival of the New Year became an orgiastic carnival. A lottery ceremony ensued where men chose their sexual partners by choosing small bits of paper naming each woman present. Later the Christians, trying to incorporate and tame this sexual festival substituted the mythical saint Valentine; and ‘the cards of lust’ evolved into the valentine cards we exchange today.
John R Gregg
She may have been a paranoid psychotic with issues, but no-one expects to meet the perfect woman.
Gerry Burke (THE LADIES FROM LONG ISLAND: Another Murder Mystery from Gerry Burke)