Bathroom Phrases Quotes

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So stop talking about what a loser you are, because I wouldn’t follow a loser into a slime-covered bedroom or a slime-covered bathroom, and I’ve followed you into both." George paused and said aggressively: "And I would really like to change the phrasing of that last sentence, because it sounded so bad, but I’m not sure how.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
I grew up poor among poor people in a poor town, but I never knew how poor I'd been until I moved to New York. These women with their fresh produce and diamonds and manicures. Even their skin was expensive. What got to me about them wasn't just the way they made me suddenly self-conscious about the ink under my fingernails or the haircut I gave myself in my own bathroom. It wasn't just that they'd spend more in one evening on chocolate, escarole, and jam than I did on the rice and beans and film and photo paper I needed for a week. What enraged me is that they didn't, couldn't, see me. I was less than a machine to them, less than a body. I did not even appear in their line of sight. I was nothing more than a couple of chanted phrases: Cash or charge? Paper or plastic? Thank you, have a nice night.
Rachel Lyon (Self-Portrait with Boy)
Write this phrase on a small piece of paper: I change best by feeling good, not by feeling bad. Step 2: Tape the paper to your bathroom mirror or anywhere you will frequently see it. Step 3: Read the phrase often.
B.J. Fogg (Tiny Habits: The Small Changes That Change Everything)
Where the hell are we going, Jode?” I’d already asked for the location and marked it on my GPS. But I was feeling the seventy pounds of food and supplies on my back. The cadre in RASP would’ve given this hike their stamp of approval. “You told me remote,” Jode replied. “Remote requires a good bit of trekking.” “You mean hiking.” “No, Gideon. I mean trekking.” We’d been doing that a lot, Jode and I. I’d become a human autocorrect for all his weird British phrases. He usedfancy as a verb. Nosh meant food.Bum was ass. Loo was bathroom. And everything was either bloody, brilliant, or both, bloody brilliant,which to me only described one thing. Actually three: the color of my cuff, my sword, and my armor. They really were bloody brilliant.
Veronica Rossi (Riders (Riders, #1))
Once we have our details—our white-hot places of experience he calls them—we have to choose one and write about it. ‘Not in sentences but in bursts of feelings—phrases, words, don’t worry how they relate just get them out. You are vomiting here.’ I circle my mother’s bathroom and start writing about it—the greasy face lotion, the dry shampoo spray, the heavy razor, the amber bottle of Chanel No. 5—and all the things that became mine the day she left.
Lily King (Writers & Lovers)
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before. Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner. Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage. At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it. But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
Maggie Georgiana Young (Just Another Number)
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
30. Storms Make You Stronger A lot of the advice in this book is about how to cope when things don’t go well. You see, life is unpredictable, and as sure as eggs is eggs, it won’t always swing your way. But when those storms come I have a clear and simple mantra: The time to shine is when it is darkest. In other words: when it is all going wrong, step up to the plate, give it your all, heave hardest on that rope, and show that you are bigger than the obstacle. Nature has a way of rewarding that sort of attitude. Sometimes life tests us a little. Things we had banked on coming in just don’t work out. People let you down, one disaster follows another. You know the phrase: it never rains but it pours. When those times come we have a choice: do we cower and get beaten or do we stand tall and face it? I liken it to the school bully. When you stand up to them, they often stand down. They are testing you to see what you are made of. Man or mouse? So use those tough times as an opportunity to show the world and yourself what you are made of. Regardless of how you feel, how you see yourself, I have learnt one key lesson from mountains and the wild: that underneath it all, we humans are made strong. We all behave and act a little differently, depending on how we have been brought up and what has been thrown at us in our lives - but the underlying truth is that the real core of each of us is strong. I have seen incredible heroics from unlikely people on mountains. But it took exceptional circumstances for that bravery to emerge. You see, we are all a bit like grapes: when you squeeze us, you see what we are made of. And I believe that most people are far stronger than they ever imagine. It is refined within us from thousands of years of having to survive as a species. It might be dusty and hidden away, but it is there somewhere inside you: the heart of a survivor. Courage. Tenacity. Strength. So don’t shy away from hard times, they are your chance to shine. Write this on your bathroom mirror: Struggle develops strength and storms make you stronger.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
THERE WERE MORNINGS WHEN VINCENT FELT LIKE THE last hippie in the world. The Last Hippie. The phrase assumed a kind of tragic grandeur as he stood in the bathroom of his Oak Street flat, fluffing his amber mane to conceal his missing ear. If
Armistead Maupin (Tales of the City (Tales of the City, #1))
Classroom management” seems a neutral and harmless phrase. But the management of classrooms requires the management of children—which means power over people, control over bodies. These efforts cannot possibly be neutral or harmless. In classrooms human beings are told how they will line up and walk, when they will be permitted to use the bathroom, to eat, to speak, to sit down or to stand up. Such stringent limits on human freedom are bound to be fraught with trouble.
Carla Shalaby (Troublemakers: Lessons in Freedom from Young Children at School)
A round of girls huddled into the bathroom. Anja had met at least two of them several times but they'd never spoken more than blanks together, blank phrases meaning nothing, signifying nothing except that they knew each other, like Mad Libs for social acquaintance. Anja shook her head. What was the point? Are you having a good night. What did you do earlier. Where are you going later. Blank blank blank.
Elvia Wilk (Oval)
How often do you do this?” Buster asked. The men looked at him like it should have been obvious. “Every goddamned night,” Kenny said, “unless there’s something good on TV, which is pretty much never.” “We don’t have jobs, Buster,” said Joseph. “We’re living with our parents and we don’t have girlfriends. We just drink and blow shit up.” “You’re making it sound like it’s a bad thing,” Arden said to Joseph. “Well I don’t mean to,” said Joseph, and looked at Buster. “It only sounds that way when I say it out loud.” “So,” Buster began, unsure of the correct way to phrase his question, “does all of this, shooting off potato guns, ever remind you of your time over in Iraq?” As soon as he finished his question, everyone around him seemed, momentarily, incredibly sober. “Are you asking if we have flashbacks or something?” asked David. “Well,” Buster continued, beginning to realize that he had been better off shooting potatoes into the atmosphere, “I just wonder if shooting these spud guns makes you think about your time in the army.” Joseph laughed softly. “Everything makes me think about the army. I wake up and I go to the bathroom and I think about how, in Iraq, there were just pools of piss and shit in the streets. And then I get dressed and I think about how, when I would put on my uniform, I was already sweating before I buttoned my shirt. And then I eat breakfast and think about how every single goddamn thing I ate over there had sand in it. It’s hard not to think about it.
Kevin Wilson (The Family Fang)
Contraction begins: 45 seconds long, 5 minutes apart COACH: Coach her from head to toe in relaxation and in quiet, relaxed abdominal breathing. Coach her in mental imagery (“bag of muscles” technique), keeping in mind the purpose of each technique. Breathing=Control Relaxation=Comfort “Bag of muscles” technique aids in perception Rub her back if there is any backache at all. You should be serious and alert. Don’t let tension build up. Be ahead of things, Coach. You see she is MORE SERIOUS NOW. Another contraction: 50 to 55 seconds COACH: Repeat the sequence above. Remind her not to hold herself still, imitating relaxing, but to really let go! In between contractions COACH: Offer her a wet washrag; wipe off her brow and the back of her neck, if she lets you. It can be nice, too, to have sweaty palms wiped. Continue to rub her shoulders in between contractions. Talk to her about relaxing. Do not let tension build up anywhere. The hours are going by. You see she is MOST SERIOUS NOW. Another 1-minute contraction COACH: Coach her in everything. Don’t forget key phrases: slack open mouth, loose limp hands. In between contractions COACH: About every hour and a half, remind her to go to the bathroom, and encourage her to turn over onto her other side. (A contraction is not your enemy. It is just your own big bag of muscles flexing for you, to get the door open. As you feel the flex, think of opening and opening.)
Susan McCutcheon (Natural Childbirth the Bradley Way)
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